Poems List

A Sight In Camp

A SIGHT in camp in the day-break grey and dim,
As from my tent I emerge so early, sleepless,
As slow I walk in the cool fresh air, the path near by the hospital


tent,
Three forms I see on stretchers lying, brought out there, untended

lying,
Over each the blanket spread, ample brownish woollen blanket,
Grey and heavy blanket, folding, covering all.


Curious, I halt, and silent stand;
Then with light fingers I from the face of the nearest, the first,
just lift the blanket:
Who are you, elderly man so gaunt and grim, with well-grey'd hair,
and flesh all sunken about the eyes?
Who are you, my dear comrade? 10

Then to the second I step--And who are you, my child and darling?
Who are you, sweet boy, with cheeks yet blooming?

Then to the third--a face nor child, nor old, very calm, as of
beautiful yellow-white ivory;
Young man, I think I know you--I think this face of yours is the face
of the Christ himself;
Dead and divine, and brother of all, and here again he lies.

"Did You Never Know?"
Did you never know, long ago, how much you loved me --
That your love would never lessen and never go?
You were young then, proud and fresh-hearted,
You were too young to know.
Fate is a wind, and red leaves fly before it
Far apart, far away in the gusty time of year --
Seldom we meet now, but when I hear you speaking,
I know your secret, my dear, my dear.

The Burial Of The Poet

In the old churchyard of his native town,
And in the ancestral tomb beside the wall,
We laid him in the sleep that comes to all,
And left him to his rest and his renown.
The snow was falling, as if Heaven dropped down
White flowers of Paradise to strew his pall;--
The dead around him seemed to wake, and call
His name, as worthy of so white a crown.
And now the moon is shining on the scene,
And the broad sheet of snow is written o'er
With shadows cruciform of leafless trees,
As once the winding-sheet of Saladin
With chapters of the Koran; but, ah! more
Mysterious and triumphant signs are these.

You know the place: then
You know the place: then
Leave Crete and come to us
waiting where the grove is
pleasantest, by precincts
sacred to you; incense
smokes on the altar, cold
streams murmur through the
apple branches, a young
rose thicket shades the ground
and quivering leaves pour
down deep sleep; in meadows
where horses have grown sleek
among spring flowers, dill
scents the air. Queen! Cyprian!
Fill our gold cups with love
stirred into clear nectar

A Promise To California

A PROMISE to California,
Also to the great Pastoral Plains, and for Oregon:
Sojourning east a while longer, soon I travel toward you, to remain,


to teach robust American love;
For I know very well that I and robust love belong among you, inland,
and along the Western Sea;
For These States tend inland, and toward the Western Sea--and I will
also.

Romance


In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.


'Twas only juts a gentle pat,
Yet oh what sympathy behind it!
I don't let anyone do that,
But somehow then I didn't mind it.
He seemed my worry to divine,
With kindly smile, that foreign mannie,
And as we stood in waiting line
With tender touch he tapped my fanny.


It brought a ripple of romance
Into that postal bureau dreary;
He gave me such a smiling glance
That somehow I felt gay and cheery.
For information on my case
The postal folk searched nook and cranny;
He gently tapped, with smiling face,
His reassurance on my fanny.


So I'll go back to Tennessee,
And they will ask: "How have you spent your
Brief holiday in gay Paree?"
But I'll not speak of my adventure.
Oh say I'm spectacled and grey,
Oh say I'm sixty and a grannie -
But say that morn of May
A Frenchman flipped me on the fanny!

Words
Although they are
only breath, words
which I command
are immortal
Sappho
tr. Barnard

A Paumanok Picture

TWO boats with nets lying off the sea-beach, quite still,
Ten fishermen waiting--they discover a thick school of mossbonkers-they
drop the join'd seine-ends in the water,
The boats separate and row off, each on its rounding course to the

beach, enclosing the mossbonkers,
The net is drawn in by a windlass by those who stop ashore,
Some of the fishermen lounge in their boats, others stand ankle-deep

in the water, pois'd on strong legs,
The boats partly drawn up, the water slapping against them,
Strew'd on the sand in heaps and windrows, well out from the water,

the green-back'd spotted mossbonkers.

The Brook. (From The Spanish)

Laugh of the mountain! -- lyre of bird and tree!
Pomp of the meadow! mirror of the morn!
The soul of April, unto whom are born
The rose and jessamine, leaps wild in thee!
Although, where'er thy devious current strays,
The lap of earth with gold and silver teems,
To me thy clear proceeding brighter seems
Than golden sands, that charm each shepherd's gaze.
How without guile thy bosom, all transparent
As the pure crystal, lets the curious eye
Thy secrets scan, thy smooth, round pebbles count!
How, without malice murmuring, glides thy current!
O sweet simplicity of days gone by!
Thou shun'st the haunts of man, to dwell in limpid fount!

A March In The Ranks, Hard-prest

A MARCH in the ranks hard-prest, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foil'd with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us, the lights of a dim-lighted


building;
We come to an open space in the woods, and halt by the dim-lighted
building;
'Tis a large old church at the crossing roads--'tis now an impromptu
hospital;
--Entering but for a minute, I see a sight beyond all the pictures
and poems ever made:
Shadows of deepest, deepest black, just lit by moving candles and
lamps,
And by one great pitchy torch, stationary, with wild red flame, and
clouds of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some
in the pews laid down; 10
At my feet more distinctly, a soldier, a mere lad, in danger of
bleeding to death, (he is shot in the abdomen;)
I staunch the blood temporarily, (the youngster's face is white as a
lily;)
Then before I depart I sweep my eyes o'er the scene, fain to absorb
it all;
Faces, varieties, postures beyond description, most in obscurity,
some of them dead;
Surgeons operating, attendants holding lights, the smell of ether,
the odor of blood;
The crowd, O the crowd of the bloody forms of soldiers--the yard
outside also fill'd;
Some on the bare ground, some on planks or stretchers, some in the

death-spasm sweating;
An occasional scream or cry, the doctor's shouted orders or calls;
The glisten of the little steel instruments catching the glint of the

torches;
These I resume as I chant--I see again the forms, I smell the


odor; 20
Then hear outside the orders given, Fall in, my men, Fall in;
But first I bend to the dying lad--his eyes open--a half-smile gives

he me;
Then the eyes close, calmly close, and I speed forth to the darkness,
Resuming, marching, ever in darkness marching, on in the ranks,
The unknown road still marching.

With his venom
With his venom
irresistible
and bittersweet
that loosener
of limbs, Love
reptile-like
strikes me down

Ripeness


With peace and rest
And wisdom sage,
Ripeness is best
Of every age.
With hands that fold
In pensive prayer,
For grave-yard mold

Prepare.

From fighting free
With fear forgot,
Let ripeness be,
Before the rot.
With heart of cheer
At eighty odd,
How man grows near


To God!

With passion spent
And life nigh run
Let us repent
The ill we've done.
And as we bless
With happy heart
Life's mellowness

--Depart.

A Hand-Mirror

HOLD it up sternly! See this it sends back! (Who is it? Is it you?)
Outside fair costume--within ashes and filth,
No more a flashing eye--no more a sonorous voice or springy step;
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left--no magnetism of sex; 10
Such, from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!

We put the urn abord ship
We put the urn aboard ship
with this inscription:
This is the dust of little
Timas who unmarried was led
into Persephone's dark bedroom
And she being far from home, girls
her age took new-edged blades
to cut, in mourning for her,
these curls of their soft hair

The Broken Oar

Once upon Iceland's solitary strand
A poet wandered with his book and pen,
Seeking some final word, some sweet Amen,
Wherewith to close the volume in his hand.
The billows rolled and plunged upon the sand,
The circling sea-gulls swept beyond his ken,
And from the parting cloud-rack now and then
Flashed the red sunset over sea and land.
Then by the billows at his feet was tossed
A broken oar; and carved thereon he read,
'Oft was I weary, when I toiled at thee';
And like a man, who findeth what was lost,
He wrote the words, then lifted up his head,
And flung his useless pen into the sea.

Tonight I've watched
Tonight I've watched
the moon and then
the Pleiades
go down
The night is now
half-gone; youth
goes; I am
in bed alone

A Farm-Picture

THROUGH the ample open door of the peaceful country barn,
A sun-lit pasture field, with cattle and horses feeding;
And haze, and vista, and the far horizon, fading away.

Rich Poor Man

We pitied him because
He lived alone;
His tiny cottage was
His only own.
His little garden had
A wall around;
Yet never was so glad
A bit of ground.


It seemed to fair rejoice
With flowers and fruit;
With blooms it found a voice
When ours was muts.
It smiled without a pause
In gracious glow:
I think it was because
He loved it so.


He had no news to read,
No rent to pay;
His vegetable need
He plucked each day.
His grateful garden gave
Him ample fare;
He lived without a crave,
Without a care.


His bread and milk and tea
Were all he bought;
To us he seemed to be
A sorry lot . . .
But when we're dead and gone,
With all our fuss,
I guess he'll carry on,
And laugh at us.

To Evening
O HESPERUS! Thou bringest all things home;
All that the garish day hath scattered wide;
The sheep, the goat, back to the welcome fold;
Thou bring'st the child, too, to his mother's side

A Child's Amaze

SILENT and amazed, even when a little boy,
I remember I heard the preacher every Sunday put God in his
statements,
As contending against some being or influence.

The Boy And The Brook. (Armenian Popular Song, From The Prose Version Of
Alishan)

Down from yon distant mountain height
The brooklet flows through the village street;
A boy comes forth to wash his hands,
Washing, yes washing, there he stands,
In the water cool and sweet.


Brook, from what mountain dost thou come,
O my brooklet cool and sweet!
I come from yon mountain high and cold,
Where lieth the new snow on the old,
And melts in the summer heat.


Brook, to what river dost thou go?
O my brooklet cool and sweet!
I go to the river there below
Where in bunches the violets grow,
And sun and shadow meet.


Brook, to what garden dost thou go?
O my brooklet cool and sweet!
I go to the garden in the vale
Where all night long the nightingale
Her love-song doth repeat.


Brook, to what fountain dost thou go?
O my brooklet cool and sweet!
I go to the fountain at whose brink
The maid that loves thee comes to drink,
And whenever she looks therein,
I rise to meet her, and kiss her chin,
And my joy is then complete.

A Boston Ballad, 1854

TO get betimes in Boston town, I rose this morning early;
Here's a good place at the corner--I must stand and see the show.


Clear the way there, Jonathan!
Way for the President's marshal! Way for the government cannon!
Way for the Federal foot and dragoons--and the apparitions copiously


tumbling.

I love to look on the stars and stripes--I hope the fifes will play
Yankee Doodle.


How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.


A fog follows--antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and bloodless. 10


Why this is indeed a show! It has called the dead out of the earth!
The old grave-yards of the hills have hurried to see!
Phantoms! phantoms countless by flank and rear!
Cock'd hats of mothy mould! crutches made of mist!
Arms in slings! old men leaning on young men's shoulders!


What troubles you, Yankee phantoms? What is all this chattering of
bare gums?
Does the ague convulse your limbs? Do you mistake your crutches for
fire-locks, and level them?


If you blind your eyes with tears, you will not see the President's
marshal;
If you groan such groans, you might balk the government cannon.


For shame, old maniacs! Bring down those toss'd arms, and let your
white hair be; 20
Here gape your great grand-sons--their wives gaze at them from the
windows,
See how well dress'd--see how orderly they conduct themselves.


Worse and worse! Can't you stand it? Are you retreating?
Is this hour with the living too dead for you?


Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers!
I do not think you belong here, anyhow.


But there is one thing that belongs here--shall I tell you what it

is, gentlemen of Boston?
I will whisper it to the Mayor--he shall send a committee to England;
They shall get a grant from the Parliament, go with a cart to the


royal vault--haste! 30


Dig out King George's coffin, unwrap him quick from the graveclothes,
box up his bones for a journey;
Find a swift Yankee clipper--here is freight for you, black-bellied
clipper,
Up with your anchor! shake out your sails! steer straight toward
Boston bay.


Now call for the President's marshal again, bring out the government
cannon,
Fetch home the roarers from Congress, make another procession, guard
it with foot and dragoons.

This centre-piece for them:
Look! all orderly citizens--look from the windows, women!


The committee open the box, set up the regal ribs, glue those that
will not stay,
Clap the skull on top of the ribs, and clap a crown on top of the
skull.


You have got your revenge, old buster! The crown is come to its own,
and more than its own.

Stick your hands in your pockets, Jonathan--you are a made man from
this day; 40
You are mighty cute--and here is one of your bargains.

To any army wife, in Sardis:
To any army wife, in Sardis:
Some say a cavalry corps,
some infantry, some again,
will maintain that the swift oars
of our fleet are the finest
sight on dark earth; but I say
that whatever one loves, is.
This is easily proved: did
not Helen -- she who had scanned
the flower of the world's manhood --
choose as first among men one
who laid Troy's honor in ruin?
warped to his will, forgetting
love due her own blood, her own
child, she wandered far with him.
So Anactoria, although you
being far away forget us,
the dear sound of your footstep
and light glancing in your eyes
would move me more than glitter
of Lydian horse or armored
tread of mainland infantry

Rhyme For My Tomb

Here lyeth one
Who loved the sun;
Who lived with zest,
Whose work was done,
Reward, dear Lord,
Thy weary son:
May he be blest
With peace and rest,
Nor wake again,


Amen.