Poems List

On A Nun

On A Nun

Of two fair virgins, modest, though admired,
Heaven made us happy; and now, wretched sires,
Heaven for a nobler doom their worth desires,
And gazing upon either, both required.
Mine, while the torch of Hymen newly fired
Becomes extinguish'd, soon too
soon expires:
But thine, within the closing grate retired,
Eternal captive, to her God aspires.
But thou at least from out the jealous door,
Which shuts between your never meeting
eyes,
May'st hear her sweet and pious voice once more:
I to the marble, where my daughter lies,
Rush, the
swoln flood of bitterness I pour,
And knock, and knock, and knock but none replies.
👁️ 435

Ode To Napoleon Buonaparte

Ode To Napoleon Buonaparte

'Expends Annibalem:quot
libras in duce summo
Invenies?~JUVENAL., Sat. X.

I.
Tis donebut
yesterday a King!
And arm'd with Kings to striveAnd
now thou art a nameless thing:
So abjectyet
alive!
Is this the man of thousand thrones,
Who strew'd our earth with hostile bones,
And can he thus survive?
Since he, miscall'd the Morning Star,
Nor man nor fiend bath fallen so far.
II.
Illminded
man! why scourge thy kind
Who bow'd so low the knee?
By gazing on thyself grown blind,
Thou taught'st the rest to see.
With might unquestion'd,power
to save,Thine
only gift hath been the grave
To those that worshipp'd thee;
Nor till thy fall could mortals guess
Ambition's less than littleness!
III.
Thanks for that lessonIt
will teach
To afterwarriors
more
Than high Philosophy can preach,
And vainly preach 'd before.
That spell upon the minds of men
Breaks never to unite again,
That led them to adore
Those Pagod things of sabre sway
With fronts of brass, and feet of clay.
IV.
The triumph and the vanity,
The rapture of the strifeThe
earthquake voice of Victory,
To thee the breath of life;
The sword, the sceptre, and that sway
Which man seem'd made but to obey,
Wherewith renown was rifeAll
quell'd!Dark
Spirit! what must be
The madness of thy memory!
V.
The Desolator desolate!
The Victor overthrown!
The Arbiter of others' fate
A Suppliant for his own!

Is it some yet imperial hope
That with such change can calmly cope?
Or dread of death alone?
To die a princeor
live a slaveThy
choice is most ignobly brave!


VI.
He who of old would rend the oak,
Dream'd not of the rebound:
Chain'd by the trunk he vainly brokeAlonehow
look'd he round?
Thou, in the sternness of thy strength,
An equal deed halt done at length,
And darker fate hast found:
He fell, the forest prowlers' prey;
But thou must eat thy heart away!
VII.
The Roman, when his burning heart
Was slaked with blood of Rome,
Threw down the daggerdared
depart,
In savage grandeur, homeHe
dared depart in utter scorn
Of men that such a yoke had borne,
Yet left him such a doom!
His only glory was that hour
Of selfupheld
abandon'd power.
VIII.
The Spaniard, when the lust of sway
Had lost its quickening spell,
Cast crowns for rosaries away,
An empire for a cell;
A strict accountant of his beads,
A subtle disputant on creeds,
His dotage trifled well:
Yet better had he neither known
A bigot's shrine, nor despot's throne.
IX.
But thoufrom
thy reluctant hand
The thunderbolt is wrungToo
late thou leav'st the high command
To which thy weakness clung;
All Evil Spirit as thou art,
It is enough to grieve the heart
To see thine own unstrung;
To think that God's fair world hath been
The footstool of a thing so mean;
X.
And Earth hath spilt her blood for him,

Who thus can hoard his own!
And Monarchs bow'd the trembling limb,
And thank'd him for a throne!
Fair Freedom! we may hold thee dear,
When thus thy mightiest foes their fear
In humblest guise have shown.
Oh! ne'er may tyrant leave behind
A brighter name to lure mankind!


XI.
Thine evil deeds are writ in gore,
Nor written thus in vainThy
triumphs tell of fame no more,
Or deepen every stain:
If thou hadst died as honour dies,
Some new Napoleon might arise,
To shame the world againBut
who would soar the solar height,
To set in such a starless night?
XII.
Weigh'd in the balance, hero dust
Is vile as vulgar clay;
Thy scales, Mortality! are just
To all that pass away:
But yet methought the living great
Some higher sparks should animate,
To dazzle and dismay:
Nor deem'd Contempt could thus make mirth
Of these, the Conquerors of the earth.
XIII.
And she, proud Austria's mournful flower,
Thy still imperial bride;
How bears her breast the torturing hour?
Still clings she to thy side?
Must she too bend, must she too share
Thy late repentance, long despair,
Thou throneless Homicide?
If still she loves thee, hoard that gem,'
Tisworth thy vanish'd diadem!
XIV.
Then haste thee to thy sullen Isle,
And gaze upon the sea;
That element may meet thy smileIt
ne'er was ruled by thee!
Or trace with thine all idle hand
In loitering mood upon the sand
That Earth is now as free!
That Corinth's pedagogue hath now
Transferr'd his byword
to thy brow.

XV.
Thou Timour! in his captive's cage
What thoughts will there be thine,
While brooding in thy prison'd rage?
But one'
The world was mine!'
Unless, like he of Babylon,
All sense is with thy sceptre gone,
Life will not long confine
That spirit pour'd so widely forthSo
long obey'dso
little worth!
XVI.
Or, like the thief of fire from heaven,
Wilt thou withstand the shock?
And share with him the unforgiven,
His vulture and his rock!
Foredoom'd by Godby
man accurst,
And that last act, though not thy worst,
The very Fiend's arch mock
He in his fall preserved his pride,
And, if a mortal, had as proudly died!
XVII.
There was a daythere
was an hour,
While earth was Gaul'sGaul
thineWhen
that immeasurable power
Unsated to resign
Had been an act of purer fame
Than gathers round Marengo's name,
And gilded thy decline,
Through the long twilight of all time,
Despite some passing clouds of crime.
XVIII.
But thou forsooth must be a king,
And don the purple vest,
As !f that foolish robe could wring
Remembrance from thy breast.
Where is that faded garment? where
The gewgaws thou Overt fond to wear,
The star, the string the crest?
Vain froward child of empire! say,
Are all thy playthings snatched away?
XIX.
Where may the wearied eye repose
When gazing on the Great;
Where neither guilty glory glows,
Nor despicable state?
Yesonethe
firstthe
lastthe
bestThe
Cincinnatus of the West,

Whom envy dared not hate,
Bequeath'd the name of Washington,
To make man blush there was but one!
👁️ 508

Oh! Weep For Those

Oh! Weep For Those

I.
Oh! Weep for those that wept by Babel's stream,
Whose shrines are desolate, whose land a dream,
Weep for the harp of Judah's broken shellMournwhere
their God that dweltthe
Godless dwell!
II.
And where shall Israel lave her bleeding feet?
And when shall Zion's songs agains seem sweet?
And Judah's melody once more rejoice
The hearts that leap'd before its heavenly voice?
III.
Tribes of the wandering foot and weary breast!
How shall ye flee away and be at rest!
The wilddove
hath her nestthe
fox his caveMankind
their CountryIsrael
but the grave.
👁️ 682

My Soul is Dark

My Soul is Dark

My soul is dark Oh!
quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.
If in this heart a hope be dear,
That sound shall charm it forth again:
If in these eyes there lurk a tear,
'Twill flow, and cease to burn my brain.


But bid the strain be wild and deep,
Nor let thy notes of joy be first:
I tell thee, minstrel, I must weep,
Or else this heavy heart will burst;
For it hath been by sorrow nursed,
And ached in sleepless silence, long;
And now 'tis doomed to know the worst,
And break at once or
yield to song.
👁️ 454

Ode (From The French)

Ode (From The French)

I.
We do not curse thee, Waterloo!
Though Freedom's blood thy plain bedew;
There 'twas shed, but is not sunkRising
from each gory trunk,
Like the waterspout
from ocean,
With a strong and growing motionIt
soars, and mingles in the air,
With that of lost LabedoyèreWith
that of him whose honour'd grave
Contains the 'bravest of the brave.
A crimson cloud it spreads and glows,
But shall return to whence it rose;
When 'tis full 'twill burst asunderNever
yet was heard such thunder
As then shall shake the world with wonder
Never yet was seen such lightning
As o'er heaven shall then be bright'ning!
Like the Wormwood Star foretold
By the sainted Seer of old,
Show'ring down a fiery flood,
Turning rivers into blood.
II.
The Chief has fallen, but not by you,
Vanquishers of Waterloo!
When the soldier citizen
Sway'd not o'er his fellowmenSave
in deeds that led them on
Where Glory smiled on Freedom's sonWho,
of all the despots banded,
With that youthful chief competed?
Who could boast o'er France defeated,
Till lone Tyranny commanded?
Till, goaded by ambition's sting,
The Hero sunk into the King?
Then he fell:so
perish all,
Who would men by man enthral!
III.
And thou, too, of the snowwhite
plume!
Whose realm refused thee ev'n a tomb;
Better hadst thou still been leading
France o'er hosts of hirelings bleeding,
Than sold thyself to death and shame
For a meanly royal name;
Such as he of Naples wears,
Who thy bloodbought
title bears.
Little didst thou deem, when dashing
On thy warhorse
through the ranks,
Like a stream which burst its banks,
While helmets cleft, and sabres clashing,

Shone and shiver'd fast around theeOf
the fate at last which found thee:
Was that haughty plume laid low
By a slave's dishonest blow?
Once as
the moon sways o'er the tide;
It roll'd in air, the warrior's guide;
Through the smokecreated
night
Of the black and sulphurous fight,
The soldier raised his seeking eye
To catch that crest's ascendancy,And,
as it onward rolling rose
So moved his heart upon our foes.
There, where death's brief pang was quickest,
And the battle's wreck lay thickest,
Strew 'd beneath the advancing banner
Of the eagles burning crest(
There thunderclouds
to fan her,
Who could then her wing arrestVictory
beaming from her breast?)
While the broken line enlarging
Fell, or fled along the plain;
There be sure was Murat charging!
There he ne'er shall charge again!


IV.
O'er glories gone the invaders march,
Weeps Triumph o'er each levell'd archBut
let Freedom rejoice,
With her heart in her voice
But, her hand on her sword,
Doubly shall she be adored
France hath twice too well been taught
The 'moral lesson' dearly boughtHer
safety sits not on a throne,
With Capet or Napoleon!
But in equal rights and laws,
Hearts and hands in one great causeFreedom,
such as God hath given
Unto all beneath his heaven,
With their breath, and from their birth,
Though guilt would sweep it from the earth;
With a fierce and lavish hand
Scattering nations' wealth like sand;
Pouring nations' blood like water,
In imperial seas of slaughter!
V.
But the heart and the mind,
And the voice of mankind,
Shall arise in communionAnd
who shall resist that proud union?
The time is past when swords subduedwww.
PoemHunter.com The
World's Poetry Archive


Man may die the
soul's renew'd:
Even in this low world of care
Freedom ne'er shall want an heir;
Millions breathe but to inherit
Her for ever bounding spiritWhen
once more her hosts assemble,
Tyrants shall believe and trembleSmile
they at this idle threat?
Crimson tears will follow yet.
👁️ 604

Monody On The Death Of The Right Hon. R. B. Sheridan

Monody On The Death Of The Right Hon. R. B. Sheridan

When the last sunshine of expiring day
In summer's twilight weeps itself away,
Who hath not felt the softness of the hour
Sink on the heart, as dew along the flower?
With a pure feeling which absorbs and awes
While Nature makes that melancholy pause,
Her breathing moment on the bridge where Time
Of light and darkness forms an arch sublime,
Who hath not shared that calm, so still and deep,
The voiceless thought which would not speak but weep,
A holy concord, and a bright regret,
A glorious sympathy with suns that set?
'Tis not harsh sorrow, but a tenderer woe,
Nameless, but dear to gentle hearts below,
Felt without bitterness, but full and clear,
A sweet dejection, a transparent tear,
Unmix'd with worldly grief or selfish stain,
Shed without shame, and secret without pain.


Even as the tenderness that hour instils
When Summer's day declines along the hills.
So feels the fulness of our heart and eyes
When all of Genius which can perish dies.
A mighty Spirit is eclipsed a
Power
Hath pass'd from day to darkness to
whose hour
Of light no likeness is bequeath'd no
name,
Focus at once of all the rays of Fame!
The flash of Wit, the bright Intelligence,
The beam of Song, the blaze of Eloquence,
Set with their Sun, but still have left behind
The enduring produce of immortal Mind;
Fruits of a genial morn, and glorious noon,
A deathless part of him who died too soon.
But small that portion of the wondrous whole,
These sparkling segments of that circling soul,
Which all embraced, and lighten'd over all,
To cheer, to pierce, to please, or to appal.
From the charm'd council to the festive board,
Of human feelings the unbounded lord;
In whose acclaim the loftiest voices vied,
The praised, the proud, who made his praise their pride.
When the loud cry of trampled Hindostan
Arose to Heaven in her appeal from man,
His was the thunder, his the avenging rod,
The wrath the
delegated voice of God!
Which shook the nations through his lips, and blazed
Till vanquish 'd senates trembled as they praised.


And here, oh! here, where yet all young and warm,
The gay creations of is spirit charm,
The matchless dialogue, the deathless wit,
Which knew not what it was to intermit;



The glowing portraits, fresh from life, that bring
Home to our hearts the truth from which they spring;
These wondrous beings of his fancy, wrought
To fulness by the fiat of his thought,
Here in their first abode you still may meet,
Bright with the hues of his Promethean heat;
A halo of the light of other days,
Which still the splendour of its orb betrays.


But should there be to whom the fatal blight
Of failing Wisdom yields a base delight,
Men who exult when minds of heavenly tone
Jar in the music which was born their own,
Still let them pause ah!
little do they know
That what to them seem'd Vice might be but Woo.
Hard is his fate on whom the public gaze
Is fix'd for ever to detract or praise;
Repose denies her requiem to his name,
And Folly loves the martyrdom of Fame.
The secret enemy whose sleepless eye
Stands sentinel, accuser, judge, and spy,
The foe, the fool, the jealous, and the vain,
The envious who but breathe in others' pain,
Behold the host! delighting to deprave,
Who track the steps of Glory to the grave,
Watch every fault that daring Genius owes
Half to the ardour which its birth bestows,
Distort the troth, accumulate the lie,
And pile the pyramid of Calumny!
These are his portion but
if join'd to these
Gaunt Poverty should league with deep Disease,
If the high Spirit must forget to soar,
And stoop to strive with Misery at the door,
To soothe Indignity and
face to face
Meet sordid Rage, and wrestle with Disgrace,
To find in Hope but the renew'd caress,
The serpentfold
of further Faithlessness:If
such may be the ills which men assail,
What marvel if at last the mightiest fail?
Breasts to whom all the strength of feeling given
Bear hearts electriccharged
with fire from Heaven,
Black with the rude collision inly torn,
By clouds surrounded, and on whirlwinds
borne,
Driven o'er the lowering atmosphere that nurst
Thoughts which have turn'd to thunderscorch, and burst.


But far from us and from our mimic scene
Such things should be if
such have ever been
Ours be the gentler wish, the kinder task,
To give the tribute Glory need not ask,
To mourn the vanish'd beam, and add our mite
Of praise in payment of a long delight.



Ye Orators! whom yet our councils yield,
Mourn for the veteran Hero of your field!
The worthy rival of the wondrous Three!
Whose words were sparks of Immortality!
Ye Bards! to whom the Drama's muse is dear,
He was your Masteremulate
him her!
Ye men of wit and social eloquence!
He was your brother bear
his ashes hence!
While Powers of mind almost of boundless range,
Complete in kind, as various in their change,
While Eloquence, Wit, Poesy, and Mirth,
That humbler Harmonist of care on Earth,
Survive within our souls while
lives our sense
Of pride in Merit's proud preeminence,
Long shall we seek his likeness, long in vain,
And turn to all of him which may remain,
Sighing that nature form'd but one such man,
And broke the die in
moulding Sheridan!
👁️ 438

Martial, Lib. I, Epig. I.

Martial, Lib. I, Epig. I.

'Hic est, quem legis, ille, quern requiris, Tota notus in orbe Martialis,' &c.

He unto whom thou art so partial,
Oh, reader is the wellknown
Martial,
The Epigrammatist: while living,
Give him the fame thou wouldst be giving;
So shall he hear, and feel, and know itPost
obits rarely reach a poet.
👁️ 446

Lines: Written In 'Letters Of An Italian Nun And An English Gentleman'

Lines: Written In 'Letters Of An Italian Nun And An English Gentleman'

'Away, away, your fleeting arts
May now betray some simpler hearts;
And you will smile at their believing,
And they shall weep at your deceiving.'


ANSWER TO THE FOREGOING, ADDRESSED TO MISS .


Dear, simple girl, those flattering arts,
From which thou'dst guard frail female hearts,
Exist but in imagination,Mere
phantoms of thine own creation;
For he who views that witching grace,
That perfect form, that lovely face,
With eyes admiring, oh! believe me,
He never wishes to deceive thee:
Once in thy polish'd mirror glance,
Thou'lt there descry that elegance
Which from our sex demands such praises,
But envy in the other raises:
Then he who tells thee of thy beauty,
Believe me, only does his duty:
Ah! fly not from the candid youth;
It is not flattery,'
tis truth.


July 1804
👁️ 453

Maid Of Athens, Ere We Part

Maid Of Athens, Ere We Part

Maid of Athens, ere we part,
Give, oh give me back my heart!
Or, since that has left my breast,
Keep it now, and take the rest!
Hear my vow before I go,
Zoë mou, sas agapo!


By those tresses unconfined,
Wood by each Ægean wind;
By those lids whose jetty fringe
Kiss thy soft cheeks' blooming tinge;
By those wild eyes like the roe,
Zoë mou, sas agapo!


By that lip I long to taste;
By that zone encircled waist;
By all the tokenflowers
that tell
What words can never speak so well;
By love's alternate joy and woe.
Zoë mou, sas agapo!


Maid of Athens! I am gone:
Think of me, sweet! when alone.
Though I fly to Istambol,
Athens holds my heart and soul:
Can I cease to love thee? No!
Zoë mou, sas agapo!
👁️ 599

Lines Written On A Blank Leaf Of 'The Pleasures Of Memory'

Lines Written On A Blank Leaf Of 'The Pleasures Of Memory'

Absent or present, still to thee,
My friend, what magic spells belong!
As all can tell, who share, like me,
In turn thy converse and thy song.


But when the dreaded hour shall come
By Friendship ever deem'd too nigh,
And `MEMORY' o'er her Druid's tomb
Shall weep that aught of thee can die,


How fondly will she then repay
Thy homage offer'd at her shrine, to
And blend, while ages roll away,
Her name immortally with thine!


April 19, 1812
👁️ 309

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Identification and basic context

Lord Byron, whose full name was George Gordon Byron, later Noel Byron, 6th Baron Byron, is widely recognized as one of the most prominent figures of the Romantic era in English literature. He was born into the British aristocracy, inheriting the title of Baron Byron. His nationality was British, and he wrote exclusively in English. The historical context in which he lived was one of significant social, political, and literary upheaval, including the aftermath of the French Revolution and the Napoleonic Wars, and the flourishing of Romanticism.

Childhood and education

Byron's childhood was marked by hardship. His mother, Catherine Gordon, was left with little money and raised him in Aberdeen, Scotland. His father, Captain John Byron, a notorious womanizer, abandoned them when George was three years old. This early separation and his mother's often harsh treatment left a profound impact on him. He was educated at Aberdeen Grammar School and then attended Trinity College, Cambridge. Despite his aristocratic background, his family's financial struggles meant he often felt like an outsider. His early readings included classical literature, the Bible, and the works of contemporary poets, which, along with his volatile home life, shaped his early sensibilities.

Literary trajectory

Byron's literary career began in earnest during his Cambridge years. His first collection of poems, 'Hours of Idleness', published in 1807, was met with harsh criticism, notably from 'The Edinburgh Review', which spurred him to respond with his satire 'English Bards and Scotch Reviewers' (1809). His first major success came with the publication of the opening cantos of 'Childe Harold's Pilgrimage' in 1812, which propelled him to instant fame. This was followed by a series of highly successful narrative poems, often drawing on historical or exotic settings, such as 'The Giaour' (1813), 'The Bride of Abydos' (1813), 'The Corsair' (1814), and 'Lara' (1814). His dramatic works, including 'Manfred' (1817) and 'Cain' (1821), explored profound philosophical and theological questions. His epic poem 'Don Juan' (begun in 1819), a satirical masterpiece, showcased his wit, irony, and expansive vision. Byron also contributed to various literary periodicals and anthologies, and his letters and journals provide significant insights into his life and thought.

Works, style, and literary characteristics

Byron's major works include 'Childe Harold's Pilgrimage', 'Don Juan', 'Manfred', 'Cain', and numerous shorter lyric poems and narrative tales. His dominant themes encompass love (often passionate and unrequited), freedom (personal and political), the struggle against fate, the sublime beauty of nature, heroism, the disillusionment of experience, and critiques of social and religious hypocrisy. Stylistically, Byron was known for his vivid imagery, powerful rhythm, and dramatic intensity. He employed a wide range of forms, from the Spenserian stanza in 'Childe Harold' to ottava rima in 'Don Juan', and experimented with blank verse and other metrical structures. His poetic voice is often marked by a compelling blend of romantic idealism, passionate emotion, sharp wit, and profound irony. His language is rich and evocative, employing striking metaphors and a commanding rhetorical power. Byron's work is often associated with Romanticism, but his cynicism and satirical edge also prefigure later literary developments.

Cultural and historical context

Byron lived through a period of immense change, influenced by the ideals of the French Revolution and the ensuing Napoleonic Wars. He was a prominent figure in the second generation of British Romantics, alongside poets like Shelley and Keats. His radical political views and bohemian lifestyle often placed him at odds with the conservative establishment of his time. His travels and experiences, particularly his involvement in the Greek War of Independence, where he became a national hero, deeply intertwined his life with the political currents of Europe. He was part of a vibrant literary circle, though his relationships with contemporaries like Wordsworth and Coleridge were complex, often marked by admiration and critical distance.

Personal life

Byron's personal life was as dramatic and turbulent as his poetry. His relationships were often intense and tumultuous, including a scandalous marriage to Annabella Milbanke, which ended in separation and fuelled much public speculation. He also had rumored relationships with both men and women. His close friendships with figures like Thomas Moore, his biographer, and Percy Bysshe Shelley were significant. Byron suffered from a club foot, a physical disability that he felt deeply and which may have contributed to his rebellious spirit and his fascination with heroic figures. His later years were defined by his expatriation from England and his commitment to the cause of Greek independence.

Recognition and reception

Byron achieved immense fame during his lifetime, becoming a European celebrity. His works were widely read and admired, and his persona captivated the public imagination. He was hailed as a literary genius and a romantic hero. However, his radicalism and personal scandals also led to significant criticism and public condemnation, particularly after his separation from his wife. Posthumously, his reputation has endured, solidified by his literary achievements and his heroic death. While his works have been subject to critical re-evaluation, his place in the canon of English literature is secure.

Influences and legacy

Byron was influenced by classical poets, Shakespeare, and contemporary Romantic writers. His own influence has been vast, extending across Europe and beyond. The concept of the "Byronic hero" – a brooding, passionate, and rebellious individual – became a significant archetype in literature and culture. He inspired countless writers, artists, and musicians, and his work has been translated into numerous languages. His engagement with themes of liberty and his personal sacrifice for the Greek cause left a lasting legacy.

Interpretation and critical analysis

Byron's work has been interpreted in various ways, often seen as a complex interplay between romantic idealism and cynical realism. Critics have explored the autobiographical elements in his poetry, the philosophical depth of his critiques of religion and society, and his mastery of satire. Debates have often centered on the sincerity of his emotions, the extent of his political engagement, and the relationship between his life and his art. His exploration of themes like freedom, fate, and the human condition continues to resonate.

Curiosities and lesser-known aspects

Byron was known for his eccentricities, including keeping a bear as a pet at Cambridge. He was also an accomplished swimmer and once swam the Hellespont. His diaries and letters reveal a man of great intellect, wit, and also considerable vanity and self-pity. He had a deep affection for his half-sister, Augusta Leigh, which fueled scandalous rumors. His habits included writing late into the night, often fueled by wine and opium.

Death and memory

Byron died in 1824 at the age of 36 from a fever in Missolonghi, Greece, while actively engaged in the Greek War of Independence. His death was mourned throughout Greece and widely in Europe, solidifying his heroic status. His body was returned to England, and he is buried in the parish church of Hucknall. His memory is preserved through his enduring literary works, his status as a national hero in Greece, and the ongoing fascination with his life and legend.