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Ballad Of The Banished And Returning Count

Ballad Of The Banished And Returning Count

OH, enter old minstrel, thou time-honour'd one!

We children are here in the hall all alone,
The portals we straightway will bar.
Our mother is praying, our father is gone


To the forest, on wolves to make war.


Oh sing us a ballad, the tale then repeat,
'Till brother and I learn it right;
We long have been hoping a minstrel to meet,


For children hear tales with delight.


"At midnight, when darkness its fearful veil weaves,
His lofty and stately old castle he leaves,
But first he has buried his wealth.


What figure is that in his arms one perceives,


As the Count quits the gateway by stealth?
O'er what is his mantle so hastily thrown?
What bears he along in his flight?


A daughter it is, and she gently sleeps on"--
The children they hear with delight.
"The morning soon glimmers. the world is so wide,


In valleys and forests a home is supplied,


The bard in each village is cheer'd.
Thus lives he and wanders, while years onward glide,
And longer still waxes his beard;


But the maiden so fair in his arms grows amain,


'Neath her star all-protecting and bright,
Secured in the mantle from wind and from rain--"
The children they hear with delight.
"And year upon year with swift footstep now steals,


The mantle it fades, many rents it reveals,


The maiden no more it can hold.
The father he sees her, what rapture he feels!
His joy cannot now be controll'd.


How worthy she seems of the race whence she springs,
How noble and fair to the sight!


What wealth to her dearly-loved father she brings!"--
The children they hear with delight.
"Then comes there a princely knight galloping by,


She stretches her hand out, as soon as he's nigh,


But alms he refuses to give.
He seizes her hand, with a smile in his eye:
'Thou art mine!' he exclaims, 'while I live!'


'When thou know'st,' cries the old man, 'the treasure that's


there,
A princess thou'lt make her of right;
Betroth'd be she now, on this spot green and fair--'"


The children they hear with delight.


"So she's bless'd by the priest on the hallowed place,
And she goes with a smiling but sorrowful face,
From her father she fain would not part.


The old man still wanders with ne'er-changing pace,


He covers with joy his sad heart.
So I think of my daughter, as years pass away,
And my grandchildren far from my sight;


I bless them by night, and I bless them by day"--
The children they hear with delight.
He blesses the children: a knocking they hear,


The father it is! They spring forward in fear,


The old man they cannot conceal-"
Thou beggar, wouldst lure, then, my children so dear?
Straight seize him, ye vassals of steel!


To the dungeon most deep, with the fool-hardy knave!"


The mother from far hears the fight;
She hastens with flatt'ring entreaty to crave--
The children they hear with delight.
The vassals they suffer the Bard to stand there,


And mother and children implore him to spare,
The proud prince would stifle his ire,
'Till driven to fury at hearing their prayer,



His smouldering anger takes fire:


"Thou pitiful race! Oh, thou beggarly crew!
Eclipsing my star, once so bright!
Ye'll bring me destruction, ye sorely shall rue!"


The children they hear with affright.


The old man still stands there with dignified mien,
The vassals of steel quake before him, I ween,
The Count's fury increases in power;


"My wedded existence a curse long has been,


And these are the fruits from that flower!
'Tis ever denied, and the saying is true,
That to wed with the base-born is right;


The beggar has borne me a beggarly crew,--"
The children they hear with affright.
"If the husband, the father, thus treats you with scorn,


If the holiest bonds by him rashly are torn,


Then come to your father--to me!
The beggar may gladden life's pathway forlorn,
Though aged and weak he may be.


This castle is mine! thou hast made it thy prey,


Thy people 'twas put me to flight;
The tokens I bear will confirm what I say"--
The children they hear with delight.
"The king who erst govern'd returneth again,


And restores to the Faithful the goods that were ta'en,


I'll unseal all my treasures the while;
The laws shall be gentle, and peaceful the reign"--
The old man thus cries with a smile-


"Take courage, my son! all hath turned out for good,


And each hath a star that is bright,
Those the princess hath borne thee are princely in blood,"--
The children thy hear with delight.
358

As Broad As It's Long

As Broad As It's Long

MODEST men must needs endure,

And the bold must humbly bow;
Thus thy fate's the same, be sure,
Whether bold or modest thou.
373

Authors

Authors


OVER the meadows, and down the stream,

And through the garden-walks straying,
He plucks the flowers that fairest seem;


His throbbing heart brooks no delaying.
His maiden then comes--oh, what ecstasy!
Thy flowers thou giv'st for one glance of her eye!


The gard'ner next door o'er the hedge sees the youth:
"I'm not such a fool as that, in good truth;
My pleasure is ever to cherish each flower,
And see that no birds my fruit e'er devour.
But when 'tis ripe, your money, good neighbour!
'Twas not for nothing I took all this labour!"
And such, methinks, are the author-tribe.


The one his pleasures around him strews,


That his friends, the public, may reap, if they choose;
The other would fain make them all subscribe.
471

Another

Another


Go! obedient to my call,
Turn to profit thy young days,


Wiser make betimes thy breast
In Fate's balance as it sways,


Seldom is the cock at rest;
Thou must either mount, or fall,
Thou must either rule and win,
Or submissively give in,


Triumph, or else yield to clamour:
Be the anvil or the hammer.
377

Apparent Death

Apparent Death

WEEP, maiden, weep here o'er the tomb of Love;

He died of nothing--by mere chance was slain.
But is he really dead?--oh, that I cannot prove:
A nothing, a mere chance, oft gives him life again.
498

After-Sensations

After-Sensations


WHEN the vine again is blowing,
Then the wine moves in the cask;
When the rose again is glowing,

Wherefore should I feel oppress'd?
Down my cheeks run tears all-burning,
If I do, or leave my task;

I but feel a speechless yearning,

That pervades my inmost breast.
But at length I see the reason,
When the question I would ask:

'Twas in such a beauteous season,

Doris glowed to make me blest!
415

Anacreon's Grave

Anacreon's Grave

HERE where the roses blossom, where vines round the laurels are twining,
Where the turtle-dove calls, where the blithe cricket is heard,
Say, whose grave can this be, with life by all the Immortals


Beauteously planted and deck'd?--Here doth Anacreon sleep
Spring and summer and autumn rejoiced the thrice-happy minstrel,
And from the winter this mound kindly hath screen'd him at last.
362

A Symbol

A Symbol

THE mason's trade Observe them well,
Resembles life, And watch them revealing
With all its strife,--How solemn feeling


Is like the stir made And wonderment swell
By man on earth's face. The hearts of the brave.
Though weal and woe The voice of the blest,
The future may hide, And of spirits on high
Unterrified Seems loudly to cry:


We onward go "To do what is best,
In ne'er changing race. Unceasing endeavour!
A veil of dread "In silence eterne
Hangs heavier still. Here chaplets are twin'd,
Deep slumbers fill That each noble mind


The stars over-head, Its guerdon may earn.--
And the foot-trodden grave. Then hope ye for ever!"
462

A Parable

A Parable

I PICKED a rustic nosegay lately,
And bore it homewards, musing greatly;
When, heated by my hand, I found
The heads all drooping tow'rd the ground.
I plac'd them in a well-cool'd glass,
And what a wonder came to pass
The heads soon raised themselves once more.
The stalks were blooming as before,
And all were in as good a case
As when they left their native place.


So felt I, when I wond'ring heard
My song to foreign tongues transferr'd.
415

A Legacy

A Legacy

No living atom comes at last to naught!
Active in each is still the eternal Thought:
Hold fast to Being if thou wouldst be blest.
Being is without end; for changeless laws
Bind that from which the All its glory draws
Of living treasures endlessly possessed.


Unto the wise of old this truth was known,
Such wisdom knit their noble souls in one;
Then hold thou still the lore of ancient days!
To that high power thou ow'st it, son of man,
By whose decree the earth its circuit ran
And all the planets went their various ways.
Then inward turn at once thy searching eyes;


Thence shalt thou see the central truth arise
From which no lofty soul goes e'er astray;
There shalt thou miss no needful guiding sign-
For conscience lives, and still its light divine
Shall be the sun of all thy moral day.
Next shalt thou trust thy senses' evidence,
And fear from them no treacherous offence
While the mind's watchful eye thy road commands:
With lively pleasure contemplate the scene
And roam securely, teachable, serene,
At will throughout a world of fruitful lands.
Enjoy in moderation all life gives:
Where it rejoices in each thing that lives
Let reason be thy guide and make thee see.
Then shall the distant past be present still,
The future, ere it comes, thy vision fill-
Each single moment touch eternity.
Then at the last shalt thou achieve thy quest,
And in one final, firm conviction rest:
What bears for thee true fruit alone is true.
Prove all things, watch the movement of the world
As down the various ways its tribes are whirled;
Take thou thy stand among the chosen few.
Thus hath it been of old; in solitude
The artist shaped what thing to him seemed good,
The wise man hearkened to his own soul's voice.
Thus also shalt thou find thy greatest bliss;
To lead where the elect shall follow-this
And this alone is worth a hero's choice.
454

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Identification and basic context

Johann Wolfgang von Goethe was a central figure in German literature and a polymath whose work spanned poetry, drama, novels, scientific inquiry, and political theory. Born into a prominent family in Frankfurt, he was a key figure of the Weimar Classicism movement. Goethe's writings are characterized by their depth, philosophical inquiry, and exploration of human nature, often infused with a blend of Romantic sensibility and Neoclassical form. He was also a minister of state in the Duchy of Weimar, demonstrating a profound engagement with civic and political life. His national and linguistic identity were deeply rooted in Germany, and his work was primarily written in German, though its impact transcended linguistic boundaries.

Childhood and education

Goethe received an excellent education, benefiting from private tutors and the intellectual stimulation of his household, which included his father's library. He was exposed to classical literature, languages, and the arts from an early age. His formal education included studies at the University of Leipzig and the University of Strasbourg, where he studied law but also delved into literature and alchemy. He was influenced by the burgeoning Sturm und Drang movement, which emphasized individual emotion and rebellion against artistic conventions, as well as by Enlightenment ideals and the rediscovery of classical antiquity. His early experiences and readings laid the foundation for his multifaceted literary and intellectual development.

Literary trajectory

Goethe's literary career began in his youth with the Sturm und Drang movement, marked by works like "The Sorrows of Young Werther." This period was characterized by intense emotional expression and a focus on individual experience. His move to Weimar marked a shift towards Weimar Classicism, characterized by a more balanced, harmonious, and ethically focused approach, exemplified by "Iphigenia in Tauris" and "Torquato Tasso." The creation of "Faust," which occupied him for much of his life, represents the apex of his philosophical and dramatic achievement, evolving through different phases and reflecting his mature contemplation of human existence. He was also actively involved in periodicals and collaborated with other writers, contributing significantly to the literary landscape of his time.

Works, style, and literary characteristics

Goethe's major works include the epistolary novel "The Sorrows of Young Werther" (1774), the dramas "Iphigenia in Tauris" (1787) and "Egmont" (1788), the novel "Wilhelm Meister's Apprenticeship" (1795-96), and his monumental dramatic poem "Faust" (Part I, 1808; Part II, 1832). His themes are vast, encompassing love, nature, science, art, religion, the human condition, and the pursuit of knowledge and self-realization. His style evolved from the passionate and individualistic Sturm und Drang to the balanced, formal elegance of Weimar Classicism, and later, a more complex, symbolic, and philosophical mode in "Faust Part II." He masterfully employed various forms, including lyric poetry, dramatic verse, and prose, often experimenting with meter and structure. His poetic voice ranged from intensely personal and lyrical to philosophical and universal. Goethe's language is rich, precise, and evocative, utilizing powerful imagery and rhetorical devices to explore profound ideas. He is credited with significant innovations in German literature, bridging Romanticism and Classicism, and profoundly influencing the development of the European novel and drama.

Cultural and historical context

Goethe lived through a period of immense upheaval in European history, including the French Revolution and the Napoleonic Wars, which profoundly shaped his worldview and writings. He was a central figure of the Weimar Classicism movement, alongside Friedrich Schiller, representing a peak of German cultural achievement during a time when Germany was politically fragmented. His engagement with Enlightenment thought, the rediscovery of Greek and Roman antiquity, and the rise of Romanticism placed him at the intersection of major intellectual currents. His positions in Weimar gave him insight into political affairs, and his work often reflected on societal structures, the role of the individual, and the nature of governance.

Personal life

Goethe's personal life was rich and complex. His relationships, particularly with Charlotte von Stein, had a significant impact on his emotional and creative life. His later relationship with Christiane Vulpius, whom he eventually married, brought him domestic stability. He maintained friendships with many leading intellectuals of his time, including Schiller and Herder, and also experienced literary rivalries. Goethe's scientific pursuits, particularly in botany and optics, were not merely academic but intertwined with his poetic vision, reflecting a holistic view of knowledge. His philosophical and spiritual beliefs evolved throughout his life, moving from a pantheistic view of nature to a more nuanced engagement with Christian themes, particularly in his later works.

Recognition and reception

Goethe achieved immense fame and recognition during his lifetime, both within Germany and internationally. He was revered as a literary genius and a national icon. His works were widely translated and admired, and he received numerous honors and distinctions. The reception of his work has remained consistently high, with "Faust" considered one of the greatest works of world literature. While he enjoyed immense popularity and academic respect during his life, his complex philosophical and literary achievements continue to be subjects of intensive scholarly study and critical analysis.

Influences and legacy

Goethe was influenced by a wide array of sources, including classical Greek and Roman literature, the Bible, Shakespeare, and the emerging Sturm und Drang and Enlightenment philosophies. His legacy is immeasurable; he profoundly influenced German literature and culture, shaping the development of Romanticism, Realism, and subsequent literary movements. His concepts, such as the "eternal feminine" in "Faust," and his exploration of the human drive for self-fulfillment, have resonated across generations. He is a cornerstone of the German literary canon and a globally recognized literary figure. His works have been translated into virtually every major language and have inspired countless adaptations in music, theater, and film.

Interpretation and critical analysis

Goethe's work, particularly "Faust," has been subjected to endless interpretation and critical analysis. Themes of good versus evil, the pursuit of knowledge, the nature of progress, and the relationship between the spiritual and material worlds are central to scholarly debate. His complex philosophical outlook, blending elements of Romanticism, Classicism, and humanism, continues to provoke discussion. The tension between individual freedom and societal responsibility, and the search for meaning in a complex world, remain enduring aspects of his critical legacy.

Curiosities and lesser-known aspects

Goethe's fascination with science extended to empirical studies, including his theory of colors, which, though controversial, demonstrated his rigorous approach to observation. His personal life contained elements of both conventionality and unconventionality; his long-term relationship with Christiane Vulpius, who came from a lower social class, was unusual for a man of his stature. He maintained a disciplined writing routine, often working in the early hours of the morning. Anecdotes abound about his charismatic presence and his ability to engage with people from all walks of life. His extensive correspondence provides invaluable insights into his thoughts and daily life.

Death and memory

Johann Wolfgang von Goethe died in Weimar at the age of 82. His death was a significant national event, marking the end of an era in German culture. His memory is celebrated through numerous institutions, monuments, and cultural events dedicated to his life and work. His literary and scientific contributions continue to be studied and revered, ensuring his enduring place in the annals of world culture. His collected works are vast and continue to be published and re-edited, testifying to his lasting impact.