The Old Stockman's Lament

Wrap me up in me stockwhip and blanket,
And bury me deep down below,
Where this piffle and sham won’t disgust me,
In the land where the coolibahs grow;
For I’ve stayed with some well-to-do people,
And I’ve dined with some middle-class folk;
And I’ve sorrowed by clock-tower and steeple
Till my heart for the Commonwealth’s broke.
They have flown in another direction,
Who used to clack-clack by the hour
Of “this awful Freetrade and Protection,”
Of our dear darling member “in power,”
And the Higher Religion for Dossers,
And the Need of an Object for Drunks—
Now they’re all of them Red or Blue Crossers,
With their tails sticking out of their trunks.


There are citified Martins in dozens—
The Darling Point Martins the pick—
Who used to be horrified cousins
Of a Martin we knew as “Mad Mick.”
He is hanging out somewhere where French is;
But they heard he’d enlisted—somehow,
And ’twould paralyse Mick in the trenches
To know how he’s glorified now.


You remember the George Henry Crosses?
They’ve packed up twelve trunks in despair.
He’s the boss of the back-station bosses,
And Ernie’s the son and the heir.
He has never put hands on a wether,
Nor heard a pithed store-bullock grunt;
So they’re taking the mailboat to England
To see Ernie safe to the Front.


And each of the war-going parsons
Costs many a heart-breaking tear—
Like that caddish young cub of old Carson’s,
All found and four hundred a year.
He feels not a word that he preaches,
But he will not be criticised there,
Where, out where the flying shell screeches,
Poor Tommy must fight, sweat and swear.


“Our relatives, too” (hang the Censor!)
Each girl has a tear on her cheek.
Cousin Roger has gone as dispenser
(Expenses and three pounds a week.
More risky than list’ning to sermons,
As some of our fellows will find,
Is a fierce fortnight’s fight with the Germans
In front—and with Roger behind.)



And the Girls, they are writing like blazes,
And Auntie is moaning like hell;
And I wish I was under the daisies—
Or the bluegum would do just as well.
So I want to be wropped in me blanket,
And buried down—deep down—below;
Where this cant and this cackle won’t reach me—
In the land where the coolibahs grow.

The Old Jimmy Woodser

The old Jimmy Woodser comes into the bar
Unwelcomed, unnoticed, unknown,
Too old and too odd to be drunk with, by far;
So he glides to the end where the lunch baskets are
And they say that he tipples alone.


His frockcoat is green and the nap is no more,
And his hat is not quite at its best;
He wears the peaked collar our grandfathers wore,
The black-ribbon tie that was legal of yore,
And the coat buttoned over his breast.


When first he came in, for a moment I thought
That my vision or wits were astray;
For a picture and page out of Dickens he brought--‘
Twas an old file dropped in from the Chancery Court
To the wine-vault just over the way.


But I dreamed, as he tasted his “bitter” to-night
And the lights in the bar-room grew dim,
That the shades of the friends of that other day’s light,
And of girls that were bright in our grandfathers” sight,
Lifted shadowy glasses to him.


Then I opened the door, and the old man passed out,
With his short, shuffling step and bowed head;
And I sighed; for I felt, as I turned me about,
An odd sense of respect---born of whisky no doubt---
For the life that was fifty years dead.


And I thought---there are times when our memory trends
Through the future, as ‘twere on its own---
That I, out-of-date ere my pilgrimage ends,
In a new-fashioned bar to dead loves and dead friends
Might drink, like the old man, alone.

The New Chum Jackeroo

Let bushmen think as bushmen will,
And say whate’er they choose,
I hate to hear the stupid sneer
At New Chum Jackaroos.
He may not ride as you can ride,
Or do what you can do;
But sometimes you’d seem small beside
The New Chum Jackaroo.


His share of work he never shirks,
And through the blazing drought,
He lives the old things down, and works
His own salvation out.


When older, wiser chums despond
He battles brave of heart—
’Twas he who sailed of old beyond
The margin of the chart.


’Twas he who proved the world was round—
In crazy square canoes;
The lands you’re living in were found
By New Chum Jackaroos.


He crossed the deserts hot and bare,
From barren, hungry shores—
The plains that you would scarcely dare
With all your tanks and bores.


He fought a way through stubborn hills
Towards the setting sun—
Your fathers all and Burke and Wills
Were New Chums, every one.


When England fought with all the world
In those brave days gone by,
And all its strength against her hurled,
He held her honour high.


By Southern palms and Northern pines—
Where’er was life to lose—
She held her own with thin red lines
Of New Chum Jackaroos.


Through shot and shell and solitudes,
Wherever feet have gone,
The New Chums fought while eye-glass dudes
And Johnnies led them on.


And though he wear a foppish coat,
And these old things forget,
In stormy times I’d give a vote



For Cuffs and Collars yet.

The Muscovy Duck

The rooster is a brainless dude, although he sports a crest,
The hen’s an awful fool we know, though hen-eggs are the best;
She’ll flutter, cackling, anywhere save through a gate or door,
And try to hatch a door-knob, too, for forty days or more.
The turkey is of small account, we’ll let it go in peace,
And other fowls are ornaments, and geese are simply geese;
But over all that cackle, hiss, or gobble, quack, or cluck,
My favourite shall always be the quaint Muscovy duck.


I’m fond of Mrs Muscovy, I think she knows the most
Of all the different kinds of fowls that poultry-breeders boast.
She knows best how to build her nest when laying time is past,
And you should see the knowing pride with which she sets at last.
She waddles out for food and drink—she’s not afraid of us,
And if we fix her now and then she doesn’t make a fuss;
No frantic flaps of useless wings, no cackle, hiss, nor cluck,
She’s queen of all philosophers—the quaint Muscovy duck.


It is a wondrous thing to see, and a wondrous thing to tell,
Her ducklings know as much as ducks the day they leave the shell.
That she is proud as proud can be, is plain to any dunce—
The little ducklings set to work to grow up ducks at once;
And, on a sunny winter’s day, ’tis a good thing for the eyes
To see her waddle round and watch her ducklings catching flies,
I love her for her waddle, and her patience, and her pluck,
Her wag of tail and nod of head—the quaint Muscovy duck.

The Motor Car

The motor car is sullen, like a thing that should not be;
The motor car is master of Smart Society.
’Twas born of sweated genius and collared by a clown;
’Twas planned by Retribution to ride its riders down.
And straight for Caesar’s Column,
It runs to Caesar’s Column,
Last section, Caesar’s Column
To ride its riders down!


The motor car is shame-struck, for greed and misery,
For mad and hopeless self-lust, and the sins that need not be.
The motor car is vicious, for its conscience makes it so,
It aye would smash the victims while it runs the riders low.
And straight for Caesar’s Column,
Its goal is Caesar’s Column,
It longs for Caesar’s Column
To lay its riders low.


The motor car is maddened like a horse that’s had a fright,
The shameful day behind it and the Coming of the Night!
It flees across the country and it flees back to the town
And straight for Caesar’s Column to run its riders down.
And straight for Caesar’s Column,
What ho! for Caesar’s Column!
Hurrah! for Caesar’s Column!
To seal its riders down.


The motor car is reckless like a gambler losing fast;
The motor car’s in terror of the Future—and the Past;
The motor car is worn out and has passed Sin’s boundary by,
And is bound for Caesar’s Column where to pile its riders high.
It’s bound for Caesar’s Column
And marked for Caesar’s Column,
And doomed for Caesar’s Column
To pile its riders high.


The motor car is brainless, and scornful of all tears,
Its dust is in our faces, its giggle in our ears,
Its harsh laugh is the last laugh of the last lost soul alone,
’Tis nearing Caesar’s Column to set self-damned in stone.
Change here for Caesar’s Column!
All out for Caesar’s Column!
Past Hope—and Caesar’s Column
To lodge self-damned in stone.


I don’t know how ’twill happen, or when ’twill come to pass,
But folk shall yet pass sanely by river, tree and grass;
By homesteads and farm wagons, they’ll ride each pleasant mile,
And back from Caesar’s Column where the world went mad awhile.
And back from Caesar’s Column
With lessons from the Column;
Grown sane at Caesar’s Column



To save the world awhile.

The Men Who Sleep With Danger

The men who camp with Danger
Are mostly quiet men:
And one may use a rifle,
And one may use a pen,
And one may strap a camera
In deserts to his bike;
But men who sleep with Danger
Are pretty much alike.
To men in places pleasant
Or in the barren West
There’s Danger ever present –
A half unheeded guest.
But , thoughtful for the stranger,
The timid or the weak –
The men who camp with Danger
Keep watch but do not speak.
The men who go with Danger
Are mostly dreamy-eyed
Upon the swooping fo’c’sle.
Or by the camp-fire side,
And when they sit in darkness,
To show us where they are:
The glowing of a pipe-bowl
And often a cigar
The men who camp with Danger
Have quiet humour too,
And songs that you’ve forgotten,
And real good yarns for you.
There’s little you can tell them
Of yourself or your own
That men who’ve lived with Danger
Have never felt or known.
The men who sleep with Danger
Sleep soundly while they may,
But always wake at midnight
Or just before the day.
A something in the darkness
That shudders at the dawn –
A side-mate softly wakened,
A rifle swiftly drawn.
The men who sail with Danger
As actors are ideal:
They lightly laugh to fool you
When Danger’s very real.
The men who sail with Danger
A wondrous insight have:
They know if you are timid,
They know if you are brave.
The stewards set the tables
With careless, practised care,
And take accustomed comforts
To sea-sick cabins there.



They knock at doors of state-rooms
With broth and tea and toast,
While well they know, it’s touch and go,
And death sits on the coast.
The man who lives with Danger
Has knowledge all his own;
The instinct of a woman,
Of men who fight alone.
He learns from peace and comfort,
He learns from care and strife;
Unwittingly from all things
And from his native wife.
The men who live with Danger
See sermons in a log;
They have the nerves of horses,
The instincts of a dog,
When illness comes to loved ones
They know where’er they roam –
Have you seen, without for reason,
A farther start for home?
They know and feel our 'warnings'
As only Gipsies do;
They know the Norse Vardoger –
They hear and see it, too.
They know when death has passed them,
And the death watch is at end.
They know when he is coming –
The Unexpected Friend.
The men who live with Danger,
They take things as they go –
In seeming unpreparedness,
To those who do not know.
They sleep when they have toiled and laughed
And fought for someone’s sake;
But Danger whispers in their ear,
And they are wide awake !

The Men Who Made Australia

There'll be royal times in Sydney for the Cuff and Collar Push,
There’ll be lots of dreary drivel and clap-trap
From the men who own Australia, but who never knew the Bush,
And who could not point their runs out on the map.
Oh, the daily Press will grovel as it never did before,
There’ll be many flags of welcome in the air,
And the Civil Service poet, he shall write odes by the score—
But the men who made the land will not be there.
You shall meet the awful Lady of the latest Birthday Knight—
(She is trying to be English, don’t-cher-know?)
You shall hear the empty mouthing of the champion blatherskite,
You shall hear the boss of local drapers blow.
There’ll be ‘majahs’ from the counter, tailors’ dummies from the fleet,
And to represent Australia here to-day,
There’s the today with his card-case and his cab in Downing-street;
But the men who made Australia—where are they?


Call across the blazing sand wastes of the Never-Never Land!
There are some who will not answer yet awhile,
Some whose bones rot in the mulga or lie bleaching on the sand,
Died of thirst to win the land another mile.
Thrown from horses, ripped by cattle, lost on deserts; and the weak,
Mad through loneliness or drink (no matter which),
Drowned in floods or dead of fever by the sluggish slimy creek—
These are men who died to make the Wool-Kings rich.


Call across the scrubby ridges where they clear the barren soil,
And the gaunt Bush-women share the work of men—
Toil and loneliness for ever—hardship, loneliness and toil—
Where the brave drought-ruined farmer starts again!
Call across the boundless sheep-runs of a country cursed for sheep—
Call across the awful scrublands west of Bourke!
But they have no time to listen—they have scarcely time to sleep—
For the men who conquer deserts have to work.


Dragged behind the crawling sheep-flock on the hot and dusty plain,
They must make a cheque to feed the wife and kids—
Riding night-watch round the cattle in the pelting, freezing rain,
While world-weariness is pressing down the lids.
And away on far out-stations, seldom touched by Heaven’s breath,
In a loneliness that smothers love and hate—
Where they never take white women—there they live the living death
With a half-caste or a black-gin for a mate.


They must toil to save the gaunt stock in the blazing months of drought,
When the stinging, blinding blight is in men’s eyes—
On the wretched, burnt selections, on the big runs further out
Where the sand-storm rises lurid to the skies.
Not to profit when the grass is waving waist-high after rain,
And the mighty clip of wool comes rolling in—
For the Wool-King goes to Paris with his family again
And the gold that souls are sacrificed to win.



There are carriages in waiting for the swells from over-sea,
There are banquets in the latest London style,
While the men who made Australia live on damper, junk and tea—
But the quiet voices whisper, ‘Wait a while!’
For the sons of all Australia, they were born to conquer fate—
And, where charity and friendship are sincere,
Where a sinner is a brother and a stranger is a mate,
There the future of a nation’s written clear.


Aye, the cities claim the triumphs of a land they do not know,
But all empty is the day they celebrate!
For the men who made Australia federated long ago,
And the men to rule Australia—they can wait.
Though the bed may be the rough bunk or the gum leaves or the sand,
And the roof for half the year may be the sky—
There are men amongst the Bushmen who were born to save the land!
And they’ll take their places sternly by-and-by.


There’s a whisper on the desert though the sunset breeze hath died
In the scrubs, though not a breath to stir a bough,
There’s a murmur, not of waters, down the Lachlan River side,
’Tis the spirit of Australia waking now!
There’s the weird hymn of the drought-night on the western water-shed,
Where the beds of unlocked rivers crack and parch;
’Tis the dead that we have buried, and our great unburied dead,
Who are calling now on living men to march!


Round the camp fire of the fencers by the furthest panel west,
In the men’s hut by the muddy billabong,
On the Great North-Western Stock-routes where the drovers never rest,
They are sorting out the right things from the wrong.
In the shearers’ hut the slush lamp shows a haggard, stern-faced man
Preaching war against the Wool-King to his mates;
And wherever go the billy, water-bag and frying-pan,
They are drafting future histories of states!

The Men Who Come Behind

There's a class of men (and women) who are always on their guard—
Cunning, treacherous, suspicious—feeling softly—grasping hard—
Brainy, yet without the courage to forsake the beaten track—
Cautiously they feel their way behind a bolder spirit’s back.
If you save a bit of money, and you start a little store—
Say, an oyster-shop, for instance, where there wasn’t one before—
When the shop begins to pay you, and the rent is off your mind,
You will see another started by a chap that comes behind.


So it is, and so it might have been, my friend, with me and you—
When a friend of both and neither interferes between the two;
They will fight like fiends, forgetting in their passion mad and blind,
That the row is mostly started by the folk who come behind.


They will stick to you like sin will, while your money comes and goes,
But they’ll leave you when you haven’t got a shilling in your clothes.
You may get some help above you, but you’ll nearly always find
That you cannot get assistance from the men who come behind.


There are many, far too many, in the world of prose and rhyme,
Always looking for another’s ‘footsteps on the sands of time.’
Journalistic imitators are the meanest of mankind;
And the grandest themes are hackneyed by the pens that come behind.


If you strike a novel subject, write it up, and do not fail,
They will rhyme and prose about it till your very own is stale,
As they raved about the region that the wattle-boughs perfume
Till the reader cursed the bushman and the stink of wattle-bloom.


They will follow in your footsteps while you’re groping for the light ;
But they’ll run to get before you when they see you’re going right;
And they’ll trip you up and baulk you in their blind and greedy heat,
Like a stupid pup that hasn’t learned to trail behind your feet.


Take your loads of sin and sorrow on more energetic backs!
Go and strike across the country where there are not any tracks!
And—we fancy that the subject could be further treated here,
But we’ll leave it to be hackneyed by the fellows in the rear.

The Memories They Bring

I would never waste the hours
Of the time that is mine own,
Writing verses about flowers
For their own sweet sakes alone;
Gushing as a schoolgirl gushes
Over babies at their best—
Or as poets trill of thrushes,
Larks, and starlings and the rest.
I am not a man who praises
Beauty that he cannot see,
But the buttercups and daisies
Bring my childhood back to me;
And before life’s bitter battle,
That breaks lion hearts and kills,
Oh the waratah and wattle
Saw my boyhood on the hills.


It was “Cissy” or Cecilia,
And I loved her very much,
When I wore the white camelia
That will wither at a touch.
Ah, the fairest chapter closes
With lilies white and blue,
When the wild days with the roses
Cast their glamour over you!


Vine leaves fall and laurels wither
(Madd’ning drink and pride insane),
And the fate that sends us hither
Ever takes us back again.
Fading flowers—slow pulsations—
Flowers pressed for memory
But the red and pink carnations
Speak most bitter things to me.

The Man Who Raised Charlestown

They were hanging men in Buckland who would not cheer King George –
The parson from his pulpit and the blacksmith from his forge;
They were hanging men and brothers, and the stoutest heart was down,
When a quiet man from Buckland rode at dusk to raise Charlestown.


Not a young man in his glory filled with patriotic fire,
Not an orator or soldier, or a known man in his shire;
He was just the Unexpected – one of Danger's Volunteers,
At a time for which he'd waited, all unheard of, many years.


And Charlestown met in council, the quiet man to hear –
The town was large and wealthy, but the folks were filled with fear,
The fear of death and plunder; and none to lead had they,
And Self fought Patriotism as will always be the way.


The man turned to the people, and he spoke in anger then.
And crooked his finger here and there to those he marked as men.
And many gathered round him to see what they could do –
For men know men in danger, as they know the cowards too.


He chose his men and captains, and sent them here and there,
The arms and ammunition were gathered in the square;
While peaceful folk were praying or croaking, every one,
He was working with his blacksmiths at the carriage of a gun.


While the Council sat on Sunday, and the church bells rang their peal,
The quiet man was mending a broken waggon wheel;
While they passed their resolutions on his doings (and the likes),
From a pile his men brought to him he was choosing poles for pikes.


(They were hanging men in Buckland who would not cheer King George –
They were making pikes in Charlestown at every blacksmith's forge:
While the Council sat in session and the same old song they sang,
They heard the horsemen gallop out, and the blacksmiths' hammers clang.)


And a thrill went through the city ere the drums began to roll,
And the coward found his courage, and the drunkard found his soul.
So a thrill went through the city that would go through all the land,
For the quiet man from Buckland held men's hearts in his right hand.


And he caught a Charlestown poet (there are many tell the tale),
And he took him by the collar when he'd filled him up with ale;
"Now, then, write a song for Charlestown that shall lift her on her way,
For she's marching out to Buckland and to Death at break o' day."


And he set the silenced women tearing sheet and shift and shirt
To make bandages and roll them for the men that would get hurt.
And he called out his musicians and he told them what to play:
"For I want my men excited when they march at break o' day."


And he set the women cooking – with a wood-and-water crew –
"For I want no empty stomachs for the work we have to do."



Then he said to his new soldiers: "Eat your fill while yet you may;
'Tis a heavy road to Buckland that we'll march at break o' day."


And a shout went through the city when the drums began to roll
(And the coward was a brave man and the beggar had a soul),
And the drunken Charlestown poet cared no more if he should hang,
For his song of "Charlestown's Coming" was the song the soldiers sang.


And they cursed the King of England, and they shouted in their glee,
And they swore to drive the British and their friends into the sea;
But when they'd quite finished swearing, said their leader "Let us pray,
For we march to Death and Freedom, and it's nearly dawn of day."


There were marching feet at daybreak, and close upon their heels
Came the scuffling tread of horses and the heavy crunch of wheels;
So they took the road to Buckland, with their scout out to take heed,
And a quiet man of fifty on a grey horse in the lead.


There was silence in the city, there was silence as of night –
Women in the ghostly daylight, kneeling, praying, deathly white,
As their mothers knelt before them, as their daughters knelt since then,
And as ours shall, in the future, kneel and pray for fighting men.


For their men had gone to battle, as our sons and grandsons too
Must go out, for Life and Freedom, as all nations have to do.
And the Charlestown women waited for the sounds that came too soon –
Though they listened, almost breathless, till the early afternoon.


Then they heard the tones of danger for their husbands, sweethearts, sons,
And they stopped their ears in terror, crying, "Oh, my God! The guns!"
Then they strained their ears to listen through the church-bells' startled chime –
Far along the road to Buckland, Charlestown's guns were marking time.


"They advance!" "They halt!" "Retreating!" "They come back!" The guns are done!"
But the calmer spirits, listening, said: "Our guns are going on."
And the friend and foe in Buckland felt two different kinds of thrills
When they heard the Charlestown cannon talking on the Buckland hills.


And the quiet man of Buckland sent a message in that day,
And he gave the British soldiers just two hours to march away.
And they hang men there no longer, there is peace on land and wave;
On the sunny hills of Buckland there is many a quiet grave.


There is peace upon the land, and there is friendship on the waves –
On the sunny hills of Buckland there are rows of quiet graves.
And an ancient man in Buckland may be seen in sunny hours,
Pottering round about his garden, and his kitchen stuff and flowers.