Family
Poems in this topic
Edgar Albert Guest
A Father's Prayer
A Father's Prayer
Lord, make me tolerant and wise;
Incline my ears to hear him through;
Let him not stand with downcast eyes,
Fearing to trust me and be true.
Instruct me so that I may know
The way my son and I should go.
When he shall err, as once did I,
Or boyhood folly bids him stray,
Let me not into anger fly
And drive the good in him away.
Teach me to win his trust, that he
Shall keep no secret hid from me.
Lord, strengthen me that I may be .
A fit example for my son.
Grant he may never hear or see
A shameful deed that I have done.
However sorely I am tried,
Let me not undermine his pride.
In spite of years and temples gray,
Still let my spirit beat with joy;
Teach me to share in all his play
And be a comrade with my boy.
Wherever we may chance to be,
Let him find happiness with me.
Lord, as his father, now I pray
For manhood's strength and counsel wise;
Let me deal justly, day by day,
In all that fatherhood implies.
To be his father, keep me fit;
Let me not play the hypocrite!
Lord, make me tolerant and wise;
Incline my ears to hear him through;
Let him not stand with downcast eyes,
Fearing to trust me and be true.
Instruct me so that I may know
The way my son and I should go.
When he shall err, as once did I,
Or boyhood folly bids him stray,
Let me not into anger fly
And drive the good in him away.
Teach me to win his trust, that he
Shall keep no secret hid from me.
Lord, strengthen me that I may be .
A fit example for my son.
Grant he may never hear or see
A shameful deed that I have done.
However sorely I am tried,
Let me not undermine his pride.
In spite of years and temples gray,
Still let my spirit beat with joy;
Teach me to share in all his play
And be a comrade with my boy.
Wherever we may chance to be,
Let him find happiness with me.
Lord, as his father, now I pray
For manhood's strength and counsel wise;
Let me deal justly, day by day,
In all that fatherhood implies.
To be his father, keep me fit;
Let me not play the hypocrite!
1,253
1
William Wordsworth
To A Sexton
To A Sexton
Let thy wheel-barrow alone--
Wherefore, Sexton, piling still
In thy bone-house bone on bone?
'Tis already like a hill
In a field of battle made,
Where three thousand skulls are laid;
These died in peace each with the other,--
Father, sister, friend, and brother.
Mark the spot to which I point!
From this platform, eight feet square,
Take not even a finger-joint:
Andrew's whole fire-side is there.
Here, alone, before thine eyes,
Simon's sickly daughter lies,
From weakness now, and pain defended,
Whom he twenty winters tended.
Look but at the gardener's pride--
How he glories, when he sees
Roses, lilies, side by side,
Violets in families!
By the heart of Man, his tears,
By his hopes and by his fears,
Thou, too heedless, art the Warden
Of a far superior garden.
Thus then, each to other dear,
Let them all in quiet lie,
Andrew there, and Susan here,
Neighbours in mortality.
And, should I live through sun and rain
Seven widowed years without my Jane,
O Sexton, do not then remove her,
Let one grave hold the Loved and Lover!
Let thy wheel-barrow alone--
Wherefore, Sexton, piling still
In thy bone-house bone on bone?
'Tis already like a hill
In a field of battle made,
Where three thousand skulls are laid;
These died in peace each with the other,--
Father, sister, friend, and brother.
Mark the spot to which I point!
From this platform, eight feet square,
Take not even a finger-joint:
Andrew's whole fire-side is there.
Here, alone, before thine eyes,
Simon's sickly daughter lies,
From weakness now, and pain defended,
Whom he twenty winters tended.
Look but at the gardener's pride--
How he glories, when he sees
Roses, lilies, side by side,
Violets in families!
By the heart of Man, his tears,
By his hopes and by his fears,
Thou, too heedless, art the Warden
Of a far superior garden.
Thus then, each to other dear,
Let them all in quiet lie,
Andrew there, and Susan here,
Neighbours in mortality.
And, should I live through sun and rain
Seven widowed years without my Jane,
O Sexton, do not then remove her,
Let one grave hold the Loved and Lover!
209
William Wordsworth
The Sparrow's Nest
The Sparrow's Nest
BEHOLD, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.
I started---seeming to espy
The home and sheltered bed,
The Sparrow's dwelling, which, hard by
My Father' house, in wet or dry
My sister Emmeline and I
Together visited.
She looked at it and seemed to fear it;
Dreading, tho' wishing, to be near it:
Such heart was in her, being then
A little Prattler among men.
The Blessing of my later year
Was with me when a boy:
She gave me eyes, she gave me ears;
And humble care, and delicate fears;
A heart, the fountain of sweet tears;
And love, and thought, and joy.
BEHOLD, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.
I started---seeming to espy
The home and sheltered bed,
The Sparrow's dwelling, which, hard by
My Father' house, in wet or dry
My sister Emmeline and I
Together visited.
She looked at it and seemed to fear it;
Dreading, tho' wishing, to be near it:
Such heart was in her, being then
A little Prattler among men.
The Blessing of my later year
Was with me when a boy:
She gave me eyes, she gave me ears;
And humble care, and delicate fears;
A heart, the fountain of sweet tears;
And love, and thought, and joy.
239
William Wordsworth
The Seven Sisters
The Seven Sisters
Or, The Solitude Of Binnorie
SEVEN Daughter had Lord Archibald,
All children of one mother:
You could not say in one short day
What love they bore each other.
A garland, of seven lilies, wrought!
Seven sisters that together dwell;
But he, bold Knight as ever fought,
Their Father, took of them no thought,
He loved the wars so well.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Fresh blows the wind, a western wind,
And from the shores of Erin,
Across the wave, a Rover brave
To Binnorie is steering:
Right onward to the Scottish strand
The gallant ship is borne;
The warriors leap upon the land,
And hark! the Leader of the band
Hath blown his bugle horn.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Beside a grotto of their own,
With boughs above them closing,
The Seven are laid, and in the shade
They lie like fawns reposing.
But now, upstarting with affright
At noise of man and steed,
Away they fly to left, to rightÑ
Of your fair household, Father-knight,
Methinks you take small heed!
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Away the even fair Campbells fly,
And, over hill and hollow,
With menace proud, and insult loud,
The youthful Rovers follow.
Cried they, 'Your Father loves to roam:
Enough for him to find
The empty house when he comes home;
For us your yellow ringlets comb,
For us be fair and kind!'
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Some close behind, some side to side,
Like clouds in stormy weather;
They run, and cry, 'Nay, let us die,
And let us die together.'
A lake was near; the shore was steep;
There never foot had been;
They ran, and with a deperate leap
Together plunged into the deep,
Nor ever more were seen.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
The stream that flows out of the lake,
As through the glen it rambles,
Repeats a moan o'er moss and stone,
For those seven lovely Campbells.
Seven little Islands, green and bare,
Have risen from out the deep:
The fishers say, those sisters fair,
By faeries all are buried there,
And there together sleep.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Or, The Solitude Of Binnorie
SEVEN Daughter had Lord Archibald,
All children of one mother:
You could not say in one short day
What love they bore each other.
A garland, of seven lilies, wrought!
Seven sisters that together dwell;
But he, bold Knight as ever fought,
Their Father, took of them no thought,
He loved the wars so well.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Fresh blows the wind, a western wind,
And from the shores of Erin,
Across the wave, a Rover brave
To Binnorie is steering:
Right onward to the Scottish strand
The gallant ship is borne;
The warriors leap upon the land,
And hark! the Leader of the band
Hath blown his bugle horn.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Beside a grotto of their own,
With boughs above them closing,
The Seven are laid, and in the shade
They lie like fawns reposing.
But now, upstarting with affright
At noise of man and steed,
Away they fly to left, to rightÑ
Of your fair household, Father-knight,
Methinks you take small heed!
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Away the even fair Campbells fly,
And, over hill and hollow,
With menace proud, and insult loud,
The youthful Rovers follow.
Cried they, 'Your Father loves to roam:
Enough for him to find
The empty house when he comes home;
For us your yellow ringlets comb,
For us be fair and kind!'
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Some close behind, some side to side,
Like clouds in stormy weather;
They run, and cry, 'Nay, let us die,
And let us die together.'
A lake was near; the shore was steep;
There never foot had been;
They ran, and with a deperate leap
Together plunged into the deep,
Nor ever more were seen.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
The stream that flows out of the lake,
As through the glen it rambles,
Repeats a moan o'er moss and stone,
For those seven lovely Campbells.
Seven little Islands, green and bare,
Have risen from out the deep:
The fishers say, those sisters fair,
By faeries all are buried there,
And there together sleep.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
177
William Wordsworth
The Mother's Return
The Mother's Return
A MONTH, sweet Little-ones, is past
Since your dear Mother went away,---
And she tomorrow will return;
Tomorrow is the happy day.
O blessed tidings! thought of joy!
The eldest heard with steady glee;
Silent he stood; then laughed amain,---
And shouted, ' Mother, come to me!'
Louder and louder did he shout,
With witless hope to bring her near;
'Nay, patience! patience, little boy!
Your tender mother cannot hear.'
I told of hills, and far-off town,
And long, long vale to travel through;---
He listens, puzzled, sore perplexed,
But he submits; what can he do ?
No strife disturbs his sister's breast;
She wars not with the mystery
Of time and distance, night and day;
The bonds of our humanity.
Her joy is like an instinct, joy
Of kitten, bird, or summer fly;
She dances, runs without an aim,
She chatters in her ecstasy.
Her brother now takes up the note,
And echoes back his sister's glee;
They hug the infant in my arms,
As if to force his sympathy.
Then, settling into fond discourse,
We rested in the garden bower;
While sweetly shone the evening sun
In his departing hour.
We told o'er all that we had done,---
Our rambles by the swift brook's side
Far as the willow-skirted pool,
Where two fair swans together glide.
We talked of change, of winter gone,
Of green leaves on the hawthorn spray,
Of birds that build their nests and sing
And all 'since Mother went away!'
To her these tales they will repeat,
To her our new-born tribes will show,
The goslings green, the ass's colt,
The lambs that in the meadow go.
---But, see, the evening star comes forth!
To bed the children must depart;
A moment's heaviness they feel,
A sadness at the heart;
'Tis gone---and in a merry fit
They run up stairs in gamesome race;
I, too, infected by their mood,
I could have joined the wanton chase.
Five minutes past---and, O the change!
Asleep upon their beds they lie;
Their buy limbs in perfect rest,
And closed the sparkling eye.
A MONTH, sweet Little-ones, is past
Since your dear Mother went away,---
And she tomorrow will return;
Tomorrow is the happy day.
O blessed tidings! thought of joy!
The eldest heard with steady glee;
Silent he stood; then laughed amain,---
And shouted, ' Mother, come to me!'
Louder and louder did he shout,
With witless hope to bring her near;
'Nay, patience! patience, little boy!
Your tender mother cannot hear.'
I told of hills, and far-off town,
And long, long vale to travel through;---
He listens, puzzled, sore perplexed,
But he submits; what can he do ?
No strife disturbs his sister's breast;
She wars not with the mystery
Of time and distance, night and day;
The bonds of our humanity.
Her joy is like an instinct, joy
Of kitten, bird, or summer fly;
She dances, runs without an aim,
She chatters in her ecstasy.
Her brother now takes up the note,
And echoes back his sister's glee;
They hug the infant in my arms,
As if to force his sympathy.
Then, settling into fond discourse,
We rested in the garden bower;
While sweetly shone the evening sun
In his departing hour.
We told o'er all that we had done,---
Our rambles by the swift brook's side
Far as the willow-skirted pool,
Where two fair swans together glide.
We talked of change, of winter gone,
Of green leaves on the hawthorn spray,
Of birds that build their nests and sing
And all 'since Mother went away!'
To her these tales they will repeat,
To her our new-born tribes will show,
The goslings green, the ass's colt,
The lambs that in the meadow go.
---But, see, the evening star comes forth!
To bed the children must depart;
A moment's heaviness they feel,
A sadness at the heart;
'Tis gone---and in a merry fit
They run up stairs in gamesome race;
I, too, infected by their mood,
I could have joined the wanton chase.
Five minutes past---and, O the change!
Asleep upon their beds they lie;
Their buy limbs in perfect rest,
And closed the sparkling eye.
240
William Wordsworth
Sparrow's Nest, The
Sparrow's Nest, The
Behold, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.
I started---seeming to espy
The home and sheltered bed,
The Sparrow's dwelling, which, hard by
My Father' house, in wet or dry
My sister Emmeline and I
Together visited.
She looked at it and seemed to fear it;
Dreading, tho' wishing, to be near it:
Such heart was in her, being then
A little Prattler among men.
The Blessing of my later year
Was with me when a boy:
She gave me eyes, she gave me ears;
And humble care, and delicate fears;
A heart, the fountain of sweet tears;
And love, and thought, and joy.
Behold, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.
I started---seeming to espy
The home and sheltered bed,
The Sparrow's dwelling, which, hard by
My Father' house, in wet or dry
My sister Emmeline and I
Together visited.
She looked at it and seemed to fear it;
Dreading, tho' wishing, to be near it:
Such heart was in her, being then
A little Prattler among men.
The Blessing of my later year
Was with me when a boy:
She gave me eyes, she gave me ears;
And humble care, and delicate fears;
A heart, the fountain of sweet tears;
And love, and thought, and joy.
188
William Wordsworth
Seven Sisters, The
Seven Sisters, The
Seven Daughter had Lord Archibald,
All children of one mother:
You could not say in one short day
What love they bore each other.
A garland, of seven lilies, wrought!
Seven sisters that together dwell;
But he, bold Knight as ever fought,
Their Father, took of them no thought,
He loved the wars so well.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Fresh blows the wind, a western wind,
And from the shores of Erin,
Across the wave, a Rover brave
To Binnorie is steering:
Right onward to the Scottish strand
The gallant ship is borne;
The warriors leap upon the land,
And hark! the Leader of the band
Hath blown his bugle horn.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Beside a grotto of their own,
With boughs above them closing,
The Seven are laid, and in the shade
They lie like fawns reposing.
But now, upstarting with affright
At noise of man and steed,
Away they fly to left, to rightÑ
Of your fair household, Father-knight,
Methinks you take small heed!
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Away the even fair Campbells fly,
And, over hill and hollow,
With menace proud, and insult loud,
The youthful Rovers follow.
Cried they, "Your Father loves to roam:
Enough for him to find
The empty house when he comes home;
For us your yellow ringlets comb,
For us be fair and kind!"
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Some close behind, some side to side,
Like clouds in stormy weather;
They run, and cry, "Nay, let us die,
And let us die together."
A lake was near; the shore was steep;
There never foot had been;
They ran, and with a deperate leap
Together plunged into the deep,
Nor ever more were seen.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
The stream that flows out of the lake,
As through the glen it rambles,
Repeats a moan o'er moss and stone,
For those seven lovely Campbells.
Seven little Islands, green and bare,
Have risen from out the deep:
The fishers say, those sisters fair,
By faeries all are buried there,
And there together sleep.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Seven Daughter had Lord Archibald,
All children of one mother:
You could not say in one short day
What love they bore each other.
A garland, of seven lilies, wrought!
Seven sisters that together dwell;
But he, bold Knight as ever fought,
Their Father, took of them no thought,
He loved the wars so well.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Fresh blows the wind, a western wind,
And from the shores of Erin,
Across the wave, a Rover brave
To Binnorie is steering:
Right onward to the Scottish strand
The gallant ship is borne;
The warriors leap upon the land,
And hark! the Leader of the band
Hath blown his bugle horn.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Beside a grotto of their own,
With boughs above them closing,
The Seven are laid, and in the shade
They lie like fawns reposing.
But now, upstarting with affright
At noise of man and steed,
Away they fly to left, to rightÑ
Of your fair household, Father-knight,
Methinks you take small heed!
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Away the even fair Campbells fly,
And, over hill and hollow,
With menace proud, and insult loud,
The youthful Rovers follow.
Cried they, "Your Father loves to roam:
Enough for him to find
The empty house when he comes home;
For us your yellow ringlets comb,
For us be fair and kind!"
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Some close behind, some side to side,
Like clouds in stormy weather;
They run, and cry, "Nay, let us die,
And let us die together."
A lake was near; the shore was steep;
There never foot had been;
They ran, and with a deperate leap
Together plunged into the deep,
Nor ever more were seen.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
The stream that flows out of the lake,
As through the glen it rambles,
Repeats a moan o'er moss and stone,
For those seven lovely Campbells.
Seven little Islands, green and bare,
Have risen from out the deep:
The fishers say, those sisters fair,
By faeries all are buried there,
And there together sleep.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
354
William Wordsworth
Ruth
Ruth
When Ruth was left half desolate,
Her Father took another Mate;
And Ruth, not seven years old,
A slighted child, at her own will
Went wandering over dale and hill,
In thoughtless freedom, bold.
And she had made a pipe of straw,
And music from that pipe could draw
Like sounds of winds and floods;
Had built a bower upon the green,
As if she from her birth had been
An infant of the woods.
Beneath her father's roof, alone
She seemed to live; her thoughts her own;
Herself her own delight;
Pleased with herself, nor sad, nor gay;
And, passing thus the live-long day,
She grew to woman's height.
There came a Youth from Georgia's shore--
A military casque he wore,
With splendid feathers drest;
He brought them from the Cherokees;
The feathers nodded in the breeze,
And made a gallant crest.
From Indian blood you deem him sprung:
But no! he spake the English tongue,
And bore a soldier's name;
And, when America was free
From battle and from jeopardy,
He 'cross the ocean came.
With hues of genius on his cheek
In finest tones the Youth could speak:
--While he was yet a boy,
The moon, the glory of the sun,
And streams that murmur as they run,
Had been his dearest joy.
He was a lovely Youth! I guess
The panther in the wilderness
Was not so fair as he;
And, when he chose to sport and play,
No dolphin ever was so gay
Upon the tropic sea.
Among the Indians he had fought,
And with him many tales he brought
Of pleasure and of fear;
Such tales as told to any maid
By such a Youth, in the green shade,
Were perilous to hear.
He told of girls--a happy rout!
Who quit their fold with dance and shout,
Their pleasant Indian town,
To gather strawberries all day long;
Returning with a choral song
When daylight is gone down.
He spake of plants that hourly change
Their blossoms, through a boundless range
Of intermingling hues;
With budding, fading, faded flowers
They stand the wonder of the bowers
From morn to evening dews.
He told of the magnolia, spread
High as a cloud, high over head!
The cypress and her spire;
--Of flowers that with one scarlet gleam
Cover a hundred leagues, and seem
To set the hills on fire.
The Youth of green savannahs spake,
And many an endless, endless lake,
With all its fairy crowds
Of islands, that together lie
As quietly as spots of sky
Among the evening clouds.
"How pleasant," then he said, "it were
A fisher or a hunter there,
In sunshine or in shade
To wander with an easy mind;
And build a household fire, and find
A home in every glade!
"What days and what bright years! Ah me!
Our life were life indeed, with thee
So passed in quiet bliss,
And all the while," said he, "to know
That we were in a world of woe,
On such an earth as this!"
And then he sometimes interwove
Fond thoughts about a father's love
"For there," said he, "are spun
Around the heart such tender ties,
That our own children to our eyes
Are dearer than the sun.
"Sweet Ruth! and could you go with me
My helpmate in the woods to be,
Our shed at night to rear;
Or run, my own adopted bride,
A sylvan huntress at my side,
And drive the flying deer!
"Beloved Ruth!"--No more he said,
The wakeful Ruth at midnight shed
A solitary tear:
She thought again--and did agree
With him to sail across the sea,
And drive the flying deer.
"And now, as fitting is and right,
We in the church our faith will plight,
A husband and a wife."
Even so they did; and I may say
That to sweet Ruth that happy day
Was more than human life.
Through dream and vision did she sink,
Delighted all the while to think
That on those lonesome floods,
And green savannahs, she should share
His board with lawful joy, and bear
His name in the wild woods.
But, as you have before been told,
This Stripling, sportive, gay, and bold,
And, with his dancing crest,
So beautiful, through savage lands
Had roamed about, with vagrant bands
Of Indians in the West.
The wind, the tempest roaring high,
The tumult of a tropic sky,
Might well be dangerous food
For him, a Youth to whom was given
So much of earth--so much of heaven,
And such impetuous blood.
Whatever in those climes he found
Irregular in sight or sound
Did to his mind impart
A kindred impulse, seemed allied
To his own powers, and justified
The workings of his heart.
Nor less, to feed voluptuous thought,
The beauteous forms of nature wrought,
Fair trees and gorgeous flowers;
The breezes their own languor lent;
The stars had feelings, which they sent
Into those favoured bowers.
Yet, in his worst pursuits, I ween
That sometimes there did intervene
Pure hopes of high intent:
For passions linked to forms so fair
And stately, needs must have their share
Of noble sentiment.
But ill he lived, much evil saw,
With men to whom no better law
Nor better life was known;
Deliberately, and undeceived,
Those wild men's vices he received,
And gave them back his own.
His genius and his moral frame
Were thus impaired, and he became
The slave of low desires:
A Man who without self-control
Would seek what the degraded soul
Unworthily admires.
And yet he with no feigned delight
Had wooed the Maiden, day and night
Had loved her, night and morn:
What could he less than love a Maid
Whose heart with so much nature played?
So kind and so forlorn!
Sometimes, most earnestly, he said,
"O Ruth! I have been worse than dead;
False thoughts, thoughts bold and vain,
Encompassed me on every side
When I, in confidence and pride,
Had crossed the Atlantic main.
"Before me shone a glorious world--
Fresh as a banner bright, unfurled
To music suddenly:
I looked upon those hills and plains,
And seemed as if let loose from chains,
To live at liberty.
"No more of this; for now, by thee
Dear Ruth! more happily set free
With nobler zeal I burn;
My soul from darkness is released,
Like the whole sky when to the east
The morning doth return."
Full soon that better mind was gone;
No hope, no wish remained, not one,--
They stirred him now no more;
New objects did new pleasure give,
And once again he wished to live
As lawless as before.
Meanwhile, as thus with him it fared,
They for the voyage were prepared,
And went to the sea-shore,
But, when they thither came the Youth
Deserted his poor Bride, and Ruth
Could never find him more.
God help thee, Ruth!--Such pains she had,
That she in half a year was mad,
And in a prison housed;
And there, with many a doleful song
Made of wild words, her cup of wrong
She fearfully caroused.
Yet sometimes milder hours she knew,
Nor wanted sun, nor rain, nor dew,
Nor pastimes of the May;
--They all were with her in her cell;
And a clear brook with cheerful knell
Did o'er the pebbles play.
When Ruth three seasons thus had lain,
There came a respite to her pain;
She from her prison fled;
But of the Vagrant none took thought;
And where it liked her best she sought
Her shelter and her bread.
Among the fields she breathed again:
The master-current of her brain
Ran permanent and free;
And, coming to the Banks of Tone,
There did she rest; and dwell alone
Under the greenwood tree.
The engines of her pain, the tools
That shaped her sorrow, rocks and pools,
And airs that gently stir
The vernal leaves--she loved them still;
Nor ever taxed them with the ill
Which had been done to her.
A Barn her 'winter' bed supplies;
But, till the warmth of summer skies
And summer days is gone,
(And all do in this tale agree)
She sleeps beneath the greenwood tree,
And other home hath none.
An innocent life, yet far astray!
And Ruth will, long before her day,
Be broken down and old:
Sore aches she needs must have! but less
Of mind, than body's wretchedness,
From damp, and rain, and cold.
If she is prest by want of food,
She from her dwelling in the wood
Repairs to a road-side;
And there she begs at one steep place
Where up and down with easy pace
The horsemen-travellers ride.
That oaten pipe of hers is mute,
Or thrown away; but with a flute
Her loneliness she cheers:
This flute, made of a hemlock stalk,
At evening in his homeward walk
The Quantock woodman hears.
I, too, have passed her on the hills
Setting her little water-mills
By spouts and fountains wild--
Such small machinery as she turned
Ere she had wept, ere she had mourned,
A young and happy Child!
Farewell! and when thy days are told,
Ill-fated Ruth, in hallowed mould
Thy corpse shall buried be,
For thee a funeral bell shall ring,
And all the congregation sing
A Christian psalm for thee.
When Ruth was left half desolate,
Her Father took another Mate;
And Ruth, not seven years old,
A slighted child, at her own will
Went wandering over dale and hill,
In thoughtless freedom, bold.
And she had made a pipe of straw,
And music from that pipe could draw
Like sounds of winds and floods;
Had built a bower upon the green,
As if she from her birth had been
An infant of the woods.
Beneath her father's roof, alone
She seemed to live; her thoughts her own;
Herself her own delight;
Pleased with herself, nor sad, nor gay;
And, passing thus the live-long day,
She grew to woman's height.
There came a Youth from Georgia's shore--
A military casque he wore,
With splendid feathers drest;
He brought them from the Cherokees;
The feathers nodded in the breeze,
And made a gallant crest.
From Indian blood you deem him sprung:
But no! he spake the English tongue,
And bore a soldier's name;
And, when America was free
From battle and from jeopardy,
He 'cross the ocean came.
With hues of genius on his cheek
In finest tones the Youth could speak:
--While he was yet a boy,
The moon, the glory of the sun,
And streams that murmur as they run,
Had been his dearest joy.
He was a lovely Youth! I guess
The panther in the wilderness
Was not so fair as he;
And, when he chose to sport and play,
No dolphin ever was so gay
Upon the tropic sea.
Among the Indians he had fought,
And with him many tales he brought
Of pleasure and of fear;
Such tales as told to any maid
By such a Youth, in the green shade,
Were perilous to hear.
He told of girls--a happy rout!
Who quit their fold with dance and shout,
Their pleasant Indian town,
To gather strawberries all day long;
Returning with a choral song
When daylight is gone down.
He spake of plants that hourly change
Their blossoms, through a boundless range
Of intermingling hues;
With budding, fading, faded flowers
They stand the wonder of the bowers
From morn to evening dews.
He told of the magnolia, spread
High as a cloud, high over head!
The cypress and her spire;
--Of flowers that with one scarlet gleam
Cover a hundred leagues, and seem
To set the hills on fire.
The Youth of green savannahs spake,
And many an endless, endless lake,
With all its fairy crowds
Of islands, that together lie
As quietly as spots of sky
Among the evening clouds.
"How pleasant," then he said, "it were
A fisher or a hunter there,
In sunshine or in shade
To wander with an easy mind;
And build a household fire, and find
A home in every glade!
"What days and what bright years! Ah me!
Our life were life indeed, with thee
So passed in quiet bliss,
And all the while," said he, "to know
That we were in a world of woe,
On such an earth as this!"
And then he sometimes interwove
Fond thoughts about a father's love
"For there," said he, "are spun
Around the heart such tender ties,
That our own children to our eyes
Are dearer than the sun.
"Sweet Ruth! and could you go with me
My helpmate in the woods to be,
Our shed at night to rear;
Or run, my own adopted bride,
A sylvan huntress at my side,
And drive the flying deer!
"Beloved Ruth!"--No more he said,
The wakeful Ruth at midnight shed
A solitary tear:
She thought again--and did agree
With him to sail across the sea,
And drive the flying deer.
"And now, as fitting is and right,
We in the church our faith will plight,
A husband and a wife."
Even so they did; and I may say
That to sweet Ruth that happy day
Was more than human life.
Through dream and vision did she sink,
Delighted all the while to think
That on those lonesome floods,
And green savannahs, she should share
His board with lawful joy, and bear
His name in the wild woods.
But, as you have before been told,
This Stripling, sportive, gay, and bold,
And, with his dancing crest,
So beautiful, through savage lands
Had roamed about, with vagrant bands
Of Indians in the West.
The wind, the tempest roaring high,
The tumult of a tropic sky,
Might well be dangerous food
For him, a Youth to whom was given
So much of earth--so much of heaven,
And such impetuous blood.
Whatever in those climes he found
Irregular in sight or sound
Did to his mind impart
A kindred impulse, seemed allied
To his own powers, and justified
The workings of his heart.
Nor less, to feed voluptuous thought,
The beauteous forms of nature wrought,
Fair trees and gorgeous flowers;
The breezes their own languor lent;
The stars had feelings, which they sent
Into those favoured bowers.
Yet, in his worst pursuits, I ween
That sometimes there did intervene
Pure hopes of high intent:
For passions linked to forms so fair
And stately, needs must have their share
Of noble sentiment.
But ill he lived, much evil saw,
With men to whom no better law
Nor better life was known;
Deliberately, and undeceived,
Those wild men's vices he received,
And gave them back his own.
His genius and his moral frame
Were thus impaired, and he became
The slave of low desires:
A Man who without self-control
Would seek what the degraded soul
Unworthily admires.
And yet he with no feigned delight
Had wooed the Maiden, day and night
Had loved her, night and morn:
What could he less than love a Maid
Whose heart with so much nature played?
So kind and so forlorn!
Sometimes, most earnestly, he said,
"O Ruth! I have been worse than dead;
False thoughts, thoughts bold and vain,
Encompassed me on every side
When I, in confidence and pride,
Had crossed the Atlantic main.
"Before me shone a glorious world--
Fresh as a banner bright, unfurled
To music suddenly:
I looked upon those hills and plains,
And seemed as if let loose from chains,
To live at liberty.
"No more of this; for now, by thee
Dear Ruth! more happily set free
With nobler zeal I burn;
My soul from darkness is released,
Like the whole sky when to the east
The morning doth return."
Full soon that better mind was gone;
No hope, no wish remained, not one,--
They stirred him now no more;
New objects did new pleasure give,
And once again he wished to live
As lawless as before.
Meanwhile, as thus with him it fared,
They for the voyage were prepared,
And went to the sea-shore,
But, when they thither came the Youth
Deserted his poor Bride, and Ruth
Could never find him more.
God help thee, Ruth!--Such pains she had,
That she in half a year was mad,
And in a prison housed;
And there, with many a doleful song
Made of wild words, her cup of wrong
She fearfully caroused.
Yet sometimes milder hours she knew,
Nor wanted sun, nor rain, nor dew,
Nor pastimes of the May;
--They all were with her in her cell;
And a clear brook with cheerful knell
Did o'er the pebbles play.
When Ruth three seasons thus had lain,
There came a respite to her pain;
She from her prison fled;
But of the Vagrant none took thought;
And where it liked her best she sought
Her shelter and her bread.
Among the fields she breathed again:
The master-current of her brain
Ran permanent and free;
And, coming to the Banks of Tone,
There did she rest; and dwell alone
Under the greenwood tree.
The engines of her pain, the tools
That shaped her sorrow, rocks and pools,
And airs that gently stir
The vernal leaves--she loved them still;
Nor ever taxed them with the ill
Which had been done to her.
A Barn her 'winter' bed supplies;
But, till the warmth of summer skies
And summer days is gone,
(And all do in this tale agree)
She sleeps beneath the greenwood tree,
And other home hath none.
An innocent life, yet far astray!
And Ruth will, long before her day,
Be broken down and old:
Sore aches she needs must have! but less
Of mind, than body's wretchedness,
From damp, and rain, and cold.
If she is prest by want of food,
She from her dwelling in the wood
Repairs to a road-side;
And there she begs at one steep place
Where up and down with easy pace
The horsemen-travellers ride.
That oaten pipe of hers is mute,
Or thrown away; but with a flute
Her loneliness she cheers:
This flute, made of a hemlock stalk,
At evening in his homeward walk
The Quantock woodman hears.
I, too, have passed her on the hills
Setting her little water-mills
By spouts and fountains wild--
Such small machinery as she turned
Ere she had wept, ere she had mourned,
A young and happy Child!
Farewell! and when thy days are told,
Ill-fated Ruth, in hallowed mould
Thy corpse shall buried be,
For thee a funeral bell shall ring,
And all the congregation sing
A Christian psalm for thee.
176
William Wordsworth
Idiot Boy, The
Idiot Boy, The
'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!
--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?
Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?
But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.
There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.
And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?
And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.
And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.
And he must post without delay
Across the bridge and through the dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
Or she will die, old Susan Gale.
There is no need of boot or spur,
There is no need of whip or wand;
For Johnny has his holly-bough,
And with a 'hurly-burly' now
He shakes the green bough in his hand.
And Betty o'er and o'er has told
The Boy, who is her best delight,
Both what to follow, what to shun,
What do, and what to leave undone,
How turn to left, and how to right.
And Betty's most especial charge,
Was, "Johnny! Johnny! mind that you
Come home again, nor stop at all,--
Come home again, whate'er befall,
My Johnny, do, I pray you do."
To this did Johnny answer make,
Both with his head and with his hand,
And proudly shook the bridle too;
And then! his words were not a few,
Which Betty well could understand.
And now that Johnny is just going,
Though Betty's in a mighty flurry,
She gently pats the Pony's side,
On which her Idiot Boy must ride,
And seems no longer in a hurry.
But when the Pony moved his legs,
Oh! then for the poor Idiot Boy!
For joy he cannot hold the bridle,
For joy his head and heels are idle,
He's idle all for very joy.
And while the Pony moves his legs,
In Johnny's left hand you may see
The green bough motionless and dead:
The Moon that shines above his head
Is not more still and mute than he.
His heart it was so full of glee,
That till full fifty yards were gone,
He quite forgot his holly whip,
And all his skill in horsemanship:
Oh! happy, happy, happy John.
And while the Mother, at the door,
Stands fixed, her face with joy o'erflows,
Proud of herself, and proud of him,
She sees him in his travelling trim,
How quietly her Johnny goes.
The silence of her Idiot Boy,
What hopes it sends to Betty's heart!
He's at the guide-post--he turns right;
She watches till he's out of sight,
And Betty will not then depart.
Burr, burr--now Johnny's lips they burr,
As loud as any mill, or near it;
Meek as a lamb the Pony moves,
And Johnny makes the noise he loves,
And Betty listens, glad to hear it.
Away she hies to Susan Gale:
Her Messenger's in merry tune;
The owlets hoot, the owlets curr,
And Johnny's lips they burr, burr, burr,
As on he goes beneath the moon.
His steed and he right well agree;
For of this Pony there's a rumour,
That, should he lose his eyes and ears,
And should he live a thousand years,
He never will be out of humour.
But then he is a horse that thinks!
And when he thinks, his pace is slack;
Now, though he knows poor Johnny well,
Yet, for his life, he cannot tell
What he has got upon his back.
So through the moonlight lanes they go,
And far into the moonlight dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
To comfort poor old Susan Gale.
And Betty, now at Susan's side,
Is in the middle of her story,
What speedy help her Boy will bring,
With many a most diverting thing,
Of Johnny's wit, and Johnny's glory.
And Betty, still at Susan's side,
By this time is not quite so flurried:
Demure with porringer and plate
She sits, as if in Susan's fate
Her life and soul were buried.
But Betty, poor good woman! she,
You plainly in her face may read it,
Could lend out of that moment's store
Five years of happiness or more
To any that might need it.
But yet I guess that now and then
With Betty all was not so well;
And to the road she turns her ears,
And thence full many a sound she hears,
Which she to Susan will not tell.
Poor Susan moans, poor Susan groans;
"As sure as there's a moon in heaven,"
Cries Betty, "he'll be back again;
They'll both be here--'tis almost ten--
Both will be here before eleven."
Poor Susan moans, poor Susan groans;
The clock gives warning for eleven;
'Tis on the stroke--"He must be near,"
Quoth Betty, "and will soon be here,
As sure as there's a moon in heaven."
The clock is on the stroke of twelve,
And Johnny is not yet in sight:
--The Moon's in heaven, as Betty sees,
But Betty is not quite at ease;
And Susan has a dreadful night.
And Betty, half an hour ago,
On Johnny vile reflections cast:
"A little idle sauntering Thing!"
With other names, an endless string;
But now that time is gone and past.
And Betty's drooping at the heart,
That happy time all past and gone,
"How can it be he is so late?
The Doctor, he has made him wait;
Susan! they'll both be here anon."
And Susan's growing worse and worse,
And Betty's in a sad 'quandary';
And then there's nobody to say
If she must go, or she must stay!
--She's in a sad 'quandary'.
The clock is on the stroke of one;
But neither Doctor nor his Guide
Appears along the moonlight road;
There's neither horse nor man abroad,
And Betty's still at Susan's side.
And Susan now begins to fear
Of sad mischances not a few,
That Johnny may perhaps be drowned;
Or lost, perhaps, and never found;
Which they must both for ever rue.
She prefaced half a hint of this
With, "God forbid it should be true!"
At the first word that Susan said
Cried Betty, rising from the bed,
"Susan, I'd gladly stay with you.
"I must be gone, I must away:
Consider, Johnny's but half-wise;
Susan, we must take care of him,
If he is hurt in life or limb"--
"Oh God forbid!" poor Susan cries.
"What can I do?" says Betty, going,
"What can I do to ease your pain?
Good Susan tell me, and I'll stay;
I fear you're in a dreadful way,
But I shall soon be back again."
"Nay, Betty, go! good Betty, go!
There's nothing that can ease my pain,"
Then off she hies, but with a prayer
That God poor Susan's life would spare,
Till she comes back again.
So, through the moonlight lane she goes,
And far into the moonlight dale;
And how she ran, and how she walked,
And all that to herself she talked,
Would surely be a tedious tale.
In high and low, above, below,
In great and small, in round and square,
In tree and tower was Johnny seen,
In bush and brake, in black and green;
'Twas Johnny, Johnny, every where.
And while she crossed the bridge, there came
A thought with which her heart is sore--
Johnny perhaps his horse forsook,
To hunt the moon within the brook,
And never will be heard of more.
Now is she high upon the down,
Alone amid a prospect wide;
There's neither Johnny nor his Horse
Among the fern or in the gorse;
There's neither Doctor nor his Guide.
"O saints! what is become of him?
Perhaps he's climbed into an oak,
Where he will stay till he is dead;
Or, sadly he has been misled,
And joined the wandering gipsy-folk.
"Or him that wicked Pony's carried
To the dark cave, the goblin's hall;
Or in the castle he's pursuing
Among the ghosts his own undoing;
Or playing with the waterfall."
At poor old Susan then she railed,
While to the town she posts away;
"If Susan had not been so ill,
Alas! I should have had him still,
My Johnny, till my dying day."
Poor Betty, in this sad distemper,
The Doctor's self could hardly spare:
Unworthy things she talked, and wild;
Even he, of cattle the most mild,
The Pony had his share.
But now she's fairly in the town,
And to the Doctor's door she hies;
'Tis silence all on every side;
The town so long, the town so wide,
Is silent as the skies.
And now she's at the Doctor's door,
She lifts the knocker, rap, rap, rap;
The Doctor at the casement shows
His glimmering eyes that peep and doze!
And one hand rubs his old night-cap.
"O Doctor! Doctor! where's my Johnny?"
"I'm here, what is't you want with me?"
"O Sir! you know I'm Betty Foy,
And I have lost my poor dear Boy,
You know him--him you often see;
"He's not so wise as some folks be:"
"The devil take his wisdom!" said
The Doctor, looking somewhat grim,
"What, Woman! should I know of him?"
And, grumbling, he went back to bed!
"O woe is me! O woe is me!
Here will I die, here will I die;
I thought to find my lost one here,
But he is neither far nor near,
Oh! what a wretched Mother I!"
She stops, she stands, she looks about;
Which way to turn she cannot tell.
Poor Betty! it would ease her pain
If she had heart to knock again;
--The clock strikes three--a dismal knell!
Then up along the town she hies,
No wonder if her senses fail;
This piteous news so much it shocked her,
She quite forgot to send the Doctor,
To comfort poor old Susan Gale.
And now she's high upon the down,
And she can see a mile of road:
"O cruel! I'm almost threescore;
Such night as this was ne'er before,
There's not a single soul abroad."
She listens, but she cannot hear
The foot of horse, the voice of man;
The streams with softest sound are flowing,
The grass you almost hear it growing,
You hear it now, if e'er you can.
The owlets through the long blue night
Are shouting to each other still:
Fond lovers! yet not quite hob nob,
They lengthen out the tremulous sob,
That echoes far from hill to hill.
Poor Betty now has lost all hope,
Her thoughts are bent on deadly sin,
A green-grown pond she just has past,
And from the brink she hurries fast,
Lest she should drown herself therein.
And now she sits her down and weeps;
Such tears she never shed before;
"Oh dear, dear Pony! my sweet joy!
Oh carry back my Idiot Boy!
And we will ne'er o'erload thee more."
A thought is come into her head:
The Pony he is mild and good,
And we have always used him well;
Perhaps he's gone along the dell,
And carried Johnny to the wood.
Then up she springs as if on wings;
She thinks no more of deadly sin;
If Betty fifty ponds should see,
The last of all her thoughts would be
To drown herself therein.
O Reader! now that I might tell
What Johnny and his Horse are doing
What they've been doing all this time,
Oh could I put it into rhyme,
A most delightful tale pursuing!
Perhaps, and no unlikely thought!
He with his Pony now doth roam
The cliffs and peaks so high that are,
To lay his hands upon a star,
And in his pocket bring it home.
Perhaps he's turned himself about,
His face unto his horse's tail,
And, still and mute, in wonder lost,
All silent as a horseman-ghost,
He travels slowly down the vale.
And now, perhaps, is hunting sheep,
A fierce and dreadful hunter he;
Yon valley, now so trim and green,
In five months' time, should he be seen,
A desert wilderness will be!
Perhaps, with head and heels on fire,
And like the very soul of evil,
He's galloping away, away,
And so will gallop on for aye,
The bane of all that dread the devil!
I to the Muses have been bound
These fourteen years, by strong indentures:
O gentle Muses! let me tell
But half of what to him befell;
He surely met with strange adventures.
O gentle Muses! is this kind?
Why will ye thus my suit repel?
Why of your further aid bereave me?
And can ye thus unfriended leave me
Ye Muses! whom I love so well?
Who's yon, that, near the waterfall,
Which thunders down with headlong force,
Beneath the moon, yet shining fair,
As careless as if nothing were,
Sits upright on a feeding horse?
Unto his horse--there feeding free,
He seems, I think, the rein to give;
Of moon or stars he takes no heed;
Of such we in romances read:
--'Tis Johnny! Johnny! as I live.
And that's the very Pony, too!
Where is she, where is Betty Foy?
She hardly can sustain her fears;
The roaring waterfall she hears,
And cannot find her Idiot Boy.
Your Pony's worth his weight in gold:
Then calm your terrors, Betty Foy!
She's coming from among the trees,
And now all full in view she sees
Him whom she loves, her Idiot Boy.
And Betty sees the Pony too:
Why stand you thus, good Betty Foy?
It is no goblin, 'tis no ghost,
'Tis he whom you so long have lost,
He whom you love, your Idiot Boy.
She looks again--her arms are up--
She screams--she cannot move for joy;
She darts, as with a torrent's force,
She almost has o'erturned the Horse,
And fast she holds her Idiot Boy.
And Johnny burrs, and laughs aloud;
Whether in cunning or in joy
I cannot tell; but while he laughs,
Betty a drunken pleasure quaffs
To hear again her Idiot Boy.
And now she's at the Pony's tail,
And now is at the Pony's head,--
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed.
She kisses o'er and o'er again
Him whom she loves, her Idiot Boy;
She's happy here, is happy there,
She is uneasy every where;
Her limbs are all alive with joy.
She pats the Pony, where or when
She knows not, happy Betty Foy!
The little Pony glad may be,
But he is milder far than she,
You hardly can perceive his joy.
"Oh! Johnny, never mind the Doctor;
You've done your best, and that is all:"
She took the reins, when this was said,
And gently turned the Pony's head
From the loud waterfall.
By this the stars were almost gone,
The moon was setting on the hill,
So pale you scarcely looked at her:
The little birds began to stir,
Though yet their tongues were still.
The Pony, Betty, and her Boy,
Wind slowly through the woody dale;
And who is she, betimes abroad,
That hobbles up the steep rough road?
Who is it, but old Susan Gale?
Long time lay Susan lost in thought;
And many dreadful fears beset her,
Both for her Messenger and Nurse;
And, as her mind grew worse and worse,
Her body--it grew better.
She turned, she tossed herself in bed,
On all sides doubts and terrors met her;
Point after point did she discuss;
And, while her mind was fighting thus,
Her body still grew better.
"Alas! what is become of them?
These fears can never be endured;
I'll to the wood."--The word scarce said,
Did Susan rise up from her bed,
As if by magic cured.
Away she goes up hill and down,
And to the wood at length is come;
She spies her Friends, she shouts a greeting;
Oh me! it is a merry meeting
As ever was in Christendom.
The owls have hardly sung their last,
While our four travellers homeward wend;
The owls have hooted all night long,
And with the owls began my song,
And with the owls must end.
For while they all were travelling home,
Cried Betty, "Tell us, Johnny, do,
Where all this long night you have been,
What you have heard, what you have seen:
And, Johnny, mind you tell us true."
Now Johnny all night long had heard
The owls in tuneful concert strive;
No doubt too he the moon had seen;
For in the moonlight he had been
From eight o'clock till five.
And thus, to Betty's question, he
Made answer, like a traveller bold,
(His very words I give to you,)
"The cocks did crow to-whoo, to-whoo,
And the sun did shine so cold!"
--Thus answered Johnny in his glory,
And that was all his travel's story,
'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!
--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?
Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?
But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.
There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.
And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?
And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.
And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.
And he must post without delay
Across the bridge and through the dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
Or she will die, old Susan Gale.
There is no need of boot or spur,
There is no need of whip or wand;
For Johnny has his holly-bough,
And with a 'hurly-burly' now
He shakes the green bough in his hand.
And Betty o'er and o'er has told
The Boy, who is her best delight,
Both what to follow, what to shun,
What do, and what to leave undone,
How turn to left, and how to right.
And Betty's most especial charge,
Was, "Johnny! Johnny! mind that you
Come home again, nor stop at all,--
Come home again, whate'er befall,
My Johnny, do, I pray you do."
To this did Johnny answer make,
Both with his head and with his hand,
And proudly shook the bridle too;
And then! his words were not a few,
Which Betty well could understand.
And now that Johnny is just going,
Though Betty's in a mighty flurry,
She gently pats the Pony's side,
On which her Idiot Boy must ride,
And seems no longer in a hurry.
But when the Pony moved his legs,
Oh! then for the poor Idiot Boy!
For joy he cannot hold the bridle,
For joy his head and heels are idle,
He's idle all for very joy.
And while the Pony moves his legs,
In Johnny's left hand you may see
The green bough motionless and dead:
The Moon that shines above his head
Is not more still and mute than he.
His heart it was so full of glee,
That till full fifty yards were gone,
He quite forgot his holly whip,
And all his skill in horsemanship:
Oh! happy, happy, happy John.
And while the Mother, at the door,
Stands fixed, her face with joy o'erflows,
Proud of herself, and proud of him,
She sees him in his travelling trim,
How quietly her Johnny goes.
The silence of her Idiot Boy,
What hopes it sends to Betty's heart!
He's at the guide-post--he turns right;
She watches till he's out of sight,
And Betty will not then depart.
Burr, burr--now Johnny's lips they burr,
As loud as any mill, or near it;
Meek as a lamb the Pony moves,
And Johnny makes the noise he loves,
And Betty listens, glad to hear it.
Away she hies to Susan Gale:
Her Messenger's in merry tune;
The owlets hoot, the owlets curr,
And Johnny's lips they burr, burr, burr,
As on he goes beneath the moon.
His steed and he right well agree;
For of this Pony there's a rumour,
That, should he lose his eyes and ears,
And should he live a thousand years,
He never will be out of humour.
But then he is a horse that thinks!
And when he thinks, his pace is slack;
Now, though he knows poor Johnny well,
Yet, for his life, he cannot tell
What he has got upon his back.
So through the moonlight lanes they go,
And far into the moonlight dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
To comfort poor old Susan Gale.
And Betty, now at Susan's side,
Is in the middle of her story,
What speedy help her Boy will bring,
With many a most diverting thing,
Of Johnny's wit, and Johnny's glory.
And Betty, still at Susan's side,
By this time is not quite so flurried:
Demure with porringer and plate
She sits, as if in Susan's fate
Her life and soul were buried.
But Betty, poor good woman! she,
You plainly in her face may read it,
Could lend out of that moment's store
Five years of happiness or more
To any that might need it.
But yet I guess that now and then
With Betty all was not so well;
And to the road she turns her ears,
And thence full many a sound she hears,
Which she to Susan will not tell.
Poor Susan moans, poor Susan groans;
"As sure as there's a moon in heaven,"
Cries Betty, "he'll be back again;
They'll both be here--'tis almost ten--
Both will be here before eleven."
Poor Susan moans, poor Susan groans;
The clock gives warning for eleven;
'Tis on the stroke--"He must be near,"
Quoth Betty, "and will soon be here,
As sure as there's a moon in heaven."
The clock is on the stroke of twelve,
And Johnny is not yet in sight:
--The Moon's in heaven, as Betty sees,
But Betty is not quite at ease;
And Susan has a dreadful night.
And Betty, half an hour ago,
On Johnny vile reflections cast:
"A little idle sauntering Thing!"
With other names, an endless string;
But now that time is gone and past.
And Betty's drooping at the heart,
That happy time all past and gone,
"How can it be he is so late?
The Doctor, he has made him wait;
Susan! they'll both be here anon."
And Susan's growing worse and worse,
And Betty's in a sad 'quandary';
And then there's nobody to say
If she must go, or she must stay!
--She's in a sad 'quandary'.
The clock is on the stroke of one;
But neither Doctor nor his Guide
Appears along the moonlight road;
There's neither horse nor man abroad,
And Betty's still at Susan's side.
And Susan now begins to fear
Of sad mischances not a few,
That Johnny may perhaps be drowned;
Or lost, perhaps, and never found;
Which they must both for ever rue.
She prefaced half a hint of this
With, "God forbid it should be true!"
At the first word that Susan said
Cried Betty, rising from the bed,
"Susan, I'd gladly stay with you.
"I must be gone, I must away:
Consider, Johnny's but half-wise;
Susan, we must take care of him,
If he is hurt in life or limb"--
"Oh God forbid!" poor Susan cries.
"What can I do?" says Betty, going,
"What can I do to ease your pain?
Good Susan tell me, and I'll stay;
I fear you're in a dreadful way,
But I shall soon be back again."
"Nay, Betty, go! good Betty, go!
There's nothing that can ease my pain,"
Then off she hies, but with a prayer
That God poor Susan's life would spare,
Till she comes back again.
So, through the moonlight lane she goes,
And far into the moonlight dale;
And how she ran, and how she walked,
And all that to herself she talked,
Would surely be a tedious tale.
In high and low, above, below,
In great and small, in round and square,
In tree and tower was Johnny seen,
In bush and brake, in black and green;
'Twas Johnny, Johnny, every where.
And while she crossed the bridge, there came
A thought with which her heart is sore--
Johnny perhaps his horse forsook,
To hunt the moon within the brook,
And never will be heard of more.
Now is she high upon the down,
Alone amid a prospect wide;
There's neither Johnny nor his Horse
Among the fern or in the gorse;
There's neither Doctor nor his Guide.
"O saints! what is become of him?
Perhaps he's climbed into an oak,
Where he will stay till he is dead;
Or, sadly he has been misled,
And joined the wandering gipsy-folk.
"Or him that wicked Pony's carried
To the dark cave, the goblin's hall;
Or in the castle he's pursuing
Among the ghosts his own undoing;
Or playing with the waterfall."
At poor old Susan then she railed,
While to the town she posts away;
"If Susan had not been so ill,
Alas! I should have had him still,
My Johnny, till my dying day."
Poor Betty, in this sad distemper,
The Doctor's self could hardly spare:
Unworthy things she talked, and wild;
Even he, of cattle the most mild,
The Pony had his share.
But now she's fairly in the town,
And to the Doctor's door she hies;
'Tis silence all on every side;
The town so long, the town so wide,
Is silent as the skies.
And now she's at the Doctor's door,
She lifts the knocker, rap, rap, rap;
The Doctor at the casement shows
His glimmering eyes that peep and doze!
And one hand rubs his old night-cap.
"O Doctor! Doctor! where's my Johnny?"
"I'm here, what is't you want with me?"
"O Sir! you know I'm Betty Foy,
And I have lost my poor dear Boy,
You know him--him you often see;
"He's not so wise as some folks be:"
"The devil take his wisdom!" said
The Doctor, looking somewhat grim,
"What, Woman! should I know of him?"
And, grumbling, he went back to bed!
"O woe is me! O woe is me!
Here will I die, here will I die;
I thought to find my lost one here,
But he is neither far nor near,
Oh! what a wretched Mother I!"
She stops, she stands, she looks about;
Which way to turn she cannot tell.
Poor Betty! it would ease her pain
If she had heart to knock again;
--The clock strikes three--a dismal knell!
Then up along the town she hies,
No wonder if her senses fail;
This piteous news so much it shocked her,
She quite forgot to send the Doctor,
To comfort poor old Susan Gale.
And now she's high upon the down,
And she can see a mile of road:
"O cruel! I'm almost threescore;
Such night as this was ne'er before,
There's not a single soul abroad."
She listens, but she cannot hear
The foot of horse, the voice of man;
The streams with softest sound are flowing,
The grass you almost hear it growing,
You hear it now, if e'er you can.
The owlets through the long blue night
Are shouting to each other still:
Fond lovers! yet not quite hob nob,
They lengthen out the tremulous sob,
That echoes far from hill to hill.
Poor Betty now has lost all hope,
Her thoughts are bent on deadly sin,
A green-grown pond she just has past,
And from the brink she hurries fast,
Lest she should drown herself therein.
And now she sits her down and weeps;
Such tears she never shed before;
"Oh dear, dear Pony! my sweet joy!
Oh carry back my Idiot Boy!
And we will ne'er o'erload thee more."
A thought is come into her head:
The Pony he is mild and good,
And we have always used him well;
Perhaps he's gone along the dell,
And carried Johnny to the wood.
Then up she springs as if on wings;
She thinks no more of deadly sin;
If Betty fifty ponds should see,
The last of all her thoughts would be
To drown herself therein.
O Reader! now that I might tell
What Johnny and his Horse are doing
What they've been doing all this time,
Oh could I put it into rhyme,
A most delightful tale pursuing!
Perhaps, and no unlikely thought!
He with his Pony now doth roam
The cliffs and peaks so high that are,
To lay his hands upon a star,
And in his pocket bring it home.
Perhaps he's turned himself about,
His face unto his horse's tail,
And, still and mute, in wonder lost,
All silent as a horseman-ghost,
He travels slowly down the vale.
And now, perhaps, is hunting sheep,
A fierce and dreadful hunter he;
Yon valley, now so trim and green,
In five months' time, should he be seen,
A desert wilderness will be!
Perhaps, with head and heels on fire,
And like the very soul of evil,
He's galloping away, away,
And so will gallop on for aye,
The bane of all that dread the devil!
I to the Muses have been bound
These fourteen years, by strong indentures:
O gentle Muses! let me tell
But half of what to him befell;
He surely met with strange adventures.
O gentle Muses! is this kind?
Why will ye thus my suit repel?
Why of your further aid bereave me?
And can ye thus unfriended leave me
Ye Muses! whom I love so well?
Who's yon, that, near the waterfall,
Which thunders down with headlong force,
Beneath the moon, yet shining fair,
As careless as if nothing were,
Sits upright on a feeding horse?
Unto his horse--there feeding free,
He seems, I think, the rein to give;
Of moon or stars he takes no heed;
Of such we in romances read:
--'Tis Johnny! Johnny! as I live.
And that's the very Pony, too!
Where is she, where is Betty Foy?
She hardly can sustain her fears;
The roaring waterfall she hears,
And cannot find her Idiot Boy.
Your Pony's worth his weight in gold:
Then calm your terrors, Betty Foy!
She's coming from among the trees,
And now all full in view she sees
Him whom she loves, her Idiot Boy.
And Betty sees the Pony too:
Why stand you thus, good Betty Foy?
It is no goblin, 'tis no ghost,
'Tis he whom you so long have lost,
He whom you love, your Idiot Boy.
She looks again--her arms are up--
She screams--she cannot move for joy;
She darts, as with a torrent's force,
She almost has o'erturned the Horse,
And fast she holds her Idiot Boy.
And Johnny burrs, and laughs aloud;
Whether in cunning or in joy
I cannot tell; but while he laughs,
Betty a drunken pleasure quaffs
To hear again her Idiot Boy.
And now she's at the Pony's tail,
And now is at the Pony's head,--
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed.
She kisses o'er and o'er again
Him whom she loves, her Idiot Boy;
She's happy here, is happy there,
She is uneasy every where;
Her limbs are all alive with joy.
She pats the Pony, where or when
She knows not, happy Betty Foy!
The little Pony glad may be,
But he is milder far than she,
You hardly can perceive his joy.
"Oh! Johnny, never mind the Doctor;
You've done your best, and that is all:"
She took the reins, when this was said,
And gently turned the Pony's head
From the loud waterfall.
By this the stars were almost gone,
The moon was setting on the hill,
So pale you scarcely looked at her:
The little birds began to stir,
Though yet their tongues were still.
The Pony, Betty, and her Boy,
Wind slowly through the woody dale;
And who is she, betimes abroad,
That hobbles up the steep rough road?
Who is it, but old Susan Gale?
Long time lay Susan lost in thought;
And many dreadful fears beset her,
Both for her Messenger and Nurse;
And, as her mind grew worse and worse,
Her body--it grew better.
She turned, she tossed herself in bed,
On all sides doubts and terrors met her;
Point after point did she discuss;
And, while her mind was fighting thus,
Her body still grew better.
"Alas! what is become of them?
These fears can never be endured;
I'll to the wood."--The word scarce said,
Did Susan rise up from her bed,
As if by magic cured.
Away she goes up hill and down,
And to the wood at length is come;
She spies her Friends, she shouts a greeting;
Oh me! it is a merry meeting
As ever was in Christendom.
The owls have hardly sung their last,
While our four travellers homeward wend;
The owls have hooted all night long,
And with the owls began my song,
And with the owls must end.
For while they all were travelling home,
Cried Betty, "Tell us, Johnny, do,
Where all this long night you have been,
What you have heard, what you have seen:
And, Johnny, mind you tell us true."
Now Johnny all night long had heard
The owls in tuneful concert strive;
No doubt too he the moon had seen;
For in the moonlight he had been
From eight o'clock till five.
And thus, to Betty's question, he
Made answer, like a traveller bold,
(His very words I give to you,)
"The cocks did crow to-whoo, to-whoo,
And the sun did shine so cold!"
--Thus answered Johnny in his glory,
And that was all his travel's story,
238
William Wordsworth
A Wren's Nest
A Wren's Nest
AMONG the dwellings framed by birds
In field or forest with nice care,
Is none that with the little Wren's
In snugness may compare.
No door the tenement requires,
And seldom needs a laboured roof;
Yet is it to the fiercest sun
Impervious, and storm-proof.
So warm, so beautiful withal,
In perfect fitness for its aim,
That to the Kind by special grace
Their instinct surely came.
And when for their abodes they seek
An opportune recess,
The hermit has no finer eye
For shadowy quietness.
These find, 'mid ivied abbey-walls,
A canopy in some still nook;
Others are pent-housed by a brae
That overhangs a brook.
There to the brooding bird her mate
Warbles by fits his low clear song;
And by the busy streamlet both
Are sung to all day long.
Or in sequestered lanes they build,
Where, till the flitting bird's return,
Her eggs within the nest repose,
Like relics in an urn.
But still, where general choice is good,
There is a better and a best;
And, among fairest objects, some
Are fairer than the rest;
This, one of those small builders proved
In a green covert, where, from out
The forehead of a pollard oak,
The leafy antlers sprout;
For She who planned the mossy lodge,
Mistrusting her evasive skill,
Had to a Primrose looked for aid
Her wishes to fulfill.
High on the trunk's projecting brow,
And fixed an infant's span above
The budding flowers, peeped forth the nest
The prettiest of the grove!
The treasure proudly did I show
To some whose minds without disdain
Can turn to little things; but once
Looked up for it in vain:
'Tis gone---a ruthless spoiler's prey,
Who heeds not beauty, love, or song,
'Tis gone! (so seemed it) and we grieved
Indignant at the wrong.
Just three days after, passing by
In clearer light the moss-built cell
I saw, espied its shaded mouth;
And felt that all was well.
The Primrose for a veil had spread
The largest of her upright leaves;
And thus, for purposes benign,
A simple flower deceives.
Concealed from friends who might disturb
Thy quiet with no ill intent,
Secure from evil eyes and hands
On barbarous plunder bent,
Rest, Mother-bird! and when thy young
Take flight, and thou art free to roam,
When withered is the guardian Flower,
And empty thy late home,
Think how ye prospered, thou and thine,
Amid the unviolated grove
Housed near the growing Primrose-tuft
In foresight, or in love.
AMONG the dwellings framed by birds
In field or forest with nice care,
Is none that with the little Wren's
In snugness may compare.
No door the tenement requires,
And seldom needs a laboured roof;
Yet is it to the fiercest sun
Impervious, and storm-proof.
So warm, so beautiful withal,
In perfect fitness for its aim,
That to the Kind by special grace
Their instinct surely came.
And when for their abodes they seek
An opportune recess,
The hermit has no finer eye
For shadowy quietness.
These find, 'mid ivied abbey-walls,
A canopy in some still nook;
Others are pent-housed by a brae
That overhangs a brook.
There to the brooding bird her mate
Warbles by fits his low clear song;
And by the busy streamlet both
Are sung to all day long.
Or in sequestered lanes they build,
Where, till the flitting bird's return,
Her eggs within the nest repose,
Like relics in an urn.
But still, where general choice is good,
There is a better and a best;
And, among fairest objects, some
Are fairer than the rest;
This, one of those small builders proved
In a green covert, where, from out
The forehead of a pollard oak,
The leafy antlers sprout;
For She who planned the mossy lodge,
Mistrusting her evasive skill,
Had to a Primrose looked for aid
Her wishes to fulfill.
High on the trunk's projecting brow,
And fixed an infant's span above
The budding flowers, peeped forth the nest
The prettiest of the grove!
The treasure proudly did I show
To some whose minds without disdain
Can turn to little things; but once
Looked up for it in vain:
'Tis gone---a ruthless spoiler's prey,
Who heeds not beauty, love, or song,
'Tis gone! (so seemed it) and we grieved
Indignant at the wrong.
Just three days after, passing by
In clearer light the moss-built cell
I saw, espied its shaded mouth;
And felt that all was well.
The Primrose for a veil had spread
The largest of her upright leaves;
And thus, for purposes benign,
A simple flower deceives.
Concealed from friends who might disturb
Thy quiet with no ill intent,
Secure from evil eyes and hands
On barbarous plunder bent,
Rest, Mother-bird! and when thy young
Take flight, and thou art free to roam,
When withered is the guardian Flower,
And empty thy late home,
Think how ye prospered, thou and thine,
Amid the unviolated grove
Housed near the growing Primrose-tuft
In foresight, or in love.
263
William Shakespeare
Sonnet XIII
Sonnet XIII
O, that you were yourself! but, love, you are
No longer yours than you yourself here live:
Against this coming end you should prepare,
And your sweet semblance to some other give.
So should that beauty which you hold in lease
Find no determination: then you were
Yourself again after yourself's decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold
Against the stormy gusts of winter's day
And barren rage of death's eternal cold?
O, none but unthrifts! Dear my love, you know
You had a father: let your son say so.
O, that you were yourself! but, love, you are
No longer yours than you yourself here live:
Against this coming end you should prepare,
And your sweet semblance to some other give.
So should that beauty which you hold in lease
Find no determination: then you were
Yourself again after yourself's decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold
Against the stormy gusts of winter's day
And barren rage of death's eternal cold?
O, none but unthrifts! Dear my love, you know
You had a father: let your son say so.
290
William Shakespeare
Sonnet VI
Sonnet VI
Then let not winter's ragged hand deface
In thee thy summer, ere thou be distill'd:
Make sweet some vial; treasure thou some place
With beauty's treasure, ere it be self-kill'd.
That use is not forbidden usury,
Which happies those that pay the willing loan;
That's for thyself to breed another thee,
Or ten times happier, be it ten for one;
Ten times thyself were happier than thou art,
If ten of thine ten times refigured thee:
Then what could death do, if thou shouldst depart,
Leaving thee living in posterity?
Be not self-will'd, for thou art much too fair
To be death's conquest and make worms thine heir.
Then let not winter's ragged hand deface
In thee thy summer, ere thou be distill'd:
Make sweet some vial; treasure thou some place
With beauty's treasure, ere it be self-kill'd.
That use is not forbidden usury,
Which happies those that pay the willing loan;
That's for thyself to breed another thee,
Or ten times happier, be it ten for one;
Ten times thyself were happier than thou art,
If ten of thine ten times refigured thee:
Then what could death do, if thou shouldst depart,
Leaving thee living in posterity?
Be not self-will'd, for thou art much too fair
To be death's conquest and make worms thine heir.
223
William Shakespeare
Sonnet II: When Forty Winters Shall Besiege Thy Brow
Sonnet II: When Forty Winters Shall Besiege Thy Brow
When forty winters shall besiege thy brow,
And dig deep trenches in thy beauty's field,
Thy youth's proud livery, so gazed on now,
Will be a tatter'd weed, of small worth held:
Then being ask'd where all thy beauty lies,
Where all the treasure of thy lusty days,
To say, within thine own deep-sunken eyes,
Were an all-eating shame and thriftless praise.
How much more praise deserved thy beauty's use,
If thou couldst answer 'This fair child of mine
Shall sum my count and make my old excuse,'
Proving his beauty by succession thine!
This were to be new made when thou art old,
And see thy blood warm when thou feel'st it cold.
When forty winters shall besiege thy brow,
And dig deep trenches in thy beauty's field,
Thy youth's proud livery, so gazed on now,
Will be a tatter'd weed, of small worth held:
Then being ask'd where all thy beauty lies,
Where all the treasure of thy lusty days,
To say, within thine own deep-sunken eyes,
Were an all-eating shame and thriftless praise.
How much more praise deserved thy beauty's use,
If thou couldst answer 'This fair child of mine
Shall sum my count and make my old excuse,'
Proving his beauty by succession thine!
This were to be new made when thou art old,
And see thy blood warm when thou feel'st it cold.
299
James Whitcomb Riley
George Mullen's Confession
George Mullen's Confession
For the sake of guilty conscience, and the heart that ticks the
time
Of the clockworks of my nature, I desire to say that I'm
A weak and sinful creature, as regards my daily walk
The last five years and better. It ain't worth while to talk-
I've been too mean to tell it! I've been so hard, you see,
And full of pride, and--onry--now there's the word for me--
Just onry--and to show you, I'll give my history
With vital points in question, and I think you'll all agree.
I was always stiff and stubborn since I could recollect,
And had an awful temper, and never would reflect;
And always into trouble--I remember once at school
The teacher tried to flog me, and I reversed that rule.
O I was bad I tell you! And it's a funny move
That a fellow wild as I was could ever fall in love;
And it's a funny notion that an animal like me,
Under a girl's weak fingers was as tame as tame could be!
But it's so, and sets me thinking of the easy way she had
Of cooling down my temper--though I'd be fighting mad.
'My Lion Queen' I called her--when a spell of mine occurred
She'd come in a den of feelings and quell them with a word.
I'll tell you how she loved me--and what her people thought:
When I asked to marry Annie they said 'they reckoned not--
That I cut too many didoes and monkey-shines to suit
Their idea of a son-in-law, and I could go, to boot!'
I tell you that thing riled me! Why, I felt my face turn white,
And my teeth shut like a steel trap, and the fingers of my right
Hand pained me with their pressure--all the rest's a mystery
Till I heard my Annie saying--'I'm going, too, you see.'
We were coming through the gateway, and she wavered for a spell
When she heard her mother crying and her raving father yell
That she wa'n't no child of his'n--like an actor in a play
We saw at Independence, coming through the other day.
Well! that's the way we started. And for days and weeks and
months
And even years we journeyed on, regretting never once
Of starting out together upon the path of life--
Akind o' sort o' husband, but a mighty loving wife,--
And the cutest little baby--little Grace--I see her now
A-standin' on the pig-pen as her mother milked the cow--
And I can hear her shouting--as I stood unloading straw,-'
I'm ain't as big as papa, but I'm biggerest'n ma.'
Now folks that never married don't seem to understand
That a little baby's language is the sweetest ever planned--
Why, I tell you it's pure music, and I'll just go on to say
That I sometimes have a notion that the angels talk that way!
There's a chapter in this story I'd be happy to destroy;
I could burn it up before you with a mighty sight of joy;
But I'll go ahead and give it--not in detail, no, my friend,
For it takes five years of reading before you find the end.
My Annie's folks relented--at least, in some degree;
They sent one time for Annie, but they didn't send for me.
The old man wrote the message with a heart as hot and dry
As a furnace--'Annie Mullen, come and see your mother die.'
I saw the slur intended--why I fancied I could see
The old man shoot the insult like a poison dart at me;
And in that heat of passion I swore an inward oath
That if Annie pleased her father she could never please us both.
I watched her--dark and sullen--as she hurried on her shawl;
I watched her--calm and cruel, though I saw her tear-drops fall;
I watched her--cold and heartless, though I heard her moaning,
call
For mercy from high Heaven--and I smiled throughout it all.
Why even when she kissed me, and her tears were on my brow,
As she murmured, 'George, forgive me--I must go to mother now!'
Such hate there was within me that I answered not at all,
But calm, and cold and cruel, I smiled throughout it all.
But a shadow in the doorway caught my eye, and then the face
Full of innocence and sunshine of little baby Grace.
And I snatched her up and kissed her, and I softened through and
through
For a minute when she told me 'I must kiss her muvver too.'
I remember, at the starting, how I tried to freeze again
As I watched them slowly driving down the little crooked lane--
When Annie shouted something that ended in a cry,
And how I tried to whistle and it fizzled in a sigh.
I remember running after, with a glimmer in my sight--
Pretending I'd discovered that the traces wasn't right;
And the last that I remember, as they disappeared from view,
Was little Grace a-calling, 'I see papa! Howdy-do!'
And left alone to ponder, I again took up my hate
For the old man who would chuckle that I was desolate;
And I mouthed my wrongs in mutters till my pride called up the
pain
His last insult had given me--until I smiled again
Till the wild beast in my nature was raging in the den--
With no one now to quell it, and I wrote a letter then
Full of hissing things, and heated with so hot a heat of hate
That my pen flashed out black lightning at a most terrific rate.
I wrote that 'she had wronged me when she went away from me--
Though to see her dying mother 'twas her father's victory,
And a woman that could waver when her husband's pride was rent
Was no longer worthy of it.' And I shut the house and went.
To tell of my long exile would be of little good--
Though I couldn't half-way tell it, and I wouldn't if I could!
I could tell of California--of a wild and vicious life;
Of trackless plains, and mountains, and the Indian's
scalping-knife.
I could tell of gloomy forests howling wild with threats of
death;
I could tell of fiery deserts that have scorched me with their
breath;
I could tell of wretched outcasts by the hundreds, great and
small,
And could claim the nasty honor of the greatest of them all.
I could tell of toil and hardship; and of sickness and disease,
And hollow-eyed starvation, but I tell you, friend, that these
Are trifles in comparison with what a fellow feels
With that bloodhound, Remorsefulness, forever at his heels.
I remember--worn and weary of the long, long years of care,
When the frost of time was making early harvest of my hair--
I remember, wrecked and hopeless of a rest beneath the sky,
My resolve to quit the country, and to seek the East, and die.
I remember my long journey, like a dull, oppressive dream,
Across the empty prairies till I caught the distant gleam
Of a city in the beauty of its broad and shining stream
On whose bosom, flocked together, float the mighty swans of
steam.
I remember drifting with them till I found myself again
In the rush and roar and rattle of the engine and the train;
And when from my surroundings something spoke of child and wife,
It seemed the train was rumbling through a tunnel in my life.
Then I remember something--like a sudden burst of light--
That don't exactly tell it, but I couldn't tell it right--
A something clinging to me with its arms around my neck--
A little girl, for instance--or an angel, I expect--
For she kissed me, cried and called me 'her dear papa,' and I
felt
My heart was pure virgin gold, and just about to melt--
And so it did--it melted in a mist of gleaming rain
When she took my hand and whispered, 'My mama's on the train.'
There's some things I can dwell on, and get off pretty well,
But the balance of this story I know I couldn't tell;
So I ain't going to try it, for to tell the reason why-I'm
so chicken-hearted lately I'd be certain 'most to cry.
For the sake of guilty conscience, and the heart that ticks the
time
Of the clockworks of my nature, I desire to say that I'm
A weak and sinful creature, as regards my daily walk
The last five years and better. It ain't worth while to talk-
I've been too mean to tell it! I've been so hard, you see,
And full of pride, and--onry--now there's the word for me--
Just onry--and to show you, I'll give my history
With vital points in question, and I think you'll all agree.
I was always stiff and stubborn since I could recollect,
And had an awful temper, and never would reflect;
And always into trouble--I remember once at school
The teacher tried to flog me, and I reversed that rule.
O I was bad I tell you! And it's a funny move
That a fellow wild as I was could ever fall in love;
And it's a funny notion that an animal like me,
Under a girl's weak fingers was as tame as tame could be!
But it's so, and sets me thinking of the easy way she had
Of cooling down my temper--though I'd be fighting mad.
'My Lion Queen' I called her--when a spell of mine occurred
She'd come in a den of feelings and quell them with a word.
I'll tell you how she loved me--and what her people thought:
When I asked to marry Annie they said 'they reckoned not--
That I cut too many didoes and monkey-shines to suit
Their idea of a son-in-law, and I could go, to boot!'
I tell you that thing riled me! Why, I felt my face turn white,
And my teeth shut like a steel trap, and the fingers of my right
Hand pained me with their pressure--all the rest's a mystery
Till I heard my Annie saying--'I'm going, too, you see.'
We were coming through the gateway, and she wavered for a spell
When she heard her mother crying and her raving father yell
That she wa'n't no child of his'n--like an actor in a play
We saw at Independence, coming through the other day.
Well! that's the way we started. And for days and weeks and
months
And even years we journeyed on, regretting never once
Of starting out together upon the path of life--
Akind o' sort o' husband, but a mighty loving wife,--
And the cutest little baby--little Grace--I see her now
A-standin' on the pig-pen as her mother milked the cow--
And I can hear her shouting--as I stood unloading straw,-'
I'm ain't as big as papa, but I'm biggerest'n ma.'
Now folks that never married don't seem to understand
That a little baby's language is the sweetest ever planned--
Why, I tell you it's pure music, and I'll just go on to say
That I sometimes have a notion that the angels talk that way!
There's a chapter in this story I'd be happy to destroy;
I could burn it up before you with a mighty sight of joy;
But I'll go ahead and give it--not in detail, no, my friend,
For it takes five years of reading before you find the end.
My Annie's folks relented--at least, in some degree;
They sent one time for Annie, but they didn't send for me.
The old man wrote the message with a heart as hot and dry
As a furnace--'Annie Mullen, come and see your mother die.'
I saw the slur intended--why I fancied I could see
The old man shoot the insult like a poison dart at me;
And in that heat of passion I swore an inward oath
That if Annie pleased her father she could never please us both.
I watched her--dark and sullen--as she hurried on her shawl;
I watched her--calm and cruel, though I saw her tear-drops fall;
I watched her--cold and heartless, though I heard her moaning,
call
For mercy from high Heaven--and I smiled throughout it all.
Why even when she kissed me, and her tears were on my brow,
As she murmured, 'George, forgive me--I must go to mother now!'
Such hate there was within me that I answered not at all,
But calm, and cold and cruel, I smiled throughout it all.
But a shadow in the doorway caught my eye, and then the face
Full of innocence and sunshine of little baby Grace.
And I snatched her up and kissed her, and I softened through and
through
For a minute when she told me 'I must kiss her muvver too.'
I remember, at the starting, how I tried to freeze again
As I watched them slowly driving down the little crooked lane--
When Annie shouted something that ended in a cry,
And how I tried to whistle and it fizzled in a sigh.
I remember running after, with a glimmer in my sight--
Pretending I'd discovered that the traces wasn't right;
And the last that I remember, as they disappeared from view,
Was little Grace a-calling, 'I see papa! Howdy-do!'
And left alone to ponder, I again took up my hate
For the old man who would chuckle that I was desolate;
And I mouthed my wrongs in mutters till my pride called up the
pain
His last insult had given me--until I smiled again
Till the wild beast in my nature was raging in the den--
With no one now to quell it, and I wrote a letter then
Full of hissing things, and heated with so hot a heat of hate
That my pen flashed out black lightning at a most terrific rate.
I wrote that 'she had wronged me when she went away from me--
Though to see her dying mother 'twas her father's victory,
And a woman that could waver when her husband's pride was rent
Was no longer worthy of it.' And I shut the house and went.
To tell of my long exile would be of little good--
Though I couldn't half-way tell it, and I wouldn't if I could!
I could tell of California--of a wild and vicious life;
Of trackless plains, and mountains, and the Indian's
scalping-knife.
I could tell of gloomy forests howling wild with threats of
death;
I could tell of fiery deserts that have scorched me with their
breath;
I could tell of wretched outcasts by the hundreds, great and
small,
And could claim the nasty honor of the greatest of them all.
I could tell of toil and hardship; and of sickness and disease,
And hollow-eyed starvation, but I tell you, friend, that these
Are trifles in comparison with what a fellow feels
With that bloodhound, Remorsefulness, forever at his heels.
I remember--worn and weary of the long, long years of care,
When the frost of time was making early harvest of my hair--
I remember, wrecked and hopeless of a rest beneath the sky,
My resolve to quit the country, and to seek the East, and die.
I remember my long journey, like a dull, oppressive dream,
Across the empty prairies till I caught the distant gleam
Of a city in the beauty of its broad and shining stream
On whose bosom, flocked together, float the mighty swans of
steam.
I remember drifting with them till I found myself again
In the rush and roar and rattle of the engine and the train;
And when from my surroundings something spoke of child and wife,
It seemed the train was rumbling through a tunnel in my life.
Then I remember something--like a sudden burst of light--
That don't exactly tell it, but I couldn't tell it right--
A something clinging to me with its arms around my neck--
A little girl, for instance--or an angel, I expect--
For she kissed me, cried and called me 'her dear papa,' and I
felt
My heart was pure virgin gold, and just about to melt--
And so it did--it melted in a mist of gleaming rain
When she took my hand and whispered, 'My mama's on the train.'
There's some things I can dwell on, and get off pretty well,
But the balance of this story I know I couldn't tell;
So I ain't going to try it, for to tell the reason why-I'm
so chicken-hearted lately I'd be certain 'most to cry.
310
James Whitcomb Riley
Dot Leedle Boy
Dot Leedle Boy
Ot's a leedle Gristmas story
Dot I told der leedle folks--
Und I vant you stop dot laughin'
Und grackin' funny jokes!--
So help me Peter-Moses!
Ot's no time for monkey-shine,
Ober I vast told you somedings
Of dot leedle boy of mine!
Ot vas von cold Vinter vedder,
Ven der snow vas all about--
Dot you have to chop der hatchet
Eef you got der sauerkraut!
Und der cheekens on der hind leg
Vas standin' in der shine
Der sun shmile out dot morning
On dot leedle boy of mine.
He vas yoost a leedle baby
Not bigger as a doll
Dot time I got acquaintet--
Ach! you ought to heard 'im squall!--
I grackys! dot's der moosic
Ot make me feel so fine
Ven first I vas been marriet--
Oh, dot leedle boy of mine!
He look yoost like his fader!--
So, ven der vimmen said,
'Vot a purty leedle baby!'
Katrina shake der head. . . .
I dink she must 'a' notice
Dot der baby vas a-gryin',
Und she cover up der blankets
Of dot leedle boy of mine.
Vel, ven he vas got bigger,
Dot he grawl und bump his nose,
Und make der table over,
Und molasses on his glothes--
Dot make 'im all der sveeter,--
So I say to my Katrine,
'Better you vas quit a-shpankin'
Dot leedle boy of mine!'
No more he vas older
As about a dozen months
He speak der English language
Und der German--bote at vonce!
Und he dringk his glass of lager
Like a Londsman fon der Rhine--
Und I klingk my glass togeder
Mit dot leedle boy of mine!
I vish you could 'a' seen id--
Ven he glimb up on der chair
Und shmash der lookin'-glasses
Ven he try to comb his hair
Mit a hammer!--Und Katrina
Say, 'Dot's an ugly sign!'
But I laugh und vink my fingers
At dot leedle boy of mine.
But vonce, dot Vinter morning,
He shlip out in der snow
Mitout no stockin's on 'im.--
He say he 'vant to go
Und fly some mit der birdies!'
Und ve give 'im medi-cine
Ven he catch der 'parrygoric'--
Dot leedle boy of mine!
Und so I set und nurse 'im,
Vile der Gristmas vas come roun',
Und I told 'im 'bout 'Kriss Kringle,'
How he come der chimbly down:
Und I ask 'im eef he love 'im
Eef he bring 'im someding fine?
'Nicht besser as mein fader,'
Say dot leedle boy of mine.--
Und he put his arms aroun' me
Und hug so close und tight,
I hear der gclock a-tickin'
All der balance of der night! . . .
Someding make me feel so funny
Ven I say to my Katrine,
'Let us go und fill der stockin's
Of dot leedle boy of mine.'
Vell.--Ve buyed a leedle horses
Dot you pull 'im mit a shtring,
Und a leedle fancy jay-bird--
Eef you vant to hear 'im sing
You took 'im by der topknot
Und yoost blow in behine--
Und dot make much spectakel
For dot leedle boy of mine!
Und gandies, nuts und raizens--
Und I buy a leedle drum
Dot I vant to hear 'im rattle
Ven der Gristmas morning come!
Und a leedle shmall tin rooster
Dot vould crow so loud und fine
Ven he sqveeze 'im in der morning,
Dot leedle boy of mine!
Und--vile ve vas a-fixin'--
Dot leedle boy vake out!
I t'ought he been a-dreamin'
'Kriss Kringle' vas about,--
For he say--'DOT'S HIM!--I SEE 'IM
MIT DER SHTARS DOT MAKE DER SHINE!'
Und he yoost keep on a-gryin'--
Dot leedle boy of mine,--
Und gottin' vorse und vorser--
Und tumble on der bed!
So--ven der doctor seen id,
He kindo' shake his head,
Und feel his pulse--und visper,
'Der boy is a-dyin'.'
You dink I could BELIEVE id?--
DOT LEEDLE BOY OF MINE?
I told you, friends--dot's someding,
Der last time dot he speak
Und say, 'GOOT-BY, KRISS KRINGLE!'
--Dot make me feel so veak
I yoost kneel down und drimble,
Und bur-sed out a-gryin',
'MEIN GOTT, MEIN GOTT IN HIMMEL!--
DOT LEEDLE BOY OF MINE!'
. . . . . . . . . .
Der sun don't shine DOT Gristmas!
. . . Eef dot leedle boy vould LIFF'D--
No deefer-en'! for HEAVEN vas
His leedle Gristmas gift!
Und der ROOSTER, und der GANDY,
Und me--und my Katrine--
Und der jay-bird--is awaiting
For dot leedle boy of mine.
Ot's a leedle Gristmas story
Dot I told der leedle folks--
Und I vant you stop dot laughin'
Und grackin' funny jokes!--
So help me Peter-Moses!
Ot's no time for monkey-shine,
Ober I vast told you somedings
Of dot leedle boy of mine!
Ot vas von cold Vinter vedder,
Ven der snow vas all about--
Dot you have to chop der hatchet
Eef you got der sauerkraut!
Und der cheekens on der hind leg
Vas standin' in der shine
Der sun shmile out dot morning
On dot leedle boy of mine.
He vas yoost a leedle baby
Not bigger as a doll
Dot time I got acquaintet--
Ach! you ought to heard 'im squall!--
I grackys! dot's der moosic
Ot make me feel so fine
Ven first I vas been marriet--
Oh, dot leedle boy of mine!
He look yoost like his fader!--
So, ven der vimmen said,
'Vot a purty leedle baby!'
Katrina shake der head. . . .
I dink she must 'a' notice
Dot der baby vas a-gryin',
Und she cover up der blankets
Of dot leedle boy of mine.
Vel, ven he vas got bigger,
Dot he grawl und bump his nose,
Und make der table over,
Und molasses on his glothes--
Dot make 'im all der sveeter,--
So I say to my Katrine,
'Better you vas quit a-shpankin'
Dot leedle boy of mine!'
No more he vas older
As about a dozen months
He speak der English language
Und der German--bote at vonce!
Und he dringk his glass of lager
Like a Londsman fon der Rhine--
Und I klingk my glass togeder
Mit dot leedle boy of mine!
I vish you could 'a' seen id--
Ven he glimb up on der chair
Und shmash der lookin'-glasses
Ven he try to comb his hair
Mit a hammer!--Und Katrina
Say, 'Dot's an ugly sign!'
But I laugh und vink my fingers
At dot leedle boy of mine.
But vonce, dot Vinter morning,
He shlip out in der snow
Mitout no stockin's on 'im.--
He say he 'vant to go
Und fly some mit der birdies!'
Und ve give 'im medi-cine
Ven he catch der 'parrygoric'--
Dot leedle boy of mine!
Und so I set und nurse 'im,
Vile der Gristmas vas come roun',
Und I told 'im 'bout 'Kriss Kringle,'
How he come der chimbly down:
Und I ask 'im eef he love 'im
Eef he bring 'im someding fine?
'Nicht besser as mein fader,'
Say dot leedle boy of mine.--
Und he put his arms aroun' me
Und hug so close und tight,
I hear der gclock a-tickin'
All der balance of der night! . . .
Someding make me feel so funny
Ven I say to my Katrine,
'Let us go und fill der stockin's
Of dot leedle boy of mine.'
Vell.--Ve buyed a leedle horses
Dot you pull 'im mit a shtring,
Und a leedle fancy jay-bird--
Eef you vant to hear 'im sing
You took 'im by der topknot
Und yoost blow in behine--
Und dot make much spectakel
For dot leedle boy of mine!
Und gandies, nuts und raizens--
Und I buy a leedle drum
Dot I vant to hear 'im rattle
Ven der Gristmas morning come!
Und a leedle shmall tin rooster
Dot vould crow so loud und fine
Ven he sqveeze 'im in der morning,
Dot leedle boy of mine!
Und--vile ve vas a-fixin'--
Dot leedle boy vake out!
I t'ought he been a-dreamin'
'Kriss Kringle' vas about,--
For he say--'DOT'S HIM!--I SEE 'IM
MIT DER SHTARS DOT MAKE DER SHINE!'
Und he yoost keep on a-gryin'--
Dot leedle boy of mine,--
Und gottin' vorse und vorser--
Und tumble on der bed!
So--ven der doctor seen id,
He kindo' shake his head,
Und feel his pulse--und visper,
'Der boy is a-dyin'.'
You dink I could BELIEVE id?--
DOT LEEDLE BOY OF MINE?
I told you, friends--dot's someding,
Der last time dot he speak
Und say, 'GOOT-BY, KRISS KRINGLE!'
--Dot make me feel so veak
I yoost kneel down und drimble,
Und bur-sed out a-gryin',
'MEIN GOTT, MEIN GOTT IN HIMMEL!--
DOT LEEDLE BOY OF MINE!'
. . . . . . . . . .
Der sun don't shine DOT Gristmas!
. . . Eef dot leedle boy vould LIFF'D--
No deefer-en'! for HEAVEN vas
His leedle Gristmas gift!
Und der ROOSTER, und der GANDY,
Und me--und my Katrine--
Und der jay-bird--is awaiting
For dot leedle boy of mine.
264
Rudyard Kipling
The Bee-Boy's Song
The Bee-Boy's Song
Bees! Bees! Hark to your bees!
"Hide from your neigbours as much as you please,
But all that has happened, to us you must tell,
Or else we will give you no honey to sell!"
A maiden in her glory,
Upon her wedding - day,
Must tell her Bees the story,
Or else they'll fly away.
Fly away -- die away --
Dwindle down and leave you!
But if you don't deceive your Bees,
Your Bees will not deceive you.
Marriage, birth or buryin',
News across the seas,
All you're sad or merry in,
You must tell the Bees.
Tell 'em coming in an' out,
Where the Fanners fan,
'Cause the Bees are just about
As curious as a man!
Don't you wait where the trees are,
When the lightnings play,
Nor don't you hate where Bees are,
Or else they'll pine away.
Pine away -- dwine away --
Anything to leave you!
But if you never grieve your Bees,
Your Bees'll never grieve you.
Bees! Bees! Hark to your bees!
"Hide from your neigbours as much as you please,
But all that has happened, to us you must tell,
Or else we will give you no honey to sell!"
A maiden in her glory,
Upon her wedding - day,
Must tell her Bees the story,
Or else they'll fly away.
Fly away -- die away --
Dwindle down and leave you!
But if you don't deceive your Bees,
Your Bees will not deceive you.
Marriage, birth or buryin',
News across the seas,
All you're sad or merry in,
You must tell the Bees.
Tell 'em coming in an' out,
Where the Fanners fan,
'Cause the Bees are just about
As curious as a man!
Don't you wait where the trees are,
When the lightnings play,
Nor don't you hate where Bees are,
Or else they'll pine away.
Pine away -- dwine away --
Anything to leave you!
But if you never grieve your Bees,
Your Bees'll never grieve you.
450
James Whitcomb Riley
Dawn, Noon And Dewfall
Dawn, Noon And Dewfall
I.
Dawn, noon and dewfall! Bluebird and robin
Up and at it airly, and the orchard-blossoms bobbin'!
Peekin' from the winder, half-awake, and wishin'
I could go to sleep agin as well as go a-fishin'!
II.
On the apern o' the dam, legs a-danglin' over,
Drowsy-like with sound o' worter and the smell o' clover:
Fish all out a visitin'--'cept some dratted minnor!
Yes, and mill shet down at last and hands is gone to dinner.
III.
Trompin' home acrost the fields: Lightnin'-bugs a-blinkin'
In the wheat like sparks o' things feller keeps a-thinkin':--
Mother waitin' supper, and the childern there to cherr me!
And fiddle on the kitchen-wall a-jist a-eechin' fer me!
I.
Dawn, noon and dewfall! Bluebird and robin
Up and at it airly, and the orchard-blossoms bobbin'!
Peekin' from the winder, half-awake, and wishin'
I could go to sleep agin as well as go a-fishin'!
II.
On the apern o' the dam, legs a-danglin' over,
Drowsy-like with sound o' worter and the smell o' clover:
Fish all out a visitin'--'cept some dratted minnor!
Yes, and mill shet down at last and hands is gone to dinner.
III.
Trompin' home acrost the fields: Lightnin'-bugs a-blinkin'
In the wheat like sparks o' things feller keeps a-thinkin':--
Mother waitin' supper, and the childern there to cherr me!
And fiddle on the kitchen-wall a-jist a-eechin' fer me!
340
James Whitcomb Riley
Back From A Two-years' Sentence
Back From A Two-years' Sentence
Back from a two-years' sentence!
And though it had been ten,
You think, I were scarred no deeper
In the eyes of my fellow-men.
'My fellow-men--?' Sounds like a satire,
You think-- and I so allow,
Here in my home since childhood,
Yet more than a stranger now!
Pardon--! Not wholly a stranger--,
For I have a wife and child:
That woman has wept for two long years,
And yet last night she smiled--!
Smiled, as I leapt from the platform
Of the midnight train, and then--
All that I knew was that smile of hers,
And our babe in my arms again!
Back from a two-years' sentence--
But I've thought the whole thing through--,
A hint of it came when the bars swung back
And I looked straight up in the blue
Of the blessed skies with my hat off!
O-ho! I've a wife and child:
That woman has wept for two long years,
And yet last night she smiled!
Back from a two-years' sentence!
And though it had been ten,
You think, I were scarred no deeper
In the eyes of my fellow-men.
'My fellow-men--?' Sounds like a satire,
You think-- and I so allow,
Here in my home since childhood,
Yet more than a stranger now!
Pardon--! Not wholly a stranger--,
For I have a wife and child:
That woman has wept for two long years,
And yet last night she smiled--!
Smiled, as I leapt from the platform
Of the midnight train, and then--
All that I knew was that smile of hers,
And our babe in my arms again!
Back from a two-years' sentence--
But I've thought the whole thing through--,
A hint of it came when the bars swung back
And I looked straight up in the blue
Of the blessed skies with my hat off!
O-ho! I've a wife and child:
That woman has wept for two long years,
And yet last night she smiled!
245
Rudyard Kipling
Sea-Wife
Sea-Wife
There dwells a wife by the Northern Gate,
And a wealthy wife is she;
She breeds a breed o' rovin' men
And casts them over sea.
And some are drowned in deep water,
And some in sight o' shore,
And word goes back to the weary wife
And ever she sends more.
For since that wife had gate or gear,
Or hearth or garth or bield,
She willed her sons to the white harvest,
And that is a bitter yield.
She wills her sons to the wet ploughing,
To ride the horse of tree,
And syne her sons come back again
Far-spent from out the sea.
The good wife's sons come home again
With little into their hands,
But the lore of men that ha' dealt with men
In the new and naked lands;
But the faith of men that ha' brothered men
By more than easy breath,
And the eyes o' men that ha' read wi' men
In the open books of death.
Rich are they, rich in wonders seen,
But poor in the goods o' men;
So what they ha' got by the skin o' their teeth
They sell for their teeth again.
For whether they lose to the naked life
Or win to their hearts' desire,
They tell it all to the weary wife
That nods beside the fire.
Her hearth is wide to every wind
That makes the white ash spin;
And tide and tide and 'tween the tides
Her sons go out and in;
(Out with great mirth that do desire
Hazard of trackless ways,
In with content to wait their watch
And warm before the blaze);
And some return by failing light,
And some in waking dream,
For she hears the heels of the dripping ghosts
That ride the rough roof-beam.
Home, they come home from all the ports,
The living and the dead;
The good wife's sons come home again
For her blessing on their head!
There dwells a wife by the Northern Gate,
And a wealthy wife is she;
She breeds a breed o' rovin' men
And casts them over sea.
And some are drowned in deep water,
And some in sight o' shore,
And word goes back to the weary wife
And ever she sends more.
For since that wife had gate or gear,
Or hearth or garth or bield,
She willed her sons to the white harvest,
And that is a bitter yield.
She wills her sons to the wet ploughing,
To ride the horse of tree,
And syne her sons come back again
Far-spent from out the sea.
The good wife's sons come home again
With little into their hands,
But the lore of men that ha' dealt with men
In the new and naked lands;
But the faith of men that ha' brothered men
By more than easy breath,
And the eyes o' men that ha' read wi' men
In the open books of death.
Rich are they, rich in wonders seen,
But poor in the goods o' men;
So what they ha' got by the skin o' their teeth
They sell for their teeth again.
For whether they lose to the naked life
Or win to their hearts' desire,
They tell it all to the weary wife
That nods beside the fire.
Her hearth is wide to every wind
That makes the white ash spin;
And tide and tide and 'tween the tides
Her sons go out and in;
(Out with great mirth that do desire
Hazard of trackless ways,
In with content to wait their watch
And warm before the blaze);
And some return by failing light,
And some in waking dream,
For she hears the heels of the dripping ghosts
That ride the rough roof-beam.
Home, they come home from all the ports,
The living and the dead;
The good wife's sons come home again
For her blessing on their head!
453
James Whitcomb Riley
A Tale Of The Airly Days
A Tale Of The Airly Days
Oh! tell me a tale of the airly days--
Of the times as they ust to be;
'Piller of Fi-er' and 'Shakespeare's Plays'
Is a' most too deep fer me!
I want plane facts, and I want plane words,
Of the good old-fashioned ways,
When speech run free as the songs of birds
'Way back in the airly days.
Tell me a tale of the timber-lands--
Of the old-time pioneers;
Somepin' a pore man understands
With his feelins's well as ears.
Tell of the old log house,--about
The loft, and the puncheon flore--
The old fi-er-place, with the crane swung out,
And the latch-string thrugh the door.
Tell of the things jest as they was--
They don't need no excuse!-Don't
tech 'em up like the poets does,
Tel theyr all too fine fer use!--
Say they was 'leven in the fambily--
Two beds, and the chist, below,
And the trundle-beds that each helt three,
And the clock and the old bureau.
Then blow the horn at the old back-door
Tel the echoes all halloo,
And the childern gethers home onc't more,
Jest as they ust to do:
Blow fer Pap tel he hears and comes,
With Tomps and Elias, too,
A-marchin' home, with the fife and drums
And the old Red White and Blue!
Blow and blow tel the sound draps low
As the moan of the whipperwill,
And wake up Mother, and Ruth and Jo,
All sleepin' at Bethel Hill:
Blow and call tel the faces all
Shine out in the back-log's blaze,
And the shadders dance on the old hewed wall
As they did in the airly days.
Oh! tell me a tale of the airly days--
Of the times as they ust to be;
'Piller of Fi-er' and 'Shakespeare's Plays'
Is a' most too deep fer me!
I want plane facts, and I want plane words,
Of the good old-fashioned ways,
When speech run free as the songs of birds
'Way back in the airly days.
Tell me a tale of the timber-lands--
Of the old-time pioneers;
Somepin' a pore man understands
With his feelins's well as ears.
Tell of the old log house,--about
The loft, and the puncheon flore--
The old fi-er-place, with the crane swung out,
And the latch-string thrugh the door.
Tell of the things jest as they was--
They don't need no excuse!-Don't
tech 'em up like the poets does,
Tel theyr all too fine fer use!--
Say they was 'leven in the fambily--
Two beds, and the chist, below,
And the trundle-beds that each helt three,
And the clock and the old bureau.
Then blow the horn at the old back-door
Tel the echoes all halloo,
And the childern gethers home onc't more,
Jest as they ust to do:
Blow fer Pap tel he hears and comes,
With Tomps and Elias, too,
A-marchin' home, with the fife and drums
And the old Red White and Blue!
Blow and blow tel the sound draps low
As the moan of the whipperwill,
And wake up Mother, and Ruth and Jo,
All sleepin' at Bethel Hill:
Blow and call tel the faces all
Shine out in the back-log's blaze,
And the shadders dance on the old hewed wall
As they did in the airly days.
285
James Whitcomb Riley
A Prospective Visit
A Prospective Visit
While _any_ day was notable and dear
That gave the children Noey, history here
Records his advent emphasized indeed
With sharp italics, as he came to feed
The stock one special morning, fair and bright,
When Johnty and Bud met him, with delight
Unusual even as their extra dress--
Garbed as for holiday, with much excess
Of proud self-consciousness and vain conceit
In their new finery.--Far up the street
They called to Noey, as he came, that they,
As promised, both were going back that day
To _his_ house with him!
And by time that each
Had one of Noey's hands--ceasing their speech
And coyly anxious, in their new attire,
To wake the comment of their mute desire,--
Noey seemed rendered voiceless. Quite a while
They watched him furtively.--He seemed to smile
As though he would conceal it; and they saw
Him look away, and his lips purse and draw
In curious, twitching spasms, as though he might
Be whispering,--while in his eye the white
Predominated strangely.--Then the spell
Gave way, and his pent speech burst audible:
'They wuz two stylish little boys,
and they wuz mighty bold ones,
Had two new pairs o' britches made
out o' their daddy's old ones!'
And at the inspirational outbreak,
Both joker and his victims seemed to take
An equal share of laughter,--and all through
Their morning visit kept recurring to
The funny words and jingle of the rhyme
That just kept getting funnier all the time.
While _any_ day was notable and dear
That gave the children Noey, history here
Records his advent emphasized indeed
With sharp italics, as he came to feed
The stock one special morning, fair and bright,
When Johnty and Bud met him, with delight
Unusual even as their extra dress--
Garbed as for holiday, with much excess
Of proud self-consciousness and vain conceit
In their new finery.--Far up the street
They called to Noey, as he came, that they,
As promised, both were going back that day
To _his_ house with him!
And by time that each
Had one of Noey's hands--ceasing their speech
And coyly anxious, in their new attire,
To wake the comment of their mute desire,--
Noey seemed rendered voiceless. Quite a while
They watched him furtively.--He seemed to smile
As though he would conceal it; and they saw
Him look away, and his lips purse and draw
In curious, twitching spasms, as though he might
Be whispering,--while in his eye the white
Predominated strangely.--Then the spell
Gave way, and his pent speech burst audible:
'They wuz two stylish little boys,
and they wuz mighty bold ones,
Had two new pairs o' britches made
out o' their daddy's old ones!'
And at the inspirational outbreak,
Both joker and his victims seemed to take
An equal share of laughter,--and all through
Their morning visit kept recurring to
The funny words and jingle of the rhyme
That just kept getting funnier all the time.
241
James Whitcomb Riley
A Parent Reprimanded
A Parent Reprimanded
Sometimes I think 'at Parents does
Things ist about as bad as _us_--
Wite 'fore our vurry eyes, at that!
Fer one time Pa he scold' my Ma
'Cause he can't find his hat;
An' she ist _cried_, she did! An' I
Says, 'Ef you scold my Ma
Ever again an' make her cry,
Wy, you sha'n't _be_ my Pa!'
An' nen he laugh' an' find his hat
Ist wite where Ma she said it's at!
Sometimes I think 'at Parents does
Things ist about as bad as _us_--
Wite 'fore our vurry eyes, at that!
Fer one time Pa he scold' my Ma
'Cause he can't find his hat;
An' she ist _cried_, she did! An' I
Says, 'Ef you scold my Ma
Ever again an' make her cry,
Wy, you sha'n't _be_ my Pa!'
An' nen he laugh' an' find his hat
Ist wite where Ma she said it's at!
249
James Whitcomb Riley
A New Year's Time At Willards's
A New Year's Time At Willards's
1
The Hired Man Talks
There's old man Willards; an' his wife;
An' Marg'et-- S'repty's sister--; an'
There's me-- an' I'm the hired man;
An' Tomps McClure, you better yer life!
Well now, old Willards hain't so bad,
Considerin' the chance he's had.
Of course, he's rich, an' sleeps an' eats
Whenever he's a mind to: Takes
An' leans back in the Amen-seats
An' thanks the Lord fer all he makes--.
That's purty much all folks has got
Ag'inst the old man, like as not!
But there's his woman-- jes the turn
Of them-air two wild girls o' hern-Marg'et
an' S'repty-- allus in
Fer any cuttin'-up concern--
Church festibals, and foolishin'
Round Christmas-trees, an' New Year's sprees--
Set up to watch the Old Year go
An' New Year come-- sich things as these;
An' turkey-dinners, don't you know!
S'repty's younger, an' more gay,
An' purtier, an' finer dressed
Than Marg'et is-- but, lawzy-day!
She hain't the independentest!
'Take care!' old Willards used to say,
'Take care--! Let Marg'et have her way,
An' S'repty, you go off an' play
On your melodeum--!' But, best
Of all, comes Tomps! An' I'll be bound,
Ef he hain't jes the beatin'est
Young chap in all the country round!
Ef you knowed Tomps you'd like him, shore!
They hain't no man on top o' ground
Walks into my affections more--!
An' all the Settlement'll say
That Tomps was liked jes thataway
By ever'body, till he tuk
A shine to S'repty Willards--. Then
You'd ort'o see the old man buck
An' h'ist hisse'f, an' paw the dirt,
An' hint that 'common workin'-men
That didn't want their feelin's hurt
'Ud better hunt fer 'comp'ny' where
The folks was pore an' didn't care--!'
The pine-blank facts is--, the old man,
Last Christmas was a year ago,
Found out some presents Tomps had got
Fer S'repty, an' hit made him hot--
Set down an' tuk his pen in hand
An' writ to Tomps an' told him so
On legal cap, in white an' black,
An' give him jes to understand
'No Christmas-gifts o' 'lily-white'
An' bear's-ile could fix matters right,'
An' wropped 'em up an' sent 'em back!
Well, S'repty cried an' snuffled round
Consid'able. But Marg'et she
Toed out another sock, an' wound
Her knittin' up, an' drawed the tea,
An' then set on the supper-things,
An' went up in the loft an' dressed--
An' through it all you'd never guessed
What she was up to! An' she brings
Her best hat with her an her shawl,
An' gloves, an' redicule, an' all,
An' injirubbers, an' comes down
An' tells 'em she's a-goin' to town
To he'p the Christmas goin's-on
Her Church got up. An' go she does--
The best hosswoman ever was!
'An' what'll We do while you're gone?'
The old man says, a-tryin' to be
Agreeable. 'Oh! You?' says she--,
'You kin jaw S'repty, like you did,
An' slander Tomps!' An' off she rid!
Now, this is all I'm goin' to tell
Of this-here story-- that is, I
Have done my very level best
As fur as this, an' here I 'dwell,'
As auctioneers says, winkin' sly:
Hit's old man Willards tells the rest.
2
The Old Man Talks
Adzackly jes one year ago,
This New Year's day, Tomps comes to me--
In my own house, an' whilse the folks
Was gittin' dinner--, an' he pokes
His nose right in, an' says, says he:
'I got yer note-- an' read it slow!
You don't like me, ner I don't you,'
He says--, 'we're even there, you know!
But you've said, furder that no gal
Of yourn kin marry me, er shall,
An' I'd best shet off comin', too!'
An' then he says--, 'Well, them's Your views--;
But havin' talked with S'repty, we
Have both agreed to disagree
With your peculiar notions-- some;
An', that s the reason, I refuse
To quit a-comin' here, but come--
Not fer to threat, ner raise no skeer
An' spile yer turkey-dinner here--,
But jes fer S'repty's sake, to sheer
Yer New Year's. Shall I take a cheer?'
Well, blame-don! Ef I ever see
Sich impidence! I couldn't say
Not nary word! But Mother she
Sot out a cheer fer Tomps, an' they
Shuk hands an' turnt their back on me.
Then I riz-- mad as mad could be--!
But Marg'et says--, 'Now, Pap! You set
Right where you're settin'--! Don't you fret!
An' Tomps-- you warm yer feet!' says she,
'An throw yer mitts an' comfert on
The bed there! Where is S'repty gone!
The cabbage is a-scortchin'! Ma,
Stop cryin' there an' stir the slaw!'
Well--! What was Mother cryin' fer--?
I half riz up-- but Marg'et's chin
Hit squared-- an' I set down ag'in--
I allus was afeard o' her,
I was, by jucks! So there I set,
Betwixt a sinkin'-chill an' sweat,
An' scuffled with my wrath, an' shet
My teeth to mighty tight, you bet!
An' yit, fer all that I could do,
I eeched to jes git up an' whet
The carvin'-knife a rasp er two
On Tomps's ribs-- an' so would you--!
Fer he had riz an' faced around,
An' stood there, smilin', as they brung
The turkey in, all stuffed an' browned--
Too sweet fer nose, er tooth, er tongue!
With sniffs o' sage, an' p'r'aps a dash
Of old burnt brandy, steamin'-hot
Mixed kindo' in with apple-mash
An' mince-meat, an' the Lord knows what!
Nobody was a-talkin' then,
To 'filiate any awk'ardness--
No noise o' any kind but jes
The rattle o' the dishes when
They'd fetch 'em in an' set 'em down,
An' fix an' change 'em round an' round,
Like women does-- till Mother says--,
'Vittels is ready; Abner, call
Down S'repty-- she's up-stairs, I guess--.'
And Marg'et she says, 'Ef you bawl
Like that, she'll not come down at all!
Besides, we needn't wait till she
Gits down! Here Temps, set down by me,
An' Pap: say grace...!' Well, there I was--!
What could I do! I drapped my head
Behind my fists an' groaned; an' said--:
'Indulgent Parent! In Thy cause
We bow the head an' bend the knee
An' break the bread, an' pour the wine,
Feelin'--' (The stair-door suddently
Went bang! An' S'repty flounced by me--)
'Feelin',' I says, 'this feast is Thine--
This New Year's feast--' an' rap-rap-rap!
Went Marg'ets case-knife on her plate--
An' next, I heerd a sasser drap--,
Then I looked up, an' strange to state,
There S'repty set in Tomps lap--
An' huggin' him, as shore as fate!
An' Mother kissin' him k-slap!
An' Marg'et-- she chips in to drap
The ruther peert remark to me--:
'That 'grace' o' yourn,' she says, 'won't 'gee'--
This hain't no 'New Year's feast,'' says she--,
'This is a' Infair-Dinner, Pap!'
An' so it was--! Be'n married fer
Purt' nigh a week--! 'Twas Marg'et planned
The whole thing fer 'em, through an' through.
I'm rickonciled; an' understand,
I take things jes as they occur--,
Ef Marg'et liked Tomps, Tomps 'ud do--!
But I-says-I, a-holt his hand--,
'I'm glad you didn't marry Her-'
Cause Marg'et's my guardeen-- yes-sir--!
An' S'repty's good enough fer you!'
1
The Hired Man Talks
There's old man Willards; an' his wife;
An' Marg'et-- S'repty's sister--; an'
There's me-- an' I'm the hired man;
An' Tomps McClure, you better yer life!
Well now, old Willards hain't so bad,
Considerin' the chance he's had.
Of course, he's rich, an' sleeps an' eats
Whenever he's a mind to: Takes
An' leans back in the Amen-seats
An' thanks the Lord fer all he makes--.
That's purty much all folks has got
Ag'inst the old man, like as not!
But there's his woman-- jes the turn
Of them-air two wild girls o' hern-Marg'et
an' S'repty-- allus in
Fer any cuttin'-up concern--
Church festibals, and foolishin'
Round Christmas-trees, an' New Year's sprees--
Set up to watch the Old Year go
An' New Year come-- sich things as these;
An' turkey-dinners, don't you know!
S'repty's younger, an' more gay,
An' purtier, an' finer dressed
Than Marg'et is-- but, lawzy-day!
She hain't the independentest!
'Take care!' old Willards used to say,
'Take care--! Let Marg'et have her way,
An' S'repty, you go off an' play
On your melodeum--!' But, best
Of all, comes Tomps! An' I'll be bound,
Ef he hain't jes the beatin'est
Young chap in all the country round!
Ef you knowed Tomps you'd like him, shore!
They hain't no man on top o' ground
Walks into my affections more--!
An' all the Settlement'll say
That Tomps was liked jes thataway
By ever'body, till he tuk
A shine to S'repty Willards--. Then
You'd ort'o see the old man buck
An' h'ist hisse'f, an' paw the dirt,
An' hint that 'common workin'-men
That didn't want their feelin's hurt
'Ud better hunt fer 'comp'ny' where
The folks was pore an' didn't care--!'
The pine-blank facts is--, the old man,
Last Christmas was a year ago,
Found out some presents Tomps had got
Fer S'repty, an' hit made him hot--
Set down an' tuk his pen in hand
An' writ to Tomps an' told him so
On legal cap, in white an' black,
An' give him jes to understand
'No Christmas-gifts o' 'lily-white'
An' bear's-ile could fix matters right,'
An' wropped 'em up an' sent 'em back!
Well, S'repty cried an' snuffled round
Consid'able. But Marg'et she
Toed out another sock, an' wound
Her knittin' up, an' drawed the tea,
An' then set on the supper-things,
An' went up in the loft an' dressed--
An' through it all you'd never guessed
What she was up to! An' she brings
Her best hat with her an her shawl,
An' gloves, an' redicule, an' all,
An' injirubbers, an' comes down
An' tells 'em she's a-goin' to town
To he'p the Christmas goin's-on
Her Church got up. An' go she does--
The best hosswoman ever was!
'An' what'll We do while you're gone?'
The old man says, a-tryin' to be
Agreeable. 'Oh! You?' says she--,
'You kin jaw S'repty, like you did,
An' slander Tomps!' An' off she rid!
Now, this is all I'm goin' to tell
Of this-here story-- that is, I
Have done my very level best
As fur as this, an' here I 'dwell,'
As auctioneers says, winkin' sly:
Hit's old man Willards tells the rest.
2
The Old Man Talks
Adzackly jes one year ago,
This New Year's day, Tomps comes to me--
In my own house, an' whilse the folks
Was gittin' dinner--, an' he pokes
His nose right in, an' says, says he:
'I got yer note-- an' read it slow!
You don't like me, ner I don't you,'
He says--, 'we're even there, you know!
But you've said, furder that no gal
Of yourn kin marry me, er shall,
An' I'd best shet off comin', too!'
An' then he says--, 'Well, them's Your views--;
But havin' talked with S'repty, we
Have both agreed to disagree
With your peculiar notions-- some;
An', that s the reason, I refuse
To quit a-comin' here, but come--
Not fer to threat, ner raise no skeer
An' spile yer turkey-dinner here--,
But jes fer S'repty's sake, to sheer
Yer New Year's. Shall I take a cheer?'
Well, blame-don! Ef I ever see
Sich impidence! I couldn't say
Not nary word! But Mother she
Sot out a cheer fer Tomps, an' they
Shuk hands an' turnt their back on me.
Then I riz-- mad as mad could be--!
But Marg'et says--, 'Now, Pap! You set
Right where you're settin'--! Don't you fret!
An' Tomps-- you warm yer feet!' says she,
'An throw yer mitts an' comfert on
The bed there! Where is S'repty gone!
The cabbage is a-scortchin'! Ma,
Stop cryin' there an' stir the slaw!'
Well--! What was Mother cryin' fer--?
I half riz up-- but Marg'et's chin
Hit squared-- an' I set down ag'in--
I allus was afeard o' her,
I was, by jucks! So there I set,
Betwixt a sinkin'-chill an' sweat,
An' scuffled with my wrath, an' shet
My teeth to mighty tight, you bet!
An' yit, fer all that I could do,
I eeched to jes git up an' whet
The carvin'-knife a rasp er two
On Tomps's ribs-- an' so would you--!
Fer he had riz an' faced around,
An' stood there, smilin', as they brung
The turkey in, all stuffed an' browned--
Too sweet fer nose, er tooth, er tongue!
With sniffs o' sage, an' p'r'aps a dash
Of old burnt brandy, steamin'-hot
Mixed kindo' in with apple-mash
An' mince-meat, an' the Lord knows what!
Nobody was a-talkin' then,
To 'filiate any awk'ardness--
No noise o' any kind but jes
The rattle o' the dishes when
They'd fetch 'em in an' set 'em down,
An' fix an' change 'em round an' round,
Like women does-- till Mother says--,
'Vittels is ready; Abner, call
Down S'repty-- she's up-stairs, I guess--.'
And Marg'et she says, 'Ef you bawl
Like that, she'll not come down at all!
Besides, we needn't wait till she
Gits down! Here Temps, set down by me,
An' Pap: say grace...!' Well, there I was--!
What could I do! I drapped my head
Behind my fists an' groaned; an' said--:
'Indulgent Parent! In Thy cause
We bow the head an' bend the knee
An' break the bread, an' pour the wine,
Feelin'--' (The stair-door suddently
Went bang! An' S'repty flounced by me--)
'Feelin',' I says, 'this feast is Thine--
This New Year's feast--' an' rap-rap-rap!
Went Marg'ets case-knife on her plate--
An' next, I heerd a sasser drap--,
Then I looked up, an' strange to state,
There S'repty set in Tomps lap--
An' huggin' him, as shore as fate!
An' Mother kissin' him k-slap!
An' Marg'et-- she chips in to drap
The ruther peert remark to me--:
'That 'grace' o' yourn,' she says, 'won't 'gee'--
This hain't no 'New Year's feast,'' says she--,
'This is a' Infair-Dinner, Pap!'
An' so it was--! Be'n married fer
Purt' nigh a week--! 'Twas Marg'et planned
The whole thing fer 'em, through an' through.
I'm rickonciled; an' understand,
I take things jes as they occur--,
Ef Marg'et liked Tomps, Tomps 'ud do--!
But I-says-I, a-holt his hand--,
'I'm glad you didn't marry Her-'
Cause Marg'et's my guardeen-- yes-sir--!
An' S'repty's good enough fer you!'
267
James Whitcomb Riley
A Christmas Memory
A Christmas Memory
Pa he bringed me here to stay
'Til my Ma she's well.--An' nen
He's go' hitch up, Chris'mus-day,
An' come take me back again
Wher' my Ma's at! Won't I be
Tickled when he comes fer me!
My Ma an' my A'nty they
'Uz each-uvver's sisters. Pa-A'nty
telled me, th' other day,--
He comed here an' married Ma....
A'nty said nen, 'Go run play,
I must work now!' ... An' I saw,
When she turn' her face away,
She 'uz cryin'.--An' nen I
'Tend-like I 'run play'--an' cry.
This-here house o' A'nty's wher'
They 'uz borned--my Ma an' her!--
An' her Ma 'uz my Ma's Ma,
An' her Pa 'uz my Ma's Pa-
Ain't that funny?--An' they're dead:
An' this-here's 'th' ole Homestead.'--
An' my A'nty said, an' cried,
It's mine, too, ef my Ma died-Don't
know what she mean--'cause my
Ma she's nuvver go' to die!
When Pa bringed me here 't 'uz night-'
Way dark night! An' A'nty spread
Me a piece--an' light the light
An' say I must go to bed.--
I cry not to---but Pa said,
'Be good boy now, like you telled
Mommy 'at you're go' to be!'
An', when he 'uz kissin' me
My good night, his cheeks' all wet
An' taste salty.--An' he held
Wite close to me an' rocked some
An' langhed-like--'til A'nty come
Git me while he's rockin' yet.
A'nty he'p me, 'til I be
Purt'-nigh strip-pud--nen hug me
In bofe arms an' lif' me 'way
Up in her high bed--an' pray
Wiv me,--'bout my Ma--an' Pa--
An' ole Santy Claus--an' Sleigh--
An' Reindeers an' little Drum--
Yes, an' Picture-books, 'Tom Thumb,'
An' 'Three Bears,' an' ole 'Fee-Faw'-
Yes, an' 'Tweedle-Dee' an' 'Dum,'
An' 'White Knight' an' 'Squidjicum,'
An' most things you ever saw!--
An' when A'nty kissed me, she
'Uz all cryin' over me!
Don't want Santy Claus--ner things
Any kind he ever brings!-Don't
want A'nty!--Don't want Pa!--
I ist only want my Ma!
Pa he bringed me here to stay
'Til my Ma she's well.--An' nen
He's go' hitch up, Chris'mus-day,
An' come take me back again
Wher' my Ma's at! Won't I be
Tickled when he comes fer me!
My Ma an' my A'nty they
'Uz each-uvver's sisters. Pa-A'nty
telled me, th' other day,--
He comed here an' married Ma....
A'nty said nen, 'Go run play,
I must work now!' ... An' I saw,
When she turn' her face away,
She 'uz cryin'.--An' nen I
'Tend-like I 'run play'--an' cry.
This-here house o' A'nty's wher'
They 'uz borned--my Ma an' her!--
An' her Ma 'uz my Ma's Ma,
An' her Pa 'uz my Ma's Pa-
Ain't that funny?--An' they're dead:
An' this-here's 'th' ole Homestead.'--
An' my A'nty said, an' cried,
It's mine, too, ef my Ma died-Don't
know what she mean--'cause my
Ma she's nuvver go' to die!
When Pa bringed me here 't 'uz night-'
Way dark night! An' A'nty spread
Me a piece--an' light the light
An' say I must go to bed.--
I cry not to---but Pa said,
'Be good boy now, like you telled
Mommy 'at you're go' to be!'
An', when he 'uz kissin' me
My good night, his cheeks' all wet
An' taste salty.--An' he held
Wite close to me an' rocked some
An' langhed-like--'til A'nty come
Git me while he's rockin' yet.
A'nty he'p me, 'til I be
Purt'-nigh strip-pud--nen hug me
In bofe arms an' lif' me 'way
Up in her high bed--an' pray
Wiv me,--'bout my Ma--an' Pa--
An' ole Santy Claus--an' Sleigh--
An' Reindeers an' little Drum--
Yes, an' Picture-books, 'Tom Thumb,'
An' 'Three Bears,' an' ole 'Fee-Faw'-
Yes, an' 'Tweedle-Dee' an' 'Dum,'
An' 'White Knight' an' 'Squidjicum,'
An' most things you ever saw!--
An' when A'nty kissed me, she
'Uz all cryin' over me!
Don't want Santy Claus--ner things
Any kind he ever brings!-Don't
want A'nty!--Don't want Pa!--
I ist only want my Ma!
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