Poems List
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The True Knowledge
Thou knowest all; I seek in vain
What lands to till or sow with seed -
The land is black with briar and weed,
Nor cares for falling tears or rain.
Thou knowest all; I sit and wait
With blinded eyes and hands that fail,
Till the last lifting of the veil
And the first opening of the gate.
Thou knowest all; I cannot see.
I trust I shall not live in vain,
I know that we shall meet again
In some divine eternity.
What lands to till or sow with seed -
The land is black with briar and weed,
Nor cares for falling tears or rain.
Thou knowest all; I sit and wait
With blinded eyes and hands that fail,
Till the last lifting of the veil
And the first opening of the gate.
Thou knowest all; I cannot see.
I trust I shall not live in vain,
I know that we shall meet again
In some divine eternity.
806
Theocritus - A Villanelle
O singer of Persephone!
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simaetha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait;
O Singer of Persephone!
Dost thou remember Sicily?
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simaetha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait;
O Singer of Persephone!
Dost thou remember Sicily?
584
Like burnt-out torches by a sick man's bed
We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.
Inside, above the din and fray,
We heard the loud musicians play
The 'Treues Liebes Herz' of Strauss.
Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.
We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.
Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,
Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.
Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.
Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.
Then, turning to my love, I said,
'The dead are dancing with the dead,
The dust is whirling with the dust.'
But she - she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.
Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.
And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
We loitered down the moonlit street,
And stopped beneath the harlot's house.
Inside, above the din and fray,
We heard the loud musicians play
The 'Treues Liebes Herz' of Strauss.
Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.
We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.
Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,
Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.
Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.
Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.
Then, turning to my love, I said,
'The dead are dancing with the dead,
The dust is whirling with the dust.'
But she - she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.
Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.
And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
782
The Grave Of Shelley
Like burnt-out torches by a sick man's bed
Gaunt cypress-trees stand round the sun-bleached stone;
Here doth the little night-owl make her throne,
And the slight lizard show his jewelled head.
And, where the chaliced poppies flame to red,
In the still chamber of yon pyramid
Surely some Old-World Sphinx lurks darkly hid,
Grim warder of this pleasaunce of the dead.
Ah! sweet indeed to rest within the womb
Of Earth, great mother of eternal sleep,
But sweeter far for thee a restless tomb
In the blue cavern of an echoing deep,
Or where the tall ships founder in the gloom
Against the rocks of some wave-shattered steep.
ROME.
Gaunt cypress-trees stand round the sun-bleached stone;
Here doth the little night-owl make her throne,
And the slight lizard show his jewelled head.
And, where the chaliced poppies flame to red,
In the still chamber of yon pyramid
Surely some Old-World Sphinx lurks darkly hid,
Grim warder of this pleasaunce of the dead.
Ah! sweet indeed to rest within the womb
Of Earth, great mother of eternal sleep,
But sweeter far for thee a restless tomb
In the blue cavern of an echoing deep,
Or where the tall ships founder in the gloom
Against the rocks of some wave-shattered steep.
ROME.
791
The Dole Of The King's Daughter (Breton)
Seven stars in the still water,
And seven in the sky;
Seven sins on the King's daughter,
Deep in her soul to lie.
Red roses are at her feet,
(Roses are red in her red-gold hair)
And O where her bosom and girdle meet
Red roses are hidden there.
Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.
Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.
What do they there so stark and dead?
(There is blood upon her hand)
Why are the lilies flecked with red?
(There is blood on the river sand.)
There are two that ride from the south and east,
And two from the north and west,
For the black raven a goodly feast,
For the King's daughter rest.
There is one man who loves her true,
(Red, O red, is the stain of gore!)
He hath duggen a grave by the darksome yew,
(One grave will do for four.)
No moon in the still heaven,
In the black water none,
The sins on her soul are seven,
The sin upon his is one.
And seven in the sky;
Seven sins on the King's daughter,
Deep in her soul to lie.
Red roses are at her feet,
(Roses are red in her red-gold hair)
And O where her bosom and girdle meet
Red roses are hidden there.
Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.
Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.
What do they there so stark and dead?
(There is blood upon her hand)
Why are the lilies flecked with red?
(There is blood on the river sand.)
There are two that ride from the south and east,
And two from the north and west,
For the black raven a goodly feast,
For the King's daughter rest.
There is one man who loves her true,
(Red, O red, is the stain of gore!)
He hath duggen a grave by the darksome yew,
(One grave will do for four.)
No moon in the still heaven,
In the black water none,
The sins on her soul are seven,
The sin upon his is one.
650
Taedium Vitae
To stab my youth with desperate knives, to wear
This paltry age's gaudy livery,
To let each base hand filch my treasury,
To mesh my soul within a woman's hair,
And be mere Fortune's lackeyed groom, - I swear
I love it not! these things are less to me
Than the thin foam that frets upon the sea,
Less than the thistledown of summer air
Which hath no seed: better to stand aloof
Far from these slanderous fools who mock my life
Knowing me not, better the lowliest roof
Fit for the meanest hind to sojourn in,
Than to go back to that hoarse cave of strife
Where my white soul first kissed the mouth of sin.
This paltry age's gaudy livery,
To let each base hand filch my treasury,
To mesh my soul within a woman's hair,
And be mere Fortune's lackeyed groom, - I swear
I love it not! these things are less to me
Than the thin foam that frets upon the sea,
Less than the thistledown of summer air
Which hath no seed: better to stand aloof
Far from these slanderous fools who mock my life
Knowing me not, better the lowliest roof
Fit for the meanest hind to sojourn in,
Than to go back to that hoarse cave of strife
Where my white soul first kissed the mouth of sin.
754
Sonnet On Hearing The Dies Irae Sung In The Sistine Chapel
Nay, Lord, not thus! white lilies in the spring,
Sad olive-groves, or silver-breasted dove,
Teach me more clearly of Thy life and love
Than terrors of red flame and thundering.
The hillside vines dear memories of Thee bring:
A bird at evening flying to its nest
Tells me of One who had no place of rest:
I think it is of Thee the sparrows sing.
Come rather on some autumn afternoon,
When red and brown are burnished on the leaves,
And the fields echo to the gleaner's song,
Come when the splendid fulness of the moon
Looks down upon the rows of golden sheaves,
And reap Thy harvest: we have waited long.
Sad olive-groves, or silver-breasted dove,
Teach me more clearly of Thy life and love
Than terrors of red flame and thundering.
The hillside vines dear memories of Thee bring:
A bird at evening flying to its nest
Tells me of One who had no place of rest:
I think it is of Thee the sparrows sing.
Come rather on some autumn afternoon,
When red and brown are burnished on the leaves,
And the fields echo to the gleaner's song,
Come when the splendid fulness of the moon
Looks down upon the rows of golden sheaves,
And reap Thy harvest: we have waited long.
605
Symphony in Yellow
An omnibus across the bridge
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
708
Sonnet On Approaching Italy
I reached the Alps: the soul within me burned,
Italia, my Italia, at thy name:
And when from out the mountain's heart I came
And saw the land for which my life had yearned,
I laughed as one who some great prize had earned:
And musing on the marvel of thy fame
I watched the day, till marked with wounds of flame
The turquoise sky to burnished gold was turned.
The pine-trees waved as waves a woman's hair,
And in the orchards every twining spray
Was breaking into flakes of blossoming foam:
But when I knew that far away at Rome
In evil bonds a second Peter lay,
I wept to see the land so very fair.
TURIN.
Italia, my Italia, at thy name:
And when from out the mountain's heart I came
And saw the land for which my life had yearned,
I laughed as one who some great prize had earned:
And musing on the marvel of thy fame
I watched the day, till marked with wounds of flame
The turquoise sky to burnished gold was turned.
The pine-trees waved as waves a woman's hair,
And in the orchards every twining spray
Was breaking into flakes of blossoming foam:
But when I knew that far away at Rome
In evil bonds a second Peter lay,
I wept to see the land so very fair.
TURIN.
606
Silentium Amoris
As often-times the too resplendent sun
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.
And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.
But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.
And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.
But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.
704
Santa Decca
The Gods are dead: no longer do we bring
To grey-eyed Pallas crowns of olive-leaves!
Demeter's child no more hath tithe of sheaves,
And in the noon the careless shepherds sing,
For Pan is dead, and all the wantoning
By secret glade and devious haunt is o'er:
Young Hylas seeks the water-springs no more;
Great Pan is dead, and Mary's son is King.
And yet - perchance in this sea-tranced isle,
Chewing the bitter fruit of memory,
Some God lies hidden in the asphodel.
Ah Love! if such there be, then it were well
For us to fly his anger: nay, but see,
The leaves are stirring: let us watch awhile.
CORFU.
To grey-eyed Pallas crowns of olive-leaves!
Demeter's child no more hath tithe of sheaves,
And in the noon the careless shepherds sing,
For Pan is dead, and all the wantoning
By secret glade and devious haunt is o'er:
Young Hylas seeks the water-springs no more;
Great Pan is dead, and Mary's son is King.
And yet - perchance in this sea-tranced isle,
Chewing the bitter fruit of memory,
Some God lies hidden in the asphodel.
Ah Love! if such there be, then it were well
For us to fly his anger: nay, but see,
The leaves are stirring: let us watch awhile.
CORFU.
708
Serenade (For Music)
The western wind is blowing fair
Across the dark AEgean sea,
And at the secret marble stair
My Tyrian galley waits for thee.
Come down! the purple sail is spread,
The watchman sleeps within the town,
O leave thy lily-flowered bed,
O Lady mine come down, come down!
She will not come, I know her well,
Of lover's vows she hath no care,
And little good a man can tell
Of one so cruel and so fair.
True love is but a woman's toy,
They never know the lover's pain,
And I who loved as loves a boy
Must love in vain, must love in vain.
O noble pilot, tell me true,
Is that the sheen of golden hair?
Or is it but the tangled dew
That binds the passion-flowers there?
Good sailor come and tell me now
Is that my Lady's lily hand?
Or is it but the gleaming prow,
Or is it but the silver sand?
No! no! 'tis not the tangled dew,
'Tis not the silver-fretted sand,
It is my own dear Lady true
With golden hair and lily hand!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
This is the Queen of life and joy
Whom we must bear from Grecian shore!
The waning sky grows faint and blue,
It wants an hour still of day,
Aboard! aboard! my gallant crew,
O Lady mine, away! away!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
O loved as only loves a boy!
O loved for ever evermore!
Across the dark AEgean sea,
And at the secret marble stair
My Tyrian galley waits for thee.
Come down! the purple sail is spread,
The watchman sleeps within the town,
O leave thy lily-flowered bed,
O Lady mine come down, come down!
She will not come, I know her well,
Of lover's vows she hath no care,
And little good a man can tell
Of one so cruel and so fair.
True love is but a woman's toy,
They never know the lover's pain,
And I who loved as loves a boy
Must love in vain, must love in vain.
O noble pilot, tell me true,
Is that the sheen of golden hair?
Or is it but the tangled dew
That binds the passion-flowers there?
Good sailor come and tell me now
Is that my Lady's lily hand?
Or is it but the gleaming prow,
Or is it but the silver sand?
No! no! 'tis not the tangled dew,
'Tis not the silver-fretted sand,
It is my own dear Lady true
With golden hair and lily hand!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
This is the Queen of life and joy
Whom we must bear from Grecian shore!
The waning sky grows faint and blue,
It wants an hour still of day,
Aboard! aboard! my gallant crew,
O Lady mine, away! away!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
O loved as only loves a boy!
O loved for ever evermore!
1,550
San Miniato
See, I have climbed the mountain side
Up to this holy house of God,
Where once that Angel-Painter trod
Who saw the heavens opened wide,
And throned upon the crescent moon
The Virginal white Queen of Grace, -
Mary! could I but see thy face
Death could not come at all too soon.
O crowned by God with thorns and pain!
Mother of Christ! O mystic wife!
My heart is weary of this life
And over-sad to sing again.
O crowned by God with love and flame!
O crowned by Christ the Holy One!
O listen ere the searching sun
Show to the world my sin and shame.
Up to this holy house of God,
Where once that Angel-Painter trod
Who saw the heavens opened wide,
And throned upon the crescent moon
The Virginal white Queen of Grace, -
Mary! could I but see thy face
Death could not come at all too soon.
O crowned by God with thorns and pain!
Mother of Christ! O mystic wife!
My heart is weary of this life
And over-sad to sing again.
O crowned by God with love and flame!
O crowned by Christ the Holy One!
O listen ere the searching sun
Show to the world my sin and shame.
591
Roses And Rue
(To L. L.)
Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love's song,
We are parted too long.
Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!
I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;
And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird's throat
With its last big note;
And your eyes, they were green and grey
Like an April day,
But lit into amethyst
When I stooped and kissed;
And your mouth, it would never smile
For a long, long while,
Then it rippled all over with laughter
Five minutes after.
You were always afraid of a shower,
Just like a flower:
I remember you started and ran
When the rain began.
I remember I never could catch you,
For no one could match you,
You had wonderful, luminous, fleet,
Little wings to your feet.
I remember your hair - did I tie it?
For it always ran riot -
Like a tangled sunbeam of gold:
These things are old.
I remember so well the room,
And the lilac bloom
That beat at the dripping pane
In the warm June rain;
And the colour of your gown,
It was amber-brown,
And two yellow satin bows
From your shoulders rose.
And the handkerchief of French lace
Which you held to your face -
Had a small tear left a stain?
Or was it the rain?
On your hand as it waved adieu
There were veins of blue;
In your voice as it said good-bye
Was a petulant cry,
'You have only wasted your life.'
(Ah, that was the knife!)
When I rushed through the garden gate
It was all too late.
Could we live it over again,
Were it worth the pain,
Could the passionate past that is fled
Call back its dead!
Well, if my heart must break,
Dear love, for your sake,
It will break in music, I know,
Poets' hearts break so.
But strange that I was not told
That the brain can hold
In a tiny ivory cell
God's heaven and hell.
Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love's song,
We are parted too long.
Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!
I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;
And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird's throat
With its last big note;
And your eyes, they were green and grey
Like an April day,
But lit into amethyst
When I stooped and kissed;
And your mouth, it would never smile
For a long, long while,
Then it rippled all over with laughter
Five minutes after.
You were always afraid of a shower,
Just like a flower:
I remember you started and ran
When the rain began.
I remember I never could catch you,
For no one could match you,
You had wonderful, luminous, fleet,
Little wings to your feet.
I remember your hair - did I tie it?
For it always ran riot -
Like a tangled sunbeam of gold:
These things are old.
I remember so well the room,
And the lilac bloom
That beat at the dripping pane
In the warm June rain;
And the colour of your gown,
It was amber-brown,
And two yellow satin bows
From your shoulders rose.
And the handkerchief of French lace
Which you held to your face -
Had a small tear left a stain?
Or was it the rain?
On your hand as it waved adieu
There were veins of blue;
In your voice as it said good-bye
Was a petulant cry,
'You have only wasted your life.'
(Ah, that was the knife!)
When I rushed through the garden gate
It was all too late.
Could we live it over again,
Were it worth the pain,
Could the passionate past that is fled
Call back its dead!
Well, if my heart must break,
Dear love, for your sake,
It will break in music, I know,
Poets' hearts break so.
But strange that I was not told
That the brain can hold
In a tiny ivory cell
God's heaven and hell.
699
Requiescat
Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.
AVIGNON
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.
AVIGNON
870
Quia Multum Amavi
Dear Heart, I think the young impassioned priest
When first he takes from out the hidden shrine
His God imprisoned in the Eucharist,
And eats the bread, and drinks the dreadful wine,
Feels not such awful wonder as I felt
When first my smitten eyes beat full on thee,
And all night long before thy feet I knelt
Till thou wert wearied of Idolatry.
Ah! hadst thou liked me less and loved me more,
Through all those summer days of joy and rain,
I had not now been sorrow's heritor,
Or stood a lackey in the House of Pain.
Yet, though remorse, youth's white-faced seneschal,
Tread on my heels with all his retinue,
I am most glad I loved thee - think of all
The suns that go to make one speedwell blue!
When first he takes from out the hidden shrine
His God imprisoned in the Eucharist,
And eats the bread, and drinks the dreadful wine,
Feels not such awful wonder as I felt
When first my smitten eyes beat full on thee,
And all night long before thy feet I knelt
Till thou wert wearied of Idolatry.
Ah! hadst thou liked me less and loved me more,
Through all those summer days of joy and rain,
I had not now been sorrow's heritor,
Or stood a lackey in the House of Pain.
Yet, though remorse, youth's white-faced seneschal,
Tread on my heels with all his retinue,
I am most glad I loved thee - think of all
The suns that go to make one speedwell blue!
704
Pan - Double Villanelle
I.
O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?
No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!
Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold
And what remains to us of thee?
And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-loot God of Arcady!
Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?
Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?
II.
Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.
No nymph or Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!
This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!
A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady!
This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!
Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!
O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?
No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!
Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold
And what remains to us of thee?
And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-loot God of Arcady!
Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?
Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?
II.
Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.
No nymph or Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!
This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!
A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady!
This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!
Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!
699
Quantum Mutata
There was a time in Europe long ago
When no man died for freedom anywhere,
But England's lion leaping from its lair
Laid hands on the oppressor! it was so
While England could a great Republic show.
Witness the men of Piedmont, chiefest care
Of Cromwell, when with impotent despair
The Pontiff in his painted portico
Trembled before our stern ambassadors.
How comes it then that from such high estate
We have thus fallen, save that Luxury
With barren merchandise piles up the gate
Where noble thoughts and deeds should enter by:
Else might we still be Milton's heritors.
When no man died for freedom anywhere,
But England's lion leaping from its lair
Laid hands on the oppressor! it was so
While England could a great Republic show.
Witness the men of Piedmont, chiefest care
Of Cromwell, when with impotent despair
The Pontiff in his painted portico
Trembled before our stern ambassadors.
How comes it then that from such high estate
We have thus fallen, save that Luxury
With barren merchandise piles up the gate
Where noble thoughts and deeds should enter by:
Else might we still be Milton's heritors.
570
Magdalen Walks
The little white clouds are racing over the sky,
And the fields are strewn with the gold of the flower of March,
The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.
A delicate odour is borne on the wings of the morning breeze,
The odour of deep wet grass, and of brown new-furrowed earth,
The birds are singing for joy of the Spring's glad birth,
Hopping from branch to branch on the rocking trees.
And all the woods are alive with the murmur and sound of Spring,
And the rose-bud breaks into pink on the climbing briar,
And the crocus-bed is a quivering moon of fire
Girdled round with the belt of an amethyst ring.
And the plane to the pine-tree is whispering some tale of love
Till it rustles with laughter and tosses its mantle of green,
And the gloom of the wych-elm's hollow is lit with the iris sheen
Of the burnished rainbow throat and the silver breast of a dove.
See! the lark starts up from his bed in the meadow there,
Breaking the gossamer threads and the nets of dew,
And flashing adown the river, a flame of blue!
The kingfisher flies like an arrow, and wounds the air.
And the fields are strewn with the gold of the flower of March,
The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.
A delicate odour is borne on the wings of the morning breeze,
The odour of deep wet grass, and of brown new-furrowed earth,
The birds are singing for joy of the Spring's glad birth,
Hopping from branch to branch on the rocking trees.
And all the woods are alive with the murmur and sound of Spring,
And the rose-bud breaks into pink on the climbing briar,
And the crocus-bed is a quivering moon of fire
Girdled round with the belt of an amethyst ring.
And the plane to the pine-tree is whispering some tale of love
Till it rustles with laughter and tosses its mantle of green,
And the gloom of the wych-elm's hollow is lit with the iris sheen
Of the burnished rainbow throat and the silver breast of a dove.
See! the lark starts up from his bed in the meadow there,
Breaking the gossamer threads and the nets of dew,
And flashing adown the river, a flame of blue!
The kingfisher flies like an arrow, and wounds the air.
625
My Voice
Within this restless, hurried, modern world
We took our hearts' full pleasure - You and I,
And now the white sails of our ship are furled,
And spent the lading of our argosy.
Wherefore my cheeks before their time are wan,
For very weeping is my gladness fled,
Sorrow has paled my young mouth's vermilion,
And Ruin draws the curtains of my bed.
But all this crowded life has been to thee
No more than lyre, or lute, or subtle spell
Of viols, or the music of the sea
That sleeps, a mimic echo, in the shell.
We took our hearts' full pleasure - You and I,
And now the white sails of our ship are furled,
And spent the lading of our argosy.
Wherefore my cheeks before their time are wan,
For very weeping is my gladness fled,
Sorrow has paled my young mouth's vermilion,
And Ruin draws the curtains of my bed.
But all this crowded life has been to thee
No more than lyre, or lute, or subtle spell
Of viols, or the music of the sea
That sleeps, a mimic echo, in the shell.
631
Louis Napoleon
Eagle of Austerlitz! where were thy wings
When far away upon a barbarous strand,
In fight unequal, by an obscure hand,
Fell the last scion of thy brood of Kings!
Poor boy! thou shalt not flaunt thy cloak of red,
Or ride in state through Paris in the van
Of thy returning legions, but instead
Thy mother France, free and republican,
Shall on thy dead and crownless forehead place
The better laurels of a soldier's crown,
That not dishonoured should thy soul go down
To tell the mighty Sire of thy race
That France hath kissed the mouth of Liberty,
And found it sweeter than his honied bees,
And that the giant wave Democracy
Breaks on the shores where Kings lay couched at ease.
When far away upon a barbarous strand,
In fight unequal, by an obscure hand,
Fell the last scion of thy brood of Kings!
Poor boy! thou shalt not flaunt thy cloak of red,
Or ride in state through Paris in the van
Of thy returning legions, but instead
Thy mother France, free and republican,
Shall on thy dead and crownless forehead place
The better laurels of a soldier's crown,
That not dishonoured should thy soul go down
To tell the mighty Sire of thy race
That France hath kissed the mouth of Liberty,
And found it sweeter than his honied bees,
And that the giant wave Democracy
Breaks on the shores where Kings lay couched at ease.
619
Madonna Mia
A lily-girl, not made for this world's pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.
727
Les Silhouettes
The sea is flecked with bars of grey,
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.
Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.
And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.
Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.
And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
612
Libertatis Sacra Fames
Albeit nurtured in democracy,
And liking best that state republican
Where every man is Kinglike and no man
Is crowned above his fellows, yet I see,
Spite of this modern fret for Liberty,
Better the rule of One, whom all obey,
Than to let clamorous demagogues betray
Our freedom with the kiss of anarchy.
Wherefore I love them not whose hands profane
Plant the red flag upon the piled-up street
For no right cause, beneath whose ignorant reign
Arts, Culture, Reverence, Honour, all things fade,
Save Treason and the dagger of her trade,
Or Murder with his silent bloody feet.
And liking best that state republican
Where every man is Kinglike and no man
Is crowned above his fellows, yet I see,
Spite of this modern fret for Liberty,
Better the rule of One, whom all obey,
Than to let clamorous demagogues betray
Our freedom with the kiss of anarchy.
Wherefore I love them not whose hands profane
Plant the red flag upon the piled-up street
For no right cause, beneath whose ignorant reign
Arts, Culture, Reverence, Honour, all things fade,
Save Treason and the dagger of her trade,
Or Murder with his silent bloody feet.
713
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