Poems List

The Death Of The Fly

The Death Of The Fly

WITH eagerness he drinks the treach'rous potion,

Nor stops to rest, by the first taste misled;
Sweet is the draught, but soon all power of motion


He finds has from his tender members fled;
No longer has he strength to plume his wing,
No longer strength to raise his head, poor thing!
E'en in enjoyment's hour his life he loses,
His little foot to bear his weight refuses;
So on he sips, and ere his draught is o'er,
Death veils his thousand eyes for evermore.
358

The Critic

The Critic

I HAD a fellow as my guest,
Not knowing he was such a pest,
And gave him just my usual fare;
He ate his fill of what was there,


And for desert my best things swallow'd,
Soon as his meal was o'er, what follow'd?
Led by the Deuce, to a neighbour he went,
And talk'd of my food to his heart's content:
"The soup might surely have had more spice,
The meat was ill-brown'd, and the wine wasn't nice."
A thousand curses alight on his head!
'Tis a critic, I vow! Let the dog be struck dead!
394

The Country Schoolmaster

The Country Schoolmaster

I.
A MASTER of a country school
Jump'd up one day from off his stool,
Inspired with firm resolve to try
To gain the best society;
So to the nearest baths he walk'd,
And into the saloon he stalk'd.
He felt quite. startled at the door,
Ne'er having seen the like before.
To the first stranger made he now
A very low and graceful bow,
But quite forgot to bear in mind
That people also stood behind;
His left-hand neighbor's paunch he struck
A grievous blow, by great ill luck;
Pardon for this he first entreated,
And then in haste his bow repeated.
His right hand neighbor next he hit,
And begg'd him, too, to pardon it;
But on his granting his petition,
Another was in like condition;
These compliments he paid to all,
Behind, before, across the hall;
At length one who could stand no more,
Show'd him impatiently the door.


May many, pond'ring on their crimes,
A moral draw from this betimes!


II.
As he proceeded on his way
He thought, "I was too weak to-day;
To bow I'll ne'er again be seen;
For goats will swallow what is green."
Across the fields he now must speed,
Not over stumps and stones, indeed,
But over meads and cornfields sweet,
Trampling down all with clumsy feet.
A farmer met him by-and-by,
And didn't ask him: how? or why?
But with his fist saluted him.


"I feel new life in every limb!"
Our traveller cried in ecstasy.
"Who art thou who thus gladden'st me?
May Heaven such blessings ever send!
Ne'er may I want a jovial friend!"
342

The Consecrated Spot

The Consecrated Spot

WHEN in the dance of the Nymphs, in the moonlight so holy assembled,
Mingle the Graces, down from Olympus in secret descending,
Here doth the minstrel hide, and list to their numbers enthralling,
Here doth he watch their silent dances' mysterious measure.
All that is glorious in Heaven, and all that the earth in her beauty
Ever hath brought into life, the dreamer awake sees before him;
All he repeats to the Muses, and lest the gods should be anger'd,
How to tell of secrets discreetly, the Muses instruct him.
328

The Convivial Book - Can The Koran From Eternity Be?

The Convivial Book - Can The Koran From Eternity Be?

'Tis worth not a thought!

Can the Koran a creation, then, be?
Of that, I know nought!
Yet that the book of all books it must be,


I believe, as a Mussulman ought.


That from Eternity wine, though, must be,
I ever have thought;
That 'twas ordain'd, ere the Angels, to be,


As a truth may be taught.
Drinkers, however these matters may be,
Gaze on God's face, fearing nought.
254

The Bridegroom

The Bridegroom

I SLEPT,--'twas midnight,--in my bosom woke,

As though 'twere day, my love-o'erflowing heart;
To me it seemed like night, when day first broke;
What is't to me, whate'er it may impart?
She was away; the world's unceasing strife
For her alone I suffer'd through the heat


Of sultry day; oh, what refreshing life
At cooling eve!--my guerdon was complete.
The sun now set, and wand'ring hand in hand,
His last and blissful look we greeted then;


While spake our eyes, as they each other scann'd:
"From the far east, let's trust, he'll come again!"
At midnight!--the bright stars, in vision blest,
Guide to the threshold where she slumbers calm:


Oh be it mine, there too at length to rest,--
Yet howsoe'er this prove, life's full of charm!
427

The Chosen Cliff

The Chosen Cliff

HERE in silence the lover fondly mused on his loved one;
Gladly he spake to me thus: "Be thou my witness, thou stone!
Yet thou must not be vainglorious, thou hast many companions;
Unto each rock on the plain, where I, the happy one, dwell,
Unto each tree of the wood that I cling to, as onward I ramble,
'Be thou a sign of my bliss!' shout I, and then 'tis ordain'd.
Yet to thee only I lend a voice, as a Muse from the people
Chooseth one for herself, kissing his lips as a friend."
388

The Book Of Paradise - The Seven Sleepers

The Book Of Paradise - The Seven Sleepers

Six among the courtiers favour'd
Fly before the Caesar's fury,
Who would as a god be worshipp'd,
Though in truth no god appearing,
For a fly prevents him ever
From enjoying food at table.
Though with fans his servants scare it,
They the fly can never banish.
It torments him, stings, and troubles,
And the festal board perplexes,
Then returning like the herald
Of the olden crafty Fly-God.
'What!'--the striplings say together-'
Shall a fly a god embarrass?


Shall a god drink, eat at table,
Like us mortals? No, the Only,
Who the sun and moon created,
And the glowing stars arch'd o'er us,
He is God,--we'll fly!'--The gentle,
Lightly shod, and dainty striplings
Did a shepherd meet, and hide them,
With himself, within a cavern.


And the sheep-dog will not leave them,--
Scared away, his foot all-mangled,
To his master still he presses,
And he joins the hidden party,
Joins the favorites of slumber.


And the prince, whom they had fled from,
Fondly-furious, thinks of vengeance,
And, discarding sword and fire,
Has them walled-up in the cavern,
Walled-up fast with bricks and mortar.


But the others slumber ever,
And the Angel, their protector,
Gives before God's throne this notice
'To the right and left alternate
Have I ever cared to turn them,
That their fair and youthful members
Be not by the mould-damp injured;
Clefts within the rocks I open'd,
That the sun may, rising, setting,
Keep their cheeks in youthful freshness.'
So they lie there, bless'd by Heaven.
And, with forepaws sound and scatheless,
Sleeps the dog in gentle slumber.


Years come round, and years fly onward,
And the youths at length awaken,



And the wall, which now had moldered,
From its very age has fallen.
And Jamblika says,--whose beauty
Far exceedeth all the others,--
When the fearful shepherd lingers:-'
I will run, and food procure you,
Life and piece of gold I'll wager!'--
Ephebus had many a year now
Own'd the teaching of the Prophet
Jesus (Peace be with the Good One!)


And he ran, and at the gateway
Were the warders and the others.
Yet he to the nearest baker's,
Seeking bread, went swiftly onwards.-'
Rogue!' thus cried the baker--'hast thou,
Youth, a treasure, then, discover'd?
Give me,--for the gold betrays thee,--
Give me half, to keep thy secret!'--


And they quarrel.--To the monarch
Comes the matter; and the monarch
Fain would halve it, like the baker.


Now the miracle is proven
Slowly by a hundred tokens.
He can e'en his right establish
To the palace he erected,
For a pillar, when pierced open.


Leads to wealth he said 'twould lead to.
Soon are gather'd there whole races,
Their relationship to show him.
And as great-grandfather, nobly
Stands Jamblika's youthful figure.


As of ancestors, he hears them,
Speaking of his son and grandsons.
His great-grandsons stand around him,
Like a race of valiant mortals,
Him to honour,--him, the youngest.
And one token on another
Rises up, the proof completing;
The identity is proven
Of himself, and of his comrades.


Now returns he to the cavern,
With him go both king and people.--
Neither to the king nor people
E'er returns that chosen mortal;
For the Seven, who for ages--
Eight was, with the dog, their number-



Had from all the world been sunder'd,
Gabriel's mysterious power,
To the will of God obedient,
Hath to Paradise conducted,--
And the cave was closed for ever.
307

The Brethren

The Brethren

SLUMBER and Sleep, two brethren ordain'd by the gods to their service,

Were by Prometheus implored, comfort to give to his race;
But though so light to the gods, too heavy for man was their burden,
We in their slumber find sleep, we in their sleep meet with death.
344

The Best

The Best

WHEN head and heart are busy, say,

What better can be found?
Who neither loves nor goes astray,
Were better under ground.
352

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Identification and basic context

Johann Wolfgang von Goethe was a central figure in German literature and a polymath whose work spanned poetry, drama, novels, scientific inquiry, and political theory. Born into a prominent family in Frankfurt, he was a key figure of the Weimar Classicism movement. Goethe's writings are characterized by their depth, philosophical inquiry, and exploration of human nature, often infused with a blend of Romantic sensibility and Neoclassical form. He was also a minister of state in the Duchy of Weimar, demonstrating a profound engagement with civic and political life. His national and linguistic identity were deeply rooted in Germany, and his work was primarily written in German, though its impact transcended linguistic boundaries.

Childhood and education

Goethe received an excellent education, benefiting from private tutors and the intellectual stimulation of his household, which included his father's library. He was exposed to classical literature, languages, and the arts from an early age. His formal education included studies at the University of Leipzig and the University of Strasbourg, where he studied law but also delved into literature and alchemy. He was influenced by the burgeoning Sturm und Drang movement, which emphasized individual emotion and rebellion against artistic conventions, as well as by Enlightenment ideals and the rediscovery of classical antiquity. His early experiences and readings laid the foundation for his multifaceted literary and intellectual development.

Literary trajectory

Goethe's literary career began in his youth with the Sturm und Drang movement, marked by works like "The Sorrows of Young Werther." This period was characterized by intense emotional expression and a focus on individual experience. His move to Weimar marked a shift towards Weimar Classicism, characterized by a more balanced, harmonious, and ethically focused approach, exemplified by "Iphigenia in Tauris" and "Torquato Tasso." The creation of "Faust," which occupied him for much of his life, represents the apex of his philosophical and dramatic achievement, evolving through different phases and reflecting his mature contemplation of human existence. He was also actively involved in periodicals and collaborated with other writers, contributing significantly to the literary landscape of his time.

Works, style, and literary characteristics

Goethe's major works include the epistolary novel "The Sorrows of Young Werther" (1774), the dramas "Iphigenia in Tauris" (1787) and "Egmont" (1788), the novel "Wilhelm Meister's Apprenticeship" (1795-96), and his monumental dramatic poem "Faust" (Part I, 1808; Part II, 1832). His themes are vast, encompassing love, nature, science, art, religion, the human condition, and the pursuit of knowledge and self-realization. His style evolved from the passionate and individualistic Sturm und Drang to the balanced, formal elegance of Weimar Classicism, and later, a more complex, symbolic, and philosophical mode in "Faust Part II." He masterfully employed various forms, including lyric poetry, dramatic verse, and prose, often experimenting with meter and structure. His poetic voice ranged from intensely personal and lyrical to philosophical and universal. Goethe's language is rich, precise, and evocative, utilizing powerful imagery and rhetorical devices to explore profound ideas. He is credited with significant innovations in German literature, bridging Romanticism and Classicism, and profoundly influencing the development of the European novel and drama.

Cultural and historical context

Goethe lived through a period of immense upheaval in European history, including the French Revolution and the Napoleonic Wars, which profoundly shaped his worldview and writings. He was a central figure of the Weimar Classicism movement, alongside Friedrich Schiller, representing a peak of German cultural achievement during a time when Germany was politically fragmented. His engagement with Enlightenment thought, the rediscovery of Greek and Roman antiquity, and the rise of Romanticism placed him at the intersection of major intellectual currents. His positions in Weimar gave him insight into political affairs, and his work often reflected on societal structures, the role of the individual, and the nature of governance.

Personal life

Goethe's personal life was rich and complex. His relationships, particularly with Charlotte von Stein, had a significant impact on his emotional and creative life. His later relationship with Christiane Vulpius, whom he eventually married, brought him domestic stability. He maintained friendships with many leading intellectuals of his time, including Schiller and Herder, and also experienced literary rivalries. Goethe's scientific pursuits, particularly in botany and optics, were not merely academic but intertwined with his poetic vision, reflecting a holistic view of knowledge. His philosophical and spiritual beliefs evolved throughout his life, moving from a pantheistic view of nature to a more nuanced engagement with Christian themes, particularly in his later works.

Recognition and reception

Goethe achieved immense fame and recognition during his lifetime, both within Germany and internationally. He was revered as a literary genius and a national icon. His works were widely translated and admired, and he received numerous honors and distinctions. The reception of his work has remained consistently high, with "Faust" considered one of the greatest works of world literature. While he enjoyed immense popularity and academic respect during his life, his complex philosophical and literary achievements continue to be subjects of intensive scholarly study and critical analysis.

Influences and legacy

Goethe was influenced by a wide array of sources, including classical Greek and Roman literature, the Bible, Shakespeare, and the emerging Sturm und Drang and Enlightenment philosophies. His legacy is immeasurable; he profoundly influenced German literature and culture, shaping the development of Romanticism, Realism, and subsequent literary movements. His concepts, such as the "eternal feminine" in "Faust," and his exploration of the human drive for self-fulfillment, have resonated across generations. He is a cornerstone of the German literary canon and a globally recognized literary figure. His works have been translated into virtually every major language and have inspired countless adaptations in music, theater, and film.

Interpretation and critical analysis

Goethe's work, particularly "Faust," has been subjected to endless interpretation and critical analysis. Themes of good versus evil, the pursuit of knowledge, the nature of progress, and the relationship between the spiritual and material worlds are central to scholarly debate. His complex philosophical outlook, blending elements of Romanticism, Classicism, and humanism, continues to provoke discussion. The tension between individual freedom and societal responsibility, and the search for meaning in a complex world, remain enduring aspects of his critical legacy.

Curiosities and lesser-known aspects

Goethe's fascination with science extended to empirical studies, including his theory of colors, which, though controversial, demonstrated his rigorous approach to observation. His personal life contained elements of both conventionality and unconventionality; his long-term relationship with Christiane Vulpius, who came from a lower social class, was unusual for a man of his stature. He maintained a disciplined writing routine, often working in the early hours of the morning. Anecdotes abound about his charismatic presence and his ability to engage with people from all walks of life. His extensive correspondence provides invaluable insights into his thoughts and daily life.

Death and memory

Johann Wolfgang von Goethe died in Weimar at the age of 82. His death was a significant national event, marking the end of an era in German culture. His memory is celebrated through numerous institutions, monuments, and cultural events dedicated to his life and work. His literary and scientific contributions continue to be studied and revered, ensuring his enduring place in the annals of world culture. His collected works are vast and continue to be published and re-edited, testifying to his lasting impact.