Poems List

The Clock's Clear Voice Into The Clearer Air

The Clock's Clear Voice Into The Clearer Air
THE cock's clear voice into the clearer air
Where westward far I roam,
Mounts with a thrill of hope,
Falls with a sigh of home.
A rural sentry, he from farm and field
The coming morn descries,
And, mankind's bugler, wakes
The camp of enterprise.
He sings the morn upon the westward hills
Strange and remote and wild;
He sings it in the land
Where once I was a child.
He brings to me dear voices of the past,
The old land and the years:
My father calls for me,
My weeping spirit hears.
Fife, fife, into the golden air, O bird,
And sing the morning in;
For the old days are past
And new days begin.
369

Swallows Travel To And Fro

Swallows Travel To And Fro
SWALLOWS travel to and fro,
And the great winds come and go,
And the steady breezes blow,
Bearing perfume, bearing love.
Breezes hasten, swallows fly,
Towered clouds forever ply,
And at noonday, you and I
See the same sunshine above.
Dew and rain fall everywhere,
Harvests ripen, flowers are fair,
And the whole round earth is bare
To the moonshine and the sun;
And the live air, fanned with wings,
Bright with breeze and sunshine, brings
Into contact distant things,
And makes all the countries one.
Let us wander where we will,
Something kindred greets us still;
Something seen on vale or hill
Falls familiar on the heart;
So, at scent or sound or sight,
Severed souls by day and night
Tremble with the same delight -
Tremble, half the world apart.
410

Tales Of Arabia

Tales Of Arabia
YES, friend, I own these tales of Arabia
Smile not, as smiled their flawless originals,
Age-old but yet untamed, for ages
Pass and the magic is undiminished.
Thus, friend, the tales of the old Camaralzaman,
Ayoub, the Slave of Love, or the Calendars,
Blind-eyed and ill-starred royal scions,
Charm us in age as they charmed in childhood.
Fair ones, beyond all numerability,
Beam from the palace, beam on humanity,
Bright-eyed, in truth, yet soul-less houris
Offering pleasure and only pleasure.
Thus they, the venal Muses Arabian,
Unlike, indeed, the nobler divinities,
Greek Gods or old time-honoured muses,
Easily proffer unloved caresses.
Lost, lost, the man who mindeth the minstrelsy;
Since still, in sandy, glittering pleasances,
Cold, stony fruits, gem-like but quite in-
Edible, flatter and wholly starve him.
359

Strange Are The Ways Of Men

Strange Are The Ways Of Men
STRANGE are the ways of men,
And strange the ways of God!
We tread the mazy paths
That all our fathers trod.
We tread them undismayed,
And undismayed behold
The portents of the sky,
The things that were of old.
The fiery stars pursue
Their course in heav'n on high;
And round the 'leaguered town,
Crest-tossing heroes cry.
Crest-tossing heroes cry;
And martial fifes declare
How small, to mortal minds,
Is merely mortal care.
And to the clang of steel
And cry of piercing flute
Upon the azure peaks
A God shall plant his foot:
A God in arms shall stand,
And seeing wide and far
The green and golden earth,
The killing tide of war,
He, with uplifted arm,
Shall to the skies proclaim
The gleeful fate of man,
The noble road to fame!
300

Still I Love To Rhyme

Still I Love To Rhyme
STILL I love to rhyme, and still more, rhyming, to wander
Far from the commoner way;
Old-time trills and falls by the brook-side still do I ponder,
Dreaming to-morrow to-day.
Come here, come, revive me, Sun-God, teach me, Apollo,
Measures descanted before;
Since I ancient verses, I emulous follow,
Prints in the marbles of yore.
Still strange, strange, they sound in old-young raiment invested,
Songs for the brain to forget -
Young song-birds elate to grave old temples benested
Piping and chirruping yet.
Thoughts? No thought has yet unskilled attempted to flutter
Trammelled so vilely in verse;
He who writes but aims at fame and his bread and his butter,
Won with a groan and a curse.
326

Spring Song

Spring Song
THE air was full of sun and birds,
The fresh air sparkled clearly.
Remembrance wakened in my heart
And I knew I loved her dearly.
The fallows and the leafless trees
And all my spirit tingled.
My earliest thought of love, and Spring's
First puff of perfume mingled.
In my still heart the thoughts awoke,
Came lone by lone together -
Say, birds and Sun and Spring, is Love
A mere affair of weather?
333

Soon Our Friends Perish

Soon Our Friends Perish
SOON our friends perish,
Soon all we cherish
Fades as days darken - goes as flowers go.
Soon in December
Over an ember,
Lonely we hearken, as loud winds blow.
352

Sonnet VII

Sonnet VII
The strong man's hand, the snow-cool head of age,
The certain-footed sympathies of youth -
These, and that lofty passion after truth,
Hunger unsatisfied in priest or sage
Or the great men of former years, he needs
That not unworthily would dare to sing
(Hard task!) black care's inevitable ring
Settling with years upon the heart that feeds
Incessantly on glory. Year by year
The narrowing toil grows closer round his feet;
With disenchanting touch rude-handed time
The unlovely web discloses, and strange fear
Leads him at last to eld's inclement seat,
The bitter north of life - a frozen clime.
355

Sonnet III

Sonnet III
I have a hoard of treasure in my breast;
The grange of memory steams against the door,
Full of my bygone lifetime's garnered store -
Old pleasures crowned with sorrow for a zest,
Old sorrow grown a joy, old penance blest,
Chastened remembrance of the sins of yore
That, like a new evangel, more and more
Supports our halting will toward the best.
Ah! what to us the barren after years
May bring of joy or sorrow, who can tell?
O, knowing not, who cares? It may be well
That we shall find old pleasures and old fears,
And our remembered childhood seen thro' tears,
The best of Heaven and the worst of Hell.
367

Sonnet I

Sonnet I
NOR judge me light, tho' light at times I seem,
And lightly in the stress of fortune bear
The innumerable flaws of changeful care -
Nor judge me light for this, nor rashly deem
(Office forbid to mortals, kept supreme
And separate the prerogative of God!)
That seaman idle who is borne abroad
To the far haven by the favouring stream.
Not he alone that to contrarious seas
Opposes, all night long, the unwearied oar,
Not he alone, by high success endeared,
Shall reach the Port; but, winged, with some light breeze
Shall they, with upright keels, pass in before
Whom easy Taste, the golden pilot, steered.
362

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Identification and basic context

Robert Louis Balfour Stevenson was a prolific Scottish writer. He is celebrated for his novels, novellas, poems, and travel writings. His most famous works include "Treasure Island," "Strange Case of Dr Jekyll and Mr Hyde," and "Kidnapped." Stevenson's writing often delves into the complexities of human nature, the allure of adventure, and the darker aspects of the psyche. His contributions span various genres, leaving a lasting impact on literature.

Childhood and education

Born into a family of prominent civil engineers, Stevenson's early life was marked by a frail constitution and frequent illnesses, including respiratory problems. Despite his physical challenges, he received a rigorous education. He attended the University of Edinburgh, initially studying engineering and then law, though his passion for writing led him to pursue literature. His childhood was filled with stories and a vivid imagination, which would later fuel his creative endeavors. He was exposed to a wide range of literature and intellectual discussions within his family and social circles.

Literary trajectory

Stevenson's literary career began to gain momentum in the 1870s. His early works included essays and travelogues, such as "An Inland Voyage" and "Travels with a Donkey in the Cévennes." He gained significant recognition with the publication of "Treasure Island" in 1883, followed by "Strange Case of Dr Jekyll and Mr Hyde" in 1886. His output was prolific, encompassing novels, short stories, poetry, and essays. His work evolved over time, moving from travel writing and essays to powerful fictional narratives that explored moral and psychological themes. He also contributed to various periodicals and collaborated on plays.

Works, style, and literary characteristics

Stevenson's major works include "Treasure Island" (1883), "Strange Case of Dr Jekyll and Mr Hyde" (1886), "Kidnapped" (1886), and "The Master of Ballantrae" (1889). His dominant themes often revolve around adventure, morality, the duality of human nature, the supernatural, and the exotic. His style is characterized by clarity, vivid imagery, and a strong narrative drive. He masterfully employed storytelling techniques, creating memorable characters and compelling plots. His poetic works, such as "A Child's Garden of Verses," showcase a different, more lyrical and imaginative side. He was adept at creating suspense and exploring psychological depths within his characters. His language is precise and evocative, contributing to the immersive quality of his stories. While often associated with adventure fiction, his works also carry profound philosophical and moral undertones.

Cultural and historical context

Stevenson lived during the Victorian era, a period of significant social, industrial, and intellectual change in Britain. His work often reflects the era's fascination with exploration, empire, and the contrasting forces of progress and tradition. He was part of a literary scene that included contemporaries like George Meredith and Andrew Lang. His adventurous spirit and extensive travels also positioned him as a chronicler of different cultures and landscapes, engaging with the burgeoning interest in anthropology and geography of his time. His exploration of the darker side of human nature and societal hypocrisy can be seen as a commentary on the complexities of Victorian society.

Personal life

Stevenson's personal life was marked by his ongoing struggles with ill health, which significantly influenced his writing and his choice of residence. He married Fanny Vandegrift Osbourne, an American woman he met in France. Their relationship was a source of support and inspiration for him. His travels, often undertaken in search of a healthier climate, led him to live in various parts of the world, including the United States, Samoa, and the South Pacific. These experiences deeply enriched his understanding of different cultures and provided settings for his later works. He maintained friendships with other writers and artists, though his health often limited his social engagements.

Recognition and reception

During his lifetime, Stevenson achieved considerable fame and critical acclaim, particularly for his adventure novels. He was recognized as a significant literary voice of his generation. Posthumously, his reputation continued to grow, cementing his status as a classic author. His works have been widely translated and have remained consistently in print, appealing to both young and adult readers. While some critics have focused on his adventure elements, others have delved into the deeper psychological and philosophical aspects of his writing.

Influences and legacy

Stevenson was influenced by a range of authors, including Sir Walter Scott, Charles Dickens, and Edgar Allan Poe. His own work, in turn, has had a profound influence on countless writers, particularly in the genres of adventure, gothic, and children's literature. His innovative narrative techniques and explorations of character have left an indelible mark on storytelling. "Treasure Island" remains a cornerstone of adventure fiction, and "Dr Jekyll and Mr Hyde" has become a cultural touchstone for exploring themes of duality. His legacy endures through his enduring popularity and his continued presence in educational curricula and popular culture.

Interpretation and critical analysis

Stevenson's works are often analyzed for their exploration of moral dilemmas, the conflict between civilization and savagery, and the nature of identity. The duality presented in "Dr Jekyll and Mr Hyde" has been interpreted in various ways, from psychoanalytic perspectives to broader social commentary on repression and freedom. Critics often examine his use of symbolism, his engagement with themes of the uncanny, and his ability to create gripping narratives that also provoke thought. His exploration of the exotic and the 'other' in works like "The Beach of Falesá" also invites critical discussion regarding colonialism and cultural representation.

Curiosities and lesser-known aspects

Stevenson was known for his distinctive appearance, often wearing a velvet jacket and a jaunty hat. He had a lifelong fascination with the macabre and the supernatural, which informed much of his fiction. His intense desire to write and create, despite his chronic ill health, is a testament to his determination. He was also a keen observer of human nature and social customs, which he captured vividly in his writings. His nomadic lifestyle, dictated by his health, allowed him to experience a wide array of environments and cultures, shaping his unique perspective.

Death and memory

Robert Louis Stevenson died of a cerebral hemorrhage in 1894. He was buried on Mount Vaea in Samoa, overlooking the Pacific Ocean. His tomb is marked by an inscription of his own poem, "Requiem." His death was mourned by many, and his legacy has been preserved through his enduring literary works, which continue to be read, studied, and adapted worldwide.