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Poems List

The Bight

The Bight

At low tide like this how sheer the water is.
White, crumbling ribs of marl protrude and glare
and the boats are dry, the pilings dry as matches.
Absorbing, rather than being absorbed,
the water in the bight doesn't wet anything,
the color of the gas flame turned as low as possible.
One can smell it turning to gas; if one were Baudelaire
one could probably hear it turning to marimba music.
The little ocher dredge at work off the end of the dock
already plays the dry perfectly off-beat claves.
The birds are outsize. Pelicans crash
into this peculiar gas unnecessarily hard,
it seems to me, like pickaxes,
rarely coming up with anything to show for it,
and going off with humorous elbowings.
Black-and-white man-of-war birds soar
on impalpable drafts
and open their tails like scissors on the curves
or tense them like wishbones, till they tremble.
The frowsy sponge boats keep coming in
with the obliging air of retrievers,
bristling with jackstraw gaffs and hooks
and decorated with bobbles of sponges.
There is a fence of chicken wire along the dock
where, glinting like little plowshares,
the blue-gray shark tails are hung up to dry
for the Chinese-restaurant trade.
Some of the little white boats are still piled up
against each other, or lie on their sides, stove in,
and not yet salvaged, if they ever will be, from the last bad storm,
like torn-open, unanswered letters.
The bight is littered with old correspondences.
Click. Click. Goes the dredge,
and brings up a dripping jawful of marl.
All the untidy activity continues,
awful but cheerful.
👁️ 603

Suicide of a Moderate Dictator

Suicide of a Moderate Dictator

This is a day when truths will out, perhaps;
leak from the dangling telephone earphones
sapping the festooned switchboards' strength;
fall from the windows, blow from off the sills,
—the vague, slight unremarkable contents
of emptying ash-trays; rub off on our fingers
like ink from the un-proof-read newspapers,
crocking the way the unfocused photographs
of crooked faces do that soil our coats,
our tropical-weight coats, like slapped-at moths.


Today's a day when those who work
are idling. Those who played must work
and hurry, too, to get it done,
with little dignity or none.
The newspapers are sold; the kiosk shutters
crash down. But anyway, in the night
the headlines wrote themselves, see, on the streets
and sidewalks everywhere; a sediment's splashed
even to the first floors of apartment houses.


This is a day that's beautiful as well,
and warm and clear. At seven o'clock I saw
the dogs being walked along the famous beach
as usual, in a shiny gray-green dawn,
leaving their paw prints draining in the wet.
The line of breakers was steady and the pinkish,
segmented rainbow steadily hung above it.
At eight two little boys were flying kites.
👁️ 505

Squatter's Children

Squatter's Children

On the unbreathing sides of hills
they play, a specklike girl and boy,
alone, but near a specklike house.
The Sun's suspended eye
blinks casually, and then they wade
gigantic waves of light and shade.
A dancing yellow spot, a pup,
attends them. Clouds are piling up;


a storm piles up behind the house.
The children play at digging holes.
The ground is hard; they try to use
one of their father's tools,
a mattock with a broken haft
the two of them can scarcely lift.
It drops and clangs. Their laughter spreads
effulgence in the thunderheads,


Weak flashes of inquiry
direct as is the puppy's bark.
But to their little, soluble,
unwarrantable ark,
apparently the rain's reply
consists of echolalia,
and Mother's voice, ugly as sin,
keeps calling to them to come in.


Children, the threshold of the storm
has slid beneath your muddy shoes;
wet and beguiled, you stand among
the mansions you may choose
out of a bigger house than yours,
whose lawfulness endures.
It's soggy documents retain
your rights in rooms of falling rain.
👁️ 603

Sonnet (1928)

Sonnet (1928)

I am in need of music that would flow
Over my fretful, feeling finger-tips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!


There is a magic made by melody:
A spell of rest, and quiet breath, and cool
Heart, that sinks through fading colors deep
To the subaqueous stillness of the sea,
And floats forever in a moon-green pool,
Held in the arms of rhythm and of sleep.
👁️ 584

Songs for a Colored Singer

Songs for a Colored Singer

I


A washing hangs upon the line,
but it's not mine.
None of the things that I can see
belong to me.
The neighbors got a radio with an aerial;
we got a little portable.
They got a lot of closet space;
we got a suitcase.


I say, "Le Roy, just how much are we owing?
Something I can't comprehend,
the more we got the more we spend...."
He only answers, "Let's get going."
Le Roy, you're earning too much money now.


I sit and look at our backyard
and find it very hard.
What have we got for all his dollars and cents?
--A pile of bottles by the fence.
He's faithful and he's kind
but he sure has an inquiring mind.
He's seen a lot; he's bound to see the rest,
and if I protest


Le Roy answers with a frown,
"Darling, when I earns I spends.
The world is wide; it still extends....
I'm going to get a job in the next town."
Le Roy, you're earning too much money now.


II


The time has come to call a halt;
and so it ends.
He's gone off with his other friends.
He needn't try to make amends,
this occasion's all his fault.
Through rain and dark I see his face
across the street at Flossie's place.
He's drinking in the warm pink glow
to th' accompaniment of the piccolo.


The time has come to call a halt.
I met him walking with Varella
and hit him twice with my umbrella.
Perhaps that occasion was my fault,
but the time has come to call a halt.


Go drink your wine and go get tight.
Let the piccolo play.



I'm sick of all your fussing anyway.
Now I'm pursuing my own way.
I'm leaving on the bus tonight.
Far down the highway wet and black
I'll ride and ride and not come back.
I'm going to go and take the bus
and find someone monogamous.


The time has come to call a halt.
I've borrowed fifteen dollars fare
and it will take me anywhere.
For this occasion's all his fault.
The time has come to call a halt.


III


Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.


Lullaby.
Let mations rage,
let nations fall.
The shadow of the crib makes an enormous cage
upon the wall.


Lullaby.
Sleep on and on,
war's over soon.
Drop the silly, harmless toy,
pick up the moon.


Lullaby.
If they should say
you have no sense,
don't you mind them; it won't make
much difference.


Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.


IV


What's that shining in the leaves,
the shadowy leaves,
like tears when somebody grieves,
shining, shining in the leaves?



Is it dew or is it tears,
dew or tears,
hanging there for years and years
like a heavy dew of tears?


Then that dew begins to fall,
roll down and fall,
Maybe it's not tears at all.
See it, see it roll and fall.


Hear it falling on the ground,
hear, all around.
That is not a tearful sound,
beating, beating on the ground.


See it lying there like seeds,
like black seeds.
see it taking root like weeds,
faster, faster than the weeds,


all the shining seeds take root,
conspiring root,
and what curious flower or fruit
will grow from that conspiring root?


fruit or flower? It is a face.
Yes, a face.
In that dark and dreary place
each seed grows into a face.


Like an army in a dream
the faces seem,
darker, darker, like a dream.
They're too real to be a dream.
👁️ 535

Sleeping on the Ceiling

Sleeping on the Ceiling

It is so peaceful on the ceiling!
It is the Place de la Concorde.
The little crystal chandelier
is off, the fountain is in the dark.
Not a soul is in the park.


Below, where the wallpaper is peeling,
the Jardin des Plantes has locked its gates.
Those photographs are animals.
The mighty flowers and foliage rustle;
under the leaves the insects tunnel.


We must go under the wallpaper
to meet the insect-gladiator,
to battle with a net and trident,
and leave the fountain and the square
But oh, that we could sleep up there...
👁️ 471

Roosters

Roosters


At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock


just below
the gun-metal blue window
and immediately there is an echo


off in the distance,
then one from the backyard fence,
then one, with horrible insistence,


grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.


Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,


where in the blue blur
their rusting wives admire,
the roosters brace their cruel feet and glare


with stupid eyes
while from their beaks there rise
the uncontrolled, traditional cries.


Deep from protruding chests
in green-gold medals dressed,
planned to command and terrorize the rest,


the many wives
who lead hens' lives
of being courted and despised;


deep from raw throats
a senseless order floats
all over town. A rooster gloats


over our beds
from rusty irons sheds
and fences made from old bedsteads,


over our churches
where the tin rooster perches,
over our little wooden northern houses,


making sallies
from all the muddy alleys,
marking out maps like Rand McNally's:



glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,


each one an active
displacement in perspective;
each screaming, "This is where I live!"


Each screaming
"Get up! Stop dreaming!"
Roosters, what are you projecting?


You, whom the Greeks elected
to shoot at on a post, who struggled
when sacrificed, you whom they labeled


"Very combative..."
what right have you to give
commands and tell us how to live,


cry "Here!" and "Here!"
and wake us here where are
unwanted love, conceit and war?


The crown of red
set on your little head
is charged with all your fighting blood


Yes, that excrescence
makes a most virile presence,
plus all that vulgar beauty of iridescence


Now in mid-air
by two they fight each other.
Down comes a first flame-feather,


and one is flying,
with raging heroism defying
even the sensation of dying.


And one has fallen
but still above the town
his torn-out, bloodied feathers drift down;


and what he sung
no matter. He is flung
on the gray ash-heap, lies in dung


with his dead wives
with open, bloody eyes,
while those metallic feathers oxidize.



St. Peter's sin
was worse than that of Magdalen
whose sin was of the flesh alone;


of spirit, Peter's,
falling, beneath the flares,
among the "servants and officers."


Old holy sculpture
could set it all together
in one small scene, past and future:


Christ stands amazed,
Peter, two fingers raised
to surprised lips, both as if dazed.


But in between
a little cock is seen
carved on a dim column in the travertine,


explained by gallus canit;
flet Petrus underneath it,
There is inescapable hope, the pivot;


yes, and there Peter's tears
run down our chanticleer's
sides and gem his spurs.


Tear-encrusted thick
as a medieval relic
he waits. Poor Peter, heart-sick,


still cannot guess
those cock-a-doodles yet might bless,
his dreadful rooster come to mean forgiveness,


a new weathervane
on basilica and barn,
and that outside the Lateran


there would always be
a bronze cock on a porphyry
pillar so the people and the Pope might see


that event the Prince
of the Apostles long since
had been forgiven, and to convince


all the assembly
that "Deny deny deny"
is not all the roosters cry.



In the morning
a low light is floating
in the backyard, and gilding


from underneath
the broccoli, leaf by leaf;
how could the night have come to grief?


gilding the tiny
floating swallow's belly
and lines of pink cloud in the sky,


the day's preamble
like wandering lines in marble,
The cocks are now almost inaudible.


The sun climbs in,
following "to see the end,"
faithful as enemy, or friend.
👁️ 634

Questions of Travel

Questions of Travel

There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
--For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.


Think of the long trip home.
Should we have stayed at home and thought of here?
Where should we be today?
Is it right to be watching strangers in a play
in this strangest of theatres?
What childishness is it that while there's a breath of life
in our bodies, we are determined to rush
to see the sun the other way around?
The tiniest green hummingbird in the world?
To stare at some inexplicable old stonework,
inexplicable and impenetrable,
at any view,
instantly seen and always, always delightful?
Oh, must we dream our dreams
and have them, too?
And have we room
for one more folded sunset, still quite warm?


But surely it would have been a pity
not to have seen the trees along this road,
really exaggerated in their beauty,
not to have seen them gesturing
like noble pantomimists, robed in pink.
--Not to have had to stop for gas and heard
the sad, two-noted, wooden tune
of disparate wooden clogs
carelessly clacking over
a grease-stained filling-station floor.
(In another country the clogs would all be tested.
Each pair there would have identical pitch.)
--A pity not to have heard
the other, less primitive music of the fat brown bird
who sings above the broken gasoline pump
in a bamboo church of Jesuit baroque:
three towers, five silver crosses.
--Yes, a pity not to have pondered,
blurr'dly and inconclusively,
on what connection can exist for centuries
between the crudest wooden footwear



and, careful and finicky,
the whittled fantasies of wooden footwear
and, careful and finicky,
the whittled fantasies of wooden cages.
--Never to have studied history in
the weak calligraphy of songbirds' cages.
--And never to have had to listen to rain
so much like politicians' speeches:
two hours of unrelenting oratory
and then a sudden golden silence
in which the traveller takes a notebook, writes:


"Is it lack of imagination that makes us come
to imagined places, not just stay at home?
Or could Pascal have been not entirely right
about just sitting quietly in one's room?


Continent, city, country, society:
the choice is never wide and never free.
And here, or there . . . No. Should we have stayed at home,
wherever that may be?"
👁️ 618

One Art

One Art

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,


Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.


Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.


I lost my mother's watch. And look! my last, or
next-to-last, of three beloved houses went.
The art of losing isn't hard to master.


I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.


-Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like a disaster.
👁️ 782

North Haven

North Haven

In Memoriam: Robert Lowell


I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse¹s tail.


The islands haven't shifted since last summer,
even if I like to pretend they have-drifting,
in a dreamy sort of way,
a little north, a little south, or sidewise-and
that they¹re free within the blue frontiers of bay.


This month our favorite one is full of flowers:
buttercups, red clover, purple vetch,
hackweed still burning, daisies pied, eyebright,
the fragrant bedstraw's incandescent stars,
and more, returned, to paint the meadows with delight.


The goldfinches are back, or others like them,
and the white-throated sparrow's five-note song,
pleading and pleading, brings tears to the eyes.
Nature repeats herself, or almost does:
repeat, repeat, repeat; revise, revise, revise.


Years ago, you told me it was here
(in 1932?) you first "discovered girls"
and learned to sail, and learned to kiss.
You had "such fun," you said, that classic summer.
("Fun"--it always seemed to leave you at a loss...)


You left North Haven, anchored in its rock,
afloat in mystic blue...And now--you've left
for good. You can't derange, or rearrange,
your poems again. (But the sparrows can their song.)
The words won't change again. Sad friend, you cannot change.
👁️ 575

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