Ezra Pound

Toda a arte começa na insatisfação física (ou na tortura) da solidão e da parcialidade.

Os homens só podem compreender um livro profundo, depois de terem vivido pelo menos, uma parte daquilo que ele contém.

A grande literatura é apenas uma linguagem carregada de sentido até ao mais elevado grau possível.

O conceito de génio como semelhante à loucura tem sido cuidadosamente alimentado pelo complexo de inferioridade do público.

And then went down to the ship,

Set keel to breakers, forth on the godly sea, and

We set up mast and sail on tha swart ship,

Bore sheep aboard her, and our bodies also

Heavy with weeping, so winds from sternward

Bore us out onward with bellying canvas,

Circes this craft, the trim-coifed goddess.

Then sat we amidships, wind jamming the tiller,

Thus with stretched sail, we went over sea till days end.

Sun to his slumber, shadows oer all the ocean,

Came we then to the bounds of deepest water,

To the Kimmerian lands, and peopled cities

Covered with close-webbed mist, unpierced ever

With glitter of sun-rays

Nor with stars stretched, nor looking back from heaven

Swartest night stretched over wretched men there.

The ocean flowing backward, came we then to the place

Aforesaid by Circe.

Here did they rites, Perimedes and Eurylochus,

And drawing sword from my hip

I dug the ell-square pitkin;

Poured we libations unto each the dead,

First mead and then sweet wine, water mixed with white flour.

Then prayed I many a prayer to the sickly deaths-head;

As set in Ithaca, sterile bulls of the best

For sacrifice, heaping the pyre with goods,

A sheep to Tiresias only, black and a bell-sheep.

Dark blood flowed in the fosse,

Souls out of Erebus, cadaverous dead, of brides

Of youths and at the old who had borne much;

Souls stained with recent tears, girls tender,

Men many, mauled with bronze lance heads,

Battle spoil, bearing yet dreory arms,

These many crowded about me; with shouting,

Pallor upon me, cried to my men for more beasts;

Slaughtered the heards, sheep slain of bronze;

Poured ointment, cried to the gods,

To Pluto the strong, and praised Proserpine;

Unsheathed the narrow sword,

I sat to keep off the impetuous impotent dead,

Till I should hear Tiresias.

But first Elpenor came, our friend Elpenor,

Unburied, cast on the wide earth,

Limbs that we left in the house of Circe,

Unwept, unwrapped in sepulchre, since toils urged other.

Pitiful spirit. And I cried in hurried speech:

"Elpenor, how art thou come to this dark coast?

Camst thou afoot, outstripping seamen?"

And he in heavy speech:

"Ill fate and abundant wine. I slept in Circes ingle.

Going down the long ladder unguarded,

I fell against the buttress,

Shattered the nape-nerve, the soul sought Avernus.

But thou, O King, I bid remember me, unwept, unburied,

Heap up mine arms, be tomb by sea-bord, and inscribed:

A man of no fortune, and with a name to come.

And set my oar up, that I swung mid fellows."

And Anticlea came, whom I beat off, and then Tiresias Theban,

Holding his golden wand, knew me, and spoke first:

"A second time? why? man of ill star,

Facing the sunless dead and this joyless region?

Stand from the fosse, leave me my bloody bever

For soothsay."

And I stepped back,

And he stong with the blood, said then: "Odysseus

Shalt return through spiteful Neptune, over dark seas,

Lose all companions." And then Anticlea came.

Lie quiet Divus. I mean, that is Andreas Divus,

In officina Wecheli, 1538, out of Homer.

And he sailed, by Sirens and thence outward and away

And unto Circe.

Venerandam,

In the Creatans phrase, with the golden crown, Aphrodite,

Cypri munimenta sortita est, mirthful, orichalchi, with golden

Girdles and breast bands, thou with dark eyelids

Bearing the golden bough of Argicida. So that:

É repousante achar-se entre mulheres bonitas.
Por que sempre mentir sobre tais coisas?
Repito:
É repousante palestrar com mulheres bonitas
Ainda que se fale apenas contra-sensos;
O ronronar das antenas invisíveis
É ao mesmo tempo estimulante e delicioso.

Podeis reconhecer um mau crítico porque ele começa por falar do poeta e não do poema.

É sabido que a grande diferença do homem consiste em fabricar ferramentas separadas, transportando-as apenas quando quiser. Ou seja, se um insecto carrega um ferrão, carrega-o continuamente.

In a Station of the Metro

The apparition of these faces in the crowd;

Petals on a wet, black bough.

Oh geração dos afetados consumados
e consumadamente deslocados,
Tenho visto pescadores em piqueniques ao sol,
Tenho-os visto, com suas famílias mal-amanhadas,
Tenho visto seus sorrisos transbordantes de dentes
e escutado seus risos desengraçados.
E eu sou mais feliz que vós,
E eles eram mais felizes do que eu;
E os peixes nadam no lago
e não possuem nem o que vestir.