Poems List

You Looked So Tempting In The Pew

You Looked So Tempting In The Pew
YOU looked so tempting in the pew,
You looked so sly and calm -
My trembling fingers played with yours
As both looked out the Psalm.
Your heart beat hard against my arm,
My foot to yours was set,
Your loosened ringlet burned my cheek
Whenever they two met.
O little, little we hearkened, dear,
And little, little cared,
Although the parson sermonised,
The congregation stared.
181

Windy Nights

Windy Nights
Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.
501

Where Go the Boats?

Where Go the Boats?
Dark brown is the river,
Golden is the sand.
It flows along for ever,
With trees on either hand.
Green leaves a-floating,
Castles of the foam,
Boats of mine a-boating -
Where will all come home?
On goes the river
And out past the mill,
Away down the valley,
Away down the hill.
Away down the river,
A hundred miles or more,
Other little children
Shall bring my boats ashore.
316

What Man May Learn, What Man May Do

What Man May Learn, What Man May Do
WHAT man may learn, what man may do,
Of right or wrong of false or true,
While, skipper-like, his course he steers
Through nine and twenty mingled years,
Half misconceived and half forgot,
So much I know and practise not.
Old are the words of wisdom, old
The counsels of the wise and bold:
To close the ears, to check the tongue,
To keep the pining spirit young;
To act the right, to say the true,
And to be kind whate'er you do.
Thus we across the modern stage
Follow the wise of every age;
And, as oaks grow and rivers run
Unchanged in the unchanging sun,
So the eternal march of man
Goes forth on an eternal plan.
232

Variant Form Of The Preceding Poem

Variant Form Of The Preceding Poem
COME to me, all ye that labour; I will give your spirits rest;
Here apart in starry quiet I will give you rest.
Come to me, ye heavy laden, sin defiled and care opprest,
In your father's quiet mansions, soon to prove a welcome guest.
But an hour you bear your trial, sin and suffer, bleed and die;
But an hour you toil and combat here in day's inspiring eye.
See the feet of your deliverer; lo, the hour of freedom nigh.
214

To Willie and Henrietta

To Willie and Henrietta
If two may read aright
These rhymes of old delight
And house and garden play,
You too, my cousins, and you only, may.
You in a garden green
With me were king and queen,
Were hunter, soldier, tar,
And all the thousand things that children are.
Now in the elders' seat
We rest with quiet feet,
And from the window-bay
We watch the children, our successors, play.
"Time was," the golden head
Irrevocably said;
But time which one can bind,
While flowing fast away, leaves love behind.
357

To the Muse

To the Muse
Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech.
As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright:
We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot:
Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear
In our clear well of words.
Leave, leave it then, muse of my heart!
Sans finish and sans frame,
Leave unadorned by needless art
The picture as it came.
321

To Ottilie

To Ottilie
YOU remember, I suppose,
How the August sun arose,
And how his face
Woke to trill and carolette
All the cages that were set
About the place.
In the tender morning light
All around lay strange and bright
And still and sweet,
And the gray doves unafraid
Went their morning promenade
Along the street.
325

To Sydney

To Sydney
NOT thine where marble-still and white
Old statues share the tempered light
And mock the uneven modern flight,
But in the stream
Of daily sorrow and delight
To seek a theme.
I too, O friend, have steeled my heart
Boldly to choose the better part,
To leave the beaten ways of art,
And wholly free
To dare, beyond the scanty chart,
The deeper sea.
All vain restrictions left behind,
Frail bark! I loose my anchored mind
And large, before the prosperous wind
Desert the strand -
A new Columbus sworn to find
The morning land.
Nor too ambitious, friend. To thee
I own my weakness. Not for me
To sing the enfranchised nations' glee,
Or count the cost
Of warships foundered far at sea
And battles lost.
High on the far-seen, sunny hills,
Morning-content my bosom fills;
Well-pleased, I trace the wandering rills
And learn their birth.
Far off, the clash of sovereign wills
May shake the earth.
The nimble circuit of the wheel,
The uncertain poise of merchant weal,
Heaven of famine, fire and steel
When nations fall;
These, heedful, from afar I feel -
I mark them all.
But not, my friend, not these I sing,
My voice shall fill a narrower ring.
Tired souls, that flag upon the wing,
I seek to cheer:
Brave wines to strengthen hope I bring,
Life's cantineer!
Some song that shall be suppling oil
To weary muscles strained with toil,
Shall hearten for the daily moil,


Or widely read
Make sweet for him that tills the soil
His daily bread.
Such songs in my flushed hours I dream
(High thought) instead of armour gleam
Or warrior cantos ream by ream
To load the shelves -
Songs with a lilt of words, that seem
To sing themselves.
413

To Miss Cornish

To Miss Cornish
THEY tell me, lady, that to-day
On that unknown Australian strand -
Some time ago, so far away -
Another lady joined the band.
She joined the company of those
Lovelily dowered, nobly planned,
Who, smiling, still forgive their foes
And keep their friends in close command.
She, lady, as I learn, was one
Among the many rarely good;
And destined still to be a sun
Through every dark and rainy mood:-
She, as they told me, far had come,
By sea and land, o'er many a rood:-
Admired by all, beloved by some,
She was yourself, I understood.
But, compliment apart and free
From all constraint of verses, may
Goodness and honour, grace and glee,
Attend you ever on your way -
Up to the measure of your will,
Beyond all power of mine to say -
As she and I desire you still,
Miss Cornish, on your natal day.
324

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Robert Louis Balfour Stevenson was a prolific Scottish writer. He is celebrated for his novels, novellas, poems, and travel writings. His most famous works include "Treasure Island," "Strange Case of Dr Jekyll and Mr Hyde," and "Kidnapped." Stevenson's writing often delves into the complexities of human nature, the allure of adventure, and the darker aspects of the psyche. His contributions span various genres, leaving a lasting impact on literature.

Childhood and education

Born into a family of prominent civil engineers, Stevenson's early life was marked by a frail constitution and frequent illnesses, including respiratory problems. Despite his physical challenges, he received a rigorous education. He attended the University of Edinburgh, initially studying engineering and then law, though his passion for writing led him to pursue literature. His childhood was filled with stories and a vivid imagination, which would later fuel his creative endeavors. He was exposed to a wide range of literature and intellectual discussions within his family and social circles.

Literary trajectory

Stevenson's literary career began to gain momentum in the 1870s. His early works included essays and travelogues, such as "An Inland Voyage" and "Travels with a Donkey in the Cévennes." He gained significant recognition with the publication of "Treasure Island" in 1883, followed by "Strange Case of Dr Jekyll and Mr Hyde" in 1886. His output was prolific, encompassing novels, short stories, poetry, and essays. His work evolved over time, moving from travel writing and essays to powerful fictional narratives that explored moral and psychological themes. He also contributed to various periodicals and collaborated on plays.

Works, style, and literary characteristics

Stevenson's major works include "Treasure Island" (1883), "Strange Case of Dr Jekyll and Mr Hyde" (1886), "Kidnapped" (1886), and "The Master of Ballantrae" (1889). His dominant themes often revolve around adventure, morality, the duality of human nature, the supernatural, and the exotic. His style is characterized by clarity, vivid imagery, and a strong narrative drive. He masterfully employed storytelling techniques, creating memorable characters and compelling plots. His poetic works, such as "A Child's Garden of Verses," showcase a different, more lyrical and imaginative side. He was adept at creating suspense and exploring psychological depths within his characters. His language is precise and evocative, contributing to the immersive quality of his stories. While often associated with adventure fiction, his works also carry profound philosophical and moral undertones.

Cultural and historical context

Stevenson lived during the Victorian era, a period of significant social, industrial, and intellectual change in Britain. His work often reflects the era's fascination with exploration, empire, and the contrasting forces of progress and tradition. He was part of a literary scene that included contemporaries like George Meredith and Andrew Lang. His adventurous spirit and extensive travels also positioned him as a chronicler of different cultures and landscapes, engaging with the burgeoning interest in anthropology and geography of his time. His exploration of the darker side of human nature and societal hypocrisy can be seen as a commentary on the complexities of Victorian society.

Personal life

Stevenson's personal life was marked by his ongoing struggles with ill health, which significantly influenced his writing and his choice of residence. He married Fanny Vandegrift Osbourne, an American woman he met in France. Their relationship was a source of support and inspiration for him. His travels, often undertaken in search of a healthier climate, led him to live in various parts of the world, including the United States, Samoa, and the South Pacific. These experiences deeply enriched his understanding of different cultures and provided settings for his later works. He maintained friendships with other writers and artists, though his health often limited his social engagements.

Recognition and reception

During his lifetime, Stevenson achieved considerable fame and critical acclaim, particularly for his adventure novels. He was recognized as a significant literary voice of his generation. Posthumously, his reputation continued to grow, cementing his status as a classic author. His works have been widely translated and have remained consistently in print, appealing to both young and adult readers. While some critics have focused on his adventure elements, others have delved into the deeper psychological and philosophical aspects of his writing.

Influences and legacy

Stevenson was influenced by a range of authors, including Sir Walter Scott, Charles Dickens, and Edgar Allan Poe. His own work, in turn, has had a profound influence on countless writers, particularly in the genres of adventure, gothic, and children's literature. His innovative narrative techniques and explorations of character have left an indelible mark on storytelling. "Treasure Island" remains a cornerstone of adventure fiction, and "Dr Jekyll and Mr Hyde" has become a cultural touchstone for exploring themes of duality. His legacy endures through his enduring popularity and his continued presence in educational curricula and popular culture.

Interpretation and critical analysis

Stevenson's works are often analyzed for their exploration of moral dilemmas, the conflict between civilization and savagery, and the nature of identity. The duality presented in "Dr Jekyll and Mr Hyde" has been interpreted in various ways, from psychoanalytic perspectives to broader social commentary on repression and freedom. Critics often examine his use of symbolism, his engagement with themes of the uncanny, and his ability to create gripping narratives that also provoke thought. His exploration of the exotic and the 'other' in works like "The Beach of Falesá" also invites critical discussion regarding colonialism and cultural representation.

Curiosities and lesser-known aspects

Stevenson was known for his distinctive appearance, often wearing a velvet jacket and a jaunty hat. He had a lifelong fascination with the macabre and the supernatural, which informed much of his fiction. His intense desire to write and create, despite his chronic ill health, is a testament to his determination. He was also a keen observer of human nature and social customs, which he captured vividly in his writings. His nomadic lifestyle, dictated by his health, allowed him to experience a wide array of environments and cultures, shaping his unique perspective.

Death and memory

Robert Louis Stevenson died of a cerebral hemorrhage in 1894. He was buried on Mount Vaea in Samoa, overlooking the Pacific Ocean. His tomb is marked by an inscription of his own poem, "Requiem." His death was mourned by many, and his legacy has been preserved through his enduring literary works, which continue to be read, studied, and adapted worldwide.