Maids In May

Three maids there were in meadow bright,
The eldest less then seven;
Their eyes were dancing with delight,
And innocent as Heaven.


Wild flowers they wound with tender glee,
Their cheeks with rapture rosy;
All radiant they smiled at me,
When I besought a posy.


She gave me a columbine,
And one a poppy brought me;
The tiniest, with eyes ashine,
A simple daisy sought me.


And as I went my sober way,
I heard their careless laughter;
Their hearts too happy with to-day
To care for what comes after.


. . . . . . .

That's long ago; they're gone, all three,
To walk amid the shadows;
Forgotten is their lyric glee
In still and sunny meadows.


For Columbine loved life too well,
And went adventure fairing;
And sank into the pit of hell,
And passed but little caring.
While Poppy was a poor man's wife,
And children had a-plenty;
And went, worn out with toil and strife
When she was five-and-twenty.


And Daisy died while yet a child,
As fragile blossoms perish,
When Winter winds are harsh and wild,
With none to shield and cherish.


Ah me! How fate is dark and dour
To little Children of the Poor.

Mad Maria

Mad Maria in the Square
Sits upon a wicker chair.
When the keeper asks the price
Mad Maria counts her lice.
No pesito can she pay,
So he shrugs and goes away;
Hopes she'll pay him with her prayers,
Shabby keeper of the chairs.


Mad Maria counts her lice,
Cracks them once and cracks them twice,
Combs them from her sunny hair;
People stop to turn and stare.
Innocent in thought and deed
Mad Maria pays no heed,
And the Cross upon her breast
Proves her blessed of the blest.


So she sings her little song,
Happy as the day is long,
hunting in her camisole
Shy partakers of her dole;
thinking: Heaven please forgive -
Even lice have leave to live;
(But sweet Reader, do not blame,
For she kills them just the same.)


Mad Maria goes unchid,
Mildest maid in all Madrid;


While around in serried ranks
Rear the bold facades of Banks;
But when wrath of Heaven smites
Hosts of Mammon's parasites,
Mad Maria will not fall,
Being oh so very small.


Pariahs to God belong,
to be weak is to be strong;
Fools are richer than the wise,
And who see with shining eyes
Angels in the sordid street
Deem their happiness complete. . . .
Mad Maria counts her beads,
Cracks her lice and - Heaven heeds.

Lucindy Jane

When I was young I was too proud
To wheel my daughter in her pram.
"It's infra dig," I said aloud,-Bot
now I'm old, behold I am
Perambulating up and down
Grand-daughter through the town.

And when I come into the Square,
Beside the fountain I will stop;
And as to rest I linger there,
The dames will say: "How do, Grand-pop!
Lucindy Jane with eyes so blue
Looks more and more like you."

And sure it's pleased as Punch I get,
And take Lucindy on my knee;
Aye, at the risk of getting wet,
I blether to the girls a wee:
Then as we have a bottle date
Home we perambulate.

Gosh! That's the joy of all my day;
And as I play the part of nurse:
"She's got your nose," I hear them say.
Thinks I: "Well now, she might have worse."

And how I dream I'll live to see
A great-grandchild upon my knee,
Whom folks say looks like me!

Lowly Laureate

O Sacred Muse, my lyre excuse! -
My verse is vagrant singing;
Rhyme I invoke for simple folk
Of penny-wise upbringing:
For Grannies grey to paste away
Within an album cover;
For maids in class to primly pass,
And lads to linger over.


I take the clay of every day
And mould it in my fashion;
I seek to trace the commonplace
With humor and compassion.
Of earth am I, and meekly try
To be supremely human:
To please, I plan, the little man,
And win the little women.


No evil theme shall daunt my dream
Of fellow-love and pity;
I tune my lute to prostitute,
To priest I pipe my ditty.
Through gutter-grime be in my rhyme,
I bow to altars holy. . . .
Lord, humble me, so I may be
A Laureate of the Lowly.

Lost Shepherd

Ah me! How hard is destiny!
If we could only know. . . .
I bought my son from Sicily
A score of years ago;
I haled him from our sunny vale
To streets of din and squalor,
And left it to professors pale
To make of him a scholar.


Had he remained a peasant lad,
A shepherd on the hill,
like golden faun in goatskin clad
He might be singing still;
He would have made the flock his care
And lept with gay reliance
On thymy heights, unwitting there
Was such a thing as science.


He would have crooned to his guitar,
Draughts of chianti drinking;
A better destiny by far
Than reading, writing, thinking.
So bent above his books was he,
His thirst for knowledge slaking,
He did not realize that we
Are worm-food in the making.


Ambition got him in its grip
And inched him to his doom;
Fate granted him a fellowship,
Then graved for him a tomb.
"Beneath my feet I can't allow
The grass to grow," he said;
And toiled so tirelessly that now
It grows above his head.


His honour scrolls shall feed the flame,
They mean no more to me;
His ashes I with bitter blame
Will take to Sicily.
And there I'll weep with heart bereft,
By groves and sunny rills,
And wish my laughing boy I'd left
A shepherd on the hills.

Lost


"Black is the sky, but the land is white-(
O the wind, the snow and the storm!)-Father,
where is our boy to-night?
Pray to God he is safe and warm."

"Mother, mother, why should you fear?
Safe is he, and the Arctic moon
Over his cabin shines so clear-Rest
and sleep, 'twill be morning soon."


"It's getting dark awful sudden. Say, this is mighty queer!
Where in the world have I got to? It's still and black as a tomb.
I reckoned the camp was yonder, I figured the trail was here-Nothing!
Just draw and valley packed with quiet and gloom;

Snow that comes down like feathers, thick and gobby and gray;
Night that looks spiteful ugly--seems that I've lost my way.
"The cold's got an edge like a jackknife--it must be forty below;

Leastways that's what it seems like--it cuts so fierce to the bone.
The wind's getting real ferocious; it's heaving and whirling the snow;
It shrieks with a howl of fury, it dies away to a moan;
Its arms sweep round like a banshee's, swift and icily white,
And buffet and blind and beat me. Lord! it's a hell of a night.

"I'm all tangled up in a blizzard. There's only one thing to do-Keep
on moving and moving; it's death, it's death if I rest.
Oh, God! if I see the morning, if only I struggle through,
I'll say the prayers I've forgotten since I lay on my mother's breast.
I seem going round in a circle; maybe the camp is near.
Say! did somebody holler? Was it a light I saw?
Or was it only a notion? I'll shout, and maybe they'll hear-No!
the wind only drowns me--shout till my throat is raw.

"The boys are all round the camp-fire wondering when I'll be back.
They'll soon be starting to seek me; they'll scarcely wait for the light.
What will they find, I wonder, when they come to the end of my track-A
hand stuck out of a snowdrift, frozen and stiff and white.
That's what they'll strike, I reckon; that's how they'll find their pard,

A pie-faced corpse in a snowbank--curse you, don't be a fool!
Play the game to the finish; bet on your very last card;
Nerve yourself for the struggle. Oh, you coward, keep cool!

I'm going to lick this blizzard; I'm going to live the night.
It can't down me with its bluster--I'm not the kind to be beat.
On hands and knees will I buck it; with every breath will I fight;
It's life, it's life that I fight for--never it seemed so sweet.

I know that my face is frozen; my hands are numblike and dead;
But oh, my feet keep a-moving, heavy and hard and slow;
They're trying to kill me, kill me, the night that's black overhead,


The wind that cuts like a razor, the whipcord lash of the snow.
Keep a-moving, a-moving; don't, don't stumble, you fool!
Curse this snow that's a-piling a-purpose to block my way.
It's heavy as gold in the rocker, it's white and fleecy as wool;


It's soft as a bed of feathers, it's warm as a stack of hay.
Curse on my feet that slip so, my poor tired, stumbling feet;
I guess they're a job for the surgeon, they feel so queerlike to lift-I'll
rest them just for a moment--oh, but to rest is sweet!
The awful wind cannot get me, deep, deep down in the drift."

"Father, a bitter cry I heard,
Out of the night so dark and wild.
Why is my heart so strangely stirred?
'Twas like the voice of our erring child."
"Mother, mother, you only heard
A waterfowl in the locked lagoon-Out
of the night a wounded bird-Rest
and sleep, 'twill be morning soon."


Who is it talks of sleeping? I'll swear that somebody shook
Me hard by the arm for a moment, but how on earth could it be?
See how my feet are moving--awfully funny they look-Moving
as if they belonged to a someone that wasn't me.
The wind down the night's long alley bowls me down like a pin;
I stagger and fall and stagger, crawl arm-deep in the snow.
Beaten back to my corner, how can I hope to win?
And there is the blizzard waiting to give me the knockout blow.
Oh, I'm so warm and sleepy! No more hunger and pain.
Just to rest for a moment; was ever rest such a joy?
Ha! what was that? I'll swear it, somebody shook me again;
Somebody seemed to whisper: "Fight to the last, my boy."
Fight! That's right, I must struggle. I know that to rest means death;
Death, but then what does death mean? --ease from a world of strife.
Life has been none too pleasant; yet with my failing breath
Still and still must I struggle, fight for the gift of life.

* * * * *

Seems that I must be dreaming! Here is the old home trail;
Yonder a light is gleaming; oh, I know it so well!
The air is scented with clover; the cattle wait by the rail;
Father is through with the milking; there goes the supper-bell.

* * * * *

Mother, your boy is crying, out in the night and cold;
Let me in and forgive me, I'll never be bad any more:
I'm, oh, so sick and so sorry: please, dear mother, don't scold-It's
just your boy, and he wants you. . . . Mother, open the door. . . .

"Father, father, I saw a face
Pressed just now to the window-pane!
Oh, it gazed for a moment's space,
Wild and wan, and was gone again!"
"Mother, mother, you saw the snow



Drifted down from the maple tree
(Oh, the wind that is sobbing so!

Weary and worn and old are we)-Only
the snow and a wounded loon-Rest
and sleep, 'twill be morning soon."

Longevity


I watched one day a parrot grey - 'twas in a barber shop.
"Cuckold!" he cried, until I sighed: "You feathered devil, stop!"
Then balefully he looked at me, and slid along his perch,
With sneering eye that seemed to pry me very soul to search.
So fierce, so bold, so grim, so cold, so agate was his stare:
And then that bird I thought I heard this sentiment declare:


"As it appears, a hundred years a parrot may survive,
When you are gone I'll sit upon this perch and be alive.
In this same spot I'll drop my crot, and crack my sunflower seeds,
And cackle loud when in a shroud you rot beneath the weeds.
I'll carry on when carrion you lie beneath the yew;
With claw and beak my grub I'll seek when grubs are seeking you."


"Foul fowl! said I, "don't prophesy, I'll jolly well contrive
That when I rot in bone-yard lot you cease to be alive."
So I bespoke that barber bloke: "Joe, here's a five pound note.
It's crisp and new, and yours if you will slice that parrot's throat."
"In part," says he, "I must agree, for poor I be in pelf,
With right good will I'll take your bill, but - cut his throat yourself."


So it occurred I took that bird to my ancestral hall,
And there he sat and sniggered at the portraits on the wall.
I sought to cut his wind-pipe but he gave me such a peck,
So cross was I, I swore I'd try to wring his blasted neck;
When shrill he cried: "It's parrotcide what you propose to do;
For every time you make a rhyme you're just a parrot too."


Said I: "It's true. I bow to you. Poor parrots are we all."
And now I sense with reverence the wisdom of his poll.
For every time I want a rhyme he seems to find the word;
In any doubt he helps me out - a most amazing bird.
This line that lies before your eyes he helped me to indite;
I sling the ink but often think it's he who ought to write.
It's he who should in mystic mood concoct poetic screeds,
And I who ought to drop my crot and crackle sunflower seeds.


A parrot nears a hundred years (or so the legend goes),
So were I he this century I might see to its close.
Then I might swing within my ring while revolutions roar,
And watch a world to ruin hurled - and find it all a bore.
As upside-down I cling and clown, I might with parrot eyes
Blink blandly when excited men are moulding Paradise.
New Christs might die, while grimly I would croak and carry on,
Till gnarled and old I should behold the year TWO THOUSAND dawn.


But what a fate! How I should hate upon my perch to sit,
And nothing do to make anew a world for angels fit.
No, better far, though feeble are my lyric notes and flat,
Be dead and done than anyone who lives a life like that.
Though critic-scarred a humble bard I feel I'd rather be,
Than flap and flit and shriek and spit through all a century.



So feathered friend, until the end you may divide my den,
And make a mess, which (more or less) I clean up now and then.
But I prefer the doom to share of dead and gone compeers,
Than parrot be, and live to see ten times a hundred years.

Lobster For Lunch

His face was like a lobster red,
His legs were white as mayonnaise:
"I've had a jolly lunch," he said,
That Englishman of pleasant ways.
"Thy do us well at our hotel:
In England food is dull these days."


"We had a big langouste for lunch.
I almost ate the whole of it.
And now I'll smoke and read my Punch,
And maybe siesta a bit;
And then I'll plunge into the sea
And get an appetite for tea."


We saw him plunge into the sea,
With jolly laugh, his wife and I.
"George does enjoy his food," said she;
"In Leeds lobsters are hard to buy.
How lucky we to have a chance
To spend our holiday in France!"


And so we watched him swim and swim
So far and far we scarce could see,
Until his balding head grew dim;
And then there came his children three,
And we all waited there for him, -
Ah yes, a little anxiously.


But George, alas! came never back.
Of him they failed to find a trace;
His wife and kids are wearing black,
And miss a lot his jolly face . . .
But oh how all the lobsters laugh,
And write in wrack his epitaph.

Little Moccasins

Come out, O Little Moccasins, and frolic on the snow!
Come out, O tiny beaded feet, and twinkle in the light!
I'll play the old Red River reel, you used to love it so:
Awake, O Little Moccasins, and dance for me to-night!


Your hair was all a gleamy gold, your eyes a corn-flower blue;
Your cheeks were pink as tinted shells, you stepped light as a fawn;
Your mouth was like a coral bud, with seed pearls peeping through;
As gladdening as Spring you were, as radiant as dawn.


Come out, O Little Moccasins! I'll play so soft and low,
The songs you loved, the old heart-songs that in my mem'ry ring;
O child, I want to hear you now beside the campfire glow!
With all your heart a-throbbing in the simple words you sing.


For there was only you and I, and you were all to me;
And round us were the barren lands, but little did we fear;
Of all God's happy, happy folks the happiest were we. . . .
(Oh, call her, poor old fiddle mine, and maybe she will hear!)


Your mother was a half-breed Cree, but you were white all through;
And I, your father was -- but well, that's neither here nor there;
I only know, my little Queen, that all my world was you,
And now that world can end to-night, and I will never care.


For there's a tiny wooden cross that pricks up through the snow:
(Poor Little Moccasins! you're tired, and so you lie at rest.)
And there's a grey-haired, weary man beside the campfire glow:
(O fiddle mine! the tears to-night are drumming on your breast.)

Lip-Stick Liz

Oh Lip-Stick Liz was in the biz, That's the oldest known in history;
She had a lot of fancy rags, Of her form she made no myst'ry.
She had a man, a fancy man, His name was Alexander,
And he used to beat her up because he couldn't understand her.


Now Lip-Stick Liz she loved her man And she couldn't love no other
So when she saw him with a Broadway Blonde, Her rage she could not smother.
She saw him once and she saw him twice But the third time nearly crazed her,
So she walked bang into a hardware store, And she bought a brand new razor.


Now Lip-Stick Liz she trailed them two For she was tired of weeping;
She trailed them two, in a flash hotel And there she found them sleeping;
So she gashed them once and she gashed them twice Their ju'lar veins to sever,
And the bright blood flowed like a brook between. And their lives were gone forever.


Now Lip-Stick Liz went to the p'lice And sez she: "Me hands are gory,
And you'll put me away in a deep dark cell When once you've heard me story."
So they've put her away in a deep dark cell, Until her life be over
And what is the moral of the whole damn show, I wish I could discover.


Chorus:
Oh Lip-Stick Liz! What a lousy life this is.
It's a hell of a break for a girl on the make,
Oh Lip-Stick Liz!