Robert Burns

Robert Burns

1759–1796 · lived 37 years GB GB

Robert Burns was a Scottish poet and lyricist, widely regarded as the national poet of Scotland and celebrated as the cultural icon of its people. His work often captured the spirit of rural Scottish life, using vernacular Scots and exploring themes of love, nature, social justice, and national identity. Burns's poetry and songs have had a lasting impact on Scottish culture and continue to be cherished worldwide.

n. 1759-01-25, Alloway · m. 1796-07-21, Dumfries

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A Bard's Epitaph

A Bard's Epitaph
Is there a whim-inspired fool,
Owre fast for thought, owre hot for rule,
Owre blate to seek, owre proud to snool,
Let him draw near;
And owre this grassy heap sing dool,
And drap a tear.
Is there a bard of rustic song,
Who, noteless, steals the crowds among,
That weekly this area throng,
O, pass not by!
But, with a frater-feeling strong,
Here, heave a sigh.
Is there a man, whose judgment clear
Can others teach the course to steer,
Yet runs, himself, life's mad career,
Wild as the wave,
Here pause-and, thro' the starting tear,
Survey this grave.
The poor inhabitant below
Was quick to learn the wise to know,
And keenly felt the friendly glow,
And softer flame;
But thoughtless follies laid him low,
And stain'd his name!
Reader, attend! whether thy soul
Soars fancy's flights beyond the pole,
Or darkling grubs this earthly hole,
In low pursuit:
Know, prudent, cautious, self-control
Is wisdom's root.
Read full poem
Bio

Identification and basic context

Robert Burns, often hailed as the Bard of Ayrshire, is Scotland's national poet and a globally recognized figure in literature. He was born in Alloway, Ayrshire, Scotland. His primary language of writing was Scots, though he also wrote in English and occasionally in a heavily anglicized Scots. Burns lived during a period of significant social and political change, influenced by the Enlightenment and the French Revolution, which fostered a spirit of reform and nationalism.

Childhood and education

Burns's childhood was shaped by rural poverty and hard agricultural labor. His father, William Burnes, was a tenant farmer who instilled in his children a strong sense of self-improvement and education. Robert received a basic formal education but was largely self-taught, devouring books on literature, philosophy, and history. Early influences included the Bible, Scottish ballads, and the works of Enlightenment thinkers like Robert Fergusson and Allan Ramsay, which kindled his interest in Scottish culture and language.

Literary trajectory

Burns's literary career began in earnest in his early twenties. He started writing poetry as a pastime, initially to court women and to express his feelings about life in rural Scotland. His first collection, *Poems, Chiefly in the Scottish Dialect*, published in 1786, was a resounding success, quickly bringing him fame and allowing him to move to Edinburgh. He continued to write and collect Scottish folk songs, contributing significantly to the preservation and popularization of Scottish musical heritage. He also worked as an exciseman (tax collector) to supplement his income, a profession that sometimes interfered with his writing but also exposed him to different aspects of Scottish life.

Works, style, and literary characteristics

Burns's most famous works include "Auld Lang Syne," "Tam o' Shanter," "Scots Wha Hae," and "Ae Fond Kiss." His dominant themes are love (often unrequited or passionate), nature (the beauty of the Scottish landscape, the cycles of life), friendship, social inequality, and Scottish identity. His style is characterized by its directness, emotional sincerity, and vibrant use of Scots dialect, which he elevated to a literary language. He masterfully employed rhyme, rhythm, and folk song structures, often infused with a lyrical and sometimes satirical tone. His poetic voice is intimate, earthy, and often deeply patriotic or humanist. Burns's innovations lay in his ability to imbue traditional folk forms with profound personal and social commentary, making his work accessible and resonant across social classes.

Cultural and historical context

Burns was a product of the Scottish Enlightenment, a period of intellectual and cultural flourishing. His work reflected the social changes and national consciousness of late 18th-century Scotland. He was often critical of social injustices and the established church, aligning himself with reformist sentiments. His poetry captured the spirit of rural life and the burgeoning sense of Scottish identity, making him a folk hero during his lifetime and beyond. He was part of a generation of Scottish writers who sought to celebrate and preserve Scottish culture.

Personal life

Burns's personal life was tumultuous and marked by numerous romantic relationships, illegitimate children, and financial struggles. His passionate nature and strong convictions often led to conflicts with authority. His friendships, particularly with other poets and intellectuals, were important, though he also faced professional rivalries. His dedication to his family and his love for Scotland were central to his identity. His beliefs were complex, often questioning religious dogma while cherishing spiritual sentiments and humanistic values.

Recognition and reception

Burns achieved considerable fame during his lifetime, particularly after the publication of his first volume of poetry. He was celebrated in Edinburgh's literary circles, though his rural origins and sometimes unconventional lifestyle set him apart. Posthumously, his reputation grew, and he became an enduring symbol of Scottish culture. His songs and poems are now sung and recited worldwide, especially during Burns Night celebrations. His popular appeal has remained strong across centuries and social strata.

Influences and legacy

Burns was influenced by Scottish folk traditions, ballads, and poets like Allan Ramsay and Robert Fergusson. His legacy is immense; he is considered the definitive voice of Scottish poetry and song, shaping national identity and inspiring generations of Scottish writers and musicians. His works have been translated into numerous languages and continue to be performed and studied globally. His impact on the preservation and popularization of the Scots language is invaluable.

Interpretation and critical analysis

Burns's work is often interpreted through the lens of Scottish nationalism, romanticism, and social commentary. Critics debate the balance between his celebration of rural life and his critique of social structures. His use of dialect and his passionate voice invite analyses of authenticity, emotion, and cultural representation.

Curiosities and lesser-known aspects

Despite his often romanticized image, Burns faced significant financial hardship throughout his life, working as an exciseman to support his family. He was also a Freemason and held a deep interest in Scottish history and folklore. His passionate personality and sharp wit were well-known, and he was not afraid to challenge the status quo through his writings.

Death and memory

Robert Burns died at the age of 37. His death was widely mourned, and his legacy was immediately cemented through the continued publication and performance of his works. Burns Night, celebrated annually on January 25th, ensures his enduring memory and cultural significance.

Poems

69

Holy Willie's Prayer

Holy Willie's Prayer
'And send the godly in a pet to pray.' - Pope
O Thou, that in the heavens does dwell,
Wha, as it pleases best Thysel',
Sends ane to heaven an' ten to hell,
A' for Thy glory,
And no for onie guid or ill
They've done afore Thee!
I bless and praise Thy matchless might,
When thousands Thou hast left in night,
That I am here afore Thy sight,
For gifts an' grace
A burning and a shining light
To a' this place.
What was I, or my generation,
That I should get sic exaltation,
I wha deserv'd most just damnation
For broken laws,
Sax thousand years ere my creation,
Thro' Adam's cause.
When from my mither's womb I fell,
Thou might hae plung'd me deep in hell,
To gnash my gooms, and weep and wail,
In burnin lakes,
Where daned devils roar and yell,
Chain'd to their stakes.
Yet I am here a chosen sample,
To show thy grace is great and ample;
I'm here a pillar o' Thy temple,
Strong as a rock,
A guide, a buckler, and example,
To a' Thy flock.
O Lord, Thou kens what zeal I bear,
When drinkers drink, an' swearers swear,
An' sining here, an' dancin there,
Wi great and sma';
For I am keepit by Thy fear
Free frae them a'.
But yet, O Lord! confess I must,
At times I'm fash'd wi' fleshly lust:
An' sometimes, too, in warldly trust,
Vile self gets in;
But Thou remembers we are dust,
Defil'd wi' sin.
O Lord! yestreen, Thou kens, wi' Meg -


Thy pardon I sincerely beg;
O! may't ne'er be a livin plague
To my dishonour,
An' I'll ne'er lift a lawless leg
Again upon her.
Besides, I farther maun allow,
Wi' Leezie's lass, three times I trow -
But Lord, that Friday I was fou,
When I cam near her;
Or else, Thou kens, Thy servant true
Wad never steer her.
Maybe Thou lets this fleshly thorn
Buffet Thy servant e'en and morn,
Lest he owre proud and high shou'd turn,
That he's sae gifted:
If sae, Thy han' maun e'en be borne,
Until Thou lift it.
Lord, mind Gaw'n Hamilton's deserts;
He drinks, an' swears, an' plays at cartes,
Yet has sae mony takin arts,
Wi' great and sma',
Frae God's ain priest the people's hearts
He steals awa.
An' when we chasten'd him therefor,
Thou kens how he bred sic a splore,
An' set the warld in a roar
O' laughing at us; -
Curse Thou his basket and his store,
Kail an' potatoes.
Lord, hear my earnest cry and pray'r,
Against that Presbyt'ry o' Ayr;
Thy strong right hand, Lord make it bare
Upo' their heads;
Lord visit them, an' dinna spare,
For their misdeeds.
O Lord, my God! that glib-tongu'd Aiken,
My vera heart and flesh are quakin,
To think how we stood sweatin, shakin,
An' p-'d wi' dread,
While he, wi' hingin lip an' snakin,
Held up his head.
Lord, in Thy day o' vengeance try him,
Lord, visit them wha did employ him,
And pass not in Thy mercy by them,
Nor hear them their pray'r,


But for Thy people's sake destroy them,
An' dinna spare.
But, Lord, remember me an' mine
Wi' mercies temporal and divine,
That I for grace an' gear may shine,
Excell'd by nane,
And a' the glory shall be thine,
Amen, Amen!
542

Highland Mary

Highland Mary
Ye banks, and braes, and streams around
The castle o' Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There Simmer first unfald her robes,
And there the langest tarry:
For there I took the last Fareweel
O' my sweet Highland Mary.
How sweetly bloom'd the gay, green birk,
How rich the hawthorn's blossom;
As underneath their fragrant shade,
I clasp'd her to my bosom!
The golden Hours, on angel wings,
Flew o'er me and my Dearie;
For dear to me as light and life
Was my sweet Highland Mary.
Wi' mony a vow, and lock'd embrace,
Our parting was fu' tender;
And pledging aft to meet again,
We tore oursels asunder:
But Oh, fell Death's untimely frost,
That nipt my Flower sae early!
Now green's the sod, and cauld's the clay,
That wraps my Highland Mary!
O pale, pale now, those rosy lips
I aft hae kiss'd sae fondly!
And clos'd for ay, the sparkling glance,
That dwalt on me sae kindly!
And mouldering now in silent dust,
That heart that lo'ed me dearly!
But still within my bosom's core
Shall live my Highland Mary.
255

Here's A Health To Them That's Awa

Here's A Health To Them That's Awa
Here's a health to them that's awa,
Here's a health to them that's awa
And wha winna wish guid luck to our cause,
May never guid luck be their fa'!
It's guid to be merry and wise,
It's guid to be honest and true,
It's guid to support Caledonia's cause
And bide by the buff and the blue.
Here's a health to them that's awa,
Here's a health to them that's awa!
Here's a health to Charlie, the chief o' the clan,
Altho that his band be sma'!
May Liberty meet wi success,
May Prudence protect her frae evil!
May tyrants and Tyranny tine i' the mist
And wander their way to the Devil!
Here's a health to them that's awa,
Here's a health to them that's awa;
Here's a health to Tammie, the Norlan' laddie,
That lives at the lug o' the Law!
Here's freedom to thern that wad read,
Here's freedom to them that would write!
There's nane ever fear'd that the truth should be heard,
But they whom the truth would indite!
Here's a health to them that's awa,
An here's to them that's awa!
Here's to Maitland and Wycombe! let wha does na like 'em
Be built in a hole in the wa'!
Here's timmer that's red at the heart,
Here's fruit that is sound at the core,
And may he that wad turn the buff and blue coat
Be turn'd to the back o' the door!
Here's a health to them that's awa,
Here's a health to them that's awa,
Here's Chieftain M'Leod, a chieftain worth gowd,
Tho' bred amang mountains o' snaw!
Here's friends on baith sides o' the Firth,
And friends on baith sides o' the Tweed,
And wha wad betray old Albion's right,
May they never eat of her bread!
227

Handsome Nell

Handsome Nell
O, once I lov'd a bonnie lass,
Aye, and I love her still;
And whilst that virtue warms my breast
I'll love my handsome Nell.
As bonnie lasses I hae seen,
And mony full as braw,
But for a modest gracefu' mien
The like I never saw.
A bonnie lass, I will confess,
Is pleasant to the ee,
But without some letter qualities
She's no a lass for me.
But Nellie's looks are blithe and sweet,
And what is best of a'
Her reputation is complete,
And fair without a flaw.
She dresses aye sae clean and neat,
Both decent and genteel;
And then there's something in her gait
Gars ony dress look weel.
A gaudy dress and gentle air
May slightly touch the heart,
But it's innocence and modesty
That polishes the dart.
'Tis this in Nelly pleases me,
'Tis this enchants my soul
For absolutely in my breast
She reigns without control.
268

Green Grow The Rashes

Green Grow The Rashes
Green grow the rashes, O!
Green grow the rashes, O!
The sweetest hours that e'er I spend,
Are spent amang the lasses, O!
There's nought but care on every han'
In every hour that passes, O;
What signifies the life o' man,
An 'twere na for the lasses, O?
The warl'ly race may riches chase,
An' riches still may fly them, O;
An' though at last they catch them fast,
Their hearts can ne'er enjoy them, O.
But gi'e me a canny hour at e'en,
My arms about my dearie, O,
An' warl'ly cares an' warl'ly men
May a' gae tapsalteerie, O!
For you sae douce, ye sneer at this,
Ye're nought but senseless asses, O;
The wisest man the warl' e'er saw,
He dearly loved the lasses, O.
Auld Nature swears the lovely dears
Her noblest work she classes, O;
Her 'prentice han' she tried on man,
An' then she made the lasses, O.
259

For a' That and a' That

For a' That and a' That
Is there, for honest poverty,
That hings his head, an' a' that?
The coward slave, we pass him by,
We dare be poor for a' that!
For a' that, an' a' that,
Our toils obscure, an' a' that;
The rank is but the guinea's stamp;
The man's the gowd for a' that,
What tho' on hamely fare we dine,
Wear hoddin-gray, an' a' that;
Gie fools their silks, and knaves their wine,
A man's a man for a' that.
For a' that, an' a' that,
Their tinsel show an' a' that;
The honest man, tho' e'er sae poor,
Is king o' men for a' that.
Ye see yon birkie, ca'd a lord
Wha struts, an' stares, an' a' that;
Tho' hundreds worship at his word,
He's but a coof for a' that:
For a' that, an' a' that,
His riband, star, an' a' that,
The man o' independent mind,
He looks and laughs at a' that.
A prince can mak a belted knight,
A marquis, duke, an' a' that;
But an honest man's aboon his might,
Guid faith he mauna fa' that!
For a' that, an' a' that,
Their dignities, an' a' that,
The pith o' sense, an' pride o' worth,
Are higher rank than a' that.
Then let us pray that come it may,
As come it will for a' that,
That sense and worth, o'er a' the earth,
May bear the gree, an' a' that.
For a' that, an' a' that,
It's coming yet, for a' that,
That man to man, the warld o'er,
Shall brothers be for a' that.
222

Fareweel To A'Our Scottish Fame

Fareweel To A'Our Scottish Fame
Fareweel to a' our Scottish fame,
Fareweel our ancient glory;
Fareweel ev'n to the Scottish name,
Sae famed in martial story!
Now Sark rins over Solway sands,
And Tweed rins to the ocean,
To mark where England's province stands—
Such a parcel of rogues in a nation!
What force or guile could not subdue
Thro' many warlike ages,
Is wrought now by a coward few,
For hireling traitor's wages.
The English steel we could disdain,
Secure in valour's station;
But English gold has been our bane—
Such a parcel of rogues in a nation!
O, would or I had seen the day
That treason thus could sell us,
My auld grey head had lien in clay
Wi' Bruce and loyal Wallace!
But pith and power, till my last hour,
I'll mak this declaration:
We're bought and sold for English gold—
Such a parcel of rogues in a nation!
251

Epistle to J. Lapraik (excerpt)

Epistle to J. Lapraik (excerpt)
I am nae poet, in a sense,
But just a rhymer like by chance,
An' hae to learning nae pretence;
Yet what the matter?
Whene'er my Muse does on me glance,
I jingle at her.
Your critic-folk may cock their nose,
And say, "How can you e'er propose,
You wha ken hardly verse frae prose,
To mak a sang?"
But, by your leave, my learned foes,
Ye're maybe wrang.
What's a' your jargon o' your schools,
Your Latin names for horns an' stools?
If honest nature made you fools,
What sairs your grammars?
Ye'd better taen up spades and shools,
Or knappin-hammers.
A set o' dull, conceited hashes
Confuse their brains in college classes!
They gang in stirks and come out asses,
Plain truth to speak;
An' syne they think to climb Parnassus
By dint o' Greek!
Gie me ae spark o' Nature's fire,
That's a' the learnin' I desire;
Then, tho' I drudge thro' dub an' mire
At pleugh or cart,
My Muse, though hamely in attire,
May touch the heart....
260

Despondency -- An Ode

Despondency -- An Ode
Oppress'd with grief, oppress'd with care,
A burden more than I can bear,
I set me down and sigh:
O life! thou art a galling load,
Along a rough, a weary road,
To wretches such as I!
Dim backward as I cast my view,
What sick'ning scenes appear!
What sorrows yet may pierce me thro',
Too justly I may fear!
Still caring, despairing,
Must be my bitter doom;
My woes here shall close ne'er
But with the closing tomb!
Happy, ye sons of busy life,
Who, equal to the bustling strife,
No other view regard!
Ev'n when the wished end's denied,
Yet while the busy means are plied,
They bring their own reward:
Whilst I, a hope-abandon'd wight,
Unfitted with an aim,
Meet ev'ry sad returning night,
And joyless morn the same;
You, bustling, and justling,
Forget each grief and pain;
I, listless, yet restless,
Find every prospect vain.
How blest the Solitary's lot,
Who, all-forgetting, all-forgot,
Within his humble cell,
The cavern wild with tangling roots,
Sits o'er his newly-gather'd fruits,
Beside his crystal well!
Or, haply, to his ev'ning thought,
By unfrequented stream,
The ways of men are distant brought,
A faint collected dream:
While praising, and raising
His thoughts to heav'n on high,
As wand'ring, meand'ring,
He views the solemn sky.
Than I, no lonely hermit plac'd
Where never human footstep trac'd,
Less fit to play the part;
The lucky moment to improve,
And just to stop, and just to move,
With self-respecting art:
But ah! those pleasures, loves, and joys,


Which I too keenly taste,
The Solitary can despise,
Can want, and yet be blest!
He needs not, he heeds not,
Or human love or hate,
Whilst I here must cry here,
At perfidy ingrate!
Oh! enviable, early days,
When dancing thoughtless pleasure's maze,
To care, to guilt unknown!
How ill exchang'd for riper times,
To feel the follies, or the crimes
Of others, or my own !
Ye tiny elves that guiltless sport
Like linnets in the bush,
Ye little know the ills ye court,
When manhood is your wish!
The losses, the crosses,
That active man engage
The fears all, the tears all,
Of dim-declining age!
244

Craigieburn Wood

Craigieburn Wood
Sweet fa's the eve on Craigieburn,
And blythe awakens the morrow,
But a' the pride o' spring's return
Can yield me nocht but sorrow.
I see the flowers and spreading trees,
I hear the wild birds singing;
But what a weary wight can please,
And care his bosom wringing?
Fain, fain would I my griefs impart,
Yet darena for your anger'
But secret love will break my heart,
If I conceal it langer.
If thou refuse to pity me,
If thou shalt love anither,
When yon green leaves fade frae the tree,
Around my grave they'll wither.
231

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