Poems List

The Fifth Ode Of Horace. Lib. I

The Fifth Ode Of Horace. Lib. I

Quis multa gracilis te puer in Rosa
Rendred almost word for word without Rhyme according to the
Latin Measure, as near as the Language permit.

WHAT slender Youth bedew'd with liquid odours
Courts thee on Roses in some pleasant Cave,
Pyrrha for whom bind'st thou
In wreaths thy golden Hair,
Plain in thy neatness; O how oft shall he
On Faith and changed Gods complain: and Seas
Rough with black winds and storms
Unwonted shall admire:
Who now enjoyes thee credulous, all Gold,
Who alwayes vacant, alwayes amiable
Hopes thee; of flattering gales
Unmindfull. Hapless they
To whom thou untry'd seem'st fair. Me in my vow'd
Picture the sacred wall declares t' have hung
My dank and dropping weeds
To the stern God of Sea.

[The Latin text follows.]
424

Sonnet XX: Lawrence, of virtuous father

Sonnet XX: Lawrence, of virtuous father

To Mr Lawrence

Lawrence, of virtuous father virtuous son,
Now that the fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won
From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and clothe in fresh attire
The lily and rose, that neither sowed nor spun.
What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touched, or artful voice
Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.
856

Sonnet XVI: Cromwell, our chief of men

Sonnet XVI: Cromwell, our chief of men

To the Lord General Cromwell

On the Proposals of Certain Ministers of the Committee
for the Propagation of the Gospel



Cromwell, our chief of men, who through a cloud
Not of war only, but detractions rude,
Guided by faith and matchless fortitude,
To peace and truth thy glorious way hast ploughed,
And on the neck of crowned Fortune proud
Hast reared God's trophies, and his work pursued,
While Darwen stream with blood of Scots imbrued,
And Dunbar field resounds thy praises loud,
And Worcester's laureate wreath. Yet much remains
To conquer still; peace hath her victories
No less renowned than war: new foes arise,
Threat'ning to bind our souls with secular chains:
Help us to save free conscience from the paw
Of hireling wolves, whose gospel is their maw.
524

Sonnet X: Daughter to that good Earl

Sonnet X: Daughter to that good Earl

To the Lady Margaret Ley

Daughter to that good Earl, once President
Of England's Council, and her Treasury,
Who lived in both, unstained with gold or fee,
And left them both, more in himself content,
Till sad the breaking of that Parliament
Broke him, as that dishonest victory
At Chaeronea, fatal to liberty,
Killed with report that old man eloquent.
Though later born than to have known the days
Wherein your father flourished, yet by you,
Madam, methinks I see him living yet;
So well your words his noble virtues praise,
That all both judge you to relate them true,
And to possess them, honoured Margaret.
484

Sonnet 22

Sonnet 22

XXII

Cyriac, this three years' day these eyes, though clear,
To outward view, of blemish or of spot,
Bereft of light, their seeing have forgot;
Nor to their idle orbs doth sight appear
Of sun, or moon, or star, throughout the year,
Or man, or woman. Yet I argue not
Against Heav'n's hand or will, nor bate a jot
Of heart or hope; but still bear up and steer
Right onward. What supports me, dost thou ask?
The conscience, Friend, t' have lost them overplied
In liberty's defence, my noble task,
Of which all Europe rings from side to side.
This thought might lead me through the world's vain mask
Content, though blind, had I no better guide.
524

Sonnet to the Nightingale

Sonnet to the Nightingale

O nightingale that on yon blooming spray
Warblest at eve, when all the woods are still,
Thou with fresh hopes the Lover’s heart dost fill,
While the jolly Hours lead on propitious May.
Thy liquid notes that close the eye of Day,
First heard before the shallow cuckoo’s bill,
Portend success in love. O if Jove’s will
Have linked that amorous power to thy soft lay,
Now timely sing, ere the rude bird of hate
Foretell my hopeless doom, in some grove nigh;
As thou from year to year hast sung too late
For my relief, yet had’st no reason why.
Whether the Muse or Love call thee his mate,
Both them I serve, and of their train am I.
447

Sonnet 20

Sonnet 20

XX

Lawrence, of virtuous father virtuous son,
Now that the fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won
From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and clothe in fresh attire
The lily and rose, that neither sowed nor spun.
What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touched, or artful voice
Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.
526

Sonnet 18

Sonnet 18

XVIII

Cyriack, whose Grandsire on the Royal Bench
Of Brittish Themis, with no mean applause
Pronounc't and in his volumes taught our Lawes,
Which others at their Barr so often wrench:
To day deep thoughts resolve with me to drench
In mirth, that after no repenting drawes;
Let Euclid rest and Archimedes pause,
And what the Swede intend, and what the French.
To measure life, learn thou betimes, and know
Toward solid good what leads the nearest way;
For other things mild Heav'n a time ordains,
And disapproves that care, though wise in show,
That with superfluous burden loads the day,
And when God sends a cheerful hour, refrains.
511

Sonnet 14

Sonnet 14

XIV

When Faith and Love which parted from thee never,
Had ripen'd thy just soul to dwell with God,
Meekly thou didst resign this earthy load
Of Death, call'd Life; which us from Life doth sever
Thy Works and Alms and all thy good Endeavour
Staid not behind, nor in the grave were trod;
But as Faith pointed with her golden rod,
Follow'd thee up to joy and bliss for ever.
Love led them on, and Faith who knew them best
Thy hand-maids, clad them o're with purple beams
And azure wings, that up they flew so drest,
And speak the truth of thee on glorious Theams
Before the Judge, who thenceforth bid thee rest
And drink thy fill of pure immortal streams.


Note: Camb. Autograph supplies title, On the Religious
Memory of Catherine Thomson, my Christian Friend, deceased
16 Decemb., 1646.
732

Sonnet 16

Sonnet 16

XVI

When I consider how my light is spent,
E're half my days, in this dark world and wide,
And that one Talent which is death to hide,
Lodg'd with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, least he returning chide,
Doth God exact day-labour, light deny'd,
I fondly ask; But patience to prevent
That murmur, soon replies, God doth not need
Either man's work or his own gifts, who best
Bear his milde yoak, they serve him best, his State
Is Kingly. Thousands at his bidding speed
And post o're Land and Ocean without rest:
They also serve who only stand and waite.
564

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Identification and basic context

John Milton was a prominent English poet, polemicist, and civil servant. He is best known for his epic poem "Paradise Lost," a cornerstone of English literature. Milton's work is characterized by its profound theological themes, classical allusions, and mastery of blank verse. He was a staunch defender of republicanism and religious freedom. Born in London, England, his family was Protestant and relatively prosperous, providing him with an excellent education and a supportive environment for his early intellectual and literary development.

Childhood and education

Milton received a rigorous education from an early age. He attended St Paul's School in London, where he excelled in classical languages. He then proceeded to Christ's College, Cambridge, graduating in 1629. His education was further enriched by extensive private study, during which he honed his skills in Latin, Greek, Hebrew, and Italian. He developed a deep interest in theology, philosophy, and literature, reading widely among classical and contemporary authors. This period laid the foundation for his intellectual depth and sophisticated literary style.

Literary trajectory

Milton's literary career began with poetry, including early works like "On the Morning of Christ's Nativity" and "L'Allegro" and "Il Penseroso." However, his focus shifted towards polemical prose in the 1640s and 1650s, during which he wrote extensively on religious and political issues, advocating for causes such as freedom of the press and the abolition of monarchy. His blindness in the early 1650s marked a significant turning point, leading him to concentrate on his most ambitious poetic projects. He returned to poetry with renewed intensity, culminating in the composition of "Paradise Lost" and later "Paradise Regained" and "Samson Agonistes."

Works, style, and literary characteristics

Milton's magnum opus is "Paradise Lost" (1667), an epic poem in blank verse that recounts the biblical story of the Fall of Man. Other significant works include "Paradise Regained" (1671), a shorter epic on the temptation of Christ, and "Samson Agonistes" (1671), a dramatic poem. His poetry is known for its majestic tone, complex syntax, vast vocabulary, and intricate allusions to classical mythology and the Bible. He explored profound themes of free will, divine justice, obedience, temptation, and redemption. Milton's style is elevated and grand, employing a rich tapestry of imagery and a powerful, resonant rhythm. He is celebrated for his innovative use of blank verse, elevating it to a level of poetic sophistication previously unseen.

Cultural and historical context

Milton was a figure of profound importance during the English Civil War and the subsequent Interregnum. He served as a Latin Secretary to the Council of State under Oliver Cromwell, engaging in political and religious debates of his time. His writings champion religious tolerance (though with limitations) and republican ideals, placing him at the forefront of the intellectual currents of his era. He was deeply embedded in the Puritan movement and its intellectual milieu, which influenced his theological views and his commitment to liberty.

Personal life

Milton married three times. His first marriage, to Mary Powell, was brief and fraught with initial difficulties but later reconciled. His second wife died young, and his third wife survived him. He had four children, though only one survived him into adulthood. Milton's greatest personal trial was his progressive loss of sight, which eventually left him completely blind by 1652. Despite this severe handicap, he continued his writing with the aid of amanuenses, demonstrating immense fortitude and intellectual dedication.

Recognition and reception

Milton's "Paradise Lost" was met with critical acclaim and established him as one of England's greatest poets. While some contemporaries admired his work, others found it challenging. His reputation grew significantly after his death, and he became a central figure in the English literary canon. His influence on subsequent poets, particularly those of the Romantic era, was immense. He is consistently recognized for his poetic genius, his intellectual depth, and his contributions to English literature and political thought.

Influences and legacy

Milton was deeply influenced by classical poets such as Homer, Virgil, and Ovid, as well as by the Bible and the works of Renaissance humanists. His own work, in turn, exerted a profound influence on English poetry, particularly Romantic poets like Wordsworth, Blake, and Shelley, who were inspired by his epic themes, his revolutionary spirit, and his powerful blank verse. Milton's legacy is that of a poet who masterfully blended classical learning with profound Christian theology, creating works of enduring power and intellectual significance.

Interpretation and critical analysis

Milton's "Paradise Lost" has been subject to extensive critical interpretation. Debates have centered on the character of Satan, the portrayal of God, and the theological implications of the poem. Some critics have viewed Satan as a heroic rebel, while others emphasize his demonic nature and the poem's ultimate affirmation of divine providence. The work is often analyzed for its exploration of free will, sin, and the nature of good and evil, reflecting enduring philosophical and theological questions.

Curiosities and lesser-known aspects

Milton's personal courage in the face of adversity, particularly his blindness, is remarkable. He continued to write, dictate, and engage in public life despite his sightless condition. His meticulous planning and organization of his work, even when dictating to scribes, highlight his intellectual discipline. He was also known for his intellectual pride and his strong convictions, which sometimes led to sharp polemical exchanges.

Death and memory

John Milton died in 1674, a year after the publication of "Paradise Regained" and "Samson Agonistes." His death was mourned by many who recognized his literary and intellectual stature. His works were reissued and translated, ensuring his enduring presence in literary history. He is remembered today as one of the titans of English literature, a poet whose visionary works continue to challenge and inspire readers.