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Rudyard Kipling

Rudyard Kipling

Hunting Song of the Seeonee Pack

Hunting Song of the Seeonee Pack
As the dawn was breaking the Sambhur belled
Once, twice, and again!
And a doe leaped up -- and a doe leaped up
From the pond in the wood where the wild deer sup.
This I, scouting alone, beheld,
Once, twice, and again!
As the dawn was breaking the Sambhur belled
Once, twice, and again!
And a wolf stole back -- and a wolf stole back
To carry the word to the waiting Pack;
And we sought and we found and we bayed on his track
Once, twice, and again!
As the dawn was breaking the Wolf-pack yelled
Once, twice, and again!
Feet in the jungle that leave no mark!
Eyes that can see in the dark -- the dark!
Tongue -- give tongue to it! Hark! O Hark!
Once, twice, and again!
His spots are the joy of the Leopard: his horns are the Buffalo's pride --
Be clean, for the strength of the hunter is known by the gloss of his hide.
If ye find that the Bullock can toss you, or the heavy-browed Sambhur can gore;
Ye need not stop work to inform us; we knew it ten seasons before.
Oppress not the cubs of the stranger, but hail them as Sister and Brother,
For though they are little and fubsy, it may be the Bear is their mother.
"There is none like to me!" says the Cub in the pride of his earliest kill;
But the Jungle is large and the Cub he is small. Let him think and be still.
467
James Joyce

James Joyce

Thou Leanest to the Shell of Night

Thou Leanest to the Shell of Night

Thou leanest to the shell of night,
Dear lady, a divining ear.
In that soft choiring of delight
What sound hath made thy heart to fear?
Seemed it of rivers rushing forth
From the grey deserts of the north?


That mood of thine
Is his, if thou but scan it well,
Who a mad tale bequeaths to us
At ghosting hour conjurable -- -
And all for some strange name he read
In Purchas or in Holinshed.
150
Rudyard Kipling

Rudyard Kipling

How the Rhinoceros got His Skin

How the Rhinoceros got His Skin
This Uninhabited Island
Is near Cape Gardafui;
But it's hot--too hot--of Suez
For the likes of you and me
Ever to go in a P. & O.
To call on the Cake Parsee.
490
James Joyce

James Joyce

The Twilight Turns

The Twilight Turns

The twilight turns from amethyst
To deep and deeper blue,
The lamp fills with a pale green glow
The trees of the avenue.


The old piano plays an air,
Sedate and slow and gay;
She bends upon the yellow keys,
Her head inclines this way.


Shy thought and grave wide eyes and hands
That wander as they list -- -
The twilight turns to darker blue
With lights of amethyst.
167
Rudyard Kipling

Rudyard Kipling

How the Camel Got His Hump

How the Camel Got His Hump
The Camel's hump is an ugly lump
Which well you may see at the Zoo;
But uglier yet is the hump we get
From having too little to do.
Kiddies and grown-ups too-oo-oo,
If we haven't enough to do-oo-oo,
We get the hump--
Cameelious hump--
The hump that is black and blue!
We climb out of bed with a frouzly head,
And a snarly-yarly voice.
We shiver and scowl and we grunt and we growl
At our bath and our boots and our toys;
And there ought to be a corner for me
(And I know' there is one for you)
When we get the hump--
Cameelious hump--
The hump that is black and blue!
The cure for this ill is not to sit still,
Or frowst with a book by the fire;
But to take a large hoe and a shovel also,
And dig till you gently perspire;
And then you will find that the sun and the wind,
And the Djinn of the Garden too,
Have lifted the hump--
The horrible hump--
The hump that is black and blue!
I get it as well as you-oo-oo--
If I haven't enough to do-oo-oo!
We all get hump--
Cameelious hump--
Kiddies and grown-ups too!
467
James Joyce

James Joyce

Strings in the Earth and Air

Strings in the Earth and Air

Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.


There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.


All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
199
Rudyard Kipling

Rudyard Kipling

How Fear Came

How Fear Came
The stream is shrunk--the pool is dry,
And we be comrades, thou and I;
With fevered jowl and dusty flank
Each jostling each along the bank;
And, by one drouthy fear made still,
Forgoing thought of quest or kill.
Now 'neath his dam the fawn may see,
The lean Pack-Wolf as cowed as he,
And the tall buck, unflinching, note
The fangs that tore his father's throat.
The pools are shrunk--the streams are dry,
And we be playmates, thou and I,
Till yonder cloud--Good Hunting!--Loose
The rain that breaks our Water Truce.
433
James Joyce

James Joyce

Sleep Now, O Sleep Now

Sleep Now, O Sleep Now

Sleep now, O sleep now,
O you unquiet heart!
A voice crying "Sleep now"
Is heard in my heart.


The voice of the winter
Is heard at the door.
O sleep, for the winter
Is crying "Sleep no more."


My kiss will give peace now
And quiet to your heart -- -
Sleep on in peace now,
O you unquiet heart!
169
Rudyard Kipling

Rudyard Kipling

Heriot's Ford

Heriot's Ford
"What's that that hirples at my side?"
The foe that you must fight, my lord.
"That rides as fast as I can ride?"
The shadow of your might, my lord.
"Then wheel my horse against the foe!"
He's down and overpast, my lord.
You war against the sunset-glow,
The judgment follows fast, my lord!
"Oh, who will stay the sun's descent?"
King Joshua he is dead, my lord.
"I need an hour to repent!"
'Tis what our sister said, my lord.
"Oh, do not slay me in my sins!"
You're safe awhile with us, my lord.
"Nay, kill me ere my fear begins!"
We would not serve you thus, my lord.
"Where is the doom that I must face?"
Three little leagues away, my lord.
"Then mend the horses' laggard pace!"
We need them for next day, my lord.
"Next day--next day! Unloose my cords!"
Our sister needed none, my lord.
You had no mind to face our swords,
And--where can cowards run, my lord?
"You would not kill the soul alive?"
'Twas thus our sister cried, my lord.
"I dare not die with none to shrive."
But so our sister died, my lord.
"Then wipe the sweat from brow and cheek."
It runnels forth afresh, my lord.
"Uphold me--for the flesh is weak."
You've finished with the Flesh, my lord!
432
James Joyce

James Joyce

Silently She's Combing

Silently She's Combing

Silently she's combing,
Combing her long hair
Silently and graciously,
With many a pretty air.


The sun is in the willow leaves
And on the dappled grass,
And still she's combing her long hair
Before the looking-glass.


I pray you, cease to comb out,
Comb out your long hair,
For I have heard of witchery
Under a pretty air,


That makes as one thing to the lover
Staying and going hence,
All fair, with many a pretty air
And many a negligence.
293
Rudyard Kipling

Rudyard Kipling

Harp Song of the Dane Women

Harp Song of the Dane Women
What is a woman that you forsake her,
And the hearth-fire and the home-acre.
To go with the old grey Widow-maker?
She has no house to lay a guest in
But one chill bed for all to rest in,
That the pale suns and the stray bergs nest in.
She has no strong white arms to fold you,
But the ten-times-fingering weed to hold you
Out on the rocks where the tide has rolled you.
Yet, when the signs of summer thicken,
And the ice breaks, and the birch-buds quicken,
Yearly you turn from our side, and sicken- -
Sicken again for the shouts and the slaughters.
You steal away to the lapping waters,
And look at your ship in her winter-quarters.
You forget our mirth, and talk at the tables,
The kine in the shed and the horse in the stables
To pitch her sides and go over her cables.
Then you drive out where the storm-clouds swallow,
And the sound of your oar-blades, falling hollow,
Is all we have left through the months to follow.
Ah, what is Woman that you forsake her,
And the hearth-fire and the home-acre,
To go with the old grey Widow-maker?
440
James Joyce

James Joyce

Rain Has Fallen All the Day

Rain Has Fallen All the Day

Rain has fallen all the day.
O come among the laden trees:
The leaves lie thick upon the way
Of memories.


Staying a little by the way
Of memories shall we depart.
Come, my beloved, where I may
Speak to your heart.
167
Rudyard Kipling

Rudyard Kipling

Hadramauti

Hadramauti
Who knows the heart of the Christian? How does he reason?
What are his measures and balances? Which is his season
For laughter, forbearance or bloodshed, and what devils move him
When he arises to smite us? I do not love him.
He invites the derision of strangers—he enters all places.
Booted, bareheaded he enters. With shouts and embraces
He asks of us news of the household whom we reckon nameless.
Certainly Allah created him forty-fold shameless!
So it is not in the Desert. One came to me weeping—
The Avenger of Blood on his track—I took him in keeping.
Demanding not whom he had slain, I refreshed him, I fed him
As he were even a brother. But Eblis had bred him.
He was the son of an ape, ill at ease in his clothing.
He talked with his head, hands and feet. I endured him with loathing.
Whatever his spirit conceived his countenance showed it
As a frog shows in a mud-puddle. Yet I abode it!
I fingered my beard and was dumb, in silence confronting him.
His soul was too shallow for silence, e'en with Death hunting him.
I said: "'Tis his weariness speaks," but, when he had rested,
He chirped in my face like some sparrow, and, presently, jested!
Wherefore slew I that stranger? He brought me dishonour.
I saddled my mare, Bijli, I set him upon her.
I gave him rice and goat's flesh. He bared me to laughter.
When he was gone from my tent, swift I followed after,
Taking my sword in my hand. The hot wine had filled him.
Under the stars he mocked me—therefore I killed him!
417
James Joyce

James Joyce

Of That So Sweet Imprisonment

Of That So Sweet Imprisonment

Of that so sweet imprisonment
My soul, dearest, is fain -- -
Soft arms that woo me to relent
And woo me to detain.
Ah, could they ever hold me there
Gladly were I a prisoner!


Dearest, through interwoven arms
By love made tremulous,
That night allures me where alarms
Nowise may trouble us;
But lseep to dreamier sleep be wed
Where soul with soul lies prisoned.
321
Rudyard Kipling

Rudyard Kipling

Gunga Din

Gunga Din
You may talk o' gin and beer
When you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But when it comes to slaughter
You will do your work on water,
An' you'll lick the bloomin' boots of 'im that's got it.
Now in Injia's sunny clime,
Where I used to spend my time
A-servin' of 'Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
He was "Din! Din! Din!
You limpin' lump o' brick-dust, Gunga Din!
Hi! slippery ~hitherao~!
Water, get it! ~Panee lao~! [Bring water swiftly.]
You squidgy-nosed old idol, Gunga Din."
The uniform 'e wore
Was nothin' much before,
An' rather less than 'arf o' that be'ind,
For a piece o' twisty rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.
When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted "Harry By!" [Mr. Atkins's equivalent for "O brother."]
Till our throats were bricky-dry,
Then we wopped 'im 'cause 'e couldn't serve us all.
It was "Din! Din! Din!
You 'eathen, where the mischief 'ave you been?
You put some ~juldee~ in it [Be quick.]
Or I'll ~marrow~ you this minute [Hit you.]
If you don't fill up my helmet, Gunga Din!"
'E would dot an' carry one
Till the longest day was done;
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,
'E'd be waitin' fifty paces right flank rear.
With 'is ~mussick~ on 'is back, [Water-skin.]
'E would skip with our attack,
An' watch us till the bugles made "Retire",
An' for all 'is dirty 'ide
'E was white, clear white, inside
When 'e went to tend the wounded under fire!
It was "Din! Din! Din!"
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,
You could hear the front-files shout,


"Hi! ammunition-mules an' Gunga Din!"
I shan't forgit the night
When I dropped be'ind the fight
With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' he plugged me where I bled,
An' 'e guv me 'arf-a-pint o' water-green:
It was crawlin' and it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
It was "Din! Din! Din!
'Ere's a beggar with a bullet through 'is spleen;
'E's chawin' up the ground,
An' 'e's kickin' all around:
For Gawd's sake git the water, Gunga Din!"
'E carried me away
To where a dooli lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,
An' just before 'e died,
"I 'ope you liked your drink", sez Gunga Din.
So I'll meet 'im later on
At the place where 'e is gone --
Where it's always double drill and no canteen;
'E'll be squattin' on the coals
Givin' drink to poor damned souls,
An' I'll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I've belted you and flayed you,
By the livin' Gawd that made you,
You're a better man than I am, Gunga Din!
676
James Joyce

James Joyce

O Sweetheart, Hear You

O Sweetheart, Hear You

O Sweetheart, hear you
Your lover's tale;
A man shall have sorrow
When friends him fail.


For he shall know then
Friends be untrue
And a little ashes
Their words come to.


But one unto him
Will softly move
And softly woo him
In ways of love.


His hand is under
Her smooth round breast;
So he who has sorrow
Shall have rest.
139
Rudyard Kipling

Rudyard Kipling

Gods of the East

Gods of the East
Because I sought it far from men,
In deserts and alone,
I found it burning overhead,
The jewel of a Throne.
Because I sought--I sought it so
And spent my days to find--
It blazed one moment ere it left
The blacker night behind.
We be the Gods of the East--
Older than all--
Masters of Mourning and Feast--
How shall we fall?
* * * * *
This I saw when the rites were done,
And the lamps were dead and the Gods alone,
And the grey snake coiled on the altar stone--
Ere I fled from a Fear that I could not see,
And the Gods of the East made mouths at me.
436
James Joyce

James Joyce

Now, O Now in This Brown Land

Now, O Now in This Brown Land

Now, O now, in this brown land
Where Love did so sweet music make
We two shall wander, hand in hand,
Forbearing for old friendship' sake,
Nor grieve because our love was gay
Which now is ended in this way.


A rogue in red and yellow dress
Is knocking, knocking at the tree;
And all around our loneliness
The wind is whistling merrily.
The leaves -- - they do not sigh at all
When the year takes them in the fall.


Now, O now, we hear no more
The vilanelle and roundelay!
Yet will we kiss, sweetheart, before
We take sad leave at close of day.
Grieve not, sweetheart, for anything -- -
The year, the year is gathering.
157
Rudyard Kipling

Rudyard Kipling

Giffen's Debt

Giffen's Debt
Imprimis he was "broke." Thereafter left
His Regiment and, later, took to drink;
Then, having lost the balance of his friends,
"Went Fantee" -- joined the people of the land,
Turned three parts Mussulman and one Hindu,
And lived among the Gauri villagers,
Who gave him shelter and a wife or twain.
And boasted that a thorough, full-blood sahib
Had come among them. Thus he spent his time,
Deeply indebted to the village shroff
(Who never asked for payment), always drunk,
Unclean, abominable, out-at-heels;
Forgetting that he was an Englishman.
You know they dammed the Gauri with a dam,
And all the good contractors scamped their work
And all the bad material at hand
Was used to dam the Gauri -- which was cheap,
And, therefore, proper. Then the Gauri burst,
And several hundred thousand cubic tons
Of water dropped into the valley, flop,
And drowned some five-and-twenty villagers,
And did a lakh or two of detriment
To crops and cattle. When the flood went down
We found him dead, beneath an old dead horse,
Full six miles down the valley. So we said
He was a victim to the Demon Drink,
And moralised upon him for a week,
And then forgot him. Which was natural.
But, in the valley of the Gauri, men
Beneath the shadow of the big new dam,
Relate a foolish legend of the flood,
Accounting for the little loss of life
(Only those five-and-twenty villagers)
In this wise: -- On the evening of the flood,
They heard the groaning of the rotten dam,
And voices of the Mountain Devils. Then
And incarnation of the local God,
Mounted upon a monster-neighing horse,
And flourishing a flail-like whip, came down,
Breathing ambrosia, to the villages,
And fell upon the simple villagers
With yells beyond the power of mortal throat,
And blows beyond the power of mortal hand,
And smote them with his flail-like whip, and drove
Them clamorous with terror up the hill,
And scattered, with the monster-neighing steed,
Their crazy cottages about their ears,
And generally cleared those villages.
Then came the water, and the local God,
Breathing ambrosia, flourishing his whip,


And mounted on his monster-neighing steed,
Went down the valley with the flying trees
And residue of homesteads, while they watched
Safe on the mountain-side these wondrous things,
And knew that they were much beloved of Heaven.
Wherefore, and when the dam was newly built,
They raised a temple to the local God,
And burnt all manner of unsavoury things
Upon his altar, and created priests,
And blew into a conch and banged a bell,
And told the story of the Gauri flood
With circumstance and much embroidery. . . .
So hi, the whiskified Objectionable,
Unclean, abominable, out-at-heels,
Became the tutelary Deity
Of all the Gauri valley villages,
And may in time become a Solar Myth.
467
James Joyce

James Joyce

My Love Is in a Light Attire

My Love Is in a Light Attire

My love is in a light attire
Among the apple-trees,
Where the gay winds do most desire
To run in companies.


There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass;


And where the sky's a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.
212
Rudyard Kipling

Rudyard Kipling

Gertrude's Prayer

Gertrude's Prayer
That which is marred at birth Time shall not mend,
Nor water out of bitter well make clean;
All evil thing returneth at the end,
Or elseway walketh in our blood unseen.
Whereby the more is sorrow in certaine--
Dayspring mishandled cometh not againe.
To-bruized be that slender, sterting spray
Out of the oake's rind that should betide
A branch of girt and goodliness, straightway
Her spring is turned on herself, and wried
And knotted like some gall or veiney wen.--
Dayspring mishandled cometh not againe.
Noontide repayeth never morning-bliss--
Sith noon to morn is incomparable;
And, so it be our dawning goth amiss,
None other after--hour serveth well.
Ah! Jesu-Moder, pitie my oe paine--
Dayspring mishandled cometh not againe!
409
James Joyce

James Joyce

Love Came to Us

Love Came to Us

Love came to us in time gone by
When one at twilight shyly played
And one in fear was standing nigh -- -
For Love at first is all afraid.


We were grave lovers. Love is past
That had his sweet hours many a one;
Welcome to us now at the last
The ways that we shall go upon.
166
Rudyard Kipling

Rudyard Kipling

Gentleman-rankers

Gentleman-rankers
To the legion of the lost ones, to the cohort of the damned,
To my brethren in their sorrow overseas,
Sings a gentleman of England cleanly bred, machinely crammed,
And a trooper of the Empress, if you please.
Yea, a trooper of the forces who has run his own six horses,
And faith he went the pace and went it blind,
And the world was more than kin while he held the ready tin,
But to-day the Sergeant's something less than kind.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
Oh, it's sweet to sweat through stables, sweet to empty kitchen slops,
And it's sweet to hear the tales the troopers tell,
To dance with blowzy housemaids at the regimental hops
And thrash the cad who says you waltz too well.
Yes, it makes you cock-a-hoop to be "Rider" to your troop,
And branded with a blasted worsted spur,
When you envy, O how keenly, one poor Tommy being cleanly
Who blacks your boots and sometimes calls you "Sir".
If the home we never write to, and the oaths we never keep,
And all we know most distant and most dear,
Across the snoring barrack-room return to break our sleep,
Can you blame us if we soak ourselves in beer?
When the drunken comrade mutters and the great guard-lantern gutters
And the horror of our fall is written plain,
Every secret, self-revealing on the aching white-washed ceiling,
Do you wonder that we drug ourselves from pain?
We have done with Hope and Honour, we are lost to Love and Truth,
We are dropping down the ladder rung by rung,
And the measure of our torment is the measure of our youth.
God help us, for we knew the worst too young!
Our shame is clean repentance for the crime that brought the sentence,
Our pride it is to know no spur of pride,
And the Curse of Reuben holds us till an alien turf enfolds us
And we die, and none can tell Them where we died.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!

435
James Joyce

James Joyce

Lean Out of the Window

Lean Out of the Window

Lean out of the window,
Goldenhair,
I hear you singing
A merry air.


My book was closed,
I read no more,
Watching the fire dance
On the floor.


I have left my book,
I have left my room,
For I heard you singing
Through the gloom.


Singing and singing
A merry air,
Lean out of the window,
Goldenhair.
142