Poems List

Drink To Her

Drink To Her
Drink to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
Oh! woman's heart was made
For minstrel hands alone;
By other fingers play'd,
It yields not half the tone.
Then here's to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
At Beauty's door of glass,
When Wealth and Wit once stood,
They ask'd her, "which might pass?"
She answer'd, "he who could."
With golden key Wealth thought
To pass -- but 'twould not do:
While Wit a diamond brought,
Which cut his bright way through.
So here's to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
The love that seeks a home
Where wealth or grandeur shines,
Is like the gloomy gnome,
That dwells in dark mines.
But oh! the poet's love
Can boast a brighter sphere;
Its native home's above,
Though woman keeps it here.
Then drink to her who long
Hath waked the poet's sigh,
The girl who gave to song
What gold could never buy.
246

Did Not

Did Not
'Twas a new feeling - something more
Than we had dared to own before,
Which then we hid not;
We saw it in each other's eye,
And wished, in every half-breathed sigh,
To speak, but did not.
She felt my lips' impassioned touch -
'Twas the first time I dared so much,
And yet she chid not;
But whispered o'er my burning brow,
'Oh, do you doubt I love you now?'
Sweet soul! I did not.
Warmly I felt her bosom thrill,
I pressed it closer, closer still,
Though gently bid not;
Till - oh! the world hath seldom heard
Of lovers, who so nearly erred,
And yet, who did not.
220

Desmond's Song

Desmond's Song
By the Feal's wave benighted,
No star in the skies,
To thy door by Love lighted,
I first saw those eyes.
Some voice whisper'd o'er me,
As the threshold I cross'd,
There was ruin before me,
If I loved, I was lost.
Love came, and brought sorrow
Too soon in his train;
Yet so sweet, that to-morrow
'Twere welcome again.
Though misery's full measure
My portion should be,
I would drain it with pleasure,
If pour'd out by thee.
You, who call it dishonour
To bow to this flame,
If you've eyes, look but on her,
And blush while you blame.
Hath the pearl less whiteness
Because of its birth?
Hath the violet less brightness
For growing near earth?
No -- Man for his glory
To ancestry flies;
But Woman's bright story
Is told in her eyes.
While the Monarch but traces
Through mortals his line,
Beauty, born of the Graces,
Ranks next to Divine!
184

Cotton and Corn

Cotton and Corn
Said Cotton to Corn, t'other day,
As they met and exchang'd salute--
(Squire Corn in his carriage so gay,
Poor Cotton, half famish'd on foot):
"Great Squire, if it isn't uncivil
To hint at starvation before you,
Look down on a poor hungry devil,
And give him some bread, I implore you!"
Quoth Corn, then, in answer to Cotton,
Perceiving he meant to make free --
"Low fellow, you've surely forgotten
The distance between you and me!
To expect that we, Peers of high birth,
Should waste our illustrious acres,
For no other purpose on earth
Than to fatten curst calico-makers! --
That Biships to hobbins should bend --
Should stoop from their Bench's sublimity,
Great dealers in lawn, to befriend
Such contemptible dealers in dimity!
"No -- vile Manufacture! ne'er harbour
A hope to be fed at our boards; --
Base offspring of Arkwright the barber,
What claim canst thou have upon Lords?
"No -- thanks to the taxes and debt,
And the triumph of paper o'er guineas,
Our race of Lord Jemmys, as yet,
May defy your whole rabble of Jennys!"
So saying -- whip, crack and away
Went Corn in his chaise through the throng,
So headlong, I heard them all say,
"Squire Corn would be down, before long."
270

Come, Send Round the Wine

Come, Send Round the Wine
Come, send round the wine, and leave points of belief
To simpleton sages and reasoning fools;
This moment's a flower too fair and brief
To be wither'd and stain'd by the dust of the schools.
Your glass may be purple, and mine may be blue,
But, while they are fill'd from the same bright bowl,
The fool who would quarrel for difference of hue,
Deserves not the comfort they shed o'er the soul.
Shall I ask the brave soldier, who fights by my side
In the cause of mankind, if our creeds agree?
Shall I give up the friend I have valued and tried,
If he kneel not before the same altar with me?
From the heretic girl of my soul should I fly?
To seek somewhere else a more orthodox kiss?
No, perish the hearts, and the laws that try
Truth, valour, or love, by a standard like this!
165

Come O'er the Sea

Come O'er the Sea
Come o'er the sea,
Maiden with me,
Mine through sunshine, storm, and snows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Let fate frown on, so we love and part not;
'Tis life where thou art, 'tis death were thou are not.
Then come o'er the sea,
Maiden with me,
Come wherever the wild wind blows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Was not the sea
Made for the Free,
Land for courts and chains alone?
Here we are slaves,
But, on the waves,
Love and Liberty's all our own.
No eye to watch, and no tongue to wound us
All earth forgot, and all heaven around us --
Then come o'er the sea,
Maiden, with me,
Mine through sunshine, storms, and snows
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
203

Avenging and Bright

Avenging and Bright
Avenging and bright fall the swift sword of Erin
On him who the brave sons of Usna betray'd! --
For every fond eye he hath waken'd a tear in
A drop from his heart-wounds shall weep o'er her blade.
By the red cloud that hung over Conor's dark dwelling,
When Ulad's three champions lay sleeping in gore --
By the billows of war, which so often, high swelling,,
Have wafted these heroes to victory's shore --
We swear to avenge them! -- no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute, and our fields shall lie wasted,
Till vengeance is wreak'd on the murderer's head.
Yes, monarch! though sweet are our home recollections,
Though sweet are the tears that from tenderness fall;
Though sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!
190

Believe Me, If All Those Endearing Young Charms

Believe Me, If All Those Endearing Young Charms
Believe me, if all those endearing young charms,
Which I gaze on so fondly to-day,
Were to change by to-morrow, and fleet in my arms,
Live fairy-gifts fading away,
Thou wouldst still be adored, as this moment thou art,
Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart
Would entwine itself verdantly still.
It is not while beauty and youth are thine own,
And thy cheeks unprofaned by a tear,
That the fervor and faith of a soul may be known,
To which time will but make thee more dear!
No, the heart that has truly loved never forgets,
But as truly loves on to the close,
As the sunflower turns on her god when he sets
The same look which she turned when he rose!
160

As a Beam O'er the Face of the Waters May Glow

As a Beam O'er the Face of the Waters May Glow
As a beam o'er the face of the waters may glow
While the tide runs in darkness and coldness below,
So the cheek may be tinged with a warm sunny smile,
Though the cold heart to ruin runs darkly the while.
One fatal remembrance, one sorrow that throws
Its bleak shade alike o'er our joys and our woes,
To which life nothing darker or brighter can bring,
For which joy has no balm and affliction no sting --
Oh! this thought in the midst of enjoyment will stay,
Like a dead, leafless branch in the summer's bright ray;
The beams of the warm sun play round it in vain;
It may smile in his light, but it blooms not again.
177

As Vanquish'd Erin

As Vanquish'd Erin
As vanquish'd Erin wept beside
The Boyne's ill-fated river,
She saw where Discord, in the tide,
Had dropp'd his loaded quiver.
"Lie hid," she cried, "ye venom'd darts,
Where mortal eye may shun you;
Lie hid -- the stain of manly hearts,
That bled for me, is on you."
But vain her wish, her weeping vain --
As Time too well hath taught her --
Each year the Fiend returns again,
And dives into that water;
And brings, triumphant, from beneath
His shafts of desolation,
And sends them, wing'd with worse than death,
Through all her maddening nation.
Alas for her who sits and mourns,
Even now, beside that river --
Unwearied still the Fiend returns,
And stored is still his quiver.
"When will this end, ye Powers of Good?"
She weeping asks for ever;
But only hears, from out that flood,
The Demon answer, "Never!"
179

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Identification and basic context

Thomas Moore was an Irish poet, lyricist, composer, and political satirist. He is widely regarded as Ireland's national poet.

Childhood and education

Born in Dublin, Moore came from a Catholic background during a time of significant Protestant Ascendancy. He received a good education, attending Trinity College, Dublin, where he studied law. This period exposed him to the political currents of Ireland and fostered his literary talents.

Literary trajectory

Moore's literary career began with translations and satires. His breakthrough came with the "Irish Melodies," a collection of songs that he set to existing Irish folk tunes, imbued with new lyrics. These became immensely popular, establishing him as a leading lyrical poet. He also wrote longer narrative poems, political satires, and a biography of Lord Byron.

Works, style, and literary characteristics

Moore's most significant contribution is the "Irish Melodies," which include famous songs like "The Minstrel Boy" and "Oft, in the Stilly Night." His poetry is characterized by its lyrical flow, romantic sensibility, and exploration of themes such as love, loss, patriotism, and exile. He often employed simple, evocative language and a graceful, musical rhythm, making his verses highly singable. His "Lalla Rookh" was a long, exotic Oriental romance poem that also achieved great success.

Cultural and historical context

Moore wrote during a period of intense political and cultural ferment in Ireland and Europe. He was a staunch advocate for Irish rights and a supporter of Catholic Emancipation, often expressing his sentiments through his writings, sometimes subtly and sometimes through direct political satire. His work tapped into a growing sense of Irish national identity.

Personal life

Moore had a long and successful literary career. He married Bessy Dyke, an actress, and they had several children. He maintained friendships with many prominent literary and political figures of his day, including Lord Byron, whose life and works he later chronicled.

Recognition and reception

Moore was immensely popular during his lifetime, both in Ireland and Britain. His "Irish Melodies" were translated into numerous languages and became a staple of drawing-room music. He was widely celebrated for his wit, charm, and poetic talent, though later critics sometimes found his sentimentality excessive.

Influences and legacy

Moore was influenced by classical poets and the burgeoning Romantic movement. His "Irish Melodies" played a crucial role in preserving and popularizing Irish folk music and in fostering a sense of national pride among the Irish diaspora. He is considered a key figure in the Romantic era of Irish literature.

Interpretation and critical analysis

Moore's work is often interpreted as a romantic expression of Irish identity and longing. His patriotic sentiments, while celebrated, are sometimes seen through the lens of a nationalist romanticism that can be both empowering and potentially simplistic. His ability to blend music and poetry was a significant achievement.

Curiosities and lesser-known aspects

Beyond his poetry, Moore was known for his social life and his ability to entertain. He was also a composer, though his primary fame rests on his lyrics. His extensive travels and correspondence reveal a keen observer of society and politics.

Death and memory

Thomas Moore died on February 25, 1852. He is remembered as Ireland's most beloved poet and songwriter, whose "Irish Melodies" continue to resonate and evoke a deep connection to Irish culture and history.