Poems List

An Epitaph on the Admirable Dramatic Poet W. Shakespeare

An Epitaph on the Admirable Dramatic Poet W. Shakespeare

What needs my Shakespeare for his honored bones
The labor of an age in piled stones?
Or that his hallowed reliques should be hid
Under a star-ypointing pyramid?
Dear son of Memory, great heir of Fame,
What need'st thou such weak witness of thy name?
Thou in our wonder and astonishment
Hast built thy self a livelong monument.
For whilst, to th' shame of slow-endeavoring art,
Thy easy numbers flow, and that each heart
Hath from the leaves of thy unvalued book
Those Delphic lines with deep impression took,
Then thou, our fancy of itself bereaving,
Dost make us marble with too much conceiving,
And so sepulchred in such pomp dost lie
That kings for such a tomb would wish to die.
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An Epitaph On The Marchioness Of Winchester

An Epitaph On The Marchioness Of Winchester

This rich Marble doth enterr
The honour'd Wife of Winchester,
A Vicounts daughter, an Earls heir,
Besides what her vertues fair
Added to her noble birth,
More then she could own from Earth.
Summers three times eight save one
She had told, alas too soon,
After so short time of breath,
To house with darknes, and with death.
Yet had the number of her days
Bin as compleat as was her praise,
Nature and fate had had no strife
In giving limit to her life.
Her high birth, and her graces sweet,
Quickly found a lover meet;
The Virgin quire for her request
The God that sits at marriage feast;
He at their invoking came
But with a scarce-wel-lighted flame;
And in his Garland as he stood,
Ye might discern a Cipress bud.
Once had the early Matrons run
To greet her of a lovely son,
And now with second hope she goes,
And calls Lucina to her throws;
But whether by mischance or blame
Atropos for Lucina came;
And with remorsles cruelty,
Spoil'd at once both fruit and tree:
The haples Babe before his birth
Had burial, yet not laid in earth,
And the languisht Mothers Womb
Was not long a living Tomb.
So have I seen som tender slip
Sav'd with care from Winters nip,
The pride of her carnation train,
Pluck't up by som unheedy swain,
Who onely thought to crop the flowr
New shot up from vernall showr;
But the fair blossom hangs the head
Side-ways as on a dying bed,
And those Pearls of dew she wears,
Prove to be presaging tears
Which the sad morn had let fall
On her hast'ning funerall.
Gentle Lady may thy grave
Peace and quiet ever have;
After this thy travail sore
Sweet rest sease thee evermore,
That to give the world encrease,
Shortned hast thy own lives lease;



Here besides the sorrowing
That thy noble House doth bring,
Here be tears of perfect moan
Weept for thee in Helicon,
And som Flowers, and som Bays,
For thy Hears to strew the ways,
Sent thee from the banks of Came,
Devoted to thy vertuous name;
Whilst thou bright Saint high sit'st in glory,
Next her much like to thee in story,
That fair Syrian Shepherdess,
Who after yeers of barrennes,
The highly favour'd Joseph bore
To him that serv'd for her before,
And at her next birth much like thee,
Through pangs fled to felicity,
Far within the boosom bright
of blazing Majesty and Light,
There with thee, new welcom Saint,
Like fortunes may her soul acquaint,
With thee there clad in radiant sheen,
No Marchioness, but now a Queen.
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Identification and basic context

John Milton was a prominent English poet, polemicist, and civil servant. He is best known for his epic poem "Paradise Lost," a cornerstone of English literature. Milton's work is characterized by its profound theological themes, classical allusions, and mastery of blank verse. He was a staunch defender of republicanism and religious freedom. Born in London, England, his family was Protestant and relatively prosperous, providing him with an excellent education and a supportive environment for his early intellectual and literary development.

Childhood and education

Milton received a rigorous education from an early age. He attended St Paul's School in London, where he excelled in classical languages. He then proceeded to Christ's College, Cambridge, graduating in 1629. His education was further enriched by extensive private study, during which he honed his skills in Latin, Greek, Hebrew, and Italian. He developed a deep interest in theology, philosophy, and literature, reading widely among classical and contemporary authors. This period laid the foundation for his intellectual depth and sophisticated literary style.

Literary trajectory

Milton's literary career began with poetry, including early works like "On the Morning of Christ's Nativity" and "L'Allegro" and "Il Penseroso." However, his focus shifted towards polemical prose in the 1640s and 1650s, during which he wrote extensively on religious and political issues, advocating for causes such as freedom of the press and the abolition of monarchy. His blindness in the early 1650s marked a significant turning point, leading him to concentrate on his most ambitious poetic projects. He returned to poetry with renewed intensity, culminating in the composition of "Paradise Lost" and later "Paradise Regained" and "Samson Agonistes."

Works, style, and literary characteristics

Milton's magnum opus is "Paradise Lost" (1667), an epic poem in blank verse that recounts the biblical story of the Fall of Man. Other significant works include "Paradise Regained" (1671), a shorter epic on the temptation of Christ, and "Samson Agonistes" (1671), a dramatic poem. His poetry is known for its majestic tone, complex syntax, vast vocabulary, and intricate allusions to classical mythology and the Bible. He explored profound themes of free will, divine justice, obedience, temptation, and redemption. Milton's style is elevated and grand, employing a rich tapestry of imagery and a powerful, resonant rhythm. He is celebrated for his innovative use of blank verse, elevating it to a level of poetic sophistication previously unseen.

Cultural and historical context

Milton was a figure of profound importance during the English Civil War and the subsequent Interregnum. He served as a Latin Secretary to the Council of State under Oliver Cromwell, engaging in political and religious debates of his time. His writings champion religious tolerance (though with limitations) and republican ideals, placing him at the forefront of the intellectual currents of his era. He was deeply embedded in the Puritan movement and its intellectual milieu, which influenced his theological views and his commitment to liberty.

Personal life

Milton married three times. His first marriage, to Mary Powell, was brief and fraught with initial difficulties but later reconciled. His second wife died young, and his third wife survived him. He had four children, though only one survived him into adulthood. Milton's greatest personal trial was his progressive loss of sight, which eventually left him completely blind by 1652. Despite this severe handicap, he continued his writing with the aid of amanuenses, demonstrating immense fortitude and intellectual dedication.

Recognition and reception

Milton's "Paradise Lost" was met with critical acclaim and established him as one of England's greatest poets. While some contemporaries admired his work, others found it challenging. His reputation grew significantly after his death, and he became a central figure in the English literary canon. His influence on subsequent poets, particularly those of the Romantic era, was immense. He is consistently recognized for his poetic genius, his intellectual depth, and his contributions to English literature and political thought.

Influences and legacy

Milton was deeply influenced by classical poets such as Homer, Virgil, and Ovid, as well as by the Bible and the works of Renaissance humanists. His own work, in turn, exerted a profound influence on English poetry, particularly Romantic poets like Wordsworth, Blake, and Shelley, who were inspired by his epic themes, his revolutionary spirit, and his powerful blank verse. Milton's legacy is that of a poet who masterfully blended classical learning with profound Christian theology, creating works of enduring power and intellectual significance.

Interpretation and critical analysis

Milton's "Paradise Lost" has been subject to extensive critical interpretation. Debates have centered on the character of Satan, the portrayal of God, and the theological implications of the poem. Some critics have viewed Satan as a heroic rebel, while others emphasize his demonic nature and the poem's ultimate affirmation of divine providence. The work is often analyzed for its exploration of free will, sin, and the nature of good and evil, reflecting enduring philosophical and theological questions.

Curiosities and lesser-known aspects

Milton's personal courage in the face of adversity, particularly his blindness, is remarkable. He continued to write, dictate, and engage in public life despite his sightless condition. His meticulous planning and organization of his work, even when dictating to scribes, highlight his intellectual discipline. He was also known for his intellectual pride and his strong convictions, which sometimes led to sharp polemical exchanges.

Death and memory

John Milton died in 1674, a year after the publication of "Paradise Regained" and "Samson Agonistes." His death was mourned by many who recognized his literary and intellectual stature. His works were reissued and translated, ensuring his enduring presence in literary history. He is remembered today as one of the titans of English literature, a poet whose visionary works continue to challenge and inspire readers.