Poems in this theme
Animals and Nature
D.H. Lawrence
Lui et Elle
Lui et Elle
She is large and matronly
And rather dirty,
A little sardonic-looking, as if domesticity had driven her to it.
Though what she does, except lay four eggs at random in the garden once a year
And put up with her husband,
I don't know.
She likes to eat.
She hurries up, striding reared on long uncanny legs
When food is going.
Oh yes, she can make haste when she likes.
She snaps the soft bread from my hand in great mouthfuls,
Opening her rather pretty wedge of an iron, pristine face
Into an enormously wide-beaked mouth
Like sudden curved scissors,
And gulping at more than she can swallow, and working her thick, soft tongue,
And having the bread hanging over her chin.
O Mistress, Mistress,
Reptile mistress,
Your eye is very dark, very bright,
And it never softens
Although you watch.
She knows,
She knows well enough to come for food,
Yet she sees me not;
Her bright eye sees, but not me, not anything,
Sightful, sightless, seeing and visionless,
Reptile mistress.
Taking bread in her curved, gaping, toothless mouth,
She has no qualm when she catches my finger in her steel overlapping gums,
But she hangs on, and my shout and my shrinking are nothing to her.
She does not even know she is nipping me with her curved beak.
Snake-like she draws at my finger, while I drag it in horror away.
Mistress, reptile mistress,
You are almost too large, I am almost frightened.
He is much smaller,
Dapper beside her,
And ridiculously small.
Her laconic eye has an earthy, materialistic look,
His, poor darling, is almost fiery.
His wimple, his blunt-prowed face,
His low forehead, his skinny neck, his long, scaled, striving legs,
So striving, striving,
Are all more delicate than she,
And he has a cruel scar on his shell.
Poor darling, biting at her feet,
Running beside her like a dog, biting her earthy, splay feet,
Nipping her ankles,
Which she drags apathetic away, though without retreating into her shell.
Agelessly silent,
And with a grim, reptile determination,
Cold, voiceless age-after-age behind him, serpents' long obstinacy
Of horizontal persistence.
Little old man
Scuffling beside her, bending down, catching his opportunity,
Parting his steel-trap face, so suddenly, and seizing her scaly ankle,
And hanging grimly on,
Letting go at last as she drags away,
And closing his steel-trap face.
His steel-trap, stoic, ageless, handsome face.
Alas, what a fool he looks in this scuffle.
And how he feels it!
The lonely rambler, the stoic, dignified stalker through chaos,
The immune, the animate,
Enveloped in isolation,
Fore-runner.
Now look at him!
Alas, the spear is through the side of his isolation.
His adolescence saw him crucified into sex,
Doomed, in the long crucifixion of desire, to seek his consummation beyond himself.
Divided into passionate duality,
He, so finished and immune, now broken into desirous fragmentariness,
Doomed to make an intolerable fool of himself
In his effort toward completion again.
Poor little earthy house-inhabiting Osiris,
The mysterious bull tore him at adolescence into pieces,
And he must struggle after reconstruction, ignominiously.
And so behold him following the tail
Of that mud-hovel of his slowly rambling spouse,
Like some unhappy bull at the tail of a cow,
But with more than bovine, grim, earth-dank persistence.
Suddenly seizing the ugly ankle as she stretches out to walk,
Roaming over the sods,
Or, if it happen to show, at her pointed, heavy tail
Beneath the low-dropping back-board of her shell.
Their two shells like domed boats bumping,
Hers huge, his small;
Their splay feet rambling and rowing like paddles,
And stumbling mixed up in one another,
In the race of love --
Two tortoises,
She huge, he small.
She seems earthily apathetic,
And he has a reptile's awful persistence.
I heard a woman pitying her, pitying the Mère Tortue.
While I, I pity Monsieur.
'He pesters her and torments her,' said the woman.
How much more is he pestered and tormented, say I.
What can he do?
He is dumb, he is visionless,
Conceptionless.
His black, sad-lidded eye sees but beholds not
As her earthen mound moves on,
But he catches the folds of vulnerable, leathery skin,
Nail-studded, that shake beneath her shell,
And drags at these with his beak,
Drags and drags and bites,
While she pulls herself free, and rows her dull mound along.
She is large and matronly
And rather dirty,
A little sardonic-looking, as if domesticity had driven her to it.
Though what she does, except lay four eggs at random in the garden once a year
And put up with her husband,
I don't know.
She likes to eat.
She hurries up, striding reared on long uncanny legs
When food is going.
Oh yes, she can make haste when she likes.
She snaps the soft bread from my hand in great mouthfuls,
Opening her rather pretty wedge of an iron, pristine face
Into an enormously wide-beaked mouth
Like sudden curved scissors,
And gulping at more than she can swallow, and working her thick, soft tongue,
And having the bread hanging over her chin.
O Mistress, Mistress,
Reptile mistress,
Your eye is very dark, very bright,
And it never softens
Although you watch.
She knows,
She knows well enough to come for food,
Yet she sees me not;
Her bright eye sees, but not me, not anything,
Sightful, sightless, seeing and visionless,
Reptile mistress.
Taking bread in her curved, gaping, toothless mouth,
She has no qualm when she catches my finger in her steel overlapping gums,
But she hangs on, and my shout and my shrinking are nothing to her.
She does not even know she is nipping me with her curved beak.
Snake-like she draws at my finger, while I drag it in horror away.
Mistress, reptile mistress,
You are almost too large, I am almost frightened.
He is much smaller,
Dapper beside her,
And ridiculously small.
Her laconic eye has an earthy, materialistic look,
His, poor darling, is almost fiery.
His wimple, his blunt-prowed face,
His low forehead, his skinny neck, his long, scaled, striving legs,
So striving, striving,
Are all more delicate than she,
And he has a cruel scar on his shell.
Poor darling, biting at her feet,
Running beside her like a dog, biting her earthy, splay feet,
Nipping her ankles,
Which she drags apathetic away, though without retreating into her shell.
Agelessly silent,
And with a grim, reptile determination,
Cold, voiceless age-after-age behind him, serpents' long obstinacy
Of horizontal persistence.
Little old man
Scuffling beside her, bending down, catching his opportunity,
Parting his steel-trap face, so suddenly, and seizing her scaly ankle,
And hanging grimly on,
Letting go at last as she drags away,
And closing his steel-trap face.
His steel-trap, stoic, ageless, handsome face.
Alas, what a fool he looks in this scuffle.
And how he feels it!
The lonely rambler, the stoic, dignified stalker through chaos,
The immune, the animate,
Enveloped in isolation,
Fore-runner.
Now look at him!
Alas, the spear is through the side of his isolation.
His adolescence saw him crucified into sex,
Doomed, in the long crucifixion of desire, to seek his consummation beyond himself.
Divided into passionate duality,
He, so finished and immune, now broken into desirous fragmentariness,
Doomed to make an intolerable fool of himself
In his effort toward completion again.
Poor little earthy house-inhabiting Osiris,
The mysterious bull tore him at adolescence into pieces,
And he must struggle after reconstruction, ignominiously.
And so behold him following the tail
Of that mud-hovel of his slowly rambling spouse,
Like some unhappy bull at the tail of a cow,
But with more than bovine, grim, earth-dank persistence.
Suddenly seizing the ugly ankle as she stretches out to walk,
Roaming over the sods,
Or, if it happen to show, at her pointed, heavy tail
Beneath the low-dropping back-board of her shell.
Their two shells like domed boats bumping,
Hers huge, his small;
Their splay feet rambling and rowing like paddles,
And stumbling mixed up in one another,
In the race of love --
Two tortoises,
She huge, he small.
She seems earthily apathetic,
And he has a reptile's awful persistence.
I heard a woman pitying her, pitying the Mère Tortue.
While I, I pity Monsieur.
'He pesters her and torments her,' said the woman.
How much more is he pestered and tormented, say I.
What can he do?
He is dumb, he is visionless,
Conceptionless.
His black, sad-lidded eye sees but beholds not
As her earthen mound moves on,
But he catches the folds of vulnerable, leathery skin,
Nail-studded, that shake beneath her shell,
And drags at these with his beak,
Drags and drags and bites,
While she pulls herself free, and rows her dull mound along.
210
D.H. Lawrence
Mating
Mating
Round clouds roll in the arms of the wind,
The round earth rolls in a clasp of blue sky,
And see, where the budding hazels are thinned,
The wild anemones lie
In undulating shivers beneath the wind.
Over the blue of the waters ply
White ducks, a living flotilla of cloud;
And, look you, floating just thereby,
The blue-gleamed drake stems proud
Like Abraham, whose seed should multiply.
In the lustrous gleam of the water, there
Scramble seven toads across the silk, obscure leaves,
Seven toads that meet in the dusk to share
The darkness that interweaves
The sky and earth and water and live things everywhere.
Look now, through the woods where the beech-green spurts
Like a storm of emerald snow, look, see
A great bay stallion dances, skirts
The bushes sumptuously,
Going outward now in the spring to his brief deserts.
Ah love, with your rich, warm face aglow,
What sudden expectation opens you
So wide as you watch the catkins blow
Their dust from the birch on the blue
Lift of the pulsing wind—ah, tell me you know!
Ah, surely! Ah, sure from the golden sun
A quickening, masculine gleam floats in to all
Us creatures, people and flowers undone,
Lying open under his thrall,
As he begets the year in us. What, then, would you shun?
Why, I should think that from the earth there fly
Fine thrills to the neighbour stars, fine yellow beams
Thrown lustily off from our full-blown, high
Bursting globe of dreams,
To quicken the spheres that are virgin still in the sky.
Do you not hear each morsel thrill
With joy at travelling to plant itself within
The expectant one, therein to instil
New rapture, new shape to win,
From the thick of life wake up another will?
Surely, and if that I would spill
The vivid, ah, the fiery surplus of life,
From off my brimming measure, to fill
You, and flush you rife
With increase, do you call it evil, and always evil?
Round clouds roll in the arms of the wind,
The round earth rolls in a clasp of blue sky,
And see, where the budding hazels are thinned,
The wild anemones lie
In undulating shivers beneath the wind.
Over the blue of the waters ply
White ducks, a living flotilla of cloud;
And, look you, floating just thereby,
The blue-gleamed drake stems proud
Like Abraham, whose seed should multiply.
In the lustrous gleam of the water, there
Scramble seven toads across the silk, obscure leaves,
Seven toads that meet in the dusk to share
The darkness that interweaves
The sky and earth and water and live things everywhere.
Look now, through the woods where the beech-green spurts
Like a storm of emerald snow, look, see
A great bay stallion dances, skirts
The bushes sumptuously,
Going outward now in the spring to his brief deserts.
Ah love, with your rich, warm face aglow,
What sudden expectation opens you
So wide as you watch the catkins blow
Their dust from the birch on the blue
Lift of the pulsing wind—ah, tell me you know!
Ah, surely! Ah, sure from the golden sun
A quickening, masculine gleam floats in to all
Us creatures, people and flowers undone,
Lying open under his thrall,
As he begets the year in us. What, then, would you shun?
Why, I should think that from the earth there fly
Fine thrills to the neighbour stars, fine yellow beams
Thrown lustily off from our full-blown, high
Bursting globe of dreams,
To quicken the spheres that are virgin still in the sky.
Do you not hear each morsel thrill
With joy at travelling to plant itself within
The expectant one, therein to instil
New rapture, new shape to win,
From the thick of life wake up another will?
Surely, and if that I would spill
The vivid, ah, the fiery surplus of life,
From off my brimming measure, to fill
You, and flush you rife
With increase, do you call it evil, and always evil?
210
D.H. Lawrence
Kangaroo
Kangaroo
Delicate mother Kangaroo
Sitting up there rabbit-wise, but huge, plump-weighted,
And lifting her beautiful slender face, oh! so much more
gently and finely lined than a rabbit's, or than a hare's,
Lifting her face to nibble at a round white peppermint drop
which she loves, sensitive mother Kangaroo.
Her sensitive, long, pure-bred face.
Her full antipodal eyes, so dark,
So big and quiet and remote, having watched so many
empty dawns in silent Australia.
Her little loose hands, and drooping Victorian shoulders.
And then her great weight below the waist, her vast pale belly,
With a thin young yellow little paw hanging out, and
straggle of a long thin ear, like ribbon,
Like a funny trimming to the middle of her belly, thin
little dangle of an immature paw, and one thin ear.
Her belly, her big haunches
And, in addition, the great muscular python-stretch of her tail.
There, she shan't have any more peppermint drops.
So she wistfully, sensitively sniffs the air, and then turns,
goes off in slow sad leaps
On the long flat skis of her legs,
Steered and propelled by that steel-strong snake of a tail.
Stops again, half turns, inquisitive to look back.
While something stirs quickly in her belly, and a lean little
face comes out, as from a window,
Peaked and a bit dismayed,
Only to disappear again quickly away from the sight of the
world, to snuggle down in the warmth,
Leaving the trail of a different paw hanging out.
Still she watches with eternal, cocked wistfulness!
How full her eyes are, like the full, fathomless, shining
eyes of an Australian black-boy
Who has been lost so many centuries on the margins of
existence!
She watches with insatiable wistfulness.
Untold centuries of watching for something to come,
For a new signal from life, in that silent lost land of the
South.
Where nothing bites but insects and snakes and the sun,
small life.
Where no bull roared, no cow ever lowed, no stag cried,
no leopard screeched, no lion coughed, no dog barked,
But all was silent save for parrots occasionally, in the
haunted blue bush.
Wistfully watching, with wonderful liquid eyes.
And all her weight, all her blood, dropping sackwise down
towards the earth's centre,
And the live little-one taking in its paw at the door of her
belly.
Delicate mother Kangaroo
Sitting up there rabbit-wise, but huge, plump-weighted,
And lifting her beautiful slender face, oh! so much more
gently and finely lined than a rabbit's, or than a hare's,
Lifting her face to nibble at a round white peppermint drop
which she loves, sensitive mother Kangaroo.
Her sensitive, long, pure-bred face.
Her full antipodal eyes, so dark,
So big and quiet and remote, having watched so many
empty dawns in silent Australia.
Her little loose hands, and drooping Victorian shoulders.
And then her great weight below the waist, her vast pale belly,
With a thin young yellow little paw hanging out, and
straggle of a long thin ear, like ribbon,
Like a funny trimming to the middle of her belly, thin
little dangle of an immature paw, and one thin ear.
Her belly, her big haunches
And, in addition, the great muscular python-stretch of her tail.
There, she shan't have any more peppermint drops.
So she wistfully, sensitively sniffs the air, and then turns,
goes off in slow sad leaps
On the long flat skis of her legs,
Steered and propelled by that steel-strong snake of a tail.
Stops again, half turns, inquisitive to look back.
While something stirs quickly in her belly, and a lean little
face comes out, as from a window,
Peaked and a bit dismayed,
Only to disappear again quickly away from the sight of the
world, to snuggle down in the warmth,
Leaving the trail of a different paw hanging out.
Still she watches with eternal, cocked wistfulness!
How full her eyes are, like the full, fathomless, shining
eyes of an Australian black-boy
Who has been lost so many centuries on the margins of
existence!
She watches with insatiable wistfulness.
Untold centuries of watching for something to come,
For a new signal from life, in that silent lost land of the
South.
Where nothing bites but insects and snakes and the sun,
small life.
Where no bull roared, no cow ever lowed, no stag cried,
no leopard screeched, no lion coughed, no dog barked,
But all was silent save for parrots occasionally, in the
haunted blue bush.
Wistfully watching, with wonderful liquid eyes.
And all her weight, all her blood, dropping sackwise down
towards the earth's centre,
And the live little-one taking in its paw at the door of her
belly.
243
D.H. Lawrence
Green
Green
The dawn was apple-green,
The sky was green wine held up in the sun,
The moon was a golden petal between.
She opened her eyes, and green
They shone, clear like flowers undone,
For the first time, now for the first time seen.
The dawn was apple-green,
The sky was green wine held up in the sun,
The moon was a golden petal between.
She opened her eyes, and green
They shone, clear like flowers undone,
For the first time, now for the first time seen.
185
D.H. Lawrence
Baby Tortoise
Baby Tortoise
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
227
D.H. Lawrence
Bat
Bat
At evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise ...
When the tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding ...
When under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno ...
Look up, and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.
A circle swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
And you think:
'The swallows are flying so late!'
Swallows?
Dark air-life looping
Yet missing the pure loop ...
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.
Never swallows!
Bats!
The swallows are gone.
At a wavering instant the swallows gave way to bats
By the Ponte Vecchio ...
Changing guard.
Bats, and an uneasy creeping in one's scalp
As the bats swoop overhead!
Flying madly.
Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;
Wings like bits of umbrella.
Bats!
Creatures that hang themselves up like an old rag, to sleep;
And disgustingly upside down.
Hanging upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!
Not for me!
At evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise ...
When the tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding ...
When under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno ...
Look up, and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.
A circle swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
And you think:
'The swallows are flying so late!'
Swallows?
Dark air-life looping
Yet missing the pure loop ...
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.
Never swallows!
Bats!
The swallows are gone.
At a wavering instant the swallows gave way to bats
By the Ponte Vecchio ...
Changing guard.
Bats, and an uneasy creeping in one's scalp
As the bats swoop overhead!
Flying madly.
Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;
Wings like bits of umbrella.
Bats!
Creatures that hang themselves up like an old rag, to sleep;
And disgustingly upside down.
Hanging upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!
Not for me!
268
D.H. Lawrence
A Passing Bell
A Passing Bell
Mournfully to and fro, to and fro the trees are waving;
What did you say, my dear?
The rain-bruised leaves are suddenly shaken, as a child
Asleep still shakes in the clutch of a sob—
Yes, my love, I hear.
One lonely bell, one only, the storm-tossed afternoon is braving,
Why not let it ring?
The roses lean down when they hear it, the tender, mild
Flowers of the bleeding-heart fall to the throb—
It is such a little thing!
A wet bird walks on the lawn, call to the boy to come and look,
Yes, it is over now.
Call to him out of the silence, call him to see
The starling shaking its head as it walks in the grass—
Ah, who knows how?
He cannot see it, I can never show it him, how it shook—
Don’t disturb him, darling.
—Its head as it walked: I can never call him to me,
Never, he is not, whatever shall come to pass.
No, look at the wet starling.
Mournfully to and fro, to and fro the trees are waving;
What did you say, my dear?
The rain-bruised leaves are suddenly shaken, as a child
Asleep still shakes in the clutch of a sob—
Yes, my love, I hear.
One lonely bell, one only, the storm-tossed afternoon is braving,
Why not let it ring?
The roses lean down when they hear it, the tender, mild
Flowers of the bleeding-heart fall to the throb—
It is such a little thing!
A wet bird walks on the lawn, call to the boy to come and look,
Yes, it is over now.
Call to him out of the silence, call him to see
The starling shaking its head as it walks in the grass—
Ah, who knows how?
He cannot see it, I can never show it him, how it shook—
Don’t disturb him, darling.
—Its head as it walked: I can never call him to me,
Never, he is not, whatever shall come to pass.
No, look at the wet starling.
223
Claude Mckay
Winter in the Country
Winter in the Country
Sweet life! how lovely to be here
And feel the soft sea-laden breeze
Strike my flushed face, the spruce's fair
Free limbs to see, the lesser trees'
Bare hands to touch, the sparrow's cheep
To heed, and watch his nimble flight
Above the short brown grass asleep.
Love glorious in his friendly might,
Music that every heart could bless,
And thoughts of life serene, divine,
Beyond my power to express,
Crowd round this lifted heart of mine!
But oh! to leave this paradise
For the city's dirty basement room,
Where, beauty hidden from the eyes,
A table, bed, bureau, and broom
In corner set, two crippled chairs
All covered up with dust and grim
With hideousness and scars of years,
And gaslight burning weird and dim,
Will welcome me . . . And yet, and yet
This very wind, the winter birds
The glory of the soft sunset,
Come there to me in words.
Sweet life! how lovely to be here
And feel the soft sea-laden breeze
Strike my flushed face, the spruce's fair
Free limbs to see, the lesser trees'
Bare hands to touch, the sparrow's cheep
To heed, and watch his nimble flight
Above the short brown grass asleep.
Love glorious in his friendly might,
Music that every heart could bless,
And thoughts of life serene, divine,
Beyond my power to express,
Crowd round this lifted heart of mine!
But oh! to leave this paradise
For the city's dirty basement room,
Where, beauty hidden from the eyes,
A table, bed, bureau, and broom
In corner set, two crippled chairs
All covered up with dust and grim
With hideousness and scars of years,
And gaslight burning weird and dim,
Will welcome me . . . And yet, and yet
This very wind, the winter birds
The glory of the soft sunset,
Come there to me in words.
353
Claude Mckay
When Dawn Comes to the City
When Dawn Comes to the City
The tired cars go grumbling by,
The moaning, groaning cars,
And the old milk carts go rumbling by
Under the same dull stars.
Out of the tenements, cold as stone,
Dark figures start for work;
I watch them sadly shuffle on,
'Tis dawn, dawn in New York.
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing,
Out on the brown dew-silvered lawn,
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh, there! on the island of the sea,
There would I be at dawn.
The tired cars go grumbling by,
The crazy, lazy cars,
And the same milk carts go rumbling by
Under the dying stars.
A lonely newsboy hurries by,
Humming a recent ditty;
Red streaks strike through the gray of the sky,
The dawn comes to the city.
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing
Out on the brown dew-silvered lawn,
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling,
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh, there! on the island of the sea,
There I would be at dawn.
The tired cars go grumbling by,
The moaning, groaning cars,
And the old milk carts go rumbling by
Under the same dull stars.
Out of the tenements, cold as stone,
Dark figures start for work;
I watch them sadly shuffle on,
'Tis dawn, dawn in New York.
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing,
Out on the brown dew-silvered lawn,
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh, there! on the island of the sea,
There would I be at dawn.
The tired cars go grumbling by,
The crazy, lazy cars,
And the same milk carts go rumbling by
Under the dying stars.
A lonely newsboy hurries by,
Humming a recent ditty;
Red streaks strike through the gray of the sky,
The dawn comes to the city.
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing
Out on the brown dew-silvered lawn,
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling,
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh, there! on the island of the sea,
There I would be at dawn.
614
Claude Mckay
Joy in the Woods
Joy in the Woods
There is joy in the woods just now,
The leaves are whispers of song,
And the birds make mirth on the bough
And music the whole day long,
And God! to dwell in the town
In these springlike summer days,
On my brow an unfading frown
And hate in my heart always—
A machine out of gear, aye, tired,
Yet forced to go on—for I’m hired.
Just forced to go on through fear,
For every day I must eat
And find ugly clothes to wear,
And bad shoes to hurt my feet
And a shelter for work-drugged sleep!
A mere drudge! but what can one do?
A man that’s a man cannot weep!
Suicide? A quitter? Oh, no!
But a slave should never grow tired,
Whom the masters have kindly hired.
But oh! for the woods, the flowers
Of natural, sweet perfume,
The heartening, summer showers
And the smiling shrubs in bloom,
Dust-free, dew-tinted at morn,
The fresh and life-giving air,
The billowing waves of corn
And the birds’ notes rich and clear:—
For a man-machine toil-tired
May crave beauty too—though he’s hired
There is joy in the woods just now,
The leaves are whispers of song,
And the birds make mirth on the bough
And music the whole day long,
And God! to dwell in the town
In these springlike summer days,
On my brow an unfading frown
And hate in my heart always—
A machine out of gear, aye, tired,
Yet forced to go on—for I’m hired.
Just forced to go on through fear,
For every day I must eat
And find ugly clothes to wear,
And bad shoes to hurt my feet
And a shelter for work-drugged sleep!
A mere drudge! but what can one do?
A man that’s a man cannot weep!
Suicide? A quitter? Oh, no!
But a slave should never grow tired,
Whom the masters have kindly hired.
But oh! for the woods, the flowers
Of natural, sweet perfume,
The heartening, summer showers
And the smiling shrubs in bloom,
Dust-free, dew-tinted at morn,
The fresh and life-giving air,
The billowing waves of corn
And the birds’ notes rich and clear:—
For a man-machine toil-tired
May crave beauty too—though he’s hired
629
Claude Mckay
Homing Swallows
Homing Swallows
Swift swallows sailing from the Spanish main,
O rain-birds racing merrily away
From hill-tops parched with heat and sultry plain
Of wilting plants and fainting flowers, say--
When at the noon-hour from the chapel school
The children dash and scamper down the dale,
Scornful of teacher's rod and binding rule
Forever broken and without avail,
Do they still stop beneath the giant tree
To gather locusts in their childish greed,
And chuckle when they break the pods to see
The golden powder clustered round the seed?
Swift swallows sailing from the Spanish main,
O rain-birds racing merrily away
From hill-tops parched with heat and sultry plain
Of wilting plants and fainting flowers, say--
When at the noon-hour from the chapel school
The children dash and scamper down the dale,
Scornful of teacher's rod and binding rule
Forever broken and without avail,
Do they still stop beneath the giant tree
To gather locusts in their childish greed,
And chuckle when they break the pods to see
The golden powder clustered round the seed?
301
Christina Rossetti
Winter Rain
Winter Rain
Every valley drinks,
Every dell and hollow;
Where the kind rain sinks and sinks,
Green of Spring will follow.
Yet a lapse of weeks
Buds will burst their edges,
Strip their wool-coats, glue-coats, streaks,
In the woods and hedges;
Weave a bower of love
For birds to meet each other,
Weave a canopy above
Nest and egg and mother.
But for fattening rain
We should have no flowers,
Never a bud or leaf again
But for soaking showers;
Never a mated bird
In the rocking tree-tops,
Never indeed a flock or herd
To graze upon the lea-crops.
Lambs so woolly white,
Sheep the sun-bright leas on,
They could have no grass to bite
But for rain in season.
We should find no moss
In the shadiest places,
Find no waving meadow grass
Pied with broad-eyed daisies:
But miles of barren sand,
With never a son or daughter,
Not a lily on the land,
Or lily on the water.
Every valley drinks,
Every dell and hollow;
Where the kind rain sinks and sinks,
Green of Spring will follow.
Yet a lapse of weeks
Buds will burst their edges,
Strip their wool-coats, glue-coats, streaks,
In the woods and hedges;
Weave a bower of love
For birds to meet each other,
Weave a canopy above
Nest and egg and mother.
But for fattening rain
We should have no flowers,
Never a bud or leaf again
But for soaking showers;
Never a mated bird
In the rocking tree-tops,
Never indeed a flock or herd
To graze upon the lea-crops.
Lambs so woolly white,
Sheep the sun-bright leas on,
They could have no grass to bite
But for rain in season.
We should find no moss
In the shadiest places,
Find no waving meadow grass
Pied with broad-eyed daisies:
But miles of barren sand,
With never a son or daughter,
Not a lily on the land,
Or lily on the water.
257
Christina Rossetti
Who Hath Despised The Day Of Small Things?
Who Hath Despised The Day Of Small Things?
As violets so be I recluse and sweet,
Cheerful as daisies unaccounted rare,
Still sunward-gazing from a lowly seat,
Still sweetening wintry air.
While half-awakened Spring lags incomplete,
While lofty forest trees tower bleak and bare,
Daisies and violets own remotest heat
And bloom and make them fair.
As violets so be I recluse and sweet,
Cheerful as daisies unaccounted rare,
Still sunward-gazing from a lowly seat,
Still sweetening wintry air.
While half-awakened Spring lags incomplete,
While lofty forest trees tower bleak and bare,
Daisies and violets own remotest heat
And bloom and make them fair.
210
Christina Rossetti
Where Innocent Bright-Eyed Daisies Are
Where Innocent Bright-Eyed Daisies Are
Where innocent bright-eyed daisies are,
With blades of grass between,
Each daisy stands up like a star
Out of a sky of green.
Where innocent bright-eyed daisies are,
With blades of grass between,
Each daisy stands up like a star
Out of a sky of green.
180
Christina Rossetti
When A Mounting Skylark Sings
When A Mounting Skylark Sings
When a mounting skylark sings
In the sunlit summer morn,
I know that heaven is up on high,
And on earth are fields of corn.
But when a nightingale sings
In the moonlit summer even,
I know not if earth is merely earth,
Only that heaven is heaven.
When a mounting skylark sings
In the sunlit summer morn,
I know that heaven is up on high,
And on earth are fields of corn.
But when a nightingale sings
In the moonlit summer even,
I know not if earth is merely earth,
Only that heaven is heaven.
166
Christina Rossetti
What Does The Donkey Bray About?
What Does The Donkey Bray About?
What does the donkey bray about?
What does the pig grunt through his snout?
What does the goose mean by a hiss?
Oh, Nurse, if you can tell me this,
I'll give you such a kiss.
The cockatoo calls ‘cockatoo,’
The magpie chatters ‘how d'ye do?’
The jackdaw bids me ‘go away,’
Cuckoo cries ‘cuckoo’ half the day:
What do the others say?
What does the donkey bray about?
What does the pig grunt through his snout?
What does the goose mean by a hiss?
Oh, Nurse, if you can tell me this,
I'll give you such a kiss.
The cockatoo calls ‘cockatoo,’
The magpie chatters ‘how d'ye do?’
The jackdaw bids me ‘go away,’
Cuckoo cries ‘cuckoo’ half the day:
What do the others say?
224
Christina Rossetti
Twilight Calm
Twilight Calm
Oh, pleasant eventide!
Clouds on the western side
Grow grey and greyer, hiding the warm sun:
The bees and birds, their happy labours done,
Seek their close nests and bide.
Screened in the leafy wood
The stock-doves sit and brood:
The very squirrel leaps from bough to bough
But lazily; pauses; and settles now
Where once he stored his food.
One by one the flowers close,
Lily and dewy rose
Shutting their tender petals from the moon:
The grasshoppers are still; but not so soon
Are still the noisy crows.
The dormouse squats and eats
Choice little dainty bits
Beneath the spreading roots of a broad lime
Nibbling his fill he stops from time to time
And listens where he sits.
From far the lowings come
Of cattle driven home:
From farther still the wind brings fitfully
The vast continual murmur of the sea,
Now loud, now almost dumb.
The gnats whirl in the air,
The evening gnats; and there
The owl opes broad his eyes and wings to sail
For prey; the bat wakes; and the shell-less snail
Comes forth, clammy and bare.
Hark! that's the nightingale,
Telling the selfsame tale
Her song told when this ancient earth was young:
So echoes answered when her song was sung
In the first wooded vale.
We call it love and pain
The passion of her strain;
And yet we little understand or know:
Why should it not be rather joy that so
Throbs in each throbbing vein?
In separate herds the deer
Lie; here the bucks, and here
The does, and by its mother sleeps the fawn:
Through all the hours of night until the dawn
They sleep, forgetting fear.
The hare sleeps where it lies,
With wary half-closed eyes;
The cock has ceased to crow, the hen to cluck:
Only the fox is out, some heedless duck
Or chicken to surprise.
Remote, each single star
Comes out, till there they are
All shining brightly: how the dews fall damp!
While close at hand the glow-worm lights her lamp,
Or twinkles from afar.
But evening now is done
As much as if the sun
Day-giving had arisen in the East:
For night has come; and the great calm has ceased,
The quiet sands have run.
Oh, pleasant eventide!
Clouds on the western side
Grow grey and greyer, hiding the warm sun:
The bees and birds, their happy labours done,
Seek their close nests and bide.
Screened in the leafy wood
The stock-doves sit and brood:
The very squirrel leaps from bough to bough
But lazily; pauses; and settles now
Where once he stored his food.
One by one the flowers close,
Lily and dewy rose
Shutting their tender petals from the moon:
The grasshoppers are still; but not so soon
Are still the noisy crows.
The dormouse squats and eats
Choice little dainty bits
Beneath the spreading roots of a broad lime
Nibbling his fill he stops from time to time
And listens where he sits.
From far the lowings come
Of cattle driven home:
From farther still the wind brings fitfully
The vast continual murmur of the sea,
Now loud, now almost dumb.
The gnats whirl in the air,
The evening gnats; and there
The owl opes broad his eyes and wings to sail
For prey; the bat wakes; and the shell-less snail
Comes forth, clammy and bare.
Hark! that's the nightingale,
Telling the selfsame tale
Her song told when this ancient earth was young:
So echoes answered when her song was sung
In the first wooded vale.
We call it love and pain
The passion of her strain;
And yet we little understand or know:
Why should it not be rather joy that so
Throbs in each throbbing vein?
In separate herds the deer
Lie; here the bucks, and here
The does, and by its mother sleeps the fawn:
Through all the hours of night until the dawn
They sleep, forgetting fear.
The hare sleeps where it lies,
With wary half-closed eyes;
The cock has ceased to crow, the hen to cluck:
Only the fox is out, some heedless duck
Or chicken to surprise.
Remote, each single star
Comes out, till there they are
All shining brightly: how the dews fall damp!
While close at hand the glow-worm lights her lamp,
Or twinkles from afar.
But evening now is done
As much as if the sun
Day-giving had arisen in the East:
For night has come; and the great calm has ceased,
The quiet sands have run.
245
Christina Rossetti
There's Snow On The Fields
There's Snow On The Fields
There's snow on the fields,
And cold in the cottage,
While I sit in the chimney nook
Supping hot pottage.
My clothes are soft and warm,
Fold upon fold,
But I'm so sorry for the poor
Out in the cold.
There's snow on the fields,
And cold in the cottage,
While I sit in the chimney nook
Supping hot pottage.
My clothes are soft and warm,
Fold upon fold,
But I'm so sorry for the poor
Out in the cold.
200
Christina Rossetti
The Skylark
The Skylark
The earth was green, the sky was blue:
I saw and heard one sunny morn,
A skylark hang between the two,
A singing speck above the corn;
A stage below, in gay accord,
White butterflies danced on the wing,
And still the singing skylark soared,
And silent sank and soared to sing.
The cornfield stretched a tender green
To right and left beside my walks;
I knew he had a nest unseen
Somewhere among the million stalks:
And as I paused to hear his song,
While swift the sunny moments slid,
Perhaps his mate sat listening long,
And listened longer than I did.
The earth was green, the sky was blue:
I saw and heard one sunny morn,
A skylark hang between the two,
A singing speck above the corn;
A stage below, in gay accord,
White butterflies danced on the wing,
And still the singing skylark soared,
And silent sank and soared to sing.
The cornfield stretched a tender green
To right and left beside my walks;
I knew he had a nest unseen
Somewhere among the million stalks:
And as I paused to hear his song,
While swift the sunny moments slid,
Perhaps his mate sat listening long,
And listened longer than I did.
310
Christina Rossetti
The Peacock Has A Score Of Eyes
The Peacock Has A Score Of Eyes
The peacock has a score of eyes,
With which he cannot see;
The cod-fish has a silent sound,
However that may be;
No dandelions tell the time,
Although they turn to clocks;
Cat's-cradle does not hold the cat,
Nor foxglove fit the fox.
The peacock has a score of eyes,
With which he cannot see;
The cod-fish has a silent sound,
However that may be;
No dandelions tell the time,
Although they turn to clocks;
Cat's-cradle does not hold the cat,
Nor foxglove fit the fox.
241
Christina Rossetti
Spring Quiet
Spring Quiet
Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;
Where in the whitethorn
Singeth a thrush,
And a robin sings
In the holly-bush.
Full of fresh scents
Are the budding boughs
Arching high over
A cool green house:
Full of sweet scents,
And whispering air
Which sayeth softly:
"We spread no snare;
"Here dwell in safety,
Here dwell alone,
With a clear stream
And a mossy stone.
"Here the sun shineth
Most shadily;
Here is heard an echo
Of the far sea,
Though far off it be."
Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;
Where in the whitethorn
Singeth a thrush,
And a robin sings
In the holly-bush.
Full of fresh scents
Are the budding boughs
Arching high over
A cool green house:
Full of sweet scents,
And whispering air
Which sayeth softly:
"We spread no snare;
"Here dwell in safety,
Here dwell alone,
With a clear stream
And a mossy stone.
"Here the sun shineth
Most shadily;
Here is heard an echo
Of the far sea,
Though far off it be."
283
Christina Rossetti
Rushes In A Watery Place
Rushes In A Watery Place
Rushes in a watery place,
And reeds in a hollow;
A soaring skylark in the sky,
A darting swallow;
And where pale blossom used to hang
Ripe fruit to follow.
Rushes in a watery place,
And reeds in a hollow;
A soaring skylark in the sky,
A darting swallow;
And where pale blossom used to hang
Ripe fruit to follow.
237
Christina Rossetti
Playing At Bob Cherry
Playing At Bob Cherry
Playing at bob cherry
Tom and Nell and Hugh:
Cherry bob! cherry bob!
There's a bob for you.
Tom bobs a cherry
For gaping snapping Hugh,
While curly-pated Nelly
Snaps at it too.
Look, look, look -
Oh what a sight to see!
The wind is playing cherry bob
With the cherry tree.
Playing at bob cherry
Tom and Nell and Hugh:
Cherry bob! cherry bob!
There's a bob for you.
Tom bobs a cherry
For gaping snapping Hugh,
While curly-pated Nelly
Snaps at it too.
Look, look, look -
Oh what a sight to see!
The wind is playing cherry bob
With the cherry tree.
239
Christina Rossetti
Paradise: In A Symbol
Paradise: In A Symbol
Golden-winged, silver-winged,
Winged with flashing flame,
Such a flight of birds I saw,
Birds without a name:
Singing songs in their own tongue
(Song of songs) they came.
One to another calling,
Each answering each,
One to another calling
In their proper speech:
High above my head they wheeled,
Far out of reach.
On wings of flame they went and came
With a cadenced clang,
Their silver wings tinkled,
Their golden wings rang,
The wind it whistled through their wings
Where in Heaven they sang.
They flashed and they darted
Awhile before mine eyes,
Mounting, mounting, mounting still
In haste to scale the skies—
Birds without a nest on earth,
Birds of Paradise.
Where the moon riseth not,
Nor sun seeks the west,
There to sing their glory
Which they sing at rest,
There to sing their love-song
When they sing their best:
Not in any garden
That mortal foot hath trod,
Not in any flowering tree
That springs from earthly sod,
But in the garden where they dwell,
The Paradise of God.
Golden-winged, silver-winged,
Winged with flashing flame,
Such a flight of birds I saw,
Birds without a name:
Singing songs in their own tongue
(Song of songs) they came.
One to another calling,
Each answering each,
One to another calling
In their proper speech:
High above my head they wheeled,
Far out of reach.
On wings of flame they went and came
With a cadenced clang,
Their silver wings tinkled,
Their golden wings rang,
The wind it whistled through their wings
Where in Heaven they sang.
They flashed and they darted
Awhile before mine eyes,
Mounting, mounting, mounting still
In haste to scale the skies—
Birds without a nest on earth,
Birds of Paradise.
Where the moon riseth not,
Nor sun seeks the west,
There to sing their glory
Which they sing at rest,
There to sing their love-song
When they sing their best:
Not in any garden
That mortal foot hath trod,
Not in any flowering tree
That springs from earthly sod,
But in the garden where they dwell,
The Paradise of God.
490