Pavement Poet

God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.


And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."


And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."


So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.

Pantheist


Lolling on a bank of thyme
Drunk with Spring I made this rhyme. . . .


Though peoples perish in defeat,
And races suffer to survive,
The sunshine never was so sweet,
So vast he joy to be alive;
The laughing leaves, the glowing grass
Proclaim how good it is to be;
The pines are lyric as I pass,
The hills hosannas sing to me.


Pink roses ring yon placid palm,
Soft shines the blossom of the peach;
The sapphire sea is satin calm,
With bell-like tinkle on the beach;
A lizard lazes in the sun,
A bee is bumbling to my hand;
Shy breezes whisper: "You are one
With us because you understand."


Yea, I am one with all I see,
With wind and wave, with pine and palm;
Their very elements in me
Are fused to make me what I am.
Through me their common life-stream flows,
And when I yield this human breath,
In leaf and blossom, bud and rose,
Live on I will . . . There is no Death.


Oh, let me flee from woeful things,
And listen to the linnet's song;
To solitude my spirit clings,
To sunny woodlands I belong.
O foolish men! Yourselves destroy.
But I from pain would win surcease. . . .
O Earth, grant me eternal joy!
O Nature - everlasting peace!


Amen.

Our Pote

A pote is sure a goofy guy;
He ain't got guts like you or I

To tell the score;
He ain't goy gumption 'nuff to know
The game of life's to get the dough,

Then get some more.
Take Brother Bill, he used to be
The big shot of the family,

The first at school;
But since about a year ago,
Through readin' Longfeller and Poe,

He's most a fool.

He mopes around with dimwit stare;
You might as well jest not be there,

The way he looks;
You'd think he shuns the human race,
The how he buries down his face

In highbrow books.
I've seen him stand for near an hour,
Jest starin' at a simple flower


Sich waste o' time;
The scribblin' on an envelope . . .
Why, most of all his silly dope

Don't even rhyme.

Now Brother's Jim's an engineer,
And Brother Tim's a bank cashier,

While I keep store;
Yet Bill, the brightest of the flock,
Might be a lawyer or a doc,

And then some more.
But no, he moons and loafs about,
As if he tried to figger out

Why skies are blue;
Instead o' gittin' down to grips
Wi' life an' stackin' up the chips

Like me an' you.

* * * * * * * * * *

Well, since them final lines I wrote,
We're mournin' for our Brother Pote:

Bill crossed the sea
And solved his problem with the beat,
For now he lies in peace and rest

In Normandie.
He died the bravest of the brave,
And here I'm standin' by his grave

So far from home;
With just a wooden cross to tell
How in the blaze of battle hell


As gloriously there he fell Bill
wrote his "pome".

Our Daily Bread

"Give me my daily bread.
It seems so odd,
When all is done and said,
This plea to God.
To pray for cake might be
The thing to do;
But bread, it seems to me,
Is just our due.


"Give me my daily toil,"
I ought to say (
If from life's cursed coil
I'd time to pray.)
Give me my daily sweat,
My body sore,
So that bread I may get
To toil for more.


"Give me my daily breath,"
Through half a sob,
Until untimely death
Shall end my job.
A crust for my award,
I cry in dread:


"Grant unto me. Oh Lord,
My daily bread!"

Only A Boche

We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.


Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.


Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.


It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.


And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.


Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.


So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.



War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.


No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.

On The Boulevard

Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.


More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.


(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air . . .
Well, her smile is but a mask,
For I saw within her muff
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.


Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.


Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St. Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy . . . let me see . . .


She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,



And his eyes that cannot see.


Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.


Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.


"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so . . . and so
Bring my story to an end.


How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.


(Ah! Imagination rare)
See . . . he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw. . . .
God! and she has done it too . . .
Oh, those screams; those hideous screams!
I imagined and . . . it's true:
How his face will haunt my dreams!


What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick . . .
There! I'm feeling better now.
Let's collaborate, we two,



You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!

Old Trouper

I was Mojeska's leading man
And famous parts I used to play,
But now I do the best I can
To earn my bread from day to day;
Here in this Burg of Breaking Hears,
Where one wins as a thousand fail,
I play a score of scurvy parts
Till Time writes Finis to my tale.


My wife is dead, my daughter wed,
With heaps of trouble of their own;
And though I hold aloft my head
I'm humble, scared and all alone . . .
To-night I burn each photograph,
Each record of my former fame,
And oh, how bitterly I laugh
And feed them to the hungry flame!


Behold how handsome I was then -
What glowing eye, what noble mien;
I towered above my fellow men,
And proudly strode the painted scene.
Ah, Vanity! What fools are we,
With empty ends and foolish aims . . .
There now, I fling with savage glee
My David Garrick to the flames.


"Is this a dagger that I see":
Oh, how I used to love that speech;
We were old-fashioned - "hams" maybe,
Yet we Young Arrogance could teach.
"Out, out brief candle!" There are gone
My Lear, my Hamlet and MacBeth;
And now by ashes cold and wan
I wait my cue, my prompter Death.


This life of ours is just a play;
Its end is fashioned from the start;
Fate writes each word we have to say,
And puppet-like we strut our part.
Once I wore laurels on my brow,
But now I wait, a sorry clown,
To make my furtive, farewell bow . . .
Haste Time! Oh, ring the Curtain down.

Old Sweethearts

Oh Maggie, do you mind the day
We went to school together,
And as we stoppit by the way
I rolled you in the heather?
My! but you were the bonny lass
And we were awfu' late for class.

Your locks are now as white as snow,
And you are ripe and wrinkled,
A grandmother ten times or so,
Yet how your blue eyes twinkled
At me above your spectacles,
Recalling naughty neck-tickles!

It must be fifty years today
I left you for the Yukon;
You haven't changed - your just as gay
And just as sweet to look on.
But can you see in this old fool
The lad who made you late for school?

Oh Maggie, ask me in to tea
And we can talk things over,
And contemplate the nuptial state,
For I am still your lover:
And though the bell be slow to chime
We'll no be grudgin' o' the time

Old Engine Driver

For five and twenty years I've run
A famous train;

But now my spell of speed is done,
No more I'll strain

My sight along the treadless tracks,
The gleamy rails:

My hand upon the throttle slacks,
My vision fails.

No more I'll urge my steed of steel
Through hostile nights;

No more the mastery I'll feel
Of monster might.

I'll miss the hiss of giant steam,
The clank, the roar;

The agony of brakes that scream
I'll hear no more.

Oh I have held within my hand
A million lives;

And now my son takes command
And proudly drives;

While from my cottage wistfully
I watch his train,

And wave and wave and seem to see
Myself again.

Old David Smail

He dreamed away his hours in school;
He sat with such an absent air,
The master reckoned him a fool,
And gave him up in dull despair.


When other lads were making hay
You'd find him loafing by the stream;
He'd take a book and slip away,
And just pretend to fish . . . and dream.


His brothers passed him in the race;
They climbed the hill and clutched the prize.
He did not seem to heed, his face
Was tranquil as the evening skies.


He lived apart, he spoke with few;
Abstractedly through life he went;
Oh, what he dreamed of no one knew,
And yet he seemed to be content.


I see him now, so old and gray,
His eyes with inward vision dim;
And though he faltered on the way,
Somehow I almost envied him.


At last beside his bed I stood:
"And is Life done so soon?" he sighed;
"It's been so rich, so full, so good,
I've loved it all . . ." -- and so he died.