Cavalier Tunes
. MARCHING ALONG.
I.
Kentish Sir Byng stood for his King,
Bidding the crop-headed Parliament swing:
And, pressing a troop unable to stoop
And see the rogues flourish and honest folk droop,
Marched them along, fifty-score strong,
Great-hearted gentlemen, singing this song.
II.
God for King Charles! Pym and such carles
To the Devil that prompts 'em their treasonous parles!
Cavaliers, up! Lips from the cup,
Hands from the pasty, nor bite take nor sup
Till you're---
CHORUS.---Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song.
III.
Hampden to hell, and his obsequies' knell
Serve Hazelrig, Fiennes, and young Harry as well!
England, good cheer! Rupert is near!
Kentish and loyalists, keep we not here
CHORUS.---Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song?
IV.
Then, God for King Charles! Pym and his snarls
To the Devil that pricks on such pestilent carles!
Hold by the right, you double your might;
So, onward to Nottingham, fresh for the fight,
CHORUS.---March we along, fifty-score strong,
Great-hearted gentlemen, singing this song!
II. GIVE A ROUSE.
I.
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!


II.
Who gave me the goods that went since?
Who raised me the house that sank once?
Who helped me to gold I spent since?
Who found me in wine you drank once?
CHORUS.---King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!
III.
To whom used my boy George quaff else,
By the old fool's side that begot him?
For whom did he cheer and laugh else,
While Noll's damned troopers shot him?
CHORUS.---King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!
III. BOOT AND SADDLE.
I.
Boot, saddle, to horse, and away!
Rescue my castle before the hot day
Brightens to blue from its silvery grey,
CHORUS.---Boot, saddle, to horse, and away!
II.
Ride past the suburbs, asleep as you'd say;
Many's the friend there, will listen and pray
``God's luck to gallants that strike up the lay---
CHORUS.---``Boot, saddle, to horse, and away!''
III.
Forty miles off, like a roebuck at bay,
Flouts Castle Brancepeth the Roundheads' array:
Who laughs, ``Good fellows ere this, by my fay,
CHORUS.---``Boot, saddle, to horse, and away!''


IV.
Who? My wife Gertrude; that, honest and gay,
Laughs when you talk of surrendering, ``Nay!
``I've better counsellors; what counsel they?
CHORUS.---``Boot, saddle, to horse, and away!''

By The Fire-Side
I.
How well I know what I mean to do
When the long dark autumn-evenings come:
And where, my soul, is thy pleasant hue?
With the music of all thy voices, dumb
In life's November too!
II.
I shall be found by the fire, suppose,
O'er a great wise book as beseemeth age,
While the shutters flap as the cross-wind blows
And I turn the page, and I turn the page,
Not verse now, only prose!
III.
Till the young ones whisper, finger on lip,
``There he is at it, deep in Greek:
``Now then, or never, out we slip
``To cut from the hazels by the creek
``A mainmast for our ship!''
IV.
I shall be at it indeed, my friends:
Greek puts already on either side
Such a branch-work forth as soon extends
To a vista opening far and wide,
And I pass out where it ends.
V.
The outside-frame, like your hazel-trees:
But the inside-archway widens fast,
And a rarer sort succeeds to these,
And we slope to Italy at last
And youth, by green degrees.
VI.
I follow wherever I am led,
Knowing so well the leader's hand:
Oh woman-country, wooed not wed,
Loved all the more by earth's male-lands,
Laid to their hearts instead!
VII.
Look at the ruined chapel again
Half-way up in the Alpine gorge!


Is that a tower, I point you plain,
Or is it a mill, or an iron-forge
Breaks solitude in vain?
VIII.
A turn, and we stand in the heart of things:
The woods are round us, heaped and dim;
From slab to slab how it slips and springs,
The thread of water single and slim,
Through the ravage some torrent brings!
IX.
Does it feed the little lake below?
That speck of white just on its marge
Is Pella; see, in the evening-glow,
How sharp the silver spear-heads charge
When Alp meets heaven in snow!
X.
On our other side is the straight-up rock;
And a path is kept 'twixt the gorge and it
By boulder-stones where lichens mock
The marks on a moth, and small ferns fit
Their teeth to the polished block.
XI.
Oh the sense of the yellow mountain-flowers,
And thorny balls, each three in one,
The chestnuts throw on our path in showers!
For the drop of the woodland fruit's begun,
These early November hours,
XII.
That crimson the creeper's leaf across
Like a splash of blood, intense, abrupt,
O'er a shield else gold from rim to boss,
And lay it for show on the fairy-cupped
Elf-needled mat of moss,
XIII.
By the rose-flesh mushrooms, undivulged
Last evening---nay, in to-day's first dew
Yon sudden coral nipple bulged,
Where a freaked fawn-coloured flaky crew
Of toadstools peep indulged.


XIV.
And yonder, at foot of the fronting ridge
That takes the turn to a range beyond,
Is the chapel reached by the one-arched bridge
Where the water is stopped in a stagnant pond
Danced over by the midge.
XV.
The chapel and bridge are of stone alike,
Blackish-grey and mostly wet;
Cut hemp-stalks steep in the narrow dyke.
See here again, how the lichens fret
And the roots of the ivy strike!
XVI.
Poor little place, where its one priest comes
On a festa-day, if he comes at all,
To the dozen folk from their scattered homes,
Gathered within that precinct small
By the dozen ways one roams---
XVII.
To drop from the charcoal-burners' huts,
Or climb from the hemp-dressers' low shed,
Leave the grange where the woodman stores his nuts,
Or the wattled cote where the fowlers spread
Their gear on the rock's bare juts.
XVIII.
It has some pretension too, this front,
With its bit of fresco half-moon-wise
Set over the porch, Art's early wont:
'Tis John in the Desert, I surmise,
But has borne the weather's brunt---
XIX.
Not from the fault of the builder, though,
For a pent-house properly projects
Where three carved beams make a certain show,
Dating---good thought of our architect's---
'Five, six, nine, he lets you know.
XX.
And all day long a bird sings there,
And a stray sheep drinks at the pond at times;


The place is silent and aware;
It has had its scenes, its joys and crimes,
But that is its own affair.
XXI.
My perfect wife, my Leonor,
Oh heart, my own, oh eyes, mine too,
Whom else could I dare look backward for,
With whom beside should I dare pursue
The path grey heads abhor?
XXII.
For it leads to a crag's sheer edge with them;
Youth, flowery all the way, there stops---
Not they; age threatens and they contemn,
Till they reach the gulf wherein youth drops,
One inch from life's safe hem!
XXIII.
With me, youth led ... I will speak now,
No longer watch you as you sit
Reading by fire-light, that great brow
And the spirit-small hand propping it,
Mutely, my heart knows how---
XXIV.
When, if I think but deep enough,
You are wont to answer, prompt as rhyme;
And you, too, find without rebuff
Response your soul seeks many a time
Piercing its fine flesh-stuff.
XXV.
My own, confirm me! If I tread
This path back, is it not in pride
To think how little I dreamed it led
To an age so blest that, by its side,
Youth seems the waste instead?
XXVI.
My own, see where the years conduct!
At first, 'twas something our two souls
Should mix as mists do; each is sucked
In each now: on, the new stream rolls,
Whatever rocks obstruct.


XXVII.
Think, when our one soul understands
The great Word which makes all things new,
When earth breaks up and heaven expands,
How will the change strike me and you
ln the house not made with hands?
XXVIII.
Oh I must feel your brain prompt mine,
Your heart anticipate my heart,
You must be just before, in fine,
See and make me see, for your part,
New depths of the divine!
XXIX.
But who could have expected this
When we two drew together first
Just for the obvious human bliss,
To satisfy life's daily thirst
With a thing men seldom miss?
XXX.
Come back with me to the first of all,
Let us lean and love it over again,
Let us now forget and now recall,
Break the rosary in a pearly rain,
And gather what we let fall!
XXXI.
What did I say?---that a small bird sings
All day long, save when a brown pair
Of hawks from the wood float with wide wings
Strained to a bell: 'gainst noon-day glare
You count the streaks and rings.
XXXII.
But at afternoon or almost eve
'Tis better; then the silence grows
To that degree, you half believe
It must get rid of what it knows,
Its bosom does so heave.
XXXIII.
Hither we walked then, side by side,
Arm in arm and cheek to cheek,


And still I questioned or replied,
While my heart, convulsed to really speak,
Lay choking in its pride.
XXXIV.
Silent the crumbling bridge we cross,
And pity and praise the chapel sweet,
And care about the fresco's loss,
And wish for our souls a like retreat,
And wonder at the moss.
XXXV.
Stoop and kneel on the settle under,
Look through the window's grated square:
Nothing to see! For fear of plunder,
The cross is down and the altar bare,
As if thieves don't fear thunder.
XXXVI.
We stoop and look in through the grate,
See the little porch and rustic door,
Read duly the dead builder's date;
Then cross the bridge that we crossed before,
Take the path again---but wait!
XXXVII.
Oh moment, one and infinite!
The water slips o'er stock and stone;
The West is tender, hardly bright:
How grey at once is the evening grown---
One star, its chrysolite!
XXXVIII.
We two stood there with never a third,
But each by each, as each knew well:
The sights we saw and the sounds we heard,
The lights and the shades made up a spell
Till the trouble grew and stirred.
XXXIX.
Oh, the little more, and how much it is!
And the little less, and what worlds away!
How a sound shall quicken content to bliss,
Or a breath suspend the blood's best play,
And life be a proof of this!


XL.
Had she willed it, still had stood the screen
So slight, so sure, 'twixt my love and her:
I could fix her face with a guard between,
And find her soul as when friends confer,
Friends---lovers that might have been.
XLI.
For my heart had a touch of the woodland-time,
Wanting to sleep now over its best.
Shake the whole tree in the summer-prime,
But bring to the Iast leaf no such test!
``Hold the last fast!'' runs the rhyme.
XLII.
For a chance to make your little much,
To gain a lover and lose a friend,
Venture the tree and a myriad such,
When nothing you mar but the year can mend:
But a last leaf---fear to touch!
XLIII.
Yet should it unfasten itself and fall
Eddying down till it find your face
At some slight wind---best chance of all!
Be your heart henceforth its dwelling-place
You trembled to forestall!
XLIV.
Worth how well, those dark grey eyes,
That hair so dark and dear, how worth
That a man should strive and agonize,
And taste a veriest hell on earth
For the hope of such a prize!
XIIV.
You might have turned and tried a man,
Set him a space to weary and wear,
And prove which suited more your plan,
His best of hope or his worst despair,
Yet end as he began.
XLVI.
But you spared me this, like the heart you are,
And filled my empty heart at a word.


If two lives join, there is oft a scar,
They are one and one, with a shadowy third;
One near one is too far.
XLVII.
A moment after, and hands unseen
Were hanging the night around us fast
But we knew that a bar was broken between
Life and life: we were mixed at last
In spite of the mortal screen.
XLVIII.
The forests had done it; there they stood;
We caught for a moment the powers at play:
They had mingled us so, for once and good,
Their work was done---we might go or stay,
They relapsed to their ancient mood.
XLIX.
How the world is made for each of us!
How all we perceive and know in it
Tends to some moment's product thus,
When a soul declares itself---to wit,
By its fruit, the thing it does
L.
Be hate that fruit or love that fruit,
It forwards the general deed of man,
And each of the Many helps to recruit
The life of the race by a general plan;
Each living his own, to boot.
LI.
I am named and known by that moment's feat;
There took my station and degree;
So grew my own small life complete,
As nature obtained her best of me---
One born to love you, sweet!
LII.
And to watch you sink by the fire-side now
Back again, as you mutely sit
Musing by fire-light, that great brow
And the spirit-small hand propping it,
Yonder, my heart knows how!


LIII.
So, earth has gained by one man the more,
And the gain of earth must be heaven's gain too;
And the whole is well worth thinking o'er
When autumn comes: which I mean to do
One day, as I said before.

Boot and Saddle
Boot, saddle, to horse, and away!
Rescue my Castle, before the hot day
Brightens the blue from its silvery grey,
(Chorus) "Boot, saddle, to horse, and away!"
Ride past the suburbs, asleep as you'd say;
Many's the friend there, will listen and pray
"God's luck to gallants that strike up the lay,
(Chorus) "Boot, saddle, to horse, and away!"
Forty miles off, like a roebuck at bay,
Flouts Castle Brancepeth the Roundheads array:
Who laughs, Good fellows ere this, by my fay,
(Chorus) "Boot, saddle, to horse, and away!"
Who? My wife Gertrude; that, honest and gay,
Laughs when you talk of surrendering, "Nay!
I've better counsellors; what counsel they?"
(Chorus) "Boot, saddle, to horse, and away!"

Bishop Blougram's Apology
NO more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little--oh, they pay the price,
You take me--amply pay it! Now, we'll talk.
So, you despise me, Mr. Gigadibs.
No deprecation,--nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?--truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
'T is break of day! You do despise me then.
And if I say, "despise me,"--never fear!
I know you do not in a certain sense--
Not in my arm-chair, for example: here,
I well imagine you respect my place
( Status, entourage , worldly circumstance)
Quite to its value--very much indeed:
--Are up to the protesting eyes of you
In pride at being seated here for once--
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop,--names me--that's enough:
"Blougram? I knew him"--(into it you slide)
"Dined with him once, a Corpus Christi Day,
"All alone, we two; he's a clever man:
"And after dinner,--why, the wine you know,--
"Oh, there was wine, and good!--what with the wine . .
"'Faith, we began upon all sorts of talk!
"He's no bad fellow, Blougram; he had seen
"Something of mine he relished, some review:
"He's quite above their humbug in his heart,
"Half-said as much, indeed--the thing's his trade.
"I warrant, Blougram's sceptical at times:
"How otherwise? I liked him, I confess!"
Che che , my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:


The hand's mine now, and here you follow suit.
Thus much conceded, still the first fact stays--
You do despise me; your ideal of life
Is not the bishop's: you would not be I.
You would like better to be Goethe, now,
Or Buonaparte, or, bless me, lower still,
Count D'Orsay,--so you did what you preferred,
Spoke as you thought, and, as you cannot help,
Believed or disbelieved, no matter what,
So long as on that point, whate'er it was,
You loosed your mind, were whole and sole yourself.
--That, my ideal never can include,
Upon that element of truth and worth
Never be based! for say they make me Pope--
(They can't--suppose it for our argument!)
Why, there I'm at my tether's end, I've reached
My height, and not a height which pleases you:
An unbelieving Pope won't do, you say.
It's like those eerie stories nurses tell,
Of how some actor on a stage played Death,
With pasteboard crown, sham orb and tinselled dart,
And called himself the monarch of the world;
Then, going in the tire-room afterward,
Because the play was done, to shift himself,
Got touched upon the sleeve familiarly,
The moment he had shut the closet door,
By Death himself. Thus God might touch a Pope
At unawares, ask what his baubles mean,
And whose part he presumed to play just now?
Best be yourself, imperial, plain and true!
So, drawing comfortable breath again,
You weigh and find, whatever more or less
I boast of my ideal realized,
Is nothing in the balance when opposed
To your ideal, your grand simple life,
Of which you will not realize one jot.
I am much, you are nothing; you would be all,
I would be merely much: you beat me there.
No, friend, you do not beat me: hearken why!
The common problem, yours, mine, every one's,
Is--not to fancy what were fair in life
Provided it could be,--but, finding first
What may be, then find how to make it fair
Up to our means: a very different thing!
No abstract intellectual plan of life
Quite irrespective of life's plainest laws,


But one, a man, who is man and nothing more,
May lead within a world which (by your leave)
Is Rome or London, not Fool's-paradise.
Embellish Rome, idealize away,
Make paradise of London if you can,
You're welcome, nay, you're wise.
A simile!
We mortals cross the ocean of this world
Each in his average cabin of a life;
The best's not big, the worst yields elbow-room.
Now for our six months' voyage--how prepare?
You come on shipboard with a landsman's list
Of things he calls convenient: so they are!
An India screen is pretty furniture,
A piano-forte is a fine resource,
All Balzac's novels occupy one shelf,
The new edition fifty volumes long;
And little Greek books, with the funny type
They get up well at Leipsic, fill the next:
Go on! slabbed marble, what a bath it makes!
And Parma's pride, the Jerome, let us add!
'T were pleasant could Correggio's fleeting glow
Hang full in face of one where'er one roams,
Since he more than the others brings with him
Italy's self,--the marvellous Modenese!--
Yet was not on your list before, perhaps.
--Alas, friend, here's the agent . . . is't the name?
The captain, or whoever's master here--
You see him screw his face up; what's his cry
Ere you set foot on shipboard? "Six feet square!"
If you won't understand what six feet mean,
Compute and purchase stores accordingly--
And if, in pique because he overhauls
Your Jerome, piano, bath, you come on board
Bare--why, you cut a figure at the first
While sympathetic landsmen see you off;
Not afterward, when long ere half seas over,
You peep up from your utterly naked boards
Into some snug and well-appointed berth,
Like mine for instance (try the cooler jug--
Put back the other, but don't jog the ice!)
And mortified you mutter "Well and good;
"He sits enjoying his sea-furniture;
"'T is stout and proper, and there's store of it:
"Though I've the better notion, all agree,
"Of fitting rooms up. Hang the carpenter,
"Neat ship-shape fixings and contrivances--


"I would have brought my Jerome, frame and all!"
And meantime you bring nothing: never mind--
You've proved your artist-nature: what you don't
You might bring, so despise me, as I say.
Now come, let's backward to the starting-place.
See my way: we're two college friends, suppose.
Prepare together for our voyage, then;
Each note and check the other in his work,--
Here's mine, a bishop's outfit; criticize!
What's wrong? why won't you be a bishop too?
Why first, you don't believe, you don't and can't,
(Not statedly, that is, and fixedly
And absolutely and exclusively)
In any revelation called divine.
No dogmas nail your faith; and what remains
But say so, like the honest man you are?
First, therefore, overhaul theology!
Nay, I too, not a fool, you please to think,
Must find believing every whit as hard:
And if I do not frankly say as much,
The ugly consequence is clear enough.
Now wait, my friend: well, I do not believe--
If you'll accept no faith that is not fixed,
Absolute and exclusive, as you say.
You're wrong--I mean to prove it in due time.
Meanwhile, I know where difficulties lie
I could not, cannot solve, nor ever shall,
So give up hope accordingly to solve--
(To you, and over the wine). Our dogmas then
With both of us, though in unlike degree,
Missing full credence--overboard with them!
I mean to meet you on your own premise:
Good, there go mine in company with yours!
And now what are we? unbelievers both,
Calm and complete, determinately fixed
To-day, to-morrow and for ever, pray?
You'll guarantee me that? Not so, I think!
In no wise! all we've gained is, that belief,
As unbelief before, shakes us by fits,
Confounds us like its predecessor. Where's
The gain? how can we guard our unbelief,
Make it bear fruit to us?--the problem here.
Just when we are safest, there's a sunset-touch,
A fancy from a flower-bell, some one's death,


A chorus-ending from Euripides,--
And that's enough for fifty hopes and fears
As old and new at once as nature's self,
To rap and knock and enter in our soul,
Take hands and dance there, a fantastic ring,
Round the ancient idol, on his base again,--
The grand Perhaps! We look on helplessly.
There the old misgivings, crooked questions are--
This good God,--what he could do, if he would,
Would, if he could--then must have done long since:
If so, when, where and how? some way must be,--
Once feel about, and soon or late you hit
Some sense, in which it might be, after all.
Why not, "The Way, the Truth, the Life?"
--That way
Over the mountain, which who stands upon
Is apt to doubt if it be meant for a road;
While, if he views it from the waste itself,
Up goes the line there, plain from base to brow,
Not vague, mistakeable! what's a break or two
Seen from the unbroken desert either side?
And then (to bring in fresh philosophy)
What if the breaks themselves should prove at last
The most consummate of contrivances
To train a man's eye, teach him what is faith?
And so we stumble at truth's very test!
All we have gained then by our unbelief
Is a life of doubt diversified by faith,
For one of faith diversified by doubt:
We called the chess-board white,--we call it black.
"Well," you rejoin, "the end's no worse, at least;
"We've reason for both colours on the board:
"Why not confess then, where I drop the faith
"And you the doubt, that I'm as right as you?"
Because, friend, in the next place, this being so,
And both things even,--faith and unbelief
Left to a man's choice,--we'll proceed a step,
Returning to our image, which I like.
A man's choice, yes--but a cabin-passenger's--
The man made for the special life o' the world--
Do you forget him? I remember though!
Consult our ship's conditions and you find
One and but one choice suitable to all;
The choice, that you unluckily prefer,


Turning things topsy-turvy--they or it
Going to the ground. Belief or unbelief
Bears upon life, determines its whole course,
Begins at its beginning. See the world
Such as it is,--you made it not, nor I;
I mean to take it as it is,--and you,
Not so you'll take it,--though you get nought else.
I know the special kind of life I like,
What suits the most my idiosyncrasy,
Brings out the best of me and bears me fruit
In power, peace, pleasantness and length of days.
I find that positive belief does this
For me, and unbelief, no whit of this.
--For you, it does, however?--that, we'll try!
'T is clear, I cannot lead my life, at least,
Induce the world to let me peaceably,
Without declaring at the outset, "Friends,
"I absolutely and peremptorily
"Believe!"--I say, faith is my waking life:
One sleeps, indeed, and dreams at intervals,
We know, but waking's the main point with us
And my provision's for life's waking part.
Accordingly, I use heart, head and hand
All day, I build, scheme, study, and make friends;
And when night overtakes me, down I lie,
Sleep, dream a little, and get done with it,
The sooner the better, to begin afresh.
What's midnight doubt before the dayspring's faith?
You, the philosopher, that disbelieve,
That recognize the night, give dreams their weight--
To be consistent you should keep your bed,
Abstain from healthy acts that prove you man,
For fear you drowse perhaps at unawares!
And certainly at night you'll sleep and dream,
Live through the day and bustle as you please.
And so you live to sleep as I to wake,
To unbelieve as I to still believe?
Well, and the common sense o' the world calls you
Bed-ridden,--and its good things come to me.
Its estimation, which is half the fight,
That's the first-cabin comfort I secure:
The next . . . but you perceive with half an eye!
Come, come, it's best believing, if we may;
You can't but own that!
Next, concede again,
If once we choose belief, on all accounts
We can't be too decisive in our faith,


Conclusive and exclusive in its terms,
To suit the world which gives us the good things.
In every man's career are certain points
Whereon he dares not be indifferent;
The world detects him clearly, if he dare,
As baffled at the game, and losing life.
He may care little or he may care much
For riches, honour, pleasure, work, repose,
Since various theories of life and life's
Success are extant which might easily
Comport with either estimate of these;
And whoso chooses wealth or poverty,
Labour or quiet, is not judged a fool
Because his fellow would choose otherwise:
We let him choose upon his own account
So long as he's consistent with his choice.
But certain points, left wholly to himself,
When once a man has arbitrated on,
We say he must succeed there or go hang.
Thus, he should wed the woman he loves most
Or needs most, whatsoe'er the love or need--
For he can't wed twice. Then, he must avouch,
Or follow, at the least, sufficiently,
The form of faith his conscience holds the best,
Whate'er the process of conviction was:
For nothing can compensate his mistake
On such a point, the man himself being judge:
He cannot wed twice, nor twice lose his soul.
Well now, there's one great form of Christian faith
I happened to be born in--which to teach
Was given me as I grew up, on all hands,
As best and readiest means of living by;
The same on examination being proved
The most pronounced moreover, fixed, precise
And absolute form of faith in the whole world--
Accordingly, most potent of all forms
For working on the world. Observe, my friend!
Such as you know me, I am free to say,
In these hard latter days which hamper one,
Myself--by no immoderate exercise
Of intellect and learning, but the tact
To let external forces work for me,
--Bid the street's stones be bread and they are bread;
Bid Peter's creed, or rather, Hildebrand's,
Exalt me o'er my fellows in the world
And make my life an ease and joy and pride;
It does so,--which for me's a great point gained,


Who have a soul and body that exact
A comfortable care in many ways.
There's power in me and will to dominate
Which I must exercise, they hurt me else:
In many ways I need mankind's respect,
Obedience, and the love that's born of fear:
While at the same time, there's a taste I have,
A toy of soul, a titillating thing,
Refuses to digest these dainties crude.
The naked life is gross till clothed upon:
I must take what men offer, with a grace
As though I would not, could I help it, take!
An uniform I wear though over-rich--
Something imposed on me, no choice of mine;
No fancy-dress worn for pure fancy's sake
And despicable therefore! now folk kneel
And kiss my hand--of course the Church's hand.
Thus I am made, thus life is best for me,
And thus that it should be I have procured;
And thus it could not be another way,
I venture to imagine.
You'll reply,
So far my choice, no doubt, is a success;
But were I made of better elements,
With nobler instincts, purer tastes, like you,
I hardly would account the thing success
Though it did all for me I say.
But, friend,
We speak of what is; not of what might be,
And how't were better if't were otherwise.
I am the man you see here plain enough:
Grant I'm a beast, why, beasts must lead beasts' lives!
Suppose I own at once to tail and claws;
The tailless man exceeds me: but being tailed
I'll lash out lion fashion, and leave apes
To dock their stump and dress their haunches up.
My business is not to remake myself,
But make the absolute best of what God made.
Or--our first simile--though you prove me doomed
To a viler berth still, to the steerage-hole,
The sheep-pen or the pig-stye, I should strive
To make what use of each were possible;
And as this cabin gets upholstery,
That hutch should rustle with sufficient straw.
But, friend, I don't acknowledge quite so fast
I fail of all your manhood's lofty tastes


Enumerated so complacently,
On the mere ground that you forsooth can find
In this particular life I choose to lead
No fit provision for them. Can you not?
Say you, my fault is I address myself
To grosser estimators than should judge?
And that's no way of holding up the soul,
Which, nobler, needs men's praise perhaps, yet knows
One wise man's verdict outweighs all the fools'--
Would like the two, but, forced to choose, takes that.
I pine among my million imbeciles
(You think) aware some dozen men of sense
Eye me and know me, whether I believe
In the last winking Virgin, as I vow,
And am a fool, or disbelieve in her
And am a knave,--approve in neither case,
Withhold their voices though I look their way:
Like Verdi when, at his worst opera's end
(The thing they gave at Florence,--what's its name?)
While the mad houseful's plaudits near out-bang
His orchestra of salt-box, tongs and bones,
He looks through all the roaring and the wreaths
Where sits Rossini patient in his stall.
Nay, friend, I meet you with an answer here--
That even your prime men who appraise their kind
Are men still, catch a wheel within a wheel,
See more in a truth than the truth's simple self,
Confuse themselves. You see lads walk the street
Sixty the minute; what's to note in that?
You see one lad o'erstride a chimney-stack;
Him you must watch--he's sure to fall, yet stands!
Our interest's on the dangerous edge of things.
The honest thief, the tender murderer,
The superstitious atheist, demirep
That loves and saves her soul in new French books--
We watch while these in equilibrium keep
The giddy line midway: one step aside,
They're classed and done with. I, then, keep the line
Before your sages,--just the men to shrink
From the gross weights, coarse scales and labels broad
You offer their refinement. Fool or knave?
Why needs a bishop be a fool or knave
When there's a thousand diamond weights between?
So, I enlist them. Your picked twelve, you'll find,
Profess themselves indignant, scandalized
At thus being held unable to explain
How a superior man who disbelieves
May not believe as well: that's Schelling's way!


It's through my coming in the tail of time,
Nicking the minute with a happy tact.
Had I been born three hundred years ago
They'd say, "What's strange? Blougram of course believes;"
And, seventy years since, "disbelieves of course."
But now, "He may believe; and yet, and yet
"How can he?" All eyes turn with interest.
Whereas, step off the line on either side--
You, for example, clever to a fault,
The rough and ready man who write apace,
Read somewhat seldomer, think perhaps even less--
You disbelieve! Who wonders and who cares?
Lord So-and-so--his coat bedropped with wax,
All Peter's chains about his waist, his back
Brave with the needlework of Noodledom--
Believes! Again, who wonders and who cares?
But I, the man of sense and learning too,
The able to think yet act, the this, the that,
I, to believe at this late time of day!
Enough; you see, I need not fear contempt.
--Except it's yours! Admire me as these may,
You don't. But whom at least do you admire?
Present your own perfection, your ideal,
Your pattern man for a minute--oh, make haste
Is it Napoleon you would have us grow?
Concede the means; allow his head and hand,
(A large concession, clever as you are)
Good! In our common primal element
Of unbelief (we can't believe, you know--
We're still at that admission, recollect!)
Where do you find--apart from, towering o'er
The secondary temporary aims
Which satisfy the gross taste you despise--
Where do you find his star?--his crazy trust
God knows through what or in what? it's alive
And shines and leads him, and that's all we want.
Have we aught in our sober night shall point
Such ends as his were, and direct the means
Of working out our purpose straight as his,
Nor bring a moment's trouble on success
With after-care to justify the same?
--Be a Napoleon, and yet disbelieve--
Why, the man's mad, friend, take his light away!
What's the vague good o' the world, for which you dare
With comfort to yourself blow millions up?
We neither of us see it! we do see
The blown-up millions--spatter of their brains


And writhing of their bowels and so forth,
In that bewildering entanglement
Of horrible eventualities
Past calculation to the end of time!
Can I mistake for some clear word of God
(Which were my ample warrant for it all)
His puff of hazy instinct, idle talk,
"The State, that's I," quack-nonsense about crowns,
And (when one beats the man to his last hold)
A vague idea of setting things to rights,
Policing people efficaciously,
More to their profit, most of all to his own;
The whole to end that dismallest of ends
By an Austrian marriage, cant to us the Church,
And resurrection of the old régime ?
Would I, who hope to live a dozen years,
Fight Austerlitz for reasons such and such?
No: for, concede me but the merest chance
Doubt may be wrong--there's judgment, life to come!
With just that chance, I dare not. Doubt proves right?
This present life is all?--you offer me
Its dozen noisy years, without a chance
That wedding an archduchess, wearing lace,
And getting called by divers new-coined names,
Will drive off ugly thoughts and let me dine,
Sleep, read and chat in quiet as I like!
Therefore I will not.
Take another case;
Fit up the cabin yet another way.
What say you to the poets? shall we write
Hamlet, Othello--make the world our own,
Without a risk to run of either sort?
I can't--to put the strongest reason first.
"But try," you urge, "the trying shall suffice;
"The aim, if reached or not, makes great the life:
"Try to be Shakespeare, leave the rest to fate!"
Spare my self-knowledge--there's no fooling me!
If I prefer remaining my poor self,
I say so not in self-dispraise but praise.
If I'm a Shakespeare, let the well alone;
Why should I try to be what now I am?
If I'm no Shakespeare, as too probable,--
His power and consciousness and self-delight
And all we want in common, shall I find--
Trying for ever? while on points of taste
Wherewith, to speak it humbly, he and I
Are dowered alike--I'll ask you, I or he,


Which in our two lives realizes most?
Much, he imagined--somewhat, I possess.
He had the imagination; stick to that!
Let him say, "In the face of my soul's works
"Your world is worthless and I touch it not
"Lest I should wrong them"--I'll withdraw my plea.
But does he say so? look upon his life!
Himself, who only can, gives judgment there.
He leaves his towers and gorgeous palaces
To build the trimmest house in Stratford town;
Saves money, spends it, owns the worth of things,
Giulio Romano's pictures, Dowland's lute;
Enjoys a show, respects the puppets, too,
And none more, had he seen its entry once,
Than "Pandulph, of fair Milan cardinal."
Why then should I who play that personage,
The very Pandulph Shakespeare's fancy made,
Be told that had the poet chanced to start
From where I stand now (some degree like mine
Being just the goal he ran his race to reach)
He would have run the whole race back, forsooth,
And left being Pandulph, to begin write plays?
Ah, the earth's best can be but the earth's best!
Did Shakespeare live, he could but sit at home
And get himself in dreams the Vatican,
Greek busts, Venetian paintings, Roman walls,
And English books, none equal to his own,
Which I read, bound in gold (he never did).
--Terni's fall, Naples' bay and Gothard's top--
Eh, friend? I could not fancy one of these;
But, as I pour this claret, there they are:
I've gained them--crossed St. Gothard last July
With ten mules to the carriage and a bed
Slung inside; is my hap the worse for that?
We want the same things, Shakespeare and myself,
And what I want, I have: he, gifted more,
Could fancy he too had them when he liked,
But not so thoroughly that, if fate allowed,
He would not have them also in my sense.
We play one game; I send the ball aloft
No less adroitly that of fifty strokes
Scarce five go o'er the wall so wide and high
Which sends them back to me: I wish and get
He struck balls higher and with better skill,
But at a poor fence level with his head,
And hit--his Stratford house, a coat of arms,
Successful dealings in his grain and wool,--
While I receive heaven's incense in my nose


And style myself the cousin of Queen Bess.
Ask him, if this life's all, who wins the game?
Believe--and our whole argument breaks up.
Enthusiasm's the best thing, I repeat;
Only, we can't command it; fire and life
Are all, dead matter's nothing, we agree:
And be it a mad dream or God's very breath,
The fact's the same,--belief's fire, once in us,
Makes of all else mere stuff to show itself:
We penetrate our life with such a glow
As fire lends wood and iron--this turns steel,
That burns to ash--all's one, fire proves its power
For good or ill, since men call flare success.
But paint a fire, it will not therefore burn.
Light one in me, I'll find it food enough!
Why, to be Luther--that's a life to lead,
Incomparably better than my own.
He comes, reclaims God's earth for God, he says,
Sets up God's rule again by simple means,
Re-opens a shut book, and all is done.
He flared out in the flaring of mankind;
Such Luther's luck was: how shall such be mine?
If he succeeded, nothing's left to do:
And if he did not altogether--well,
Strauss is the next advance. All Strauss should be
I might be also. But to what result?
He looks upon no future: Luther did.
What can I gain on the denying side?
Ice makes no conflagration. State the facts,
Read the text right, emancipate the world--
The emancipated world enjoys itself
With scarce a thank-you: Blougram told it first
It could not owe a farthing,--not to him
More than Saint Paul! 't would press its pay, you think?
Then add there's still that plaguy hundredth chance
Strauss may be wrong. And so a risk is run--
For what gain? not for Luther's, who secured
A real heaven in his heart throughout his life,
Supposing death a little altered things.
"Ay, but since really you lack faith," you cry,
"You run the same risk really on all sides,
"In cool indifference as bold unbelief.
"As well be Strauss as swing 'twixt Paul and him.
"It's not worth having, such imperfect faith,
"No more available to do faith's work
"Than unbelief like mine. Whole faith, or none!"


Softly, my friend! I must dispute that point
Once own the use of faith, I'll find you faith.
We're back on Christian ground. You call for faith:
I show you doubt, to prove that faith exists.
The more of doubt, the stronger faith, I say,
If faith o'ercomes doubt. How I know it does?
By life and man's free will, God gave for that!
To mould life as we choose it, shows our choice:
That's our one act, the previous work's his own.
You criticize the soul? it reared this tree--
This broad life and whatever fruit it bears!
What matter though I doubt at every pore,
Head-doubts, heart-doubts, doubts at my fingers' ends,
Doubts in the trivial work of every day,
Doubts at the very bases of my soul
In the grand moments when she probes herself--
If finally I have a life to show,
The thing I did, brought out in evidence
Against the thing done to me underground
By hell and all its brood, for aught I know?
I say, whence sprang this? shows it faith or doubt?
All's doubt in me; where's break of faith in this?
It is the idea, the feeling and the love,
God means mankind should strive for and show forth
Whatever be the process to that end,--
And not historic knowledge, logic sound,
And metaphysical acumen, sure!
"What think ye of Christ," friend? when all's done and said,
Like you this Christianity or not?
It may be false, but will you wish it true?
Has it your vote to be so if it can?
Trust you an instinct silenced long ago
That will break silence and enjoin you love
What mortified philosophy is hoarse,
And all in vain, with bidding you despise?
If you desire faith--then you've faith enough:
What else seeks God--nay, what else seek ourselves?
You form a notion of me, we'll suppose,
On hearsay; it's a favourable one:
"But still" (you add), "there was no such good man,
"Because of contradiction in the facts.
"One proves, for instance, he was born in Rome,
"This Blougram; yet throughout the tales of him
"I see he figures as an Englishman."
Well, the two things are reconcileable.
But would I rather you discovered that,
Subjoining--"Still, what matter though they be?


"Blougram concerns me nought, born here or there."
Pure faith indeed--you know not what you ask!
Naked belief in God the Omnipotent,
Omniscient, Omnipresent, sears too much
The sense of conscious creatures to be borne.
It were the seeing him, no flesh shall dare
Some think, Creation's meant to show him forth:
I say it's meant to hide him all it can,
And that's what all the blessed evil's for.
Its use in Time is to environ us,
Our breath, our drop of dew, with shield enough
Against that sight till we can bear its stress.
Under a vertical sun, the exposed brain
And lidless eye and disemprisoned heart
Less certainly would wither up at once
Than mind, confronted with the truth of him.
But time and earth case-harden us to live;
The feeblest sense is trusted most; the child
Feels God a moment, ichors o'er the place,
Plays on and grows to be a man like us.
With me, faith means perpetual unbelief
Kept quiet like the snake 'neath Michael's foot
Who stands calm just because he feels it writhe.
Or, if that's too ambitious,--here's my box--
I need the excitation of a pinch
Threatening the torpor of the inside-nose
Nigh on the imminent sneeze that never comes.
"Leave it in peace" advise the simple folk:
Make it aware of peace by itching-fits,
Say I--let doubt occasion still more faith!
You'll say, once all believed, man, woman, child,
In that dear middle-age these noodles praise.
How you'd exult if I could put you back
Six hundred years, blot out cosmogony,
Geology, ethnology, what not
(Greek endings, each the little passing-bell
That signifies some faith's about to die),
And set you square with Genesis again,--
When such a traveller told you his last news,
He saw the ark a-top of Ararat
But did not climb there since 't was getting dusk
And robber-bands infest the mountain's foot!
How should you feel, I ask, in such an age,
How act? As other people felt and did;
With soul more blank than this decanter's knob,
Believe--and yet lie, kill, rob, fornicate


Full in belief's face, like the beast you'd be!
No, when the fight begins within himself,
A man's worth something. God stoops o'er his head,
Satan looks up between his feet--both tug--
He's left, himself, i' the middle: the soul wakes
And grows. Prolong that battle through his life!
Never leave growing till the life to come!
Here, we've got callous to the Virgin's winks
That used to puzzle people wholesomely:
Men have outgrown the shame of being fools.
What are the laws of nature, not to bend
If the Church bid them?--brother Newman asks.
Up with the Immaculate Conception, then--
On to the rack with faith!--is my advice.
Will not that hurry us upon our knees,
Knocking our breasts, "It can't be--yet it shall!
"Who am I, the worm, to argue with my Pope?
"Low things confound the high things!" and so forth.
That's better than acquitting God with grace
As some folk do. He's tried--no case is proved,
Philosophy is lenient--he may go!
You'll say, the old system's not so obsolete
But men believe still: ay, but who and where?
King Bomba's lazzaroni foster yet
The sacred flame, so Antonelli writes;
But even of these, what ragamuffin-saint
Believes God watches him continually,
As he believes in fire that it will burn,
Or rain that it will drench him? Break fire's law,
Sin against rain, although the penalty
Be just a singe or soaking? "No," he smiles;
"Those laws are laws that can enforce themselves."
The sum of all is--yes, my doubt is great,
My faith's still greater, then my faith's enough.
I have read much, thought much, experienced much,
Yet would die rather than avow my fear
The Naples' liquefaction may be false,
When set to happen by the palace-clock
According to the clouds or dinner-time.
I hear you recommend, I might at least
Eliminate, decrassify my faith
Since I adopt it; keeping what I must
And leaving what I can--such points as this.
I won't--that is, I can't throw one away.
Supposing there's no truth in what I hold
About the need of trial to man's faith,
Still, when you bid me purify the same,


To such a process I discern no end.
Clearing off one excrescence to see two,
There's ever a next in size, now grown as big,
That meets the knife: I cut and cut again!
First cut the Liquefaction, what comes last
But Fichte's clever cut at God himself?
Experimentalize on sacred things!
I trust nor hand nor eye nor heart nor brain
To stop betimes: they all get drunk alike.
The first step, I am master not to take.
You'd find the cutting-process to your taste
As much as leaving growths of lies unpruned,
Nor see more danger in it,--you retort.
Your taste's worth mine; but my taste proves more wise
When we consider that the steadfast hold
On the extreme end of the chain of faith
Gives all the advantage, makes the difference
With the rough purblind mass we seek to rule:
We are their lords, or they are free of us,
Just as we tighten or relax our hold.
So, others matters equal, we'll revert
To the first problem--which, if solved my way
And thrown into the balance, turns the scale--
How we may lead a comfortable life,
How suit our luggage to the cabin's size.
Of course you are remarking all this time
How narrowly and grossly I view life,
Respect the creature-comforts, care to rule
The masses, and regard complacently
"The cabin," in our old phrase. Well, I do.
I act for, talk for, live for this world now,
As this world prizes action, life and talk:
No prejudice to what next world may prove,
Whose new laws and requirements, my best pledge
To observe then, is that I observe these now,
Shall do hereafter what I do meanwhile.
Let us concede (gratuitously though)
Next life relieves the soul of body, yields
Pure spiritual enjoyment: well, my friend,
Why lose this life i' the meantime, since its use
May be to make the next life more intense?
Do you know, I have often had a dream
(Work it up in your next month's article)
Of man's poor spirit in its progress, still
Losing true life for ever and a day


Through ever trying to be and ever being--
In the evolution of successive spheres--
Before its actual sphere and place of life,
Halfway into the next, which having reached,
It shoots with corresponding foolery
Halfway into the next still, on and off!
As when a traveller, bound from North to South,
Scouts fur in Russia: what's its use in France?
In France spurns flannel: where's its need in Spain?
In Spain drops cloth, too cumbrous for Algiers!
Linen goes next, and last the skin itself,
A superfluity at Timbuctoo.
When, through his journey, was the fool at ease?
I'm at ease now, friend; worldly in this world,
I take and like its way of life; I think
My brothers, who administer the means,
Live better for my comfort--that's good too;
And God, if he pronounce upon such life,
Approves my service, which is better still.
If he keep silence,--why, for you or me
Or that brute beast pulled-up in to-day's "Times,"
What odds is't, save to ourselves, what life we lead?
You meet me at this issue: you declare,--
All special-pleading done with--truth is truth,
And justifies itself by undreamed ways.
You don't fear but it's better, if we doubt,
To say so, act up to our truth perceived
However feebly. Do then,--act away!
'T is there I'm on the watch for you. How one acts
Is, both of us agree, our chief concern:
And how you'll act is what I fain would see
If, like the candid person you appear,
You dare to make the most of your life's scheme
As I of mine, live up to its full law
Since there's no higher law that counterchecks.
Put natural religion to the test
You've just demolished the revealed with--quick,
Down to the root of all that checks your will,
All prohibition to lie, kill and thieve,
Or even to be an atheistic priest!
Suppose a pricking to incontinence--
Philosophers deduce you chastity
Or shame, from just the fact that at the first
Whoso embraced a woman in the field,
Threw club down and forewent his brains beside,
So, stood a ready victim in the reach
Of any brother savage, club in hand;


Hence saw the use of going out of sight
In wood or cave to prosecute his loves:
I read this in a French book t' other day.
Does law so analysed coerce you much?
Oh, men spin clouds of fuzz where matters end,
But you who reach where the first thread begins,
You'll soon cut that!--which means you can, but won't,
Through certain instincts, blind, unreasoned-out,
You dare not set aside, you can't tell why,
But there they are, and so you let them rule.
Then, friend, you seem as much a slave as I,
A liar, conscious coward and hypocrite,
Without the good the slave expects to get,
In case he has a master after all!
You own your instincts? why, what else do I,
Who want, am made for, and must have a God
Ere I can be aught, do aught?--no mere name
Want, but the true thing with what proves its truth,
To wit, a relation from that thing to me,
Touching from head to foot--which touch I feel,
And with it take the rest, this life of ours!
I live my life here; yours you dare not live.
--Not as I state it, who (you please subjoin)
Disfigure such a life and call it names,
While, to your mind, remains another way
For simple men: knowledge and power have rights,
But ignorance and weakness have rights too.
There needs no crucial effort to find truth
If here or there or anywhere about:
We ought to turn each side, try hard and see,
And if we can't, be glad we've earned at least
The right, by one laborious proof the more,
To graze in peace earth's pleasant pasturage.
Men are not angels, neither are they brutes:
Something we may see, all we cannot see.
What need of lying? I say, I see all,
And swear to each detail the most minute
In what I think a Pan's face--you, mere cloud:
I swear I hear him speak and see him wink,
For fear, if once I drop the emphasis,
Mankind may doubt there's any cloud at all.
You take the simple life--ready to see,
Willing to see (for no cloud's worth a face)--
And leaving quiet what no strength can move,
And which, who bids you move? who has the right?
I bid you; but you are God's sheep, not mine:
" Pastor est tui Dominus ." You find


In this the pleasant pasture of our life
Much you may eat without the least offence,
Much you don't eat because your maw objects,
Much you would eat but that your fellow-flock
Open great eyes at you and even butt,
And thereupon you like your mates so well
You cannot please yourself, offending them;
Though when they seem exorbitantly sheep,
You weigh your pleasure with their butts and bleats
And strike the balance. Sometimes certain fears
Restrain you, real checks since you find them so;
Sometimes you please yourself and nothing checks:
And thus you graze through life with not one lie,
And like it best.
But do you, in truth's name?
If so, you beat--which means you are not I--
Who needs must make earth mine and feed my fill
Not simply unbutted at, unbickered with,
But motioned to the velvet of the sward
By those obsequious wethers' very selves.
Look at me, sir; my age is double yours:
At yours, I knew beforehand, so enjoyed,
What now I should be--as, permit the word,
I pretty well imagine your whole range
And stretch of tether twenty years to come.
We both have minds and bodies much alike:
In truth's name, don't you want my bishopric,
My daily bread, my influence and my state?
You're young. I'm old; you must be old one day;
Will you find then, as I do hour by hour,
Women their lovers kneel to, who cut curls
From your fat lap-dog's ear to grace a brooch--
Dukes, who petition just to kiss your ring--
With much beside you know or may conceive?
Suppose we die to-night: well, here am I,
Such were my gains, life bore this fruit to me,
While writing all the same my articles
On music, poetry, the fictile vase
Found at Albano, chess, Anacreon's Greek.
But you--the highest honour in your life,
The thing you'll crown yourself with, all your days,
Is--dining here and drinking this last glass
I pour you out in sign of amity
Before we part for ever. Of your power
And social influence, worldly worth in short,
Judge what's my estimation by the fact,
I do not condescend to enjoin, beseech,


Hint secrecy on one of all these words!
You're shrewd and know that should you publish one
The world would brand the lie--my enemies first,
Who'd sneer--"the bishop's an arch-hypocrite
"And knave perhaps, but not so frank a fool."
Whereas I should not dare for both my ears
Breathe one such syllable, smile one such smile,
Before the chaplain who reflects myself--
My shade's so much more potent than your flesh.
What's your reward, self-abnegating friend?
Stood you confessed of those exceptional
And privileged great natures that dwarf mine--
A zealot with a mad ideal in reach,
A poet just about to print his ode,
A statesman with a scheme to stop this war,
An artist whose religion is his art--
I should have nothing to object: such men
Carry the fire, all things grow warm to them,
Their drugget's worth my purple, they beat me.
But you,--you're just as little those as I--
You, Gigadibs, who, thirty years of age,
Write statedly for Blackwood's Magazine,
Believe you see two points in Hamlet's soul
Unseized by the Germans yet--which view you'll print--
Meantime the best you have to show being still
That lively lightsome article we took
Almost for the true Dickens,--what's its name?
"The Slum and Cellar, or Whitechapel life
"Limned after dark!" it made me laugh, I know,
And pleased a month, and brought you in ten pounds.
--Success I recognize and compliment,
And therefore give you, if you choose, three words
(The card and pencil-scratch is quite enough)
Which whether here, in Dublin or New York,
Will get you, prompt as at my eyebrow's wink,
Such terms as never you aspired to get
In all our own reviews and some not ours.
Go write your lively sketches! be the first
"Blougram, or The Eccentric Confidence"--
Or better simply say, "The Outward-bound."
Why, men as soon would throw it in my teeth
As copy and quote the infamy chalked broad
About me on the church-door opposite.
You will not wait for that experience though,
I fancy, howsoever you decide,
To discontinue--not detesting, not
Defaming, but at least--despising me!


Over his wine so smiled and talked his hour
Sylvester Blougram, styled in partibus
Episcopus, nec non --(the deuce knows what
It's changed to by our novel hierarchy)
With Gigadibs the literary man,
Who played with spoons, explored his plate's design,
And ranged the olive-stones about its edge,
While the great bishop rolled him out a mind
Long crumpled, till creased consciousness lay smooth.
For Blougram, he believed, say, half he spoke.
The other portion, as he shaped it thus
For argumentatory purposes,
He felt his foe was foolish to dispute.
Some arbitrary accidental thoughts
That crossed his mind, amusing because new,
He chose to represent as fixtures there,
Invariable convictions (such they seemed
Beside his interlocutor's loose cards
Flung daily down, and not the same way twice)
While certain hell deep instincts, man's weak tongue
Is never bold to utter in their truth
Because styled hell-deep ('t is an old mistake
To place hell at the bottom of the earth)
He ignored these,--not having in readiness
Their nomenclature and philosophy:
He said true things, but called them by wrong names.
"On the whole," he thought, "I justify myself
"On every point where cavillers like this
"Oppugn my life: he tries one kind of fence,
"I close, he's worsted, that's enough for him.
"He's on the ground: if ground should break away
"I take my stand on, there's a firmer yet
"Beneath it, both of us may sink and reach.
"His ground was over mine and broke the first:
"So, let him sit with me this many a year!"
He did not sit five minutes. Just a week
Sufficed his sudden healthy vehemence.
Something had struck him in the "Outward-bound"
Another way than Blougram's purpose was:
And having bought, not cabin-furniture
But settler's-implements (enough for three)
And started for Australia--there, I hope,
By this time he has tested his first plough,
And studied his last chapter of St. John.

Any Wife To Any Husband
My love, this is the bitterest, that thou---
Who art all truth, and who dost love me now
As thine eyes say, as thy voice breaks to say---
Shouldst love so truly, and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay.
II.
I have but to be by thee, and thy hand
Will never let mine go, nor heart withstand
The beating of my heart to reach its place.
When shall I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.
III.
Oh, I should fade---'tis willed so! Might I save,
Gladly I would, whatever beauty gave
Joy to thy sense, for that was precious too.
It is not to be granted. But the soul
Whence the love comes, all ravage leaves that whole;
Vainly the flesh fades; soul makes all things new.
IV.
It would not be because my eye grew dim
Thou couldst not find the love there, thanks to Him
Who never is dishonoured in the spark
He gave us from his fire of fires, and bade
Remember whence it sprang, nor be afraid
While that burns on, though all the rest grow dark.
V.
So, how thou wouldst be perfect, white and clean
Outside as inside, soul and soul's demesne
Alike, this body given to show it by!
Oh, three-parts through the worst of life's abyss,
What plaudits from the next world after this,
Couldst thou repeat a stroke and gain the sky!
VI.
And is it not the bitterer to think
That, disengage our hands and thou wilt sink
Although thy love was love in very deed?
I know that nature! Pass a festive day,
Thou dost not throw its relic-flower away
Nor bid its music's loitering echo speed.


VII.
Thou let'st the stranger's glove lie where it fell;
If old things remain old things all is well,
For thou art grateful as becomes man best
And hadst thou only heard me play one tune,
Or viewed me from a window, not so soon
With thee would such things fade as with the rest.
VIII.
I seem to see! We meet and part; 'tis brief;
The book I opened keeps a folded leaf,
The very chair I sat on, breaks the rank
That is a portrait of me on the wall---
Three lines, my face comes at so slight a call:
And for all this, one little hour to thank!
IX.
But now, because the hour through years was fixed,
Because our inmost beings met and mixed,
Because thou once hast loved me---wilt thou dare
Say to thy soul and Who may list beside,
``Therefore she is immortally my bride;
``Chance cannot change my love, nor time impair.
X.
``So, what if in the dusk of life that's left,
``I, a tired traveller of my sun bereft,
Look from my path when, mimicking the same,
``The fire-fly glimpses past me, come and gone?
``---Where was it till the sunset? where anon
``It will be at the sunrise! What's to blame?''
XI.
Is it so helpful to thee? Canst thou take
The mimic up, nor, for the true thing's sake,
Put gently by such efforts at a beam?
Is the remainder of the way so long,
Thou need'st the little solace, thou the strong
Watch out thy watch, let weak ones doze and dream!
XII.
---Ah, but the fresher faces! ``Is it true,''
Thou'lt ask, ``some eyes are beautiful and new?
``Some hair,---how can one choose but grasp such wealth?
``And if a man would press his lips to lips
``Fresh as the wilding hedge-rose-cup there slips


``The dew-drop out of, must it be by stealth?
XIII.
``It cannot change the love still kept for Her,
``More than if such a picture I prefer
``Passing a day with, to a room's bare side:
The painted form takes nothing she possessed,
Yet, while the Titian's Venus lies at rest,
A man looks. Once more, what is there to chide?''
XIV.
So must I see, from where I sit and watch,
My own self sell myself, my hand attach
Its warrant to the very thefts from me---
Thy singleness of soul that made me proud,
Thy purity of heart I loved aloud,
Thy man's-truth I was bold to bid God see!
XV.
Love so, then, if thou wilt! Give all thou canst
Away to the new faces---disentranced,
(Say it and think it) obdurate no more:
Re-issue looks and words from the old mint,
Pass them afresh, no matter whose the print
Image and superscription once they bore
XVI.
Re-coin thyself and give it them to spend,---
It all comes to the same thing at the end,
Since mine thou wast, mine art and mine shalt be,
Faithful or faithless, scaling up the sum
Or lavish of my treasure, thou must come
Back to the heart's place here I keep for thee!
XVII.
Only, why should it be with stain at all?
Why must I, 'twixt the leaves of coronal,
Put any kiss of pardon on thy brow?
Why need the other women know so much,
And talk together, ``Such the look and such
``The smile he used to love with, then as now!''
XVIII.
Might I die last and show thee! Should I find
Such hardship in the few years left behind,
If free to take and light my lamp, and go


Into thy tomb, and shut the door and sit,
Seeing thy face on those four sides of it
The better that they are so blank, I know!
XIX.
Why, time was what I wanted, to turn o'er
Within my mind each look, get more and more
By heart each word, too much to learn at first;
And join thee all the fitter for the pause
'Neath the low doorway's lintel. That were cause
For lingering, though thou calledst, if I durst!
XX.
And yet thou art the nobler of us two
What dare I dream of, that thou canst not do,
Outstripping my ten small steps with one stride?
I'll say then, here's a trial and a task---
Is it to bear?---if easy, I'll not ask:
Though love fail, I can trust on in thy pride.
XXI.
Pride?---when those eyes forestall the life behind
The death I have to go through!---when I find,
Now that I want thy help most, all of thee!
What did I fear? Thy love shall hold me fast
Until the little minute's sleep is past
And I wake saved.---And yet it will not be!

Andrea del Sarto
But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,--but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if--forgive now--should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,
Both of one mind, as married people use,
Quietly, quietly the evening through,
I might get up to-morrow to my work
Cheerful and fresh as ever. Let us try.
To-morrow, how you shall be glad for this!
Your soft hand is a woman of itself,
And mine the man's bared breast she curls inside.
Don't count the time lost, neither; you must serve
For each of the five pictures we require:
It saves a model. So! keep looking so--
My serpentining beauty, rounds on rounds!
--How could you ever prick those perfect ears,
Even to put the pearl there! oh, so sweet--
My face, my moon, my everybody's moon,
Which everybody looks on and calls his,
And, I suppose, is looked on by in turn,
While she looks--no one's: very dear, no less.
You smile? why, there's my picture ready made,
There's what we painters call our harmony!
A common greyness silvers everything,--
All in a twilight, you and I alike
--You, at the point of your first pride in me
(That's gone you know),--but I, at every point;
My youth, my hope, my art, being all toned down
To yonder sober pleasant Fiesole.
There's the bell clinking from the chapel-top;
That length of convent-wall across the way
Holds the trees safer, huddled more inside;
The last monk leaves the garden; days decrease,
And autumn grows, autumn in everything.
Eh? the whole seems to fall into a shape
As if I saw alike my work and self
And all that I was born to be and do,
A twilight-piece. Love, we are in God's hand.
How strange now, looks the life he makes us lead;
So free we seem, so fettered fast we are!
I feel he laid the fetter: let it lie!


This chamber for example--turn your head--
All that's behind us! You don't understand
Nor care to understand about my art,
But you can hear at least when people speak:
And that cartoon, the second from the door
--It is the thing, Love! so such things should be--
Behold Madonna!--I am bold to say.
I can do with my pencil what I know,
What I see, what at bottom of my heart
I wish for, if I ever wish so deep--
Do easily, too--when I say, perfectly,
I do not boast, perhaps: yourself are judge,
Who listened to the Legate's talk last week,
And just as much they used to say in France.
At any rate 'tis easy, all of it!
No sketches first, no studies, that's long past:
I do what many dream of, all their lives,
--Dream? strive to do, and agonize to do,
And fail in doing. I could count twenty such
On twice your fingers, and not leave this town,
Who strive--you don't know how the others strive
To paint a little thing like that you smeared
Carelessly passing with your robes afloat,--
Yet do much less, so much less, Someone says,
(I know his name, no matter)--so much less!
Well, less is more, Lucrezia: I am judged.
There burns a truer light of God in them,
In their vexed beating stuffed and stopped-up brain,
Heart, or whate'er else, than goes on to prompt
This low-pulsed forthright craftsman's hand of mine.
Their works drop groundward, but themselves, I know,
Reach many a time a heaven that's shut to me,
Enter and take their place there sure enough,
Though they come back and cannot tell the world.
My works are nearer heaven, but I sit here.
The sudden blood of these men! at a word--
Praise them, it boils, or blame them, it boils too.
I, painting from myself and to myself,
Know what I do, am unmoved by men's blame
Or their praise either. Somebody remarks
Morello's outline there is wrongly traced,
His hue mistaken; what of that? or else,
Rightly traced and well ordered; what of that?
Speak as they please, what does the mountain care?
Ah, but a man's reach should exceed his grasp,
Or what's a heaven for? All is silver-grey,
Placid and perfect with my art: the worse!
I know both what I want and what might gain,
And yet how profitless to know, to sigh
"Had I been two, another and myself,
"Our head would have o'erlooked the world!" No doubt.
Yonder's a work now, of that famous youth


The Urbinate who died five years ago.
('Tis copied, George Vasari sent it me.)
Well, I can fancy how he did it all,
Pouring his soul, with kings and popes to see,
Reaching, that heaven might so replenish him,
Above and through his art--for it gives way;
That arm is wrongly put--and there again--
A fault to pardon in the drawing's lines,
Its body, so to speak: its soul is right,
He means right--that, a child may understand.
Still, what an arm! and I could alter it:
But all the play, the insight and the stretch--
(Out of me, out of me! And wherefore out?
Had you enjoined them on me, given me soul,
We might have risen to Rafael, I and you!
Nay, Love, you did give all I asked, I think--
More than I merit, yes, by many times.
But had you--oh, with the same perfect brow,
And perfect eyes, and more than perfect mouth,
And the low voice my soul hears, as a bird
The fowler's pipe, and follows to the snare --
Had you, with these the same, but brought a mind!
Some women do so. Had the mouth there urged
"God and the glory! never care for gain.
"The present by the future, what is that?
"Live for fame, side by side with Agnolo!
"Rafael is waiting: up to God, all three!"
I might have done it for you. So it seems:
Perhaps not. All is as God over-rules.
Beside, incentives come from the soul's self;
The rest avail not. Why do I need you?
What wife had Rafael, or has Agnolo?
In this world, who can do a thing, will not;
And who would do it, cannot, I perceive:
Yet the will's somewhat--somewhat, too, the power--
And thus we half-men struggle. At the end,
God, I conclude, compensates, punishes.
'Tis safer for me, if the award be strict,
That I am something underrated here,
Poor this long while, despised, to speak the truth.
I dared not, do you know, leave home all day,
For fear of chancing on the Paris lords.
The best is when they pass and look aside;
But they speak sometimes; I must bear it all.
Well may they speak! That Francis, that first time,
And that long festal year at Fontainebleau!
I surely then could sometimes leave the ground,
Put on the glory, Rafael's daily wear,
In that humane great monarch's golden look,--
One finger in his beard or twisted curl
Over his mouth's good mark that made the smile,
One arm about my shoulder, round my neck,


The jingle of his gold chain in my ear,
I painting proudly with his breath on me,
All his court round him, seeing with his eyes,
Such frank French eyes, and such a fire of souls
Profuse, my hand kept plying by those hearts,--
And, best of all, this, this, this face beyond,
This in the background, waiting on my work,
To crown the issue with a last reward!
A good time, was it not, my kingly days?
And had you not grown restless... but I know--
'Tis done and past: 'twas right, my instinct said:
Too live the life grew, golden and not grey,
And I'm the weak-eyed bat no sun should tempt
Out of the grange whose four walls make his world.
How could it end in any other way?
You called me, and I came home to your heart.
The triumph was--to reach and stay there; since
I reached it ere the triumph, what is lost?
Let my hands frame your face in your hair's gold,
You beautiful Lucrezia that are mine!
"Rafael did this, Andrea painted that;
"The Roman's is the better when you pray,
"But still the other's Virgin was his wife--"
Men will excuse me. I am glad to judge
Both pictures in your presence; clearer grows
My better fortune, I resolve to think.
For, do you know, Lucrezia, as God lives,
Said one day Agnolo, his very self,
To Rafael . . . I have known it all these years . . .
(When the young man was flaming out his thoughts
Upon a palace-wall for Rome to see,
Too lifted up in heart because of it)
"Friend, there's a certain sorry little scrub
"Goes up and down our Florence, none cares how,
"Who, were he set to plan and execute
"As you are, pricked on by your popes and kings,
"Would bring the sweat into that brow of yours!"
To Rafael's!--And indeed the arm is wrong.
I hardly dare . . . yet, only you to see,
Give the chalk here--quick, thus, the line should go!
Ay, but the soul! he's Rafael! rub it out!
Still, all I care for, if he spoke the truth,
(What he? why, who but Michel Agnolo?
Do you forget already words like those?)
If really there was such a chance, so lost,--
Is, whether you're--not grateful--but more pleased.
Well, let me think so. And you smile indeed!
This hour has been an hour! Another smile?
If you would sit thus by me every night
I should work better, do you comprehend?
I mean that I should earn more, give you more.
See, it is settled dusk now; there's a star;


Morello's gone, the watch-lights show the wall,
The cue-owls speak the name we call them by.
Come from the window, love,--come in, at last,
Inside the melancholy little house
We built to be so gay with. God is just.
King Francis may forgive me: oft at nights
When I look up from painting, eyes tired out,
The walls become illumined, brick from brick
Distinct, instead of mortar, fierce bright gold,
That gold of his I did cement them with!
Let us but love each other. Must you go?
That Cousin here again? he waits outside?
Must see you--you, and not with me? Those loans?
More gaming debts to pay? you smiled for that?
Well, let smiles buy me! have you more to spend?
While hand and eye and something of a heart
Are left me, work's my ware, and what's it worth?
I'll pay my fancy. Only let me sit
The grey remainder of the evening out,
Idle, you call it, and muse perfectly
How I could paint, were I but back in France,
One picture, just one more--the Virgin's face,
Not yours this time! I want you at my side
To hear them--that is, Michel Agnolo--
Judge all I do and tell you of its worth.
Will you? To-morrow, satisfy your friend.
I take the subjects for his corridor,
Finish the portrait out of hand--there, there,
And throw him in another thing or two
If he demurs; the whole should prove enough
To pay for this same Cousin's freak. Beside,
What's better and what's all I care about,
Get you the thirteen scudi for the ruff!
Love, does that please you? Ah, but what does he,
The Cousin! what does he to please you more?
I am grown peaceful as old age to-night.
I regret little, I would change still less.
Since there my past life lies, why alter it?
The very wrong to Francis!--it is true
I took his coin, was tempted and complied,
And built this house and sinned, and all is said.
My father and my mother died of want.
Well, had I riches of my own? you see
How one gets rich! Let each one bear his lot.
They were born poor, lived poor, and poor they died:
And I have laboured somewhat in my time
And not been paid profusely. Some good son
Paint my two hundred pictures--let him try!
No doubt, there's something strikes a balance. Yes,
You loved me quite enough. it seems to-night.
This must suffice me here. What would one have?


In heaven, perhaps, new chances, one more chance--
Four great walls in the New Jerusalem,
Meted on each side by the angel's reed,
For Leonard, Rafael, Agnolo and me
To cover--the three first without a wife,
While I have mine! So--still they overcome
Because there's still Lucrezia,--as I choose.
Again the Cousin's whistle! Go, my Love.

Among the Rocks
Oh, good gigantic smile o' the brown old earth,
This autumn morning! How he sets his bones
To bask i' the sun, and thrusts out knees and feet
For the ripple to run over in its mirth;
Listening the while, where on the heap of stones
The white breast of the sea-lark twitters sweet.
That is the doctrine, simple, ancient, true;
Such is life's trial, as old earth smiles and knows.
If you loved only what were worth your love,
Love were clear gain, and wholly well for you:
Make the low nature better by your throes!
Give earth yourself, go up for gain above!

After
Take the cloak from his face, and at first
Let the corpse do its worst!
How he lies in his rights of a man!
Death has done all death can.
And, absorbed in the new life he leads,
He recks not, he heeds
Nor his wrong nor my vengeance; both strike
On his senses alike,
And are lost in the solemn and strange
Surprise of the change.
Ha, what avails death to erase
His offence, my disgrace?
I would we were boys as of old
In the field, by the fold:
His outrage, God's patience, man's scorn
Were so easily borne!
I stand here now, he lies in his place:
Cover the face!

Abt Vogler
Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!
Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was,
Ay, another and yet another, one crowd but with many a crest,
Raising my rampired walls of gold as transparent as glass,
Eager to do and die, yield each his place to the rest:
For higher still and higher (as a runner tips with fire,
When a great illumination surprises a festal night--
Outlining round and round Rome's dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth,
Nature in turn conceived, obeying an impulse as I;
And the emulous heaven yearned down, made effort to reach the earth,
As the earth had done her best, in my passion, to scale the sky:
Novel splendours burst forth, grew familiar and dwelt with mine,
Not a point nor peak but found and fixed its wandering star;
Meteor-moons, balls of blaze: and they did not pale nor pine,
For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow,
Presences plain in the place; or, fresh from the Protoplast,
Furnished for ages to come, when a kindlier wind should blow,
Lured now to begin and live, in a house to their liking at last;
Or else the wonderful Dead who have passed through the body and gone,
But were back once more to breathe in an old world worth their new:
What never had been, was now; what was, as it shall be anon;
And what is,--shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul,
All through my soul that praised as its wish flowed visibly forth,
All through music and me! For think, had I painted the whole,
Why, there it had stood, to see, nor the process so wonder-worth:
Had I written the same, made verse--still, effect proceeds from cause,
Ye know why the forms are fair, ye hear how the tale is told;
It is all triumphant art, but art in obedience to laws,


Painter and poet are proud in the artist-list enrolled:--
But here is the finger of God, a flash of the will that can,
Existent behind all laws, that made them and, lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought;
It is everywhere in the world--loud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And, there! Ye have heard and seen: consider and bow the head!
Well, it is gone at last, the palace of music I reared;
Gone! and the good tears start, the praises that come too slow;
For one is assured at first, one scarce can say that he feared,
That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind
As good, nay, better, perchance: is this your comfort to me?
To me, who must be saved because I cling with my mind
To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name?
Builder and maker, thou, of houses not made with hands!
What, have fear of change from thee who art ever the same?
Doubt that thy power can fill the heart that thy power expands?
There shall never be one lost good! What was, shall live as before;
The evil is null, is nought, is silence implying sound;
What was good shall be good, with, for evil, so much good more;
On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist;
Not its semblance, but itself; no beauty, nor good, nor power
Whose voice has gone forth, but each survives for the melodist
When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
Are music sent up to God by the lover and the bard;
Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence
For the fulness of the days? Have we withered or agonized?
Why else was the pause prolonged but that singing might issue thence?
Why rushed the discords in, but that harmony should be prized?
Sorrow is hard to bear, and doubt is slow to clear,
Each sufferer says his say, his scheme of the weal and woe:
But God has a few of us whom he whispers in the ear;
The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign:
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones till I sink to the minor,--yes,
And I blunt it into a ninth, and I stand on alien ground,


Surveying awhile the heights I rolled from into the deep;
Which, hark, I have dared and done, for my resting-place is found,
The C Major of this life: so, now I will try to sleep.

A Toccata Of Galuppi's
I.
Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I take your meaning, 'tis with such a heavy mind!
II.
Here you come with all your music, and here's all the good it brings.
What, they lived once thus at Venice where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?
III.
Ay, because the sea's the street there; and 'tis arched by ... what you call
... Shylock's bridge with houses on it, where they kept the carnival:
I was never out of England---it's as if I saw it all.
IV.
Did young people take their pleasure when the sea was warm in May?
Balls and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?
V.
Was a lady such a lady, cheeks so round and lips so red,---
On her neck the small face buoyant, like a bell-flower on its bed,
O'er the breast's superb abundance where a man might base his head?
VI.
Well, and it was graceful of them---they'd break talk off and afford
---She, to bite her mask's black velvet---he, to finger on his sword,
While you sat and played Toccatas, stately at the clavichord?
VII.
What? Those lesser thirds so plaintive, sixths diminished, sigh on sigh,
Told them something? Those suspensions, those solutions---``Must we die?''
Those commiserating sevenths---``Life might last! we can but try!''
VIII.
``Were you happy?''---``Yes.''---``And are you still as happy?''---``Yes. And you?''
---``Then, more kisses!''---``Did _I_ stop them, when a million seemed so few?''
Hark, the dominant's persistence till it must be answered to!
IX.
So, an octave struck the answer. Oh, they praised you, I dare say!


``Brave Galuppi! that was music! good alike at grave and gay!
``I can always leave off talking when I hear a master play!''
X.
Then they left you for their pleasure: till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly and took them where they never see the sun.
XI.
But when I sit down to reason, think to take my stand nor swerve,
While I triumph o'er a secret wrung from nature's close reserve,
In you come with your cold music till I creep thro' every nerve.
XII.
Yes, you, like a ghostly cricket, creaking where a house was burned:
``Dust and ashes, dead and done with, Venice spent what Venice earned.
``The soul, doubtless, is immortal---where a soul can be discerned.
XIII.
``Yours for instance: you know physics, something of geology,
``Mathematics are your pastime; souls shall rise in their degree;
``Butterflies may dread extinction,---you'll not die, it cannot be!
XIV.
``As for Venice and her people, merely born to bloom and drop,
``Here on earth they bore their fruitage, mirth and folly were the crop:
``What of soul was left, I wonder, when the kissing had to stop?
XV.
``Dust and ashes!'' So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too---what's become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.
* . An overture---a touch piece.