The Bridal of Pennacook

We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!

And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.

There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye
Saw only hot brick walls and close thronged streets;
Briefless as yet, but with an eye to see


Life's sunniest side, and with a heart to take
Its chances all as godsends; and his brother,
Pale from long pulpit studies, yet retaining
The warmth and freshness of a genial heart,
Whose mirror of the beautiful and true,
In Man and Nature, was as yet undimmed
By dust of theologic strife, or breath
Of sect, or cobwebs of scholastic lore;
Like a clear crystal calm of water, taking
The hue and image of o'erleaning flowers,
Sweet human faces, white clouds of the noon,
Slant starlight glimpses through the dewy leaves,
And tenderest moonrise. 'Twas, in truth, a study,
To mark his spirit, alternating between
A decent and professional gravity
And an irreverent mirthfulness, which often
Laughed in the face of his divinity,
Plucked off the sacred ephod, quite unshrined
The oracle, and for the pattern priest
Left us the man. A shrewd, sagacious merchant,
To whom the soiled sheet found in Crawford's inn,
Giving the latest news of city stocks
And sales of cotton, had a deeper meaning
Than the great presence of the awful mountains
Glorified by the sunset; and his daughter,
A delicate flower on whom had blown too long
Those evil winds, which, sweeping from the ice
And winnowing the fogs of Labrador,
Shed their cold blight round Massachusetts Bay,
With the same breath which stirs Spring's opening leaves
And lifts her half-formed flower-bell on its stem,
Poisoning our seaside atmosphere.


It chanced that as we turned upon our homeward way,
A drear northeastern storm came howling up
The valley of the Saco; and that girl
Who had stood with us upon Mount Washington,
Her brown locks ruffled by the wind which whirled
In gusts around its sharp, cold pinnacle,
Who had joined our gay trout-fishing in the streams
Which lave that giant's feet; whose laugh was heard
Like a bird's carol on the sunrise breeze
Which swelled our sail amidst the lake's green islands,
Shrank from its harsh, chill breath, and visibly drooped
Like a flower in the frost. So, in that quiet inn
Which looks from Conway on the mountains piled
Heavily against the horizon of the north,
Like summer thunder-clouds, we made our home
And while the mist hung over dripping hills,
And the cold wind-driven rain-drops all day long
Beat their sad music upon roof and pane,
We strove to cheer our gentle invalid.



The lawyer in the pauses of the storm
Went angling down the Saco, and, returning,
Recounted his adventures and mishaps;
Gave us the history of his scaly clients,
Mingling with ludicrous yet apt citations
Of barbarous law Latin, passages
From Izaak Walton's Angler, sweet and fresh
As the flower-skirted streams of Staffordshire,
Where, under aged trees, the southwest wind
Of soft June mornings fanned the thin, white hair
Of the sage fisher. And, if truth be told,
Our youthful candidate forsook his sermons,
His commentaries, articles and creeds,
For the fair page of human loveliness,
The missal of young hearts, whose sacred text
Is music, its illumining, sweet smiles.
He sang the songs she loved; and in his low,
Deep, earnest voice, recited many a page
Of poetry, the holiest, tenderest lines
Of the sad bard of Olney, the sweet songs,
Simple and beautiful as Truth and Nature,
Of him whose whitened locks on Rydal Mount
Are lifted yet by morning breezes blowing
From the green hills, immortal in his lays.
And for myself, obedient to her wish,
I searched our landlord's proffered library,—
A well-thumbed Bunyan, with its nice wood pictures
Of scaly fiends and angels not unlike them;
Watts' unmelodious psalms; Astrology's
Last home, a musty pile of almanacs,
And an old chronicle of border wars
And Indian history. And, as I read
A story of the marriage of the Chief
Of Saugus to the dusky Weetamoo,
Daughter of Passaconaway, who dwelt
In the old time upon the Merrimac,
Our fair one, in the playful exercise
Of her prerogative,—the right divine
Of youth and beauty,—bade us versify
The legend, and with ready pencil sketched
Its plan and outlines, laughingly assigning
To each his part, and barring our excuses
With absolute will. So, like the cavaliers
Whose voices still are heard in the Romance
Of silver-tongued Boccaccio, on the banks
Of Arno, with soft tales of love beguiling
The ear of languid beauty, plague-exiled
From stately Florence, we rehearsed our rhymes
To their fair auditor, and shared by turns
Her kind approval and her playful censure.


It may be that these fragments owe alone
To the fair setting of their circumstances,—
The associations of time, scene, and audience,—
Their place amid the pictures which fill up
The chambers of my memory. Yet I trust
That some, who sigh, while wandering in thought,
Pilgrims of Romance o'er the olden world,
That our broad land,—our sea-like lakes and mountains
Piled to the clouds, our rivers overhung
By forests which have known no other change
For ages than the budding and the fall
Of leaves, our valleys lovelier than those
Which the old poets sang of,—should but figure
On the apocryphal chart of speculation
As pastures, wood-lots, mill-sites, with the privileges,
Rights, and appurtenances, which make up
A Yankee Paradise, unsung, unknown,
To beautiful tradition; even their names,
Whose melody yet lingers like the last
Vibration of the red man's requiem,
Exchanged for syllables significant,
Of cotton-mill and rail-car, will look kindly
Upon this effort to call up the ghost
Of our dim Past, and listen with pleased ear
To the responses of the questioned Shade.

I. THE MERRIMAC
O child of that white-crested mountain whose springs
Gush forth in the shade of the cliff-eagle's wings,
Down whose slopes to the lowlands thy wild waters shine,
Leaping gray walls of rock, flashing through the dwarf pine;
From that cloud-curtained cradle so cold and so lone,
From the arms of that wintry-locked mother of stone,
By hills hung with forests, through vales wide and free,
Thy mountain-born brightness glanced down to the sea.


No bridge arched thy waters save that where the trees
Stretched their long arms above thee and kissed in the breeze:
No sound save the lapse of the waves on thy shores,
The plunging of otters, the light dip of oars.


Green-tufted, oak-shaded, by Amoskeag's fall
Thy twin Uncanoonucs rose stately and tall,
Thy Nashua meadows lay green and unshorn,
And the hills of Pentucket were tasselled with corn.
But thy Pennacook valley was fairer than these,
And greener its grasses and taller its trees,
Ere the sound of an axe in the forest had rung,
Or the mower his scythe in the meadows had swung.


In their sheltered repose looking out from the wood



The bark-builded wigwams of Pennacook stood;
There glided the corn-dance, the council-fire shone,
And against the red war-post the hatchet was thrown.


There the old smoked in silence their pipes, and the young
To the pike and the white-perch their baited lines flung;
There the boy shaped his arrows, and there the shy maid
Wove her many-hued baskets and bright wampum braid.


O Stream of the Mountains! if answer of thine
Could rise from thy waters to question of mine,
Methinks through the din of thy thronged banks a moan
Of sorrow would swell for the days which have gone.


Not for thee the dull jar of the loom and the wheel,
The gliding of shuttles, the ringing of steel;
But that old voice of waters, of bird and of breeze,
The dip of the wild-fowl, the rustling of trees.


II. THE BASHABA
Lift we the twilight curtains of the Past,
And, turning from familiar sight and sound,
Sadly and full of reverence let us cast
A glance upon Tradition's shadowy ground,
Led by the few pale lights which, glimmering round
That dim, strange land of Eld, seem dying fast;
And that which history gives not to the eye,
The faded coloring of Time's tapestry,
Let Fancy, with her dream-dipped brush, supply.


Roof of bark and walls of pine,
Through whose chinks the sunbeams shine,
Tracing many a golden line
On the ample floor within;
Where, upon that earth-floor stark,
Lay the gaudy mats of bark,
With the bear's hide, rough and dark,
And the red-deer's skin.


Window-tracery, small and slight,
Woven of the willow white,
Lent a dimly checkered light;
And the night-stars glimmered down,
Where the lodge-fire's heavy smoke,
Slowly through an opening broke,
In the low roof, ribbed with oak,
Sheathed with hemlock brown.


Gloomed behind the changeless shade
By the solemn pine-wood made;



Through the rugged palisade,
In the open foreground planted,
Glimpses came of rowers rowing,
Stir of leaves and wild-flowers blowing,
Steel-like gleams of water flowing,
In the sunlight slanted.


Here the mighty Bashaba
Held his long-unquestioned sway,
From the White Hills, far away,
To the great sea's sounding shore;
Chief of chiefs, his regal word
All the river Sachems heard,
At his call the war-dance stirred,
Or was still once more.


There his spoils of chase and war,
Jaw of wolf and black bear's paw,
Panther's skin and eagle's claw,
Lay beside his axe and bow;
And, adown the roof-pole hung,
Loosely on a snake-skin strung,
In the smoke his scalp-locks swung
Grimly to and fro.


Nightly down the river going,
Swifter was the hunter's rowing,
When he saw that lodge-fire, glowing
O'er the waters still and red;
And the squaw's dark eye burned brighter,
And she drew her blanket tighter,
As, with quicker step and lighter,
From that door she fled.


For that chief had magic skill,
And a Panisee's dark will,
Over powers of good and ill,
Powers which bless and powers which ban;
Wizard lord of Pennacook,
Chiefs upon their war-path shook,
When they met the steady look
Of that wise dark man.


Tales of him the gray squaw told,
When the winter night-wind cold
Pierced her blanket's thickest fold,
And her fire burned low and small,
Till the very child abed,
Drew its bear-skin over bead,
Shrinking from the pale lights shed
On the trembling wall.



All the subtle spirits hiding
Under earth or wave, abiding
In the caverned rock, or riding
Misty clouds or morning breeze;
Every dark intelligence,
Secret soul, and influence
Of all things which outward sense
Feels, or bears, or sees,—


These the wizard's skill confessed,
At his bidding banned or blessed,
Stormful woke or lulled to rest
Wind and cloud, and fire and flood;
Burned for him the drifted snow,
Bade through ice fresh lilies blow,
And the leaves of summer grow
Over winter's wood!


Not untrue that tale of old!
Now, as then, the wise and bold
All the powers of Nature hold
Subject to their kingly will;
From the wondering crowds ashore,
Treading life's wild waters o'er,
As upon a marble floor,
Moves the strong man still.


Still, to such, life's elements
With their sterner laws dispense,
And the chain of consequence
Broken in their pathway lies;
Time and change their vassals making,
Flowers from icy pillows waking,
Tresses of the sunrise shaking
Over midnight skies.
Still, to th' earnest soul, the sun
Rests on towered Gibeon,
And the moon of Ajalon
Lights the battle-grounds of life;
To his aid the strong reverses
Hidden powers and giant forces,
And the high stars, in their courses,
Mingle in his strife!


III. THE DAUGHTER
The soot-black brows of men, the yell
Of women thronging round the bed,
The tinkling charm of ring and shell,
The Powah whispering o'er the dead!


All these the Sachem's home had known,
When, on her journey long and wild
To the dim World of Souls, alone,
In her young beauty passed the mother of his child.


Three bow-shots from the Sachem's dwelling
They laid her in the walnut shade,
Where a green hillock gently swelling
Her fitting mound of burial made.
There trailed the vine in summer hours,
The tree-perched squirrel dropped his shell,—
On velvet moss and pale-hued flowers,
Woven with leaf and spray, the softened sunshine fell!


The Indian's heart is hard and cold,
It closes darkly o'er its care,
And formed in Nature's sternest mould,
Is slow to feel, and strong to bear.
The war-paint on the Sachem's face,
Unwet with tears, shone fierce and red,
And still, in battle or in chase,
Dry leaf and snow-rime crisped beneath his foremost tread.


Yet when her name was heard no more,
And when the robe her mother gave,
And small, light moccasin she wore,
Had slowly wasted on her grave,
Unmarked of him the dark maids sped
Their sunset dance and moonlit play;
No other shared his lonely bed,
No other fair young head upon his bosom lay.


A lone, stern man. Yet, as sometimes
The tempest-smitten tree receives
From one small root the sap which climbs
Its topmost spray and crowning leaves,
So from his child the Sachem drew
A life of Love and Hope, and felt
His cold and rugged nature through
The softness and the warmth of her young being melt.


A laugh which in the woodland rang
Bemocking April's gladdest bird,—
A light and graceful form which sprang
To meet him when his step was heard,—
Eyes by his lodge-fire flashing dark,
Small fingers stringing bead and shell
Or weaving mats of bright-hued bark,—
With these the household-god had graced his wigwam well.


Child of the forest! strong and free,
Slight-robed, with loosely flowing hair,



She swam the lake or climbed the tree,
Or struck the flying bird in air.
O'er the heaped drifts of winter's moon
Her snow-shoes tracked the hunter's way;
And dazzling in the summer noon
The blade of her light oar threw off its shower of spray!


Unknown to her the rigid rule,
The dull restraint, the chiding frown,
The weary torture of the school,
The taming of wild nature down.
Her only lore, the legends told
Around the hunter's fire at night;
Stars rose and set, and seasons rolled,
Flowers bloomed and snow-flakes fell, unquestioned in her sight.


Unknown to her the subtle skill
With which the artist-eye can trace
In rock and tree and lake and hill
The outlines of divinest grace;
Unknown the fine soul's keen unrest,
Which sees, admires, yet yearns alway;
Too closely on her mother's breast
To note her smiles of love the child of Nature lay!


It is enough for such to be
Of common, natural things a part,
To feel, with bird and stream and tree,
The pulses of the same great heart;
But we, from Nature long exiled,
In our cold homes of Art and Thought
Grieve like the stranger-tended child,
Which seeks its mother's arms, and sees but feels them not.


The garden rose may richly bloom
In cultured soil and genial air,
To cloud the light of Fashion's room
Or droop in Beauty's midnight hair;
In lonelier grace, to sun and dew
The sweetbrier on the hillside shows
Its single leaf and fainter hue,
Untrained and wildly free, yet still a sister rose!


Thus o'er the heart of Weetamoo
Their mingling shades of joy and ill
The instincts of her nature threw;
The savage was a woman still.
Midst outlines dim of maiden schemes,
Heart-colored prophecies of life,
Rose on the ground of her young dreams
The light of a new home, the lover and the wife.



IV. THE WEDDING
Cool and dark fell the autumn night,
But the Bashaba's wigwam glowed with light,
For down from its roof, by green withes hung,
Flaring and smoking the pine-knots swung.


And along the river great wood-fires
Shot into the night their long, red spires,
Showing behind the tall, dark wood,
Flashing before on the sweeping flood.


In the changeful wind, with shimmer and shade,
Now high, now low, that firelight played,
On tree-leaves wet with evening dews,
On gliding water and still canoes.


The trapper that night on Turee's brook,
And the weary fisher on Contoocook,
Saw over the marshes, and through the pine,
And down on the river, the dance-lights shine.
For the Saugus Sachem had come to woo
The Bashaba's daughter Weetamoo,
And laid at her father's feet that night
His softest furs and wampum white.


From the Crystal Hills to the far southeast
The river Sagamores came to the feast;
And chiefs whose homes the sea-winds shook
Sat down on the mats of Pennacook.


They came from Sunapee's shore of rock,
From the snowy sources of Snooganock,
And from rough Coos whose thick woods shake
Their pine-cones in Umbagog Lake.


From Ammonoosuc's mountain pass,
Wild as his home, came Chepewass;
And the Keenomps of the bills which throw
Their shade on the Smile of Manito.


With pipes of peace and bows unstrung,
Glowing with paint came old and young,
In wampum and furs and feathers arrayed,
To the dance and feast the Bashaba made.


Bird of the air and beast of the field,
All which the woods and the waters yield,
On dishes of birch and hemlock piled,
Garnished and graced that banquet wild.



Steaks of the brown bear fat and large
From the rocky slopes of the Kearsarge;
Delicate trout from Babboosuck brook,
And salmon speared in the Contoocook;


Squirrels which fed where nuts fell thick
in the gravelly bed of the Otternic;
And small wild-hens in reed-snares caught
from the banks of Sondagardee brought;


Pike and perch from the Suncook taken,
Nuts from the trees of the Black Hills shaken,
Cranberries picked in the Squamscot bog,
And grapes from the vines of Piscataquog:


And, drawn from that great stone vase which stands
In the river scooped by a spirit's hands,
Garnished with spoons of shell and horn,
Stood the birchen dishes of smoking corn.


Thus bird of the air and beast of the field,
All which the woods and the waters yield,
Furnished in that olden day
The bridal feast of the Bashaba.


And merrily when that feast was done
On the fire-lit green the dance begun,
With squaws' shrill stave, and deeper hum
Of old men beating the Indian drum.


Painted and plumed, with scalp-locks flowing,
And red arms tossing and black eyes glowing,
Now in the light and now in the shade
Around the fires the dancers played.


The step was quicker, the song more shrill,
And the beat of the small drums louder still
Whenever within the circle drew
The Saugus Sachem and Weetamoo.


The moons of forty winters had shed
Their snow upon that chieftain's head,
And toil and care and battle's chance
Had seamed his hard, dark countenance.


A fawn beside the bison grim,—
Why turns the bride's fond eye on him,
In whose cold look is naught beside
The triumph of a sullen pride?


Ask why the graceful grape entwines
The rough oak with her arm of vines;



And why the gray rock's rugged cheek
The soft lips of the mosses seek.

Why, with wise instinct, Nature seems
To harmonize her wide extremes,
Linking the stronger with the weak,
The haughty with the soft and meek!

V. THE NEW HOME
A wild and broken landscape, spiked with firs,
Roughening the bleak horizon's northern edge;
Steep, cavernous hillsides, where black hemlock spurs
And sharp, gray splinters of the wind-swept ledge
Pierced the thin-glazed ice, or bristling rose,
Where the cold rim of the sky sunk down upon the snows.


And eastward cold, wide marshes stretched away,
Dull, dreary flats without a bush or tree,
O'er-crossed by icy creeks, where twice a day
Gurgled the waters of the moon-struck sea;
And faint with distance came the stifled roar,
The melancholy lapse of waves on that low shore.


No cheerful village with its mingling smokes,
No laugh of children wrestling in the snow,
No camp-fire blazing through the hillside oaks,
No fishers kneeling on the ice below;
Yet midst all desolate things of sound and view,
Through the long winter moons smiled dark-eyed Weetamoo.


Her heart had found a home; and freshly all
Its beautiful affections overgrew
Their rugged prop. As o'er some granite wall
Soft vine-leaves open to the moistening dew
And warm bright sun, the love of that young wife
Found on a hard cold breast the dew and warmth of life.


The steep, bleak hills, the melancholy shore,
The long, dead level of the marsh between,
A coloring of unreal beauty wore
Through the soft golden mist of young love seen.
For o'er those hills and from that dreary plain,
Nightly she welcomed home her hunter chief again.


No warmth of heart, no passionate burst of feeling,
Repaid her welcoming smile and parting kiss,
No fond and playful dalliance half concealing,
Under the guise of mirth, its tenderness;


But, in their stead, the warrior's settled pride,



And vanity's pleased smile with homage satisfied.


Enough for Weetamoo, that she alone
Sat on his mat and slumbered at his side;
That he whose fame to her young ear had flown
Now looked upon her proudly as his bride;
That he whose name the Mohawk trembling heard
Vouchsafed to her at times a kindly look or word.


For she had learned the maxims of her race,
Which teach the woman to become a slave,
And feel herself the pardonless disgrace
Of love's fond weakness in the wise and brave,—
The scandal and the shame which they incur,
Who give to woman all which man requires of her.


So passed the winter moons. The sun at last
Broke link by link the frost chain of the rills,
And the warm breathings of the southwest passed
Over the hoar rime of the Saugus hills;
The gray and desolate marsh grew green once more,
And the birch-tree's tremulous shade fell round the Sachem's door.


Then from far Pennacook swift runners came,
With gift and greeting for the Saugus chief;
Beseeching him in the great Sachem's name,
That, with the coming of the flower and leaf,
The song of birds, the warm breeze and the rain,
Young Weetamoo might greet her lonely sire again.


And Winnepurkit called his chiefs together,
And a grave council in his wigwam met,
Solemn and brief in words, considering whether
The rigid rules of forest etiquette
Permitted Weetamoo once more to look
Upon her father's face and green-banked Pennacook.


With interludes of pipe-smoke and strong water,
The forest sages pondered, and at length,
Concluded in a body to escort her
Up to her father's home of pride and strength,
Impressing thus on Pennacook a sense
Of Winnepurkit's power and regal consequence.


So through old woods which Aukeetamit's hand,
A soft and many-shaded greenness lent,
Over high breezy hills, and meadow land
Yellow with flowers, the wild procession went,
Till, rolling down its wooded banks between,
A broad, clear, mountain stream, the Merrimac was seen.


The hunter leaning on his bow undrawn,



The fisher lounging on the pebbled shores,
Squaws in the clearing dropping the seed-corn,
Young children peering through the wigwam doors,
Saw with delight, surrounded by her train
Of painted Saugus braves, their Weetamoo again.


VI. AT PENNACOOK
The hills are dearest which our childish feet
Have climbed the earliest; and the streams most sweet
Are ever those at which our young lips drank,
Stooped to their waters o'er the grassy bank.


Midst the cold dreary sea-watch, Home's hearth-light
Shines round the helmsman plunging through the night;
And still, with inward eye, the traveller sees
In close, dark, stranger streets his native trees.


The home-sick dreamer's brow is nightly fanned
By breezes whispering of his native land,
And on the stranger's dim and dying eye
The soft, sweet pictures of his childhood lie.


Joy then for Weetamoo, to sit once more
A child upon her father's wigwam floor!
Once more with her old fondness to beguile
From his cold eye the strange light of a smile.


The long, bright days of summer swiftly passed,
The dry leaves whirled in autumn's rising blast,
And evening cloud and whitening sunrise rime
Told of the coming of the winter-time.


But vainly looked, the while, young Weetamoo,
Down the dark river for her chief's canoe;
No dusky messenger from Saugus brought
The grateful tidings which the young wife sought.


At length a runner from her father sent,
To Winnepurkit's sea-cooled wigwam went
'Eagle of Saugus,—in the woods the dove
Mourns for the shelter of thy wings of love.'


But the dark chief of Saugus turned aside
In the grim anger of hard-hearted pride;
I bore her as became a chieftain's daughter,
Up to her home beside the gliding water.


If now no more a mat for her is found
Of all which line her father's wigwam round,
Let Pennacook call out his warrior train,



And send her back with wampum gifts again.'


The baffled runner turned upon his track,
Bearing the words of Winnepurkit back.
'Dog of the Marsh,' cried Pennacook, 'no more
Shall child of mine sit on his wigwam floor.


'Go, let him seek some meaner squaw to spread
The stolen bear-skin of his beggar's bed;
Son of a fish-hawk! let him dig his clams
For some vile daughter of the Agawams,


'Or coward Nipmucks! may his scalp dry black
In Mohawk smoke, before I send her back.'
He shook his clenched hand towards the ocean wave,
While hoarse assent his listening council gave.


Alas poor bride! can thy grim sire impart
His iron hardness to thy woman's heart?
Or cold self-torturing pride like his atone
For love denied and life's warm beauty flown?


On Autumn's gray and mournful grave the snow
Hung its white wreaths; with stifled voice and low
The river crept, by one vast bridge o'er-crossed,
Built by the boar-locked artisan of Frost.


And many a moon in beauty newly born
Pierced the red sunset with her silver horn,
Or, from the east, across her azure field
Rolled the wide brightness of her full-orbed shield.


Yet Winnepurkit came not,—on the mat
Of the scorned wife her dusky rival sat;
And he, the while, in Western woods afar,
Urged the long chase, or trod the path of war.


Dry up thy tears, young daughter of a chief!
Waste not on him the sacredness of grief;
Be the fierce spirit of thy sire thine own,
His lips of scorning, and his heart of stone.


What heeds the warrior of a hundred fights,
The storm-worn watcher through long hunting nights,
Cold, crafty, proud of woman's weak distress,
Her home-bound grief and pining loneliness?


VII. THE DEPARTURE
The wild March rains had fallen fast and long
The snowy mountains of the North among,


Making each vale a watercourse, each hill
Bright with the cascade of some new-made rill.


Gnawed by the sunbeams, softened by the rain,
Heaved underneath by the swollen current's strain,
The ice-bridge yielded, and the Merrimac
Bore the huge ruin crashing down its track.


On that strong turbid water, a small boat
Guided by one weak hand was seen to float;
Evil the fate which loosed it from the shore,
Too early voyager with too frail an oar!


Down the vexed centre of that rushing tide,
The thick huge ice-blocks threatening either side,
The foam-white rocks of Amoskeag in view,
With arrowy swiftness sped that light canoe.


The trapper, moistening his moose's meat
On the wet bank by Uncanoonuc's feet,
Saw the swift boat flash down the troubled stream;
Slept he, or waked he? was it truth or dream?


The straining eye bent fearfully before,
The small hand clenching on the useless oar,
The bead-wrought blanket trailing o'er the water—
He knew them all—woe for the Sachem's daughter!


Sick and aweary of her lonely life,
Heedless of peril, the still faithful wife
Had left her mother's grave, her father's door,
To seek the wigwam of her chief once more.


Down the white rapids like a sear leaf whirled,
On the sharp rocks and piled-up ices hurled,
Empty and broken, circled the canoe
In the vexed pool below—but where was Weetamoo.


VIII. SONG OF INDIAN WOMEN
The Dark eye has left us,
The Spring-bird has flown;
On the pathway of spirits
She wanders alone.
The song of the wood-dove has died on our shore
Mat wonck kunna-monee! We hear it no more!


O dark water Spirit
We cast on thy wave
These furs which may never
Hang over her grave;
Bear down to the lost one the robes that she wore



Mat wonck kunna-monee! We see her no more!


Of the strange land she walks in
No Powah has told:
It may burn with the sunshine,
Or freeze with the cold.
Let us give to our lost one the robes that she wore:
Mat wonck kunna-monee! We see her no more!


The path she is treading
Shall soon be our own;
Each gliding in shadow
Unseen and alone!
In vain shall we call on the souls gone before:
Mat wonck kunna-monee! They hear us no more!


O mighty Sowanna!
Thy gateways unfold,
From thy wigwam of sunset
Lift curtains of gold!


Take home the poor Spirit whose journey is o'er
Mat wonck kunna-monee! We see her no more!


So sang the Children of the Leaves beside
The broad, dark river's coldly flowing tide;
Now low, now harsh, with sob-like pause and swell,
On the high wind their voices rose and fell.
Nature's wild music,—sounds of wind-swept trees,
The scream of birds, the wailing of the breeze,
The roar of waters, steady, deep, and strong,—
Mingled and murmured in that farewell song.

The Branded Hand

WELCOME home again, brave seaman! with thy thoughtful brow and gray,
And the old heroic spirit of our earlier, better day;
With that front of calm endurance, on whose steady nerve in vain
Pressed the iron of the prison, smote the fiery shafts of pain!
Is the tyrant's brand upon thee? Did the brutal cravens aim
To make God's truth thy falsehood, His holiest work thy shame?
When, all blood-quenched, from the torture the iron was withdrawn,
How laughed their evil angel the baffled fools to scorn!
They change to wrong the duty which God hath written out
On the great heart of humanity, too legible for doubt!
They, the loathsome moral lepers, blotched from footsole up to crown,
Give to shame what God hath given unto honor and renown!
Why, that brand is highest honor! than its traces never yet
Upon old armorial hatchments was a prouder blazon set;
And thy unborn generations, as they tread our rocky strand,
Shall tell with pride the story of their father's branded hand!
As the Templar home was welcome, bearing back from Syrian wars
The scars of Arab lances and of Paynim scimitars,
The pallor of the prison, and the shackle's crimson span,
So we meet thee, so we greet thee, truest friend of God and man.
He suffered for the ransom of the dear Redeemer's grave,
Thou for His living presence in the bound and bleeding slave;
He for a soil no longer by the feet of angels trod,
Thou for the true Shechinah, the present home of God!
For, while the jurist, sitting with the slave-whip o'er him swung,
From the tortured truths of freedom the lie of slavery wrung,
And the solemn priest to Moloch, on each God-deserted shrine,
Broke the bondman's heart for bread, poured the bondman's blood for wine;
While the multitude in blindness to a far-off Saviour knelt
And spurned, the while, the temple where a present Saviour dwelt;
Thou beheld'st Him in the task-field, in the prison shadows dim,
And thy mercy to the bondman, it was mercy unto Him!
In thy lone and long night-watches, sky above and wave below,
Thou didst learn a higher wisdom than the babbling schoolmen know;
God's stars and silence taught thee, as His angels only can,
That the one sole sacred thing beneath the cope of heaven is Man!
That he who treads profanely on the scrolls of law and creed,
In the depth of God's great goodness may find mercy in his need;
But woe to him who crushes the soul with chain and rod,
And herds with lower natures the awful form of God!.
Then lift that manly right-hand, bold ploughman of the wave!
Its branded palm shall prophesy, 'Salvation to the Slave!'
Hold up its fire-wrought language, that whoso reads may feel
His heart swell strong within him, his sinews change to steel.
Hold it up before our sunshine, up against our Northern air;
Ho! men of Massachusetts, for the love of God, look there!
Take it henceforth for your standard, like the Bruce's heart of yore,
In the dark strife closing round ye, let that hand be seen before!
And the masters of the slave-land shall tremble at that sign,
When it points its finger Southward along the Puritan line
Can the craft of State avail them? Can a Christless church withstand,
In the van of Freedom's onset, the coming of that hand?

The Birthday Wreath

Blossom and greenness, making all
The winter birthday tropical,
And the plain Quaker parlors gay,
Have gone from bracket, stand, and wall;
We saw them fade, and droop, and fall,
And laid them tenderly away.


White virgin lilies, mignonette,
Blown rose, and pink, and violet,
A breath of fragrance passing by;
Visions of beauty and decay,
Colors and shapes that could not stay,
The fairest, sweetest, first to die.


But still this rustic wreath of mine,
Of acorned oak and needled pine,
And lighter growths of forest lands,
Woven and wound with careful pains,
And tender thoughts, and prayers, remains,
As when it dropped from love's dear hands.


And not unfitly garlanded,
Is he, who, country-born and bred,
Welcomes the sylvan ring which gives
A feeling of old summer days,
The wild delight of woodland ways,
The glory of the autumn leaves.


And, if the flowery meed of song
To other bards may well belong,
Be his, who from the farm-field spoke
A word for Freedom when her need
Was not of dulcimer and reed.
This Isthmian wreath of pine and oak.

The Battle Autumn of 1862

The flags of war like storm birds fly,
The charging trumpets blow;
Yet rolls no thunder in the sky,
No earthquake strives below.


And, calm and patient, Nature keeps
Her ancient promises well,
Though o'er her bloom and greenness sweeps,
The battle's breath of hell.


And still she walks in golden hours,
Through harvest-happy farms,
And still she wears her fruits and flowers
Like jewels on her arms.


What means the gladness of the plain,
This joy of eve and morn,
The mirth that shakes the bread of grain
And yellow locks of corn?


Ah! eyes may well be full of tears,
And hearts with hate are hot;
But even-paced come round the years,
And nature changes not.


She meets with smiles our bitter grief,
With songs our groans of pain;
She mocks with tints of flowers and leaf,
The war-field's crimson stain.


Still, in the cannon's pause, we hear
Her sweet thanksgiving psalm;
Too near to God for doubt or fear,
She shares the eternal calm.


She knows the seed lies safe below
The fires that blast and burn;
For all the tears of blood we sow
She waits the rich return.


She sees with clearer eye than ours
The good of suffering born,
The hearts that blossom like her flowers
And ripen like her corn.


Oh, give to us, in times like these,
The vision of her eyes;
And make her fields and fruited trees
Our golden prophecies.


Oh, give to us her finer ear;
Above this stormy din,



We, too, would hear the bells of cheer
Ring peace and freedom in.

The Barefoot Boy

Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, I
was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, Outward
sunshine, inward joy:
Blessings on thee, barefoot boy!


Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, Blessings
on the barefoot boy!


Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,



Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!


Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!


Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.



Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!

The Angels of Buena Vista

Speak and tell us, our Ximena, looking northward far away,
O'er the camp of the invaders, o'er the Mexican array,
Who is losing? who is winning? are they far or come they near?
Look abroad, and tell us, sister, whither rolls the storm we hear.


Down the hills of Angostura still the storm of battle rolls;
Blood is flowing, men are dying; God have mercy on their souls!
'Who is losing? who is winning?' Over hill and over plain,
I see but smoke of cannon clouding through the mountain rain.'


Holy Mother! keep our brothers! Look, Ximena, look once more.
'Still I see the fearful whirlwind rolling darkly as before,
Bearing on, in strange confusion, friend and foeman, foot and horse,
Like some wild and troubled torrent sweeping down its mountain course.'


Look forth once more, Ximena! 'Ah! the smoke has rolled away;
And I see the Northern rifles gleaming down the ranks of gray.
Hark! that sudden blast of bugles! there the troop of Minon wheels;
There the Northern horses thunder, with the cannon at their heels.


'Jesu, pity I how it thickens I now retreat and now advance!
Bight against the blazing cannon shivers Puebla's charging lance!
Down they go, the brave young riders; horse and foot together fall;
Like a ploughshare in the fallow, through them ploughs the Northern ball.'


Nearer came the storm and nearer, rolling fast and frightful on!
Speak, Ximena, speak and tell us, who has lost, and who has won?
Alas! alas! I know not; friend and foe together fall,
O'er the dying rush the living: pray, my sisters, for them all!


'Lo! the wind the smoke is lifting. Blessed Mother, save my brain!
I can see the wounded crawling slowly out from heaps of slain.
Now they stagger, blind and bleeding; now they fall, and strive to rise;
Hasten, sisters, haste and save them, lest they die before our eyes!


'O my hearts love! O my dear one! lay thy poor head on my knee;
Dost thou know the lips that kiss thee? Canst thou hear me? canst thou see?
O my husband, brave and gentle! O my Bernal, look once more
On the blessed cross before thee! Mercy! all is o'er!'


Dry thy tears, my poor Ximena; lay thy dear one down to rest;
Let his hands be meekly folded, lay the cross upon his breast;
Let his dirge be sung hereafter, and his funeral masses said;
To-day, thou poor bereaved one, the living ask thy aid.


Close beside her, faintly moaning, fair and young, a soldier lay,
Torn with shot and pierced with lances, bleeding slow his life away;
But, as tenderly before him the lorn Ximena knelt,
She saw the Northern eagle shining on his pistol-belt.


With a stifled cry of horror straight she turned away her head;
With a sad and bitter feeling looked she back upon her dead;



But she heard the youth's low moaning, and his struggling breath of pain,
And she raised the cooling water to his parching lips again.


Whispered low the dying soldier, pressed her hand and faintly smiled;
Was that pitying face his mother's? did she watch beside her child?
All his stranger words with meaning her woman's heart supplied;
With her kiss upon his forehead, 'Mother!' murmured he, and died!


'A bitter curse upon them, poor boy, who led thee forth,
From some gentle, sad-eyed mother, weeping, lonely, in the North!'
Spake the mournful Mexic woman, as she laid him with her dead,
And turned to soothe the living, and bind the wounds which bled.


'Look forth once more, Ximena!' Like a cloud before the wind
Rolls the battle down the mountains, leaving blood and death behind;
Ah! they plead in vain for mercy; in the dust the wounded strive;
'Hide your faces, holy angels! O thou Christ of God, forgive!'


Sink, O Night, among thy mountains! let the cool, gray shadows fall;
Dying brothers, fighting demons, drop thy curtain over all!
Through the thickening winter twilight, wide apart the battle rolled,
In its sheath the sabre rested, and the cannon's lips grew cold.


But the noble Mexic women still their holy task pursued,
Through that long, dark night of sorrow, worn and faint and lacking food.
Over weak and suffering brothers, with a tender care they hung,
And the dying foeman blessed them in a strange and Northern tongue.


Not wholly lost, O Father! is this evil world of ours;
Upward, through its blood and ashes, spring afresh the Eden flowers;
From its smoking hell of battle, Love and Pity send their prayer,
And still thy white-winged angels hover dimly in our air!

The


Weary of jangling noises never stilled,
The skeptic's sneer, the bigot's hate, the din
Of clashing texts, the webs of creed men spin
Round simple truth, the children grown who build
With gilded cards their new Jerusalem,
Busy, with sacerdotal tailorings
And tinsel gauds, bedizening holy things,
I turn, with glad and grateful heart, from them
To the sweet story of the Florentine
Immortal in her blameless maidenhood,
Beautiful as God's angels and as good;
Feeling that life, even now, may be divine
With love no wrong can ever change to hate,
No sin make less than all-compassionate!

Tauler


Tauler, the preacher, walked, one autumn day,
Without the walls of Strasburg, by the Rhine,
Pondering the solemn Miracle of Life;
As one who, wandering in a starless night,
Feels momently the jar of unseen waves,
And hears the thunder of an unknown sea,
Breaking along an unimagined shore.


And as he walked he prayed. Even the same
Old prayer with which, for half a score of years,
Morning, and noon, and evening, lip and heart
Had groaned: 'Have pity upon me, Lord!
Thou seest, while teaching others, I am blind.
Send me a man who can direct my steps!'


Then, as he mused, he heard along his path
A sound as of an old man's staff among
The dry, dead linden-leaves; and, looking up,
He saw a stranger, weak, and poor, and old.


'Peace be unto thee, father!' Tauler said,
'God give thee a good day!' The old man raised
Slowly his calm blue eyes. 'I thank thee, son;
But all my days are good, and none are ill.'


Wondering thereat, the preacher spake again,
'God give thee happy life.' The old man smiled,
'I never am unhappy.'


Tauler laid
His hand upon the stranger's coarse gray sleeve
'Tell me, O father, what thy strange words mean.
Surely man's days are evil, and his life
Sad as the grave it leads to.' 'Nay, my son,
Our times are in God's hands, and all our days
Are as our needs; for shadow as for sun,
For cold as heat, for want as wealth, alike
Our thanks are due, since that is best which is;
And that which is not, sharing not His life,
Is evil only as devoid of good.
And for the happiness of which I spake,
I find it in submission to his will,
And calm trust in the holy Trinity
Of Knowledge, Goodness, and Almighty Power.'


Silently wondering, for a little space,
Stood the great preacher; then he spake as one
Who, suddenly grappling with a haunting thought
Which long has followed, whispering through the dark
Strange terrors, drags it, shrieking, into light
'What if God's will consign thee hence to Hell?'



'Then,' said the stranger, cheerily, 'be it so.
What Hell may be I know not; this I know,I
cannot lose the presence of the Lord.
One arm, Humility, takes hold upon
His dear Humanity; the other, Love,
Clasps his Divinity. So where I go
He goes; and better fire-walled Hell with Him
Than golden-gated Paradise without.'


Tears sprang in Tauler's eyes. A sudden light,
Like the first ray which fell on chaos, clove
Apart the shadow wherein he had walked
Darkly at noon. And, as the strange old man
Went his slow way, until his silver hair
Set like the white moon where the hills of vine
Slope to the Rhine, he bowed his head and said
'My prayer is answered. God hath sent the man
Long sought, to teach me, by his simple trust,
Wisdom the weary schoolmen never knew.'


So, entering with a changed and cheerful step
The city gates, he saw, far down the street,
A mighty shadow break the light of noon,
Which tracing backward till its airy lines
Hardened to stony plinths, he raised his eyes
O'er broad facade and lofty pediment,
O'er architrave and frieze and sainted niche,
Up the stone lace-work chiselled by the wise
Erwin of Steinbach, dizzily up to where
In the noon-brightness the great Minster's tower,
Jewelled with sunbeams on its mural crown,
Rose like a visible prayer. 'Behold!' he said,
'The stranger's faith made plain before mine eyes.
As yonder tower outstretches to the earth
The dark triangle of its shade alone
When the clear day is shining on its top,
So, darkness in the pathway of Man's life
Is but the shadow of God's providence,
By the great Sun of Wisdom cast thereon;
And what is dark below is light in Heaven.'

Sunset On The Bearcamp

A gold fringe on the purpling hem
Of hills the river runs,
As down its long, green valley falls
The last of summer's suns.


Along its tawny gravel-bed
Broad-flowing, swift, and still,
As if its meadow levels felt
The hurry of the hill,
Noiseless between its banks of green
From curve to curve it slips;
The drowsy maple-shadows rest
Like fingers on its lips.


A waif from Carroll's wildest hills,
Unstoried and unknown;
The ursine legend of its name
Prowls on its banks alone.
Yet flowers as fair its slopes adorn
As ever Yarrow knew,
Or, under rainy Irish skies,
By Spenser's Mulla grew;
And through the gaps of leaning trees
Its mountain cradle shows
The gold against the amethyst,
The green against the rose.


Touched by a light that hath no name,
A glory never sung,
Aloft on sky and mountain wall
Are God's great pictures hung.
How changed the summits vast and old!
No longer granite-browed,
They melt in rosy mist; the rock
Is softer than the cloud;
The valley holds its breath; no leaf
Of all its elms is twirled
The silence of eternity
Seems falling on the world.


The pause before the breaking seals
Of mystery is this;
Yon miracle-play of night and day
Makes dumb its witnesses.
What unseen altar crowns the hills
That reach up stair on stair?
What eyes look through, what white wings fan
These purple veils of air?
What Presence from the heavenly heights
To those of earth stoops down?
Not vainly Hellas dreamed of gods
On Ida's snowy crown!



Slow fades the vision of the sky,
The golden water pales,
And over all the valley-land
A gray-winged vapor sails.
I go the common way of all;
The sunset fires will burn,
The flowers will blow, the river flow,
When I no more return.
No whisper from the mountain pine
Nor lapsing stream shall tell
The stranger, treading where I tread,
Of him who loved them well.


But beauty seen is never lost,
God's colors all are fast;
The glory of this sunset heaven
Into my soul has passed,
A sense of gladness unconfined
To mortal date or clime;
As the soul liveth, it shall live
Beyond the years of time.
Beside the mystic asphodels
Shall bloom the home-born flowers,
And new horizons flush and glow
With sunset hues of ours.


Farewell! these smiling hills must wear
Too soon their wintry frown,
And snow-cold winds from off them shake
The maple's red leaves down.
But I shall see a summer sun
Still setting broad and low;
The mountain slopes shall blush and bloom,
The golden water flow.
A lover's claim is mine on all
I see to have and hold,-The
rose-light of perpetual hills,
And sunsets never cold!

Summer By The Lakeside: Lake Winnipesaukee

I. NOON.
White clouds, whose shadows haunt the deep,
Light mists, whose soft embraces keep
The sunshine on the hills asleep!
O isles of calm! O dark, still wood!
And stiller skies that overbrood
Your rest with deeper quietude!


O shapes and hues, dim beckoning, through
Yon mountain gaps, my longing view
Beyond the purple and the blue,


To stiller sea and greener land,
And softer lights and airs more bland,
And skies,--the hollow of God's hand!


Transfused through you, O mountain friends!
With mine your solemn spirit blends,
And life no more hath separate ends.


I read each misty mountain sign,
I know the voice of wave and pine,
And I am yours, and ye are mine.


Life's burdens fall, its discords cease,
I lapse into the glad release
Of Nature's own exceeding peace.


O welcome calm of heart and mind!
As falls yon fir-tree's loosened rind
To leave a tenderer growth behind,


So fall the weary years away;
A child again, my head I lay
Upon the lap of this sweet day.


This western wind hath Lethean powers,
Yon noonday cloud nepenthe showers,
The lake is white with lotus-flowers!


Even Duty's voice is faint and low,
And slumberous Conscience, waking slow,
Forgets her blotted scroll to show.


The Shadow which pursues us all,
Whose ever-nearing steps appall,
Whose voice we hear behind us call,-


That Shadow blends with mountain gray,
It speaks but what the light waves say,-Death
walks apart from Fear to-day!



Rocked on her breast, these pines and I
Alike on Nature's love rely;
And equal seems to live or die.


Assured that He whose presence fills
With light the spaces of these hills
No evil to His creatures wills,


The simple faith remains, that He
Will do, whatever that may be,
The best alike for man and tree.


What mosses over one shall grow,
What light and life the other know,
Unanxious, leaving Him to show.


II. EVENING.
Yon mountain's side is black with night,
While, broad-orhed, o'er its gleaming crown
The moon, slow-rounding into sight,
On the hushed inland sea looks down.
How start to light the clustering isles,
Each silver-hemmed! How sharply show
The shadows of their rocky piles,
And tree-tops in the wave below!


How far and strange the mountains seem,
Dim-looming through the pale, still light
The vague, vast grouping of a dream,
They stretch into the solemn night.


Beneath, lake, wood, and peopled vale,
Hushed by that presence grand and grave,
Are silent, save the cricket's wail,
And low response of leaf and wave.


Fair scenes! whereto the Day and Night
Make rival love, I leave ye soon,
What time before the eastern light
The pale ghost of the setting moon


Shall hide behind yon rocky spines,
And the young archer, Morn, shall break
His arrows on the mountain pines,
And, golden-sandalled, walk the lake!


Farewell! around this smiling bay
Gay-hearted Health, and Life in bloom,
With lighter steps than mine, may stray



In radiant summers yet to come.


But none shall more regretful leave
These waters and these hills than I
Or, distant, fonder dream how eve
Or dawn is painting wave and sky;


How rising moons shine sad and mild
On wooded isle and silvering bay;
Or setting suns beyond the piled
And purple mountains lead the day;


Nor laughing girl, nor bearding boy,
Nor full-pulsed manhood, lingering here,
Shall add, to life's abounding joy,
The charmed repose to suffering dear.


Still waits kind Nature to impart
Her choicest gifts to such as gain
An entrance to her loving heart
Through the sharp discipline of pain.


Forever from the Hand that takes
One blessing from us others fall;
And, soon or late, our Father makes
His perfect recompense to all!


Oh, watched by Silence and the Night,
And folded in the strong embrace
Of the great mountains, with the light
Of the sweet heavens upon thy face,


Lake of the Northland! keep thy dower
Of beauty still, and while above
Thy solemn mountains speak of power,
Be thou the mirror of God's love.