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John Keats

John Keats

Ode

Ode


Bards of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Double lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wound'rous,
And the parle of voices thund'rous;
With the whisper of heaven's trees
And one another, in soft ease.


Seated on Elysian lawns
Brows'd by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.


Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you,
Where your other souls are joying,
Never slumber'd, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim.
Thus ye teach us, every day,
Wisdom, though fled far away.


Bards of Passion and of Mirth,
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
491
John Keats

John Keats

Ode On A Grecian Urn

Ode On A Grecian Urn

Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.


O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe


Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
765
John Keats

John Keats

O Blush Not So!

O Blush Not So!

O BLUSH not so! O blush not so!
Or I shall think you knowing;

And if you smile the blushing while,
Then maidenheads are going.

There's a blush for want, and a blush for shan't,
And a blush for having done it;

There's a blush for thought, and a blush for nought,
And a blush for just begun it.

O sigh not so! O sigh not so!
For it sounds of Eve's sweet pippin;

By these loosen'd lips you have tasted the pips
And fought in an amorous nipping.

Will you play once more at nice-cut-core,
For it only will last our youth out,

And we have the prime of the kissing time,
We have not one sweet tooth out.

There's a sigh for aye, and a sigh for nay,
And a sigh for "I can't bear it!"

O what can be done, shall we stay or run?
O cut the sweet apple and share it!
527
John Keats

John Keats

Lines Written In The Highlands After A Visit To Burns's Country

Lines Written In The Highlands After A Visit To Burns's Country

There is a charm in footing slow across a silent plain,
Where patriot battle has been fought, where glory had the gain;
There is a pleasure on the heath where Druids old have been,
Where mantles grey have rustled by and swept the nettles green;
There is a joy in every spot made known by times of old,
New to the feet, although each tale a hundred times be told;
There is a deeper joy than all, more solemn in the heart,
More parching to the tongue than all, of more divine a smart,
When weary steps forget themselves upon a pleasant turf,
Upon hot sand, or flinty road, or sea-shore iron scurf,
Toward the castle or the cot, where long ago was born
One who was great through mortal days, and died of fame unshorn.
Light heather-bells may tremble then, but they are far away;
Wood-lark may sing from sandy fern, -- the Sun may hear this lay;
Runnels may kiss the grass on shelves and shallows clear,
But their low voices are not heard, though come on travels drear;
Blood-red the Sun may set behind the black mountain peaks;
Blue tides may sluice and drench their time in caves and weedy creeks;
Eagles may seem to sleep wing-side upon the air;
Ring-dove may fly convuls'd across to some high-cedar'd lair;
But the forgotten eye is still fast lidded to the ground,
As Palmer's, that with weariness, mid-desert shrine hath found.
At such a time the soul's a child, in childhood is the brain;
Forgotten is the worldly heart -- alone, it beats in vain.--
Aye, if a madman could have leave to pass a healthful day
To tell his forehead's swoon and faint when first began decay,
He might make tremble many a one whose spirit had gone forth
To find a Bard's low cradle-place about the silent North!
Scanty the hour and few the steps, because a longer stay
Would bar return, and make a man forget his mortal way:
O horrible! to lose the sight of well remember'd face,
Of Brother's eyes, of Sister's brow -- constant to every place;
Filling the air, as on we move, with portraiture intense;
More warm than those heroic tints that pain a painter's sense,
When shapes of old come striding by, and visages of old,
Locks shining black, hair scanty grey, and passions manifold.
No, no, that horror cannot be, for at the cable's length
Man feels the gentle anchor pull and gladdens in its strength:--
One hour, half-idiot, he stands by mossy waterfall,
But in the very next he reads his soul's memorial:--
He reads it on the mountain's height, where chance he may sit down
Upon rough marble diadem -- that hill's eternal crown.
Yet be his anchor e'er so fast, room is there for a prayer
That man may never lose his mind on mountains black and bare;
That he may stray league after league some great birth-place to find
And keep his vision clear from speck, his inward sight unblind.
421
John Keats

John Keats

Lines Rhymed In A Letter From Oxford

Lines Rhymed In A Letter From Oxford

I.
The Gothic looks solemn,
The plain Doric column
Supports an old Bishop and Crosier;
The mouldering arch,
Shaded o'er by a larch
Stands next door to Wilson the Hosier.
II.
Vice--that is, by turns,-O'er
pale faces mourns
The black tassell'd trencher and common hat;
The Chantry boy sings,
The Steeple-bell rings,
And as for the Chancellor--dominat.
III.
There are plenty of trees,
And plenty of ease,
And plenty of fat deer for Parsons;
And when it is venison,
Short is the benison,--
Then each on a leg or thigh fastens.
447
John Keats

John Keats

Lines On Seeing A Lock Of Milton's Hair

Lines On Seeing A Lock Of Milton's Hair

Chief of organic Numbers!
Old Scholar of the Spheres!
Thy spirit never slumbers,
But rolls about our ears
For ever and for ever.
O, what a mad endeavour
Worketh he
Who, to thy sacred and ennobled hearse,
Would offer a burnt sacrifice of verse
And Melody!


How heavenward thou soundedst
Live Temple of sweet noise;
And discord unconfoundedst:
Giving delight new joys,
And Pleasure nobler pinions--
O where are thy Dominions!
Lend thine ear
To a young delian oath--aye, by thy soul,
By all that from thy mortal Lips did roll;
And by the Kernel of thine earthly Love,
Beauty, in things on earth and things above,
When every childish fashion
Has vanish'd from my rhyme
Will I grey-gone in passion
Give to an after-time
Hymning and harmony
Of thee, and of thy Words and of thy Life:
But vain is now the bruning and the strife--
Pangs are in vain -- until I grow high-rife
With Old Philosophy
And mad with glimpses at futurity!


For many years my offerings must be hush'd:
When I do speak I'll think upon this hour,
Because I feel my forehead hot and flush'd,
Even at the simplest vassal of thy Power,--
A Lock of thy bright hair!
Sudden it came,
And I was startled when I heard thy name
Coupled so unaware--
Yet, at the moment, temperate was my blood:
Methought I had beheld it from the flood.
410
John Keats

John Keats

Lamia. Part II

Lamia. Part II

Love in a hut, with water and a crust,
Is—Love, forgive us!—cinders, ashes, dust;
Love in a palace is perhaps at last
More grievous torment than a hermit’s fast:—
That is a doubtful tale from faery land,
Hard for the non-elect to understand.
Had Lycius liv’d to hand his story down,
He might have given the moral a fresh frown,
Or clench’d it quite: but too short was their bliss
To breed distrust and hate, that make the soft voice hiss.
Besides, there, nightly, with terrific glare,
Love, jealous grown of so complete a pair,
Hover’d and buzz’d his wings, with fearful roar,
Above the lintel of their chamber door,
And down the passage cast a glow upon the floor.


For all this came a ruin: side by side
They were enthroned, in the even tide,
Upon a couch, near to a curtaining
Whose airy texture, from a golden string,
Floated into the room, and let appear
Unveil’d the summer heaven, blue and clear,
Betwixt two marble shafts:—there they reposed,
Where use had made it sweet, with eyelids closed,
Saving a tythe which love still open kept,
That they might see each other while they almost slept;
When from the slope side of a suburb hill,
Deafening the swallow’s twitter, came a thrill
Of trumpets—Lycius started—the sounds fled,
But left a thought, a buzzing in his head.
For the first time, since first he harbour’d in
That purple-lined palace of sweet sin,
His spirit pass’d beyond its golden bourn
Into the noisy world almost forsworn.
The lady, ever watchful, penetrant,
Saw this with pain, so arguing a want
Of something more, more than her empery
Of joys; and she began to moan and sigh
Because he mused beyond her, knowing well
That but a moment’s thought is passion’s passing bell.
“Why do you sigh, fair creature?” whisper’d he:
“Why do you think?” return’d she tenderly:
“You have deserted me;—where am I now?
“Not in your heart while care weighs on your brow:
“No, no, you have dismiss’d me; and I go
“From your breast houseless: ay, it must be so.”
He answer’d, bending to her open eyes,
Where he was mirror’d small in paradise,
“My silver planet, both of eve and morn!
“Why will you plead yourself so sad forlorn,
“While I am striving how to fill my heart
“With deeper crimson, and a double smart?



“How to entangle, trammel up and snare
“Your soul in mine, and labyrinth you there
“Like the hid scent in an unbudded rose?
“Ay, a sweet kiss—you see your mighty woes.
“My thoughts! shall I unveil them? Listen then!
“What mortal hath a prize, that other men
“May be confounded and abash’d withal,
“But lets it sometimes pace abroad majestical,
“And triumph, as in thee I should rejoice
“Amid the hoarse alarm of Corinth’s voice.
“Let my foes choke, and my friends shout afar,
“While through the thronged streets your bridal car
“Wheels round its dazzling spokes.”—The lady’s cheek
Trembled; she nothing said, but, pale and meek,
Arose and knelt before him, wept a rain
Of sorrows at his words; at last with pain
Beseeching him, the while his hand she wrung,
To change his purpose. He thereat was stung,
Perverse, with stronger fancy to reclaim
Her wild and timid nature to his aim:
Besides, for all his love, in self despite,
Against his better self, he took delight
Luxurious in her sorrows, soft and new.
His passion, cruel grown, took on a hue
Fierce and sanguineous as ’twas possible
In one whose brow had no dark veins to swell.
Fine was the mitigated fury, like
Apollo’s presence when in act to strike
The serpent—Ha, the serpent! certes, she
Was none. She burnt, she lov’d the tyranny,
And, all subdued, consented to the hour
When to the bridal he should lead his paramour.
Whispering in midnight silence, said the youth,
“Sure some sweet name thou hast, though, by my truth,
“I have not ask’d it, ever thinking thee
“Not mortal, but of heavenly progeny,
“As still I do. Hast any mortal name,
“Fit appellation for this dazzling frame?
“Or friends or kinsfolk on the citied earth,
“To share our marriage feast and nuptial mirth?”
“I have no friends,” said Lamia, “no, not one;
“My presence in wide Corinth hardly known:
“My parents’ bones are in their dusty urns
“Sepulchred, where no kindled incense burns,
“Seeing all their luckless race are dead, save me,
“And I neglect the holy rite for thee.
“Even as you list invite your many guests;
“But if, as now it seems, your vision rests
“With any pleasure on me, do not bid
“Old Apollonius—from him keep me hid.”
Lycius, perplex’d at words so blind and blank,
Made close inquiry; from whose touch she shrank,



Feigning a sleep; and he to the dull shade
Of deep sleep in a moment was betray’d.


It was the custom then to bring away
The bride from home at blushing shut of day,
Veil’d, in a chariot, heralded along
By strewn flowers, torches, and a marriage song,
With other pageants: but this fair unknown
Had not a friend. So being left alone,
(Lycius was gone to summon all his kin)
And knowing surely she could never win
His foolish heart from its mad pompousness,
She set herself, high-thoughted, how to dress
The misery in fit magnificence.
She did so, but ’tis doubtful how and whence
Came, and who were her subtle servitors.
About the halls, and to and from the doors,
There was a noise of wings, till in short space
The glowing banquet-room shone with wide-arched grace.
A haunting music, sole perhaps and lone
Supportress of the faery-roof, made moan
Throughout, as fearful the whole charm might fade.
Fresh carved cedar, mimicking a glade
Of palm and plantain, met from either side,
High in the midst, in honour of the bride:
Two palms and then two plantains, and so on,
From either side their stems branch’d one to one
All down the aisled place; and beneath all
There ran a stream of lamps straight on from wall to wall.
So canopied, lay an untasted feast
Teeming with odours. Lamia, regal drest,
Silently paced about, and as she went,
In pale contented sort of discontent,
Mission’d her viewless servants to enrich
The fretted splendour of each nook and niche.
Between the tree-stems, marbled plain at first,
Came jasper pannels; then, anon, there burst
Forth creeping imagery of slighter trees,
And with the larger wove in small intricacies.
Approving all, she faded at self-will,
And shut the chamber up, close, hush’d and still,
Complete and ready for the revels rude,
When dreadful guests would come to spoil her solitude.


The day appear’d, and all the gossip rout.
O senseless Lycius! Madman! wherefore flout
The silent-blessing fate, warm cloister’d hours,
And show to common eyes these secret bowers?
The herd approach’d; each guest, with busy brain,
Arriving at the portal, gaz’d amain,
And enter’d marveling: for they knew the street,
Remember’d it from childhood all complete



Without a gap, yet ne’er before had seen
That royal porch, that high-built fair demesne;
So in they hurried all, maz’d, curious and keen:
Save one, who look’d thereon with eye severe,
And with calm-planted steps walk’d in austere;
’Twas Apollonius: something too he laugh’d,
As though some knotty problem, that had daft
His patient thought, had now begun to thaw,
And solve and melt:—’twas just as he foresaw.


He met within the murmurous vestibule
His young disciple. “’Tis no common rule,
“Lycius,” said he, “for uninvited guest
“To force himself upon you, and infest
“With an unbidden presence the bright throng
“Of younger friends; yet must I do this wrong,
“And you forgive me.” Lycius blush’d, and led
The old man through the inner doors broad-spread;
With reconciling words and courteous mien
Turning into sweet milk the sophist’s spleen.


Of wealthy lustre was the banquet-room,
Fill’d with pervading brilliance and perfume:
Before each lucid pannel fuming stood
A censer fed with myrrh and spiced wood,
Each by a sacred tripod held aloft,
Whose slender feet wide-swerv’d upon the soft
Wool-woofed carpets: fifty wreaths of smoke
From fifty censers their light voyage took
To the high roof, still mimick’d as they rose
Along the mirror’d walls by twin-clouds odorous.
Twelve sphered tables, by silk seats insphered,
High as the level of a man’s breast rear’d
On libbard’s paws, upheld the heavy gold
Of cups and goblets, and the store thrice told
Of Ceres’ horn, and, in huge vessels, wine
Came from the gloomy tun with merry shine.
Thus loaded with a feast the tables stood,
Each shrining in the midst the image of a God.


When in an antichamber every guest
Had felt the cold full sponge to pleasure press’d,
By minist’ring slaves, upon his hands and feet,
And fragrant oils with ceremony meet
Pour’d on his hair, they all mov’d to the feast
In white robes, and themselves in order placed
Around the silken couches, wondering
Whence all this mighty cost and blaze of wealth could spring.


Soft went the music the soft air along,
While fluent Greek a vowel’d undersong
Kept up among the guests discoursing low



At first, for scarcely was the wine at flow;
But when the happy vintage touch’d their brains,
Louder they talk, and louder come the strains
Of powerful instruments:—the gorgeous dyes,
The space, the splendour of the draperies,
The roof of awful richness, nectarous cheer,
Beautiful slaves, and Lamia’s self, appear,
Now, when the wine has done its rosy deed,
And every soul from human trammels freed,
No more so strange; for merry wine, sweet wine,
Will make Elysian shades not too fair, too divine.
Soon was God Bacchus at meridian height;
Flush’d were their cheeks, and bright eyes double bright:
Garlands of every green, and every scent
From vales deflower’d, or forest-trees branch rent,
In baskets of bright osier’d gold were brought
High as the handles heap’d, to suit the thought
Of every guest; that each, as he did please,
Might fancy-fit his brows, silk-pillow’d at his ease.


What wreath for Lamia? What for Lycius?
What for the sage, old Apollonius?
Upon her aching forehead be there hung
The leaves of willow and of adder’s tongue;
And for the youth, quick, let us strip for him
The thyrsus, that his watching eyes may swim
Into forgetfulness; and, for the sage,
Let spear-grass and the spiteful thistle wage
War on his temples. Do not all charms fly
At the mere touch of cold philosophy?
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angel’s wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine—
Unweave a rainbow, as it erewhile made
The tender-person’d Lamia melt into a shade.


By her glad Lycius sitting, in chief place,
Scarce saw in all the room another face,
Till, checking his love trance, a cup he took
Full brimm’d, and opposite sent forth a look
’Cross the broad table, to beseech a glance
From his old teacher’s wrinkled countenance,
And pledge him. The bald-head philosopher
Had fix’d his eye, without a twinkle or stir
Full on the alarmed beauty of the bride,
Brow-beating her fair form, and troubling her sweet pride.
Lycius then press’d her hand, with devout touch,
As pale it lay upon the rosy couch:
’Twas icy, and the cold ran through his veins;



Then sudden it grew hot, and all the pains
Of an unnatural heat shot to his heart.
“Lamia, what means this? Wherefore dost thou start?
“Know’st thou that man?” Poor Lamia answer’d not.
He gaz’d into her eyes, and not a jot
Own’d they the lovelorn piteous appeal:
More, more he gaz’d: his human senses reel:
Some hungry spell that loveliness absorbs;
There was no recognition in those orbs.
“Lamia!” he cried—and no soft-toned reply.
The many heard, and the loud revelry
Grew hush; the stately music no more breathes;
The myrtle sicken’d in a thousand wreaths.
By faint degrees, voice, lute, and pleasure ceased;
A deadly silence step by step increased,
Until it seem’d a horrid presence there,
And not a man but felt the terror in his hair.
“Lamia!” he shriek’d; and nothing but the shriek
With its sad echo did the silence break.
“Begone, foul dream!” he cried, gazing again
In the bride’s face, where now no azure vein
Wander’d on fair-spaced temples; no soft bloom
Misted the cheek; no passion to illume
The deep-recessed vision:—all was blight;
Lamia, no longer fair, there sat a deadly white.
“Shut, shut those juggling eyes, thou ruthless man!
“Turn them aside, wretch! or the righteous ban
“Of all the Gods, whose dreadful images
“Here represent their shadowy presences,
“May pierce them on the sudden with the thorn
“Of painful blindness; leaving thee forlorn,
“In trembling dotage to the feeblest fright
“Of conscience, for their long offended might,
“For all thine impious proud-heart sophistries,
“Unlawful magic, and enticing lies.
“Corinthians! look upon that gray-beard wretch!
“Mark how, possess’d, his lashless eyelids stretch
“Around his demon eyes! Corinthians, see!
“My sweet bride withers at their potency.”
“Fool!” said the sophist, in an under-tone
Gruff with contempt; which a death-nighing moan
From Lycius answer’d, as heart-struck and lost,
He sank supine beside the aching ghost.
“Fool! Fool!” repeated he, while his eyes still
Relented not, nor mov’d; “from every ill
“Of life have I preserv’d thee to this day,
“And shall I see thee made a serpent’s prey?
Then Lamia breath’d death breath; the sophist’s eye,
Like a sharp spear, went through her utterly,
Keen, cruel, perceant, stinging: she, as well
As her weak hand could any meaning tell,
Motion’d him to be silent; vainly so,



He look’d and look’d again a level--No!
“A Serpent!” echoed he; no sooner said,
Than with a frightful scream she vanished:
And Lycius’ arms were empty of delight,
As were his limbs of life, from that same night.
On the high couch he lay!—his friends came round--
Supported him—no pulse, or breath they found,
And, in its marriage robe, the heavy body wound.
504
John Keats

John Keats

Lines

Lines

UNFELT unheard, unseen,
I've left my little queen,


Her languid arms in silver slumber lying:
Ah! through their nestling touch,
Who---who could tell how much

There is for madness---cruel, or complying?

Those faery lids how sleek!
Those lips how moist!---they speak,


In ripest quiet, shadows of sweet sounds:
Into my fancy's ear
Melting a burden dear,

How "Love doth know no fulness, nor no bounds."

True!---tender monitors!
I bend unto your laws:


This sweetest day for dalliance was born!
So, without more ado,
I'll feel my heaven anew,

For all the blushing of the hasty morn.

.
431
John Keats

John Keats

King Stephen

King Stephen

A FRAGMENT OF A TRAGEDY
ACT I.
SCENE I. Field of Battle.
Alarum. Enter King STEPHEN, Knights, and Soldiers.
Stephen. If shame can on a soldier's vein-swoll’n front
Spread deeper crimson than the battle's toil,
Blush in your casing helmets! for see, see!
Yonder my chivalry, my pride of war,
Wrench'd with an iron hand from firm array,
Are routed loose about the plashy meads,
Of honour forfeit. O that my known voice
Could reach your dastard ears, and fright you more!
Fly, cowards, fly! Glocester is at your backs!
Throw your slack bridles o'er the flurried manes,
Ply well the rowel with faint trembling heels,
Scampering to death at last!
First Knight. The enemy
Bears his flaunt standard close upon their rear.
Second Knight. Sure of a bloody prey, seeing the fens
Will swamp them girth-deep.
Stephen. Over head and ears,
No matter! 'Tis a gallant enemy;
How like a comet he goes streaming on.
But we must plague him in the flank, hey, friends?
We are well breathed, follow!
Enter Earl BALDWIN and Soldiers, as defeated.
Stephen. De Redvers!
What is the monstrous bugbear that can fright
Baldwin?
Baldwin. No scare-crow, but the fortunate star
Of boisterous Chester, whose fell truncheon now
Points level to the goal of victory.
This way he comes, and if you would maintain
Your person unaffronted by vile odds,


Take horse, my Lord.
Stephen. And which way spur for life?
Now I thank Heaven I am in the toils,
That soldiers may bear witness how my arm
Can burst the meshes. Not the eagle more
Loves to beat up against a tyrannous blast,
Than I to meet the torrent of my foes.
This is a brag, be 't so, but if I fall,
Carve it upon my 'scutcheon'd sepulchre.
On, fellow soldiers! Earl of Redvers, back!
Not twenty Earls of Chester shall brow-beat
The diadem. [Exeunt. Alarum.


SCENE II. Another part of the Field.
Trumpets sounding a Victory. Enter GLOCESTER. Knights, and Forces.
Glocester. Now may we lift our bruised vizors up,
And take the flattering freshness of the air,



While the wide din of battle dies away
Into times past, yet to be echoed sure
In the silent pages of our chroniclers.
First Knight. Will Stephen's death be marked there, my good
Lord,
Or that we gave him lodging in yon towers?
Glocester. Fain would I know the great usurper's fate.
Enter two Captains severally.
First Captain. My Lord!
Second Captain. Most noble Earl!
First Captain. The King
Second Captain. The Empress greets
Glocester. What of the King?
First Captain. He sole and lone maintains
A hopeless bustle mid our swarming arms,
And with a nimble savageness attacks,
Escapes, makes fiercer onset, then anew
Eludes death, giving death to most that dare
Trespass within the circuit of his sword!
He must by this have fallen. Baldwin is taken;
And for the Duke of Bretagne, like a stag
He flies, for the Welsh beagles to hunt down.
God save the Empress!
Glocester. Now our dreaded Queen:
What message from her Highness?
Second Captain. Royal Maud
From the throng'd towers of Lincoln hath look'd down,
Like Pallas from the walls of Ilion,
And seen her enemies havock'd at her feet.
She greets most noble Glocester from her heart,
Intreating him, his captains, and brave knights,
To grace a banquet. The high city gates
Are envious which shall see your triumph pass;
The streets are full of music.
Enter Second Knight.
Glocester. Whence come you?
Second Knight. From Stephen, my good Prince, Stephen!
Stephen!
Glocester. Why do you make such echoing of his name?
Second Knight. Because I think, my lord, he is no man,
But a fierce demon, Anointed safe from wounds,
And misbaptized with a Christian name.
Glocester. A mighty soldier! Does he still hold out?
Second Knight. He shames our victory. His valour still
Keeps elbow-room amid our eager swords,
And holds our bladed falchions all aloof
His gleaming battle-axe being slaughter-sick,
Smote on the morion of a Flemish knight,
Broke short in his hand; upon the which he flung
The heft away with such a vengeful force,


It paunch'd the Earl of Chester's horse, who then



Spleen-hearted came in full career at him.
Glocester. Did no one take him at a vantage then?
Second Knight. Three then with tiger leap upon him flew,
Whom, with his sword swift-drawn and nimbly held,
He stung away again, and stood to breathe,
Smiling. Anon upon him rush'd once more
A throng of foes, and in this renew'd strife,
My sword met his and snapp'd off at the hilts.
Glocester. Come, lead me to this Mars and let us move
In silence, not insulting his sad doom
With clamorous trumpets. To the Empress bear
My salutation as befits the time.
[Exeunt GLOCESTER and Forces.


SCENE III. The Field of Battle. Enter STEPHEN unarmed.
Stephen. Another sword! And what if I could seize
One from Bellona's gleaming armoury,
Or choose the fairest of her sheaved spears!
Where are my enemies? Here, close at hand,
Here come the testy brood. O for a sword!
I'm faint a biting sword! A noble sword!
A hedge-stake or a ponderous stone to hurl
With brawny vengeance, like the labourer Cain.
Come on! Farewell my kingdom, and all hail
Thou superb, plum'd, and helmeted renown,
All hail I would not truck this brilliant day
To rule in Pylos with a Nestor's beard
Come on!
Enter DE KAIMS and Knights, &c.
De Kaims. Is 't madness, or a hunger after death,
That makes thee thus unarm'd throw taunts at us?
Yield, Stephen, or my sword's point dip in
'he gloomy current of a traitor's heart.
Stephen. Do it, De Kaims, I will not budge an inch.
De Kaims. Yes, of thy madness thou shalt take the meed.
Stephen. Darest thou?
De Kaims. How dare, against a man disarmed?
Stephen. What weapons has the lion but himself?
Come not near me, De Kaims, for by the price
Of all the glory I have won this day,
Being a king, I will not yield alive
To any but the second man of the realm,
Robert of Glocester.
De Kaims. Thou shalt vail to me.
Stephen. Shall I, when I have sworn against it, sir?
Thou think'st it brave to take a breathing king,
That, on a court-day bow'd to haughty Maud,
The awed presence-chamber may be bold
To whisper, there's the man who took alive
Stephen me prisoner. Certes, De Kaims,
The ambition is a noble one.
De Kaims. 'Tis true,



And, Stephen, I must compass it.
Stephen. No, no,
Do not tempt me to throttle you on the gorge,
Or with my gauntlet crush your hollow breast,
Just when your knighthood is grown ripe and full
For lordship.
A Soldier. Is an honest yeoman's spear
Of no use at a need? Take that.
Stephen. Ah, dastard!
De Kaims. What, you are vulnerable! my prisoner I
Stephen. No, not yet. I disclaim it, and demand
Death as a sovereign right unto a king
Who 'sdains to yield to any but his peer,
If not in title, yet in noble deeds,
The Earl of Glocester. Stab to the hilts, De Kaims,
For I will never by mean hands be led
From this so famous field. Do ye hear! Be quick!
[Trumpets. Enter the Earl of CHESTER and Knights.


SCENE IV. A Presence Chamber. Queen MAUD in a Chair of State, the
Earls of GLOCESTER and CHESTER, Lords, Attendants.
Maud. Glocester, no more: I will behold that Boulogne:
Set him before me. Not for the poor sake
Of regal pomp and a vain-glorious hour,
As thou with wary speech, yet near enough,
Hast hinted.
Glocester. Faithful counsel have I given ;
If wary, for your Highness' benefit.
Maud. The Heavens forbid that I should not think so,
For by thy valour have I won this realm,
Which by thy wisdom I will ever keep.
To sage advisers let me ever bend
'A meek attentive ear, so that they treat
Of the wide kingdom's rule and government,
Not trenching on our actions personal.
Advis'd, not school'd, I would be; and henceforth
Spoken to in clear, plain, and open terms,
Not side-ways sermon'd at.
Glocester. Then, in plain terms,
Once more for the fallen king
Maud. Your pardon, Brother,
I would no more of that; for, as I said,
‘Tis not for worldly pomp I wish to see
The rebel, but as dooming judge to give
A sentence something worthy of his guilt.
Glocester. If 't must be so, I'll bring him to your presence.
[Exit GLOCESTER,
Maud. A meaner summoner might do as well
My Lord of Chester, is 't true what I hear
Of Stephen of Boulogne, our prisoner,
That he, as a fit penance for his crimes,
Eats wholesome, sweet, and palatable food



Off Glocester's golden dishes drinks pure wine,
Lodgest soft?
Chester. More than that, my gracious Queen,
Has anger'd me. The noble Earl, methinks,
Full soldier as he is, and without peer
In counsel, dreams too much among his books.
It may read well, but sure 'tis out of date
To play the Alexander with Darius.
Maud. Truth! I think so. By Heavens it shall not last!
Chester. It would amaze your Highness now to mark
How Glocester overstrains his courtesy
To that crime-loving rebel, that Boulogne
Maud. That ingrate!
Chester. For whose vast ingratitude
To our late sovereign lord, your noble sire,
The generous Earl condoles in his mishaps,
And with a sort of lackeying friendliness,
Talks off the mighty frowning from his brow,
Woos him to hold a duet in a smile,
Or, if it please him, play an hour at chess
Maud. A perjured slave!
Chester. And for his perjury,
Glocester has fit rewards nay, I believe,
He sets his bustling household's wits at work
For flatteries to ease this Stephen's hours,
And make a heaven of his purgatory ;


Adorning bondage with the pleasant gloss
Of feasts and music, and all idle shows
Of indoor pageantry; while syren whispers,
Predestined for his ear, 'scape as half-check'd
From lips the courtliest and the rubiest
Of all the realm, admiring of his deeds.
Maud. A frost upon his summer!
Chester. A queen's nod
Can make his June December. Here he comes
482
John Keats

John Keats

La Belle Dame Sans Merci (Original version )

La Belle Dame Sans Merci (Original version )

Oh what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.


Oh what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.


I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.


I met a lady in the meads,
Full beautiful - a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.


I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan.


I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery's song.


She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said '
I love thee true'.


She took me to her elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.


And there she lulled me asleep
And there I dreamed - Ah! woe betide! -
The latest dream I ever dreamt
On the cold hill side.


I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried - 'La Belle Dame sans Merci
Hath thee in thrall!'


I saw their starved lips in the gloam,
With horrid warning gaped wide,



And I awoke and found me here,
On the cold hill's side.


And this is why I sojourn here
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
445
John Keats

John Keats

In Drear-Nighted December

In Drear-Nighted December

IN drear-nighted December,
Too happy, happy tree,
Thy branches ne'er remember
Their green felicity:
The north cannot undo them
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.


In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne'er remember
Apollo's summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.


Ah! would 'twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.
433
John Keats

John Keats

Isabella; Or, The Pot Of Basil: A Story From Boccaccio

Isabella; Or, The Pot Of Basil: A Story From Boccaccio

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.
II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.
III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.
IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
'To morrow will I bow to my delight,
'To-morrow will I ask my lady's boon.''
O may I never see another night,
'Lorenzo, if thy lips breathe not love's tune.'-
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;
V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
'How ill she is,' said he, 'I may not speak,
'And yet I will, and tell my love all plain:
'If looks speak love-laws, I will drink her tears,
'And at the least 'twill startle off her cares.'
VI.
So said he one fair morning, and all day

His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve awayFever'd
his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!


VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
'Lorenzo!'-here she ceas'd her timid quest,
But in her tone and look he read the rest.
VIII.
'O Isabella, I can half perceive
'That I may speak my grief into thine ear;
'If thou didst ever any thing believe,
'Believe how I love thee, believe how near
'My soul is to its doom: I would not grieve
'Thy hand by unwelcome pressing, would not fear
'Thine eyes by gazing; but I cannot live
'Another night, and not my passion shrive.
IX.
'Love! thou art leading me from wintry cold,
'Lady! thou leadest me to summer clime,
'And I must taste the blossoms that unfold
'In its ripe warmth this gracious morning time.'
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.
X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.
XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk

Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.


XII.
Were they unhappy then?-It cannot be-
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.
XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less-
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.
XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd loins did melt
In blood from stinging whip;-with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.
XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.
XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?-
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?-
Why were they proud? Because red-lin'd accounts

Were richer than the songs of Grecian years?-
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests-the untired
And pannier'd mules for ducats and old lies-
Quick cat's-paws on the generous stray-away,-
Great wits in Spanish, Tuscan, and Malay.
XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?-
Yet so they did-and every dealer fair
Must see behind, as doth the hunted hare.
XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.
XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done-succeed the verse or fail-
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.
XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees

To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.
XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
'You seem there in the quiet of content,
'Lorenzo, and we are most loth to invade
'Calm speculation; but if you are wise,
'Bestride your steed while cold is in the skies.
XXIV.
'To-day we purpose, ay, this hour we mount
'To spur three leagues towards the Apennine;
'Come down, we pray thee, ere the hot sun count
'His dewy rosary on the eglantine.'
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.
XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.
XXVI.
'Love, Isabel!' said he, 'I was in pain
'Lest I should miss to bid thee a good morrow:
'Ah! what if I should lose thee, when so fain
'I am to stifle all the heavy sorrow
'Of a poor three hours' absence? but we'll gain
'Out of the amorous dark what day doth borrow.
'Good bye! I'll soon be back.'-'Good bye!' said she:-
And as he went she chanted merrily.

XXVII.
So the two brothers and their murder'd man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.-They pass'd the water
Into a forest quiet for the slaughter.
XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness-is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.
XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's weed,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.
XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, 'Where? O where?'
XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest-
Not long-for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.
XXXII.
In the mid days of autumn, on their eves

The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.
XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.
XXXV.
It was a vision.-In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.
XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.
XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,

The while it did unthread the horrid woof
Of the late darken'd time,-the murderous spite
Of pride and avarice,-the dark pine roof
In the forest,-and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, 'Isabel, my sweet!
'Red whortle-berries droop above my head,
'And a large flint-stone weighs upon my feet;
'Around me beeches and high chestnuts shed
'Their leaves and prickly nuts; a sheep-fold bleat
'Comes from beyond the river to my bed:
'Go, shed one tear upon my heather-bloom,
'And it shall comfort me within the tomb.
XXXIX.
'I am a shadow now, alas! alas!
'Upon the skirts of human-nature dwelling
'Alone: I chant alone the holy mass,
'While little sounds of life are round me knelling,
'And glossy bees at noon do fieldward pass,
'And many a chapel bell the hour is telling,
'Paining me through: those sounds grow strange to me,
'And thou art distant in Humanity.
XL.
'I know what was, I feel full well what is,
'And I should rage, if spirits could go mad;
'Though I forget the taste of earthly bliss,
'That paleness warms my grave, as though I had
'A Seraph chosen from the bright abyss
'To be my spouse: thy paleness makes me glad;
'Thy beauty grows upon me, and I feel
'A greater love through all my essence steal.'
XLI.
The Spirit mourn'd 'Adieu!'-dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;
XLII.
'Ha! ha!' said she, 'I knew not this hard life,
'I thought the worst was simple misery;
'I thought some Fate with pleasure or with strife
'Portion'd us-happy days, or else to die;
'But there is crime-a brother's bloody knife!

'Sweet Spirit, thou hast school'd my infancy:
'I'll visit thee for this, and kiss thine eyes,
'And greet thee morn and even in the skies.'

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.
XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.-'What feverous hectic flame
'Burns in thee, child?-What good can thee betide,
'That thou should'st smile again?'-The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.
XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.
XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.
XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,

But to throw back at times her veiling hair.

XLVIII.
That old nurse stood beside her wondering,
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour'd at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.
XLIX.
Ah! wherefore all this wormy circumstance?
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel's song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:-O turn thee to the very tale,
And taste the music of that vision pale.
L.
With duller steel than the Persèan sword
They cut away no formless monster's head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss'd it, and low moan'd.
'Twas love; cold,-dead indeed, but not dethroned.
LI.
In anxious secrecy they took it home,
And then the prize was all for Isabel:
She calm'd its wild hair with a golden comb,
And all around each eye's sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench'd away:-and still she comb'd, and kept
Sighing all day-and still she kiss'd, and wept.
LII.
Then in a silken scarf,-sweet with the dews
Of precious flowers pluck'd in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,-
She wrapp'd it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover'd it with mould, and o'er it set
Sweet Basil, which her tears kept ever wet.

LIII.
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten'd it with tears unto the core.
LIV.
And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human fears,
From the fast mouldering head there shut from view:
So that the jewel, safely casketed,
Came forth, and in perfumed leafits spread.
LV.
O Melancholy, linger here awhile!
O Music, Music, breathe despondingly!
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to us-O sigh!
Spirits in grief, lift up your heads, and smile;
Lift up your heads, sweet Spirits, heavily,
And make a pale light in your cypress glooms,
Tinting with silver wan your marble tombs.
LVI.
Moan hither, all ye syllables of woe,
From the deep throat of sad Melpomene!
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead: She withers, like a palm
Cut by an Indian for its juicy balm.
LVII.
O leave the palm to wither by itself;
Let not quick Winter chill its dying hour!-
It may not be-those Baalites of pelf,
Her brethren, noted the continual shower
From her dead eyes; and many a curious elf,
Among her kindred, wonder'd that such dower
Of youth and beauty should be thrown aside
By one mark'd out to be a Noble's bride.
LVIII.
And, furthermore, her brethren wonder'd much

Why she sat drooping by the Basil green,
And why it flourish'd, as by magic touch;
Greatly they wonder'd what the thing might mean:
They could not surely give belief, that such
A very nothing would have power to wean
Her from her own fair youth, and pleasures gay,
And even remembrance of her love's delay.


LIX.
Therefore they watch'd a time when they might sift
This hidden whim; and long they watch'd in vain;
For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift
As bird on wing to breast its eggs again;
And, patient as a hen-bird, sat her there
Beside her Basil, weeping through her hair.
LX.
Yet they contriv'd to steal the Basil-pot,
And to examine it in secret place:
The thing was vile with green and livid spot,
And yet they knew it was Lorenzo's face:
The guerdon of their murder they had got,
And so left Florence in a moment's space,
Never to turn again.-Away they went,
With blood upon their heads, to banishment.
LXI.
O Melancholy, turn thine eyes away!
O Music, Music, breathe despondingly!
O Echo, Echo, on some other day,
From isles Lethean, sigh to us-O sigh!
Spirits of grief, sing not your 'Well-a-way!'
For Isabel, sweet Isabel, will die;
Will die a death too lone and incomplete,
Now they have ta'en away her Basil sweet.
LXII.
Piteous she look'd on dead and senseless things,
Asking for her lost Basil amorously:
And with melodious chuckle in the strings
Of her lorn voice, she oftentimes would cry
After the Pilgrim in his wanderings,
To ask him where her Basil was; and why
'Twas hid from her: 'For cruel 'tis,' said she,
'To steal my Basil-pot away from me.'
LXIII.
And so she pined, and so she died forlorn,
Imploring for her Basil to the last.
No heart was there in Florence but did mourn

In pity of her love, so overcast.
And a sad ditty of this story born
From mouth to mouth through all the country pass'd:
Still is the burthen sung-'O cruelty,
'To steal my Basil-pot away from me!'
703
John Keats

John Keats

Hyperion. Book III

Hyperion. Book III

Thus in altemate uproar and sad peace,
Amazed were those Titans utterly.
O leave them, Muse! O leave them to their woes;
For thou art weak to sing such tumults dire:
A solitary sorrow best befits
Thy lips, and antheming a lonely grief.
Leave them, O Muse! for thou anon wilt find
Many a fallen old Divinity
Wandering in vain about bewildered shores.
Meantime touch piously the Delphic harp,
And not a wind of heaven but will breathe
In aid soft warble from the Dorian flute;
For lo! 'tis for the Father of all verse.
Flush everything that hath a vermeil hue,
Let the rose glow intense and warm the air,
And let the clouds of even and of morn
Float in voluptuous fleeces o'er the hills;
Let the red wine within the goblet boil,
Cold as a bubbling well; let faint-lipp'd shells,
On sands, or in great deeps, vermilion turn
Through all their labyrinths; and let the maid
Blush keenly, as with some warm kiss surpris'd.
Chief isle of the embowered Cyclades,
Rejoice, O Delos, with thine olives green,
And poplars, and lawn-shading palms, and beech,
In which the Zephyr breathes the loudest song,
And hazels thick, dark-stemm'd beneath the shade:
Apollo is once more the golden theme!
Where was he, when the Giant of the sun
Stood bright, amid the sorrow of his peers?
Together had he left his mother fair
And his twin-sister sleeping in their bower,
And in the morning twilight wandered forth
Beside the osiers of a rivulet,
Full ankle-deep in lilies of the vale.
The nightingale had ceas'd, and a few stars
Were lingering in the heavens, while the thrush
Began calm-throated. Throughout all the isle
There was no covert, no retired cave,
Unhaunted by the murmurous noise of waves,
Though scarcely heard in many a green recess.
He listen'd, and he wept, and his bright tears
Went trickling down the golden bow he held.
Thus with half-shut suffused eyes he stood,
While from beneath some cumbrous boughs hard by
With solemn step an awful Goddess came,
And there was purport in her looks for him,
Which he with eager guess began to read
Perplex'd, the while melodiously he said:
'How cam'st thou over the unfooted sea?
Or hath that antique mien and robed form
Mov'd in these vales invisible till now?



Sure I have heard those vestments sweeping o'er
The fallen leaves, when I have sat alone
In cool mid-forest. Surely I have traced
The rustle of those ample skirts about
These grassy solitudes, and seen the flowers
Lift up their heads, as still the whisper pass'd.
Goddess! I have beheld those eyes before,
And their eternal calm, and all that face,
Or I have dream'd.'—-'Yes,' said the supreme shape,
'Thou hast dream'd of me; and awaking up
Didst find a lyre all golden by thy side,
Whose strings touch'd by thy fingers, all the vast
Unwearied ear of the whole universe
Listen'd in pain and pleasure at the birth
Of such new tuneful wonder. Is't not strange
That thou shouldst weep, so gifted? Tell me, youth,
What sorrow thou canst feel; for I am sad
When thou dost shed a tear: explain thy griefs
To one who in this lonely isle hath been
The watcher of thy sleep and hours of life,
From the young day when first thy infant hand
Pluck'd witless the weak flowers, till thine arm
Could bend that bow heroic to all times.
Show thy heart's secret to an ancient Power
Who hath forsaken old and sacred thrones
For prophecies of thee, and for the sake
Of loveliness new born.'—-Apollo then,
With sudden scrutiny and gloomless eyes,
Thus answer'd, while his white melodious throat
Throbb'd with the syllables.—-'Mnemosyne!
Thy name is on my tongue, I know not how;
Why should I tell thee what thou so well seest?
Why should I strive to show what from thy lips
Would come no mystery? For me, dark, dark,
And painful vile oblivion seals my eyes:
I strive to search wherefore I am so sad,
Until a melancholy numbs my limbs;
And then upon the grass I sit, and moan,
Like one who once had wings.—-O why should I
Feel curs'd and thwarted, when the liegeless air
Yields to my step aspirant? why should I
Spurn the green turf as hateful to my feet?
Goddess benign, point forth some unknown thing:
Are there not other regions than this isle?
What are the stars? There is the sun, the sun!
And the most patient brilliance of the moon!
And stars by thousands! Point me out the way
To any one particular beauteous star,
And I will flit into it with my lyre,
And make its silvery splendor pant with bliss.
I have heard the cloudy thunder: Where is power?
Whose hand, whose essence, what divinity



Makes this alarum in the elements,
While I here idle listen on the shores
In fearless yet in aching ignorance?
O tell me, lonely Goddess, by thy harp,
That waileth every morn and eventide,
Tell me why thus I rave about these groves!
Mute thou remainest—-Mute! yet I can read
A wondrous lesson in thy silent face:
Knowledge enormous makes a God of me.
Names, deeds, gray legends, dire events, rebellions,
Majesties, sovran voices, agonies,
Creations and destroyings, all at once
Pour into the wide hollows of my brain,
And deify me, as if some blithe wine
Or bright elixir peerless I had drunk,
And so become immortal.'—-Thus the God,
While his enkindled eyes, with level glance
Beneath his white soft temples, steadfast kept
Trembling with light upon Mnemosyne.
Soon wild commotions shook him, and made flush
All the immortal fairness of his limbs;
Most like the struggle at the gate of death;
Or liker still to one who should take leave
Of pale immortal death, and with a pang
As hot as death's is chill, with fierce convulse
Die into life: so young Apollo anguish'd:
His very hair, his golden tresses famed,
Kept undulation round his eager neck.
During the pain Mnemosyne upheld
Her arms as one who prophesied. At length
Apollo shriek'd;—-and lo! from all his limbs
Celestial * * * * * * * * * * * * * * * *
502
John Keats

John Keats

If By Dull Rhymes Our English Must Be Chain'd

If By Dull Rhymes Our English Must Be Chain'd

If by dull rhymes our English must be chain'd,

And, like Andromeda, the Sonnet sweet
Fetter'd, in spite of pained loveliness;
Let us find out, if we must be constrain'd,

Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gain'd

By ear industrious, and attention meet:

Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay wreath crown;

So, if we may not let the Muse be free,
She will be bound with garlands of her own.
391
John Keats

John Keats

Hyperion. Book I

Hyperion. Book I

Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.


Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.


It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail



To that large utterance of the early Gods!
'Saturn, look up!--though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:--O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep.'


As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
'O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,



Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.--I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.--
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must--it must
Be of ripe progress--Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?'
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he snatch'd
Utterance thus.--'But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?'--That word
Found way unto Olympus, and made quake
The rebel three.--Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.


'This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither.'



Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.


Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;--
Blazing Hyperion on his orbed fire
Still sat, still snuff'd the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he--
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache. His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,--
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,



Came slope upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.


He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: 'O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.-Fall!--
No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again.'--
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out 'Hush!'



So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might. Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,--hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.--Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:--No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice



Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
'O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire. I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.--This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:--I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:--
But thou canst.--Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.--To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse.'--
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.
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John Keats

Hymn To Apollo

Hymn To Apollo

GOD of the golden bow,
And of the golden lyre,
And of the golden hair,

And of the golden fire,
Charioteer
Of the patient year,


Where---where slept thine ire,

When like a blank idiot I put on thy wreath,
Thy laurel, thy glory,
The light of thy story,

Or was I a worm---too low crawling for death?
O Delphic Apollo!

The Thunderer grasp'd and grasp'd,
The Thunderer frown'd and frown'd;
The eagle's feathery mane

For wrath became stiffen'd---the sound
Of breeding thunder
Went drowsily under,

Muttering to be unbound.

O why didst thou pity, and beg for a worm?
Why touch thy soft lute
Till the thunder was mute,

Why was I not crush'd---such a pitiful germ?
O Delphic Apollo!

The Pleiades were up,
Watching the silent air;
The seeds and roots in Earth

Were swelling for summer fare;
The Ocean, its neighbour,
Was at his old labour,


When, who---who did dare

To tie for a moment, thy plant round his brow,
And grin and look proudly,
And blaspheme so loudly,

And live for that honour, to stoop to thee now?
O Delphic Apollo!
434
John Keats

John Keats

Happy Is England! I Could Be Content

Happy Is England! I Could Be Content

Happy is England! I could be content
To see no other verdure than its own;
To feel no other breezes than are blown
Through its tall woods with high romances blent;
Yet do I sometimes feel a languishment
For skies Italian, and an inward groan
To sit upon an Alp as on a throne,
And half forget what world or worldling meant.
Happy is England, sweet her artless daughters;
Enough their simple loveliness for me,
Enough their whitest arms in silence clinging;
Yet do I often warmly burn to see
Beauties of deeper glance, and hear their singing,
And float with them about the summer waters.
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John Keats

John Keats

Hither, Hither, Love

Hither, Hither, Love

HITHER hither, love--'
Tis a shady mead---
Hither, hither, love!
Let us feed and feed!

Hither, hither, sweet--'
Tis a cowslip bed---
Hither, hither, sweet!
'Tis with dew bespread!

Hither, hither, dear
By the breath of life,
Hither, hither, dear!--Be
the summer's wife!

Though one moment's pleasure
In one moment flies---
Though the passion's treasure
In one moment dies;---

Yet it has not passed--Think
how near, how near!---
And while it doth last,
Think how dear, how dear!

Hither, hither, hither
Love its boon has sent---
If I die and wither
I shall die content!
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John Keats

John Keats

Fragment. Where's The Poet?

Fragment. Where's The Poet?

Where's the Poet? show him! show him,
Muses nine! that I may know him.
'Tis the man who with a man
Is an equal, be he King,
Or poorest of the beggar-clan
Or any other wonderous thing
A man may be 'twixt ape and Plato;
'Tis the man who with a bird,
Wren or Eagle, finds his way to
All its instincts; he hath heard
The Lion's roaring, and can tell
What his horny throat expresseth,
And to him the Tiger's yell
Come articulate and presseth
Or his ear like mother-tongue.
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John Keats

John Keats

Give Me Women, Wine, and Snuff

Give Me Women, Wine, and Snuff

GIVE me women, wine, and snuff
Untill I cry out "hold, enough!"
You may do so sans objection
Till the day of resurrection:
For, bless my beard, they aye shall be
My beloved Trinity.
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John Keats

John Keats

Fragment Of 'The Castle Builder.'

Fragment Of 'The Castle Builder.'

To-night I'll have my friar -- let me think
About my room, -- I'll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June,
Should look thro' four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower'd with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady's glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish'd but some ringlets of her hair;
A viol, bow-strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon a mat of roses lying,
Ink'd purple with a song concerning dying;
An hour-glass on the turn, amid the trails
Of passion-flower; -- just in time there sails
A cloud across the moon, -- the lights bring in!
And see what more my phantasy can win.
It is a gorgeous room, but somewhat sad;
The draperies are so, as tho' they had
Been made for Cleopatra's winding-sheet;
And opposite the stedfast eye doth meet
A spacious looking-glass, upon whose face,
In letters raven-sombre, you may trace
Old 'Mene, Mene, Tekel Upharsin.'
Greek busts and statuary have ever been
Held, by the finest spirits, fitter far
Than vase grotesque and Siamesian jar;
Therefore 'tis sure a want of Attic taste
That I should rather love a Gothic waste
Of eyesight on cinque-coloured potter's clay,
Than on the marble fairness of old Greece.
My table-coverlits of Jason's fleece
And black Numidian sheep-wool should be wrought,
Gold, black, and heavy, from the Lama brought.
My ebon sofas should delicious be
With down from Leda's cygnet progeny.
My pictures all Salvator's, save a few
Of Titian's portraiture, and one, though new,
Of Haydon's in its fresh magnificence.
My wine -- O good! 'tis here at my desire,
And I must sit to supper with my friar.
434
John Keats

John Keats

Fragment of an Ode to Maia

Fragment of an Ode to Maia

MOTHER of Hermes! and still youthful Maia!
May I sing to thee

As thou wast hymned on the shores of Baiae?
Or may I woo thee

In earlier Sicilian? or thy smiles

Seek as they once were sought, in Grecian isles,

By bards who died content on pleasant sward,
Leaving great verse unto a little clan?

O give me their old vigour! and unheard
Save of the quiet primrose, and the span
Of heaven, and few ears,

Rounded by thee, my song should die away
Content as theirs,

Rich in the simple worship of a day.
379
John Keats

John Keats

Faery Songs

Faery Songs

I.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Weep no more! oh, weep no more!
Young buds sleep in the root's white core.
Dry your eyes! oh, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies,--
Shed no tear.
Overhead! look overhead!
'Mong the blossoms white and red--
Look up, look up! I flutter now
On this fresh pomegranate bough.
See me! 'tis this silvery bill
Ever cures the good man's ill.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Adieu, adieu -- I fly -- adieu!
I vanish in the heaven’s blue,--
Adieu, adieu!


II.
Ah! woe is me! poor silver-wing!
That I must chant thy lady's dirge,
And death to this fair haunt of spring,
Of melody, and streams of flowery verge,--
Poor silver-wing! ah! woe is me!
That I must see
These blossoms snow upon thy lady's pall!
Go, pretty page! and in her ear
Whisper that the hour is near!
Softly tell her not to fear
Such calm favonian burial!
Go, pretty page! and soothly tell,--
The blossoms hang by a melting spell,
And fall they must, ere a star wink thrice
Upon her closed eyes,
That now in vain are weeping their last tears,
At sweet life leaving, and these arbours green,--
Rich dowry from the Spirit of the Spheres,
Alas! poor Queen!
426
John Keats

John Keats

Fill For Me A Brimming Bowl

Fill For Me A Brimming Bowl

Fill for me a brimming bowl
And in it let me drown my soul:
But put therein some drug, designed
To Banish Women from my mind:
For I want not the stream inspiring
That fills the mind with--fond desiring,
But I want as deep a draught
As e'er from Lethe's wave was quaff'd;
From my despairing heart to charm
The Image of the fairest form
That e'er my reveling eyes beheld,
That e'er my wandering fancy spell'd.
In vain! away I cannot chace
The melting softness of that face,
The beaminess of those bright eyes,
That breast--earth's only Paradise.
My sight will never more be blest;
For all I see has lost its zest:
Nor with delight can I explore,
The Classic page, or Muse's lore.
Had she but known how beat my heart,
And with one smile reliev'd its smart
I should have felt a sweet relief,
I should have felt ``the joy of grief.''
Yet as the Tuscan mid the snow
Of Lapland dreams on sweet Arno,
Even so for ever shall she be
The Halo of my Memory.
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