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James Whitcomb Riley
Moon-Drowned
Moon-Drowned
'Twas the height of the fete when we quitted the riot,
And quietly stole to the terrace alone,
Where, pale as the lovers that ever swear by it,
The moon it
We stood there enchanted.--And O the delight of
The sight of the stars and the moon and the sea,
And the infinite skies of that opulent night of
Purple and gold and ivory!
The lisp of the lip of the ripple just under--
The half-awake nightingale's dream in the yews--
Came up from the water, and down from the wonder
Of shadowy foliage, drowsed with the dews,--
Unsteady the firefly's taper--unsteady
The poise of the stars, and their light in the tide,
As it struggled and writhed in caress of the eddy,
As love in the billowy breast of a bride.
The far-away lilt of the waltz rippled to us,
And through us the exquisite thrill of the air:
Like the scent of bruised bloom was her breath, and its dew was
Not honier-sweet than her warm kisses were.
We stood there enchanted.--And O the delight of
The sight of the stars and the moon and the sea,
And the infinite skies of that opulent night of
Purple and gold and ivory!
'Twas the height of the fete when we quitted the riot,
And quietly stole to the terrace alone,
Where, pale as the lovers that ever swear by it,
The moon it
The sight of the stars and the moon and the sea,
And the infinite skies of that opulent night of
Purple and gold and ivory!
The lisp of the lip of the ripple just under--
The half-awake nightingale's dream in the yews--
Came up from the water, and down from the wonder
Of shadowy foliage, drowsed with the dews,--
Unsteady the firefly's taper--unsteady
The poise of the stars, and their light in the tide,
As it struggled and writhed in caress of the eddy,
As love in the billowy breast of a bride.
The far-away lilt of the waltz rippled to us,
And through us the exquisite thrill of the air:
Like the scent of bruised bloom was her breath, and its dew was
Not honier-sweet than her warm kisses were.
We stood there enchanted.--And O the delight of
The sight of the stars and the moon and the sea,
And the infinite skies of that opulent night of
Purple and gold and ivory!
293
James Whitcomb Riley
May I Not Weep With You
May I Not Weep With You
Let me come in where you sit weeping—aye,
Let me, who have not any child to die,
Weep with you for the little one whose love
I have known nothing of.
The little arms that slowly, slowly loosed
Then- pressure round your neck—the hands you vised
To kiss—such arms—such hands—I never knew,
May I not weep with you?
Fain would I be of service—say something
Between the tears, that would be comforting,
But Oh! so sadder than yourself am I,
Who have not any child to die!
Let me come in where you sit weeping—aye,
Let me, who have not any child to die,
Weep with you for the little one whose love
I have known nothing of.
The little arms that slowly, slowly loosed
Then- pressure round your neck—the hands you vised
To kiss—such arms—such hands—I never knew,
May I not weep with you?
Fain would I be of service—say something
Between the tears, that would be comforting,
But Oh! so sadder than yourself am I,
Who have not any child to die!
215
James Whitcomb Riley
Man's Devotion
Man's Devotion
A lover said, 'O Maiden, love me well,
For I must go away:
And should ANOTHER ever come to tell
Of love--What WILL you say?'
And she let fall a royal robe of hair
That folded on his arm
And made a golden pillow for her there;
Her face--as bright a charm
As ever setting held in kingly crown--
Made answer with a look,
And reading it, the lover bended down,
And, trusting, 'kissed the book.'
He took a fond farewell and went away.
And slow the time went by--
So weary--dreary was it, day by day
To love, and wait, and sigh.
She kissed his pictured face sometimes, and said:
'O Lips, so cold and dumb,
I would that you would tell me, if not dead,
Why, why do you not come?'
The picture, smiling, stared her in the face
Unmoved--e'en with the touch
Of tear-drops--HERS--bejeweling the case-'
Twas plain--she loved him much.
And, thus she grew to think of him as gay
And joyous all the while,
And SHE was sorrowing--'Ah, welladay!'
But pictures ALWAYS smile!
And years--dull years--in dull monotony
As ever went and came,
Still weaving changes on unceasingly,
And changing, changed her name.
Was she untrue?--She oftentimes was glad
And happy as a wife;
But ONE remembrance oftentimes made sad
Her matrimonial life.--
Though its few years were hardly noted, when
Again her path was strown
With thorns--the roses swept away again,
And she again alone!
And then--alas! ah THEN!--her lover came:
'I come to claim you now-
My Darling, for I know you are the same,
And I have kept my vow
Through these long, long, long years, and now no more
Shall we asundered be!'
She staggered back and, sinking to the floor,
Cried in her agony:
'I have been false!' she moaned, '_I_ am not true--
I am not worthy now,
Nor ever can I be a wife to YOU--
For I have broke my vow!'
And as she kneeled there, sobbing at his feet,
He calmly spoke--no sign
Betrayed his inward agony--'I count you meet
To be a wife of mine!'
And raised her up forgiven, though untrue;
As fond he gazed on her,
She sighed,--'SO HAPPY!' And she never knew
HE was a WIDOWER.
A lover said, 'O Maiden, love me well,
For I must go away:
And should ANOTHER ever come to tell
Of love--What WILL you say?'
And she let fall a royal robe of hair
That folded on his arm
And made a golden pillow for her there;
Her face--as bright a charm
As ever setting held in kingly crown--
Made answer with a look,
And reading it, the lover bended down,
And, trusting, 'kissed the book.'
He took a fond farewell and went away.
And slow the time went by--
So weary--dreary was it, day by day
To love, and wait, and sigh.
She kissed his pictured face sometimes, and said:
'O Lips, so cold and dumb,
I would that you would tell me, if not dead,
Why, why do you not come?'
The picture, smiling, stared her in the face
Unmoved--e'en with the touch
Of tear-drops--HERS--bejeweling the case-'
Twas plain--she loved him much.
And, thus she grew to think of him as gay
And joyous all the while,
And SHE was sorrowing--'Ah, welladay!'
But pictures ALWAYS smile!
And years--dull years--in dull monotony
As ever went and came,
Still weaving changes on unceasingly,
And changing, changed her name.
Was she untrue?--She oftentimes was glad
And happy as a wife;
But ONE remembrance oftentimes made sad
Her matrimonial life.--
Though its few years were hardly noted, when
Again her path was strown
With thorns--the roses swept away again,
And she again alone!
And then--alas! ah THEN!--her lover came:
'I come to claim you now-
My Darling, for I know you are the same,
And I have kept my vow
Through these long, long, long years, and now no more
Shall we asundered be!'
She staggered back and, sinking to the floor,
Cried in her agony:
'I have been false!' she moaned, '_I_ am not true--
I am not worthy now,
Nor ever can I be a wife to YOU--
For I have broke my vow!'
And as she kneeled there, sobbing at his feet,
He calmly spoke--no sign
Betrayed his inward agony--'I count you meet
To be a wife of mine!'
And raised her up forgiven, though untrue;
As fond he gazed on her,
She sighed,--'SO HAPPY!' And she never knew
HE was a WIDOWER.
305
James Whitcomb Riley
Lullaby
Lullaby
The maple strews the embers of its leaves
O'er the laggard swallows nestled 'neath the eaves;
And the moody cricket falters in his cry--Baby-bye!--
And the lid of night is falling o'er the sky--Baby-bye!--
The lid of night is falling o'er the sky!
The rose is lying pallid, and the cup
Of the frosted calla-lily folded up;
And the breezes through the garden sob and sigh--Baby-bye!-O'er
the sleeping blooms of summer where they lie--Baby-bye!-O'er
the sleeping blooms of summer where they lie!
Yet, Baby--O my Baby, for your sake
This heart of mine is ever wide awake,
And my love may never droop a drowsy eye--Baby-bye!--
Till your own are wet above me when I die--Baby-bye!--
Till your own are wet above me when I die.
The maple strews the embers of its leaves
O'er the laggard swallows nestled 'neath the eaves;
And the moody cricket falters in his cry--Baby-bye!--
And the lid of night is falling o'er the sky--Baby-bye!--
The lid of night is falling o'er the sky!
The rose is lying pallid, and the cup
Of the frosted calla-lily folded up;
And the breezes through the garden sob and sigh--Baby-bye!-O'er
the sleeping blooms of summer where they lie--Baby-bye!-O'er
the sleeping blooms of summer where they lie!
Yet, Baby--O my Baby, for your sake
This heart of mine is ever wide awake,
And my love may never droop a drowsy eye--Baby-bye!--
Till your own are wet above me when I die--Baby-bye!--
Till your own are wet above me when I die.
292
James Whitcomb Riley
Lockerbie Street
Lockerbie Street
Such a dear little street it is, nestled away
From the noise of the city and heat of the day,
In cool shady coverts of whispering trees,
With their leaves lifted up to shake hands with the breeze
Which in all its wide wanderings never may meet
With a resting-place fairer than Lockerbie street!
There is such a relief, from the clangor and din
Of the heart of the town, to go loitering in
Through the dim, narrow walks, with the sheltering shade
Of the trees waving over the long promenade,
And littering lightly the ways of our feet
With the gold of the sunshine of Lockerbie street.
And the nights that come down the dark pathways of dusk,
With the stars in their tresses, and odors of musk
In their moon-woven raiments, bespangled with dews,
And looped up with lilies for lovers to use
In the songs that they sing to the tinkle and beat
Of their sweet serenadings through Lockerbie street.
O my Lockerbie street! You are fair to be seen--
Be it noon of the day, or the rare and serene
Afternoon of the night-- you are one to my heart,
And I love you above all the phrases of art,
For no language could frame and no lips could repeat
My rhyme-haunted raptures of Lockerbie street.
Such a dear little street it is, nestled away
From the noise of the city and heat of the day,
In cool shady coverts of whispering trees,
With their leaves lifted up to shake hands with the breeze
Which in all its wide wanderings never may meet
With a resting-place fairer than Lockerbie street!
There is such a relief, from the clangor and din
Of the heart of the town, to go loitering in
Through the dim, narrow walks, with the sheltering shade
Of the trees waving over the long promenade,
And littering lightly the ways of our feet
With the gold of the sunshine of Lockerbie street.
And the nights that come down the dark pathways of dusk,
With the stars in their tresses, and odors of musk
In their moon-woven raiments, bespangled with dews,
And looped up with lilies for lovers to use
In the songs that they sing to the tinkle and beat
Of their sweet serenadings through Lockerbie street.
O my Lockerbie street! You are fair to be seen--
Be it noon of the day, or the rare and serene
Afternoon of the night-- you are one to my heart,
And I love you above all the phrases of art,
For no language could frame and no lips could repeat
My rhyme-haunted raptures of Lockerbie street.
316
James Whitcomb Riley
Little Orphant Annie
Little Orphant Annie
To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.
Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board-an'-keep;
An' all us other childern, when the supper-things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!
Wunst they wuz a little boy wouldn't say his prayers,--
An' when he went to bed at night, away up-stairs,
His Mammy heerd him holler, an' his Daddy heerd him bawl,
An' when they turn't the kivvers down, he wuzn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'-wheres, I guess;
But all they ever found wuz thist his pants an' roundabout:--
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever' one, an' all her blood-an'-kin;
An' wunst, when they was 'company,' an' ole folks wuz there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They wuz two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' little Orphant Annie says, when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,--
You better mind yer parunts, an' yer teachurs fond an' dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.
Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board-an'-keep;
An' all us other childern, when the supper-things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!
Wunst they wuz a little boy wouldn't say his prayers,--
An' when he went to bed at night, away up-stairs,
His Mammy heerd him holler, an' his Daddy heerd him bawl,
An' when they turn't the kivvers down, he wuzn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'-wheres, I guess;
But all they ever found wuz thist his pants an' roundabout:--
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever' one, an' all her blood-an'-kin;
An' wunst, when they was 'company,' an' ole folks wuz there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They wuz two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' little Orphant Annie says, when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,--
You better mind yer parunts, an' yer teachurs fond an' dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
301
James Whitcomb Riley
Limitations Of Genius
Limitations Of Genius
The audience entire seemed pleased--indeed
_Extremely_ pleased. And little Maymie, freed
From her task of instructing, ran to show
Her wondrous colored picture to and fro
Among the company.
'And how comes it,' said
Some one to Mr. Hammond, 'that, instead
Of the inventor's life you did not choose
The _artist's?_--since the world can better lose
A cutting-box or reaper than it can
A noble picture painted by a man
Endowed with gifts this drawing would suggest'--
Holding the picture up to show the rest.
'_There now!_' chimed in the wife, her pale face lit
Like winter snow with sunrise over it,-'
That's what _I'm_ always asking him.--But _he_-_
Well_, as he's answering _you_, he answers _me_,--
With that same silent, suffocating smile
He's wearing now!'
For quite a little while
No further speech from anyone, although
All looked at Mr. Hammond and that slow,
Immutable, mild smile of his. And then
The encouraged querist asked him yet again
_Why was it_, and etcetera--with all
The rest, expectant, waiting 'round the wall,--
Until the gentle Mr. Hammond said
He'd answer with a '_parable_,' instead--
About 'a dreamer' that he used to know-'
An artist'--'master'--_all_--in _embryo_.
The audience entire seemed pleased--indeed
_Extremely_ pleased. And little Maymie, freed
From her task of instructing, ran to show
Her wondrous colored picture to and fro
Among the company.
'And how comes it,' said
Some one to Mr. Hammond, 'that, instead
Of the inventor's life you did not choose
The _artist's?_--since the world can better lose
A cutting-box or reaper than it can
A noble picture painted by a man
Endowed with gifts this drawing would suggest'--
Holding the picture up to show the rest.
'_There now!_' chimed in the wife, her pale face lit
Like winter snow with sunrise over it,-'
That's what _I'm_ always asking him.--But _he_-_
Well_, as he's answering _you_, he answers _me_,--
With that same silent, suffocating smile
He's wearing now!'
For quite a little while
No further speech from anyone, although
All looked at Mr. Hammond and that slow,
Immutable, mild smile of his. And then
The encouraged querist asked him yet again
_Why was it_, and etcetera--with all
The rest, expectant, waiting 'round the wall,--
Until the gentle Mr. Hammond said
He'd answer with a '_parable_,' instead--
About 'a dreamer' that he used to know-'
An artist'--'master'--_all_--in _embryo_.
274
James Whitcomb Riley
Little Dick And The Clock
Little Dick And The Clock
When Dicky was sick
In the night, and the clock,
As he listened, said 'TickAtty--
tick-atty--tock!'
He said that _it_ said,
Every time it said 'Tick,'
It said 'Sick,' instead,
And he _heard_ it say 'Sick!'
And when it said 'TickAtty--
tick-atty--tock,'
He said it said 'SickAtty--
sick-atty--sock!'
And he tried to _see_ then,
But the light was too dim,
Yet he _heard_ it again-And't
was _talking_ to him!
And then it said 'SickAtty--
sick-atty--sick
You poor little DickAtty--
Dick-atty--dock!
Have you got the hick-
Atties? Hi! send for Doc
To hurry up quick
Atty--quick-atty--quock,
And heat a hot brickAtty--
brick-atty--brock,
And rikle-ty wrap it
And clickle-ty clap it
Against his cold feetAl-
ty--weep-aty--eepaty-_
There_ he goes, slapitTy--
slippaty--sleepaty!'
When Dicky was sick
In the night, and the clock,
As he listened, said 'TickAtty--
tick-atty--tock!'
He said that _it_ said,
Every time it said 'Tick,'
It said 'Sick,' instead,
And he _heard_ it say 'Sick!'
And when it said 'TickAtty--
tick-atty--tock,'
He said it said 'SickAtty--
sick-atty--sock!'
And he tried to _see_ then,
But the light was too dim,
Yet he _heard_ it again-And't
was _talking_ to him!
And then it said 'SickAtty--
sick-atty--sick
You poor little DickAtty--
Dick-atty--dock!
Have you got the hick-
Atties? Hi! send for Doc
To hurry up quick
Atty--quick-atty--quock,
And heat a hot brickAtty--
brick-atty--brock,
And rikle-ty wrap it
And clickle-ty clap it
Against his cold feetAl-
ty--weep-aty--eepaty-_
There_ he goes, slapitTy--
slippaty--sleepaty!'
284
James Whitcomb Riley
Let Us Forget
Let Us Forget
Let us forget. What matters it that we
Once reigned o'er happy realms of long-ago,
And talked of love, and let our voices low,
And ruled for some brief sessions royally?
What if we sung, or laughed, or wept maybe?
It has availed not anything, and so
Let it go by that we may better know
How poor a thing is lost to you and me.
But yesterday I kissed your lips, and yet
Did thrill you not enough to shake the dew
From your drenched lids--and missed, with no regret,
Your kiss shot back, with sharp breaths failing you;
And so, to-day, while our worn eyes are wet
With all this waste of tears, let us forget!
Let us forget. What matters it that we
Once reigned o'er happy realms of long-ago,
And talked of love, and let our voices low,
And ruled for some brief sessions royally?
What if we sung, or laughed, or wept maybe?
It has availed not anything, and so
Let it go by that we may better know
How poor a thing is lost to you and me.
But yesterday I kissed your lips, and yet
Did thrill you not enough to shake the dew
From your drenched lids--and missed, with no regret,
Your kiss shot back, with sharp breaths failing you;
And so, to-day, while our worn eyes are wet
With all this waste of tears, let us forget!
280
James Whitcomb Riley
Leedle Dutch Baby
Leedle Dutch Baby
Leedle Dutch baby haff come ter town!
Jabber und jump till der day gone down--
Jabber und sphlutter und sphlit hees jaws--
Vot a Dutch baby dees Londsmon vas!
I dink dose mout' vas leedle too vide
Ober he laugh fon dot altso-side!
Haff got blenty off deemple und vrown--?
Hey! Leedle Dutchman come ter town!
Leedle Dutch baby, I dink me proud
Ober your fader can schquall dot loud
Ven he vas leedle Dutch baby like you
Und yoost don't gare, like he alvays do--!
Guess ven dey vean him on beer, you bet
Dot's der because dot he aind veaned yet--!
Vot you said off he dringk you down--?
Hey! Leedle Dutchman come ter town!
Leedle Dutch baby, yoost schquall avay--
Schquall fon preakfast till gisterday!
Better you all time gry und shout
Dan shmile me vonce fon der coffin out!
Vot I gare off you keek my nose
Downside-up mit your heels und toes--
Downside, oder der oopside-down--?
Hey! Leedle Dutchman come ter town!
Leedle Dutch baby haff come ter town!
Jabber und jump till der day gone down--
Jabber und sphlutter und sphlit hees jaws--
Vot a Dutch baby dees Londsmon vas!
I dink dose mout' vas leedle too vide
Ober he laugh fon dot altso-side!
Haff got blenty off deemple und vrown--?
Hey! Leedle Dutchman come ter town!
Leedle Dutch baby, I dink me proud
Ober your fader can schquall dot loud
Ven he vas leedle Dutch baby like you
Und yoost don't gare, like he alvays do--!
Guess ven dey vean him on beer, you bet
Dot's der because dot he aind veaned yet--!
Vot you said off he dringk you down--?
Hey! Leedle Dutchman come ter town!
Leedle Dutch baby, yoost schquall avay--
Schquall fon preakfast till gisterday!
Better you all time gry und shout
Dan shmile me vonce fon der coffin out!
Vot I gare off you keek my nose
Downside-up mit your heels und toes--
Downside, oder der oopside-down--?
Hey! Leedle Dutchman come ter town!
215
James Whitcomb Riley
Knee-Deep in June
Knee-Deep in June
Tell you what I like the best -'
Long about knee-deep in June,
'Bout the time strawberries melts
On the vine, -- some afternoon
Like to jes' git out and rest,
And not work at nothin' else!
Orchard's where I'd ruther be -Needn't
fence it in fer me! --
Jes' the whole sky overhead,
And the whole airth underneath --
Sort o' so's a man kin breathe
Like he ort, and kind o' has
Elbow-room to keerlessly
Sprawl out len'thways on the grass
Where the shadders thick and soft
As the kivvers on the bed
Mother fixes in the loft
Allus, when they's company!
Jes' a-sort o' lazin there S'lazy,
'at you peek and peer
Through the wavin' leaves above,
Like a feller 'ats in love
And don't know it, ner don't keer!
Ever'thing you hear and see
Got some sort o' interest -
Maybe find a bluebird's nest
Tucked up there conveenently
Fer the boy 'at's ap' to be
Up some other apple tree!
Watch the swallers skootin' past
Bout as peert as you could ast;
Er the Bob-white raise and whiz
Where some other's whistle is.
Ketch a shadder down below,
And look up to find the crow --
Er a hawk, - away up there,
'Pearantly froze in the air! --
Hear the old hen squawk, and squat
Over ever' chick she's got,
Suddent-like! - and she knows where
That-air hawk is, well as you! --
You jes' bet yer life she do! --
Eyes a-glitterin' like glass,
Waitin' till he makes a pass!
Pee-wees wingin', to express
My opinion, 's second-class,
Yit you'll hear 'em more er less;
Sapsucks gittin' down to biz,
Weedin' out the lonesomeness;
Mr. Bluejay, full o' sass,
In them baseball clothes o' his,
Sportin' round the orchad jes'
Like he owned the premises!
Sun out in the fields kin sizz,
But flat on yer back, I guess,
In the shade's where glory is!
That's jes' what I'd like to do
Stiddy fer a year er two!
Plague! Ef they ain't somepin' in
Work 'at kind o' goes ag'in'
My convictions! - 'long about
Here in June especially! --
Under some ole apple tree,
Jes' a-restin through and through,
I could git along without
Nothin' else at all to do
Only jes' a-wishin' you
Wuz a-gittin' there like me,
And June wuz eternity!
Lay out there and try to see
Jes' how lazy you kin be! --
Tumble round and souse yer head
In the clover-bloom, er pull
Yer straw hat acrost yer eyes
And peek through it at the skies,
Thinkin' of old chums 'ats dead,
Maybe, smilin' back at you
In betwixt the beautiful
Clouds o'gold and white and blue! --
Month a man kin railly love --
June, you know, I'm talkin' of!
March ain't never nothin' new! -April's
altogether too
Brash fer me! and May -- I jes'
'Bominate its promises, --
Little hints o' sunshine and
Green around the timber-land --
A few blossoms, and a few
Chip-birds, and a sprout er two, --
Drap asleep, and it turns in
Fore daylight and snows ag'in! --
But when June comes - Clear my th'oat
With wild honey! -- Rench my hair
In the dew! And hold my coat!
Whoop out loud! And th'ow my hat! --
June wants me, and I'm to spare!
Spread them shadders anywhere,
I'll get down and waller there,
And obleeged to you at that!
Tell you what I like the best -'
Long about knee-deep in June,
'Bout the time strawberries melts
On the vine, -- some afternoon
Like to jes' git out and rest,
And not work at nothin' else!
Orchard's where I'd ruther be -Needn't
fence it in fer me! --
Jes' the whole sky overhead,
And the whole airth underneath --
Sort o' so's a man kin breathe
Like he ort, and kind o' has
Elbow-room to keerlessly
Sprawl out len'thways on the grass
Where the shadders thick and soft
As the kivvers on the bed
Mother fixes in the loft
Allus, when they's company!
Jes' a-sort o' lazin there S'lazy,
'at you peek and peer
Through the wavin' leaves above,
Like a feller 'ats in love
And don't know it, ner don't keer!
Ever'thing you hear and see
Got some sort o' interest -
Maybe find a bluebird's nest
Tucked up there conveenently
Fer the boy 'at's ap' to be
Up some other apple tree!
Watch the swallers skootin' past
Bout as peert as you could ast;
Er the Bob-white raise and whiz
Where some other's whistle is.
Ketch a shadder down below,
And look up to find the crow --
Er a hawk, - away up there,
'Pearantly froze in the air! --
Hear the old hen squawk, and squat
Over ever' chick she's got,
Suddent-like! - and she knows where
That-air hawk is, well as you! --
You jes' bet yer life she do! --
Eyes a-glitterin' like glass,
Waitin' till he makes a pass!
Pee-wees wingin', to express
My opinion, 's second-class,
Yit you'll hear 'em more er less;
Sapsucks gittin' down to biz,
Weedin' out the lonesomeness;
Mr. Bluejay, full o' sass,
In them baseball clothes o' his,
Sportin' round the orchad jes'
Like he owned the premises!
Sun out in the fields kin sizz,
But flat on yer back, I guess,
In the shade's where glory is!
That's jes' what I'd like to do
Stiddy fer a year er two!
Plague! Ef they ain't somepin' in
Work 'at kind o' goes ag'in'
My convictions! - 'long about
Here in June especially! --
Under some ole apple tree,
Jes' a-restin through and through,
I could git along without
Nothin' else at all to do
Only jes' a-wishin' you
Wuz a-gittin' there like me,
And June wuz eternity!
Lay out there and try to see
Jes' how lazy you kin be! --
Tumble round and souse yer head
In the clover-bloom, er pull
Yer straw hat acrost yer eyes
And peek through it at the skies,
Thinkin' of old chums 'ats dead,
Maybe, smilin' back at you
In betwixt the beautiful
Clouds o'gold and white and blue! --
Month a man kin railly love --
June, you know, I'm talkin' of!
March ain't never nothin' new! -April's
altogether too
Brash fer me! and May -- I jes'
'Bominate its promises, --
Little hints o' sunshine and
Green around the timber-land --
A few blossoms, and a few
Chip-birds, and a sprout er two, --
Drap asleep, and it turns in
Fore daylight and snows ag'in! --
But when June comes - Clear my th'oat
With wild honey! -- Rench my hair
In the dew! And hold my coat!
Whoop out loud! And th'ow my hat! --
June wants me, and I'm to spare!
Spread them shadders anywhere,
I'll get down and waller there,
And obleeged to you at that!
222
James Whitcomb Riley
Last Night-- And This
Last Night-- And This
Last night-- how deep the darkness was!
And well I knew its depths, because
I waded it from shore to shore,
Thinking to reach the light no more.
She would not even touch my hand---.
The winds rose and the cedars fanned
The moon out, and the stars fled back
In heaven and hid-- and all was black!
But ah! To-night a summons came,
Signed with a tear-drop for a name,
For as I wondering kissed it, lo
A line beneath it told me so.
And now-- the moon hangs over me
A disk of dazzling brilliancy,
And every star-tip stabs my sights
With splintered glitterings of light!
Last night-- how deep the darkness was!
And well I knew its depths, because
I waded it from shore to shore,
Thinking to reach the light no more.
She would not even touch my hand---.
The winds rose and the cedars fanned
The moon out, and the stars fled back
In heaven and hid-- and all was black!
But ah! To-night a summons came,
Signed with a tear-drop for a name,
For as I wondering kissed it, lo
A line beneath it told me so.
And now-- the moon hangs over me
A disk of dazzling brilliancy,
And every star-tip stabs my sights
With splintered glitterings of light!
207
James Whitcomb Riley
June At Woodruff
June At Woodruff
Out at Woodruff Place--afar
From the city's glare and jar,
With the leafy trees, instead
Of the awnings, overhead;
With the shadows cool and sweet,
For the fever of the street;
With the silence, like a prayer,
Breathing round us everywhere.
Gracious anchorage, at last,
From the billows of the vast
Tide of life that comes and goes,
Whence and where nobody knows--
Moving, like a skeptic's thought,
Out of nowhere into naught.
Touch and tame us with thy grace,
Placid calm of Woodruff Place!
Weave a wreath of beechen leaves
For the brow that throbs and grieves
O'er the ledger, bloody-lined,
'Neath the sun-struck window-blind!
Send the breath of woodland bloom
Through the sick man's prison room,
Till his old farm-home shall swim
Sweet in mind to hearten him!
Out at Woodruff Place the Muse
Dips her sandal in the dews,
Sacredly as night and dawn
Baptize lilied grove and lawn:
Woody path, or paven way--
She doth haunt them night and day,--
Sun or moonlight through the trees,
To her eyes, are melodies.
Swinging lanterns, twinkling clear
Through night-scenes, are songs to her--
Tinted lilts and choiring hues,
Blent with children's glad halloos;
Then belated lays that fade
Into midnight's serenade-Vine-
like words and zithern-strings
Twined through ali her slumberings.
Blessed be each hearthstone set
Neighboring the violet!
Blessed every rooftree prayed
Over by the beech's shadel
Blessed doorway, opening where
We may look on Nature--there
Hand to hand and face to face-
Storied realm, or Woodruff Place.
Out at Woodruff Place--afar
From the city's glare and jar,
With the leafy trees, instead
Of the awnings, overhead;
With the shadows cool and sweet,
For the fever of the street;
With the silence, like a prayer,
Breathing round us everywhere.
Gracious anchorage, at last,
From the billows of the vast
Tide of life that comes and goes,
Whence and where nobody knows--
Moving, like a skeptic's thought,
Out of nowhere into naught.
Touch and tame us with thy grace,
Placid calm of Woodruff Place!
Weave a wreath of beechen leaves
For the brow that throbs and grieves
O'er the ledger, bloody-lined,
'Neath the sun-struck window-blind!
Send the breath of woodland bloom
Through the sick man's prison room,
Till his old farm-home shall swim
Sweet in mind to hearten him!
Out at Woodruff Place the Muse
Dips her sandal in the dews,
Sacredly as night and dawn
Baptize lilied grove and lawn:
Woody path, or paven way--
She doth haunt them night and day,--
Sun or moonlight through the trees,
To her eyes, are melodies.
Swinging lanterns, twinkling clear
Through night-scenes, are songs to her--
Tinted lilts and choiring hues,
Blent with children's glad halloos;
Then belated lays that fade
Into midnight's serenade-Vine-
like words and zithern-strings
Twined through ali her slumberings.
Blessed be each hearthstone set
Neighboring the violet!
Blessed every rooftree prayed
Over by the beech's shadel
Blessed doorway, opening where
We may look on Nature--there
Hand to hand and face to face-
Storied realm, or Woodruff Place.
280
James Whitcomb Riley
Kingry's Mill
Kingry's Mill
On old Brandywine-- about
Where White's Lots is now laid out,
And the old crick narries down
To the ditch that splits the town--,
Kingry's Mill stood. Hardly see
Where the old dam ust to be;
Shallor, long, dry trought o' grass
Where the old race ust to pass!
That's be'n forty years ago--
Forty years o' frost and snow--
Forty years o' shade and shine
Sence them boyhood-days o' mine--!
All the old landmarks o' town.
Changed about, er rotted down!
Where's the Tanyard? Where's the Still?
Tell me where's old Kingry's Mill?
Don't seem furder back, to me,
I'll be dogg'd! Than yisterd'y,
Since us fellers, in bare feet
And straw hats, went through the wheat,
Cuttin' 'crost the shortest shoot
Fer that-air old ellum root
Jest above the mill-dam-- where
The blame' cars now crosses there!
Through the willers down the crick
We could see the old mill stick
Its red gable up, as if
It jest knowed we'd stol'd the skiff!
See the winders in the sun
Blink like they wuz wonderun'
What the miller ort to do
With sich boys as me and you!
But old Kingry--! Who could fear
That old chap, with all his cheer--?
Leanin' at the window-sill,
Er the half-door o' the mill,
Swoppin' lies, and pokin' fun,
'N jigglin' like his hoppers done--
Laughin' grists o' gold and red
Right out o' the wagon-bed!
What did he keer where we went--?
'Jest keep out o' devilment,
And don't fool around the belts,
Bolts, ner burrs, ner nothin' else
'Bout the blame machinery,
And that's all I ast!' says-ee.
Then we'd climb the stairs, and play
In the bran-bins half the day!
Rickollect the dusty wall,
And the spider-webs, and all!
Rickollect the trimblin' spout
Where the meal come josslln' out--
Stand and comb yer fingers through
The fool-truck an hour er two--
Felt so sorto' warm-like and
Soothin' to a feller's hand!
Climb, high up above the stream,
And 'coon' out the wobbly beam
And peek down from out the lof'
Where the weather-boards was off-Gee-
mun-nee! w'y, it takes grit
Even jest to think of it--!
Lookin' 'way down there below
On the worter roarin' so!
Rickollect the flume, and wheel,
And the worter slosh and reel
And jest ravel out in froth
Flossier'n satin cloth!
Rickollect them paddles jest
Knock the bubbles galley-west,
And plunge under, and come up
Drippin' like a worter-pup!
And to see them old things gone
That I onc't was bettin' on,
In rale p'int o' fact, I feel
kindo' like that worter-wheel--,
Sorto' drippy-like and wet
Round the eyes-- but paddlin' yet,
And in mem'ry, loafin' still
Down around old Kingry's Mill!
On old Brandywine-- about
Where White's Lots is now laid out,
And the old crick narries down
To the ditch that splits the town--,
Kingry's Mill stood. Hardly see
Where the old dam ust to be;
Shallor, long, dry trought o' grass
Where the old race ust to pass!
That's be'n forty years ago--
Forty years o' frost and snow--
Forty years o' shade and shine
Sence them boyhood-days o' mine--!
All the old landmarks o' town.
Changed about, er rotted down!
Where's the Tanyard? Where's the Still?
Tell me where's old Kingry's Mill?
Don't seem furder back, to me,
I'll be dogg'd! Than yisterd'y,
Since us fellers, in bare feet
And straw hats, went through the wheat,
Cuttin' 'crost the shortest shoot
Fer that-air old ellum root
Jest above the mill-dam-- where
The blame' cars now crosses there!
Through the willers down the crick
We could see the old mill stick
Its red gable up, as if
It jest knowed we'd stol'd the skiff!
See the winders in the sun
Blink like they wuz wonderun'
What the miller ort to do
With sich boys as me and you!
But old Kingry--! Who could fear
That old chap, with all his cheer--?
Leanin' at the window-sill,
Er the half-door o' the mill,
Swoppin' lies, and pokin' fun,
'N jigglin' like his hoppers done--
Laughin' grists o' gold and red
Right out o' the wagon-bed!
What did he keer where we went--?
'Jest keep out o' devilment,
And don't fool around the belts,
Bolts, ner burrs, ner nothin' else
'Bout the blame machinery,
And that's all I ast!' says-ee.
Then we'd climb the stairs, and play
In the bran-bins half the day!
Rickollect the dusty wall,
And the spider-webs, and all!
Rickollect the trimblin' spout
Where the meal come josslln' out--
Stand and comb yer fingers through
The fool-truck an hour er two--
Felt so sorto' warm-like and
Soothin' to a feller's hand!
Climb, high up above the stream,
And 'coon' out the wobbly beam
And peek down from out the lof'
Where the weather-boards was off-Gee-
mun-nee! w'y, it takes grit
Even jest to think of it--!
Lookin' 'way down there below
On the worter roarin' so!
Rickollect the flume, and wheel,
And the worter slosh and reel
And jest ravel out in froth
Flossier'n satin cloth!
Rickollect them paddles jest
Knock the bubbles galley-west,
And plunge under, and come up
Drippin' like a worter-pup!
And to see them old things gone
That I onc't was bettin' on,
In rale p'int o' fact, I feel
kindo' like that worter-wheel--,
Sorto' drippy-like and wet
Round the eyes-- but paddlin' yet,
And in mem'ry, loafin' still
Down around old Kingry's Mill!
265
James Whitcomb Riley
Judith
Judith
O her eyes are amber-fine--
Dark and deep as wells of wine,
While her smile is like the noon
Splendor of a day of June.
If she sorrow--lo! her face
It is like a flowery space
In bright meadows, overlaid
With light clouds and lulled with shade
If she laugh--it is the trill
Of the wayward whippoorwill
Over upland pastures, heard
Echoed by the mocking-bird
In dim thickets dense with bloom
And blurred cloyings of perfume.
If she sigh--a zephyr swells
Over odorous asphodels
And wan lilies in lush plots
Of moon-drown'd forget-me-nots.
Then, the soft touch of her hand--
Takes all breath to understand
What to liken it thereto!--
Never roseleaf rinsed with dew
Might slip soother-suave than slips
Her slow palm, the while her lips
Swoon through mine, with kiss on kiss
Sweet as heated honey is.
O her eyes are amber-fine--
Dark and deep as wells of wine,
While her smile is like the noon
Splendor of a day of June.
If she sorrow--lo! her face
It is like a flowery space
In bright meadows, overlaid
With light clouds and lulled with shade
If she laugh--it is the trill
Of the wayward whippoorwill
Over upland pastures, heard
Echoed by the mocking-bird
In dim thickets dense with bloom
And blurred cloyings of perfume.
If she sigh--a zephyr swells
Over odorous asphodels
And wan lilies in lush plots
Of moon-drown'd forget-me-nots.
Then, the soft touch of her hand--
Takes all breath to understand
What to liken it thereto!--
Never roseleaf rinsed with dew
Might slip soother-suave than slips
Her slow palm, the while her lips
Swoon through mine, with kiss on kiss
Sweet as heated honey is.
298
James Whitcomb Riley
Johnson's Boy
Johnson's Boy
The world is turned ag'in' me,
And people says, 'They guess
That nothin' else is in me
But pure maliciousness!'
I git the blame for doin'
What other chaps destroy,
And I'm a-goin' to ruin
Because I'm 'Johnson's boy.'
THAT ain't my name--I'd ruther
They'd call me IKE or PAT--
But they've forgot the other--
And so have _I_, for that!
I reckon it's as handy,
When Nibsy breaks his toy,
Or some one steals his candy,
To say 'twas 'JOHNSON'S BOY!'
You can't git any water
At the pump, and find the spout
So durn chuck-full o' mortar
That you have to bore it out;
You tackle any scholar
In Wisdom's wise employ,
And I'll bet you half a dollar
He'll say it's 'Johnson's boy!'
Folks don't know how I suffer
In my uncomplainin' way--
They think I'm gittin' tougher
And tougher every day.
Last Sunday night, when Flinder
Was a-shoutin' out for joy,
And some one shook the winder,
He prayed for 'Johnson's boy.'
I'm tired of bein' follered
By farmers every day,
And then o' bein' collared
For coaxin' hounds away;
Hounds always plays me double-It's
a trick they all enjoy--
To git me into trouble,
Because I'm 'Johnson's boy.'
But if I git to Heaven,
I hope the Lord'll see
SOME boy has been perfect,
And lay it on to me;
I'll swell the song sonorous,
And clap my wings for joy,
And sail off on the chorus-
'Hurrah for 'Johnson's boy!''
The world is turned ag'in' me,
And people says, 'They guess
That nothin' else is in me
But pure maliciousness!'
I git the blame for doin'
What other chaps destroy,
And I'm a-goin' to ruin
Because I'm 'Johnson's boy.'
THAT ain't my name--I'd ruther
They'd call me IKE or PAT--
But they've forgot the other--
And so have _I_, for that!
I reckon it's as handy,
When Nibsy breaks his toy,
Or some one steals his candy,
To say 'twas 'JOHNSON'S BOY!'
You can't git any water
At the pump, and find the spout
So durn chuck-full o' mortar
That you have to bore it out;
You tackle any scholar
In Wisdom's wise employ,
And I'll bet you half a dollar
He'll say it's 'Johnson's boy!'
Folks don't know how I suffer
In my uncomplainin' way--
They think I'm gittin' tougher
And tougher every day.
Last Sunday night, when Flinder
Was a-shoutin' out for joy,
And some one shook the winder,
He prayed for 'Johnson's boy.'
I'm tired of bein' follered
By farmers every day,
And then o' bein' collared
For coaxin' hounds away;
Hounds always plays me double-It's
a trick they all enjoy--
To git me into trouble,
Because I'm 'Johnson's boy.'
But if I git to Heaven,
I hope the Lord'll see
SOME boy has been perfect,
And lay it on to me;
I'll swell the song sonorous,
And clap my wings for joy,
And sail off on the chorus-
'Hurrah for 'Johnson's boy!''
287
James Whitcomb Riley
John Alden And Percilly
John Alden And Percilly
We got up a Christmas-doin's
Last Christmas Eve--
Kindo' dimonstration
'At I railly believe
Give more satisfaction--
Take it up and down--
Than ary intertainment
Ever come to town!
Railly was a _theater_-That's
what it was,--
But, bein' in the church, you know,
We had a '_Santy Clause_'--
So 's to git the _old folks_
To patternize, you see,
And _back_ the institootion up
Kindo' _morally_.
Schoolteacher writ the thing-(
Was a friend o' mine),
Got it out o' Longfeller's
Pome 'Evangeline'--
Er some'rs--'bout the _Purituns_--.
_Anyway_, the part
'_John Alden_' fell to _me_--
And learnt it all by heart!
Claircy was '_Percilly_'-(
Schoolteacher 'lowed
Me and her could act them two
Best of all the crowd)-Then--
blame ef he didn't
Git her Pap, i jing!--
To take the part o' '_Santy Clause_,'
To wind up the thing.
Law! the fun o' practisun!--
Was a week er two
Me and Claircy didn't have
Nothin' else to do!--
Kep' us jes a-meetin' round,
Kindo' here and there,
Ever' night rehearsin'-like,
And gaddin' ever'where!
Game was wo'th the candle, though!--
Christmas Eve at last
Rolled around.--And 'tendance jes
Couldn't been surpassed!--
Neighbors from the country
Come from Clay and Rush--
Yes, and 'crost the county-line
Clean from Puckerbrush!
Meetin'-house jes trimbled
As 'Old Santy' went
Round amongst the childern,
With their pepperment
And sassafrac and wintergreen
Candy, and 'a ball
O' popcorn,' the preacher 'nounced,
'Free fer each and all!'
Schoolteacher suddently
Whispered in my ear,-'
Guess I got you:--_Christmas-gift_!-_
Christmas is here_!'
I give _him_ a gold pen,
And case to hold the thing,--
And _Claircy_ whispered '_Christmas-gift_!'
And I give her a _ring_.
'And now,' says I, 'jes watch _me_-Christmas-
gift,' says I,
'_I'm_ a-goin' to git one-'_
Santy's_' comin' by!'--
Then I rech and grabbed him:
And, as you'll infer,
'Course I got the old man's,
And _he_ gimme _her_!
We got up a Christmas-doin's
Last Christmas Eve--
Kindo' dimonstration
'At I railly believe
Give more satisfaction--
Take it up and down--
Than ary intertainment
Ever come to town!
Railly was a _theater_-That's
what it was,--
But, bein' in the church, you know,
We had a '_Santy Clause_'--
So 's to git the _old folks_
To patternize, you see,
And _back_ the institootion up
Kindo' _morally_.
Schoolteacher writ the thing-(
Was a friend o' mine),
Got it out o' Longfeller's
Pome 'Evangeline'--
Er some'rs--'bout the _Purituns_--.
_Anyway_, the part
'_John Alden_' fell to _me_--
And learnt it all by heart!
Claircy was '_Percilly_'-(
Schoolteacher 'lowed
Me and her could act them two
Best of all the crowd)-Then--
blame ef he didn't
Git her Pap, i jing!--
To take the part o' '_Santy Clause_,'
To wind up the thing.
Law! the fun o' practisun!--
Was a week er two
Me and Claircy didn't have
Nothin' else to do!--
Kep' us jes a-meetin' round,
Kindo' here and there,
Ever' night rehearsin'-like,
And gaddin' ever'where!
Game was wo'th the candle, though!--
Christmas Eve at last
Rolled around.--And 'tendance jes
Couldn't been surpassed!--
Neighbors from the country
Come from Clay and Rush--
Yes, and 'crost the county-line
Clean from Puckerbrush!
Meetin'-house jes trimbled
As 'Old Santy' went
Round amongst the childern,
With their pepperment
And sassafrac and wintergreen
Candy, and 'a ball
O' popcorn,' the preacher 'nounced,
'Free fer each and all!'
Schoolteacher suddently
Whispered in my ear,-'
Guess I got you:--_Christmas-gift_!-_
Christmas is here_!'
I give _him_ a gold pen,
And case to hold the thing,--
And _Claircy_ whispered '_Christmas-gift_!'
And I give her a _ring_.
'And now,' says I, 'jes watch _me_-Christmas-
gift,' says I,
'_I'm_ a-goin' to git one-'_
Santy's_' comin' by!'--
Then I rech and grabbed him:
And, as you'll infer,
'Course I got the old man's,
And _he_ gimme _her_!
251
James Whitcomb Riley
John McKeen
John McKeen
John McKeen, in his rusty dress,
His loosened collar, and swarthy throat,
His face unshaven, and none the less,
His hearty laugh and his wholesomeness,
And the wealth of a workman's vote!
Bring him, O Memory, here once more,
And tilt him back in his Windsor chair
By the kitchen stove, when the day is o'er
And the light of the hearth is across the floor,
And the crickets everywhere!
And let their voices be gladly blent
With a watery jingle of pans and spoons,
And a motherly chirrup of sweet content,
And neighborly gossip and merriment,
And old-time fiddle-tunes!
Tick the clock with a wooden sound,
And fill the hearing with childish glee
Of rhyming riddle, or story found
In the Robinson Crusoe, leather-bound
Old book of the Used-to-be!
John McKeen of the Past! Ah John,
To have grown ambitious in worldly ways--!
To have rolled your shirt-sleeves down, to don
A broadcloth suit, and forgetful, gone
Out on election days!
John ah, John! Did it prove your worth
To yield you the office you still maintain--?
To fill your pockets, but leave the dearth
Of all the happier things on earth
To the hunger of heart and brain?
Under the dusk of your villa trees,
Edging the drives where your blooded span
Paw the pebbles and wait your ease--,
Where are the children about your knees,
And the mirth, and the happy man?
The blinds of your mansion are battened to;
Your faded wife is a close recluse;
And your 'finished' daughters will doubtless do
Dutifully all that is willed of you,
And marry as you shall choose--!
But O for the old-home voices, blent
With the watery jingle of pans and spoons,
And the motherly chirrup of glad content,
And neighborly gossip and merriment,
And the old-time fiddle-tunes!
John McKeen, in his rusty dress,
His loosened collar, and swarthy throat,
His face unshaven, and none the less,
His hearty laugh and his wholesomeness,
And the wealth of a workman's vote!
Bring him, O Memory, here once more,
And tilt him back in his Windsor chair
By the kitchen stove, when the day is o'er
And the light of the hearth is across the floor,
And the crickets everywhere!
And let their voices be gladly blent
With a watery jingle of pans and spoons,
And a motherly chirrup of sweet content,
And neighborly gossip and merriment,
And old-time fiddle-tunes!
Tick the clock with a wooden sound,
And fill the hearing with childish glee
Of rhyming riddle, or story found
In the Robinson Crusoe, leather-bound
Old book of the Used-to-be!
John McKeen of the Past! Ah John,
To have grown ambitious in worldly ways--!
To have rolled your shirt-sleeves down, to don
A broadcloth suit, and forgetful, gone
Out on election days!
John ah, John! Did it prove your worth
To yield you the office you still maintain--?
To fill your pockets, but leave the dearth
Of all the happier things on earth
To the hunger of heart and brain?
Under the dusk of your villa trees,
Edging the drives where your blooded span
Paw the pebbles and wait your ease--,
Where are the children about your knees,
And the mirth, and the happy man?
The blinds of your mansion are battened to;
Your faded wife is a close recluse;
And your 'finished' daughters will doubtless do
Dutifully all that is willed of you,
And marry as you shall choose--!
But O for the old-home voices, blent
With the watery jingle of pans and spoons,
And the motherly chirrup of glad content,
And neighborly gossip and merriment,
And the old-time fiddle-tunes!
253
James Whitcomb Riley
Jack-In-The-Box
Jack-In-The-Box
_(Grandfather, musing.)_
In childish days! O memory,
You bring such curious things to me!--
Laughs to the lip--tears to the eye,
In looking on the gifts that lie
Like broken playthings scattered o'er
Imagination's nursery floor!
Did these old hands once click the key
That let 'Jack's' box-lid upward fly,
And that blear-eyed, fur-whiskered elf
Leap, as though frightened at himself,
And quiveringly lean and stare
At me, his jailer, laughing there?
A child then! Now--I only know
They call me very old; and so
They will not let me have my way,--
But uselessly I sit all day
Here by the chimney-jamb, and poke
The lazy fire, and smoke and smoke,
And watch the wreaths swoop up the flue,
And chuckle--ay, I often do--
Seeing again, all vividly,
Jack-in-the-box leap, as in glee
To see how much he looks like me!
... They talk. I can't hear what they say--
But I am glad, clean through and through
Sometimes, in fancying that they
Are saying, 'Sweet, that fancy strays
In age back to our childish days!'
_(Grandfather, musing.)_
In childish days! O memory,
You bring such curious things to me!--
Laughs to the lip--tears to the eye,
In looking on the gifts that lie
Like broken playthings scattered o'er
Imagination's nursery floor!
Did these old hands once click the key
That let 'Jack's' box-lid upward fly,
And that blear-eyed, fur-whiskered elf
Leap, as though frightened at himself,
And quiveringly lean and stare
At me, his jailer, laughing there?
A child then! Now--I only know
They call me very old; and so
They will not let me have my way,--
But uselessly I sit all day
Here by the chimney-jamb, and poke
The lazy fire, and smoke and smoke,
And watch the wreaths swoop up the flue,
And chuckle--ay, I often do--
Seeing again, all vividly,
Jack-in-the-box leap, as in glee
To see how much he looks like me!
... They talk. I can't hear what they say--
But I am glad, clean through and through
Sometimes, in fancying that they
Are saying, 'Sweet, that fancy strays
In age back to our childish days!'
276
James Whitcomb Riley
Jim
Jim
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
He was jes a plain ever'-day, all-round kind of a jour.,
Consumpted-Iookin'-- but la!
The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
Feller you ever saw!
Worked at jes coarse work, but you kin bet he was fine enough in his talk,
And his feelin's too!
Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
Like he ust to do!
Any shopmate'll tell you there never was, on top o' dirt,
A better feller'n Jim!
You want a favor, and couldn't git it anywheres else--
You could git it o' him!
Most free-heartedest man thataway in the world, I guess!
Give up ever' nickel he's worth--
And ef you'd a-wanted it, and named it to him, and it was his,
He'd a-give you the earth!
Allus a reachin' out, Jim was, and a-he'ppin' some
Pore feller onto his feet-He'd
a-never a-keered how hungry he was hisse'f,
So's the feller got somepin' to eat!
Didn't make no differ'nce at all to him how he was dressed,
He ust to say to me--,
'You togg out a tramp purty comfortable in winter-time, a huntin' a job,
And he'll git along!' says he.
Jim didn't have, ner never could git ahead, so overly much
O' this world's goods at a time--.
'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
likely,
Turn round and borry a dime!
Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
And kindo' square his chin,
Tie on his apern, and squat hisse'f on his old shoe-bench,
And go to peggin' ag'in!
Patientest feller too, I reckon, 'at ever jes natchurly
Coughed hisse'f to death!
Long enough after his voice was lost he'd laugh in a whisper and say
He could git ever'thing but his breath-'
You fellers,' he'd sorto' twinkle his eyes and say,
'Is a-pilin' onto me
A mighty big debt fer that-air little weak-chested ghost o' mine to pack
Through all Eternity!'
Now there was a man 'at jes 'peared-like, to me,
'At ortn't a-never a-died!
'But death hain't a-showin' no favors,' the old boss said-'
On'y to Jim!' and cried:
And Wigger, who puts up the best sewed-work in the shop--
Er the whole blame neighborhood--,
He says, 'When God made Jim, I bet you He didn't do anything else that day
But jes set around and feel good!'
307
James Whitcomb Riley
Iry And Billy Jo
Iry And Billy Jo
Iry an' Billy an' Jo!--
Iry an' Billy's _the boys_,
An' _Jo's_ their _dog_, you know,--
Their pictures took all in a row.
Bet they kin kick up a noise--
Iry and Billy, the boys,
And that-air little dog Jo!
_Iry's_ the one 'at stands
Up there a-lookin' so mild
An' meek--with his hat in his hands,
Like such a 'bediant child-(_
Sakes-alive_!)--An' _Billy_ he sets
In the cheer an' holds onto Jo an' _sweats_
Hisse'f, a-lookin' so good! Ho-ho!
Iry an' Billy an' Jo!
Yit the way them boys, you know,
Usen to jes turn in
An' fight over that dog Jo
Wuz a burnin'-shame-an'-a-sin !--
Iry _he'd_ argy 'at, by gee-whizz!
That-air little Jo-dog wuz _his_!--
An' Billy _he'd_ claim it wuzn't so-'
Cause the dog wuz _his'n_!--An' at it they'd go,
Nip-an'-tugg, tooth-an'-toenail, you know--
Iry an' Billy an' Jo!
But their Pa--(He wuz the marshal then)
He 'tended-like 'at he _jerked 'em up_;
An' got a jury o' Brickyard men
An' helt a _trial_ about the pup:
An' _he_ says _he_ jes like to a-died
When the rest o' us town-boys _testified_--
Regardin', you know,
Iry an' Billy an' Jo.-
'Cause we all knowed, when _the Gypsies_ they
Camped down here by the crick last Fall,
They brung Jo with 'em, an' give him away
To Iry an' Billy fer nothin' at all!--
So the jury fetched in the _verdick_ so
Jo he ain't _neether_ o' theirn fer _shore_-He's
_both_ their dog, an' jes no more!
An' so
They've quit quarrelin' long ago,
Iry an' Billy an' Jo.
Iry an' Billy an' Jo!--
Iry an' Billy's _the boys_,
An' _Jo's_ their _dog_, you know,--
Their pictures took all in a row.
Bet they kin kick up a noise--
Iry and Billy, the boys,
And that-air little dog Jo!
_Iry's_ the one 'at stands
Up there a-lookin' so mild
An' meek--with his hat in his hands,
Like such a 'bediant child-(_
Sakes-alive_!)--An' _Billy_ he sets
In the cheer an' holds onto Jo an' _sweats_
Hisse'f, a-lookin' so good! Ho-ho!
Iry an' Billy an' Jo!
Yit the way them boys, you know,
Usen to jes turn in
An' fight over that dog Jo
Wuz a burnin'-shame-an'-a-sin !--
Iry _he'd_ argy 'at, by gee-whizz!
That-air little Jo-dog wuz _his_!--
An' Billy _he'd_ claim it wuzn't so-'
Cause the dog wuz _his'n_!--An' at it they'd go,
Nip-an'-tugg, tooth-an'-toenail, you know--
Iry an' Billy an' Jo!
But their Pa--(He wuz the marshal then)
He 'tended-like 'at he _jerked 'em up_;
An' got a jury o' Brickyard men
An' helt a _trial_ about the pup:
An' _he_ says _he_ jes like to a-died
When the rest o' us town-boys _testified_--
Regardin', you know,
Iry an' Billy an' Jo.-
'Cause we all knowed, when _the Gypsies_ they
Camped down here by the crick last Fall,
They brung Jo with 'em, an' give him away
To Iry an' Billy fer nothin' at all!--
So the jury fetched in the _verdick_ so
Jo he ain't _neether_ o' theirn fer _shore_-He's
_both_ their dog, an' jes no more!
An' so
They've quit quarrelin' long ago,
Iry an' Billy an' Jo.
287
James Whitcomb Riley
Inscribed
Inscribed
To the Elect of Love,--or side-by-side
In raptest ecstasy, or sundered wide
By seas that bear no message to or fro
Between the loved and lost of long ago.
So were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,-I'd
loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.
And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.
To the Elect of Love,--or side-by-side
In raptest ecstasy, or sundered wide
By seas that bear no message to or fro
Between the loved and lost of long ago.
So were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,-I'd
loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.
And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.
323
James Whitcomb Riley
In The Dark
In The Dark
O in the depths of midnight
What fancies haunt the brain!
When even the sigh of the sleeper
Sounds like a sob of pain.
A sense of awe and of wonder
I may never well define,--
For the thoughts that come in the shadows
Never come in the shine.
The old clock down in the parlor
Like a sleepless mourner grieves,
And the seconds drip in the silence
As the rain drips from the eaves.
And I think of the hands that signal
The hours there in the gloom,
And wonder what angel watchers
Wait in the darkened room.
And I think of the smiling faces
That used to watch and wait,
Till the click of the clock was answered
By the click of the opening gate.--
They are not there now in the evening--
Morning or noon--not there;
Yet I know that they keep their vigil,
And wait for me Somewhere.
O in the depths of midnight
What fancies haunt the brain!
When even the sigh of the sleeper
Sounds like a sob of pain.
A sense of awe and of wonder
I may never well define,--
For the thoughts that come in the shadows
Never come in the shine.
The old clock down in the parlor
Like a sleepless mourner grieves,
And the seconds drip in the silence
As the rain drips from the eaves.
And I think of the hands that signal
The hours there in the gloom,
And wonder what angel watchers
Wait in the darkened room.
And I think of the smiling faces
That used to watch and wait,
Till the click of the clock was answered
By the click of the opening gate.--
They are not there now in the evening--
Morning or noon--not there;
Yet I know that they keep their vigil,
And wait for me Somewhere.
286
James Whitcomb Riley
In The South
In The South
There is a princess in the South
About whose beauty rumors hum
Like honey-bees about the mouth
Of roses dewdrops falter from;
And O her hair is like the fine
Clear amber of a jostled wine
In tropic revels; and her eyes
Are blue as rifts of Paradise.
Such beauty as may none before
Kneel daringly, to kiss the tips
Of fingers such as knights of yore
Had died to lift against their lips:
Such eyes as might the eyes of gold
Of all the stars of night behold
With glittering envy, and so glare
In dazzling splendor of despair.
So, were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,-I'd
loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.
And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.
There is a princess in the South
About whose beauty rumors hum
Like honey-bees about the mouth
Of roses dewdrops falter from;
And O her hair is like the fine
Clear amber of a jostled wine
In tropic revels; and her eyes
Are blue as rifts of Paradise.
Such beauty as may none before
Kneel daringly, to kiss the tips
Of fingers such as knights of yore
Had died to lift against their lips:
Such eyes as might the eyes of gold
Of all the stars of night behold
With glittering envy, and so glare
In dazzling splendor of despair.
So, were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,-I'd
loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.
And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.
270