Rupert Brooke

Rupert Brooke

1887–1915 · lived 27 years -- --

Rupert Brooke was an English poet known for his idealistic and patriotic war sonnets written at the outset of World War I. His early death from sepsis during the war cemented his image as a heroic figure. Brooke's poetry is characterized by its lyrical beauty, traditional form, and exploration of themes such as love, beauty, and patriotism, often tinged with a sense of youthful idealism.

n. 1887-08-03, Rugby · m. 1915-04-23, Esquiro

12,719 Views

A Channel Passage

A Channel Passage
The damned ship lurched and slithered. Quiet and quick
My cold gorge rose; the long sea rolled; I knew
I must think hard of something, or be sick;
And could think hard of only one thing -- YOU!
You, you alone could hold my fancy ever!
And with you memories come, sharp pain, and dole.
Now there's a choice -- heartache or tortured liver!
A sea-sick body, or a you-sick soul!
Do I forget you? Retchings twist and tie me,
Old meat, good meals, brown gobbets, up I throw.
Do I remember? Acrid return and slimy,
The sobs and slobber of a last years woe.
And still the sick ship rolls. 'Tis hard, I tell ye,
To choose 'twixt love and nausea, heart and belly.
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Bio

Identification and basic context

Rupert Chawner Brooke was an English poet, often considered to be the most distinguished poet of the Georgian era.

Childhood and education

Born into a well-to-do family, Brooke received a comprehensive education, first at Rugby School and then at King's College, Cambridge, where he was a member of the Apostles. His early life was marked by intellectual pursuits and friendships with prominent literary figures.

Literary trajectory

Brooke's poetic career, though short, gained significant traction during World War I. His sonnets, particularly "1914," captured the public imagination with their patriotic fervor and romanticized view of war. He was associated with the Georgian poets, a group that favored traditional forms and themes.

Works, style, and literary characteristics

Brooke is best known for his war sonnets, including "The Soldier." His style is lyrical, elegant, and often employs traditional forms like the sonnet. His poetry frequently explores themes of love, beauty, England, and the perceived glory of dying for one's country. His language is accessible and his imagery often draws from nature.

Cultural and historical context

Brooke lived during a period of significant social and political change, culminating in World War I. His work resonated with the prevailing patriotic sentiment in Britain at the beginning of the conflict. He was part of a literary circle that included figures like Virginia Woolf and D.H. Lawrence.

Personal life

Brooke had complex personal relationships, including romantic involvements that influenced his poetry. He was known for his striking good looks and charismatic personality. His experiences traveling and living abroad also informed his worldview.

Recognition and reception

Brooke achieved immense posthumous fame, largely due to his heroic image and his famous war poems. He became a symbol of lost youth and patriotic sacrifice, though later critical assessments have sometimes debated the sincerity and depth of his war poetry.

Influences and legacy

Brooke was influenced by classical poets and contemporary writers. His legacy is tied to his idealized vision of warfare and his status as a war poet. He inspired a generation with his patriotic verses, even as his artistic merit has been subject to later re-evaluation.

Interpretation and critical analysis

Brooke's poetry is often interpreted as embodying a youthful, idealistic patriotism. Critics have debated whether his work represents genuine belief or a romanticized, almost naive, response to the realities of war. His lyrical qualities are generally admired, but his thematic depth has been questioned.

Curiosities and lesser-known aspects

Brooke's personal life was the subject of much fascination, with details of his relationships and friendships often discussed. His involvement in unconventional lifestyles and his charismatic presence contributed to his legendary status.

Death and memory

Rupert Brooke died of an infected mosquito bite on April 23, 1915, while en route to Gallipoli. He was buried on the Greek island of Skyros, and his death was widely mourned, solidifying his image as a fallen hero of World War I. His poems were published posthumously, further cementing his fame.

Poems

67

Success

Success
I think if you had loved me when I wanted;
If I'd looked up one day, and seen your eyes,
And found my wild sick blasphemous prayer granted,
And your brown face, that's full of pity and wise,
Flushed suddenly; the white godhead in new fear
Intolerably so struggling, and so shamed;
Most holy and far, if you'd come all too near,
If earth had seen Earth's lordliest wild limbs tamed,
Shaken, and trapped, and shivering, for MY touch --
Myself should I have slain? or that foul you?
But this the strange gods, who had given so much,
To have seen and known you, this they might not do.
One last shame's spared me, one black word's unspoken;
And I'm alone; and you have not awoken.
205

Sonnet: Oh! Death will find me, long before I tire

Sonnet: Oh! Death will find me, long before I tire
Oh! Death will find me, long before I tire
Of watching you; and swing me suddenly
Into the shade and loneliness and mire
Of the last land! There, waiting patiently,
One day, I think, I'll feel a cool wind blowing,
See a slow light across the Stygian tide,
And hear the Dead about me stir, unknowing,
And tremble. And I shall know that you have died,
And watch you, a broad-browed and smiling dream,
Pass, light as ever, through the lightless host,
Quietly ponder, start, and sway, and gleam --
Most individual and bewildering ghost! --
And turn, and toss your brown delightful head
Amusedly, among the ancient Dead.
148

Sonnet: I said I splendidly loved you; it's not true

Sonnet: I said I splendidly loved you; it's not true
I said I splendidly loved you; it's not true.
Such long swift tides stir not a land-locked sea.
On gods or fools the high risk falls -- on you --
The clean clear bitter-sweet that's not for me.
Love soars from earth to ecstasies unwist.
Love is flung Lucifer-like from Heaven to Hell.
But -- there are wanderers in the middle mist,
Who cry for shadows, clutch, and cannot tell
Whether they love at all, or, loving, whom:
An old song's lady, a fool in fancy dress,
Or phantoms, or their own face on the gloom;
For love of Love, or from heart's loneliness.
Pleasure's not theirs, nor pain. They doubt, and sigh,
And do not love at all. Of these am I.
155

Sonnet

Sonnet
(Suggested by some of the Proceedings of the Society for Psychical Research)
Not with vain tears, when we’re beyond the sun,
We’ll beat on the substantial doors, nor tread
Those dusty high-roads of the aimless dead
Plaintive for Earth; but rather turn and run
Down some close-covered by-way of the air,
Some low sweet alley between wind and wind,
Stoop under faint gleams, thread the shadows, find
Some whispering ghost-forgotten nook, and there
Spend in pure converse our eternal day;
Think each in each, immediately wise;
Learn all we lacked before; hear, know, and say
What this tumultuous body now denies;
And feel, who have laid our groping hands away;
And see, no longer blinded by our eyes.
187

Sonnet Reversed

Sonnet Reversed
Hand trembling towards hand; the amazing lights
Of heart and eye. They stood on supreme heights.
Ah, the delirious weeks of honeymoon!
Soon they returned, and, after strange adventures,
Settled at Balham by the end of June.
Their money was in Can. Pacs. B. Debentures,
And in Antofagastas. Still he went
Cityward daily; still she did abide
At home. And both were really quite content
With work and social pleasures. Then they died.
They left three children (besides George, who drank):
The eldest Jane, who married Mr Bell,
William, the head-clerk in the County Bank,
And Henry, a stock-broker, doing well.
209

Song of the Pilgrims, The

Song of the Pilgrims, The
(Halted around the fire by night, after moon-set, they sing this beneath the trees.)
What light of unremembered skies
Hast thou relumed within our eyes,
Thou whom we seek, whom we shall find? . . .
A certain odour on the wind,
Thy hidden face beyond the west,
These things have called us; on a quest
Older than any road we trod,
More endless than desire. . . .
Far God,
Sigh with thy cruel voice, that fills
The soul with longing for dim hills
And faint horizons! For there come
Grey moments of the antient dumb
Sickness of travel, when no song
Can cheer us; but the way seems long;
And one remembers. . . .
Ah! the beat
Of weary unreturning feet,
And songs of pilgrims unreturning! . . .
The fires we left are always burning
On the old shrines of home. Our kin
Have built them temples, and therein
Pray to the Gods we know; and dwell
In little houses lovable,
Being happy (we remember how!)
And peaceful even to death. . . .
O Thou,
God of all long desirous roaming,
Our hearts are sick of fruitless homing,
And crying after lost desire.
Hearten us onward! as with fire
Consuming dreams of other bliss.
The best Thou givest, giving this
Sufficient thing -- to travel still
Over the plain, beyond the hill,
Unhesitating through the shade,
Amid the silence unafraid,
Till, at some sudden turn, one sees
Against the black and muttering trees
Thine altar, wonderfully white,
Among the Forests of the Night.
209

Song

Song
"Oh! Love," they said, "is King of Kings,
And Triumph is his crown.
Earth fades in flame before his wings,
And Sun and Moon bow down." --
But that, I knew, would never do;
And Heaven is all too high.
So whenever I meet a Queen, I said,
I will not catch her eye.
"Oh! Love," they said, and "Love," they said,
"The gift of Love is this;
A crown of thorns about thy head,
And vinegar to thy kiss!" --
But Tragedy is not for me;
And I'm content to be gay.
So whenever I spied a Tragic Lady,
I went another way.
And so I never feared to see
You wander down the street,
Or come across the fields to me
On ordinary feet.
For what they'd never told me of,
And what I never knew;
It was that all the time, my love,
Love would be merely you.
200

Sleeping Out: Full Moon

Sleeping Out: Full Moon
They sleep within. . . .
I cower to the earth, I waking, I only.
High and cold thou dreamest, O queen, high-dreaming and lonely.
We have slept too long, who can hardly win
The white one flame, and the night-long crying;
The viewless passers; the world's low sighing
With desire, with yearning,
To the fire unburning,
To the heatless fire, to the flameless ecstasy! . . .
Helpless I lie.
And around me the feet of thy watchers tread.
There is a rumour and a radiance of wings above my head,
An intolerable radiance of wings. . . .
All the earth grows fire,
White lips of desire
Brushing cool on the forehead, croon slumbrous things.
Earth fades; and the air is thrilled with ways,
Dewy paths full of comfort. And radiant bands,
The gracious presence of friendly hands,
Help the blind one, the glad one, who stumbles and strays,
Stretching wavering hands, up, up, through the praise
Of a myriad silver trumpets, through cries,
To all glory, to all gladness, to the infinite height,
To the gracious, the unmoving, the mother eyes,
And the laughter, and the lips, of light.
168

Seaside

Seaside
Swiftly out from the friendly lilt of the band,
The crowd's good laughter, the loved eyes of men,
I am drawn nightward; I must turn again
Where, down beyond the low untrodden strand,
There curves and glimmers outward to the unknown
The old unquiet ocean. All the shade
Is rife with magic and movement. I stray alone
Here on the edge of silence, half afraid,
Waiting a sign. In the deep heart of me
The sullen waters swell towards the moon,
And all my tides set seaward.
From inland
Leaps a gay fragment of some mocking tune,
That tinkles and laughs and fades along the sand,
And dies between the seawall and the sea.
209

Retrospect

Retrospect
In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Love, in you, went passing by,
Penetrative, remote, and rare,
Like a bird in the wide air,
And, as the bird, it left no trace
In the heaven of your face.
In your stupidity I found
The sweet hush after a sweet sound.
All about you was the light
That dims the greying end of night;
Desire was the unrisen sun,
Joy the day not yet begun,
With tree whispering to tree,
Without wind, quietly.
Wisdom slept within your hair,
And Long-Suffering was there,
And, in the flowing of your dress,
Undiscerning Tenderness.
And when you thought, it seemed to me,
Infinitely, and like a sea,
About the slight world you had known
Your vast unconsciousness was thrown. . . .
O haven without wave or tide!
Silence, in which all songs have died!
Holy book, where hearts are still!
And home at length under the hill!
O mother quiet, breasts of peace,
Where love itself would faint and cease!
O infinite deep I never knew,
I would come back, come back to you,
Find you, as a pool unstirred,
Kneel down by you, and never a word,
Lay my head, and nothing said,
In your hands, ungarlanded;
And a long watch you would keep;
And I should sleep, and I should sleep!
Mataiea, January
175

Quotes

21

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