Work and Profession

When The `Army' Prays For Watty

When the kindly hours of darkness, save for light of moon and star,
Hide the picture on the signboard over Doughty's Horse Bazaar;
When the last rose-tint is fading on the distant mulga scrub,
Then the Army prays for Watty at the entrance of his pub.


Now, I often sit at Watty's when the night is very near,
With a head that's full of jingles and the fumes of bottled beer,
For I always have a fancy that, if I am over there
When the Army prays for Watty, I'm included in the prayer.


Watty lounges in his arm-chair, in its old accustomed place,
With a fatherly expression on his round and passive face;
And his arms are clasped before him in a calm, contented way,
And he nods his head and dozes when he hears the Army pray.


And I wonder does he ponder on the distant years and dim,
Or his chances over yonder, when the Army prays for him?
Has he not a fear connected with the warm place down below,
Where, according to good Christians, all the publicans should go?


But his features give no token of a feeling in his breast,
Save of peace that is unbroken and a conscience well at rest;
And we guzzle as we guzzled long before the Army came,
And the loafers wait for `shouters' and -- they get there just the same.


It would take a lot of praying -- lots of thumping on the drum --
To prepare our sinful, straying, erring souls for Kingdom Come;
But I love my fellow-sinners, and I hope, upon the whole,
That the Army gets a hearing when it prays for Watty's soul.

Untitled


When his heart is growing bitter and his hair is growing grey,
And he hears the debt-collector knocking several times a day,
And the shrill voice of the Missus, blame, reiterate, accuse—
Then the poet who was famous feels inclined to damn the muse— .....


When he hears a sudden rapping—rapping at his chamber door,
Then he knows it's no good trying to write poems any more,
Then he bursts from out his chamber and he grabs his battered hat,
And he cadges Two Bob somewhere and gets beered up on his pat.

Trouble on the Selection

You lazy boy, you’re here at last,
You must be wooden-legged;
Now, are you sure the gate is fast
And all the sliprails pegged
And all the milkers at the yard,
The calves all in the pen?
We don’t want Poley’s calf to suck
His mother dry again.
And did you mend the broken rail
And make it firm and neat?
I s’pose you want that brindle steer
All night among the wheat.
And if he finds the lucerne patch,
He’ll stuff his belly full;
He’ll eat till he gets ‘blown’ on that
And busts like Ryan’s bull.


Old Spot is lost? You’ll drive me mad,
You will, upon my soul!
She might be in the boggy swamps
Or down a digger’s hole.
You needn’t talk, you never looked
You’d find her if you’d choose,
Instead of poking ’possum logs
And hunting kangaroos.


How came your boots as wet as muck?
You tried to drown the ants!
Why don’t you take your bluchers off,
Good Lord, he’s tore his pants!
Your father’s coming home to-night;
You’ll catch it hot, you’ll see.
Now go and wash your filthy face
And come and get your tea.

The Teams

A cloud of dust on the long white road,

And the teams go creeping on
Inch by inch with the weary load;
And by the power of the green-hide goad

The distant goal is won.

With eyes half-shut to the blinding dust,

And necks to the yokes bent low,
The beasts are pulling as bullocks must;
And the shining tires might almost rust

While the spokes are turning slow.

With face half-hid 'neath a broad-brimmed hat

That shades from the heat's white waves,
And shouldered whip with its green-hide plait,
The driver plods with a gait like that

Of his weary, patient slaves.

He wipes his brow, for the day is hot,

And spits to the left with spite;
He shouts at `Bally', and flicks at `Scot',
And raises dust from the back of `Spot',

And spits to the dusty right.

He'll sometimes pause as a thing of form

In front of a settler's door,
And ask for a drink, and remark `It's warm,
Or say `There's signs of a thunder-storm';

But he seldom utters more.

But the rains are heavy on roads like these;

And, fronting his lonely home,
For weeks together the settler sees
The teams bogged down to the axletrees,

Or ploughing the sodden loam.

And then when the roads are at their worst,

The bushman's children hear
The cruel blows of the whips reversed
While bullocks pull as their hearts would burst,

And bellow with pain and fear.

And thus with little of joy or rest

Are the long, long journeys done;
And thus -- 'tis a cruel war at the best --
Is distance fought in the mighty West,

And the lonely battles won.

The Squatter, Three Cornstalks, and the Well

There was a Squatter in the land—
So runs the truthful tale I tell—
There also were three cornstalks, and
There also was the Squatter’s Well.


Singing (slowly): “Sin and sorrer, sin and sor-rer, sin and sor-r-r-rer.”


The Squatter he was full of pluck,
The Cornstalks they were full of sin,
The well it was half full of muck
That many rains had drifted in.


Singing (with increased feeling): “Sin, &c.”


The Squatter hired the Cornstalks Three
To cleanse the well of mud and clay;
And so they started willing-lee
At five-and-twenty bob a day.


Singing (apprehensively): “Sin, &c.”


At five-and-twenty bob the lot—
That’s eight-and-four the day would bring
To each; and so they thought they’d got
A rather soft and easy thing.


Singing (sadly): “Sin, &c.”


The Cornstalks cleaned the well within
A day or two, or thereabout—
And then they worked an awful sin—
A scheme to make the job last out.


Singing (reproachfully): “Sin and sorrer, &c.”


For when the well was cleaned out quite
Of all its logs and muck and clay
They tipped a drayload down at night
And worked to haul it up next day.


Singing (dismally): “Sin, &c.”


But first the eldest, christened Hodge,
He greased the dray-wheel axles, so
The super wouldn’t smell the dodge
And couldn’t let the Squatter know.


Singing (hopelessly): “Sin and sorrer, &c.”


The stuff they surfaced out each day
With some surprise the Squatter saw.
He never dreamt the sand and clay



Was three miles off the night before.

Singing (mournfully): “Sin and sorrer, &c.”

But he got something in his eye;
It wasn’t green, that’s very plain.
He said the well was rather dry,
And they could fill it up again.


Singing (mournfully and dismally): “Sin and sorrer, &c.”


The Cornstalks went to work next day
In hope, of course, of extra tin—
The Squatter watched, and, sad to say,
The mullock wouldn’t all go in.


Singing (with great pathos): “Sin and sorrer, &c.”


And though the Cornstalks twigged the ruse
Whereby the boss had done ’em brown,
They argued that the clay was loose,
And wanted time to settle down.


Singing (hopelessly): “Sin and sorrer, &c.”


The boss began to rave and tear,
And yelled with a most awful frown,
“I will not settle up, I swear,
Till that there clay is settled down!”


Singing (hopefully): “Sin, &c.”


“Before my cheques yer’Il pocket, boys,
Yer’ll put a mountain in a well”—
The Cornstalks didn’t make a noise,
They only murmured sadly—!


Singing (triumphantly): “Sin and sorrer, &c.”


MORAL:
There is a moral to my rhyme—
A moral to the dirge I sing—
That when you do go in for crime
You mustn’t overdoo the thing.


Singing (more dismally than ever): “Sin and sorrer, s-i-n and sor-r-r-r-rer!”

The Song Of Old Joe Swallow

When I was up the country in the rough and early days,
I used to work along ov Jimmy Nowlett's bullick-drays;
Then the reelroad wasn't heered on, an' the bush was wild an' strange,
An' we useter draw the timber from the saw-pits in the range --
Load provisions for the stations, an' we'd travel far and slow
Through the plains an' 'cross the ranges in the days of long ago.


Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago.


Once me and Jimmy Nowlett loaded timber for the town,
But we hadn't gone a dozen mile before the rain come down,
An' me an' Jimmy Nowlett an' the bullicks an' the dray
Was cut off on some risin' ground while floods around us lay;
An' we soon run short of tucker an' terbacca, which was bad,
An' pertaters dipped in honey was the only tuck we had.


An' half our bullicks perished when the drought was on the land,
An' the burnin' heat that dazzles as it dances on the sand;
When the sun-baked clay an' gravel paves for miles the burnin' creeks,
An' at ev'ry step yer travel there a rottin' carcase reeks --
But we pulled ourselves together, for we never used ter know
What a feather bed was good for in those days o' long ago.


But in spite ov barren ridges an' in spite ov mud an' heat,
An' dust that browned the bushes when it rose from bullicks' feet,
An' in spite ov cold and chilblains when the bush was white with frost,
An' in spite of muddy water where the burnin' plain was crossed,
An' in spite of modern progress, and in spite of all their blow,
'Twas a better land to live in, in the days o' long ago.


When the frosty moon was shinin' o'er the ranges like a lamp,
An' a lot of bullick-drivers was a-campin' on the camp,
When the fire was blazin' cheery an' the pipes was drawin' well,
Then our songs we useter chorus an' our yarns we useter tell;
An' we'd talk ov lands we come from, and ov chaps we useter know,
For there always was behind us OTHER days o' long ago.


Ah, them early days was ended when the reelroad crossed the plain,
But in dreams I often tramp beside the bullick-team again:
Still we pauses at the shanty just to have a drop er cheer,
Still I feels a kind ov pleasure when the campin'-ground is near;
Still I smells the old tarpaulin me an' Jimmy useter throw
O'er the timber-truck for shelter in the days ov long ago.


I have been a-driftin' back'ards with the changes ov the land,
An' if I spoke ter bullicks now they wouldn't understand,
But when Mary wakes me sudden in the night I'll often say:



`Come here, Spot, an' stan' up, Bally, blank an' blank an' come-eer-way.'
An' she says that, when I'm sleepin', oft my elerquince 'ill flow
In the bullick-drivin' language ov the days o' long ago.


Well, the pub will soon be closin', so I'll give the thing a rest;
But if you should drop on Nowlett in the far an' distant west --
An' if Jimmy uses doubleyou instead of ar an' vee,
An' if he drops his aitches, then you're sure to know it's he.
An' yer won't forgit to arsk him if he still remembers Joe
As knowed him up the country in the days o' long ago.


Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
Nigger, digger, roarin', rovin'
Days o' long ago.

The Shearers

No church-bell rings them from the Track,
No pulpit lights theirblindness-'
Tis hardship, drought, and homelessness
That teach those Bushmen kindness:
The mateship born, in barren lands,
Of toil and thirst and danger,
The camp-fare for the wanderer set,
The first place to the stranger.
They do the best they can to-day--
Take no thought of the morrow;
Their way is not the old-world way--
They live to lend and borrow.
When shearing's done and cheques gone wrong,
They call it "time to slither"--
They saddle up and say "So-long!"
And ride the Lord knows whither.


And though he may be brown or black,
Or wrong man there, or right man,
The mate that's steadfast to his mates
They call that man a "white man!"
They tramp in mateship side by side--
The Protestant and Roman--
They call no biped lord or sir,
And touch their hat to no man!


They carry in their swags perhaps,
A portrait and a letter--
And, maybe, deep down in their hearts,
The hope of "something better."
Where lonely miles are long to ride,
And long, hot days recurrent,
There's lots of time to think of men
They might have been--but weren't.


They turn their faces to the west
And leave the world behind them
(Their drought-dry graves are seldom set
Where even mates can find them).
They know too little of the world
To rise to wealth or greatness;
But in these lines I gladly pay
My tribute to their greatness.

The Secret Whisky Cure

’Tis no tale of heroism, ’tis no tale of storm and strife,
But of ordinary boozing, and of dull domestic life—
Of the everlasting friction that most husbands must endure—
Tale of nagging and of drinking—and a secret whisky cure.
Name of Jones—perhaps you know him—small house-agent here in town—
(Friend of Smith, you know him also—likewise Robinson and Brown),
Just a hopeless little husband, whose deep sorrows were obscure,
And a bitter nagging Missis—and death seemed the only cure.


’Twas a common sordid marriage, and there’s little new to tell—
Save the pub to him was Heaven and his own home was a hell:
With the office in between them—purgatory to be sure—
And, as far as Jones could make out—well, there wasn’t any cure.


’Twas drink and nag—or nag and drink—whichever you prefer—
Till at last she couldn’t stand him any more than he could her.
Friends and relatives assisted, telling her (with motives pure)
That a legal separation was the only earthly cure.


So she went and saw a lawyer, who, in accents soft and low,
Asked her firstly if her husband had a bank account or no;
But he hadn’t and she hadn’t, they in fact were very poor,
So he bowed her out suggesting she should try some liquor cure.


She saw a drink cure advertised in the Sydney Bulletin—
Cure for brandy, cure for whisky, cure for rum and beer and gin,
And it could be given secret, it was tasteless, swift and sure—
So she purchased half a gallon of that Secret Whisky Cure.


And she put some in his coffee, smiling sweetly all the while,
And he started for the office rather puzzled by the smile—
Smile or frown he’d have a whisky, and you’ll say he was a boor—
But perhaps his wife had given him an overdose of Cure.


And he met a friend he hadn’t seen for seven years or more—
It was just upon the threshold of a private bar-room door—
And they coalised and entered straight away, you may be sure—
But of course they hadn’t reckoned with a Secret Whisky Cure.


Jones, he drank, turned pale, and, gasping, hurried out the back way quick,
Where, to his old chum’s amazement, he was violently sick;
Then they interviewed the landlord, but he swore the drink was pure—
It was only the beginning of the Secret Whisky Cure.


For Jones couldn’t stand the smell of even special whisky blends,
And shunned bar-rooms to the sorrow of his trusty drinking friends:
And they wondered, too, what evil genius had chanced to lure
Him from paths of booze and friendship—never dreaming of a Cure.


He had noticed, too, with terror that a something turned his feet,
When a pub was near, and swung him to the other side the street,



Till he thought the devils had him, and his person they’d immure
In a lunatic asylum where there wasn’t any Cure.


He consulted several doctors who were puzzled by the case—
As they mostly are, but never tell the patient to his face—
Some advised him ‘Try the Mountains for this malady obscure:’
But there wasn’t one could diagnose a Secret Whisky Cure.


And his wife, when he was sober?—Well, she nagged him all the more!
And he couldn’t drown his sorrow in the pewter as of yore:
So he shot himself at Manly and was sat upon by Woore,
And found rest amongst the spirits from the Secret Whisky Cure.


And the moral?—well, ’tis funny—or ’tis woman’s way with men—
She’s remarried to a publican who whacks her now and then,
And they get on fairly happy, he’s a brute and he’s a boor,
But she’s never tried her second with a Secret Whisky Cure.

The Rhyme of the Three Greybeards

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.


And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.


They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.


They sent him down to Coolan, a long train ride from here,
Because of his grey hairs and "pomes" and painted blondes – and beer.
(I mean to say the painted blondes would always give him beer.)


(They loved him for his eyes were dark, and you must not condemn
The love for opposites that mark the everlasting fem.
Besides, he "made up" little bits of poetry for them.)


They sent him "for his own sake", but not for that alone –
A poet's sins are public; his sorrows are his own.
And poets' friends have skins like hides, and mostly hearts of stone.


They said "We'll send some money and you must use your pen.
"So long," they said. "Adoo!" they said. "And don't come back again.
Well, stay at least a twelve-month – we might be dead by then."


Two greybeards down at Coolan – familiar grins they had –
They took delivery of the goods, and also of the bad.
(Some bread and meat had come by train – Joe Swallow was the bad.)


They'd met him shearing west o' Bourke in some forgotten year.
They introduced him to the town and pints of Wagga beer.
(And Wagga pints are very good –- I wish I had some here.)


It was the Busy Bee Hotel where no one worked at all,
Except perhaps to cook the grub and clean the rooms and "hall".
The usual half-wit yardman worked at each one's beck and call.


'Twas "Drink it down!" and "Fillemup!" and "If the pub goes dry,
There's one just two-mile down the road, and more in Gundagai" –
Where married folk by accident get poison in the pie.


The train comes in at eight o'clock – or half-past, I forget,
And when the dinner table at the Busy Bee was set,
Upon the long verandah stool the beards were wagging yet.


They talked of where they hadn't been and what they hadn't won;
They talked of mostly everything that's known beneath the sun.
The things they didn't talk about were big things they had done.



They talked of what they called to mind, and couldn't call to mind;
They talked of men who saw too far and people who were "blind".
Tradition says that Joe's grey beard wagged not so far behind.


They got a horse and sulky and a riding horse as well,
And after three o'clock they left the Busy Bee Hotel –
In case two missuses should send from homes where they did dwell.


No barber bides in Coolan, no baker bakes the bread;
And every local industry, save rabbitin', is dead –
And choppin' wood. The women do all that, be it said.
(I'll add a line and mention that two-up goes ahead.)


The shadows from the sinking sun were long by hill and scrub;
The two-up school had just begun, in spite of beer and grub;
But three greybeards were wagging yet down at the Two-mile pub.


A full, round, placid summer moon was floating in the sky;
They took a demijohn of beer, in case they should go dry;
And three greybeards went wagging down the road to Gundagai.


At Gundagai next morning (which poets call "th' morn")
The greybeards sought a doctor – a friend of the forlorn –
Whose name is as an angel's who sometimes blows a horn.


And Doctor Gabriel fixed 'em up, but 'twas not in the bar.
It wasn't rum or whisky, nor yet was it Three Star.
'Twas mixed up in a chemist's shop, and swifter stuff by far.


They went out to the backyard (to make my meaning plain);
The doctor's stuff wrought mightily, but by no means in vain.
Then they could eat their breakfasts and drink their beer again.


They made a bond between the three, as rock against the wave,
That they'd go to the barber's shop and each have a clean shave,
To show the people how they looked when they were young and brave.


They had the shave and bought three suits (and startling suits in sooth),
And three white shirts and three red ties (to tell the awful truth),
To show the people how they looked in their hilarious youth.


They burnt their old clothes in the yard, and their old hats as well;
The publican kicked up a row because they made a smell.
They put on bran'-new "larstin'-sides" – and, oh, they looked a yell!


Next morning, or the next (or next), from demon-haunted beds,
And very far from feeling like what sporting men call "peds",
The three rode back without their beards, with "boxers" on their heads!


They tried to get Joe lodgings at the Busy Bee in vain;
They did not take him to their homes, they took him to the train;
They sent him back to Sydney till grey beards grew again.



They sent him back to Sydney to keep away a year;
Because of shaven beards and wives they thought him safer here.
And so he cut his friends and stuck to powdered blondes and beer.


Until the finish came at last, as 'twill to any "bloke";
But in Joe's case it chanced to be a paralytic stroke;
The soft heart of a powdered blonde was, as she put it, "broke".


She sought Joe in the hospital and took the choicest food;
She went there very modestly and in a chastened mood,
And timid and respectful-like – because she was no good.


She sat the death-watch out alone on the verandah dim;
And after all was past and gone she dried her eyes abrim,
And sought the head-nurse timidly, and asked "May I see him?"


And then she went back to her bar, where she'd not been for weeks,
To practise there her barmaid's smile and mend and patch the streaks
The only real tears for Joe had left upon her cheeks

The Port O'Call

Our hull is seldom painted,
Our decks are seldom stoned;
Our sails are patched and cobbled
And chains by rust marooned.
Our rigging is untidy,
And all things in accord:—
We always sail on Friday
With thirteen souls on board.
For all the days save Friday
Were days of dark despair—
The fourteenth died of fever
Whenever he was there.
Our good ship is the Chancit—
Her oldest name of all;
But, in the ports we’re blown to,
She’s called the ‘Port o’ Call.’


Our captain old Wot Matters—
Our first mate young Hoo Kares,
Our cook is Wen Yew Wan Tit,
And so the Chancit fares.
The sweethearts, wives, and others—
And all we left behind—
Have many names to go by;
But mine is Never Mind.


We fear no hell hereafter,
We hope for no reward—
We always sail on Friday
With thirteen men on board.
And every wind’s a fair wind,
That suits us, one and all,
And every port we’re blown to
We call our port-of-call.


I’ve seen the poor boy striving
For just one chance to rise:
The light of truth and honour
And genius in his eyes.
His school-mates jeered and mocked him,
They mocked him through the town:
And his relatives scarce pitied,
While his parents crushed him down.


I’ve seen the young man fighting
The present and the past,
Till he triumphed in the city,
And fame was his at last!
And generous, but steadfast,
All for his Country then,
Unspoiled and all unconscious
He stood, a prince of men.



I’ve seen the husband ruined,
And drunken in the street,
When the World was all before him,
And the ball was at his feet—
Thrust down by fate most bitter,
Most cruel and unjust;
His children taught to loathe him,
And his name dragged in the dust.


. . . . .
Our hull is never painted,
Our decks are never stoned,
The cabin air is tainted,
The good ship is disowned;
Our rigging is untidy,
And all things in accord—
We always sail on Friday,
With thirteen hands on board.
I’ve seen strong bushmen slaving,
As men ne’er slaved before,
To win homes from the scrublands
And win their country more.
And I’ve seen their children scattered
As work-slaves on the soil;
And the old-age-pension begged for
After fifty years of toil!


And the Bush Muse is discarded,
There’s a wanton on the track,
And her panderers are sneering
At old soldiers of Out Back
The motor cars go racing
Past the Heroes of Long Years,
And the dust is in their faces
And the laughter in their ears.


We care not where we’re bound for,
Nor how the storm might howl;
For every wind’s a fair wind,
And every wind a foul.
There’s nothing left to sail for
Save that we keep our decks,
And watch for other castaways
On rafts from other wrecks.

The Pavement Stones :A Song of the Unemployed

WHEN first I came to town, resolved
To fight my way alone,
No prouder foot than mine e’er trod
Upon the pavement stone;
But I am one in thousands,
And why should I repine?
The pavement stones have broken springs
In stronger feet than mine.


I brought to aid me all the hope
And energy of youth;
And in my heart I felt the strength
Of plain bucolic truth:
The independence nourished
Amid the hills and trees—
But, ah! the city hath a cure
For qualities like these.


I wonder oft how e’er I made
The efforts that I made,
For after three long weary years
I taught myself a trade.
And two more years and I was free
With strength and hope elate,
For “he that hath a trade,” they say,
“Hath also an estate.”


I tramped the streets and looked for work
And begged for work in vain,
Until I recked not, though I ne’er
Might touch my tools again.
I tramped the streets despairing;
My cheeks grew white and thin;
I felt the pavement wearing through
The leather, sock, and skin.


The bitter war goes on between
The idlers and the drones,
Until the hearts of men grow cold
And hard as pavement stones;
But I am one amid the crowd,
Then why should I repine?
The pavement stones have broken springs
In stronger feet than mine.

The Men Who Made Australia

There'll be royal times in Sydney for the Cuff and Collar Push,
There’ll be lots of dreary drivel and clap-trap
From the men who own Australia, but who never knew the Bush,
And who could not point their runs out on the map.
Oh, the daily Press will grovel as it never did before,
There’ll be many flags of welcome in the air,
And the Civil Service poet, he shall write odes by the score—
But the men who made the land will not be there.
You shall meet the awful Lady of the latest Birthday Knight—
(She is trying to be English, don’t-cher-know?)
You shall hear the empty mouthing of the champion blatherskite,
You shall hear the boss of local drapers blow.
There’ll be ‘majahs’ from the counter, tailors’ dummies from the fleet,
And to represent Australia here to-day,
There’s the today with his card-case and his cab in Downing-street;
But the men who made Australia—where are they?


Call across the blazing sand wastes of the Never-Never Land!
There are some who will not answer yet awhile,
Some whose bones rot in the mulga or lie bleaching on the sand,
Died of thirst to win the land another mile.
Thrown from horses, ripped by cattle, lost on deserts; and the weak,
Mad through loneliness or drink (no matter which),
Drowned in floods or dead of fever by the sluggish slimy creek—
These are men who died to make the Wool-Kings rich.


Call across the scrubby ridges where they clear the barren soil,
And the gaunt Bush-women share the work of men—
Toil and loneliness for ever—hardship, loneliness and toil—
Where the brave drought-ruined farmer starts again!
Call across the boundless sheep-runs of a country cursed for sheep—
Call across the awful scrublands west of Bourke!
But they have no time to listen—they have scarcely time to sleep—
For the men who conquer deserts have to work.


Dragged behind the crawling sheep-flock on the hot and dusty plain,
They must make a cheque to feed the wife and kids—
Riding night-watch round the cattle in the pelting, freezing rain,
While world-weariness is pressing down the lids.
And away on far out-stations, seldom touched by Heaven’s breath,
In a loneliness that smothers love and hate—
Where they never take white women—there they live the living death
With a half-caste or a black-gin for a mate.


They must toil to save the gaunt stock in the blazing months of drought,
When the stinging, blinding blight is in men’s eyes—
On the wretched, burnt selections, on the big runs further out
Where the sand-storm rises lurid to the skies.
Not to profit when the grass is waving waist-high after rain,
And the mighty clip of wool comes rolling in—
For the Wool-King goes to Paris with his family again
And the gold that souls are sacrificed to win.



There are carriages in waiting for the swells from over-sea,
There are banquets in the latest London style,
While the men who made Australia live on damper, junk and tea—
But the quiet voices whisper, ‘Wait a while!’
For the sons of all Australia, they were born to conquer fate—
And, where charity and friendship are sincere,
Where a sinner is a brother and a stranger is a mate,
There the future of a nation’s written clear.


Aye, the cities claim the triumphs of a land they do not know,
But all empty is the day they celebrate!
For the men who made Australia federated long ago,
And the men to rule Australia—they can wait.
Though the bed may be the rough bunk or the gum leaves or the sand,
And the roof for half the year may be the sky—
There are men amongst the Bushmen who were born to save the land!
And they’ll take their places sternly by-and-by.


There’s a whisper on the desert though the sunset breeze hath died
In the scrubs, though not a breath to stir a bough,
There’s a murmur, not of waters, down the Lachlan River side,
’Tis the spirit of Australia waking now!
There’s the weird hymn of the drought-night on the western water-shed,
Where the beds of unlocked rivers crack and parch;
’Tis the dead that we have buried, and our great unburied dead,
Who are calling now on living men to march!


Round the camp fire of the fencers by the furthest panel west,
In the men’s hut by the muddy billabong,
On the Great North-Western Stock-routes where the drovers never rest,
They are sorting out the right things from the wrong.
In the shearers’ hut the slush lamp shows a haggard, stern-faced man
Preaching war against the Wool-King to his mates;
And wherever go the billy, water-bag and frying-pan,
They are drafting future histories of states!

The Men Who Come Behind

There's a class of men (and women) who are always on their guard—
Cunning, treacherous, suspicious—feeling softly—grasping hard—
Brainy, yet without the courage to forsake the beaten track—
Cautiously they feel their way behind a bolder spirit’s back.
If you save a bit of money, and you start a little store—
Say, an oyster-shop, for instance, where there wasn’t one before—
When the shop begins to pay you, and the rent is off your mind,
You will see another started by a chap that comes behind.


So it is, and so it might have been, my friend, with me and you—
When a friend of both and neither interferes between the two;
They will fight like fiends, forgetting in their passion mad and blind,
That the row is mostly started by the folk who come behind.


They will stick to you like sin will, while your money comes and goes,
But they’ll leave you when you haven’t got a shilling in your clothes.
You may get some help above you, but you’ll nearly always find
That you cannot get assistance from the men who come behind.


There are many, far too many, in the world of prose and rhyme,
Always looking for another’s ‘footsteps on the sands of time.’
Journalistic imitators are the meanest of mankind;
And the grandest themes are hackneyed by the pens that come behind.


If you strike a novel subject, write it up, and do not fail,
They will rhyme and prose about it till your very own is stale,
As they raved about the region that the wattle-boughs perfume
Till the reader cursed the bushman and the stink of wattle-bloom.


They will follow in your footsteps while you’re groping for the light ;
But they’ll run to get before you when they see you’re going right;
And they’ll trip you up and baulk you in their blind and greedy heat,
Like a stupid pup that hasn’t learned to trail behind your feet.


Take your loads of sin and sorrow on more energetic backs!
Go and strike across the country where there are not any tracks!
And—we fancy that the subject could be further treated here,
But we’ll leave it to be hackneyed by the fellows in the rear.

The Last Review

Turn the light down, nurse, and leave me, while I hold my last review,
For
the Bush
is slipping from me, and the town is going too:
Draw the blinds, the streets are lighted, and I hear the tramp of feet—
And I’m weary, very weary, of the
Faces in the Street
.


In the dens of Grind and Heartbreak, in the streets of Never-Rest,
I have lost the scent and colour and the music of the West:
And I would recall old faces with the memories they bring—
Where are Bill and Jim and Mary and the
Songs They used to Sing
?


They are coming! They are coming! they are passing through the room
With the smell of gum leaves burning, and the scent of
Wattle bloom!


And behind them in the timber, after dust and heat and toil,
Others sit beside the camp fire yarning while the billies boil.


In the Gap above the ridges there’s a flash and there’s a glow—
Swiftly down the scrub-clad siding come the
Lights of Cobb and Co
.:
Red face from the box-seat beaming—Oh, how plain those faces come!
From his ‘Golden-Hole’ ’tis Peter M’Intosh who’s going home.


Dusty patch in desolation, bare slab walls and earthen floor,
And a blinding drought is blazing from horizons to the door:
Milkless tea and ration sugar, damper junk and pumpkin mash—
And a
Day on our Selection
passes by me in a flash.


Rush of big wild-eyed store bullocks while the sheep crawl hopelessly,
And the loaded wool teams rolling, lurching on like ships at sea:
With his whip across his shoulder (and the wind just now abeam),
There goes
Jimmy Nowlett
ploughing through the dust beside his team!


Sunrise on the diggings! (Oh! what life and hearts and hopes are here)
From a hundred pointing forges comes a tinkle, tinkle clear—
Strings of drays with wash to puddle, clack of countless windlass boles,
Here and there
the red flag flying
, flying over golden holes.


Picturesque, unreal, romantic, chivalrous, and brave and free;



Clean in living, true in mateship—reckless generosity.
Mates are buried here as comrades who on fields of battle fall—
And—the dreams, the aching, hoping lover hearts beneath it all!


Rough-built theatres and stages where the world’s best actors trod—
Singers bringing reckless rovers nearer boyhood, home and God;
Paid in laughter, tears and nuggets in the play that fortune plays—
’Tis the palmy days of Gulgong—Gulgong in
the Roaring Days.


Pass the same old scenes before me—and again my heart can ache—
There the
Drover’s Wife
sits watching (not as Eve did) for a snake.
And I see the drear deserted goldfields when the night is late,
And the stony face of Mason watching by his
Father’s Mate.


And I see my
Haggard Women
plainly as they were in life,
’Tis the form of Mrs. Spicer and her friend,
Joe Wilson’s wife,


Sitting hand in hand
‘Past Carin
’,’ not a sigh and not a moan,
Staring steadily before her and the tears just trickle down.


It was
No Place for a Woman
—where the women worked like men—
From the Bush and Jones’ Alley come their haunting forms again.
And, let this thing be remembered when I’ve answered to the roll,
That I pitied haggard women—wrote for them with all my soul.


Narrow bed-room in the City in the hard days that are dead—
An alarm clock on the table, and a pale boy on the bed:
Arvie Aspinalls Alarm Clock with its harsh and startling call
Never more shall break his slumbers—I was Arvie Aspinall.


Maoriland
and
Steelman
, cynic, spieler, stiff-lipped, battler-through
(Kept a wife and child in comfort, but of course they never knew—
Thought he was an honest bagman)—Well, old man, you needn’t hug—
Sentimental; you of all men!—Steelman, Oh! I was a mug!



Ghostly lines of scrub at daybreak—dusty daybreak in the drought—
And a lonely swagman tramping on the track to
Further Out
:
Like a shade the form of Mitchell, nose-bag full and bluey up
And between the swag and shoulders lolls his foolish cattle-pup.


Kindly cynic, sad comedian! Mitchell! when you’ve left the Track,


And have shed your load of sorrow as we slipped our swags out back,


We shall have a yarn together in the land of


Rest Awhile


—


And across his ragged shoulder Mitchell smiles his quiet smile.


Shearing sheds and tracks and shanties—girls that wait at homestead gates—
Camps and stern-eyed Union leaders, and
Joe Wilson and his Mates


True and straight, and to my fancy, each one as he passes through
Deftly down upon the table slips a dusty ‘note’ or two.


So at last the end has found me—(end of all the human push)
And again in silence round me come my
Children of the Bush
!—
Listen, who are young, and let them—if I in late and bitter days
Wrote some reckless lines—forget them—there is little there to praise.


I was human, very human, and if in the days misspent
I have injured man or woman, it was done without intent.
If at times I blundered blindly—bitter heart and aching brow—
If I wrote a line unkindly—I am sorry for it now.


Days in London
like a nightmare—dreams of foreign lands and sea—
And
Australia
is the only land that seemeth real to me.
Tell the Bushmen to Australia and each other to be true—
‘Tell the boys to stick together!’ I have held my
Last Review.

The Free-Selector's Daughter

I met her on the Lachlan Side -A
darling girl I thought her,

And ere I left I swore I'd win
The free-selector's daughter.

I milked her father's cows a month,
I brought the wood and water,

I mended all the broken fence,
Before I won the daughter.

I listened to her father's yarns,
I did just what I `oughter',

And what you'll have to do to win
A free-selector's daughter.

I broke my pipe and burnt my twist,
And washed my mouth with water;

I had a shave before I kissed
The free-selector's daughter.

Then, rising in the frosty morn,
I brought the cows for Mary,

And when I'd milked a bucketful
I took it to the dairy.

I poured the milk into the dish
While Mary held the strainer,

I summoned heart to speak my wish,
And, oh! her blush grew plainer.

I told her I must leave the place,
I said that I would miss her;

At first she turned away her face,
And then she let me kiss her.

I put the bucket on the ground,
And in my arms I caught her:
I'd give the world to hold again
That free-selector's daughter!

The City Bushman

It was pleasant up the country, City Bushman, where you went,
For you sought the greener patches and you travelled like a gent;
And you curse the trams and buses and the turmoil and the push,
Though you know the squalid city needn't keep you from the bush;
But we lately heard you singing of the `plains where shade is not',
And you mentioned it was dusty -- `all was dry and all was hot'.


True, the bush `hath moods and changes' -- and the bushman hath 'em, too,
For he's not a poet's dummy -- he's a man, the same as you;
But his back is growing rounder -- slaving for the absentee --
And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet
Should have made a greater contrast to the faces in the street;
And, in short, we think the bushman's being driven to the wall,
And it's doubtful if his spirit will be `loyal thro' it all'.


Though the bush has been romantic and it's nice to sing about,
There's a lot of patriotism that the land could do without --
Sort of BRITISH WORKMAN nonsense that shall perish in the scorn
Of the drover who is driven and the shearer who is shorn,
Of the struggling western farmers who have little time for rest,
And are ruined on selections in the sheep-infested West;
Droving songs are very pretty, but they merit little thanks
From the people of a country in possession of the Banks.


And the `rise and fall of seasons' suits the rise and fall of rhyme,
But we know that western seasons do not run on schedule time;
For the drought will go on drying while there's anything to dry,
Then it rains until you'd fancy it would bleach the sunny sky --
Then it pelters out of reason, for the downpour day and night
Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best,
But it's doubtful if you ever saw a season in the West;
There are years without an autumn or a winter or a spring,
There are broiling Junes, and summers when it rains like anything.


In the bush my ears were opened to the singing of the bird,
But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true,
But I only heard him asking, `Who the blanky blank are you?'
And the bell-bird in the ranges -- but his `silver chime' is harsh
When it's heard beside the solo of the curlew in the marsh.


Yes, I heard the shearers singing `William Riley', out of tune,
Saw 'em fighting round a shanty on a Sunday afternoon,
But the bushman isn't always `trapping brumbies in the night',
Nor is he for ever riding when `the morn is fresh and bright',
And he isn't always singing in the humpies on the run --
And the camp-fire's `cheery blazes' are a trifle overdone;
We have grumbled with the bushmen round the fire on rainy days,
When the smoke would blind a bullock and there wasn't any blaze,



Save the blazes of our language, for we cursed the fire in turn
Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags,
And we saw the sugar leaking through the bottoms of the bags,
And we couldn't raise a chorus, for the toothache and the cramp,
While we spent the hours of darkness draining puddles round the camp.


Would you like to change with Clancy -- go a-droving? tell us true,
For we rather think that Clancy would be glad to change with you,
And be something in the city; but 'twould give your muse a shock
To be losing time and money through the foot-rot in the flock,
And you wouldn't mind the beauties underneath the starry dome
If you had a wife and children and a lot of bills at home.


Did you ever guard the cattle when the night was inky-black,
And it rained, and icy water trickled gently down your back
Till your saddle-weary backbone fell a-aching to the roots
And you almost felt the croaking of the bull-frog in your boots --
Sit and shiver in the saddle, curse the restless stock and cough
Till a squatter's irate dummy cantered up to warn you off?
Did you fight the drought and pleuro when the `seasons' were asleep,
Felling sheoaks all the morning for a flock of starving sheep,
Drinking mud instead of water -- climbing trees and lopping boughs
For the broken-hearted bullocks and the dry and dusty cows?


Do you think the bush was better in the `good old droving days',
When the squatter ruled supremely as the king of western ways,
When you got a slip of paper for the little you could earn,
But were forced to take provisions from the station in return --
When you couldn't keep a chicken at your humpy on the run,
For the squatter wouldn't let you -- and your work was never done;
When you had to leave the missus in a lonely hut forlorn
While you `rose up Willy Riley' -- in the days ere you were born?


Ah! we read about the drovers and the shearers and the like
Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest
Ere they raise a just rebellion in the over-written West?
Where the simple-minded bushman gets a meal and bed and rum
Just by riding round reporting phantom flocks that never come;
Where the scalper -- never troubled by the `war-whoop of the push' --
Has a quiet little billet -- breeding rabbits in the bush;
Where the idle shanty-keeper never fails to make a draw,
And the dummy gets his tucker through provisions in the law;
Where the labour-agitator -- when the shearers rise in might --
Makes his money sacrificing all his substance for The Right;
Where the squatter makes his fortune, and `the seasons rise and fall',
And the poor and honest bushman has to suffer for it all;
Where the drovers and the shearers and the bushmen and the rest
Never reach the Eldorado of the poets of the West.


And you think the bush is purer and that life is better there,



But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse,
Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat,
And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage?
Did you hear the gods in chorus when `Ri-tooral' held the stage?
Did you catch a ring of sorrow in the city urchin's voice
When he yelled for Billy Elton, when he thumped the floor for Royce?
Do the bushmen, down on pleasure, miss the everlasting stars
When they drink and flirt and so on in the glow of private bars?


You've a down on `trams and buses', or the `roar' of 'em, you said,
And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been?
For the struggling needlewoman mostly keeps her attic clean.)
But you'll find it very jolly with the cuff-and-collar push,
And the city seems to suit you, while you rave about the bush.


. . . . .

You'll admit that Up-the Country, more especially in drought,
Isn't quite the Eldorado that the poets rave about,
Yet at times we long to gallop where the reckless bushman rides
In the wake of startled brumbies that are flying for their hides;
Long to feel the saddle tremble once again between our knees
And to hear the stockwhips rattle just like rifles in the trees!
Long to feel the bridle-leather tugging strongly in the hand
And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes
Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live,
Try to understand each other while we reckon up the div.

The Bursting of the Boom

The shipping-office clerks are ‘short,’ the manager is gruff—
‘They cannot make reductions,’ and ‘the fares are low enough.’
They ship us West with cattle, and we go like cattle too;
And fight like dogs three times a day for what we get to chew. . . .
We’ll have the pick of empty bunks and lots of stretching room,
And go for next to nothing at the Bursting of the Boom.
So wait till the Boom bursts!—we’ll all get a show:
Then when the Boom bursts is our time to go.
We’ll meet ’em coming back in shoals, with looks of deepest gloom,
But we’re the sort that battle through at the Bursting of the Boom.


The captain’s easy-going when Fremantle comes in sight;
He can’t say when you’ll get ashore—perhaps tomorrow night;
Your coins are few, the charges high; you must not linger here—
You’ll get your boxes from the hold when she’s ‘longside the pier.’
The launch will foul the gangway, and the trembling bulwarks loom
Above a fleet of harbour craft—at the Bursting of the Boom.


So wait till the Boom bursts!—we’ll all get a show;
He’ll ‘take you for a bob, sir,’ and where you want to go.
He’ll ‘take the big portmanteau, sir, if he might so presume’—
You needn’t hump your luggage at the Bursting of the Boom.


It’s loafers—Customs-loafers—and you pay and pay again;
They hinder you and cheat you from the gangway to the train;
The pubs and restaurants are full—they haven’t room for more;
They charge us each three shillings for a shakedown on the floor;
But, ‘Show this gentleman upstairs—the first front parlour room.
‘We’ll see about your luggage, sir’—at the Bursting of the Boom.


So wait till the Boom bursts!—we’ll all get a show;
And wait till the Boom bursts, and swear mighty low.
‘We mostly charge a pound a week. How do you like the room?’
And ‘Show this gentleman the bath’—at the Bursting of the Boom.


I go down to the timber-yard (I cannot face the rent)
To get some strips of oregon to frame my hessian tent;
To buy some scraps of lumber for a table or a shelf:
The boss comes up and says I might just look round for myself ;
The foreman grunts and turns away as silent as the tomb—
The boss himself will wait on me at the Bursting of the Boom.


So wait till the Boom bursts!—we’ll all get a load.
‘You had better take those scraps, sir, they’re only in the road.’
‘Now, where the hell’s the carter?’ you’ll hear the foreman fume;
And, ‘Take that timber round at once!’ at the Bursting of the Boom.


Each one-a-penny grocer, in his box of board and tin,
Will think it condescending to consent to take you in;
And not content with twice as much as what is just and right,
They charge and cheat you doubly, for the Boom is at its height.
It’s‘Take it now or leave it now;’ ‘your money or your room;’



But ‘Who’s attending Mr. Brown?’ at the Bursting of the Boom.


So wait till the Boom bursts!—and take what you can get,
‘There’s not the slightest hurry, and your bill ain’t ready yet.’
They’ll call and get your orders until the crack o’ doom,
And send them round directly, at the Bursting of the Boom.


No Country and no Brotherhood—such things are dead and cold;
A camp from all the lands or none, all mad for love of gold ;
Where T’othersider number one makes slave of number two,
And the vilest women of the world the vilest ways pursue;
And men go out and slave and bake and die in agony
In western hells that God forgot, where never man should be.
I feel a prophet in my heart that speaks the one word ‘Doom!’
And aye you’ll hear the Devil laugh at the Bursting of the Boom.

The Boss's Boots

The Shearers squint along the pens, they squint along the ‘shoots;’
The shearers squint along the board to catch the Boss’s boots;
They have no time to straighten up, they have no time to stare,
But when the Boss is looking on, they like to be aware.
The ‘rouser’ has no soul to save. Condemn the rouseabout!
And sling ’em in, and rip ’em through, and get the bell-sheep out ;
And skim it by the tips at times, or take it with the roots—
But ‘pink’ ’em nice and pretty when you see the Boss’s boots.


The shearing super sprained his foot, as bosses sometimes do—
And wore, until the shed cut out, one ‘side-spring’ and one shoe;
And though he changed his pants at times—some worn-out and some neat—
No ‘tiger’ there could possibly mistake the Boss’s feet.


The Boss affected larger boots than many Western men,
And Jim the Ringer swore the shoe was half as big again;
And tigers might have heard the boss ere any harm was done—
For when he passed it was a sort of dot and carry one.


But now there comes a picker-up who sprained his ankle, too,
And limping round the shed he found the Boss’s cast-off shoe.
He went to work, all legs and arms, as green-hand rousers will,
And never dreamed of Boss’s boots—much less of Bogan Bill.


Ye sons of sin that tramp and shear in hot and dusty scrubs,
Just keep away from ‘headin’ ’em,’ and keep away from pubs,
And keep away from handicaps—for so your sugar scoots—
And you may own a station yet and wear the Boss’s boots.


And Bogan by his mate was heard to mutter through his hair:
‘The Boss has got a rat to-day: he’s buckin’ everywhere—
‘He’s trainin’ for a bike, I think, the way he comes an’ scoots,
‘He’s like a bloomin’ cat on mud the way he shifts his boots.’


Now Bogan Bill was shearing rough and chanced to cut a teat ;
He stuck his leg in front at once, and slewed the ewe a bit;
He hurried up to get her through, when, close beside his shoot,
He saw a large and ancient shoe, in mateship with a boot.


He thought that he’d be fined all right—he couldn’t turn the ‘yoe;’
The more he wished the boss away, the more he wouldn’t go;
And Bogan swore amenfully—beneath his breath he swore—
And he was never known to ‘pink’ so prettily before.


And Bogan through his bristling scalp in his mind’s eye could trace,
The cold, sarcastic smile that lurked about the Boss’s face;
He cursed him with a silent curse in language known to few,
He cursed him from his boot right up, and then down to his shoe.


But while he shore so mighty clean, and while he screened the teat,
He fancied there was something wrong about the Boss’s feet:
The boot grew unfamiliar, and the odd shoe seemed awry,



And slowly up the trouser went the tail of Bogan’s eye,


Then swiftly to the features from a plaited green-hide belt—
You’d have to ring a shed or two to feel as Bogan felt—
For ’twas his green-hand picker-up (who wore a vacant look),
And Bogan saw the Boss outside consulting with his cook.


And Bogan Bill was hurt and mad to see that rouseabout
And Bogan laid his ‘Wolseley’ down and knocked that rouser out;
He knocked him right across the board, he tumbled through the shoot—
‘I’ll learn the fool,’ said Bogan Bill, ‘to flash the Boss’s boot!’


The rouser squints along the pens, he squints along the shoots,
And gives his men the office when they miss the Boss’s boots.
They have no time to straighten up, they’re too well-bred to stare,
But when the Boss is looking on they like to be aware.


The rouser has no soul to lose—it’s blarst the rouseabout!
And rip ’em through and yell for ‘tar’ and get the bell-sheep out,
And take it with the scum at times or take it with the roots,—
But ‘pink’ ’em nice and pretty when you see the Boss’s boots.

That Great Waiting Silence

Where shall we go for prophecy? Where shall we go for proof?
The holiday street is crowded, pavement, window and roof;
Band and banner pass by us, and the old tunes rise and fall—
But that great waiting silence is on the people all!


Where is the cheering and laughter of the eight-hour days gone by?
When the holiday heart was careless, and the holiday spirit high—
The friendly jostling and banter, the wit and the jovial call?
But that great waiting silence is over the people all.


Oh! but my heart beats faster—and a gush that was nearly tears:
Clatter of hammers on iron! and Australian Engineers!
Goods from Australian workshops—proud to the world at last
(And I see, in a flash from the future, Australian guns go past).


The morning sun-glare, softened by a veil, like frosted glass—
There is no breath of a head-breeze as the Labour banners pass,
There seems no sign of a danger or a change for the workers now—
But for some great, new-born spirit the banners seem to bow.


Where shall we go for our platforms? Where shall we go, indeed?
Shall we follow the cackle of women that follow the jesting Reid,
Through indifferent-seeming cities—and the browned men straight and tall?
But that great waiting silence is on the people all.


Twist and tangle and mystify, bully, and weep and bluff;
Marry the truth to a glaring lie, and say it is good enough;
Boast of your vice and villainy—in your virtue rant and bawl—
But that great waiting silence is over the people all!


Brothers, who work with shovel or pen, labour by day and night:
Brothers, who think of the hearts of men, ponder and speak and write;
Work for Australia’s destiny, content till you hear the call,
For the spirit that builds a nation is over the people all.

Song of the Old Bullock-Driver

Far back in the days when the blacks used to ramble
In long single file ’neath the evergreen tree,
The wool-teams in season came down from Coonamble,
And journeyed for weeks on their way to the sea,
’Twas then that our hearts and our sinews were stronger,
For those were the days when the bushman was bred.
We journeyed on roads that were rougher and longer
Than roads where the feet of our grandchildren tread.
With mates who have gone to the great Never-Never,
And mates whom I’ve not seen for many a day,
I camped on the banks of the Cudgegong River
And yarned at the fire by the old bullock-dray.
I would summon them back from the far Riverina,
From days that shall be from all others distinct,
And sing to the sound of an old concertina
Their rugged old songs where strange fancies were linked.


We never were lonely, for, camping together,
We yarned and we smoked the long evenings away,
And little I cared for the signs of the weather
When snug in my hammock slung under the dray.
We rose with the dawn, were it ever so chilly,
When yokes and tarpaulins were covered with frost,
And toasted the bacon and boiled the black billy,
Where high on the camp-fire the branches were tossed.


On flats where the air was suggestive of ’possums,
And homesteads and fences were hinting of change,
We saw the faint glimmer of appletree blossoms
And far in the distance the blue of the range;
And here in the rain, there was small use in flogging
The poor, tortured bullocks that tugged at the load,
When down to the axles the waggons were bogging
And traffic was making a marsh of the road.


’Twas hard on the beasts on the terrible pinches,
Where two teams of bullocks were yoked to a load,
And tugging and slipping, and moving by inches,
Half-way to the summit they clung to the road.
And then, when the last of the pinches was bested,
(You’ll surely not say that a glass was a sin?)
The bullocks lay down ’neath the gum trees and rested —
The bullockies steered for the bar of the inn.


Then slowly we crawled by the trees that kept tally
Of miles that were passed on the long journey down.
We saw the wild beauty of Capertee Valley,
As slowly we rounded the base of the Crown.
But, ah! the poor bullocks were cruelly goaded
While climbing the hills from the flats and the vales;
’Twas here that the teams were so often unloaded
That all knew the meaning of ‘counting your bales.’



And, oh! but the best-paying load that I carried
Was one to the run where my sweetheart was nurse.
We courted awhile, and agreed to get married,
And couple our futures for better or worse.
And as my old feet grew too weary to drag on
The miles of rough metal they met by the way,
My eldest grew up and I gave him the waggon —
He’s plodding along by the bullocks to-day.

Stand by the Engines

On the moonlighted decks there are children at play,
While smoothly the steamer is holding her way;
And the old folks are chatting on deck-seats and chairs,
And the lads and the lassies go strolling in pairs.


Some gaze half-entranced on the beautiful sea,
And wonder perhaps if a vision it be:
And surely their journeys no sorrow nor care,
For wealth, love, and beauty are passengers there.


But down underneath, ’mid the coal dust that smears
The face and the hands, work the ship’s engineers.
Whate’er be the duty of others, ’tis theirs
To stand by their engines whatever occurs.


The sailor may gaze on the sea and the sky;
The sailor may tell when the danger is nigh;
But when Death his black head o’er the waters uprears,
Unseen he is met by the ship’s engineers.


They are thrown from their feet by the force of a shock;
They know that their vessel has struck on a rock.
Now stand by your engines when danger appears,
For all may depend on the ship’s engineers!


No thought of their danger! No mad rush on deck!
They stand at their posts in the hull of a wreck,
Firm hands on the valves; and the white steam appears;
And down with their ship go the brave engineers!

Since the Cities are the Cities

FOOLS can parrot-cry the prophet when the proof is close at hand,
And the blind can see the danger when the foe is in the land!
Truth was never cynicism, death or ruin’s not a joke,
“Told-you-so” is not a warning—Patriotism not a croak.


Blame will aid no man nor country when the dark days come at last—
As with men so with a nation, and the warning time is past.
Our great sins were of omission, and the dogs of war are loosed—
And we all must stand together when those sins come home to roost.


Since the cities are the cities and shall stand for evermore,
Let us justify our being, be it peace or be it war.
For because we are the townsfolk, and have never ridden far
Shall we call the bush to aid us that has made us what we are?


Westward went our brothers, fighting distance, drought, and loneliness
While we lived in light and comfort knowing nothing of distress,
We who never shared the hardships when the sunset led them on,
Now’s our time, O street-bred people, with our faces to the dawn!


They have conquered with the cross-cut and the wedges and the maul,
With the spade and axe and mattock and the saddle-packs and all,
They have mighty work before them for the sake of you and me—
Let us stand up to our duty! We’re the Rearguard by the Sea.


Days of gibes at “street-bred people” by the street-bred bards are done—
Shall the man who lays the yard-stick never learn to lay the gun?
Shall the crouched type-writer toiling for his home in days like these
Touch the button the less firmly when we play on other keys?


We have seen in many countries what the street-bred men can do—
In the desert, scrub and jungle they were men who battled through!
Human weeds of grand endurance winning where the strong men quailed,
Pigeon-chested leaders leading on where beef-born courage failed.


Street-bred people down the ages—beggars, mobs and democrats—
Fought through many desperate sieges (fought on horseflesh, dogs and rats)
When their own cowed country failed them, then the city soul was proved—
“Street-bred people” died in thousands for the cities that they loved.


In the days when strength was needed—days of pike and axe and sword—
Daylight found the peaceful burghers ready, keeping watch and ward.
Clerks and tailors fought like heroes at the gates and in the trench—
(Even Falstaff brought his herrings with some slaughter through the French).


Every man should have a cottage and a garden to defend,
But the “should-be” is for ever—cities stand until the end,
Every farmer has a country that he loves when war-drums roll—
Every clerk may have a city that he loves with heart and soul.


Fat or lean, we all are sinners—lean or fat we all would be;
High or low or lean or fatted, ’tis for Nationality.



It will be till all is ended, as it was since all began—
’Tis the head and not the feathers! ’tis the heart and not the “man”!

Riding Round the Lines

Dust and smoke against the sunrise out where grim disaster lurks
And a broken sky-line looming like unfinished railway works,
And a trot, trot, trot and canter down inside the belt of mines:
It is General Greybeard Shrapnel who is riding round his lines.


And the scarecrows from the trenches, haggard eyes and hollow cheeks,
War-stained uniforms and ragged that have not been off for weeks;
They salute him and they cheer him and they watch his face for signs;
Ah! they try to read old Greybeard while he’s riding round the lines.


There’s a crack, crack, crack and rattle; there’s a thud and there’s a crash;
In the battery over yonder there is something gone to smash,
Then a hush and sudden movement, and its meaning he divines,
And he patches up a blunder while he’s riding round his lines.


Pushing this position forward, bringing that position back,
While his officers, with orders, ride like hell down hell’s own track;
Making hay—and to what purpose?—while his sun of winter shines,
But his work is just beginning when he’s ridden round his lines.


There are fifty thousand rifles and a hundred batteries
All a-playing battle music, with his fingers on the keys,
And if for an hour, exhausted, on his camp bed he reclines,
In his mind he still is riding—he is riding round his lines.


He’s the brains of fifty thousand, blundering at their country’s call;
He’s the one hope of his nation, and the loneliest man of all;
He is flesh and blood and human, though he never shews the signs:
He is General Greybeard Shrapnel who is fixing up his lines.


It is thankless work and weary, and, for all his neighbour knows,
He may sometimes feel as if he doesn’t half care how it goes;
But for all that can be gathered from his eyes of steely blue
He might be a great contractor who has some big job to do.


There’s the son who died in action—it may be a week ago;
There’s the wife and other troubles that most men have got to know—
(And we’ll say the grey-haired mother underneath the porch of vines):
Does he ever think of these things while he’s riding round his lines?


He is bossed by bitter boobies who can never understand;
He is hampered by the asses and the robbers of the land,
And I feel inclined to wonder what his own opinions are
Of the Government, the country, of the war and of the Czar.


He’s the same when he’s advancing, he’s the same in grim retreat;
For he wears one mask in triumph and the same mask in defeat;
Of the brave he is the bravest, he is strongest of the strong:
General Greybeard Shrapnel never shows that anything is wrong.


But we each and all are lonely, and we have our work to do;
We must fight for wife and children or our country and our screw



In the everlasting struggle to the end that fate destines;
In the war that men call living we are riding round our lines.


I ride round my last defences, where the bitter jibes are flung,
I am patching up the blunders that I made when I was young,
And I may be digging pitfalls and I may be laying mines;
For I sometimes feel like Shrapnel while I’m riding round my lines.

Possum A Lay of New Chumland

SO YER trav’lin’ for yer pleasure while yer writin’ for the press?
An’ yer huntin’ arter “copy”?—well, I’ve heer’d o’ that. I guess
You are gorn ter write a story that is gorn ter be yer best,
’Bout the “blunders an’ advenchers ov a new chum in the west?”
An’ you would be very thankful an’ acknowledge any hint?
Well, I karn’t say as I hankers fur ter see my name in print;
But I know a little story an’ I’ll tell it out ov hand
If yer’ll put it down in writin’ that the swells kin understand—
(It’s a story ov a new chum, and—a story ov the land.)


He had lately kum from Ingland—you cud tell it by ’s cap—
Fur “kerlonial exper’ence” (an’ he got it, too, poor chap).
’Twas in town he met the squatter, an’ he asked, as if in fun,
“If the boss ’ud want a flunkey or a coachy on the run?”
Well, it riz the boss’s dander, an’ he jumps clean orf ’is ’oss—
“Now, me fresh, sweet-scented beauty, watyer giv’nus?” sez the boss;
“I hev met yer kidney often, an’ yer mighty fresh an’ free,
But yer needn’t think yer gorn ter come a-lardin’ over me!”


But the new chum sed that ’onest he was lookin’ for a job,
An’ in spite of his appearance he had blued ’is bottom bob.
An’ as beggars karn’t be choosers same as people wot are rich,
Said he’d go as stoo’rd or gard’ner, but he warn’t partickler which.
Well, the joker seemed in earnest, so the boss began ter cool,
An’ he only blanked the new chum for a thund’rin’ jumpt-up fool.
Then he sed, “Well, there’s the fencin’, if yer’ll tramp it up from Perth,
The boys ’ll find yer su’thin p’r’aps, an’ giv’ yer wat yer worth.”


Ov course the squatter never thort ter see ’im any more,
But he wa’n’t the kind ov new chum that the squatter tuk ’im for;
No, he wa’n’t the kind er cockeroach that on’y kums ter shirk,
That wants ter git the sugar, but is fri’tened ov the work;
For he sold ’is watch ’n’ jool’ry, ’n’ lardi-dardy suits,
Stuck a swag upon his shoulder, ’n’ ’is feet in blucher boots;
An’ I dunno how he did it, he was anythin’ but strong,
But he ’umped his bluey ninety mile an’ kum to Bunglelong.


He earnt ’is pound and tucker borin’ holes an’ runnin’ wire,
An’ he’d work from dawn to sunset, an’ he never seemed to tire;
But he must have suffered orful from the tucker an’ the heat,
An’ the everlastin’ trampin’ made ’im tender in the feet,
An’ he must hev thort ov England w’en the everlastin’ flies
Ware a-worrit, worrit, worrit, an’ a-knawin’ at ’is eyes;
An’ he used to swear like thunder w’en the yaller sergeant ants
Took a mornin’ stroll, promiscus, on the inside ov ’is pants.


He uster make ’is damper six or seven inches thick—
It was doughey on the inside an’ the shell was like a brick,
An’ while the damper made ’im dream ov days ov long ago,



The little boodie rats ’ud kum an’ nibble out the dough.
He biled ’is taters soggy, an’ ’is junk was biled to rags
(The little boodie rats ’ud kum an’ chew ’s tucker bags),
But he took ’is troubles cheerful, an’ he fixed ’em like a pome,
An’ writ ’em in his darey to amuse the folks at home.


At first he flashed a coller an’ was keerful with ’is hat,
An’ he’d black ’is boots ov Sundays, but he soon grew out of that;
An’ he lernt ter bake ’is damper, an’ he leant to bile ’is junk
An’ sleep without a-getting up all night ter shake ’is bunk.
He soon got out ov takin’ “shorter cuts” across the flats,
An’ he learnt to fling ole bottles to the sorror of the rats,
An’ learnt to sling kerlonial and like the bushman’s way,
An’ it did us good to see ’im smoke ’is “nigger” in a clay.


He would sing an’ play ’is fiddle when we gathered round the blaze,
Till ole Frenchy got excited while he’d play the Mascylays;
An’ Bill ’ud take ’is hat off while he’d spout the Light Brigade,
An’ Scotchy got oneasy when the “Bony ’Ills” was played.
So we got ter like the new chum for we’d met with many wuss,
An’ we made it easy for ’im an’ he seemed to take to us:
The toilin’ an’ the trampin’ was a-cookin’ ’im we found,
So we made ’im cook an’ stoo’rd just ter keep the chap around.


Well, the months went bakin’ broilin’ on until Christmas nex’,
When we tramped it down to Perth to spend our ’ollyday (and cheques);
But Possum sed he’d save ’is tin an’ stay and mind the camp,
So we left ’im in possession an’ we started on our tramp;
(We useter call ’im Possum, but for short we called ’im Poss,
For ’is eyes was black an’ twinklin’ and a little chap he was),
We never would have left ’im if we’d know’d (but that’s the ru,
Comin’ back we found ’im dyin’ in ’is gunyah in the scrub.


We fixed ’im up an’ nursed ’im; but we seen without a doubt
That consumption was the matter, an’ the chap was peggin’ out;
But the lion heart inside ’im was as strong an’ stout as six,
An’ while he’d smile an’ thank us he would joke about ’is fix;
An’ he said ’twas very jolly to be dry-nursed in a tent,
An’ he reckoned that the Christmas was the best he’d ever spent;
He would talk of ’ome and Inglan’ when ’is head began ter swim,
But he never blamed the country that had been so ’ard on him.


He would say, “I like the country; if a feller’s blind er halt,
Or if he’s got konsumption, why it ain’t the country’s fault.
The tea that’s boil’d in billies is far sweeter stuff, I know,
Than the cursed drink w’at blasted all my chances long ago.
I would hev cum out sooner if it was my destiny,
An’ I daresay that the country would have made a man ov me.
But w’at’s the good ov energy, an’ wat’s the good er ‘push’
W’en a feller’s sick an’ dyin’ in a gunyah in the bush.”


But he tole me all about it as I sat beside ’is bunk—



How he’d spent ’is tin in Melbourne an’ was allers gettin’ drunk;
How he thort he’d take it easy while he had a little gold,
And, before he turned the new leaf, how he scribbled on the old;
An’ among a lot ov nonsense w’en ’is mind began to drift,
He told me that the new leaf was a heavy leaf to lift.
But w’ats the good er writin’ this, it’s nothin’ very new,
The land will see enough ov it an’ suffer for it, too.
An’ he said w’en he was dying, (when his lung was spit away)
An’ we all was standin’ round ’im in the gunyah where he lay,
An’ he said, “I’ve watched the sunset—when the wind began to ‘woosh’,
Like a layer ov coals a-glowin’—on the dark bed ov the bush;
An’ I felt my fingers slippin’—slippin’—slowly—from the ropes,
Wen the West was cold—like ashes—like the ashes of my hopes;
An’—I—— Sit beside me—Peter—let me ’old—a—bushman’s hand,
For I’m—gorn to—’ump—my bluey—through the gates ov—Newchumland.”