Poems in this theme
Nostalgia
Sarah Teasdale
Redbirds
Redbirds
Redbirds, redbirds,
Long and long ago,
What a honey-call you had
In hills I used to know;
Redbud, buckberry,
Wild plum-tree
And proud river sweeping
Southward to the sea,
Brown and gold in the sun
Sparkling far below,
Trailing stately round her bluffs
Where the poplars grow --
Redbirds, redbirds,
Are you singing still
As you sang one May day
On Saxton's Hill?
Redbirds, redbirds,
Long and long ago,
What a honey-call you had
In hills I used to know;
Redbud, buckberry,
Wild plum-tree
And proud river sweeping
Southward to the sea,
Brown and gold in the sun
Sparkling far below,
Trailing stately round her bluffs
Where the poplars grow --
Redbirds, redbirds,
Are you singing still
As you sang one May day
On Saxton's Hill?
404
Sarah Teasdale
Old Tunes
Old Tunes
As the waves of perfume, heliotrope, rose,
Float in the garden when no wind blows,
Come to us, go from us, whence no one knows;
So the old tunes float in my mind,
And go from me leaving no trace behind,
Like fragrance borne on the hush of the wind.
But in the instant the airs remain
I know the laughter and the pain
Of times that will not come again.
I try to catch at many a tune
Like petals of light fallen from the moon,
Broken and bright on a dark lagoon,
But they float away -- for who can hold
Youth, or perfume or the moon's gold?
As the waves of perfume, heliotrope, rose,
Float in the garden when no wind blows,
Come to us, go from us, whence no one knows;
So the old tunes float in my mind,
And go from me leaving no trace behind,
Like fragrance borne on the hush of the wind.
But in the instant the airs remain
I know the laughter and the pain
Of times that will not come again.
I try to catch at many a tune
Like petals of light fallen from the moon,
Broken and bright on a dark lagoon,
But they float away -- for who can hold
Youth, or perfume or the moon's gold?
454
Sarah Teasdale
Gray Eyes
Gray Eyes
It was April when you came
The first time to me,
And my first look in your eyes
Was like my first look at the sea.
We have been together
Four Aprils now
Watching for the green
On the swaying willow bough;
Yet whenever I turn
To your gray eyes over me,
It is as though I looked
For the first time at the sea.
It was April when you came
The first time to me,
And my first look in your eyes
Was like my first look at the sea.
We have been together
Four Aprils now
Watching for the green
On the swaying willow bough;
Yet whenever I turn
To your gray eyes over me,
It is as though I looked
For the first time at the sea.
352
Sarah Teasdale
Driftwood
Driftwood
My forefathers gave me
My spirit's shaken flame,
The shape of hands, the beat of heart,
The letters of my name.
But it was my lovers,
And not my sleeping sires,
Who gave the flame its changeful
And iridescent fires;
As the driftwood burning
Learned its jewelled blaze
From the sea's blue splendor
Of colored nights and days.
My forefathers gave me
My spirit's shaken flame,
The shape of hands, the beat of heart,
The letters of my name.
But it was my lovers,
And not my sleeping sires,
Who gave the flame its changeful
And iridescent fires;
As the driftwood burning
Learned its jewelled blaze
From the sea's blue splendor
Of colored nights and days.
359
Sarah Teasdale
Change
Change
Remember me as I was then;
Turn from me now, but always see
The laughing shadowy girl who stood
At midnight by the flowering tree,
With eyes that love had made as bright
As the trembling stars of the summer night.
Turn from me now, but always hear
The muted laughter in the dew
Of that one year of youth we had,
The only youth we ever knew --
Turn from me now, or you will see
What other years have done to me.
Remember me as I was then;
Turn from me now, but always see
The laughing shadowy girl who stood
At midnight by the flowering tree,
With eyes that love had made as bright
As the trembling stars of the summer night.
Turn from me now, but always hear
The muted laughter in the dew
Of that one year of youth we had,
The only youth we ever knew --
Turn from me now, or you will see
What other years have done to me.
476
Sarah Teasdale
The Dreams of My Heart
"The Dreams of My Heart"
The dreams of my heart and my mind pass,
Nothing stays with me long,
But I have had from a child
The deep solace of song;
If that should ever leave me,
Let me find death and stay
With things whose tunes are played out and forgotten
Like the rain of yesterday.
The dreams of my heart and my mind pass,
Nothing stays with me long,
But I have had from a child
The deep solace of song;
If that should ever leave me,
Let me find death and stay
With things whose tunes are played out and forgotten
Like the rain of yesterday.
354
Sarah Teasdale
Did You Never Know?
"Did You Never Know?"
Did you never know, long ago, how much you loved me --
That your love would never lessen and never go?
You were young then, proud and fresh-hearted,
You were too young to know.
Fate is a wind, and red leaves fly before it
Far apart, far away in the gusty time of year --
Seldom we meet now, but when I hear you speaking,
I know your secret, my dear, my dear.
Did you never know, long ago, how much you loved me --
That your love would never lessen and never go?
You were young then, proud and fresh-hearted,
You were too young to know.
Fate is a wind, and red leaves fly before it
Far apart, far away in the gusty time of year --
Seldom we meet now, but when I hear you speaking,
I know your secret, my dear, my dear.
493
Safo
Tonight I've watched
Tonight I've watched
Tonight I've watched
the moon and then
the Pleiades
go down
The night is now
half-gone; youth
goes; I am
in bed alone
Tonight I've watched
the moon and then
the Pleiades
go down
The night is now
half-gone; youth
goes; I am
in bed alone
469
Safo
Anactoria
Anactoria
Yes, Atthis, you may be sure
Even in Sardis
Anactoria will think often of us
of the life we shared here, when you seemed
the Goddess incarnate
to her and your singing pleased her best
Now among Lydian women she in her
turn stands first as the redfingered
moon rising at sunset takes
precedence over stars around her;
her light spreads equally
on the salt sea and fields thick with bloom
Delicious dew pours down to freshen
roses, delicate thyme
and blossoming sweet clover; she wanders
aimlessly, thinking of gentle
Atthis, her heart hanging
heavy with longing in her little breast
She shouts aloud, Come! we know it;
thousand-eared night repeats that cry
across the sea shining between us
Sappho
tr. Barnard
Yes, Atthis, you may be sure
Even in Sardis
Anactoria will think often of us
of the life we shared here, when you seemed
the Goddess incarnate
to her and your singing pleased her best
Now among Lydian women she in her
turn stands first as the redfingered
moon rising at sunset takes
precedence over stars around her;
her light spreads equally
on the salt sea and fields thick with bloom
Delicious dew pours down to freshen
roses, delicate thyme
and blossoming sweet clover; she wanders
aimlessly, thinking of gentle
Atthis, her heart hanging
heavy with longing in her little breast
She shouts aloud, Come! we know it;
thousand-eared night repeats that cry
across the sea shining between us
Sappho
tr. Barnard
544
Rupert Brooke
Tiare Tahiti
Tiare Tahiti
Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred `tiare's' white,
And white birds in the dark ravine,
And `flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
`Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
Papeete, February
Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred `tiare's' white,
And white birds in the dark ravine,
And `flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
`Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.
Papeete, February
223
Rupert Brooke
The Old Vicarage, Grantchester
The Old Vicarage, Grantchester
Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know,
The poppy and the pansy blow . . .
Oh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath,
Green as a dream and deep as death.
-- Oh, damn! I know it! and I know
How the May fields all golden show,
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe . . .
`Du lieber Gott!'
Here am I, sweating, sick, and hot,
And there the shadowed waters fresh
Lean up to embrace the naked flesh.
Temperamentvoll German Jews
Drink beer around; -- and THERE the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where das Betreten's not verboten.
ei'qe genoi mhn . . . would I were
In Grantchester, in Grantchester! --
Some, it may be, can get in touch
With Nature there, or Earth, or such.
And clever modern men have seen
A Faun a-peeping through the green,
And felt the Classics were not dead,
To glimpse a Naiad's reedy head,
Or hear the Goat-foot piping low: . . .
But these are things I do not know.
I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . . .
Still in the dawnlit waters cool
His ghostly Lordship swims his pool,
And tries the strokes, essays the tricks,
Long learnt on Hellespont, or Styx.
Dan Chaucer hears his river still
Chatter beneath a phantom mill.
Tennyson notes, with studious eye,
How Cambridge waters hurry by . . .
And in that garden, black and white,
Creep whispers through the grass all night;
And spectral dance, before the dawn,
A hundred Vicars down the lawn;
Curates, long dust, will come and go
On lissom, clerical, printless toe;
And oft between the boughs is seen
The sly shade of a Rural Dean . . .
Till, at a shiver in the skies,
Vanishing with Satanic cries,
The prim ecclesiastic rout
Leaves but a startled sleeper-out,
Grey heavens, the first bird's drowsy calls,
The falling house that never falls.
epsilon-iota'-theta-epsilon gamma-epsilon-nu-omicron-iota -mu-eta-nu
God! I will pack, and take a train,
And get me to England once again!
For England's the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of THAT district I prefer
The lovely hamlet Grantchester.
For Cambridge people rarely smile,
Being urban, squat, and packed with guile;
And Royston men in the far South
Are black and fierce and strange of mouth;
At Over they fling oaths at one,
And worse than oaths at Trumpington,
And Ditton girls are mean and dirty,
And there's none in Harston under thirty,
And folks in Shelford and those parts
Have twisted lips and twisted hearts,
And Barton men make Cockney rhymes,
And Coton's full of nameless crimes,
And things are done you'd not believe
At Madingley on Christmas Eve.
Strong men have run for miles and miles,
When one from Cherry Hinton smiles;
Strong men have blanched, and shot their wives,
Rather than send them to St. Ives;
Strong men have cried like babes, bydam,
To hear what happened at Babraham.
But Grantchester! ah, Grantchester!
There's peace and holy quiet there,
Great clouds along pacific skies,
And men and women with straight eyes,
Lithe children lovelier than a dream,
A bosky wood, a slumbrous stream,
And little kindly winds that creep
Round twilight corners, half asleep.
In Grantchester their skins are white;
They bathe by day, they bathe by night;
The women there do all they ought;
The men observe the Rules of Thought.
They love the Good; they worship Truth;
They laugh uproariously in youth;
(And when they get to feeling old,
They up and shoot themselves, I'm told) . . .
Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? . . . oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?
Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know,
The poppy and the pansy blow . . .
Oh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath,
Green as a dream and deep as death.
-- Oh, damn! I know it! and I know
How the May fields all golden show,
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe . . .
`Du lieber Gott!'
Here am I, sweating, sick, and hot,
And there the shadowed waters fresh
Lean up to embrace the naked flesh.
Temperamentvoll German Jews
Drink beer around; -- and THERE the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where das Betreten's not verboten.
ei'qe genoi mhn . . . would I were
In Grantchester, in Grantchester! --
Some, it may be, can get in touch
With Nature there, or Earth, or such.
And clever modern men have seen
A Faun a-peeping through the green,
And felt the Classics were not dead,
To glimpse a Naiad's reedy head,
Or hear the Goat-foot piping low: . . .
But these are things I do not know.
I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . . .
Still in the dawnlit waters cool
His ghostly Lordship swims his pool,
And tries the strokes, essays the tricks,
Long learnt on Hellespont, or Styx.
Dan Chaucer hears his river still
Chatter beneath a phantom mill.
Tennyson notes, with studious eye,
How Cambridge waters hurry by . . .
And in that garden, black and white,
Creep whispers through the grass all night;
And spectral dance, before the dawn,
A hundred Vicars down the lawn;
Curates, long dust, will come and go
On lissom, clerical, printless toe;
And oft between the boughs is seen
The sly shade of a Rural Dean . . .
Till, at a shiver in the skies,
Vanishing with Satanic cries,
The prim ecclesiastic rout
Leaves but a startled sleeper-out,
Grey heavens, the first bird's drowsy calls,
The falling house that never falls.
epsilon-iota'-theta-epsilon gamma-epsilon-nu-omicron-iota -mu-eta-nu
God! I will pack, and take a train,
And get me to England once again!
For England's the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of THAT district I prefer
The lovely hamlet Grantchester.
For Cambridge people rarely smile,
Being urban, squat, and packed with guile;
And Royston men in the far South
Are black and fierce and strange of mouth;
At Over they fling oaths at one,
And worse than oaths at Trumpington,
And Ditton girls are mean and dirty,
And there's none in Harston under thirty,
And folks in Shelford and those parts
Have twisted lips and twisted hearts,
And Barton men make Cockney rhymes,
And Coton's full of nameless crimes,
And things are done you'd not believe
At Madingley on Christmas Eve.
Strong men have run for miles and miles,
When one from Cherry Hinton smiles;
Strong men have blanched, and shot their wives,
Rather than send them to St. Ives;
Strong men have cried like babes, bydam,
To hear what happened at Babraham.
But Grantchester! ah, Grantchester!
There's peace and holy quiet there,
Great clouds along pacific skies,
And men and women with straight eyes,
Lithe children lovelier than a dream,
A bosky wood, a slumbrous stream,
And little kindly winds that creep
Round twilight corners, half asleep.
In Grantchester their skins are white;
They bathe by day, they bathe by night;
The women there do all they ought;
The men observe the Rules of Thought.
They love the Good; they worship Truth;
They laugh uproariously in youth;
(And when they get to feeling old,
They up and shoot themselves, I'm told) . . .
Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? . . . oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?
225
Rupert Brooke
Song
Song
"Oh! Love," they said, "is King of Kings,
And Triumph is his crown.
Earth fades in flame before his wings,
And Sun and Moon bow down." --
But that, I knew, would never do;
And Heaven is all too high.
So whenever I meet a Queen, I said,
I will not catch her eye.
"Oh! Love," they said, and "Love," they said,
"The gift of Love is this;
A crown of thorns about thy head,
And vinegar to thy kiss!" --
But Tragedy is not for me;
And I'm content to be gay.
So whenever I spied a Tragic Lady,
I went another way.
And so I never feared to see
You wander down the street,
Or come across the fields to me
On ordinary feet.
For what they'd never told me of,
And what I never knew;
It was that all the time, my love,
Love would be merely you.
"Oh! Love," they said, "is King of Kings,
And Triumph is his crown.
Earth fades in flame before his wings,
And Sun and Moon bow down." --
But that, I knew, would never do;
And Heaven is all too high.
So whenever I meet a Queen, I said,
I will not catch her eye.
"Oh! Love," they said, and "Love," they said,
"The gift of Love is this;
A crown of thorns about thy head,
And vinegar to thy kiss!" --
But Tragedy is not for me;
And I'm content to be gay.
So whenever I spied a Tragic Lady,
I went another way.
And so I never feared to see
You wander down the street,
Or come across the fields to me
On ordinary feet.
For what they'd never told me of,
And what I never knew;
It was that all the time, my love,
Love would be merely you.
199
Rupert Brooke
Seaside
Seaside
Swiftly out from the friendly lilt of the band,
The crowd's good laughter, the loved eyes of men,
I am drawn nightward; I must turn again
Where, down beyond the low untrodden strand,
There curves and glimmers outward to the unknown
The old unquiet ocean. All the shade
Is rife with magic and movement. I stray alone
Here on the edge of silence, half afraid,
Waiting a sign. In the deep heart of me
The sullen waters swell towards the moon,
And all my tides set seaward.
From inland
Leaps a gay fragment of some mocking tune,
That tinkles and laughs and fades along the sand,
And dies between the seawall and the sea.
Swiftly out from the friendly lilt of the band,
The crowd's good laughter, the loved eyes of men,
I am drawn nightward; I must turn again
Where, down beyond the low untrodden strand,
There curves and glimmers outward to the unknown
The old unquiet ocean. All the shade
Is rife with magic and movement. I stray alone
Here on the edge of silence, half afraid,
Waiting a sign. In the deep heart of me
The sullen waters swell towards the moon,
And all my tides set seaward.
From inland
Leaps a gay fragment of some mocking tune,
That tinkles and laughs and fades along the sand,
And dies between the seawall and the sea.
209
Rupert Brooke
Retrospect
Retrospect
In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Love, in you, went passing by,
Penetrative, remote, and rare,
Like a bird in the wide air,
And, as the bird, it left no trace
In the heaven of your face.
In your stupidity I found
The sweet hush after a sweet sound.
All about you was the light
That dims the greying end of night;
Desire was the unrisen sun,
Joy the day not yet begun,
With tree whispering to tree,
Without wind, quietly.
Wisdom slept within your hair,
And Long-Suffering was there,
And, in the flowing of your dress,
Undiscerning Tenderness.
And when you thought, it seemed to me,
Infinitely, and like a sea,
About the slight world you had known
Your vast unconsciousness was thrown. . . .
O haven without wave or tide!
Silence, in which all songs have died!
Holy book, where hearts are still!
And home at length under the hill!
O mother quiet, breasts of peace,
Where love itself would faint and cease!
O infinite deep I never knew,
I would come back, come back to you,
Find you, as a pool unstirred,
Kneel down by you, and never a word,
Lay my head, and nothing said,
In your hands, ungarlanded;
And a long watch you would keep;
And I should sleep, and I should sleep!
Mataiea, January
In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Love, in you, went passing by,
Penetrative, remote, and rare,
Like a bird in the wide air,
And, as the bird, it left no trace
In the heaven of your face.
In your stupidity I found
The sweet hush after a sweet sound.
All about you was the light
That dims the greying end of night;
Desire was the unrisen sun,
Joy the day not yet begun,
With tree whispering to tree,
Without wind, quietly.
Wisdom slept within your hair,
And Long-Suffering was there,
And, in the flowing of your dress,
Undiscerning Tenderness.
And when you thought, it seemed to me,
Infinitely, and like a sea,
About the slight world you had known
Your vast unconsciousness was thrown. . . .
O haven without wave or tide!
Silence, in which all songs have died!
Holy book, where hearts are still!
And home at length under the hill!
O mother quiet, breasts of peace,
Where love itself would faint and cease!
O infinite deep I never knew,
I would come back, come back to you,
Find you, as a pool unstirred,
Kneel down by you, and never a word,
Lay my head, and nothing said,
In your hands, ungarlanded;
And a long watch you would keep;
And I should sleep, and I should sleep!
Mataiea, January
175
Rupert Brooke
Pine-Trees And The Sky: Evening
Pine-Trees And The Sky: Evening
I'd watched the sorrow of the evening sky,
And smelt the sea, and earth, and the warm clover,
And heard the waves, and the seagull's mocking cry.
And in them all was only the old cry,
That song they always sing -- "The best is over!
You may remember now, and think, and sigh,
O silly lover!"
And I was tired and sick that all was over,
And because I,
For all my thinking, never could recover
One moment of the good hours that were over.
And I was sorry and sick, and wished to die.
Then from the sad west turning wearily,
I saw the pines against the white north sky,
Very beautiful, and still, and bending over
Their sharp black heads against a quiet sky.
And there was peace in them; and I
Was happy, and forgot to play the lover,
And laughed, and did no longer wish to die;
Being glad of you, O pine-trees and the sky!
I'd watched the sorrow of the evening sky,
And smelt the sea, and earth, and the warm clover,
And heard the waves, and the seagull's mocking cry.
And in them all was only the old cry,
That song they always sing -- "The best is over!
You may remember now, and think, and sigh,
O silly lover!"
And I was tired and sick that all was over,
And because I,
For all my thinking, never could recover
One moment of the good hours that were over.
And I was sorry and sick, and wished to die.
Then from the sad west turning wearily,
I saw the pines against the white north sky,
Very beautiful, and still, and bending over
Their sharp black heads against a quiet sky.
And there was peace in them; and I
Was happy, and forgot to play the lover,
And laughed, and did no longer wish to die;
Being glad of you, O pine-trees and the sky!
161
Rupert Brooke
Hauntings
Hauntings
In the grey tumult of these after years
Oft silence falls; the incessant wranglers part;
And less-than-echoes of remembered tears
Hush all the loud confusion of the heart;
And a shade, through the toss'd ranks of mirth and crying
Hungers, and pains, and each dull passionate mood, --
Quite lost, and all but all forgot, undying,
Comes back the ecstasy of your quietude.
So a poor ghost, beside his misty streams,
Is haunted by strange doubts, evasive dreams,
Hints of a pre-Lethean life, of men,
Stars, rocks, and flesh, things unintelligible,
And light on waving grass, he knows not when,
And feet that ran, but where, he cannot tell.
In the grey tumult of these after years
Oft silence falls; the incessant wranglers part;
And less-than-echoes of remembered tears
Hush all the loud confusion of the heart;
And a shade, through the toss'd ranks of mirth and crying
Hungers, and pains, and each dull passionate mood, --
Quite lost, and all but all forgot, undying,
Comes back the ecstasy of your quietude.
So a poor ghost, beside his misty streams,
Is haunted by strange doubts, evasive dreams,
Hints of a pre-Lethean life, of men,
Stars, rocks, and flesh, things unintelligible,
And light on waving grass, he knows not when,
And feet that ran, but where, he cannot tell.
184
Rupert Brooke
Finding
Finding
From the candles and dumb shadows,
And the house where love had died,
I stole to the vast moonlight
And the whispering life outside.
But I found no lips of comfort,
No home in the moon's light
(I, little and lone and frightened
In the unfriendly night),
And no meaning in the voices. . . .
Far over the lands and through
The dark, beyond the ocean,
I willed to think of YOU!
For I knew, had you been with me
I'd have known the words of night,
Found peace of heart, gone gladly
In comfort of that light.
Oh! the wind with soft beguiling
Would have stolen my thought away;
And the night, subtly smiling,
Came by the silver way;
And the moon came down and danced to me,
And her robe was white and flying;
And trees bent their heads to me
Mysteriously crying;
And dead voices wept around me;
And dead soft fingers thrilled;
And the little gods whispered. . . .
But ever
Desperately I willed;
Till all grew soft and far
And silent . . .
And suddenly
I found you white and radiant,
Sleeping quietly,
Far out through the tides of darkness.
And I there in that great light
Was alone no more, nor fearful;
For there, in the homely night,
Was no thought else that mattered,
And nothing else was true,
But the white fire of moonlight,
And a white dream of you.
From the candles and dumb shadows,
And the house where love had died,
I stole to the vast moonlight
And the whispering life outside.
But I found no lips of comfort,
No home in the moon's light
(I, little and lone and frightened
In the unfriendly night),
And no meaning in the voices. . . .
Far over the lands and through
The dark, beyond the ocean,
I willed to think of YOU!
For I knew, had you been with me
I'd have known the words of night,
Found peace of heart, gone gladly
In comfort of that light.
Oh! the wind with soft beguiling
Would have stolen my thought away;
And the night, subtly smiling,
Came by the silver way;
And the moon came down and danced to me,
And her robe was white and flying;
And trees bent their heads to me
Mysteriously crying;
And dead voices wept around me;
And dead soft fingers thrilled;
And the little gods whispered. . . .
But ever
Desperately I willed;
Till all grew soft and far
And silent . . .
And suddenly
I found you white and radiant,
Sleeping quietly,
Far out through the tides of darkness.
And I there in that great light
Was alone no more, nor fearful;
For there, in the homely night,
Was no thought else that mattered,
And nothing else was true,
But the white fire of moonlight,
And a white dream of you.
173
Rupert Brooke
Day That I Have Loved
Day That I Have Loved
Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,
Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,
Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire -- and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!
(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,
The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.
Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!
Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,
Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,
Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire -- and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!
(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,
The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.
Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!
161
Rupert Brooke
Chilterns, The
Chilterns, The
Your hands, my dear, adorable,
Your lips of tenderness
-- Oh, I've loved you faithfully and well,
Three years, or a bit less.
It wasn't a success.
Thank God, that's done! and I'll take the road,
Quit of my youth and you,
The Roman road to Wendover
By Tring and Lilley Hoo,
As a free man may do.
For youth goes over, the joys that fly,
The tears that follow fast;
And the dirtiest things we do must lie
Forgotten at the last;
Even Love goes past.
What's left behind I shall not find,
The splendour and the pain;
The splash of sun, the shouting wind,
And the brave sting of rain,
I may not meet again.
But the years, that take the best away,
Give something in the end;
And a better friend than love have they,
For none to mar or mend,
That have themselves to friend.
I shall desire and I shall find
The best of my desires;
The autumn road, the mellow wind
That soothes the darkening shires.
And laughter, and inn-fires.
White mist about the black hedgerows,
The slumbering Midland plain,
The silence where the clover grows,
And the dead leaves in the lane,
Certainly, these remain.
And I shall find some girl perhaps,
And a better one than you,
With eyes as wise, but kindlier,
And lips as soft, but true.
And I daresay she will do.
Your hands, my dear, adorable,
Your lips of tenderness
-- Oh, I've loved you faithfully and well,
Three years, or a bit less.
It wasn't a success.
Thank God, that's done! and I'll take the road,
Quit of my youth and you,
The Roman road to Wendover
By Tring and Lilley Hoo,
As a free man may do.
For youth goes over, the joys that fly,
The tears that follow fast;
And the dirtiest things we do must lie
Forgotten at the last;
Even Love goes past.
What's left behind I shall not find,
The splendour and the pain;
The splash of sun, the shouting wind,
And the brave sting of rain,
I may not meet again.
But the years, that take the best away,
Give something in the end;
And a better friend than love have they,
For none to mar or mend,
That have themselves to friend.
I shall desire and I shall find
The best of my desires;
The autumn road, the mellow wind
That soothes the darkening shires.
And laughter, and inn-fires.
White mist about the black hedgerows,
The slumbering Midland plain,
The silence where the clover grows,
And the dead leaves in the lane,
Certainly, these remain.
And I shall find some girl perhaps,
And a better one than you,
With eyes as wise, but kindlier,
And lips as soft, but true.
And I daresay she will do.
204
Rupert Brooke
A Memory
A Memory
(From a sonnet-sequence)
Somewhile before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment’s kindliness, and ease,
And sleepy mother-comfort!
Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that’s wakened so
Takes all too long to lay asleep again.
(From a sonnet-sequence)
Somewhile before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment’s kindliness, and ease,
And sleepy mother-comfort!
Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that’s wakened so
Takes all too long to lay asleep again.
226
Rudyard Kipling
Wilful Missing
Wilful Missing
(Deserters)
There is a world outside the one you know,
To which for curiousness 'Ell can't compare--
It is the place where "wilful-missings" go,
As we can testify, for we are there.
You may 'ave read a bullet laid us low,
That we was gathered in "with reverent care"
And buried proper. But it was not so,
As we can testify --for we are there!
They can't be certain--faces alter so
After the old aasvogel 'ad 'is share.
The uniform's the mark by which they go--
And--ain't it odd?--the one we best can spare.
We might 'ave seen our chance to cut the show--
Name, number, record, an 'begin elsewhere--
Leaven'' some not too late-lamented foe
One funeral-private-British-for 'is share.
We may 'ave took it yonder in the Low
Bush-veldt that sends men stragglin' 'unaware
Among the Kaffirs, till their columns go,
An 'they are left past call or count or care.
We might 'ave been your lovers long ago,
'Usbands or children--comfort or despair.
Our death (an' burial) settles all we owe,
An' why we done it is our own affair.
Marry again, and we will not say no,
Nor come to barstardise the kids you bear.
Wait on in 'ope--you've all your life below
Before you'll ever 'ear us on the stair.
There is no need to give our reasons, though
Gawd knows we all 'ad reasons which were fair;
But other people might not judge 'em so--
And now it doesn't matter what they were.
What man can weigh or size another's woe:
There are some things too bitter 'ard to bear.
Suffice it we 'ave finished--Domino!
As we can testify, for we are there,
In the side-world where "wilful-missings " go.
(Deserters)
There is a world outside the one you know,
To which for curiousness 'Ell can't compare--
It is the place where "wilful-missings" go,
As we can testify, for we are there.
You may 'ave read a bullet laid us low,
That we was gathered in "with reverent care"
And buried proper. But it was not so,
As we can testify --for we are there!
They can't be certain--faces alter so
After the old aasvogel 'ad 'is share.
The uniform's the mark by which they go--
And--ain't it odd?--the one we best can spare.
We might 'ave seen our chance to cut the show--
Name, number, record, an 'begin elsewhere--
Leaven'' some not too late-lamented foe
One funeral-private-British-for 'is share.
We may 'ave took it yonder in the Low
Bush-veldt that sends men stragglin' 'unaware
Among the Kaffirs, till their columns go,
An 'they are left past call or count or care.
We might 'ave been your lovers long ago,
'Usbands or children--comfort or despair.
Our death (an' burial) settles all we owe,
An' why we done it is our own affair.
Marry again, and we will not say no,
Nor come to barstardise the kids you bear.
Wait on in 'ope--you've all your life below
Before you'll ever 'ear us on the stair.
There is no need to give our reasons, though
Gawd knows we all 'ad reasons which were fair;
But other people might not judge 'em so--
And now it doesn't matter what they were.
What man can weigh or size another's woe:
There are some things too bitter 'ard to bear.
Suffice it we 'ave finished--Domino!
As we can testify, for we are there,
In the side-world where "wilful-missings " go.
424
Rudyard Kipling
The Virginity
The Virginity
Try as he will, no man breaks wholly loose
From his first love, no matter who she be.
Oh, was there ever sailor free to choose,
That didn't settle somewhere near the sea?
Myself, it don't excite me nor amuse
To watch a pack o' shipping on the sea;
But I can understand my neighbour's views
From certain things which have occured to me.
Men must keep touch with things they used to use
To earn their living, even when they are free;
And so come back upon the least excuse --
Same as the sailor settled near the sea.
He knows he's never going on no cruise --
He knows he's done and finished with the sea;
And yet he likes to feel she's there to use --
If he should ask her -- as she used to be.
Even though she cost him all he had to lose,
Even though she made him sick to hear or see,
Still, what she left of him will mostly choose
Her skirts to sit by. How comes such to be?
Parsons in pulpits, tax-payers in pews,
Kings on your thrones, you know as well as me,
We've only one virginity to lose,
And where we lost it there our hearts will be!
Try as he will, no man breaks wholly loose
From his first love, no matter who she be.
Oh, was there ever sailor free to choose,
That didn't settle somewhere near the sea?
Myself, it don't excite me nor amuse
To watch a pack o' shipping on the sea;
But I can understand my neighbour's views
From certain things which have occured to me.
Men must keep touch with things they used to use
To earn their living, even when they are free;
And so come back upon the least excuse --
Same as the sailor settled near the sea.
He knows he's never going on no cruise --
He knows he's done and finished with the sea;
And yet he likes to feel she's there to use --
If he should ask her -- as she used to be.
Even though she cost him all he had to lose,
Even though she made him sick to hear or see,
Still, what she left of him will mostly choose
Her skirts to sit by. How comes such to be?
Parsons in pulpits, tax-payers in pews,
Kings on your thrones, you know as well as me,
We've only one virginity to lose,
And where we lost it there our hearts will be!
446
Rudyard Kipling
The Song of Diego Valdez
The Song of Diego Valdez
The God of Fair Beginnings
Hath prospered here my hand --
The cargoes of my lading,
And the keels of my command.
For out of many ventures
That sailed with hope as high,
My own have made the better trade,
And Admiral am I.
To me my King's much honour,
To me my people's love --
To me the pride of Princes
And power all pride above;
To me the shouting cities,
To me the mob's refrain: --
"Who knows not noble Valdez
"Hath never heard of Spain."
But I remember comrades --
Old playmates on new seas --
Whenas we traded orpiment
Among the savages --
A thousand leagues to south'ard
And thirty years removed --
They knew nor noble Valdez,
But me they knew and loved.
Then they that found good liquor,
They drank it not alone,
And they that found fair plunder,
They told us every one,
About our chosen islands
Or secret shoals between,
When, weary from far voyage,
We gathered to careen.
Were burned our breaming-fagots
All pale along the shore:
There rose our worn pavilions --
A sail above an oar:
As flashed each yeaming anchor
Through mellow seas afire,
So swift our careless captains
Rowed each to his desire.
Where lay our loosened harness?
Where turned our naked feet?
Whose tavern 'mid the palm-trees?
What quenchings of what heat?
Oh, fountain in the desert!
Oh, cistern in the waste!
Oh, bread we ate in secret!
Oh, cup we spilled in haste!
The youth new-taught of longing,
The widow curbed and wan,
The goodwife proud at season,
And the maid aware of man --
All souls unslaked, consuming,
Defrauded in delays,
Desire not more their quittance
Than I those forfeit days!
I dreamed to wait my pleasure
Unchanged my spring would bide:
Wherefore, to wait my pleasure,
I put my spring aside
Till, first in face of Fortune,
And last in mazed disdain,
I made Diego Valdez
High Admiral of Spain.
Then walked no wind 'neath Heaven
Nor surge that did not aid --
I dared extreme occasion,
Nor ever one betrayed.
They wrought a deeper treason --
(Led seas that served my needs!)
They sold Diego Valdez
To bondage of great deeds.
The tempest flung me seaward,
And pinned and bade me hold
The course I might not alter --
And men esteemed me bold!
The calms embayed my quarry,
The fog-wreath sealed his eyes;
The dawn-wind brought my topsails --
And men esteemed me wise!
Yet, 'spite my tyrant triumphs,
Bewildered, dispossessed --
My dream held I beore me
My vision of my rest;
But, crowned by Fleet and People,
And bound by King and Pope --
Stands here Diego Valdez
To rob me of my hope.
No prayer of mine shall move him.
No word of his set free
The Lord of Sixty Pennants
And the Steward of the Sea.
His will can loose ten thousand
To seek their loves again --
But not Diego Valdez,
High Admiral of Spain.
There walks no wind 'neath Heaven
Nor wave that shall restore
The old careening riot
And the clamorous, crowded shore --
The fountain in the desert,
The cistern in the waste,
The bread we ate in secret,
The cup we spilled in haste.
Now call I to my Captains --
For council fly the sign --
Now leap their zealous galleys,
Twelve-oared, across the brine.
To me the straiter prison,
To me the heavier chain --
To me Diego Valdez,
High Admiral of Spain!
The God of Fair Beginnings
Hath prospered here my hand --
The cargoes of my lading,
And the keels of my command.
For out of many ventures
That sailed with hope as high,
My own have made the better trade,
And Admiral am I.
To me my King's much honour,
To me my people's love --
To me the pride of Princes
And power all pride above;
To me the shouting cities,
To me the mob's refrain: --
"Who knows not noble Valdez
"Hath never heard of Spain."
But I remember comrades --
Old playmates on new seas --
Whenas we traded orpiment
Among the savages --
A thousand leagues to south'ard
And thirty years removed --
They knew nor noble Valdez,
But me they knew and loved.
Then they that found good liquor,
They drank it not alone,
And they that found fair plunder,
They told us every one,
About our chosen islands
Or secret shoals between,
When, weary from far voyage,
We gathered to careen.
Were burned our breaming-fagots
All pale along the shore:
There rose our worn pavilions --
A sail above an oar:
As flashed each yeaming anchor
Through mellow seas afire,
So swift our careless captains
Rowed each to his desire.
Where lay our loosened harness?
Where turned our naked feet?
Whose tavern 'mid the palm-trees?
What quenchings of what heat?
Oh, fountain in the desert!
Oh, cistern in the waste!
Oh, bread we ate in secret!
Oh, cup we spilled in haste!
The youth new-taught of longing,
The widow curbed and wan,
The goodwife proud at season,
And the maid aware of man --
All souls unslaked, consuming,
Defrauded in delays,
Desire not more their quittance
Than I those forfeit days!
I dreamed to wait my pleasure
Unchanged my spring would bide:
Wherefore, to wait my pleasure,
I put my spring aside
Till, first in face of Fortune,
And last in mazed disdain,
I made Diego Valdez
High Admiral of Spain.
Then walked no wind 'neath Heaven
Nor surge that did not aid --
I dared extreme occasion,
Nor ever one betrayed.
They wrought a deeper treason --
(Led seas that served my needs!)
They sold Diego Valdez
To bondage of great deeds.
The tempest flung me seaward,
And pinned and bade me hold
The course I might not alter --
And men esteemed me bold!
The calms embayed my quarry,
The fog-wreath sealed his eyes;
The dawn-wind brought my topsails --
And men esteemed me wise!
Yet, 'spite my tyrant triumphs,
Bewildered, dispossessed --
My dream held I beore me
My vision of my rest;
But, crowned by Fleet and People,
And bound by King and Pope --
Stands here Diego Valdez
To rob me of my hope.
No prayer of mine shall move him.
No word of his set free
The Lord of Sixty Pennants
And the Steward of the Sea.
His will can loose ten thousand
To seek their loves again --
But not Diego Valdez,
High Admiral of Spain.
There walks no wind 'neath Heaven
Nor wave that shall restore
The old careening riot
And the clamorous, crowded shore --
The fountain in the desert,
The cistern in the waste,
The bread we ate in secret,
The cup we spilled in haste.
Now call I to my Captains --
For council fly the sign --
Now leap their zealous galleys,
Twelve-oared, across the brine.
To me the straiter prison,
To me the heavier chain --
To me Diego Valdez,
High Admiral of Spain!
603
Rudyard Kipling
The Moon of Other Days
The Moon of Other Days
Beneath the deep veranda's shade,
When bats begin to fly,
I sit me down and watch -- alas! --
Another evening die.
Blood-red behind the sere ferash
She rises through the haze.
Sainted Diana! can that be
The Moon of Other Days?
Ah! shade of little Kitty Smith,
Sweet Saint of Kensington!
Say, was it ever thus at Home
The Moon of August shone,
When arm in arm we wandered long
Through Putney's evening haze,
And Hammersmith was Heaven beneath
The moon of Other Days?
But Wandle's stream is Sutlej now,
And Putney's evening haze
The dust that half a hundered kine
Before my window raise.
Unkempt, unclean, athwart the mist
The seething city looms,
In place of Putney's golden gorse
The sickly babul blooms.
Glare down, old Hecate, through the dust,
And bid the pie-dog yell,
Draw from the drain its typhoid-term,
From each bazaar its smell;
Yea, suck the fever from the tank
And sap my strength therewith:
Thank Heaven, you show a smiling face
To little Kitty Smith!
Beneath the deep veranda's shade,
When bats begin to fly,
I sit me down and watch -- alas! --
Another evening die.
Blood-red behind the sere ferash
She rises through the haze.
Sainted Diana! can that be
The Moon of Other Days?
Ah! shade of little Kitty Smith,
Sweet Saint of Kensington!
Say, was it ever thus at Home
The Moon of August shone,
When arm in arm we wandered long
Through Putney's evening haze,
And Hammersmith was Heaven beneath
The moon of Other Days?
But Wandle's stream is Sutlej now,
And Putney's evening haze
The dust that half a hundered kine
Before my window raise.
Unkempt, unclean, athwart the mist
The seething city looms,
In place of Putney's golden gorse
The sickly babul blooms.
Glare down, old Hecate, through the dust,
And bid the pie-dog yell,
Draw from the drain its typhoid-term,
From each bazaar its smell;
Yea, suck the fever from the tank
And sap my strength therewith:
Thank Heaven, you show a smiling face
To little Kitty Smith!
420