Dreams and Imagination

Sleep! Sleep! Beauty Bright
Sleep! sleep! beauty bright,
Dreaming o'er the joys of night;
Sleep! sleep! in thy sleep
Little sorrows sit and weep.
Sweet Babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.
As thy softest limbs I feel,
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart does rest.
O! the cunning wiles that creep
In thy little heart asleep.
When thy little heart does wake
Then the dreadful lightnings break,
From thy cheek and from thy eye,
O'er the youthful harvests nigh.
Infant wiles and infant smiles
Heaven and Earth of peace beguiles.

Reeds of Innocence
Piping down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:
'Pipe a song about a Lamb!'
So I piped with merry cheer.
'Piper, pipe that song again;'
So I piped: he wept to hear.
'Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer!'
So I sung the same again,
While he wept with joy to hear.
'Piper, sit thee down and write
In a book that all may read.'
So he vanish'd from my sight;
And I pluck'd a hollow reed,
And I made a rural pen,
And I stain'd the water clear,
And I wrote my happy songs
Every child may joy to hear.

Milton: The Sky is an Immortal Tent Built by the Sons of Los
The sky is an immortal tent built by the Sons of Los:
And every space that a man views around his dwelling-place
Standing on his own roof or in his garden on a mount
Of twenty-five cubits in height, such space is his universe:
And on its verge the sun rises and sets, the clouds bow
To meet the flat earth and the sea in such an order'd space:
The starry heavens reach no further, but here bend and set
On all sides, and the two Poles turn on their valves of gold:
And if he moves his dwelling-place, his heavens also move
Where'er he goes, and all his neighbourhood bewail his loss.
Such are the spaces called Earth and such its dimension.
As to that false appearance which appears to the reasoner
As of a globe rolling through voidness, it is a delusion of Ulro.
The microscope knows not of this nor the telescope: they alter
The ratio of the spectator's organs, but leave objects untouch'd.
For every space larger than a red globule of Man's blood
Is visionary, and is created by the Hammer of Los;
And every space smaller than a globule of Man's blood opens
Into Eternity of which this vegetable Earth is but a shadow.
The red globule is the unwearied sun by Los created
To measure time and space to mortal men every morning

Land of Dreams, The
Awake, awake, my little boy!
Thou wast thy mother's only joy;
Why dost thou weep in thy gentle sleep?
Awake! thy father does thee keep.
"O, what land is the Land of Dreams?
What are its mountains, and what are its streams?
O father! I saw my mother there,
Among the lilies by waters fair.
"Among the lambs, cloth?d in white,
She walk'd with her Thomas in sweet delight.
I wept for joy, like a dove I mourn;
O! when shall I again return?"
Dear child, I also by pleasant streams
Have wander'd all night in the Land of Dreams;
But tho' calm and warm the waters wide,
I could not get to the other side.
"Father, O father! what do we here
In this land of unbelief and fear?
The Land of Dreams is better far
Above the light of the morning star."

Crystal Cabinet, The
The Maiden caught me in the wild,
Where I was dancing merrily;
She put me into her Cabinet,
And lock'd me up with a golden key.
This cabinet is form'd of gold
And pearl and crystal shining bright,
And within it opens into a world
And a little lovely moony night.
Another England there I saw
Another London with its Tower,
Another Thames and other hills,
And another pleasant Surrey bower.
Another Maiden like herself,
Translucent, lovely, shining clear,
Threefold each in the other clos'd
O, what a pleasant trembling fear!
O, what a smile! a threefold smile
Fill'd me, that like a flame I burn'd;
I bent to kiss the lovely Maid,
And found a threefold kiss return'd.
I strove to seize the inmost form
With ardor fierce and hands of flame,
But burst the Crystal Cabinet,
And like a weeping Babe became--
A weeping Babe upon the wild,
And weeping Woman pale reclin'd,
And in the outward air again,
I fill'd with woes the passing wind.
.

Angel, The
I dreamt a dream! What can it mean?
And that I was a maiden Queen
Guarded by an Angel mild:
Witless woe was ne'er beguiled!
And I wept both night and day,
And he wiped my tears away;
And I wept both day and night,
And hid from him my heart's delight.
So he took his wings, and fled;
Then the morn blushed rosy red.
I dried my tears, and armed my fears
With ten-thousand shields and spears.
Soon my Angel came again;
I was armed, he came in vain;
For the time of youth was fled,
And grey hairs were on my head.

Ah! Sunflower
Ah Sunflower, weary of time,
Who countest the steps of the sun;
Seeking after that sweet golden clime
Where the traveller's journey is done;
Where the Youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves, and aspire
Where my Sunflower wishes to go!

Spells and Incantations
A vague pearl, a wan pearl
You showed me once; I peered through far-gone winters
Until my mind was fog-bound in that gem.
Blue diamonds, cold diamonds
You shook before me, so that out of them
Glittered and glowed vast diamond dawns of spring.
Tiger-eyed rubies, wrathful rubies
You rolled. I watched their hot hearts fling
Flames from each glaring summer of my life.
Quiet amber, mellow amber
You lifted; and behold the whole air rife
With evening, and the auburn autumn cloud.
But pale skin, your pearl skin
Show this to me, and I shall have surprise
Of every snow-lit dawn before it break.
But clear eyes, your fresh eyes
Open; that I may laugh, and lightly take
All air of early April in one hour.
But brown curls, O shadow me with curls,
Full of September mist, half-gleam, half-glower,
And I shall roam warm nights in lands far south.

The Spirit of Air
Coral and clear emerald,
And amber from the sea,
Lilac-coloured amethyst,
Chalcedony;
The lovely Spirit of Air
Floats on a cloud and doth ride,
Clad in the beauties of earth
Like a bride.
So doth she haunt me; and words
Tell but a tithe of the tale.
Sings all the sweetness of Spring
Even in the nightengale?
Nay, but with echoes she cries
Of the valley of love;
Dews on the thorns of her feet,
And darkness above.

The Keys of Morning
While at her bedroom window once,
Learning her task for school,
Little Louisa lonely sat
In the morning clear and cool,
She slanted her small bead-brown eyes
Across the empty street,
And saw Death softly watching her
In the sunshine pale and sweet.
His was a long lean sallow face;
He sat with half-shut eyes,
Like a old sailor in a ship
Becalmed 'neath tropic skies.
Beside him in the dust he had set
His staff and shady hat;
These, peeping small, Louisa saw
Quite clearly where she sat -
The thinness of his coal-black locks,
His hands so long and lean
They scarcely seemed to grasp at all
The keys that hung between:
Both were of gold, but one was small,
And with this last did he
Wag in the air, as if to say,
"Come hither, child, to me!"
Louisa laid her lesson book
On the cold window-sill;
And in the sleepy sunshine house
Went softly down, until
She stood in the half-opened door,
And peeped. But strange to say
Where Death just now had sunning sat
Only a shadow lay:
Just the tall chimney's round-topped cowl,
And the small sun behind,
Had with its shadow in the dust
Called sleepy Death to mind.
But most she thought how strange it was
Two keys that he should bear,
And that, when beckoning, he should wag
The littlest in the air.

Tartary
If I were Lord of Tartary,
Myself, and me alone,
My bed should be of ivory,
Of beaten gold my throne;
And in my court should peacocks flaunt,
And in my forests tigers haunt,
And in my pools great fishes slant
Their fins athwart the sun.
If I were Lord of Tartary,
Trumpeters every day
To all my meals should summon me,
And in my courtyards bray;
And in the evening lamps should shine,
Yellow as honey, red as wine,
While harp, and flute, and mandoline
Made music sweet and gay.
If I were Lord of Tartary,
I'd wear a robe of beads,
White, and gold, and green they'd be --
And small and thick as seeds;
And ere should wane the morning star,
I'd don my robe and scimitar.
And zebras seven should draw my car
Through Tartary's dark gleades.
Lord of the fruits of Tartary.
Her rivers silver-pale!
Lord of the hills of Tartary.
Glen, thicket, wood, and dale!
Her flashing stars, her scented breeze,
Her trembling lakes, like foamless seas,
Her bird-delighting citron-trees,
In every purple vale!

Off the Ground
Three jolly Farmers
Once bet a pound
Each dance the others would
Off the ground.
Out of their coats
They slipped right soon,
And neat and nicesome
Put each his shoon.
One--Two--Three!
And away they go,
Not too fast,
And not too slow;
Out from the elm-tree's
Noonday shadow,
Into the sun
And across the meadow.
Past the schoolroom,
With knees well bent,
Fingers a flicking,
They dancing went.
Up sides and over,
And round and round,
They crossed click-clacking
The Parish bound;
By Tupman's meadow
They did their mile,
Tee-to-tum
On a three-barred stile.
Then straight through Whipham,
Downhill to Week,
Footing it lightsome,
But not too quick,
Up fields to Watchet
And on through Wye,
Till seven fine churches
They'd seen slip by --
Seven fine churches,
And five old mills,
Farms in the valley,
And sheep on the hills;
Old Man's Acre
And Dead Man's Pool
All left behind,
As they danced through Wool.
And Wool gone by,
Like tops that seem
To spin in sleep
They danced in dream:
Withy -- Wellover --
Wassop -- Wo --
Like an old clock
Their heels did go.


A league and a league
And a league they went,
And not one weary,
And not one spent.
And log, and behold!
Past Willow-cum-Leigh
Stretched with its waters
The great green sea.
Says Farmer Bates,
'I puffs and I blows,
What's under the water,
Why, no man knows !'
Says Farmer Giles,
'My mind comes weak,
And a good man drownded
Is far to seek. '
But Farmer Turvey,
On twirling toes,
Up's with his gaiters,
And in he goes:
Down where the mermaids
Pluck and play
On their twangling harps
In a sea-green day;
Down where the mermaids
Finned and fair,
Sleek with their combs
Their yellow hair. . . .
Bates and Giles --
On the shingle sat,
Gazing at Turvey's
Floating hat.
But never a ripple
Nor bubble told
Where he was supping
Off plates of gold.
Never an echo
Rilled through the sea
Of the feasting and dancing
And minstrelsy.
They called -- called -- called;
Came no reply:
Nought but the ripples'
Sandy sigh.
Then glum and silent
They sat instead,
Vacantly brooding
On home and bed,
Till both together
Stood up and said: --
'Us knows not, dreams not,
Where you be,


Turvey, unless
In the deep blue sea;
But axcusing silver --
And it comes most willing --
Here's us two paying our forty shilling;
For it's sartin sure, Turvey,
Safe and sound,
You danced us a square, Turvey,
Off the ground.'

Music
When music sounds, gone is the earth I know,
And all her lovely things even lovelier grow;
Her flowers in vision flame, her forest trees
Lift burdened branches, stilled with ecstasies.
When music sounds, out of the water rise
Naiads whose beauty dims my waking eyes,
Rapt in strange dreams burns each enchanted face,
With solemn echoing stirs their dwelling-place.
When music sounds, all that I was I am
Ere to this haunt of brooding dust I came;
And from Time's woods break into distant song
The swift-winged hours, as I hasten along.

Alexander
It was the Great Alexander,
Capped with a golden helm,
Sate in the ages, in his floating ship,
In a dead calm.
Voices of sea-maids singing
Wandered across the deep:
The sailors labouring on their oars
Rowed as in sleep.
All the high pomp of Asia,
Charmed by that siren lay,
Out of their weary and dreaming minds
Faded away.
Like a bold boy sate their Captain,
His glamour withered and gone,
In the souls of his brooding mariners,
While the song pined on.
Time like a falling dew,
Life like the scene of a dream
Laid between slumber and slumber
Only did seem. . . .
O Alexander, then,
In all us mortals too,
Wax not so overbold
On the wave dark-blue!
Come the calm starry night,
Who then will hear
Aught save the singing
Of the sea-maids clear?

Visor'd

A MASK--a perpetual natural disguiser of herself,
Concealing her face, concealing her form,
Changes and transformations every hour, every moment,
Falling upon her even when she sleeps.

The Sleepers

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and


stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!


The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,


The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,

The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,

The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.


The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?


The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the

most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.


Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is


beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,

each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and


resume the way; 40
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!

I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.


Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.


I roll myself upon you, as upon a bed--I resign myself to the
dusk. 50

He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.


Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic! 60
O for pity's sake, no one must see me now! my clothes were stolen



while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!

Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,

I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.

The cloth laps a first sweet eating and drinking,

Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;

The white teeth stay, and the boss-tooth advances in darkness,

And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward. 70

I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,

I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,

It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,

Whoever is not in his coffin and the dark grave, let him know he has
enough. 80

I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,

His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,

I see his white body--I see his undaunted eyes,

I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of



his middle age?

Steady and long he struggles,

He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,

The slapping eddies are spotted with his blood--they bear him away-they
roll him, swing him, turn him,

His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks, 90

Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.


The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.


I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.


I search with the crowd--not one of the company is wash'd to us
alive;

In the morning I help pick up the dead and lay them in rows in a
barn. 100

Now of the older war-days, the defeat at Brooklyn,

Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,

His face is cold and damp--he cannot repress the weeping drops,

He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,

He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,

He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,

The officers speechless and slow draw near in their turns,

The chief encircles their necks with his arm, and kisses them on the
cheek,

He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army. 110

Now I tell what my mother told me to-day as we sat at dinner
together,


Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her


face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and

pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity, 120
She made her sit on a bench by the jamb of the fireplace--she cook'd

food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the

afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.

Now Lucifer was not dead--or if he was, I am his sorrowful terrible

heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me. 130

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.

A show of the summer softness! a contact of something unseen! an

amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me! 140
Autumn and winter are in the dreams--the farmer goes with his thrift,


The droves and crops increase, and the barns are well-fill'd.

Elements merge in the night--ships make tacks in the dreams,

The sailor sails--the exile returns home,

The fugitive returns unharm'd--the immigrant is back beyond months
and years,

The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,

They warmly welcome him--he is barefoot again, he forgets he is well
off;

The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,

To every port of England, France, Spain, enter well-fill'd ships,

The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way, 150

The Swede returns, and the Dane and Norwegian return.

The homeward bound, and the outward bound,

The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,

The actor and actress, those through with their parts, and those
waiting to commence,

The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,

The great already known, and the great any time after to-day,

The stammerer, the sick, the perfect-form'd, the homely,

The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,

The laugher and weeper, the dancer, the midnight widow, the red
squaw,

The consumptive, the erysipelite, the idiot, he that is wrong'd, 160

The antipodes, and every one between this and them in the dark,

I swear they are averaged now--one is no better than the other,

The night and sleep have liken'd them and restored them.

I swear they are all beautiful;

Every one that sleeps is beautiful--everything in the dim light is
beautiful,

The wildest and bloodiest is over, and all is peace.

Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;

The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind, 170

It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,

Perfect and clean the genitals previously jetting, and perfect and


clean the womb cohering,

The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.

The Soul is always beautiful,

The universe is duly in order, everything is in its place,

What has arrived is in its place, and what waits is in its place;

The twisted skull waits, the watery or rotten blood waits,

The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,

The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,

The diverse shall be no less diverse, but they shall flow and unite-they
unite now. 180

The sleepers are very beautiful as they lie unclothed,

They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,

The Asiatic and African are hand in hand--the European and American
are hand in hand,

Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,

The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,

The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,

The white hair of the mother shines on the white wrist of the
daughter,

The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,

The scholar kisses the teacher, and the teacher kisses the scholar-the
wrong'd is made right,

The call of the slave is one with the master's call, and the master
salutes the slave, 190

The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,

The sweatings and fevers stop--the throat that was unsound is sound-the
lungs of the consumptive are resumed--the poor distress'd
head is free,

The joints of the rheumatic move as smoothly as ever, and smoother
than ever,

Stiflings and passages open--the paralyzed become supple,

The swell'd and convuls'd and congested awake to themselves in
condition,

They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.


Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you; 200
I love the rich running day, but I do not desert her in whom I lay so


long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.

Time Zones

I willed my love to dream of me last night, that we might lie
at peace, if not beneath a single sheet, under one sky.
I dreamed of her but she could not alas humour my will;
it struck me suddenly that where she was was daylight still.

Oh! Arranmore, Loved Arranmore
Oh! Arranmore, loved Arranmore,
How oft I dream of thee,
And of those days when, by thy shore,
I wander'd young and free.
Full many a path I've tried, since then,
Through pleasure's flowery maze,
But ne'er could find the bliss again
I felt in those sweet days.
How blithe upon thy breezy cliffs
At sunny morn I've stood,
With heart as bounding as the skiffs
That danced along thy flood;
Or, when the western wave grew bright
With daylight's parting wing,
Have sought that Eden in its light
Which dreaming poets sing;
That Eden where the immortal brave
Dwell in a land serene --
Whose bowers beyond the shining wave
At sunset, oft are seen.
Ah, dream too full of saddening truth!
Those mansions o'er the main
Are like the hopes I built in youth --
As sunny and as vain!

An Incantation
Come with me, and we will blow
Lots of bubbles, as we go;
Bubbles bright as ever Hope
Drew from fancy -- or from soap;
Bright as e'er the South Sea sent
from its frothy element!
Come with me, and we will blow
Lots of bubbles, as we go.
Mix the lather, Johnny W--lks,
Thou, who rhym'st so well to bilks;
Mix the lather - who can be
Fitter for such task than thee,
Great M.P. for Sudsbury!
For the frothy charm is ripe,
Puffing Peter bring thy pipe, --
Thou, whom ancient Coventry,
Once so dearly lov'd, that she
Knew not which to her was sweeter,
Peeping Tom or Puffing Peter; --
Puff the bubbles high in air,
Puff thy best to keep them there.
Bravo, bravo, Peter M--re!
Now the rainbow humbugs soar,
Glitt'ring all with golden hues,
Such as haunt the dreams of Jews; --
Some reflecting mines that lie
Under Chili's glowing sky,
Some, those virgin pearls that sleep
Cloister'd in the southern deep;
Others, as if lent a ray
Form the streaming Milky Way,
Glist'ning o'er with curds and whey
From the cows of Alderney.
Now's the moment -- who shall first
Catch the buble, ere they burst?
Run, ye Squires, ye Viscounts, run,
Br-gd-n, T-ynh-m, P-lm-t-n; --
John W--lks junior runs beside ye!
Take the good the knaves provide ye!
See, with upturn'd eyes and hands,
Where the Shareman, Bri-gd-n, stands,
Gaping for the froth to fall
Down his gullet - lye and all.
See!---But hark my time is out --
Now, like some great water-spout,
Scaterr'd by the cannon's thunder,
Burst, ye bubbles, burst asunder!

The Sun on the Bookcase
Once more the cauldron of the sun
Smears the bookcase with winy red,
And here my page is, and there my bed,
And the apple-tree shadows travel along.
Soon their intangible track will be run,
And dusk grow strong
And they have fled.
Yes: now the boiling ball is gone,
And I have wasted another day....
But wasted--wasted, do I say?
Is it a waste to have imagined one
Beyond the hills there, who, anon,
My great deeds done,
Will be mine alway?

The Cave of the Unborn
I rose at night and visited
The Cave of the Unborn,
And crowding shapes surrounded me
For tidings of the life to be,
Who long had prayed the silent Head
To speed their advent morn.
Their eyes were lit with artless trust;
Hope thrilled their every tone:
"A place the loveliest, is it not?
A pure delight, a beauty-spot
Where all is gentle, pure and just
And ??violence?? is unknown?"
My heart was anguished for their sake;
I could not frame a word;
But they descried my sunken face
And seemed to read therein, and trace
The news which Pity would not break
Nor Truth leave unaverred.
And as I silently retired
I turned and watched them still:
And they came helter-skelter out,
Driven forward like a rabble rout
Into the world they had so desired,
By the all-immanent Will.

The Choral Union
He staggered in from night and frost and fog
And lampless streets: he’d guzzled like a hog
And drunk till he was dazed. And now he came
To hear—he couldn’t call to mind the name—
But he’d been given a ticket for the show,
And thought he’d (hiccup) chance his luck and go.
The hall swam in his eyes, and soaring light
Was dazzling splendid after the dank night.
He sat and blinked, safe in his cushioned seat,
And licked his lips; he’d like a brandy, neat.
‘Who is the King of Glory?’ they were saying,
He pricked his ears; what was it? Were they praying?...
By God, it might be Heaven! For singers stood
Ranked in pure white; and everyone seemed good;
And clergymen were sitting meekly round
With joyful faces, drinking in the sound;
And holy women, and plump whiskered men.
Could this be Heaven? And was he dead? And then
They all stood up; the mighty chorus broke
In storms of song above those blameless folk;
And ‘Hallelujah, Hallelujah!’ rang
The burden of the triumph that they sang.
He gasped; it must be true; he’d got to Heaven
With all his sins that seventy times were seven;
And whispering ‘Hallelujah’ mid their shout,
He wondered when Lord God would turn him out.

Slumber-Song
Sleep; and my song shall build about your bed
A paradise of dimness. You shall feel
The folding of tired wings; and peace will dwell
Throned in your silence: and one hour shall hold
Summer, and midnight, and immensity
Lulled to forgetfulness. For, where you dream,
The stately gloom of foliage shall embower
Your slumbering thought with tapestries of blue.
And there shall be no memory of the sky,
Nor sunlight with its cruelty of swords.
But, to your soul that sinks from deep to deep
Through drowned and glimmering colour, Time shall be
Only slow rhythmic swaying; and your breath;
And roses in the darkness; and my love.

Limitations
If you could crowd them into forty lines!
Yes; you can do it, once you get a start;
All that you want is waiting in your head,
For long-ago you’ve learnt it off by heart.
. . . .
Begin: your mind’s the room where you have slept,
(Don’t pause for rhymes), till twilight woke you early.
The window stands wide-open, as it stood
When tree-tops loomed enchanted for a child
Hearing the dawn’s first thrushes through the wood
Warbling (you know the words) serene and wild.
You’ve said it all before: you dreamed of Death,
A dim Apollo in the bird-voiced breeze
That drifts across the morning veiled with showers,
While golden weather shines among dark trees.
You’ve got your limitations; let them sing,
And all your life will waken with a cry:
Why should you halt when rapture’s on the wing
And you’ve no limit but the cloud-flocked sky?...
But some chap shouts, ‘Here, stop it; that’s been done!’—
As God might holloa to the rising sun,
And then relent, because the glorying rays
Remind Him of green-glinting Eden days,
And Adam’s trustful eyes as he looks up
From carving eagles on his beechwood cup.
Young Adam knew his job; he could condense
Life to an eagle from the unknown immense....
Go on, whoever you are; your lines can be
A whisper in the music from the weirs
Of song that plunge and tumble toward the sea
That is the uncharted mercy of our tears.
. . . .
I told you it was easy! ... Words are fools
Who follow blindly, once they get a lead.
But thoughts are kingfishers that haunt the pools
Of quiet; seldom-seen: and all you need
Is just that flash of joy above your dream.
So, when those forty platitudes are done,
You’ll hear a bird-note calling from the stream
That wandered through your childhood; and the sun
Will strike the old flaming wonder from the waters....
And there’ll be forty lines not yet begun.