Poems List

Sameness

Sameness


Over all hilltops
is peace
in all the treetops
you feel
barely a breeze;
The birds in the forest have
stopped their song
Wait, before long
you too will be still.
411

River Lilies

River Lilies

Saw a boy three lilies white,
Lilies in the river,
Half heart-open to the light,
Full of golden arrows bright,
Each a silver quiver.
Lilies, lilies, lilies white,
Lilies in the river.


Said the boy, “I’ll pluck you there,
Lilies in the river!”
Said the lilies, “If you dare
You shall drown, or homeward fare
Dripping and a-shiver!”
Lilies, lilies, lilies white,
Lilies in the river.


Wilful still the boy would clasp
Lilies in the river;
Tumbled in ere he could grasp,
Scrambled out with puff and gasp,
Plucked no lilies ever.
Lilies, lilies, lilies white,
Lilies in the river.
325

Roman Elegies I

Roman Elegies I

Tell me you stones, O speak, you towering palaces!
Streets, say a word! Spirit of this place, are you dumb?
All things are alive in your sacred walls
eternal Rome, only for me all’s still.
Who will whisper to me, at what window
will I see the sweet thing who will kindle me, and quicken?
Already I guess the ways, walking to her and from her,
ever and always I’ll go, while sweet time slips by.
I’m gazing at church and palace, ruin and column,
like a serious man making sensible use of a journey,
but soon it will happen, and all will be one vast temple,
Love’s temple, receiving its new initiate.
Though you are a whole world, Rome, still, without Love,
the world’s not the world, Rome cannot be Rome.
409

Rhymed Distichs

Rhymed Distichs

WHO trusts in God,
Fears not His rod.

THIS truth may be by all believed:
Whom God deceives, is well deceived.

HOW? when? and where?-No answer comes from high;
Thou wait'st for the Because, and yet thou ask'st not Why?

IF the whole is ever to gladden thee,
That whole in the smallest thing thou must see.


WATER its living strength first shows,
When obstacles its course oppose.

TRANSPARENT appears the radiant air,
Though steel and stone in its breast it may bear;
At length they'll meet with fiery power,
And metal and stones on the earth will shower.


WHATE'ER a living flame may surround,
No longer is shapeless, or earthly bound.
'Tis now invisible, flies from earth,
And hastens on high to the place of its birth.
413

Reciprocal Invitation To The Dance

Reciprocal Invitation To The Dance

THE INDIFFERENT.
COME to the dance with me, come with me, fair one!
Dances a feast-day like this may well crown.


If thou my sweetheart art not, thou canst be so,


But if thou wilt not, we still will dance on.
Come to the dance with me, come with me, fair one!
Dances a feast-day like this may well crown.
THE TENDER.
Loved one, without thee, what then would all feast be?
Sweet one, without thee, what then were the dance?


If thou my sweetheart wert not, I would dance not.


If thou art still so, all life is one feast.
Loved one, without thee, what then would all feasts be?
Sweet one, without thee, what then were the dance?
THE INDIFFERENT.
Let them but love, then, and leave us the dancing!
Languishing love cannot bear the glad dance.


Let us whirl round in the waltz's gay measure,


And let them steal to the dim-lighted wood.
Let them but love, then, and leave us the dancing!
Languishing love cannot bear the glad dance.
THE TENDER.
Let them whirl round, then, and leave us to wander!
Wand'ring to love is a heavenly dance.


Cupid, the near one, o'erhears their deriding,


Vengeance takes suddenly, vengeance takes soon.
Let them whirl round, then, and leave us to wander!
Wand'ring to love is a heavenly dance.
301

Proximity Of The Beloved One

Proximity Of The Beloved One

I THINK of thee, whene'er the sun his beams
O'er ocean flings;

I think of thee, whene'er the moonlight gleams
In silv'ry springs.

I see thee, when upon the distant ridge
The dust awakes;

At midnight's hour, when on the fragile bridge
The wanderer quakes.

I hear thee, when yon billows rise on high,
With murmur deep.

To tread the silent grove oft wander I,
When all's asleep.

I'm near thee, though thou far away mayst be-Thou,
too, art near!

The sun then sets, the stars soon lighten me.
Would thou wert here!
362

Proverbs

Proverbs


'TIS easier far a wreath to bind,
Than a good owner fort to find.

I KILL'D a thousand flies overnight,
Yet was waken'd by one, as soon as twas light.


To the mother I give;
For the daughter I live.

A BREACH is every day,
By many a mortal storm'd;
Let them fall in the gaps as they may,
Yet a heap of dead is ne'er form'd.


WHAT harm has thy poor mirror done, alas?
Look not so ugly, prythee, in the glass!
366

Procemion

Procemion


IN His blest name, who was His own creation,
Who from all time makes making his vocation;
The name of Him who makes our faith so bright,
Love, confidence, activity, and might;
In that One's name, who, named though oft He be,
Unknown is ever in Reality:
As far as ear can reach, or eyesight dim,
Thou findest but the known resembling Him;
How high so'er thy fiery spirit hovers,
Its simile and type it straight discovers
Onward thou'rt drawn, with feelings light and gay,
Where'er thou goest, smiling is the way;
No more thou numbrest, reckonest no time,
Each step is infinite, each step sublime.


WHAT God would outwardly alone control,
And on his finger whirl the mighty Whole?
He loves the inner world to move, to view
Nature in Him, Himself in Nature too,
So that what in Him works, and is, and lives,
The measure of His strength, His spirit gives.


WITHIN us all a universe doth dwell;
And hence each people's usage laudable,
That ev'ry one the Best that meets his eyes
As God, yea e'en his God, doth recognise;
To Him both earth and heaven surrenders he,
Fears Him, and loves Him too, if that may be.
450

Presence

Presence


ALL things give token of thee!
As soon as the bright sun is shining,
Thou too wilt follow, I trust.


When in the garden thou walk'st,
Thou then art the rose of all roses,
Lily of lilies as well.


When thou dost move in the dance,
Then each constellation moves also;
With thee and round thee they move.


Night! oh, what bliss were the night!
For then thou o'ershadow'st the lustre,
Dazzling and fair, of the moon.


Dazzling and beauteous art thou,
And flowers, and moon, and the planets
Homage pay, Sun, but to thee.


Sun! to me also be thou
Creator of days bright and glorious;
Life and Eternity this!
379

Phoebus And Hermes

Phoebus And Hermes

DELOS' stately ruler, and Maia's son, the adroit one,

Warmly were striving, for both sought the great prize to obtain.
Hermes the lyre demanded, the lyre was claim'd by Apollo,
Yet were the hearts of the foes fruitlessly nourish'd by hope.


For on a sudden Ares burst in, with fury decisive,


Dashing in twain the gold toy, brandishing wildly his sword.
Hermes, malicious one, laughed beyond measure; yet deep-seated sorrow
Seized upon Phoebus's heart, seized on the heart of each Muse.
365

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Johann Wolfgang von Goethe was a central figure in German literature and a polymath whose work spanned poetry, drama, novels, scientific inquiry, and political theory. Born into a prominent family in Frankfurt, he was a key figure of the Weimar Classicism movement. Goethe's writings are characterized by their depth, philosophical inquiry, and exploration of human nature, often infused with a blend of Romantic sensibility and Neoclassical form. He was also a minister of state in the Duchy of Weimar, demonstrating a profound engagement with civic and political life. His national and linguistic identity were deeply rooted in Germany, and his work was primarily written in German, though its impact transcended linguistic boundaries.

Childhood and education

Goethe received an excellent education, benefiting from private tutors and the intellectual stimulation of his household, which included his father's library. He was exposed to classical literature, languages, and the arts from an early age. His formal education included studies at the University of Leipzig and the University of Strasbourg, where he studied law but also delved into literature and alchemy. He was influenced by the burgeoning Sturm und Drang movement, which emphasized individual emotion and rebellion against artistic conventions, as well as by Enlightenment ideals and the rediscovery of classical antiquity. His early experiences and readings laid the foundation for his multifaceted literary and intellectual development.

Literary trajectory

Goethe's literary career began in his youth with the Sturm und Drang movement, marked by works like "The Sorrows of Young Werther." This period was characterized by intense emotional expression and a focus on individual experience. His move to Weimar marked a shift towards Weimar Classicism, characterized by a more balanced, harmonious, and ethically focused approach, exemplified by "Iphigenia in Tauris" and "Torquato Tasso." The creation of "Faust," which occupied him for much of his life, represents the apex of his philosophical and dramatic achievement, evolving through different phases and reflecting his mature contemplation of human existence. He was also actively involved in periodicals and collaborated with other writers, contributing significantly to the literary landscape of his time.

Works, style, and literary characteristics

Goethe's major works include the epistolary novel "The Sorrows of Young Werther" (1774), the dramas "Iphigenia in Tauris" (1787) and "Egmont" (1788), the novel "Wilhelm Meister's Apprenticeship" (1795-96), and his monumental dramatic poem "Faust" (Part I, 1808; Part II, 1832). His themes are vast, encompassing love, nature, science, art, religion, the human condition, and the pursuit of knowledge and self-realization. His style evolved from the passionate and individualistic Sturm und Drang to the balanced, formal elegance of Weimar Classicism, and later, a more complex, symbolic, and philosophical mode in "Faust Part II." He masterfully employed various forms, including lyric poetry, dramatic verse, and prose, often experimenting with meter and structure. His poetic voice ranged from intensely personal and lyrical to philosophical and universal. Goethe's language is rich, precise, and evocative, utilizing powerful imagery and rhetorical devices to explore profound ideas. He is credited with significant innovations in German literature, bridging Romanticism and Classicism, and profoundly influencing the development of the European novel and drama.

Cultural and historical context

Goethe lived through a period of immense upheaval in European history, including the French Revolution and the Napoleonic Wars, which profoundly shaped his worldview and writings. He was a central figure of the Weimar Classicism movement, alongside Friedrich Schiller, representing a peak of German cultural achievement during a time when Germany was politically fragmented. His engagement with Enlightenment thought, the rediscovery of Greek and Roman antiquity, and the rise of Romanticism placed him at the intersection of major intellectual currents. His positions in Weimar gave him insight into political affairs, and his work often reflected on societal structures, the role of the individual, and the nature of governance.

Personal life

Goethe's personal life was rich and complex. His relationships, particularly with Charlotte von Stein, had a significant impact on his emotional and creative life. His later relationship with Christiane Vulpius, whom he eventually married, brought him domestic stability. He maintained friendships with many leading intellectuals of his time, including Schiller and Herder, and also experienced literary rivalries. Goethe's scientific pursuits, particularly in botany and optics, were not merely academic but intertwined with his poetic vision, reflecting a holistic view of knowledge. His philosophical and spiritual beliefs evolved throughout his life, moving from a pantheistic view of nature to a more nuanced engagement with Christian themes, particularly in his later works.

Recognition and reception

Goethe achieved immense fame and recognition during his lifetime, both within Germany and internationally. He was revered as a literary genius and a national icon. His works were widely translated and admired, and he received numerous honors and distinctions. The reception of his work has remained consistently high, with "Faust" considered one of the greatest works of world literature. While he enjoyed immense popularity and academic respect during his life, his complex philosophical and literary achievements continue to be subjects of intensive scholarly study and critical analysis.

Influences and legacy

Goethe was influenced by a wide array of sources, including classical Greek and Roman literature, the Bible, Shakespeare, and the emerging Sturm und Drang and Enlightenment philosophies. His legacy is immeasurable; he profoundly influenced German literature and culture, shaping the development of Romanticism, Realism, and subsequent literary movements. His concepts, such as the "eternal feminine" in "Faust," and his exploration of the human drive for self-fulfillment, have resonated across generations. He is a cornerstone of the German literary canon and a globally recognized literary figure. His works have been translated into virtually every major language and have inspired countless adaptations in music, theater, and film.

Interpretation and critical analysis

Goethe's work, particularly "Faust," has been subjected to endless interpretation and critical analysis. Themes of good versus evil, the pursuit of knowledge, the nature of progress, and the relationship between the spiritual and material worlds are central to scholarly debate. His complex philosophical outlook, blending elements of Romanticism, Classicism, and humanism, continues to provoke discussion. The tension between individual freedom and societal responsibility, and the search for meaning in a complex world, remain enduring aspects of his critical legacy.

Curiosities and lesser-known aspects

Goethe's fascination with science extended to empirical studies, including his theory of colors, which, though controversial, demonstrated his rigorous approach to observation. His personal life contained elements of both conventionality and unconventionality; his long-term relationship with Christiane Vulpius, who came from a lower social class, was unusual for a man of his stature. He maintained a disciplined writing routine, often working in the early hours of the morning. Anecdotes abound about his charismatic presence and his ability to engage with people from all walks of life. His extensive correspondence provides invaluable insights into his thoughts and daily life.

Death and memory

Johann Wolfgang von Goethe died in Weimar at the age of 82. His death was a significant national event, marking the end of an era in German culture. His memory is celebrated through numerous institutions, monuments, and cultural events dedicated to his life and work. His literary and scientific contributions continue to be studied and revered, ensuring his enduring place in the annals of world culture. His collected works are vast and continue to be published and re-edited, testifying to his lasting impact.