Poems List

From Faust - IV. Chorus Of Spirits

From Faust - IV. Chorus Of Spirits

VANISH, dark clouds on high,

Offspring of night!
Let a more radiant beam
Through the blue ether gleam,


Charming the sight!
Would the dark clouds on high


Melt into air!
Stars glimmer tenderly,


Planets more fair


Shed their soft light.
Spirits of heav'nly birth,
Fairer than sons of earth,
Quivering emotions true


Hover above;
Yearning affections, too,


In their train move.
See how the spirit-band,
By the soft breezes fann'd,
Covers the smiling land,--
Covers the leafy grove,
Where happy lovers rove,
Deep in a dream of love,
True love that never dies!
Bowers on bowers rise,


Soft tendrils twine;
While from the press escapes,
Born of the juicy grapes,


Foaming, the wine;
And as the current flows
O'er the bright stones it goes,--
Leaving the hilly lands


Far, far behind,--
Into a sea expands,


Loving to wind
Round the green mountain's base;
And the glad-winged race,


Rapture sip in,
As they the sunny light,
And the fair islands bright,



Hasten to win,
That on the billows play
With sweet deceptive ray,
Where in glad choral song
Shout the exulting throng;
Where on the verdant plain


Dancers we see,
Spreading themselves amain


Over the lea.
Some boldly climbing are


O'er the steep brake,
Others are floating far


O'er the smooth lake.
All for a purpose move,


All with life teem,
While the sweet stars above


Blissfully gleam.
401

From

From


EV'RY youth for love's sweet portion sighs,

Ev'ry maiden sighs to win man's love;
Why, alas! should bitter pain arise
From the noblest passion that we prove?
Thou, kind soul, bewailest, lov'st him well,
From disgrace his memory's saved by thee;


Lo, his spirit signs from out its cell:
BE A MAN, NOR SEEK TO FOLLOW ME.
304

From Egmont

From Egmont

ACT I.
CLARA winds a skein, and sings with Brackenburg.
THE drum gives the signal!
Loud rings the shrill fife!


My love leads his troops on
Full arm'd for the strife,


While his hand grasps his lance
As they proudly advance.
My bosom pants wildly!


My blood hotly flows!
Oh had I a doublet,
A helmet, and hose!

Through the gate with bold footstep

I after him hied,--
Each province, each country
Explored by his side.

The coward foe trembled
Then rattled our shot:
What bliss e'er resembled

A soldier's glad lot!
ACT III.
CLARA sings.


Gladness


And sadness
And pensiveness blending
Yearning
And burning


In torment ne'er ending;


Sad unto death,
Proudly soaring above;
Happy alone

Is the soul that doth love!
389

From

From


My grief no mortals know,

Except the yearning!

Alone, a prey to woe,
All pleasure spurning,
Up tow'rds the sky I throw


A gaze discerning.
He who my love can know
Seems ne'er returning;


With strange and fiery glow


My heart is burning.
My grief no mortals know,
Except the yearning!
440

Found

Found


Once through the forest

Alone I went;
To seek for nothing
My thoughts were bent.
I saw i' the shadow
A flower stand there


As stars it glisten'd,
As eyes 'twas fair.
I sought to pluck it,-
It gently said:


'Shall I be gather'd
Only to fade?'
With all its roots
I dug it with care,


And took it home
To my garden fair.
In silent corner
Soon it was set;


There grows it ever,
There blooms it yet.
327

For Ever

For Ever

THE happiness that man, whilst prison'd here,

Is wont with heavenly rapture to compare,--
The harmony of Truth, from wavering clear,--


Of Friendship that is free from doubting care,--
The light which in stray thoughts alone can cheer


The wise,--the bard alone in visions fair,--
In my best hours I found in her all this,
And made mine own, to mine exceeding bliss.
305

Flower-Salute

Flower-Salute


THIS nosegay,--'twas I dress'd it,--

Greets thee a thousand times!
Oft stoop'd I, and caress'd it,
Ah! full a thousand times,

And 'gainst my bosom press'd it
A hundred thousand times!
351

Finnish Song

Finnish Song

IF the loved one, the well-known one,
Should return as he departed,
On his lips would ring my kisses,
Though the wolf's blood might have dyed them;
And a hearty grasp I'd give him,
Though his finger-ends were serpents.


Wind! Oh, if thou hadst but reason,
Word for word in turns thou'dst carry,
E'en though some perchance might perish
'Tween two lovers so far distant.


All choice morsels I'd dispense with,
Table-flesh of priests neglect too,
Sooner than renounce my lover,
Whom, in Summer having vanquish'd,
I in Winter tamed still longer.
413

Faithful Eckart

Faithful Eckart

"OH, would we were further! Oh, would we were home,
The phantoms of night tow'rd us hastily come,
The band of the Sorceress sisters.


They hitherward speed, and on finding us here,
They'll drink, though with toil we have fetch'd it, the beer,
And leave us the pitchers all empty."


Thus speaking, the children with fear take to flight,
When sudden an old man appears in their sight:
"Be quiet, child! children, be quiet!


From hunting they come, and their thirst they would still,
So leave them to swallow as much as they will,
And the Evil Ones then will be gracious."


As said, so 'twas done! and the phantoms draw near,
And shadowlike seem they, and grey they appear,
~Yet blithely they sip and they revel


The beer has all vanish'd, the pitchers are void;
With cries and with shouts the wild hunters, o'erjoy'd,
Speed onward o'er vale and o'er mountain.


The children in terror fly nimbly tow'rd home,
And with them the kind one is careful to come:
"My darlings, oh, be not so mournful!-


"They'll blame us and beat us, until we are dead."-"
No, no! ye will find that all goes well," he said;
"Be silent as mice, then, and listen!


"And he by whose counsels thus wisely ye're taught,
Is he who with children loves ever to sport.
The trusty and faithful old Eckart.


Ye have heard of the wonder for many a day,
But ne'er had a proof of the marvellous lay,--
Your hands hold a proof most convincing."


They arrive at their home, and their pitchers they place
By the side of their parents, with fear on their face,
Awaiting a beating and scolding.


But see what they're tasting: the choicest of beer!
Though three times and four times they quaff the good cheer
The pitchers remain still unemptied.


The marvel it lasts till the dawning of day;
All people who hear of it doubtless will say:
"What happen'd at length to the pitchers?"



In secret the children they smile, as they wait;
At last, though, they stammer, and stutter, and prate,
And straightway the pitchers were empty.


And if, children, with kindness address'd ye may be,
Whether father, or master, or alderman he,
Obey him, and follow his bidding!


And if 'tis unpleasant to bridle the tongue,
Yet talking is bad, silence good for the young--
And then will the beer fill your pitchers!
403

Ever And Everywhere

Ever And Everywhere

FAR explore the mountain hollow,
High in air the clouds then follow!
To each brook and vale the Muse

Thousand times her call renews.
Soon as a flow'ret blooms in spring,
It wakens many a strain;

And when Time spreads his fleeting wing,
The seasons come again.
406

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Identification and basic context

Johann Wolfgang von Goethe was a central figure in German literature and a polymath whose work spanned poetry, drama, novels, scientific inquiry, and political theory. Born into a prominent family in Frankfurt, he was a key figure of the Weimar Classicism movement. Goethe's writings are characterized by their depth, philosophical inquiry, and exploration of human nature, often infused with a blend of Romantic sensibility and Neoclassical form. He was also a minister of state in the Duchy of Weimar, demonstrating a profound engagement with civic and political life. His national and linguistic identity were deeply rooted in Germany, and his work was primarily written in German, though its impact transcended linguistic boundaries.

Childhood and education

Goethe received an excellent education, benefiting from private tutors and the intellectual stimulation of his household, which included his father's library. He was exposed to classical literature, languages, and the arts from an early age. His formal education included studies at the University of Leipzig and the University of Strasbourg, where he studied law but also delved into literature and alchemy. He was influenced by the burgeoning Sturm und Drang movement, which emphasized individual emotion and rebellion against artistic conventions, as well as by Enlightenment ideals and the rediscovery of classical antiquity. His early experiences and readings laid the foundation for his multifaceted literary and intellectual development.

Literary trajectory

Goethe's literary career began in his youth with the Sturm und Drang movement, marked by works like "The Sorrows of Young Werther." This period was characterized by intense emotional expression and a focus on individual experience. His move to Weimar marked a shift towards Weimar Classicism, characterized by a more balanced, harmonious, and ethically focused approach, exemplified by "Iphigenia in Tauris" and "Torquato Tasso." The creation of "Faust," which occupied him for much of his life, represents the apex of his philosophical and dramatic achievement, evolving through different phases and reflecting his mature contemplation of human existence. He was also actively involved in periodicals and collaborated with other writers, contributing significantly to the literary landscape of his time.

Works, style, and literary characteristics

Goethe's major works include the epistolary novel "The Sorrows of Young Werther" (1774), the dramas "Iphigenia in Tauris" (1787) and "Egmont" (1788), the novel "Wilhelm Meister's Apprenticeship" (1795-96), and his monumental dramatic poem "Faust" (Part I, 1808; Part II, 1832). His themes are vast, encompassing love, nature, science, art, religion, the human condition, and the pursuit of knowledge and self-realization. His style evolved from the passionate and individualistic Sturm und Drang to the balanced, formal elegance of Weimar Classicism, and later, a more complex, symbolic, and philosophical mode in "Faust Part II." He masterfully employed various forms, including lyric poetry, dramatic verse, and prose, often experimenting with meter and structure. His poetic voice ranged from intensely personal and lyrical to philosophical and universal. Goethe's language is rich, precise, and evocative, utilizing powerful imagery and rhetorical devices to explore profound ideas. He is credited with significant innovations in German literature, bridging Romanticism and Classicism, and profoundly influencing the development of the European novel and drama.

Cultural and historical context

Goethe lived through a period of immense upheaval in European history, including the French Revolution and the Napoleonic Wars, which profoundly shaped his worldview and writings. He was a central figure of the Weimar Classicism movement, alongside Friedrich Schiller, representing a peak of German cultural achievement during a time when Germany was politically fragmented. His engagement with Enlightenment thought, the rediscovery of Greek and Roman antiquity, and the rise of Romanticism placed him at the intersection of major intellectual currents. His positions in Weimar gave him insight into political affairs, and his work often reflected on societal structures, the role of the individual, and the nature of governance.

Personal life

Goethe's personal life was rich and complex. His relationships, particularly with Charlotte von Stein, had a significant impact on his emotional and creative life. His later relationship with Christiane Vulpius, whom he eventually married, brought him domestic stability. He maintained friendships with many leading intellectuals of his time, including Schiller and Herder, and also experienced literary rivalries. Goethe's scientific pursuits, particularly in botany and optics, were not merely academic but intertwined with his poetic vision, reflecting a holistic view of knowledge. His philosophical and spiritual beliefs evolved throughout his life, moving from a pantheistic view of nature to a more nuanced engagement with Christian themes, particularly in his later works.

Recognition and reception

Goethe achieved immense fame and recognition during his lifetime, both within Germany and internationally. He was revered as a literary genius and a national icon. His works were widely translated and admired, and he received numerous honors and distinctions. The reception of his work has remained consistently high, with "Faust" considered one of the greatest works of world literature. While he enjoyed immense popularity and academic respect during his life, his complex philosophical and literary achievements continue to be subjects of intensive scholarly study and critical analysis.

Influences and legacy

Goethe was influenced by a wide array of sources, including classical Greek and Roman literature, the Bible, Shakespeare, and the emerging Sturm und Drang and Enlightenment philosophies. His legacy is immeasurable; he profoundly influenced German literature and culture, shaping the development of Romanticism, Realism, and subsequent literary movements. His concepts, such as the "eternal feminine" in "Faust," and his exploration of the human drive for self-fulfillment, have resonated across generations. He is a cornerstone of the German literary canon and a globally recognized literary figure. His works have been translated into virtually every major language and have inspired countless adaptations in music, theater, and film.

Interpretation and critical analysis

Goethe's work, particularly "Faust," has been subjected to endless interpretation and critical analysis. Themes of good versus evil, the pursuit of knowledge, the nature of progress, and the relationship between the spiritual and material worlds are central to scholarly debate. His complex philosophical outlook, blending elements of Romanticism, Classicism, and humanism, continues to provoke discussion. The tension between individual freedom and societal responsibility, and the search for meaning in a complex world, remain enduring aspects of his critical legacy.

Curiosities and lesser-known aspects

Goethe's fascination with science extended to empirical studies, including his theory of colors, which, though controversial, demonstrated his rigorous approach to observation. His personal life contained elements of both conventionality and unconventionality; his long-term relationship with Christiane Vulpius, who came from a lower social class, was unusual for a man of his stature. He maintained a disciplined writing routine, often working in the early hours of the morning. Anecdotes abound about his charismatic presence and his ability to engage with people from all walks of life. His extensive correspondence provides invaluable insights into his thoughts and daily life.

Death and memory

Johann Wolfgang von Goethe died in Weimar at the age of 82. His death was a significant national event, marking the end of an era in German culture. His memory is celebrated through numerous institutions, monuments, and cultural events dedicated to his life and work. His literary and scientific contributions continue to be studied and revered, ensuring his enduring place in the annals of world culture. His collected works are vast and continue to be published and re-edited, testifying to his lasting impact.