Poems List

The Bliss Of Sorrow

The Bliss Of Sorrow

NEVER dry, never dry,
Tears that eternal love sheddeth!

How dreary, how dead doth the world still appear,
When only half-dried on the eye is the tear!
Never dry, never dry,

Tears that unhappy love sheddeth!
296

Table Song

Table Song

O'ER me--how I cannot say,-


Heav'nly rapture's growing.
Will it help to guide my way
To yon stars all-glowing?


Yet that here I'd sooner be,


To assert I'm able,
Where, with wine and harmony,
I may thump the table.
Wonder not, my dearest friends,
What 'tis gives me pleasure;


For of all that earth e'er lends,


'Tis the sweetest treasure.
Therefore solemnly I swear,
With no reservation,


That maliciously I'll ne'er
Leave my present station.
Now that here we're gather'd round,
Chasing cares and slumbers,


Let, methought, the goblet sound


To the bard's glad numbers!
Many a hundred mile away,
Go those we love dearly;


Therefore let us here to-day
Make the glass ring clearly!
Here's His health, through Whom we live!
I that faith inherit.


To our king the next toast give,


Honour is his merit,
'Gainst each in-- and outward foe
He's our rock and tower.


Of his maintenance thinks he though,
More that grows his power.



Next to her good health I drink,


Who has stirr'd my passion;
Of his mistress let each think,
Think in knightly fashion.


If the beauteous maid but see


Whom 'tis I now call so,
Let her smiling nod to me:
"Here's my love's health also!"
To those friends,--the two or three,--
Be our next toast given,


In whose presence revel we,


In the silent even,--
Who the gloomy mist so cold
Scatter gently, lightly;


To those friends, then, new or old,
Let the toast ring brightly.
Broader now the stream rolls on,
With its waves more swelling,


While in higher, nobler tone,


Comrades, we are dwelling,--
We who with collected might,
Bravely cling together,


Both in fortune's sunshine bright,
And in stormy weather.
Just as we are gather'd thus,
Others are collected;


On them, therefore, as on us,


Be Fate's smile directed!
From the springhead to the sea,
Many a mill's revolving,


And the world's prosperity
Is the task I'm solving.
349

The Beauteous Flower - Son Of The Imprisioned Count

The Beauteous Flower - Son Of The Imprisioned Count

COUNT.
I KNOW a flower of beauty rare,
Ah, how I hold it dear!


To seek it I would fain repair,
Were I not prison'd here.


My sorrow sore oppresses me,
For when I was at liberty,
I had it close beside me.
Though from this castle's walls so steep
I cast mine eyes around,


And gaze oft from the lofty keep,
The flower can not be found.


Whoe'er would bring it to my sight,
Whether a vassal he, or knight,
My dearest friend I'd deem him.
THE ROSE.
I blossom fair,--thy tale of woes
I hear from 'neath thy grate.


Thou doubtless meanest me, the rose.
Poor knight of high estate!


Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,
I doubt not, in thy bosom.
COUNT.
Thy red, in dress of green array'd,
As worth all praise I hold;


And so thou'rt treasured by each maid
Like precious stones or gold.


Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace
I honour here in silence.
THE LILY.



The rose is wont with pride to swell,


And ever seeks to rise;
But gentle sweethearts love full well
The lily's charms to prize,


The heart that fills a bosom true,
That is, like me, unsullied too,
My merit values duly.
COUNT.


In truth, I hope myself unstain'd,
And free from grievous crime;
Yet I am here a prisoner chain'd,


And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,


And yet I know a dearer.
THE PINK.
That must be me, the pink, who scent
The warder's garden here;


Or wherefore is he so intent
My charms with care to rear?


My petals stand in beauteous ring,
Sweet incense all around I fling,
And boast a thousand colours.
COUNT.
The pink in truth we should not slight,
It is the gardener's pride


It now must stand exposed to light,
Now in the shade abide.


Yet what can make the Count's heart glow
Is no mere pomp of outward show;
It is a silent flower.
THE VIOLET.



Here stand I, modestly half hid,


And fain would silence keep;
Yet since to speak I now am bid,
I'll break my silence deep.


If, worthy Knight, I am that flower,
It grieves me that I have not power
To breathe forth all my sweetness.
COUNT.


The violet's charms I prize indeed,
So modest 'tis, and fair,
And smells so sweet; yet more I need


To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,


I cannot find the loved one.
The truest maiden 'neath the sky
Roams near the stream below,


And breathes forth many a gentle sigh,
Till I from hence can go.


And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,
Though far away, can feel it.
Ay, distance only swells love's might,
When fondly love a pair;


Though prison'd in the dungeon's night,
In life I linger there


And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,
And straightway life returneth.
306

Swiss Song

Swiss Song

Up in th' mountain
I was a-sitting,
With the bird there
As my guest,
Blithely singing,
Blithely springing,
And building
His nest.


In the garden
I was a-standing,
And the bee there
Saw as well,
Buzzing, humming,
Going, coming,
And building
His cell.


O'er the meadow
I was a-going,
And there saw the
Butterflies,
Sipping, dancing,
Flying, glancing,
And charming
The eyes.


And then came my
Dear Hansel,
And I show'd them
With glee,
Sipping, quaffing,
And he, laughing,
Sweet kisses
Gave me.
365

Spirit Song Over The Waters

Spirit Song Over The Waters

THE soul of man
Resembleth water:
From heaven it cometh,
To heaven it soareth.
And then again
To earth descendeth,
Changing ever.


Down from the lofty
Rocky wall
Streams the bright flood,
Then spreadeth gently
In cloudy billows
O'er the smooth rock,
And welcomed kindly,
Veiling, on roams it,
Soft murmuring,
Tow'rd the abyss.


Cliffs projecting
Oppose its progress,--
Angrily foams it
Down to the bottom,
Step by step.


Now, in flat channel,
Through the meadowland steals it,
And in the polish'd lake
Each constellation
Joyously peepeth.


Wind is the loving
Wooer of waters;
Wind blends together
Billows all-foaming.


Spirit of man,
Thou art like unto water!
Fortune of man,
Thou art like unto wind!
446

Songs

Songs


SONGS are like painted window-panes!
In darkness wrapp'd the church remains,
If from the market-place we view it;
Thus sees the ignoramus through it.
No wonder that he deems it tame,--
And all his life 'twill be the same.


But let us now inside repair,
And greet the holy Chapel there!
At once the whole seems clear and bright,
Each ornament is bathed in light,
And fraught with meaning to the sight.
God's children! thus your fortune prize,
Be edified, and feast your eyes!
436

Solitude

Solitude


OH ye kindly nymphs, who dwell 'mongst the rocks and the thickets,
Grant unto each whatsoe'er he may in silence desire!
Comfort impart to the mourner, and give to the doubter instruction,
And let the lover rejoice, finding the bliss that he craves.
For from the gods ye received what they ever denied unto mortals,
Power to comfort and aid all who in you may confide.
383

She Cannot End

She Cannot End

WHEN unto thee I sent the page all white,
Instead of first thereon inscribing aught,
The space thou doubtless filledst up in sport.
And sent it me, to make my joy grow bright.
As soon as the blue cover met my sight,
As well becomes a woman, quick as thought
I tore it open, leaving hidden nought,
And read the well-known words of pure delight:
MY ONLY BEING! DEAREST HEART! SWEET CHILD!
How kindly thou my yearning then didst still
With gentle words, enthralling me to thee.
In truth methought I read thy whispers mild
Wherewith thou lovingly my soul didst fill,
E'en to myself for aye ennobling me.
308

Sicilian Song

Sicilian Song

YE black and roguish eyes,

If ye command.
Each house in ruins lies,
No town can stand.


And shall my bosom's chain,--


This plaster wall,
To think one moment, deign,--
Shall I not fall?
305

Rules For Monarchs

Rules For Monarchs

IF men are never their thoughts to employ,
Take care to provide them a life full of joy;
But if to some profit and use thou wouldst bend them,
Take care to shear them, and then defend them.
377

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Identification and basic context

Johann Wolfgang von Goethe was a central figure in German literature and a polymath whose work spanned poetry, drama, novels, scientific inquiry, and political theory. Born into a prominent family in Frankfurt, he was a key figure of the Weimar Classicism movement. Goethe's writings are characterized by their depth, philosophical inquiry, and exploration of human nature, often infused with a blend of Romantic sensibility and Neoclassical form. He was also a minister of state in the Duchy of Weimar, demonstrating a profound engagement with civic and political life. His national and linguistic identity were deeply rooted in Germany, and his work was primarily written in German, though its impact transcended linguistic boundaries.

Childhood and education

Goethe received an excellent education, benefiting from private tutors and the intellectual stimulation of his household, which included his father's library. He was exposed to classical literature, languages, and the arts from an early age. His formal education included studies at the University of Leipzig and the University of Strasbourg, where he studied law but also delved into literature and alchemy. He was influenced by the burgeoning Sturm und Drang movement, which emphasized individual emotion and rebellion against artistic conventions, as well as by Enlightenment ideals and the rediscovery of classical antiquity. His early experiences and readings laid the foundation for his multifaceted literary and intellectual development.

Literary trajectory

Goethe's literary career began in his youth with the Sturm und Drang movement, marked by works like "The Sorrows of Young Werther." This period was characterized by intense emotional expression and a focus on individual experience. His move to Weimar marked a shift towards Weimar Classicism, characterized by a more balanced, harmonious, and ethically focused approach, exemplified by "Iphigenia in Tauris" and "Torquato Tasso." The creation of "Faust," which occupied him for much of his life, represents the apex of his philosophical and dramatic achievement, evolving through different phases and reflecting his mature contemplation of human existence. He was also actively involved in periodicals and collaborated with other writers, contributing significantly to the literary landscape of his time.

Works, style, and literary characteristics

Goethe's major works include the epistolary novel "The Sorrows of Young Werther" (1774), the dramas "Iphigenia in Tauris" (1787) and "Egmont" (1788), the novel "Wilhelm Meister's Apprenticeship" (1795-96), and his monumental dramatic poem "Faust" (Part I, 1808; Part II, 1832). His themes are vast, encompassing love, nature, science, art, religion, the human condition, and the pursuit of knowledge and self-realization. His style evolved from the passionate and individualistic Sturm und Drang to the balanced, formal elegance of Weimar Classicism, and later, a more complex, symbolic, and philosophical mode in "Faust Part II." He masterfully employed various forms, including lyric poetry, dramatic verse, and prose, often experimenting with meter and structure. His poetic voice ranged from intensely personal and lyrical to philosophical and universal. Goethe's language is rich, precise, and evocative, utilizing powerful imagery and rhetorical devices to explore profound ideas. He is credited with significant innovations in German literature, bridging Romanticism and Classicism, and profoundly influencing the development of the European novel and drama.

Cultural and historical context

Goethe lived through a period of immense upheaval in European history, including the French Revolution and the Napoleonic Wars, which profoundly shaped his worldview and writings. He was a central figure of the Weimar Classicism movement, alongside Friedrich Schiller, representing a peak of German cultural achievement during a time when Germany was politically fragmented. His engagement with Enlightenment thought, the rediscovery of Greek and Roman antiquity, and the rise of Romanticism placed him at the intersection of major intellectual currents. His positions in Weimar gave him insight into political affairs, and his work often reflected on societal structures, the role of the individual, and the nature of governance.

Personal life

Goethe's personal life was rich and complex. His relationships, particularly with Charlotte von Stein, had a significant impact on his emotional and creative life. His later relationship with Christiane Vulpius, whom he eventually married, brought him domestic stability. He maintained friendships with many leading intellectuals of his time, including Schiller and Herder, and also experienced literary rivalries. Goethe's scientific pursuits, particularly in botany and optics, were not merely academic but intertwined with his poetic vision, reflecting a holistic view of knowledge. His philosophical and spiritual beliefs evolved throughout his life, moving from a pantheistic view of nature to a more nuanced engagement with Christian themes, particularly in his later works.

Recognition and reception

Goethe achieved immense fame and recognition during his lifetime, both within Germany and internationally. He was revered as a literary genius and a national icon. His works were widely translated and admired, and he received numerous honors and distinctions. The reception of his work has remained consistently high, with "Faust" considered one of the greatest works of world literature. While he enjoyed immense popularity and academic respect during his life, his complex philosophical and literary achievements continue to be subjects of intensive scholarly study and critical analysis.

Influences and legacy

Goethe was influenced by a wide array of sources, including classical Greek and Roman literature, the Bible, Shakespeare, and the emerging Sturm und Drang and Enlightenment philosophies. His legacy is immeasurable; he profoundly influenced German literature and culture, shaping the development of Romanticism, Realism, and subsequent literary movements. His concepts, such as the "eternal feminine" in "Faust," and his exploration of the human drive for self-fulfillment, have resonated across generations. He is a cornerstone of the German literary canon and a globally recognized literary figure. His works have been translated into virtually every major language and have inspired countless adaptations in music, theater, and film.

Interpretation and critical analysis

Goethe's work, particularly "Faust," has been subjected to endless interpretation and critical analysis. Themes of good versus evil, the pursuit of knowledge, the nature of progress, and the relationship between the spiritual and material worlds are central to scholarly debate. His complex philosophical outlook, blending elements of Romanticism, Classicism, and humanism, continues to provoke discussion. The tension between individual freedom and societal responsibility, and the search for meaning in a complex world, remain enduring aspects of his critical legacy.

Curiosities and lesser-known aspects

Goethe's fascination with science extended to empirical studies, including his theory of colors, which, though controversial, demonstrated his rigorous approach to observation. His personal life contained elements of both conventionality and unconventionality; his long-term relationship with Christiane Vulpius, who came from a lower social class, was unusual for a man of his stature. He maintained a disciplined writing routine, often working in the early hours of the morning. Anecdotes abound about his charismatic presence and his ability to engage with people from all walks of life. His extensive correspondence provides invaluable insights into his thoughts and daily life.

Death and memory

Johann Wolfgang von Goethe died in Weimar at the age of 82. His death was a significant national event, marking the end of an era in German culture. His memory is celebrated through numerous institutions, monuments, and cultural events dedicated to his life and work. His literary and scientific contributions continue to be studied and revered, ensuring his enduring place in the annals of world culture. His collected works are vast and continue to be published and re-edited, testifying to his lasting impact.