Seasons (Spring, Summer, Autumn, Winter)
Poems in this topic
Oscar Wilde
Symphony in Yellow
An omnibus across the bridge
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
715
Oscar Wilde
Magdalen Walks
The little white clouds are racing over the sky,
And the fields are strewn with the gold of the flower of March,
The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.
A delicate odour is borne on the wings of the morning breeze,
The odour of deep wet grass, and of brown new-furrowed earth,
The birds are singing for joy of the Spring's glad birth,
Hopping from branch to branch on the rocking trees.
And all the woods are alive with the murmur and sound of Spring,
And the rose-bud breaks into pink on the climbing briar,
And the crocus-bed is a quivering moon of fire
Girdled round with the belt of an amethyst ring.
And the plane to the pine-tree is whispering some tale of love
Till it rustles with laughter and tosses its mantle of green,
And the gloom of the wych-elm's hollow is lit with the iris sheen
Of the burnished rainbow throat and the silver breast of a dove.
See! the lark starts up from his bed in the meadow there,
Breaking the gossamer threads and the nets of dew,
And flashing adown the river, a flame of blue!
The kingfisher flies like an arrow, and wounds the air.
And the fields are strewn with the gold of the flower of March,
The daffodil breaks under foot, and the tasselled larch
Sways and swings as the thrush goes hurrying by.
A delicate odour is borne on the wings of the morning breeze,
The odour of deep wet grass, and of brown new-furrowed earth,
The birds are singing for joy of the Spring's glad birth,
Hopping from branch to branch on the rocking trees.
And all the woods are alive with the murmur and sound of Spring,
And the rose-bud breaks into pink on the climbing briar,
And the crocus-bed is a quivering moon of fire
Girdled round with the belt of an amethyst ring.
And the plane to the pine-tree is whispering some tale of love
Till it rustles with laughter and tosses its mantle of green,
And the gloom of the wych-elm's hollow is lit with the iris sheen
Of the burnished rainbow throat and the silver breast of a dove.
See! the lark starts up from his bed in the meadow there,
Breaking the gossamer threads and the nets of dew,
And flashing adown the river, a flame of blue!
The kingfisher flies like an arrow, and wounds the air.
635
Oscar Wilde
Les Silhouettes
The sea is flecked with bars of grey,
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.
Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.
And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.
Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.
And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
619
Oscar Wilde
Les Ballons
Against these turbid turquoise skies
The light and luminous balloons
Dip and drift like satin moons
Drift like silken butterflies;
Reel with every windy gust,
Rise and reel like dancing girls,
Float like strange transparent pearls,
Fall and float like silver dust.
Now to the low leaves they cling,
Each with coy fantastic pose,
Each a petal of a rose
Straining at a gossamer string.
Then to the tall trees they climb,
Like thin globes of amethyst,
Wandering opals keeping tryst
With the rubies of the lime.
The light and luminous balloons
Dip and drift like satin moons
Drift like silken butterflies;
Reel with every windy gust,
Rise and reel like dancing girls,
Float like strange transparent pearls,
Fall and float like silver dust.
Now to the low leaves they cling,
Each with coy fantastic pose,
Each a petal of a rose
Straining at a gossamer string.
Then to the tall trees they climb,
Like thin globes of amethyst,
Wandering opals keeping tryst
With the rubies of the lime.
634
Oscar Wilde
Le Jardin
The lily's withered chalice falls
Around its rod of dusty gold,
And from the beech-trees on the wold
The last wood-pigeon coos and calls.
The gaudy leonine sunflower
Hangs black and barren on its stalk,
And down the windy garden walk
The dead leaves scatter, - hour by hour.
Pale privet-petals white as milk
Are blown into a snowy mass:
The roses lie upon the grass
Like little shreds of crimson silk.
Around its rod of dusty gold,
And from the beech-trees on the wold
The last wood-pigeon coos and calls.
The gaudy leonine sunflower
Hangs black and barren on its stalk,
And down the windy garden walk
The dead leaves scatter, - hour by hour.
Pale privet-petals white as milk
Are blown into a snowy mass:
The roses lie upon the grass
Like little shreds of crimson silk.
637
Oscar Wilde
Endymion
The apple trees are hung with gold,
And birds are loud in Arcady,
The sheep lie bleating in the fold,
The wild goat runs across the wold,
But yesterday his love he told,
I know he will come back to me.
O rising moon! O Lady moon!
Be you my lover's sentinel,
You cannot choose but know him well,
For he is shod with purple shoon,
You cannot choose but know my love,
For he a shepherd's crook doth bear,
And he is soft as any dove,
And brown and curly is his hair.
The turtle now has ceased to call
Upon her crimson-footed groom,
The grey wolf prowls about the stall,
The lily's singing seneschal
Sleeps in the lily-bell, and all
The violet hills are lost in gloom.
O risen moon! O holy moon!
Stand on the top of Helice,
And if my own true love you see,
Ah! if you see the purple shoon,
The hazel crook, the lad's brown hair,
The goat-skin wrapped about his arm,
Tell him that I am waiting where
The rushlight glimmers in the Farm.
The falling dew is cold and chill,
And no bird sings in Arcady,
The little fauns have left the hill,
Even the tired daffodil
Has closed its gilded doors, and still
My lover comes not back to me.
False moon! False moon! O waning moon!
Where is my own true lover gone,
Where are the lips vermilion,
The shepherd's crook, the purple shoon?
Why spread that silver pavilion,
Why wear that veil of drifting mist?
Ah! thou hast young Endymion
Thou hast the lips that should be kissed!
And birds are loud in Arcady,
The sheep lie bleating in the fold,
The wild goat runs across the wold,
But yesterday his love he told,
I know he will come back to me.
O rising moon! O Lady moon!
Be you my lover's sentinel,
You cannot choose but know him well,
For he is shod with purple shoon,
You cannot choose but know my love,
For he a shepherd's crook doth bear,
And he is soft as any dove,
And brown and curly is his hair.
The turtle now has ceased to call
Upon her crimson-footed groom,
The grey wolf prowls about the stall,
The lily's singing seneschal
Sleeps in the lily-bell, and all
The violet hills are lost in gloom.
O risen moon! O holy moon!
Stand on the top of Helice,
And if my own true love you see,
Ah! if you see the purple shoon,
The hazel crook, the lad's brown hair,
The goat-skin wrapped about his arm,
Tell him that I am waiting where
The rushlight glimmers in the Farm.
The falling dew is cold and chill,
And no bird sings in Arcady,
The little fauns have left the hill,
Even the tired daffodil
Has closed its gilded doors, and still
My lover comes not back to me.
False moon! False moon! O waning moon!
Where is my own true lover gone,
Where are the lips vermilion,
The shepherd's crook, the purple shoon?
Why spread that silver pavilion,
Why wear that veil of drifting mist?
Ah! thou hast young Endymion
Thou hast the lips that should be kissed!
720
Oscar Wilde
Desespoir
The seasons send their ruin as they go,
For in the spring the narciss shows its head
Nor withers till the rose has flamed to red,
And in the autumn purple violets blow,
And the slim crocus stirs the winter snow;
Wherefore yon leafless trees will bloom again
And this grey land grow green with summer rain
And send up cowslips for some boy to mow.
But what of life whose bitter hungry sea
Flows at our heels, and gloom of sunless night
Covers the days which never more return?
Ambition, love and all the thoughts that burn
We lose too soon, and only find delight
In withered husks of some dead memory.
For in the spring the narciss shows its head
Nor withers till the rose has flamed to red,
And in the autumn purple violets blow,
And the slim crocus stirs the winter snow;
Wherefore yon leafless trees will bloom again
And this grey land grow green with summer rain
And send up cowslips for some boy to mow.
But what of life whose bitter hungry sea
Flows at our heels, and gloom of sunless night
Covers the days which never more return?
Ambition, love and all the thoughts that burn
We lose too soon, and only find delight
In withered husks of some dead memory.
1,258
William Wordsworth
To My Sister
To My Sister
It is the first mild day of March:
Each minute sweeter than before
The redbreast sings from the tall larch
That stands beside our door.
There is a blessing in the air,
Which seems a sense of joy to yield
To the bare trees, and mountains bare,
And grass in the green field.
My sister! ('tis a wish of mine)
Now that our morning meal is done,
Make haste, your morning task resign;
Come forth and feel the sun.
Edward will come with you;--and, pray,
Put on with speed your woodland dress;
And bring no book: for this one day
We'll give to idleness.
No joyless forms shall regulate
Our living calendar:
We from to-day, my Friend, will date
The opening of the year.
Love, now a universal birth,
From heart to heart is stealing,
From earth to man, from man to earth:
--It is the hour of feeling.
One moment now may give us more
Than years of toiling reason:
Our minds shall drink at every pore
The spirit of the season.
Some silent laws our hearts will make,
Which they shall long obey:
We for the year to come may take
Our temper from to-day.
And from the blessed power that rolls
About, below, above,
We'll frame the measure of our souls:
They shall be tuned to love.
Then come, my Sister! come, I pray,
With speed put on your woodland dress;
And bring no book: for this one day
We'll give to idleness.
It is the first mild day of March:
Each minute sweeter than before
The redbreast sings from the tall larch
That stands beside our door.
There is a blessing in the air,
Which seems a sense of joy to yield
To the bare trees, and mountains bare,
And grass in the green field.
My sister! ('tis a wish of mine)
Now that our morning meal is done,
Make haste, your morning task resign;
Come forth and feel the sun.
Edward will come with you;--and, pray,
Put on with speed your woodland dress;
And bring no book: for this one day
We'll give to idleness.
No joyless forms shall regulate
Our living calendar:
We from to-day, my Friend, will date
The opening of the year.
Love, now a universal birth,
From heart to heart is stealing,
From earth to man, from man to earth:
--It is the hour of feeling.
One moment now may give us more
Than years of toiling reason:
Our minds shall drink at every pore
The spirit of the season.
Some silent laws our hearts will make,
Which they shall long obey:
We for the year to come may take
Our temper from to-day.
And from the blessed power that rolls
About, below, above,
We'll frame the measure of our souls:
They shall be tuned to love.
Then come, my Sister! come, I pray,
With speed put on your woodland dress;
And bring no book: for this one day
We'll give to idleness.
199
William Wordsworth
Simplon Pass, The
Simplon Pass, The
------Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light--
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first, and last, and midst, and without end.
------Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light--
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first, and last, and midst, and without end.
208
William Wordsworth
Ode, Composed On A May Morning
Ode, Composed On A May Morning
While from the purpling east departs
The star that led the dawn,
Blithe Flora from her couch upstarts,
For May is on the lawn.
A quickening hope, a freshening glee,
Foreran the expected Power,
Whose first-drawn breath, from bush and tree,
Shakes off that pearly shower.
All Nature welcomes Her whose sway
Tempers the year's extremes;
Who scattereth lustres o'er noon-day,
Like morning's dewy gleams;
While mellow warble, sprightly trill,
The tremulous heart excite;
And hums the balmy air to still
The balance of delight.
Time was, blest Power! when youth and maids
At peep of dawn would rise,
And wander forth, in forest glades
Thy birth to solemnize.
Though mute the song---to grace the rite
Untouched the hawthorn bough,
Thy Spirit triumphs o'er the slight;
Man changes, but not Thou!
Thy feathered Lieges bill and wings
In love's disport employ;
Warmed by thy influence, creeping things
Awake to silent joy:
Queen art thou still for each gay plant
Where the slim wild deer roves;
And served in depths where fishes haunt
Their own mysterious groves.
Cloud-piercing peak, and trackless heath,
Instinctive homage pay;
Nor wants the dim-lit cave a wreath
To honor thee, sweet May!
Where cities fanned by thy brisk airs
Behold a smokeless sky,
Their puniest flower-pot-nursling dares
To open a bright eye.
And if, on this thy natal morn,
The pole, from which thy name
Hath not departed, stands forlorn
Of song and dance and game;
Still from the village-green a vow
Aspires to thee addrest,
Wherever peace is on the brow,
Or love within the breast.
Yes! where Love nestles thou canst teach
The soul to love the more;
Hearts also shall thy lessons reach
That never loved before.
Stript is the haughty one of pride,
The bashful freed from fear,
While rising, like the ocean-tide,
In flow the joyous year.
Hush, feeble lyre! weak words refuse
The service to prolong!
To yon exulting thrush the Muse
Entrusts the imperfect song;
His voice shall chant, in accents clear,
Throughout the live-long day,
Till the first silver star appear,
The sovereignty of May.
While from the purpling east departs
The star that led the dawn,
Blithe Flora from her couch upstarts,
For May is on the lawn.
A quickening hope, a freshening glee,
Foreran the expected Power,
Whose first-drawn breath, from bush and tree,
Shakes off that pearly shower.
All Nature welcomes Her whose sway
Tempers the year's extremes;
Who scattereth lustres o'er noon-day,
Like morning's dewy gleams;
While mellow warble, sprightly trill,
The tremulous heart excite;
And hums the balmy air to still
The balance of delight.
Time was, blest Power! when youth and maids
At peep of dawn would rise,
And wander forth, in forest glades
Thy birth to solemnize.
Though mute the song---to grace the rite
Untouched the hawthorn bough,
Thy Spirit triumphs o'er the slight;
Man changes, but not Thou!
Thy feathered Lieges bill and wings
In love's disport employ;
Warmed by thy influence, creeping things
Awake to silent joy:
Queen art thou still for each gay plant
Where the slim wild deer roves;
And served in depths where fishes haunt
Their own mysterious groves.
Cloud-piercing peak, and trackless heath,
Instinctive homage pay;
Nor wants the dim-lit cave a wreath
To honor thee, sweet May!
Where cities fanned by thy brisk airs
Behold a smokeless sky,
Their puniest flower-pot-nursling dares
To open a bright eye.
And if, on this thy natal morn,
The pole, from which thy name
Hath not departed, stands forlorn
Of song and dance and game;
Still from the village-green a vow
Aspires to thee addrest,
Wherever peace is on the brow,
Or love within the breast.
Yes! where Love nestles thou canst teach
The soul to love the more;
Hearts also shall thy lessons reach
That never loved before.
Stript is the haughty one of pride,
The bashful freed from fear,
While rising, like the ocean-tide,
In flow the joyous year.
Hush, feeble lyre! weak words refuse
The service to prolong!
To yon exulting thrush the Muse
Entrusts the imperfect song;
His voice shall chant, in accents clear,
Throughout the live-long day,
Till the first silver star appear,
The sovereignty of May.
143
William Wordsworth
Ode Composed On A May Morning
Ode Composed On A May Morning
WHILE from the purpling east departs
The star that led the dawn,
Blithe Flora from her couch upstarts,
For May is on the lawn.
A quickening hope, a freshening glee,
Foreran the expected Power,
Whose first-drawn breath, from bush and tree,
Shakes off that pearly shower.
All Nature welcomes Her whose sway
Tempers the year's extremes;
Who scattereth lustres o'er noon-day,
Like morning's dewy gleams;
While mellow warble, sprightly trill,
The tremulous heart excite;
And hums the balmy air to still
The balance of delight.
Time was, blest Power! when youth and maids
At peep of dawn would rise,
And wander forth, in forest glades
Thy birth to solemnize.
Though mute the song---to grace the rite
Untouched the hawthorn bough,
Thy Spirit triumphs o'er the slight;
Man changes, but not Thou!
Thy feathered Lieges bill and wings
In love's disport employ;
Warmed by thy influence, creeping things
Awake to silent joy:
Queen art thou still for each gay plant
Where the slim wild deer roves;
And served in depths where fishes haunt
Their own mysterious groves.
Cloud-piercing peak, and trackless heath,
Instinctive homage pay;
Nor wants the dim-lit cave a wreath
To honor thee, sweet May!
Where cities fanned by thy brisk airs
Behold a smokeless sky,
Their puniest flower-pot-nursling dares
To open a bright eye.
And if, on this thy natal morn,
The pole, from which thy name
Hath not departed, stands forlorn
Of song and dance and game;
Still from the village-green a vow
Aspires to thee addrest,
Wherever peace is on the brow,
Or love within the breast.
Yes! where Love nestles thou canst teach
The soul to love the more;
Hearts also shall thy lessons reach
That never loved before.
Stript is the haughty one of pride,
The bashful freed from fear,
While rising, like the ocean-tide,
In flow the joyous year.
Hush, feeble lyre! weak words refuse
The service to prolong!
To yon exulting thrush the Muse
Entrusts the imperfect song;
His voice shall chant, in accents clear,
Throughout the live-long day,
Till the first silver star appear,
The sovereignty of May.
WHILE from the purpling east departs
The star that led the dawn,
Blithe Flora from her couch upstarts,
For May is on the lawn.
A quickening hope, a freshening glee,
Foreran the expected Power,
Whose first-drawn breath, from bush and tree,
Shakes off that pearly shower.
All Nature welcomes Her whose sway
Tempers the year's extremes;
Who scattereth lustres o'er noon-day,
Like morning's dewy gleams;
While mellow warble, sprightly trill,
The tremulous heart excite;
And hums the balmy air to still
The balance of delight.
Time was, blest Power! when youth and maids
At peep of dawn would rise,
And wander forth, in forest glades
Thy birth to solemnize.
Though mute the song---to grace the rite
Untouched the hawthorn bough,
Thy Spirit triumphs o'er the slight;
Man changes, but not Thou!
Thy feathered Lieges bill and wings
In love's disport employ;
Warmed by thy influence, creeping things
Awake to silent joy:
Queen art thou still for each gay plant
Where the slim wild deer roves;
And served in depths where fishes haunt
Their own mysterious groves.
Cloud-piercing peak, and trackless heath,
Instinctive homage pay;
Nor wants the dim-lit cave a wreath
To honor thee, sweet May!
Where cities fanned by thy brisk airs
Behold a smokeless sky,
Their puniest flower-pot-nursling dares
To open a bright eye.
And if, on this thy natal morn,
The pole, from which thy name
Hath not departed, stands forlorn
Of song and dance and game;
Still from the village-green a vow
Aspires to thee addrest,
Wherever peace is on the brow,
Or love within the breast.
Yes! where Love nestles thou canst teach
The soul to love the more;
Hearts also shall thy lessons reach
That never loved before.
Stript is the haughty one of pride,
The bashful freed from fear,
While rising, like the ocean-tide,
In flow the joyous year.
Hush, feeble lyre! weak words refuse
The service to prolong!
To yon exulting thrush the Muse
Entrusts the imperfect song;
His voice shall chant, in accents clear,
Throughout the live-long day,
Till the first silver star appear,
The sovereignty of May.
270
William Wordsworth
Kitten And Falling Leaves, The
Kitten And Falling Leaves, The
That way look, my Infant, lo!
What a pretty baby-show!
See the kitten on the wall,
Sporting with the leaves that fall,
Withered leaves---one---two---and three---
From the lofty elder-tree!
Through the calm and frosty air
Of this morning bright and fair,
Eddying round and round they sink
Softly, slowly: one might think,
From the motions that are made,
Every little leaf conveyed
Sylph or Faery hither tending,---
To this lower world descending,
Each invisible and mute,
In his wavering parachute.
---But the Kitten, how she starts,
Crouches, stretches, paws, and darts!
First at one, and then its fellow
Just as light and just as yellow;
There are many now---now one---
Now they stop and there are none
What intenseness of desire
In her upward eye of fire!
With a tiger-leap half way
Now she meets the coming prey,
Lets it go as fast, and then
Has it in her power again:
Now she works with three or four,
Like an Indian conjurer;
Quick as he in feats of art,
Far beyond in joy of heart.
Were her antics played in the eye
Of a thousand standers-by,
Clapping hands with shout and stare,
What would little Tabby care
For the plaudits of the crowd?
Over happy to be proud,
Over wealthy in the treasure
Of her own exceeding pleasure!
'Tis a pretty baby-treat;
Nor, I deem, for me unmeet;
Here, for neither Babe nor me,
Other play-mate can I see.
Of the countless living things,
That with stir of feet and wings
(In the sun or under shade,
Upon bough or grassy blade)
And with busy revellings,
Chirp and song, and murmurings,
Made this orchard's narrow space,
And this vale so blithe a place;
Multitudes are swept away
Never more to breathe the day:
Some are sleeping; some in bands
Travelled into distant lands;
Others slunk to moor and wood,
Far from human neighborhood;
And, among the Kinds that keep
With us closer fellowship,
With us openly abide,
All have laid their mirth aside.
Where is he that giddy Sprite,
Blue-cap, with his colors bright,
Who was blest as bird could be,
Feeding in the apple-tree;
Made such wanton spoil and rout,
Turning blossoms inside out;
Hung---head pointing towards the ground---
Fluttered, perched, into a round
Bound himself, and then unbound;
Lithest, gaudiest Harlequin!
Prettiest Tumbler ever seen!
Light of heart and light of limb;
What is now become of Him?
Lambs, that through the mountains went
Frisking, bleating merriment,
When the year was in its prime,
They are sobered by this time.
If you look to vale or hill,
If you listen, all is still,
Save a little neighboring rill,
That from out the rocky ground
Strikes a solitary sound.
Vainly glitter hill and plain,
And the air is calm in vain;
Vainly Morning spreads the lure
Of a sky serene and pure;
Creature none can she decoy
Into open sign of joy:
Is it that they have a fear
Of the dreary season near?
Or that other pleasures be
Sweeter even than gaiety ?
Yet, whate'er enjoyments dwell
In the impenetrable cell
Of the silent heart which Nature
Furnishes to every creature;
Whatsoe'er we feel and know
Too sedate for outward show,
Such a light of gladness breaks,
Pretty Kitten! from thy freaks,---
Spreads with such a living grace
O'er my little Dora's face;
Yes, the sight so stirs and charms
Thee, Baby, laughing in my arms,
That almost I could repine
That your transports are not mine,
That I do not wholly fare
Even as ye do, thoughtless pair!
And I will have my careless season
Spite of melancholy reason,
Will walk through life in such a way
That, when time brings on decay,
Now and then I may possess
Hours of perfect gladsomeness.
---Pleased by any random toy;
By a kitten's busy joy,
Or an infant's laughing eye
Sharing in the ecstasy;
I would fare like that or this,
Find my wisdom in my bliss;
Keep the sprightly soul awake,
And have faculties to take,
Even from things by sorrow wrought,
Matter for a jocund thought,
Spite of care, and spite of grief,
To gambol with Life's falling Leaf.
That way look, my Infant, lo!
What a pretty baby-show!
See the kitten on the wall,
Sporting with the leaves that fall,
Withered leaves---one---two---and three---
From the lofty elder-tree!
Through the calm and frosty air
Of this morning bright and fair,
Eddying round and round they sink
Softly, slowly: one might think,
From the motions that are made,
Every little leaf conveyed
Sylph or Faery hither tending,---
To this lower world descending,
Each invisible and mute,
In his wavering parachute.
---But the Kitten, how she starts,
Crouches, stretches, paws, and darts!
First at one, and then its fellow
Just as light and just as yellow;
There are many now---now one---
Now they stop and there are none
What intenseness of desire
In her upward eye of fire!
With a tiger-leap half way
Now she meets the coming prey,
Lets it go as fast, and then
Has it in her power again:
Now she works with three or four,
Like an Indian conjurer;
Quick as he in feats of art,
Far beyond in joy of heart.
Were her antics played in the eye
Of a thousand standers-by,
Clapping hands with shout and stare,
What would little Tabby care
For the plaudits of the crowd?
Over happy to be proud,
Over wealthy in the treasure
Of her own exceeding pleasure!
'Tis a pretty baby-treat;
Nor, I deem, for me unmeet;
Here, for neither Babe nor me,
Other play-mate can I see.
Of the countless living things,
That with stir of feet and wings
(In the sun or under shade,
Upon bough or grassy blade)
And with busy revellings,
Chirp and song, and murmurings,
Made this orchard's narrow space,
And this vale so blithe a place;
Multitudes are swept away
Never more to breathe the day:
Some are sleeping; some in bands
Travelled into distant lands;
Others slunk to moor and wood,
Far from human neighborhood;
And, among the Kinds that keep
With us closer fellowship,
With us openly abide,
All have laid their mirth aside.
Where is he that giddy Sprite,
Blue-cap, with his colors bright,
Who was blest as bird could be,
Feeding in the apple-tree;
Made such wanton spoil and rout,
Turning blossoms inside out;
Hung---head pointing towards the ground---
Fluttered, perched, into a round
Bound himself, and then unbound;
Lithest, gaudiest Harlequin!
Prettiest Tumbler ever seen!
Light of heart and light of limb;
What is now become of Him?
Lambs, that through the mountains went
Frisking, bleating merriment,
When the year was in its prime,
They are sobered by this time.
If you look to vale or hill,
If you listen, all is still,
Save a little neighboring rill,
That from out the rocky ground
Strikes a solitary sound.
Vainly glitter hill and plain,
And the air is calm in vain;
Vainly Morning spreads the lure
Of a sky serene and pure;
Creature none can she decoy
Into open sign of joy:
Is it that they have a fear
Of the dreary season near?
Or that other pleasures be
Sweeter even than gaiety ?
Yet, whate'er enjoyments dwell
In the impenetrable cell
Of the silent heart which Nature
Furnishes to every creature;
Whatsoe'er we feel and know
Too sedate for outward show,
Such a light of gladness breaks,
Pretty Kitten! from thy freaks,---
Spreads with such a living grace
O'er my little Dora's face;
Yes, the sight so stirs and charms
Thee, Baby, laughing in my arms,
That almost I could repine
That your transports are not mine,
That I do not wholly fare
Even as ye do, thoughtless pair!
And I will have my careless season
Spite of melancholy reason,
Will walk through life in such a way
That, when time brings on decay,
Now and then I may possess
Hours of perfect gladsomeness.
---Pleased by any random toy;
By a kitten's busy joy,
Or an infant's laughing eye
Sharing in the ecstasy;
I would fare like that or this,
Find my wisdom in my bliss;
Keep the sprightly soul awake,
And have faculties to take,
Even from things by sorrow wrought,
Matter for a jocund thought,
Spite of care, and spite of grief,
To gambol with Life's falling Leaf.
354
William Wordsworth
Foresight
Foresight
That is work of waste and ruin--
Do as Charles and I are doing!
Strawberry-blossoms, one and all,
We must spare them--here are many:
Look at it--the flower is small,
Small and low, though fair as any:
Do not touch it! summers two
I am older, Anne, than you.
Pull the primrose, sister Anne!
Pull as many as you can.
--Here are daisies, take your fill;
Pansies, and the cuckoo-flower:
Of the lofty daffodil
Make your bed, or make your bower;
Fill your lap, and fill your bosom;
Only spare the strawberry-blossom!
Primroses, the Spring may love them--
Summer knows but little of them:
Violets, a barren kind,
Withered on the ground must lie;
Daisies leave no fruit behind
When the pretty flowerets die;
Pluck them, and another year
As many will be blowing here.
God has given a kindlier power
To the favoured strawberry-flower.
Hither soon as spring is fled
You and Charles and I will walk;
Lurking berries, ripe and red,
Then will hang on every stalk,
Each within its leafy bower;
And for that promise spare the flower!
That is work of waste and ruin--
Do as Charles and I are doing!
Strawberry-blossoms, one and all,
We must spare them--here are many:
Look at it--the flower is small,
Small and low, though fair as any:
Do not touch it! summers two
I am older, Anne, than you.
Pull the primrose, sister Anne!
Pull as many as you can.
--Here are daisies, take your fill;
Pansies, and the cuckoo-flower:
Of the lofty daffodil
Make your bed, or make your bower;
Fill your lap, and fill your bosom;
Only spare the strawberry-blossom!
Primroses, the Spring may love them--
Summer knows but little of them:
Violets, a barren kind,
Withered on the ground must lie;
Daisies leave no fruit behind
When the pretty flowerets die;
Pluck them, and another year
As many will be blowing here.
God has given a kindlier power
To the favoured strawberry-flower.
Hither soon as spring is fled
You and Charles and I will walk;
Lurking berries, ripe and red,
Then will hang on every stalk,
Each within its leafy bower;
And for that promise spare the flower!
170
William Wordsworth
A Whirl-Blast from Behind the Hill
"A Whirl-Blast from Behind the Hill"
A Whirl-Blast from behind the hill
Rushed o'er the wood with startling sound;
Then--all at once the air was still,
And showers of hailstones pattered round.
Where leafless oaks towered high above,
I sat within an undergrove
Of tallest hollies, tall and green;
A fairer bower was never seen.
From year to year the spacious floor
With withered leaves is covered o'er,
And all the year the bower is green.
But see! where'er the hailstones drop
The withered leaves all skip and hop;
There's not a breeze--no breath of air--
Yet here, and there, and everywhere
Along the floor, beneath the shade
By those embowering hollies made,
The leaves in myriads jump and spring,
As if with pipes and music rare
Some Robin Good-fellow were there,
And all those leaves, in festive glee,
Were dancing to the minstrelsy.
A Whirl-Blast from behind the hill
Rushed o'er the wood with startling sound;
Then--all at once the air was still,
And showers of hailstones pattered round.
Where leafless oaks towered high above,
I sat within an undergrove
Of tallest hollies, tall and green;
A fairer bower was never seen.
From year to year the spacious floor
With withered leaves is covered o'er,
And all the year the bower is green.
But see! where'er the hailstones drop
The withered leaves all skip and hop;
There's not a breeze--no breath of air--
Yet here, and there, and everywhere
Along the floor, beneath the shade
By those embowering hollies made,
The leaves in myriads jump and spring,
As if with pipes and music rare
Some Robin Good-fellow were there,
And all those leaves, in festive glee,
Were dancing to the minstrelsy.
160
William Shakespeare
Spring
Spring
When daisies pied, and violets blue,
And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
When shepherds pipe on oaten straws,
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
When daisies pied, and violets blue,
And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
When shepherds pipe on oaten straws,
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
309
William Shakespeare
Sonnet XCVII
Sonnet XCVII
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December's bareness every where!
And yet this time removed was summer's time,
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime,
Like widow'd wombs after their lords' decease:
Yet this abundant issue seem'd to me
But hope of orphans and unfather'd fruit;
For summer and his pleasures wait on thee,
And, thou away, the very birds are mute;
Or, if they sing, 'tis with so dull a cheer
That leaves look pale, dreading the winter's near.
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December's bareness every where!
And yet this time removed was summer's time,
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime,
Like widow'd wombs after their lords' decease:
Yet this abundant issue seem'd to me
But hope of orphans and unfather'd fruit;
For summer and his pleasures wait on thee,
And, thou away, the very birds are mute;
Or, if they sing, 'tis with so dull a cheer
That leaves look pale, dreading the winter's near.
284
James Whitcomb Riley
Dusk
Dusk
The frightened herds of clouds across the sky
Trample the sunshine down, and chase the day
Into the dusky forest-lands of gray
And sombre twilight. Far and faint, and high,
The wild goose trails his harrow, with a cry
Sad as the wail of some poor castaway
Who sees a vessel drifting far astray
Of his last hope, and lays him down to die.
The children, riotous from school, grow bold
And quarrel with the wind whose angry gust
Plucks off the summer-hat, and flaps the fold
Of many a crimson cloak, and twirls the dust
In spiral shapes grotesque, and dims the gold
Of gleaming tresses with the blur of rust.
The frightened herds of clouds across the sky
Trample the sunshine down, and chase the day
Into the dusky forest-lands of gray
And sombre twilight. Far and faint, and high,
The wild goose trails his harrow, with a cry
Sad as the wail of some poor castaway
Who sees a vessel drifting far astray
Of his last hope, and lays him down to die.
The children, riotous from school, grow bold
And quarrel with the wind whose angry gust
Plucks off the summer-hat, and flaps the fold
Of many a crimson cloak, and twirls the dust
In spiral shapes grotesque, and dims the gold
Of gleaming tresses with the blur of rust.
359
James Whitcomb Riley
Dead Leaves
Dead Leaves
DAWN
As though a gipsy maiden with dim look,
Sat crooning by the roadside of the year,
So, Autumn, in thy strangeness, thou art here
To read dark fortunes for us from the book
Of fate; thou flingest in the crinkled brook
The trembling maple's gold, and frosty-clear
Thy mocking laughter thrills the atmosphere,
And drifting on its current calls the rook
To other lands. As one who wades, alone,
Deep in the dusk, and hears the minor talk
Of distant melody, and finds the tone,
In some wierd way compelling him to stalk
The paths of childhood over,--so I moan,
And like a troubled sleeper, groping, walk.
DUSK
The frightened herds of clouds across the sky
Trample the sunshine down, and chase the day
Into the dusky forest-lands of gray
And somber twilight. Far, and faint, and high
The wild goose trails his harrow, with a cry
Sad as the wail of some poor castaway
Who sees a vessel drifting far astray
Of his last hope, and lays him down to die.
The children, riotous from school, grow bold
And quarrel with the wind, whose angry gust
Plucks off the summer hat, and flaps the fold
Of many a crimson cloak, and twirls the dust
In spiral shapes grotesque, and dims the gold
Of gleaming tresses with the blur of rust.
NIGHT
Funereal Darkness, drear and desolate,
Muffles the world. The moaning of the wind
Is piteous with sobs of saddest kind;
And laughter is a phantom at the gate
Of memory. The long-neglected grate
Within sprouts into flame and lights the mind
With hopes and wishes long ago refined
To ashes,--long departed friends await
Our words of welcome: and our lips are dumb
And powerless to greet the ones that press
Old kisses there. The baby beats its drum,
And fancy marches to the dear caress
Of mother-arms, and all the gleeful hum
Of home intrudes upon our loneliness.
DAWN
As though a gipsy maiden with dim look,
Sat crooning by the roadside of the year,
So, Autumn, in thy strangeness, thou art here
To read dark fortunes for us from the book
Of fate; thou flingest in the crinkled brook
The trembling maple's gold, and frosty-clear
Thy mocking laughter thrills the atmosphere,
And drifting on its current calls the rook
To other lands. As one who wades, alone,
Deep in the dusk, and hears the minor talk
Of distant melody, and finds the tone,
In some wierd way compelling him to stalk
The paths of childhood over,--so I moan,
And like a troubled sleeper, groping, walk.
DUSK
The frightened herds of clouds across the sky
Trample the sunshine down, and chase the day
Into the dusky forest-lands of gray
And somber twilight. Far, and faint, and high
The wild goose trails his harrow, with a cry
Sad as the wail of some poor castaway
Who sees a vessel drifting far astray
Of his last hope, and lays him down to die.
The children, riotous from school, grow bold
And quarrel with the wind, whose angry gust
Plucks off the summer hat, and flaps the fold
Of many a crimson cloak, and twirls the dust
In spiral shapes grotesque, and dims the gold
Of gleaming tresses with the blur of rust.
NIGHT
Funereal Darkness, drear and desolate,
Muffles the world. The moaning of the wind
Is piteous with sobs of saddest kind;
And laughter is a phantom at the gate
Of memory. The long-neglected grate
Within sprouts into flame and lights the mind
With hopes and wishes long ago refined
To ashes,--long departed friends await
Our words of welcome: and our lips are dumb
And powerless to greet the ones that press
Old kisses there. The baby beats its drum,
And fancy marches to the dear caress
Of mother-arms, and all the gleeful hum
Of home intrudes upon our loneliness.
269
James Whitcomb Riley
August
August
A day of torpor in the sullen heat
Of Summer's passion: In the sluggish stream
The panting cattle lave their lazy feet,
With drowsy eyes, and dream.
Long since the winds have died, and in the sky
There lives no cloud to hint of Nature's grief;
The sun glares ever like an evil eye,
And withers flower and leaf.
Upon the gleaming harvest-field remote
The thresher lies deserted, like some old
Dismantled galleon that hangs afloat
Upon a sea of gold.
The yearning cry of some bewildered bird
Above an empty nest, and truant boys
Along the river's shady margin heard--
A harmony of noise--
A melody of wrangling voices blent
With liquid laughter, and with rippling calls
Of piping lips and thrilling echoes sent
To mimic waterfalls.
And through the hazy veil the atmosphere
Has draped about the gleaming face of Day,
The sifted glances of the sun appear
In splinterings of spray.
The dusty highway, like a cloud of dawn,
Trails o'er the hillside, and the passer-by,
A tired ghost in misty shroud, toils on
His journey to the sky.
And down across the valley's drooping sweep,
Withdrawn to farthest limit of the glade,
The forest stands in silence, drinking deep
Its purple wine of shade.
The gossamer floats up on phantom wing;
The sailor-vision voyages the skies
And carries into chaos everything
That freights the weary eyes:
Till, throbbing on and on, the pulse of heat
Increases--reaches--passes fever's height,
And Day sinks into slumber, cool and sweet,
Within the arms of Night.
A day of torpor in the sullen heat
Of Summer's passion: In the sluggish stream
The panting cattle lave their lazy feet,
With drowsy eyes, and dream.
Long since the winds have died, and in the sky
There lives no cloud to hint of Nature's grief;
The sun glares ever like an evil eye,
And withers flower and leaf.
Upon the gleaming harvest-field remote
The thresher lies deserted, like some old
Dismantled galleon that hangs afloat
Upon a sea of gold.
The yearning cry of some bewildered bird
Above an empty nest, and truant boys
Along the river's shady margin heard--
A harmony of noise--
A melody of wrangling voices blent
With liquid laughter, and with rippling calls
Of piping lips and thrilling echoes sent
To mimic waterfalls.
And through the hazy veil the atmosphere
Has draped about the gleaming face of Day,
The sifted glances of the sun appear
In splinterings of spray.
The dusty highway, like a cloud of dawn,
Trails o'er the hillside, and the passer-by,
A tired ghost in misty shroud, toils on
His journey to the sky.
And down across the valley's drooping sweep,
Withdrawn to farthest limit of the glade,
The forest stands in silence, drinking deep
Its purple wine of shade.
The gossamer floats up on phantom wing;
The sailor-vision voyages the skies
And carries into chaos everything
That freights the weary eyes:
Till, throbbing on and on, the pulse of heat
Increases--reaches--passes fever's height,
And Day sinks into slumber, cool and sweet,
Within the arms of Night.
293
James Whitcomb Riley
An Autumnal Extravaganza
An Autumnal Extravaganza
With a sweeter voice than birds
Dare to twitter in their sleep,
Pipe for me a tune of words,
Till my dancing fancies leap
Into freedom vaster far
Than the realms of Reason are!
Sing for me with wilder fire
Than the lover ever sung,
From the time he twanged the lyre
When the world was baby-young.
O my maiden Autumn, you--
You have filled me through and through
With a passion so intense,
All of earthly eloquence
Fails, and falls, and swoons away
In your presence. Like as one
Who essays to look the sun
Fairly in the face, I say,
Though my eyes you dazzle blind
Greater dazzled is my mind.
So, my Autumn, let me kneel
At your feet and worship you!
Be my sweetheart; let me feel
Your caress; and tell me too
Why your smiles bewilder me--
Glancing into laughter, then
Trancing into calm again,
Till your meaning drowning lies
In the dim depths of your eyes.
Let me see the things you see
Down the depths of mystery!
Blow aside the hazy veil
From the daylight of your face
With the fragrance-ladened gale
Of your spicy breath and chase
Every dimple to its place.
Lift your gipsy finger-tips
To the roses of your lips,
And fling down to me a bud--
But an unblown kiss--but one--
It shall blossom in my blood,
Even after life is done--
When I dare to touch the brow
Your rare hair is veiling now--
When the rich, red-golden strands
Of the treasure in my hands
Shall be all of worldly worth
Heaven lifted from the earth,
Like a banner to have set
On its highest minaret.
With a sweeter voice than birds
Dare to twitter in their sleep,
Pipe for me a tune of words,
Till my dancing fancies leap
Into freedom vaster far
Than the realms of Reason are!
Sing for me with wilder fire
Than the lover ever sung,
From the time he twanged the lyre
When the world was baby-young.
O my maiden Autumn, you--
You have filled me through and through
With a passion so intense,
All of earthly eloquence
Fails, and falls, and swoons away
In your presence. Like as one
Who essays to look the sun
Fairly in the face, I say,
Though my eyes you dazzle blind
Greater dazzled is my mind.
So, my Autumn, let me kneel
At your feet and worship you!
Be my sweetheart; let me feel
Your caress; and tell me too
Why your smiles bewilder me--
Glancing into laughter, then
Trancing into calm again,
Till your meaning drowning lies
In the dim depths of your eyes.
Let me see the things you see
Down the depths of mystery!
Blow aside the hazy veil
From the daylight of your face
With the fragrance-ladened gale
Of your spicy breath and chase
Every dimple to its place.
Lift your gipsy finger-tips
To the roses of your lips,
And fling down to me a bud--
But an unblown kiss--but one--
It shall blossom in my blood,
Even after life is done--
When I dare to touch the brow
Your rare hair is veiling now--
When the rich, red-golden strands
Of the treasure in my hands
Shall be all of worldly worth
Heaven lifted from the earth,
Like a banner to have set
On its highest minaret.
254
James Whitcomb Riley
A Spring Song And A Later
A Spring Song And A Later
She sang a song of May for me,
Wherein once more I heard
The mirth of my glad infancy--
The orchard's earliest bird--
The joyous breeze among the trees
New-clad in leaf and bloom,
And there the happy honey-bees
In dewy gleam and gloom.
So purely, sweetly on the sense
Of heart and spirit fell
Her song of Spring, its influence--
Still irresistible,--
Commands me here--with eyes ablur--
To mate her bright refrain.
Though I but shed a rhyme for her
As dim as Autumn rain.
She sang a song of May for me,
Wherein once more I heard
The mirth of my glad infancy--
The orchard's earliest bird--
The joyous breeze among the trees
New-clad in leaf and bloom,
And there the happy honey-bees
In dewy gleam and gloom.
So purely, sweetly on the sense
Of heart and spirit fell
Her song of Spring, its influence--
Still irresistible,--
Commands me here--with eyes ablur--
To mate her bright refrain.
Though I but shed a rhyme for her
As dim as Autumn rain.
250
James Whitcomb Riley
A Brave Refrain
A Brave Refrain
When snow is here, and the trees look weird,
And the knuckled twigs are gloved with frost;
When the breath congeals in the drover's beard,
And the old pathway to the barn is lost;
When the rooster's crow is sad to hear,
And the stamp of the stabled horse is vain,
And the tone of the cow-bell grieves the ear--
O then is the time for a brave refrain!
When the gears hang stiff on the harness-peg,
And the tallow gleams in frozen streaks;
And the old hen stands on a lonesome leg,
And the pump sounds hoarse and the handle squeaks;
When the woodpile lies in a shrouded heap,
And the frost is scratched from the window-pane
And anxious eyes from the inside peep--
O then is the time for a brave refrain!
When the ax-helve warms at the chimney-jamb,
And hob-nailed shoes on the hearth below,
And the house-cat curls in a slumber calm,
And the eight-day clock ticks loud and slow;
When the harsh broom-handle jabs the ceil
'Neath the kitchen-loft, and the drowsy brain
Sniffs the breath of the morning meal--
O then is the time for a brave refrain!
ENVOI
When the skillet seethes, and a blubbering hot
Tilts the lid of the coffee-pot,
And the scent of the buckwheat cake grows plain--
O then is the time for a brave refrain!
When snow is here, and the trees look weird,
And the knuckled twigs are gloved with frost;
When the breath congeals in the drover's beard,
And the old pathway to the barn is lost;
When the rooster's crow is sad to hear,
And the stamp of the stabled horse is vain,
And the tone of the cow-bell grieves the ear--
O then is the time for a brave refrain!
When the gears hang stiff on the harness-peg,
And the tallow gleams in frozen streaks;
And the old hen stands on a lonesome leg,
And the pump sounds hoarse and the handle squeaks;
When the woodpile lies in a shrouded heap,
And the frost is scratched from the window-pane
And anxious eyes from the inside peep--
O then is the time for a brave refrain!
When the ax-helve warms at the chimney-jamb,
And hob-nailed shoes on the hearth below,
And the house-cat curls in a slumber calm,
And the eight-day clock ticks loud and slow;
When the harsh broom-handle jabs the ceil
'Neath the kitchen-loft, and the drowsy brain
Sniffs the breath of the morning meal--
O then is the time for a brave refrain!
ENVOI
When the skillet seethes, and a blubbering hot
Tilts the lid of the coffee-pot,
And the scent of the buckwheat cake grows plain--
O then is the time for a brave refrain!
283
Rudyard Kipling
In Springtime
In Springtime
My garden blazes brightly with the rose-bush and the peach,
And the koil sings above it, in the siris by the well,
From the creeper-covered trellis comes the squirrel's chattering speech,
And the blue jay screams and flutters where the cheery sat-bhai dwell.
But the rose has lost its fragrance, and the koil's note is strange;
I am sick of endless sunshine, sick of blossom-burdened bough.
Give me back the leafless woodlands where the winds of Springtime range --
Give me back one day in England, for it's Spring in England now!
Through the pines the gusts are booming, o'er the brown fields blowing chill,
From the furrow of the ploughshare streams the fragrance of the loam,
And the hawk nests on the cliffside and the jackdaw in the hill,
And my heart is back in England 'mid the sights and sounds of Home.
But the garland of the sacrifice this wealth of rose and peach is,
Ah! koil, little koil, singing on the siris bough,
In my ears the knell of exile your ceaseless bell like speech is --
Can you tell me aught of England or of Spring in England now?
My garden blazes brightly with the rose-bush and the peach,
And the koil sings above it, in the siris by the well,
From the creeper-covered trellis comes the squirrel's chattering speech,
And the blue jay screams and flutters where the cheery sat-bhai dwell.
But the rose has lost its fragrance, and the koil's note is strange;
I am sick of endless sunshine, sick of blossom-burdened bough.
Give me back the leafless woodlands where the winds of Springtime range --
Give me back one day in England, for it's Spring in England now!
Through the pines the gusts are booming, o'er the brown fields blowing chill,
From the furrow of the ploughshare streams the fragrance of the loam,
And the hawk nests on the cliffside and the jackdaw in the hill,
And my heart is back in England 'mid the sights and sounds of Home.
But the garland of the sacrifice this wealth of rose and peach is,
Ah! koil, little koil, singing on the siris bough,
In my ears the knell of exile your ceaseless bell like speech is --
Can you tell me aught of England or of Spring in England now?
429
James Joyce
Winds of May
Winds of May
Winds of May, that dance on the sea,
Dancing a ring-around in glee
From furrow to furrow, while overhead
The foam flies up to be garlanded,
In silvery arches spanning the air,
Saw you my true love anywhere?
Welladay! Welladay!
For the winds of May!
Love is unhappy when love is away!
Winds of May, that dance on the sea,
Dancing a ring-around in glee
From furrow to furrow, while overhead
The foam flies up to be garlanded,
In silvery arches spanning the air,
Saw you my true love anywhere?
Welladay! Welladay!
For the winds of May!
Love is unhappy when love is away!
207
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