Poems in this theme
Nostalgia
John Clare
The Mores
The Mores
Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring's blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only bondage was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself, which seemed to eke its bounds
In the blue mist the horizon's edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all - a hope that blossomed free,
And hath been once, no more shall ever be
Inclosure came and trampled on the grave
Of labour's rights and left the poor a slave
And memory's pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came, with evening morn and night,
To the wild pasture as their common right
And sheep, unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now all's fled and flats of many a dye
That seemed to lengthen with the following eye
Moors, loosing from the sight, far, smooth, and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay
As poet's visions of life's early day
Mulberry-bushes where the boy would run
To fill his hands with fruit are grubbed and done
And hedgrow-briars - flower-lovers overjoyed
Came and got flower-pots - these are all destroyed
And sky-bound mores in mangled garbs are left
Like mighty giants of their limbs bereft
Fence now meets fence in owners' little bounds
Of field and meadow large as garden grounds
In little parcels little minds to please
With men and flocks imprisoned ill at ease
Each little path that led its pleasant way
As sweet as morning leading night astray
Where little flowers bloomed round a varied host
That travel felt delighted to be lost
Nor grudged the steps that he had ta-en as vain
When right roads traced his journeys and again -
Nay, on a broken tree he'd sit awhile
To see the mores and fields and meadows smile
Sometimes with cowslaps smothered - then all white
With daiseys - then the summer's splendid sight
Of cornfields crimson o'er the headache bloomd
Like splendid armys for the battle plumed
He gazed upon them with wild fancy's eye
As fallen landscapes from an evening sky
These paths are stopt - the rude philistine's thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice 'no road here'
And on the tree with ivy overhung
The hated sign by vulgar taste is hung
As tho' the very birds should learn to know
When they go there they must no further go
Thus, with the poor, scared freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law's enclosure came
And dreams of plunder in such rebel schemes
Have found too truly that they were but dreams.
Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring's blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only bondage was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself, which seemed to eke its bounds
In the blue mist the horizon's edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all - a hope that blossomed free,
And hath been once, no more shall ever be
Inclosure came and trampled on the grave
Of labour's rights and left the poor a slave
And memory's pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came, with evening morn and night,
To the wild pasture as their common right
And sheep, unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now all's fled and flats of many a dye
That seemed to lengthen with the following eye
Moors, loosing from the sight, far, smooth, and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay
As poet's visions of life's early day
Mulberry-bushes where the boy would run
To fill his hands with fruit are grubbed and done
And hedgrow-briars - flower-lovers overjoyed
Came and got flower-pots - these are all destroyed
And sky-bound mores in mangled garbs are left
Like mighty giants of their limbs bereft
Fence now meets fence in owners' little bounds
Of field and meadow large as garden grounds
In little parcels little minds to please
With men and flocks imprisoned ill at ease
Each little path that led its pleasant way
As sweet as morning leading night astray
Where little flowers bloomed round a varied host
That travel felt delighted to be lost
Nor grudged the steps that he had ta-en as vain
When right roads traced his journeys and again -
Nay, on a broken tree he'd sit awhile
To see the mores and fields and meadows smile
Sometimes with cowslaps smothered - then all white
With daiseys - then the summer's splendid sight
Of cornfields crimson o'er the headache bloomd
Like splendid armys for the battle plumed
He gazed upon them with wild fancy's eye
As fallen landscapes from an evening sky
These paths are stopt - the rude philistine's thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice 'no road here'
And on the tree with ivy overhung
The hated sign by vulgar taste is hung
As tho' the very birds should learn to know
When they go there they must no further go
Thus, with the poor, scared freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law's enclosure came
And dreams of plunder in such rebel schemes
Have found too truly that they were but dreams.
430
John Clare
The Gipsy's Camp
The Gipsy's Camp
How oft on Sundays, when I'd time to tramp,
My rambles led me to a gipsy's camp,
Where the real effigy of midnight hags,
With tawny smoked flesh and tattered rags,
Uncouth-brimmed hat, and weather-beaten cloak,
Neath the wild shelter of a knotty oak,
Along the greensward uniformly pricks
Her pliant bending hazel's arching sticks:
While round-topt bush, or briar-entangled hedge,
Where flag-leaves spring beneath, or ramping sedge,
Keeps off the bothering bustle of the wind,
And give the best retreat she hopes to find.
How oft I've bent me oer her fire and smoke,
To hear her gibberish tale so quaintly spoke,
While the old Sybil forged her boding clack,
Twin imps the meanwhile bawling at her back;
Oft on my hand her magic coin's been struck,
And hoping chink, she talked of morts of luck:
And still, as boyish hopes did first agree,
Mingled with fears to drop the fortune's fee,
I never failed to gain the honours sought,
And Squire and Lord were purchased with a groat.
But as man's unbelieving taste came round,
She furious stampt her shoeless foot aground,
Wiped bye her soot-black hair with clenching fist,
While through her yellow teeth the spittle hist,
Swearing by all her lucky powers of fate,
Which like as footboys on her actions wait,
That fortune's scale should to my sorrow turn,
And I one day the rash neglect should mourn;
That good to bad should change, and I should be
Lost to this world and all eternity;
That poor as Job I should remain unblest:-(
Alas, for fourpence how my die is cast!)
Of not a hoarded farthing be possesst,
And when all's done, be shoved to hell at last!
How oft on Sundays, when I'd time to tramp,
My rambles led me to a gipsy's camp,
Where the real effigy of midnight hags,
With tawny smoked flesh and tattered rags,
Uncouth-brimmed hat, and weather-beaten cloak,
Neath the wild shelter of a knotty oak,
Along the greensward uniformly pricks
Her pliant bending hazel's arching sticks:
While round-topt bush, or briar-entangled hedge,
Where flag-leaves spring beneath, or ramping sedge,
Keeps off the bothering bustle of the wind,
And give the best retreat she hopes to find.
How oft I've bent me oer her fire and smoke,
To hear her gibberish tale so quaintly spoke,
While the old Sybil forged her boding clack,
Twin imps the meanwhile bawling at her back;
Oft on my hand her magic coin's been struck,
And hoping chink, she talked of morts of luck:
And still, as boyish hopes did first agree,
Mingled with fears to drop the fortune's fee,
I never failed to gain the honours sought,
And Squire and Lord were purchased with a groat.
But as man's unbelieving taste came round,
She furious stampt her shoeless foot aground,
Wiped bye her soot-black hair with clenching fist,
While through her yellow teeth the spittle hist,
Swearing by all her lucky powers of fate,
Which like as footboys on her actions wait,
That fortune's scale should to my sorrow turn,
And I one day the rash neglect should mourn;
That good to bad should change, and I should be
Lost to this world and all eternity;
That poor as Job I should remain unblest:-(
Alas, for fourpence how my die is cast!)
Of not a hoarded farthing be possesst,
And when all's done, be shoved to hell at last!
457
John Clare
The Flitting
The Flitting
I've left my own old home of homes,
Green fields and every pleasant place;
The summer like a stranger comes,
I pause and hardly know her face.
I miss the hazel's happy green,
The blue bell's quiet hanging blooms,
Where envy's sneer was never seen,
Where staring malice never comes.
I miss the heath, its yellow furze,
Molehills and rabbit tracks that lead
Through beesom, ling, and teazel burrs
That spread a wilderness indeed;
The woodland oaks and all below
That their white powdered branches shield,
The mossy paths: the very crow
Croaks music in my native field.
I sit me in my corner chair
That seems to feel itself from home,
And hear bird music here and there
From hawthorn hedge and orchard come;
I hear, but all is strange and new:
I sat on my old bench in June,
The sailing puddock's shrill 'peelew'
On Royce Wood seemed a sweeter tune.
I walk adown the narrow lane,
The nightingale is singing now,
But like to me she seems at loss
For Royce Wood and its shielding bough.
I lean upon the window sill,
The trees and summer happy seem;
Green, sunny green they shine, but still
My heart goes far away to dream.
Of happiness, and thoughts arise
With home-bred pictures many a one,
Green lanes that shut out burning skies
And old crooked stiles to rest upon;
Above them hangs the maple tree,
Below grass swells a velvet hill,
And little footpaths sweet to see
Go seeking sweeter places still,
With bye and bye a brook to cross
Oer which a little arch is thrown:
No brook is here, I feel the loss
From home and friends and all alone.
--The stone pit with its shelvy sides
Seemed hanging rocks in my esteem;
I miss the prospect far and wide
From Langley Bush, and so I seem
Alone and in a stranger scene,
Far, far from spots my heart esteems,
The closen with their ancient green,
Heaths, woods, and pastures, sunny streams.
The hawthorns here were hung with may,
But still they seem in deader green,
The sun een seems to lose its way
Nor knows the quarter it is in.
I dwell in trifles like a child,
I feel as ill becomes a man,
And still my thoughts like weedlings wild
Grow up to blossom where they can.
They turn to places known so long
I feel that joy was dwelling there,
So home-fed pleasure fills the song
That has no present joys to hear.
I read in books for happiness,
But books are like the sea to joy,
They change--as well give age the glass
To hunt its visage when a boy.
For books they follow fashions new
And throw all old esteems away,
In crowded streets flowers never grew,
But many there hath died away.
Some sing the pomps of chivalry
As legends of the ancient time,
Where gold and pearls and mystery
Are shadows painted for sublime;
But passions of sublimity
Belong to plain and simpler things,
And David underneath a tree
Sought when a shepherd Salem's springs,
Where moss did into cushions spring,
Forming a seat of velvet hue,
A small unnoticed trifling thing
To all but heaven's hailing dew.
And David's crown hath passed away,
Yet poesy breathes his shepherd-skill,
His palace lost--and to this day
The little moss is blossoming still.
Strange scenes mere shadows are to me,
Vague impersonifying things;
I love with my old haunts to be
By quiet woods and gravel springs,
Where little pebbles wear as smooth
As hermits' beads by gentle floods,
Whose noises do my spirits soothe
And warm them into singing moods.
Here every tree is strange to me,
All foreign things where eer I go,
There's none where boyhood made a swee
Or clambered up to rob a crow.
No hollow tree or woodland bower
Well known when joy was beating high,
Where beauty ran to shun a shower
And love took pains to keep her dry,
And laid the sheaf upon the ground
To keep her from the dripping grass,
And ran for stocks and set them round
Till scarce a drop of rain could pass
Through; where the maidens they reclined
And sung sweet ballads now forgot,
Which brought sweet memories to the mind,
But here no memory knows them not.
There have I sat by many a tree
And leaned oer many a rural stile,
And conned my thoughts as joys to me,
Nought heeding who might frown or smile.
Twas nature's beauty that inspired
My heart with rapture not its own,
And she's a fame that never tires;
How could I feel myself alone?
No, pasture molehills used to lie
And talk to me of sunny days,
And then the glad sheep resting bye
All still in ruminating praise
Of summer and the pleasant place
And every weed and blossom too
Was looking upward in my face
With friendship's welcome 'how do ye do?'
All tenants of an ancient place
And heirs of noble heritage,
Coeval they with Adam's race
And blest with more substantial age.
For when the world first saw the sun
These little flowers beheld him too,
And when his love for earth begun
They were the first his smiles to woo.
There little lambtoe bunches springs
In red tinged and begolden dye
For ever, and like China kings
They come but never seem to die.
There may-bloom with its little threads
Still comes upon the thorny bowers
And neer forgets those prickly heads
Like fairy pins amid the flowers.
And still they bloom as on the day
They first crowned wilderness and rock,
When Abel haply wreathed with may
The firstlings of his little flock,
And Eve might from the matted thorn
To deck her lone and lovely brow
Reach that same rose that heedless scorn
Misnames as the dog rosey now.
Give me no high-flown fangled things,
No haughty pomp in marching chime,
Where muses play on golden strings
And splendour passes for sublime,
Where cities stretch as far as fame
And fancy's straining eye can go,
And piled until the sky for shame
Is stooping far away below.
I love the verse that mild and bland
Breathes of green fields and open sky,
I love the muse that in her hand
Bears flowers of native poesy;
Who walks nor skips the pasture brook
In scorn, but by the drinking horse
Leans oer its little brig to look
How far the sallows lean across,
And feels a rapture in her breast
Upon their root-fringed grains to mark
A hermit morehen's sedgy nest
Just like a naiad's summer bark.
She counts the eggs she cannot reach
Admires the spot and loves it well,
And yearns, so nature's lessons teach,
Amid such neighbourhoods to dwell.
I love the muse who sits her down
Upon the molehill's little lap,
Who feels no fear to stain her gown
And pauses by the hedgerow gap;
Not with that affectation, praise
Of song, to sing and never see
A field flower grown in all her days
Or een a forest's aged tree.
Een here my simple feelings nurse
A love for every simple weed,
And een this little shepherd's purse
Grieves me to cut it up; indeed
I feel at times a love and joy
For every weed and every thing,
A feeling kindred from a boy,
A feeling brought with every Spring.
And why? this shepherd's purse that grows
In this strange spot, in days gone bye
Grew in the little garden rows
Of my old home now left; and I
Feel what I never felt before,
This weed an ancient neighbour here,
And though I own the spot no more
Its every trifle makes it dear.
The ivy at the parlour end,
The woodbine at the garden gate,
Are all and each affection's friend
That render parting desolate.
But times will change and friends must part
And nature still can make amends;
Their memory lingers round the heart
Like life whose essence is its friends.
Time looks on pomp with vengeful mood
Or killing apathy's disdain;
So where old marble cities stood
Poor persecuted weeds remain.
She feels a love for little things
That very few can feel beside,
And still the grass eternal springs
Where castles stood and grandeur died.
I've left my own old home of homes,
Green fields and every pleasant place;
The summer like a stranger comes,
I pause and hardly know her face.
I miss the hazel's happy green,
The blue bell's quiet hanging blooms,
Where envy's sneer was never seen,
Where staring malice never comes.
I miss the heath, its yellow furze,
Molehills and rabbit tracks that lead
Through beesom, ling, and teazel burrs
That spread a wilderness indeed;
The woodland oaks and all below
That their white powdered branches shield,
The mossy paths: the very crow
Croaks music in my native field.
I sit me in my corner chair
That seems to feel itself from home,
And hear bird music here and there
From hawthorn hedge and orchard come;
I hear, but all is strange and new:
I sat on my old bench in June,
The sailing puddock's shrill 'peelew'
On Royce Wood seemed a sweeter tune.
I walk adown the narrow lane,
The nightingale is singing now,
But like to me she seems at loss
For Royce Wood and its shielding bough.
I lean upon the window sill,
The trees and summer happy seem;
Green, sunny green they shine, but still
My heart goes far away to dream.
Of happiness, and thoughts arise
With home-bred pictures many a one,
Green lanes that shut out burning skies
And old crooked stiles to rest upon;
Above them hangs the maple tree,
Below grass swells a velvet hill,
And little footpaths sweet to see
Go seeking sweeter places still,
With bye and bye a brook to cross
Oer which a little arch is thrown:
No brook is here, I feel the loss
From home and friends and all alone.
--The stone pit with its shelvy sides
Seemed hanging rocks in my esteem;
I miss the prospect far and wide
From Langley Bush, and so I seem
Alone and in a stranger scene,
Far, far from spots my heart esteems,
The closen with their ancient green,
Heaths, woods, and pastures, sunny streams.
The hawthorns here were hung with may,
But still they seem in deader green,
The sun een seems to lose its way
Nor knows the quarter it is in.
I dwell in trifles like a child,
I feel as ill becomes a man,
And still my thoughts like weedlings wild
Grow up to blossom where they can.
They turn to places known so long
I feel that joy was dwelling there,
So home-fed pleasure fills the song
That has no present joys to hear.
I read in books for happiness,
But books are like the sea to joy,
They change--as well give age the glass
To hunt its visage when a boy.
For books they follow fashions new
And throw all old esteems away,
In crowded streets flowers never grew,
But many there hath died away.
Some sing the pomps of chivalry
As legends of the ancient time,
Where gold and pearls and mystery
Are shadows painted for sublime;
But passions of sublimity
Belong to plain and simpler things,
And David underneath a tree
Sought when a shepherd Salem's springs,
Where moss did into cushions spring,
Forming a seat of velvet hue,
A small unnoticed trifling thing
To all but heaven's hailing dew.
And David's crown hath passed away,
Yet poesy breathes his shepherd-skill,
His palace lost--and to this day
The little moss is blossoming still.
Strange scenes mere shadows are to me,
Vague impersonifying things;
I love with my old haunts to be
By quiet woods and gravel springs,
Where little pebbles wear as smooth
As hermits' beads by gentle floods,
Whose noises do my spirits soothe
And warm them into singing moods.
Here every tree is strange to me,
All foreign things where eer I go,
There's none where boyhood made a swee
Or clambered up to rob a crow.
No hollow tree or woodland bower
Well known when joy was beating high,
Where beauty ran to shun a shower
And love took pains to keep her dry,
And laid the sheaf upon the ground
To keep her from the dripping grass,
And ran for stocks and set them round
Till scarce a drop of rain could pass
Through; where the maidens they reclined
And sung sweet ballads now forgot,
Which brought sweet memories to the mind,
But here no memory knows them not.
There have I sat by many a tree
And leaned oer many a rural stile,
And conned my thoughts as joys to me,
Nought heeding who might frown or smile.
Twas nature's beauty that inspired
My heart with rapture not its own,
And she's a fame that never tires;
How could I feel myself alone?
No, pasture molehills used to lie
And talk to me of sunny days,
And then the glad sheep resting bye
All still in ruminating praise
Of summer and the pleasant place
And every weed and blossom too
Was looking upward in my face
With friendship's welcome 'how do ye do?'
All tenants of an ancient place
And heirs of noble heritage,
Coeval they with Adam's race
And blest with more substantial age.
For when the world first saw the sun
These little flowers beheld him too,
And when his love for earth begun
They were the first his smiles to woo.
There little lambtoe bunches springs
In red tinged and begolden dye
For ever, and like China kings
They come but never seem to die.
There may-bloom with its little threads
Still comes upon the thorny bowers
And neer forgets those prickly heads
Like fairy pins amid the flowers.
And still they bloom as on the day
They first crowned wilderness and rock,
When Abel haply wreathed with may
The firstlings of his little flock,
And Eve might from the matted thorn
To deck her lone and lovely brow
Reach that same rose that heedless scorn
Misnames as the dog rosey now.
Give me no high-flown fangled things,
No haughty pomp in marching chime,
Where muses play on golden strings
And splendour passes for sublime,
Where cities stretch as far as fame
And fancy's straining eye can go,
And piled until the sky for shame
Is stooping far away below.
I love the verse that mild and bland
Breathes of green fields and open sky,
I love the muse that in her hand
Bears flowers of native poesy;
Who walks nor skips the pasture brook
In scorn, but by the drinking horse
Leans oer its little brig to look
How far the sallows lean across,
And feels a rapture in her breast
Upon their root-fringed grains to mark
A hermit morehen's sedgy nest
Just like a naiad's summer bark.
She counts the eggs she cannot reach
Admires the spot and loves it well,
And yearns, so nature's lessons teach,
Amid such neighbourhoods to dwell.
I love the muse who sits her down
Upon the molehill's little lap,
Who feels no fear to stain her gown
And pauses by the hedgerow gap;
Not with that affectation, praise
Of song, to sing and never see
A field flower grown in all her days
Or een a forest's aged tree.
Een here my simple feelings nurse
A love for every simple weed,
And een this little shepherd's purse
Grieves me to cut it up; indeed
I feel at times a love and joy
For every weed and every thing,
A feeling kindred from a boy,
A feeling brought with every Spring.
And why? this shepherd's purse that grows
In this strange spot, in days gone bye
Grew in the little garden rows
Of my old home now left; and I
Feel what I never felt before,
This weed an ancient neighbour here,
And though I own the spot no more
Its every trifle makes it dear.
The ivy at the parlour end,
The woodbine at the garden gate,
Are all and each affection's friend
That render parting desolate.
But times will change and friends must part
And nature still can make amends;
Their memory lingers round the heart
Like life whose essence is its friends.
Time looks on pomp with vengeful mood
Or killing apathy's disdain;
So where old marble cities stood
Poor persecuted weeds remain.
She feels a love for little things
That very few can feel beside,
And still the grass eternal springs
Where castles stood and grandeur died.
391
John Clare
Remembrances
Remembrances
Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone
When I used to lie and sing by old eastwells boiling spring
When I used to tie the willow boughs together for a 'swing'
And fish with crooked pins and thread and never catch a
thing
With heart just like a feather- now as heavy as a stone
When beneath old lea close oak I the bottom branches broke
To make our harvest cart like so many working folk
And then to cut a straw at the brook to have a soak
O I never dreamed of parting or that trouble had a sting
Or that pleasures like a flock of birds would ever take to
wing
Leaving nothing but a little naked spring
When jumping time away on old cross berry way
And eating awes like sugar plumbs ere they had lost the may
And skipping like a leveret before the peep of day
On the rolly polly up and downs of pleasant swordy well
When in round oaks narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain
With our pockets full of peas we had stolen from the grain
How delicious was the dinner time on such a showry day
O words are poor receipts for what time hath stole away
The ancient pulpit trees and the play
When for school oer 'little field' with its brook and wooden
brig
Where I swaggered like a man though I was not half so big
While I held my little plough though twas but a willow twig
And drove my team along made of nothing but a name
'Gee hep' and 'hoit' and 'woi'- O I never call to mind
These pleasant names of places but I leave a sigh behind
While I see the little mouldywharps hang sweeing to the wind
On the only aged willow that in all the field remains
And nature hides her face where theyre sweeing in their
chains
And in a silent murmuring complains
Here was commons for the hills where they seek for
freedom still
Though every commons gone and though traps are set to kill
The little homeless miners- O it turns my bosom chill
When I think of old 'sneap green' puddocks nook and hilly
snow
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view
When we threw the pissmire crumbs when we's nothing
else to do
All leveled like a desert by the never weary plough
All vanished like the sun where that cloud is passing now
All settled here for ever on its brow
I never thought that joys would run away from boys
Or that boys would change their minds and forsake such
summer joys
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone
Till I found the pleasure past and a winter come at last
Then the fields were sudden bare and the sky got overcast
And boyhoods pleasing haunts like a blossom in the blast
Was shrivelled to a withered weed and trampled down and
done
Till vanished was the morning spring and set that summer
sun
And winter fought her battle strife and won
By Langley bush I roam but the bush hath left its hill
On cowper green I stray tis a desert strange and chill
And spreading lea close oak ere decay had penned its will
To the axe of the spoiler and self interest fell a prey
And cross berry way and old round oaks narrow lane
With its hollow trees like pulpits I shall never see again
Inclosure like a Buonaparte let not a thing remain
It levelled every bush and tree and levelled every hill
And hung the moles for traitors - though the brook is
running still
It runs a naked brook cold and chill
O had I known as then joy had left the paths of men
I had watched her night and day besure and never slept agen
And when she turned to go O I'd caught her mantle then
And wooed her like a lover by my lonely side to stay
Aye knelt and worshipped on as love in beautys bower
And clung upon her smiles as a bee upon her flower
And gave her heart my poesys all cropt in a sunny hour
As keepsakes and pledges to fade away
But love never heeded to treasure up the may
So it went the comon road with decay.
Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone
When I used to lie and sing by old eastwells boiling spring
When I used to tie the willow boughs together for a 'swing'
And fish with crooked pins and thread and never catch a
thing
With heart just like a feather- now as heavy as a stone
When beneath old lea close oak I the bottom branches broke
To make our harvest cart like so many working folk
And then to cut a straw at the brook to have a soak
O I never dreamed of parting or that trouble had a sting
Or that pleasures like a flock of birds would ever take to
wing
Leaving nothing but a little naked spring
When jumping time away on old cross berry way
And eating awes like sugar plumbs ere they had lost the may
And skipping like a leveret before the peep of day
On the rolly polly up and downs of pleasant swordy well
When in round oaks narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain
With our pockets full of peas we had stolen from the grain
How delicious was the dinner time on such a showry day
O words are poor receipts for what time hath stole away
The ancient pulpit trees and the play
When for school oer 'little field' with its brook and wooden
brig
Where I swaggered like a man though I was not half so big
While I held my little plough though twas but a willow twig
And drove my team along made of nothing but a name
'Gee hep' and 'hoit' and 'woi'- O I never call to mind
These pleasant names of places but I leave a sigh behind
While I see the little mouldywharps hang sweeing to the wind
On the only aged willow that in all the field remains
And nature hides her face where theyre sweeing in their
chains
And in a silent murmuring complains
Here was commons for the hills where they seek for
freedom still
Though every commons gone and though traps are set to kill
The little homeless miners- O it turns my bosom chill
When I think of old 'sneap green' puddocks nook and hilly
snow
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view
When we threw the pissmire crumbs when we's nothing
else to do
All leveled like a desert by the never weary plough
All vanished like the sun where that cloud is passing now
All settled here for ever on its brow
I never thought that joys would run away from boys
Or that boys would change their minds and forsake such
summer joys
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone
Till I found the pleasure past and a winter come at last
Then the fields were sudden bare and the sky got overcast
And boyhoods pleasing haunts like a blossom in the blast
Was shrivelled to a withered weed and trampled down and
done
Till vanished was the morning spring and set that summer
sun
And winter fought her battle strife and won
By Langley bush I roam but the bush hath left its hill
On cowper green I stray tis a desert strange and chill
And spreading lea close oak ere decay had penned its will
To the axe of the spoiler and self interest fell a prey
And cross berry way and old round oaks narrow lane
With its hollow trees like pulpits I shall never see again
Inclosure like a Buonaparte let not a thing remain
It levelled every bush and tree and levelled every hill
And hung the moles for traitors - though the brook is
running still
It runs a naked brook cold and chill
O had I known as then joy had left the paths of men
I had watched her night and day besure and never slept agen
And when she turned to go O I'd caught her mantle then
And wooed her like a lover by my lonely side to stay
Aye knelt and worshipped on as love in beautys bower
And clung upon her smiles as a bee upon her flower
And gave her heart my poesys all cropt in a sunny hour
As keepsakes and pledges to fade away
But love never heeded to treasure up the may
So it went the comon road with decay.
420
John Clare
Peggy's The Lady Of The Hall
Peggy's The Lady Of The Hall
And will she leave the lowly clowns
For silk and satins gay,
Her woollen aprons and drab gowns
For lady's cold array?
And will she leave the wild hedge rose,
The redbreast and the wren,
And will she leave her Sunday beaus
And milk shed in the glen?
And will she leave her kind friends all
To be the Lady of the Hall?
The cowslips bowed their golden drops,
The white thorn white as sheets;
The lamb agen the old ewe stops,
The wren and robin tweets.
And Peggy took her milk pails still,
And sang her evening song,
To milk her cows on Cowslip Hill
For half the summer long.
But silk and satins rich and rare
Are doomed for Peggy still to wear.
But when the May had turned to haws,
The hedge rose swelled to hips,
Peggy was missed without a cause,
And left us in eclipse.
The shepherd in the hovel milks,
Where builds the little wren,
And Peggy's gone, all clad in silks--
Far from the happy glen,
From dog-rose, woodbine, clover, all
To be the Lady of the Hall.
And will she leave the lowly clowns
For silk and satins gay,
Her woollen aprons and drab gowns
For lady's cold array?
And will she leave the wild hedge rose,
The redbreast and the wren,
And will she leave her Sunday beaus
And milk shed in the glen?
And will she leave her kind friends all
To be the Lady of the Hall?
The cowslips bowed their golden drops,
The white thorn white as sheets;
The lamb agen the old ewe stops,
The wren and robin tweets.
And Peggy took her milk pails still,
And sang her evening song,
To milk her cows on Cowslip Hill
For half the summer long.
But silk and satins rich and rare
Are doomed for Peggy still to wear.
But when the May had turned to haws,
The hedge rose swelled to hips,
Peggy was missed without a cause,
And left us in eclipse.
The shepherd in the hovel milks,
Where builds the little wren,
And Peggy's gone, all clad in silks--
Far from the happy glen,
From dog-rose, woodbine, clover, all
To be the Lady of the Hall.
378
John Clare
Decay
Decay
O Poesy is on the wane,
For Fancy's visions all unfitting;
I hardly know her face again,
Nature herself seems on the flitting.
The fields grow old and common things,
The grass, the sky, the winds a-blowing;
And spots, where still a beauty clings,
Are sighing 'going! all a-going!'
O Poesy is on the wane,
I hardly know her face again.
The bank with brambles overspread,
And little molehills round about it,
Was more to me than laurel shades,
With paths of gravel finely clouted;
And streaking here and streaking there,
Through shaven grass and many a border,
With rutty lanes had no compare,
And heaths were in a richer order.
But Poesy is on the wane,
I hardly know her face again.
I sat beside the pasture stream,
When Beauty's self was sitting by,
The fields did more than Eden seem
Nor could I tell the reason why.
I often drank when not adry
To pledge her health in draughts divine;
Smiles made it nectar from the sky,
Love turned een water into wine.
O Poesy is on the wane,
I cannot find her face again.
The sun those mornings used to find,
Its clouds were other-country mountains,
And heaven looked downward on the mind,
Like groves, and rocks, and mottled fountains.
Those heavens are gone, the mountains grey
Turned mist--the sun, a homeless ranger,
Pursues alone his naked way,
Unnoticed like a very stranger.
O Poesy is on the wane,
Nor love nor joy is mine again.
Love's sun went down without a frown,
For very joy it used to grieve us;
I often think the West is gone,
Ah, cruel Time, to undeceive us.
The stream it is a common stream,
Where we on Sundays used to ramble,
The sky hangs oer a broken dream,
The bramble's dwindled to a bramble!
O Poesy is on the wane,
I cannot find her haunts again.
Mere withered stalks and fading trees,
And pastures spread with hills and rushes,
Are all my fading vision sees;
Gone, gone are rapture's flooding gushes!
When mushrooms they were fairy bowers,
Their marble pillars overswelling,
And Danger paused to pluck the flowers
That in their swarthy rings were dwelling.
Yes, Poesy is on the wane,
Nor joy nor fear is mine again.
Aye, Poesy hath passed away,
And Fancy's visions undeceive us;
The night hath ta'en the place of day,
And why should passing shadows grieve us?
I thought the flowers upon the hills
Were flowers from Adam's open gardens;
But I have had my summer thrills,
And I have had my heart's rewardings.
So Poesy is on the wane,
I hardly know her face again.
And Friendship it hath burned away,
Like to a very ember cooling,
A make-believe on April day
That sent the simple heart a-fooling;
Mere jesting in an earnest way,
Deceiving on and still deceiving;
And Hope is but a fancy-play,
And Joy the art of true believing;
For Poesy is on the wane,
O could I feel her faith again!
O Poesy is on the wane,
For Fancy's visions all unfitting;
I hardly know her face again,
Nature herself seems on the flitting.
The fields grow old and common things,
The grass, the sky, the winds a-blowing;
And spots, where still a beauty clings,
Are sighing 'going! all a-going!'
O Poesy is on the wane,
I hardly know her face again.
The bank with brambles overspread,
And little molehills round about it,
Was more to me than laurel shades,
With paths of gravel finely clouted;
And streaking here and streaking there,
Through shaven grass and many a border,
With rutty lanes had no compare,
And heaths were in a richer order.
But Poesy is on the wane,
I hardly know her face again.
I sat beside the pasture stream,
When Beauty's self was sitting by,
The fields did more than Eden seem
Nor could I tell the reason why.
I often drank when not adry
To pledge her health in draughts divine;
Smiles made it nectar from the sky,
Love turned een water into wine.
O Poesy is on the wane,
I cannot find her face again.
The sun those mornings used to find,
Its clouds were other-country mountains,
And heaven looked downward on the mind,
Like groves, and rocks, and mottled fountains.
Those heavens are gone, the mountains grey
Turned mist--the sun, a homeless ranger,
Pursues alone his naked way,
Unnoticed like a very stranger.
O Poesy is on the wane,
Nor love nor joy is mine again.
Love's sun went down without a frown,
For very joy it used to grieve us;
I often think the West is gone,
Ah, cruel Time, to undeceive us.
The stream it is a common stream,
Where we on Sundays used to ramble,
The sky hangs oer a broken dream,
The bramble's dwindled to a bramble!
O Poesy is on the wane,
I cannot find her haunts again.
Mere withered stalks and fading trees,
And pastures spread with hills and rushes,
Are all my fading vision sees;
Gone, gone are rapture's flooding gushes!
When mushrooms they were fairy bowers,
Their marble pillars overswelling,
And Danger paused to pluck the flowers
That in their swarthy rings were dwelling.
Yes, Poesy is on the wane,
Nor joy nor fear is mine again.
Aye, Poesy hath passed away,
And Fancy's visions undeceive us;
The night hath ta'en the place of day,
And why should passing shadows grieve us?
I thought the flowers upon the hills
Were flowers from Adam's open gardens;
But I have had my summer thrills,
And I have had my heart's rewardings.
So Poesy is on the wane,
I hardly know her face again.
And Friendship it hath burned away,
Like to a very ember cooling,
A make-believe on April day
That sent the simple heart a-fooling;
Mere jesting in an earnest way,
Deceiving on and still deceiving;
And Hope is but a fancy-play,
And Joy the art of true believing;
For Poesy is on the wane,
O could I feel her faith again!
443
John Clare
An Invite, to Eternity
An Invite, to Eternity
Wilt thou go with me, sweet maid,
Say, maiden, wilt thou go with me
Through the valley-depths of shade,
Of night and dark obscurity;
Where the path has lost its way,
Where the sun forgets the day,
Where there's nor life nor light to see,
Sweet maiden, wilt thou go with me!
Where stones will turn to flooding streams,
Where plains will rise like ocean waves,
Where life will fade like visioned dreams
And mountains darken into caves,
Say, maiden, wilt thou go with me
Through this sad non-identity,
Where parents live and are forgot,
And sisters live and know us not!
Say, maiden; wilt thou go with me
In this strange death of life to be,
To live in death and be the same,
Without this life or home or name,
At once to be and not to be -
That was and is not -yet to see
Things pass like shadows, and the sky
Above, below, around us lie?
Wilt thou go with me, sweet maid,
Say, maiden, wilt thou go with me
Through the valley-depths of shade,
Of night and dark obscurity;
Where the path has lost its way,
Where the sun forgets the day,
Where there's nor life nor light to see,
Sweet maiden, wilt thou go with me!
Where stones will turn to flooding streams,
Where plains will rise like ocean waves,
Where life will fade like visioned dreams
And mountains darken into caves,
Say, maiden, wilt thou go with me
Through this sad non-identity,
Where parents live and are forgot,
And sisters live and know us not!
Say, maiden; wilt thou go with me
In this strange death of life to be,
To live in death and be the same,
Without this life or home or name,
At once to be and not to be -
That was and is not -yet to see
Things pass like shadows, and the sky
Above, below, around us lie?
389
Johann Wolfgang von Goethe
Welcome And Farewell
Welcome And Farewell
QUICK throbb'd my heart: to norse! haste, haste,
And lo! 'twas done with speed of light;
The evening soon the world embraced,
And o'er the mountains hung the night.
Soon stood, in robe of mist, the oak,
A tow'ring giant in his size,
Where darkness through the thicket broke,
And glared with hundred gloomy eyes.
From out a hill of clouds the moon
With mournful gaze began to peer:
The winds their soft wings flutter'd soon,
And murmur'd in mine awe-struck ear;
The night a thousand monsters made,
Yet fresh and joyous was my mind;
What fire within my veins then play'd!
What glow was in my bosom shrin'd!
I saw thee, and with tender pride
Felt thy sweet gaze pour joy on me;
While all my heart was at thy side.
And every breath I breath'd for thee.
The roseate hues that spring supplies
Were playing round thy features fair,
And love for me--ye Deities!
I hoped it, I deserved it ne'er!
But, when the morning sun return'd,
Departure filled with grief my heart:
Within thy kiss, what rapture burn'd!
But in thy look, what bitter smart!
I went--thy gaze to earth first roved
Thou follow'dst me with tearful eye:
And yet, what rapture to be loved!
And, Gods, to love--what ecstasy!
QUICK throbb'd my heart: to norse! haste, haste,
And lo! 'twas done with speed of light;
The evening soon the world embraced,
And o'er the mountains hung the night.
Soon stood, in robe of mist, the oak,
A tow'ring giant in his size,
Where darkness through the thicket broke,
And glared with hundred gloomy eyes.
From out a hill of clouds the moon
With mournful gaze began to peer:
The winds their soft wings flutter'd soon,
And murmur'd in mine awe-struck ear;
The night a thousand monsters made,
Yet fresh and joyous was my mind;
What fire within my veins then play'd!
What glow was in my bosom shrin'd!
I saw thee, and with tender pride
Felt thy sweet gaze pour joy on me;
While all my heart was at thy side.
And every breath I breath'd for thee.
The roseate hues that spring supplies
Were playing round thy features fair,
And love for me--ye Deities!
I hoped it, I deserved it ne'er!
But, when the morning sun return'd,
Departure filled with grief my heart:
Within thy kiss, what rapture burn'd!
But in thy look, what bitter smart!
I went--thy gaze to earth first roved
Thou follow'dst me with tearful eye:
And yet, what rapture to be loved!
And, Gods, to love--what ecstasy!
576
Johann Wolfgang von Goethe
Trilogy Of Passion 01 To Werther
Trilogy Of Passion 01 To Werther
ONCE more, then, much-wept shadow, thou dost dare
Boldly to face the day's clear light,
To meet me on fresh blooming meadows fair,
And dost not tremble at my sight.
Those happy times appear return'd once more.
When on one field we quaff'd refreshing dew,
And, when the day's unwelcome toils were o'er,
The farewell sunbeams bless'd our ravish'd view;
Fate bade thee go,--to linger here was mine,--
Going the first, the smaller loss was thine.
The life of man appears a glorious fate:
The day how lovely, and the night how great!
And we 'mid Paradise-like raptures plac'd,
The sun's bright glory scarce have learn'd to taste.
When strange contending feelings dimly cover,
Now us, and now the forms that round us hover;
One's feelings by no other are supplied,
'Tis dark without, if all is bright inside;
An outward brightness veils my sadden'd mood,
When Fortune smiles,--how seldom understood!
Now think we that we know her, and with might
A woman's beauteous form instils delight;
The youth, as glad as in his infancy,
The spring-time treads, as though the spring were he
Ravish'd, amazed, he asks, how this is done?
He looks around, the world appears his own.
With careless speed he wanders on through space,
Nor walls, nor palaces can check his race;
As some gay flight of birds round tree-tops plays,
So 'tis with him who round his mistress strays;
He seeks from AEther, which he'd leave behind him,
The faithful look that fondly serves to bind him.
Yet first too early warn'd, and then too late,
He feels his flight restrain'd, is captur'd straight
To meet again is sweet, to part is sad,
Again to meet again is still more glad,
And years in one short moment are enshrin'd;
But, oh, the harsh farewell is hid behind!
Thou smilest, friend, with fitting thoughts inspired;
By a dread parting was thy fame acquired,
Thy mournful destiny we sorrow'd o'er,
For weal and woe thou left'st us evermore,
And then again the passions' wavering force
Drew us along in labyrinthine course;
And we, consumed by constant misery,
At length must part--and parting is to die!
How moving is it, when the minstrel sings,
To 'scape the death that separation brings!
Oh grant, some god, to one who suffers so,
To tell, half-guilty, his sad tale of woe.
ONCE more, then, much-wept shadow, thou dost dare
Boldly to face the day's clear light,
To meet me on fresh blooming meadows fair,
And dost not tremble at my sight.
Those happy times appear return'd once more.
When on one field we quaff'd refreshing dew,
And, when the day's unwelcome toils were o'er,
The farewell sunbeams bless'd our ravish'd view;
Fate bade thee go,--to linger here was mine,--
Going the first, the smaller loss was thine.
The life of man appears a glorious fate:
The day how lovely, and the night how great!
And we 'mid Paradise-like raptures plac'd,
The sun's bright glory scarce have learn'd to taste.
When strange contending feelings dimly cover,
Now us, and now the forms that round us hover;
One's feelings by no other are supplied,
'Tis dark without, if all is bright inside;
An outward brightness veils my sadden'd mood,
When Fortune smiles,--how seldom understood!
Now think we that we know her, and with might
A woman's beauteous form instils delight;
The youth, as glad as in his infancy,
The spring-time treads, as though the spring were he
Ravish'd, amazed, he asks, how this is done?
He looks around, the world appears his own.
With careless speed he wanders on through space,
Nor walls, nor palaces can check his race;
As some gay flight of birds round tree-tops plays,
So 'tis with him who round his mistress strays;
He seeks from AEther, which he'd leave behind him,
The faithful look that fondly serves to bind him.
Yet first too early warn'd, and then too late,
He feels his flight restrain'd, is captur'd straight
To meet again is sweet, to part is sad,
Again to meet again is still more glad,
And years in one short moment are enshrin'd;
But, oh, the harsh farewell is hid behind!
Thou smilest, friend, with fitting thoughts inspired;
By a dread parting was thy fame acquired,
Thy mournful destiny we sorrow'd o'er,
For weal and woe thou left'st us evermore,
And then again the passions' wavering force
Drew us along in labyrinthine course;
And we, consumed by constant misery,
At length must part--and parting is to die!
How moving is it, when the minstrel sings,
To 'scape the death that separation brings!
Oh grant, some god, to one who suffers so,
To tell, half-guilty, his sad tale of woe.
350
Johann Wolfgang von Goethe
To Mignon
To Mignon
OVER vale and torrent far
Rolls along the sun's bright car.
Ah! he wakens in his course
Mine, as thy deep-seated smart
In the heart.
Ev'ry morning with new force.
Scarce avails night aught to me;
E'en the visions that I see
Come but in a mournful guise;
And I feel this silent smart
In my heart
With creative pow'r arise.
During many a beauteous year
I have seen ships 'neath me steer,
As they seek the shelt'ring bay;
But, alas, each lasting smart
In my heart
Floats not with the stream away.
I must wear a gala dress,
Long stored up within my press,
For to-day to feasts is given;
None know with what bitter smart
Is my heart
Fearfully and madly riven.
Secretly I weep each tear,
Yet can cheerful e'en appear,
With a face of healthy red;
For if deadly were this silent smart
In my heart,
Ah, I then had long been dead!
THE MOUNTAIN CASTLE.
THERE stands on yonder high mountain
A castle built of yore,
Where once lurked horse and horseman
In rear of gate and of door.
Now door and gate are in ashes,
And all around is so still;
And over the fallen ruins
I clamber just as I will.
Below once lay a cellar,
With costly wines well stor'd;
No more the glad maid with her pitcher
Descends there to draw from the hoard.
No longer the goblet she places
Before the guests at the feast;
The flask at the meal so hallow'd
No longer she fills for the priest.
No more for the eager squire
The draught in the passage is pour'd;
No more for the flying present
Receives she the flying reward.
For all the roof and the rafters,
They all long since have been burn'd,
And stairs and passage and chapel
To rubbish and ruins are turn'd.
Yet when with lute and with flagon,
When day was smiling and bright,
I've watch'd my mistress climbing
To gain this perilous height,
Then rapture joyous and radiant
The silence so desolate brake,
And all, as in days long vanish'd,
Once more to enjoyment awoke;
As if for guests of high station
The largest rooms were prepared;
As if from those times so precious
A couple thither had fared;
As if there stood in his chapel
The priest in his sacred dress,
And ask'd: "Would ye twain be united?"
And we, with a smile, answer'd, "Yes!"
And songs that breath'd a deep feeling,
That touched the heart's innermost chord,
The music-fraught mouth of sweet echo,
Instead of the many, outpour'd.
And when at eve all was hidden
In silence unbroken and deep,
The glowing sun then look'd upwards,
And gazed on the summit so steep.
And squire and maiden then glitter'd
As bright and gay as a lord,
She seized the time for her present,
And he to give her reward.
OVER vale and torrent far
Rolls along the sun's bright car.
Ah! he wakens in his course
Mine, as thy deep-seated smart
In the heart.
Ev'ry morning with new force.
Scarce avails night aught to me;
E'en the visions that I see
Come but in a mournful guise;
And I feel this silent smart
In my heart
With creative pow'r arise.
During many a beauteous year
I have seen ships 'neath me steer,
As they seek the shelt'ring bay;
But, alas, each lasting smart
In my heart
Floats not with the stream away.
I must wear a gala dress,
Long stored up within my press,
For to-day to feasts is given;
None know with what bitter smart
Is my heart
Fearfully and madly riven.
Secretly I weep each tear,
Yet can cheerful e'en appear,
With a face of healthy red;
For if deadly were this silent smart
In my heart,
Ah, I then had long been dead!
THE MOUNTAIN CASTLE.
THERE stands on yonder high mountain
A castle built of yore,
Where once lurked horse and horseman
In rear of gate and of door.
Now door and gate are in ashes,
And all around is so still;
And over the fallen ruins
I clamber just as I will.
Below once lay a cellar,
With costly wines well stor'd;
No more the glad maid with her pitcher
Descends there to draw from the hoard.
No longer the goblet she places
Before the guests at the feast;
The flask at the meal so hallow'd
No longer she fills for the priest.
No more for the eager squire
The draught in the passage is pour'd;
No more for the flying present
Receives she the flying reward.
For all the roof and the rafters,
They all long since have been burn'd,
And stairs and passage and chapel
To rubbish and ruins are turn'd.
Yet when with lute and with flagon,
When day was smiling and bright,
I've watch'd my mistress climbing
To gain this perilous height,
Then rapture joyous and radiant
The silence so desolate brake,
And all, as in days long vanish'd,
Once more to enjoyment awoke;
As if for guests of high station
The largest rooms were prepared;
As if from those times so precious
A couple thither had fared;
As if there stood in his chapel
The priest in his sacred dress,
And ask'd: "Would ye twain be united?"
And we, with a smile, answer'd, "Yes!"
And songs that breath'd a deep feeling,
That touched the heart's innermost chord,
The music-fraught mouth of sweet echo,
Instead of the many, outpour'd.
And when at eve all was hidden
In silence unbroken and deep,
The glowing sun then look'd upwards,
And gazed on the summit so steep.
And squire and maiden then glitter'd
As bright and gay as a lord,
She seized the time for her present,
And he to give her reward.
503
Johann Wolfgang von Goethe
To Charlotte
To Charlotte
'MIDST the noise of merriment and glee,
'Midst full many a sorrow, many a care,
Charlotte, I remember, we remember thee,
How, at evening's hour so fair,
Thou a kindly hand didst reach us,
When thou, in some happy place
Where more fair is Nature s face,
Many a lightly-hidden trace
Of a spirit loved didst teach us.
Well 'tis that thy worth I rightly knew,--
That I, in the hour when first we met,
While the first impression fill'd me yet,
Call'd thee then a girl both good and true.
Rear'd in silence, calmly, knowing nought,
On the world we suddenly are thrown;
Hundred thousand billows round us sport;
All things charm us--many please alone,
Many grieve us, and as hour on hour is stealing,
To and fro our restless natures sway;
First we feel, and then we find each feeling
By the changeful world-stream borne away.
Well I know, we oft within us find
Many a hope and many a smart.
Charlotte, who can know our mind?
Charlotte, who can know our heart?
Ah! 'twould fain be understood, 'twould fain o'erflow
In some creature's fellow-feelings blest,
And, with trust, in twofold measure know
All the grief and joy in Nature's breast.
Then thine eye is oft around thee cast,
But in vain, for all seems closed for ever.
Thus the fairest part of life is madly pass'd
Free from storm, but resting never:
To thy sorrow thou'rt to-day repell'd
By what yesterday obey'd thee.
Can that world by thee be worthy held
Which so oft betray'd thee?
Which, 'mid all thy pleasures and thy pains,
Lived in selfish, unconcern'd repose?
See, the soul its secret cells regains,
And the heart--makes haste to close.
Thus found I thee, and gladly went to meet thee;
"She's worthy of all love!" I cried,
And pray'd that Heaven with purest bliss might greet thee,
Which in thy friend it richly hath supplied.
'MIDST the noise of merriment and glee,
'Midst full many a sorrow, many a care,
Charlotte, I remember, we remember thee,
How, at evening's hour so fair,
Thou a kindly hand didst reach us,
When thou, in some happy place
Where more fair is Nature s face,
Many a lightly-hidden trace
Of a spirit loved didst teach us.
Well 'tis that thy worth I rightly knew,--
That I, in the hour when first we met,
While the first impression fill'd me yet,
Call'd thee then a girl both good and true.
Rear'd in silence, calmly, knowing nought,
On the world we suddenly are thrown;
Hundred thousand billows round us sport;
All things charm us--many please alone,
Many grieve us, and as hour on hour is stealing,
To and fro our restless natures sway;
First we feel, and then we find each feeling
By the changeful world-stream borne away.
Well I know, we oft within us find
Many a hope and many a smart.
Charlotte, who can know our mind?
Charlotte, who can know our heart?
Ah! 'twould fain be understood, 'twould fain o'erflow
In some creature's fellow-feelings blest,
And, with trust, in twofold measure know
All the grief and joy in Nature's breast.
Then thine eye is oft around thee cast,
But in vain, for all seems closed for ever.
Thus the fairest part of life is madly pass'd
Free from storm, but resting never:
To thy sorrow thou'rt to-day repell'd
By what yesterday obey'd thee.
Can that world by thee be worthy held
Which so oft betray'd thee?
Which, 'mid all thy pleasures and thy pains,
Lived in selfish, unconcern'd repose?
See, the soul its secret cells regains,
And the heart--makes haste to close.
Thus found I thee, and gladly went to meet thee;
"She's worthy of all love!" I cried,
And pray'd that Heaven with purest bliss might greet thee,
Which in thy friend it richly hath supplied.
402
Johann Wolfgang von Goethe
The Traveller And The Farm-Maiden
The Traveller And The Farm-Maiden
HE.
CANST thou give, oh fair and matchless maiden,
'Neath the shadow of the lindens yonder,--
Where I'd fain one moment cease to wander,--
Food and drink to one so heavy laden?
SHE.
Wouldst thou find refreshment, traveller weary,
Bread, ripe fruit and cream to meet thy wishes,--
None but Nature's plain and homely dishes,--
Near the spring may soothe thy wanderings dreary.
HE.
Dreams of old acquaintance now pass through me,
Ne'er-forgotten queen of hours of blisses.
Likenesses I've often found, but this is
One that quite a marvel seemeth to me!
SHE.
Travellers often wonder beyond measure,
But their wonder soon see cause to smother;
Fair and dark are often like each other,
Both inspire the mind with equal pleasure.
HE.
Not now for the first time I surrender
To this form, in humble adoration;
It was brightest midst the constellation
In the hail adorn'd with festal splendour.
SHE.
Be thou joyful that 'tis in my power
To complete thy strange and merry story!
Silks behind her, full of purple glory,
Floated, when thou saw'st her in that hour.
HE.
No, in truth, thou hast not sung it rightly!
Spirits may have told thee all about it;
Pearls and gems they spoke of, do not doubt it,--
By her gaze eclipsed,--it gleam'd so brightly!
SHE.
This one thing I certainly collected:
That the fair one--(say nought, I entreat thee!)
Fondly hoping once again to meet thee,
Many a castle in the air erected.
HE.
By each wind I ceaselessly was driven,
Seeking gold and honour, too, to capture!
When my wand'rings end, then oh, what rapture,
If to find that form again 'tis given!
SHE.
'Tis the daughter of the race now banish'd
That thou seest, not her likeness only;
Helen and her brother, glad though lonely,
Till this farm of their estate now vanish'd.
HE.
But the owner surely is not wanting
Of these plains, with ev'ry beauty teeming?
Verdant fields, broad meads, and pastures gleaming,
Gushing springs, all heav'nly and enchanting.
SHE.
Thou must hunt the world through, wouldst thou find him!--
We have wealth enough in our possession,
And intend to purchase the succession,
When the good man leaves the world behind him.
HE.
I have learnt the owner's own condition,
And, fair maiden, thou indeed canst buy it;
But the cost is great, I won't deny it,--
Helen is the price,--with thy permission!
SHE.
Did then fate and rank keep us asunder,
And must Love take this road, and no other?
Yonder comes my dear and trusty brother;
What will he say to it all, I wonder?
HE.
CANST thou give, oh fair and matchless maiden,
'Neath the shadow of the lindens yonder,--
Where I'd fain one moment cease to wander,--
Food and drink to one so heavy laden?
SHE.
Wouldst thou find refreshment, traveller weary,
Bread, ripe fruit and cream to meet thy wishes,--
None but Nature's plain and homely dishes,--
Near the spring may soothe thy wanderings dreary.
HE.
Dreams of old acquaintance now pass through me,
Ne'er-forgotten queen of hours of blisses.
Likenesses I've often found, but this is
One that quite a marvel seemeth to me!
SHE.
Travellers often wonder beyond measure,
But their wonder soon see cause to smother;
Fair and dark are often like each other,
Both inspire the mind with equal pleasure.
HE.
Not now for the first time I surrender
To this form, in humble adoration;
It was brightest midst the constellation
In the hail adorn'd with festal splendour.
SHE.
Be thou joyful that 'tis in my power
To complete thy strange and merry story!
Silks behind her, full of purple glory,
Floated, when thou saw'st her in that hour.
HE.
No, in truth, thou hast not sung it rightly!
Spirits may have told thee all about it;
Pearls and gems they spoke of, do not doubt it,--
By her gaze eclipsed,--it gleam'd so brightly!
SHE.
This one thing I certainly collected:
That the fair one--(say nought, I entreat thee!)
Fondly hoping once again to meet thee,
Many a castle in the air erected.
HE.
By each wind I ceaselessly was driven,
Seeking gold and honour, too, to capture!
When my wand'rings end, then oh, what rapture,
If to find that form again 'tis given!
SHE.
'Tis the daughter of the race now banish'd
That thou seest, not her likeness only;
Helen and her brother, glad though lonely,
Till this farm of their estate now vanish'd.
HE.
But the owner surely is not wanting
Of these plains, with ev'ry beauty teeming?
Verdant fields, broad meads, and pastures gleaming,
Gushing springs, all heav'nly and enchanting.
SHE.
Thou must hunt the world through, wouldst thou find him!--
We have wealth enough in our possession,
And intend to purchase the succession,
When the good man leaves the world behind him.
HE.
I have learnt the owner's own condition,
And, fair maiden, thou indeed canst buy it;
But the cost is great, I won't deny it,--
Helen is the price,--with thy permission!
SHE.
Did then fate and rank keep us asunder,
And must Love take this road, and no other?
Yonder comes my dear and trusty brother;
What will he say to it all, I wonder?
345
Johann Wolfgang von Goethe
The Exchange
The Exchange
THE stones in the streamlet I make my bright pillow,
And open my arms to the swift-rolling billow,
That lovingly hastens to fall on my breast.
Then fickleness soon bids it onwards be flowing;
A second draws nigh, its caresses bestowing,--
And so by a twofold enjoyment I'm blest.
And yet thou art trailing in sorrow and sadness
The moments that life, as it flies, gave for gladness,
Because by thy love thou'rt remember'd no more!
Oh, call back to mind former days and their blisses!
The lips of the second will give as sweet kisses
As any the lips of the first gave before!
THE stones in the streamlet I make my bright pillow,
And open my arms to the swift-rolling billow,
That lovingly hastens to fall on my breast.
Then fickleness soon bids it onwards be flowing;
A second draws nigh, its caresses bestowing,--
And so by a twofold enjoyment I'm blest.
And yet thou art trailing in sorrow and sadness
The moments that life, as it flies, gave for gladness,
Because by thy love thou'rt remember'd no more!
Oh, call back to mind former days and their blisses!
The lips of the second will give as sweet kisses
As any the lips of the first gave before!
422
Johann Wolfgang von Goethe
Happiness And Vision
Happiness And Vision
TOGETHER at the altar we
In vision oft were seen by thee,
Thyself as bride, as bridegroom I.
Oft from thy mouth full many a kiss
In an unguarded hour of bliss
I then would steal, while none were by.
The purest rapture we then knew,
The joy those happy hours gave too,
When tasted, fled, as time fleets on.
What now avails my joy to me?
Like dreams the warmest kisses flee,
Like kisses, soon all joys are gone.
TOGETHER at the altar we
In vision oft were seen by thee,
Thyself as bride, as bridegroom I.
Oft from thy mouth full many a kiss
In an unguarded hour of bliss
I then would steal, while none were by.
The purest rapture we then knew,
The joy those happy hours gave too,
When tasted, fled, as time fleets on.
What now avails my joy to me?
Like dreams the warmest kisses flee,
Like kisses, soon all joys are gone.
318
Jane Austen
This Little Bag
This Little Bag
This little bag I hope will prove
To be not vainly made--
For, if you should a needle want
It will afford you aid.
And as we are about to part
T'will serve another end,
For when you look upon the Bag
You'll recollect your friend
This little bag I hope will prove
To be not vainly made--
For, if you should a needle want
It will afford you aid.
And as we are about to part
T'will serve another end,
For when you look upon the Bag
You'll recollect your friend
170
James Whitcomb Riley
Who Santy-Claus Wuz
Who Santy-Claus Wuz
Jes' a little bit o' feller--I remember still--
Ust to almost cry fer Christmas, like a youngster will.
Fourth o' July's nothin' to it!--New Year's ain't a smell!
Easter-Sunday--Circus-day--jes' all dead in the shell!
Lawzy, though! at night, you know, to set around an' hear
The old folks work the story off about the sledge an' deer,
An' 'Santy' skootin' round the roof, all wrapt in fur an' fuzz--
Long afore
I knowed who
'Santy-Claus' wuz!
Ust to wait, an' set up late, a week er two ahead;
Couldn't hardly keep awake, ner wouldn't go to bed;
Kittle stewin' on the fire, an' Mother settin' here
Darnin' socks, an' rockin' in the skreeky rockin'-cheer;
Pap gap', an' wonder where it wuz the money went,
An' quar'l with his frosted heels, an' spill his liniment;
An' me a-dreamin' sleigh-bells when the clock 'ud whir an' buzz,
Long afore
I knowed who
'Santy-Claus' wuz!
Size the fire-place up an' figger how 'Ole Santy' could
Manage to come down the chimbly, like they said he would;
Wisht 'at I could hide an' see him--wunderd what he'd say
Ef he ketched a feller layin' fer him thataway!
But I _bet_ on him, an' _liked_ him, same as ef he had
Turned to pat me on the back an' say, 'Look here, my lad,
Here's my pack,--jes' he'p yourse'f, like all good boys does!'
Long afore
I knowed who
'Santy-Claus' wuz!
Wisht that yarn was true about him, as it 'peared to be--
Truth made out o' lies like that-un's good enough fer me!--
Wisht I still wuz so confidin' I could jes' go wild
Over hangin' up my stockin's, like the little child
Climbin' in my lap to-night, an' beggin' me to tell
'Bout them reindeers, and 'Old Santy' that she loves so well
I'm half sorry fer this little-girl-sweetheart of his--
Long afore
She knows who
'Santy-Claus' is!
Jes' a little bit o' feller--I remember still--
Ust to almost cry fer Christmas, like a youngster will.
Fourth o' July's nothin' to it!--New Year's ain't a smell!
Easter-Sunday--Circus-day--jes' all dead in the shell!
Lawzy, though! at night, you know, to set around an' hear
The old folks work the story off about the sledge an' deer,
An' 'Santy' skootin' round the roof, all wrapt in fur an' fuzz--
Long afore
I knowed who
'Santy-Claus' wuz!
Ust to wait, an' set up late, a week er two ahead;
Couldn't hardly keep awake, ner wouldn't go to bed;
Kittle stewin' on the fire, an' Mother settin' here
Darnin' socks, an' rockin' in the skreeky rockin'-cheer;
Pap gap', an' wonder where it wuz the money went,
An' quar'l with his frosted heels, an' spill his liniment;
An' me a-dreamin' sleigh-bells when the clock 'ud whir an' buzz,
Long afore
I knowed who
'Santy-Claus' wuz!
Size the fire-place up an' figger how 'Ole Santy' could
Manage to come down the chimbly, like they said he would;
Wisht 'at I could hide an' see him--wunderd what he'd say
Ef he ketched a feller layin' fer him thataway!
But I _bet_ on him, an' _liked_ him, same as ef he had
Turned to pat me on the back an' say, 'Look here, my lad,
Here's my pack,--jes' he'p yourse'f, like all good boys does!'
Long afore
I knowed who
'Santy-Claus' wuz!
Wisht that yarn was true about him, as it 'peared to be--
Truth made out o' lies like that-un's good enough fer me!--
Wisht I still wuz so confidin' I could jes' go wild
Over hangin' up my stockin's, like the little child
Climbin' in my lap to-night, an' beggin' me to tell
'Bout them reindeers, and 'Old Santy' that she loves so well
I'm half sorry fer this little-girl-sweetheart of his--
Long afore
She knows who
'Santy-Claus' is!
279
James Whitcomb Riley
Where The Children Used To Play
Where The Children Used To Play
The old farm-home is Mother's yet and mine,
And filled it is with plenty and to spare--,
But we are lonely here in life's decline,
Though fortune smiles around us everywhere:
We look across the gold
Of the harvests, as of old--
The corn, the fragrant clover, and the hay;
But most we turn our gaze,
As with eyes of other days,
To the orchard where the children used to play.
O from our life's full measure
And rich hoard of worldly treasure
We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
To the orchard where the children used to play.
Our sloping pasture-lands are filled with herds;
The barn and granary-bins are bulging o'ver;
The grove's a paradise of singing birds--
The woodland brook leaps laughing by the door;
Yet lonely, lonely still,
Let us prosper as we will,
Our old hearts seem so empty everyway--
We can only through a mist
See the faces we have kissed
In the orchard where the children used to play.
O from our life's full measure
And rich hoard of worldly treasure
We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
To the orchard where the children used to play.
The old farm-home is Mother's yet and mine,
And filled it is with plenty and to spare--,
But we are lonely here in life's decline,
Though fortune smiles around us everywhere:
We look across the gold
Of the harvests, as of old--
The corn, the fragrant clover, and the hay;
But most we turn our gaze,
As with eyes of other days,
To the orchard where the children used to play.
O from our life's full measure
And rich hoard of worldly treasure
We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
To the orchard where the children used to play.
Our sloping pasture-lands are filled with herds;
The barn and granary-bins are bulging o'ver;
The grove's a paradise of singing birds--
The woodland brook leaps laughing by the door;
Yet lonely, lonely still,
Let us prosper as we will,
Our old hearts seem so empty everyway--
We can only through a mist
See the faces we have kissed
In the orchard where the children used to play.
O from our life's full measure
And rich hoard of worldly treasure
We often turn our weary eyes away,
And hand in hand we wander
Down the old path winding yonder
To the orchard where the children used to play.
269
James Whitcomb Riley
When Mother Combed My Hair
When Mother Combed My Hair
When Memory, with gentle hand,
Has led me to that foreign land
Of childhood days, I long to be
Again the boy on bended knee,
With head a-bow, and drowsy smile
Hid in a mother's lap the while,
With tender touch and kindly care,
She bends above and combs my hair.
Ere threats of Time, or ghosts of cares
Had paled it to the hue it wears,
Its tangled threads of amber light
Fell o'er a forehead, fair and white,
That only knew the light caress
Of loving hands, or sudden press
Of kisses that were sifted there
The times when mother combed my hair.
But its last gleams of gold have slipped
Away; and Sorrow's manuscript
Is fashioned of the snowy brow--
So lined and underscored now
That you, to see it, scarce would guess
It e'er had felt the fond caress
Of loving lips, or known the care
Of those dear hands that combed my hair.
. . . . . . . .
I am so tired! Let me be
A moment at my mother's knee;
One moment--that I may forget
The trials waiting for me yet:
One moment free from every pain--
O! Mother! Comb my hair again!
And I will, oh, so humbly bow,
For I've a wife that combs it now.
When Memory, with gentle hand,
Has led me to that foreign land
Of childhood days, I long to be
Again the boy on bended knee,
With head a-bow, and drowsy smile
Hid in a mother's lap the while,
With tender touch and kindly care,
She bends above and combs my hair.
Ere threats of Time, or ghosts of cares
Had paled it to the hue it wears,
Its tangled threads of amber light
Fell o'er a forehead, fair and white,
That only knew the light caress
Of loving hands, or sudden press
Of kisses that were sifted there
The times when mother combed my hair.
But its last gleams of gold have slipped
Away; and Sorrow's manuscript
Is fashioned of the snowy brow--
So lined and underscored now
That you, to see it, scarce would guess
It e'er had felt the fond caress
Of loving lips, or known the care
Of those dear hands that combed my hair.
. . . . . . . .
I am so tired! Let me be
A moment at my mother's knee;
One moment--that I may forget
The trials waiting for me yet:
One moment free from every pain--
O! Mother! Comb my hair again!
And I will, oh, so humbly bow,
For I've a wife that combs it now.
242
James Whitcomb Riley
What Chris'mas Fetched The Wigginses
What Chris'mas Fetched The Wigginses
Wintertime, er Summertime,
Of late years I notice I'm,
Kindo'-like, more subjec' to
What the _weather_ is. Now, you
Folks 'at lives in town, I s'pose,
Thinks its bully when it snows;
But the chap 'at chops and hauls
Yer wood fer ye, and then stalls,
And snapps tuggs and swingletrees,
And then has to walk er freeze,
Haint so much 'stuck on' the snow
As stuck _in_ it--Bless ye, no!--
When its packed, and sleighin's good,
And _church_ in the neighborhood,
Them 'at's _got_ their girls, I guess,
Takes 'em, likely, more er less,
Tell the plain facts o' the case,
No men-folks about our place
On'y me and Pap--and he
'Lows 'at young folks' company
Allus made him sick! So I
Jes don't want, and jes don't try!
Chinkypin, the dad-burn town,
'S too fur off to loaf aroun'
Either day er night--and no
Law compellin' me to go!-'
Less 'n some Old-Settlers' Day,
Er big-doin's thataway-_
Then_, to tell the p'inted fac',
I've went more so's to come back
By old Guthrie's 'still-house, where
Minors _has_ got licker there-That's
pervidin' we could show 'em
Old folks sent fer it from home!
Visit roun' the neighbors some,
When the boys wants me to come.-Coon-
hunt with 'em; er set traps
Fer mussrats; er jes, perhaps,
Lay in roun' the stove, you know,
And parch corn, and let her snow!
Mostly, nights like these, you'll be
(Ef you' got a writ fer _me_)
Ap' to skeer me up, I guess,
In about the Wigginses.
Nothin' roun' _our_ place to keep
Me at home--with Pap asleep
'Fore it's dark; and Mother in
Mango pickles to her chin;
And the girls, all still as death,
Piecin' quilts.--Sence I drawed breath
Twenty year' ago, and heerd
Some girls whispern' so's it 'peared
Like they had a row o' pins
In their mouth--right there begins
My first rickollections, built
On that-air blame old piece-quilt!
Summertime, it's jes the same-'
Cause I've noticed,--and I claim,
As I said afore, I'm more
Subjec' to the weather, _shore_,
'Proachin' my majority,
Than I ever ust to be!
Callin' back _last_ Summer, say,-Don't
seem hardly past away--
With night closin' in, and all
S' lonesome-like in the dew-fail:
Bats--ad-drat their ugly muggs!--
Flickern' by; and lightnin'-bugs
Huckstern' roun' the airly night
Little sickly gasps o' light;-Whip-
poor-wills, like all possessed,
Moanin' out their mournfullest;--
Frogs and katydids and things
Jes clubs in and sings and sings
Their _ding-dangdest_!--Stock's all fed,
And Pap's washed his feet fer bed;--
Mother and the girls all down
At the milk-shed, foolin' roun'--
No wunder 'at I git blue,
And lite out--and so would you!
I caint stay aroun' no place
Whur they haint no livin' face:-'
Crost the fields and thue the gaps
Of the hills they's friends, perhaps,
Waitin' somers, 'at kin be
Kindo' comfertin' to me!
Neighbors all 'is plenty good,
Scattered thue this neighberhood;
Yit, of all, I like to jes
Drap in on the Wigginses.--
Old man, and old lady too,
'Pear-like, makes so much o' you--,
Least, they've allus pampered me
Like one of the fambily.--
The boys, too, 's all thataway--
Want you jes to come and stay;--
Price, and Chape, and Mandaville,
Poke, Chasteen, and 'Catfish Bill'-Poke's
the runt of all the rest,
But he's jes the beatinest
Little schemer, fer fourteen,
Anybody ever seen!-
'Like his namesake,' old man claims,
'Jeems K. Poke, the first o' names!
Full o' tricks and jokes--and you
Never know what _Poke's_ go' do!'
Genius, too, that-air boy is,
With them awk'ard hands o' his:
Gits this blame pokeberry-juice,
Er some stuff, fer ink--and goose-
Quill pen-p'ints: And then he'll draw
Dogdest pictures yevver saw!
Er make deers and eagles good
As a writin'-teacher could!
Then they's two twin boys they've riz
Of old Coonrod Wigginses
'At's deceast--and glad of it,
'Cause his widder's livin' yit!
Course _the boys_ is mostly jes'
Why I go to Wigginses.---
Though _Melviney_, sometimes, _she_
Gits her slate and algebry
And jes' sets there ciphern' thue
Sums old Ray hisse'f caint do!--
Jes' sets there, and tilts her chair
Forreds tel, 'pear-like, her hair
Jes' _spills_ in her lap--and then
She jes' dips it up again
With her hands, as white, I swan,
As the apern she's got on!
Talk o' hospitality!--
Go to Wigginses with me--
Overhet, or froze plum thue,
You'll find welcome waitin' you:-Th'ow
out yer tobacker 'fore
You set foot acrost that floor,-'
Got to eat whatever's set--
Got to drink whatever's wet!'
Old man's sentimuns--them's his---
And means jes the best they is!
Then he lights his pipe; and she,
The old lady, presen'ly
She lights her'n; and Chape and Poke.
I haint got none, ner don't smoke,-(
In the crick afore their door--
Sorto so's 'at I'd be shore--
Drownded mine one night and says
'I won't smoke at _Wigginses_!')
Price he's mostly talkin' 'bout
Politics, and 'thieves turned out'--
What he's go' to be, ef he
Ever 'gits there'--and 'we'll see!'-
Poke he 'lows they's blame few men
Go' to hold their breath tel then!
Then Melviney smiles, as she
Goes on with her algebry,
And the clouds clear, and the room's
Sweeter 'n crabapple-blooms!
(That Melviney, she' got some
Most surprisin' ways, I gum!-Don't
'pear like she ever _says_
Nothin', yit you'll _listen_ jes
Like she was a-talkin', and
Half-way seem to understand,
But not quite,--_Poke_ does, I know,
'Cause he good as told me so,-Poke's
her favo-rite; and he--
That is, confidentially-He's
_my_ favo-rite--and I
Got my whurfore and my why!)
I haint never ben no hand
Much at talkin', understand,
But they's _thoughts_ o' mine 'at's jes
Jealous o' them Wigginses!--
Gift o' talkin 's what they got,
Whether they want to er not-F'r
instunce, start the old man on
Huntin'-scrapes, 'fore game was gone,
'Way back in the Forties, when
Bears stold pigs right out the pen,
Er went waltzin' 'crost the farm
With a bee-hive on their arm!-And--
sir, _ping_! the old man's gun
Has plumped-over many a one,
Firin' at him from afore
That-air very cabin-door!
Yes--and _painters_, prowlin' 'bout,
Allus darkest nights.--Lay out
Clost yer cattle.--Great, big red
Eyes a-blazin' in their head,
Glittern' 'long the timber-line--
Shine out some, and then _un_-shine,
And shine back--Then, stiddy! whizz!
'N there yer Mr. Painter is
With a hole bored spang between
Them-air eyes! Er start Chasteen,
Say, on blooded racin'-stock,
Ef you want to hear him talk;
Er tobacker--how to raise,
Store, and k-yore it, so's she pays:
The old lady--and she'll cote
Scriptur' tel she'll git yer vote!
Prove to you 'at wrong is right,
Jes as plain as black is white:
Prove when you're asleep in bed
You're a-standin' on yer head,
And yer train 'at's goin' West,
'S goin' East its level best;
And when bees dies, it's their wings
Wears out--and a thousand things!
And the boys is 'chips,' you know;
'Off the old block'--So I go
To the Wigginses, 'cause--jes
'Cause I _like_ the Wigginses--
Even ef Melviney _she_
Hardly 'pears to notice me!
Rid to Chinkypin this week-Yisterd'y.--
No snow to speak
Of, and didn't have no sleigh
Anyhow; so, as I say,
I rid in--and froze one ear
And both heels--and I don't keer!-'
Mother and the girls kin jes
Bother 'bout their Chris'mases
_Next_ time fer _theirse'vs_, I jack!'
Thinks-says-I, a-startin' back,--
Whole durn meal-bag full of things
Wrapped in paper-sacks, and strings
Liable to snap their holt
Jes at any little jolt!
That in front o' me, and _wind_
With _nicks_ in it, 'at jes skinned
Me alive!--I'm here to say
Nine mile' hossback thataway
Would a-walked my log! But, as
Somepin' allus comes to pass,
As I topped old Guthrie's hill.
Saw a buggy, front the 'Still,
P'inted home'ards, and a thin
Little chap jes climbin' in.
Six more minutes I were there
On the groun's'--And course it were--
It were little Poke--and he
Nearly fainted to see me!-'
You ben in to Chinky, too?'
'Yes; and go' ride back with you,'
I-says-I. He he'pped me find
Room fer my things in behind--
Stript my hoss's reins down, and
Put his mitt' on the right hand
So's to lead--'Pile in!' says he,
'But you 've struck pore company!'
Noticed he was pale--looked sick,
Kindo-like, and had a quick
Way o' flickin' them-air eyes
0' his roun' 'at didn't size
Up right with his usual style-s'
I, 'You well?' He tried to smile,
But his chin shuck and tears come.-'_
I've run 'Viney 'way from home_!'
Don't know jes what all occurred
Next ten seconds--Nary word,
But my heart jes drapt, stobbed thue,
And whirlt over and come to.--
Wrenched a big quart bottle from
That fool-boy!--and cut my thumb
On his little fiste-teeth--helt
Him snug in one arm, and felt
That-air little heart o' his
Churn the blood o' Wigginses
Into that old bead 'at spun
Roun' her, spilt at Lexington!
His k'niptions, like enough,
He'pped us both,--though it was rough--
Rough on him, and rougher on
Me when last his nerve was gone,
And he laid there still, his face
Fishin' fer some hidin'-place
Jes a leetle lower down
In my breast than he 'd yit foun'!
Last I kindo' soothed him, so's
He could talk.--And what you s'pose
Them-air revelations of
Poke's was? . . . He'd ben writin' love-
Letters to Melviney, and
Givin her to understand
They was from 'a young man who
Loved her,' and--'the violet's blue
'N sugar's sweet'--and Lord knows what!
Tel, 'peared-like, Melviney got
S' interested in 'the young
Man,' Poke _he_ says, 'at she brung
A' answer onc't fer him to take,
Statin' 'she'd die fer his sake,'
And writ fifty xs 'fer
Love-kisses fer him from her!'
I was standin' in the road
By the buggy, all I knowed
When Poke got that fer.--'That's why,'
Poke says, 'I 'fessed up the lie-_
Had_ to--'cause I see,' says he,
''Viney was in airnest--she
Cried, too, when I told her.--Then
She swore me, and smiled again,
And got Pap and Mother to
Let me hitch and drive her thue
Into Chinkypin, to be
At Aunt 'Rindy's Chris'mas-tree-That's
to-night.' Says I, 'Poke--durn
Your lyin' soul!--'s that beau o' hern--
That--_she_--loves--Does _he_ live in
That hellhole o' Chinkypin?'
'No,' says Poke, 'er 'Viney would
Went some _other_ neighborhood.'
'Who _is_ the blame whelp?' says I.
'Promised 'Viney, hope I'd die
Ef I ever told!' says Poke,
Pittiful and jes heart-broke-''
Sides that's why she left the place,-'
She caint look him in the face
Now no more on earth!' she says.--'
And the child broke down and jes
Sobbed! Says I, 'Poke, I p'tend
T' be _your_ friend, and your _Pap's_ friend,
And your _Mother's_ friend, and all
The _boys_' friend, little, large and small--
The _whole fambily's_ friend--and you
Know that means _Melviney_, too.-Now--
you hush yer troublin!'--I'm
Go' to he'p friends ever' time-On'y
in _this_ case, _you_ got
To he'p _me_--and, like as not
I kin he'p Melviney then,
And we'll have her home again.
And now, Poke, with your consent,
I'm go' go to that-air gent
She's in love with, and confer
With _him_ on his views o' _her_.--
Blast him! give the man _some_ show.--
Who is he?--_I'm go' to know_!'
Somepin' struck the little chap
Funny, 'peared-like.--Give a slap
On his leg--laughed thue the dew
In his eyes, and says: 'It's you!'
Yes, and--'cordin' to the last
Love-letters of ours 'at passed
Thue his hands--we was to be
Married Chris'mas.--'Gee-mun-_nee_!
Poke,' says I, 'it's _suddent_--yit
We _kin_ make it! You're to git
Up tomorry, say, 'bout _three_--
Tell your folks you're go' with me:-We'll
hitch up, and jes drive in
'N take the town o' Chinkypin!'
Wintertime, er Summertime,
Of late years I notice I'm,
Kindo'-like, more subjec' to
What the _weather_ is. Now, you
Folks 'at lives in town, I s'pose,
Thinks its bully when it snows;
But the chap 'at chops and hauls
Yer wood fer ye, and then stalls,
And snapps tuggs and swingletrees,
And then has to walk er freeze,
Haint so much 'stuck on' the snow
As stuck _in_ it--Bless ye, no!--
When its packed, and sleighin's good,
And _church_ in the neighborhood,
Them 'at's _got_ their girls, I guess,
Takes 'em, likely, more er less,
Tell the plain facts o' the case,
No men-folks about our place
On'y me and Pap--and he
'Lows 'at young folks' company
Allus made him sick! So I
Jes don't want, and jes don't try!
Chinkypin, the dad-burn town,
'S too fur off to loaf aroun'
Either day er night--and no
Law compellin' me to go!-'
Less 'n some Old-Settlers' Day,
Er big-doin's thataway-_
Then_, to tell the p'inted fac',
I've went more so's to come back
By old Guthrie's 'still-house, where
Minors _has_ got licker there-That's
pervidin' we could show 'em
Old folks sent fer it from home!
Visit roun' the neighbors some,
When the boys wants me to come.-Coon-
hunt with 'em; er set traps
Fer mussrats; er jes, perhaps,
Lay in roun' the stove, you know,
And parch corn, and let her snow!
Mostly, nights like these, you'll be
(Ef you' got a writ fer _me_)
Ap' to skeer me up, I guess,
In about the Wigginses.
Nothin' roun' _our_ place to keep
Me at home--with Pap asleep
'Fore it's dark; and Mother in
Mango pickles to her chin;
And the girls, all still as death,
Piecin' quilts.--Sence I drawed breath
Twenty year' ago, and heerd
Some girls whispern' so's it 'peared
Like they had a row o' pins
In their mouth--right there begins
My first rickollections, built
On that-air blame old piece-quilt!
Summertime, it's jes the same-'
Cause I've noticed,--and I claim,
As I said afore, I'm more
Subjec' to the weather, _shore_,
'Proachin' my majority,
Than I ever ust to be!
Callin' back _last_ Summer, say,-Don't
seem hardly past away--
With night closin' in, and all
S' lonesome-like in the dew-fail:
Bats--ad-drat their ugly muggs!--
Flickern' by; and lightnin'-bugs
Huckstern' roun' the airly night
Little sickly gasps o' light;-Whip-
poor-wills, like all possessed,
Moanin' out their mournfullest;--
Frogs and katydids and things
Jes clubs in and sings and sings
Their _ding-dangdest_!--Stock's all fed,
And Pap's washed his feet fer bed;--
Mother and the girls all down
At the milk-shed, foolin' roun'--
No wunder 'at I git blue,
And lite out--and so would you!
I caint stay aroun' no place
Whur they haint no livin' face:-'
Crost the fields and thue the gaps
Of the hills they's friends, perhaps,
Waitin' somers, 'at kin be
Kindo' comfertin' to me!
Neighbors all 'is plenty good,
Scattered thue this neighberhood;
Yit, of all, I like to jes
Drap in on the Wigginses.--
Old man, and old lady too,
'Pear-like, makes so much o' you--,
Least, they've allus pampered me
Like one of the fambily.--
The boys, too, 's all thataway--
Want you jes to come and stay;--
Price, and Chape, and Mandaville,
Poke, Chasteen, and 'Catfish Bill'-Poke's
the runt of all the rest,
But he's jes the beatinest
Little schemer, fer fourteen,
Anybody ever seen!-
'Like his namesake,' old man claims,
'Jeems K. Poke, the first o' names!
Full o' tricks and jokes--and you
Never know what _Poke's_ go' do!'
Genius, too, that-air boy is,
With them awk'ard hands o' his:
Gits this blame pokeberry-juice,
Er some stuff, fer ink--and goose-
Quill pen-p'ints: And then he'll draw
Dogdest pictures yevver saw!
Er make deers and eagles good
As a writin'-teacher could!
Then they's two twin boys they've riz
Of old Coonrod Wigginses
'At's deceast--and glad of it,
'Cause his widder's livin' yit!
Course _the boys_ is mostly jes'
Why I go to Wigginses.---
Though _Melviney_, sometimes, _she_
Gits her slate and algebry
And jes' sets there ciphern' thue
Sums old Ray hisse'f caint do!--
Jes' sets there, and tilts her chair
Forreds tel, 'pear-like, her hair
Jes' _spills_ in her lap--and then
She jes' dips it up again
With her hands, as white, I swan,
As the apern she's got on!
Talk o' hospitality!--
Go to Wigginses with me--
Overhet, or froze plum thue,
You'll find welcome waitin' you:-Th'ow
out yer tobacker 'fore
You set foot acrost that floor,-'
Got to eat whatever's set--
Got to drink whatever's wet!'
Old man's sentimuns--them's his---
And means jes the best they is!
Then he lights his pipe; and she,
The old lady, presen'ly
She lights her'n; and Chape and Poke.
I haint got none, ner don't smoke,-(
In the crick afore their door--
Sorto so's 'at I'd be shore--
Drownded mine one night and says
'I won't smoke at _Wigginses_!')
Price he's mostly talkin' 'bout
Politics, and 'thieves turned out'--
What he's go' to be, ef he
Ever 'gits there'--and 'we'll see!'-
Poke he 'lows they's blame few men
Go' to hold their breath tel then!
Then Melviney smiles, as she
Goes on with her algebry,
And the clouds clear, and the room's
Sweeter 'n crabapple-blooms!
(That Melviney, she' got some
Most surprisin' ways, I gum!-Don't
'pear like she ever _says_
Nothin', yit you'll _listen_ jes
Like she was a-talkin', and
Half-way seem to understand,
But not quite,--_Poke_ does, I know,
'Cause he good as told me so,-Poke's
her favo-rite; and he--
That is, confidentially-He's
_my_ favo-rite--and I
Got my whurfore and my why!)
I haint never ben no hand
Much at talkin', understand,
But they's _thoughts_ o' mine 'at's jes
Jealous o' them Wigginses!--
Gift o' talkin 's what they got,
Whether they want to er not-F'r
instunce, start the old man on
Huntin'-scrapes, 'fore game was gone,
'Way back in the Forties, when
Bears stold pigs right out the pen,
Er went waltzin' 'crost the farm
With a bee-hive on their arm!-And--
sir, _ping_! the old man's gun
Has plumped-over many a one,
Firin' at him from afore
That-air very cabin-door!
Yes--and _painters_, prowlin' 'bout,
Allus darkest nights.--Lay out
Clost yer cattle.--Great, big red
Eyes a-blazin' in their head,
Glittern' 'long the timber-line--
Shine out some, and then _un_-shine,
And shine back--Then, stiddy! whizz!
'N there yer Mr. Painter is
With a hole bored spang between
Them-air eyes! Er start Chasteen,
Say, on blooded racin'-stock,
Ef you want to hear him talk;
Er tobacker--how to raise,
Store, and k-yore it, so's she pays:
The old lady--and she'll cote
Scriptur' tel she'll git yer vote!
Prove to you 'at wrong is right,
Jes as plain as black is white:
Prove when you're asleep in bed
You're a-standin' on yer head,
And yer train 'at's goin' West,
'S goin' East its level best;
And when bees dies, it's their wings
Wears out--and a thousand things!
And the boys is 'chips,' you know;
'Off the old block'--So I go
To the Wigginses, 'cause--jes
'Cause I _like_ the Wigginses--
Even ef Melviney _she_
Hardly 'pears to notice me!
Rid to Chinkypin this week-Yisterd'y.--
No snow to speak
Of, and didn't have no sleigh
Anyhow; so, as I say,
I rid in--and froze one ear
And both heels--and I don't keer!-'
Mother and the girls kin jes
Bother 'bout their Chris'mases
_Next_ time fer _theirse'vs_, I jack!'
Thinks-says-I, a-startin' back,--
Whole durn meal-bag full of things
Wrapped in paper-sacks, and strings
Liable to snap their holt
Jes at any little jolt!
That in front o' me, and _wind_
With _nicks_ in it, 'at jes skinned
Me alive!--I'm here to say
Nine mile' hossback thataway
Would a-walked my log! But, as
Somepin' allus comes to pass,
As I topped old Guthrie's hill.
Saw a buggy, front the 'Still,
P'inted home'ards, and a thin
Little chap jes climbin' in.
Six more minutes I were there
On the groun's'--And course it were--
It were little Poke--and he
Nearly fainted to see me!-'
You ben in to Chinky, too?'
'Yes; and go' ride back with you,'
I-says-I. He he'pped me find
Room fer my things in behind--
Stript my hoss's reins down, and
Put his mitt' on the right hand
So's to lead--'Pile in!' says he,
'But you 've struck pore company!'
Noticed he was pale--looked sick,
Kindo-like, and had a quick
Way o' flickin' them-air eyes
0' his roun' 'at didn't size
Up right with his usual style-s'
I, 'You well?' He tried to smile,
But his chin shuck and tears come.-'_
I've run 'Viney 'way from home_!'
Don't know jes what all occurred
Next ten seconds--Nary word,
But my heart jes drapt, stobbed thue,
And whirlt over and come to.--
Wrenched a big quart bottle from
That fool-boy!--and cut my thumb
On his little fiste-teeth--helt
Him snug in one arm, and felt
That-air little heart o' his
Churn the blood o' Wigginses
Into that old bead 'at spun
Roun' her, spilt at Lexington!
His k'niptions, like enough,
He'pped us both,--though it was rough--
Rough on him, and rougher on
Me when last his nerve was gone,
And he laid there still, his face
Fishin' fer some hidin'-place
Jes a leetle lower down
In my breast than he 'd yit foun'!
Last I kindo' soothed him, so's
He could talk.--And what you s'pose
Them-air revelations of
Poke's was? . . . He'd ben writin' love-
Letters to Melviney, and
Givin her to understand
They was from 'a young man who
Loved her,' and--'the violet's blue
'N sugar's sweet'--and Lord knows what!
Tel, 'peared-like, Melviney got
S' interested in 'the young
Man,' Poke _he_ says, 'at she brung
A' answer onc't fer him to take,
Statin' 'she'd die fer his sake,'
And writ fifty xs 'fer
Love-kisses fer him from her!'
I was standin' in the road
By the buggy, all I knowed
When Poke got that fer.--'That's why,'
Poke says, 'I 'fessed up the lie-_
Had_ to--'cause I see,' says he,
''Viney was in airnest--she
Cried, too, when I told her.--Then
She swore me, and smiled again,
And got Pap and Mother to
Let me hitch and drive her thue
Into Chinkypin, to be
At Aunt 'Rindy's Chris'mas-tree-That's
to-night.' Says I, 'Poke--durn
Your lyin' soul!--'s that beau o' hern--
That--_she_--loves--Does _he_ live in
That hellhole o' Chinkypin?'
'No,' says Poke, 'er 'Viney would
Went some _other_ neighborhood.'
'Who _is_ the blame whelp?' says I.
'Promised 'Viney, hope I'd die
Ef I ever told!' says Poke,
Pittiful and jes heart-broke-''
Sides that's why she left the place,-'
She caint look him in the face
Now no more on earth!' she says.--'
And the child broke down and jes
Sobbed! Says I, 'Poke, I p'tend
T' be _your_ friend, and your _Pap's_ friend,
And your _Mother's_ friend, and all
The _boys_' friend, little, large and small--
The _whole fambily's_ friend--and you
Know that means _Melviney_, too.-Now--
you hush yer troublin!'--I'm
Go' to he'p friends ever' time-On'y
in _this_ case, _you_ got
To he'p _me_--and, like as not
I kin he'p Melviney then,
And we'll have her home again.
And now, Poke, with your consent,
I'm go' go to that-air gent
She's in love with, and confer
With _him_ on his views o' _her_.--
Blast him! give the man _some_ show.--
Who is he?--_I'm go' to know_!'
Somepin' struck the little chap
Funny, 'peared-like.--Give a slap
On his leg--laughed thue the dew
In his eyes, and says: 'It's you!'
Yes, and--'cordin' to the last
Love-letters of ours 'at passed
Thue his hands--we was to be
Married Chris'mas.--'Gee-mun-_nee_!
Poke,' says I, 'it's _suddent_--yit
We _kin_ make it! You're to git
Up tomorry, say, 'bout _three_--
Tell your folks you're go' with me:-We'll
hitch up, and jes drive in
'N take the town o' Chinkypin!'
220
James Whitcomb Riley
Waitin' Fer The Cat To Die
Waitin' Fer The Cat To Die
Lawzy! don't I rickollect
That-'air old swing in the lane!
Right and proper, I expect,
Old times _can't_ come back again;
But I want to state, ef they
_Could_ come back, and I could say
What _my_ pick 'ud be, i jing!
I'd say, Gimme the old swing
'Nunder the old locus'-trees
On the old place, ef you please!--
Danglin' there with half-shet eye,
Waitin' fer the cat to die!
I'd say, Gimme the old gang
Of barefooted, hungry, lean,
Ornry boys you want to hang
When you're growed up twic't as mean!
The old gyarden-patch, the old
Truants, and the stuff we stol'd!
The old stompin'-groun', where we
Wore the grass off, wild and free
As the swoop of the old swing,
Where we ust to climb and cling,
And twist roun', and fight, and lie--
Waitin' fer the cat to die!
'Pears like I 'most allus could
Swing the highest of the crowd--
Jes sail up there tel I stood
Downside-up, and screech out loud,--
Ketch my breath, and jes drap back
Fer to let the old swing slack,
Yit my tow-head dippin' still
In the green boughs, and the chill
Up my backbone taperin' down,
With my shadder on the ground'
Slow and slower trailin' by--
Waitin' fer the cat to die!
Now my daughter's little Jane's
Got a kind o' baby-swing
On the porch, so's when it rains
She kin play there--little thing!
And I'd limped out t'other day
With my old cheer this-a-way,
Swingin' _her_ and rockin' too,
Thinkin' how _I_ ust to do
At _her_ age, when suddently,
'Hey, Gran'pap!' she says to me,
'Why you rock so slow?' ... Says I,
'Waitin' fer the cat to die!'
Lawzy! don't I rickollect
That-'air old swing in the lane!
Right and proper, I expect,
Old times _can't_ come back again;
But I want to state, ef they
_Could_ come back, and I could say
What _my_ pick 'ud be, i jing!
I'd say, Gimme the old swing
'Nunder the old locus'-trees
On the old place, ef you please!--
Danglin' there with half-shet eye,
Waitin' fer the cat to die!
I'd say, Gimme the old gang
Of barefooted, hungry, lean,
Ornry boys you want to hang
When you're growed up twic't as mean!
The old gyarden-patch, the old
Truants, and the stuff we stol'd!
The old stompin'-groun', where we
Wore the grass off, wild and free
As the swoop of the old swing,
Where we ust to climb and cling,
And twist roun', and fight, and lie--
Waitin' fer the cat to die!
'Pears like I 'most allus could
Swing the highest of the crowd--
Jes sail up there tel I stood
Downside-up, and screech out loud,--
Ketch my breath, and jes drap back
Fer to let the old swing slack,
Yit my tow-head dippin' still
In the green boughs, and the chill
Up my backbone taperin' down,
With my shadder on the ground'
Slow and slower trailin' by--
Waitin' fer the cat to die!
Now my daughter's little Jane's
Got a kind o' baby-swing
On the porch, so's when it rains
She kin play there--little thing!
And I'd limped out t'other day
With my old cheer this-a-way,
Swingin' _her_ and rockin' too,
Thinkin' how _I_ ust to do
At _her_ age, when suddently,
'Hey, Gran'pap!' she says to me,
'Why you rock so slow?' ... Says I,
'Waitin' fer the cat to die!'
267
James Whitcomb Riley
Wash Lowry's Reminiscence
Wash Lowry's Reminiscence
And you're the poet of this concern?
I've seed your name in print
A dozen times, but I'll be dern
I'd 'a' never 'a' took the hint
O' the size you are--fer I'd pictured you
A kind of a tallish man-Dark-
complected and sallor too,
And on the consumpted plan.
'Stid o' that you're little and small,
With a milk-and-water face-'
Thout no snap in your eyes at all,
Er nothin' to suit the case!
Kind o'look like a--I don't know--
One o' these fair-ground chaps
That runs a thingamajig to blow,
Er a candy-stand perhaps.
'Ll I've allus thought that poetry
Was a sort of a--some disease--
Fer I knowed a poet once, and he
Was techy and hard to please,
And moody-like, and kindo' sad
And didn't seem to mix
With other folks--like his health was bad,
Er his liver out o' fix.
Used to teach fer a livelihood-There's
folks in Pipe Crick yit
Remembers him--and he was good
At cipherin' I'll admit--
And posted up in G'ography
But when it comes to tact,
And gittin' along with the school, you see,
He fizzled, and that's a fact!
Boarded with us fer fourteen months
And in all that time I'll say
We never catched him a-sleepin' once
Er idle a single day.
But shucks! It made him worse and worse
A-writin' rhymes and stuff,
And the school committee used to furse
'At the school warn't good enough.
He warn't as strict as he ought to been,
And never was known to whip,
Or even to keep a scholard in
At work at his penmanship;
'Stid o' that he'd learn 'em notes,
And have 'em every day,
Spilin' hymns and a-splittin' th'oats
With his 'Do-sol-fa-me-ra!'
Tel finally it was jest agreed
We'd have to let him go,
And we all felt bad--we did indeed,
When we come to tell him so;
Fer I remember, he turned so white,
And smiled so sad, somehow,
I someway felt it wasn't right,
And I'm shore it wasn't now!
He hadn't no complaints at all--
He bid the school adieu,
And all o' the scholards great and small
Was mighty sorry too!
And when he closed that afternoon
They sung some lines that he
Had writ a purpose, to some old tune
That suited the case, you see.
And then he lingered and delayed
And wouldn't go away--
And shet himself in his room and stayed
A-writin' from day to day;
And kep' a-gittin' stranger still,
And thinner all the time,
You know, as any feller will
On nothin' else but rhyme.
He didn't seem adzactly right,
Er like he was crossed in love,
He'd work away night after night,
And walk the floor above;
We'd hear him read and talk, and sing
So lonesome-like and low,
My woman's cried like ever'thing-'
Way in the night, you know.
And when at last he tuck to bed
He'd have his ink and pen;
'So's he could coat the muse' he said,
'He'd die contented then';
And jest before he past away
He read with dyin' gaze
The epitaph that stands to-day
To show you where he lays.
And ever sence then I've allus thought
That poetry's some disease,
And them like you that's got it ought
To watch their q's and p's ;
And leave the sweets of rhyme, to sup
On the wholesome draughts of toil,
And git your health recruited up
By plowin' in rougher soil.
And you're the poet of this concern?
I've seed your name in print
A dozen times, but I'll be dern
I'd 'a' never 'a' took the hint
O' the size you are--fer I'd pictured you
A kind of a tallish man-Dark-
complected and sallor too,
And on the consumpted plan.
'Stid o' that you're little and small,
With a milk-and-water face-'
Thout no snap in your eyes at all,
Er nothin' to suit the case!
Kind o'look like a--I don't know--
One o' these fair-ground chaps
That runs a thingamajig to blow,
Er a candy-stand perhaps.
'Ll I've allus thought that poetry
Was a sort of a--some disease--
Fer I knowed a poet once, and he
Was techy and hard to please,
And moody-like, and kindo' sad
And didn't seem to mix
With other folks--like his health was bad,
Er his liver out o' fix.
Used to teach fer a livelihood-There's
folks in Pipe Crick yit
Remembers him--and he was good
At cipherin' I'll admit--
And posted up in G'ography
But when it comes to tact,
And gittin' along with the school, you see,
He fizzled, and that's a fact!
Boarded with us fer fourteen months
And in all that time I'll say
We never catched him a-sleepin' once
Er idle a single day.
But shucks! It made him worse and worse
A-writin' rhymes and stuff,
And the school committee used to furse
'At the school warn't good enough.
He warn't as strict as he ought to been,
And never was known to whip,
Or even to keep a scholard in
At work at his penmanship;
'Stid o' that he'd learn 'em notes,
And have 'em every day,
Spilin' hymns and a-splittin' th'oats
With his 'Do-sol-fa-me-ra!'
Tel finally it was jest agreed
We'd have to let him go,
And we all felt bad--we did indeed,
When we come to tell him so;
Fer I remember, he turned so white,
And smiled so sad, somehow,
I someway felt it wasn't right,
And I'm shore it wasn't now!
He hadn't no complaints at all--
He bid the school adieu,
And all o' the scholards great and small
Was mighty sorry too!
And when he closed that afternoon
They sung some lines that he
Had writ a purpose, to some old tune
That suited the case, you see.
And then he lingered and delayed
And wouldn't go away--
And shet himself in his room and stayed
A-writin' from day to day;
And kep' a-gittin' stranger still,
And thinner all the time,
You know, as any feller will
On nothin' else but rhyme.
He didn't seem adzactly right,
Er like he was crossed in love,
He'd work away night after night,
And walk the floor above;
We'd hear him read and talk, and sing
So lonesome-like and low,
My woman's cried like ever'thing-'
Way in the night, you know.
And when at last he tuck to bed
He'd have his ink and pen;
'So's he could coat the muse' he said,
'He'd die contented then';
And jest before he past away
He read with dyin' gaze
The epitaph that stands to-day
To show you where he lays.
And ever sence then I've allus thought
That poetry's some disease,
And them like you that's got it ought
To watch their q's and p's ;
And leave the sweets of rhyme, to sup
On the wholesome draughts of toil,
And git your health recruited up
By plowin' in rougher soil.
290
James Whitcomb Riley
Tom Van Arden
Tom Van Arden
Tom Van Arden, my old friend,
Our warm fellowship is one
Far too old to comprehend
Where its bond was first begun:
Mirage-like before my gaze
Gleams a land of other days,
Where two truant boys, astray,
Dream their lazy lives away.
There's a vision, in the guise
Of Midsummer, where the Past
Like a weary beggar lies
In the shadow Time has cast;
And as blends the bloom of trees
With the drowsy hum of bees,
Fragrant thoughts and murmurs blend,
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
All the pleasures we have known
Thrill me now as I extend
This old hand and grasp your own--
Feeling, in the rude caress,
All affection's tenderness;
Feeling, though the touch be rough,
Our old souls are soft enough.
So we'll make a mellow hour:
Fill your pipe, and taste the wine--
Warp your face, if it be sour,
I can spare a smile from mine;
If it sharpen up your wit,
Let me feel the edge of it--
I have eager ears to lend,
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
Are we 'lucky dogs,' indeed?
Are we all that we pretend
In the jolly life we lead?--
Bachelors, we must confess,
Boast of 'single blessedness'
To the world, but not alone-Man's
best sorrow is his own!
And the saddest truth is this,--
Life to us has never proved
What we tasted in the kiss
Of the women we have loved:
Vainly we congratulate
Our escape from such a fate
As their lying lips could send,
Tom Van Arden, my old friend!
Tom Van Arden, my old friend,
Hearts, like fruit upon the stem,
Ripen sweetest, I contend,
As the frost falls over them:
Your regard for me to-day
Makes November taste of May,
And through every vein of rhyme
Pours the blood of summer-time.
When our souls are cramped with youth
Happiness seems far away
In the future, while, in truth,
We look back on it to-day
Through our tears, nor dare to boast,-'
Better to have loved and lost!'
Broken hearts are hard to mend,
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
I grow prosy, and you tire;
Fill the glasses while I bend
To prod up the failing fire. . . .
You are restless:--I presume
There's a dampness in the room.--
Much of warmth our nature begs,
With rheumatics in our legs! . . .
Humph! the legs we used to fling
Limber-jointed in the dance,
When we heard the fiddle ring
Up the curtain of Romance,
And in crowded public halls
Played with hearts like jugglers' balls.--
FEATS OF MOUNTEBANKS, DEPEND!--
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
Pardon, then, this theme of mine:
While the firelight leaps to lend
Higher color to the wine,--
I propose a health to those
Who have HOMES, and home's repose,
Wife- and child-love without end!
. . . Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
Our warm fellowship is one
Far too old to comprehend
Where its bond was first begun:
Mirage-like before my gaze
Gleams a land of other days,
Where two truant boys, astray,
Dream their lazy lives away.
There's a vision, in the guise
Of Midsummer, where the Past
Like a weary beggar lies
In the shadow Time has cast;
And as blends the bloom of trees
With the drowsy hum of bees,
Fragrant thoughts and murmurs blend,
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
All the pleasures we have known
Thrill me now as I extend
This old hand and grasp your own--
Feeling, in the rude caress,
All affection's tenderness;
Feeling, though the touch be rough,
Our old souls are soft enough.
So we'll make a mellow hour:
Fill your pipe, and taste the wine--
Warp your face, if it be sour,
I can spare a smile from mine;
If it sharpen up your wit,
Let me feel the edge of it--
I have eager ears to lend,
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
Are we 'lucky dogs,' indeed?
Are we all that we pretend
In the jolly life we lead?--
Bachelors, we must confess,
Boast of 'single blessedness'
To the world, but not alone-Man's
best sorrow is his own!
And the saddest truth is this,--
Life to us has never proved
What we tasted in the kiss
Of the women we have loved:
Vainly we congratulate
Our escape from such a fate
As their lying lips could send,
Tom Van Arden, my old friend!
Tom Van Arden, my old friend,
Hearts, like fruit upon the stem,
Ripen sweetest, I contend,
As the frost falls over them:
Your regard for me to-day
Makes November taste of May,
And through every vein of rhyme
Pours the blood of summer-time.
When our souls are cramped with youth
Happiness seems far away
In the future, while, in truth,
We look back on it to-day
Through our tears, nor dare to boast,-'
Better to have loved and lost!'
Broken hearts are hard to mend,
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
I grow prosy, and you tire;
Fill the glasses while I bend
To prod up the failing fire. . . .
You are restless:--I presume
There's a dampness in the room.--
Much of warmth our nature begs,
With rheumatics in our legs! . . .
Humph! the legs we used to fling
Limber-jointed in the dance,
When we heard the fiddle ring
Up the curtain of Romance,
And in crowded public halls
Played with hearts like jugglers' balls.--
FEATS OF MOUNTEBANKS, DEPEND!--
Tom Van Arden, my old friend.
Tom Van Arden, my old friend,
Pardon, then, this theme of mine:
While the firelight leaps to lend
Higher color to the wine,--
I propose a health to those
Who have HOMES, and home's repose,
Wife- and child-love without end!
. . . Tom Van Arden, my old friend.
264
James Whitcomb Riley
The Sermon Of The Rose
The Sermon Of The Rose
Wilful we are in our infirmity
Of childish questioning and discontent.
Whate'er befalls us is divinely meant--
Thou Truth the clearer for thy mystery!
Make us to meet what is or is to be
With fervid welcome, knowing it is sent
To serve us in some way full excellent,
Though we discern it all belatedly.
The rose buds, and the rose blooms and the rose
Bows in the dews, and in its fulness, lo,
Is in the lover's hand,--then on the breast
Of her he loves,--and there dies.--And who knows
Which fate of all a rose may undergo
Is fairest, dearest, sweetest, loveliest?
Nay, we are children: we will not mature.
A blessed gift must seem a theft; and tears
Must storm our eyes when but a joy appears
In drear disguise of sorrow; and how poor
We seem when we are richest,--most secure
Against all poverty the lifelong years
We yet must waste in childish doubts and fears
That, in despite of reason, still endure!
Alas! the sermon of the rose we will
Not wisely ponder; nor the sobs of grief
Lulled into sighs of rapture; nor the cry
Of fierce defiance that again is still.
Be patient--patient with our frail belief,
And stay it yet a little ere we die.
O opulent life of ours, though dispossessed
Of treasure after treasure! Youth most fair
Went first, but left its priceless coil of hair--
Moaned over sleepless nights, kissed and caressed
Through drip and blur of tears the tenderest.
And next went Love--the ripe rose glowing there
Her very sister!... It is here; but where
Is she, of all the world the first and best?
And yet how sweet the sweet earth after rain--
How sweet the sunlight on the garden wall
Across the roses--and how sweetly flows
The limpid yodel of the brook again!
And yet--and yet how sweeter after all,
The smouldering sweetness of a dead red rose!
Wilful we are in our infirmity
Of childish questioning and discontent.
Whate'er befalls us is divinely meant--
Thou Truth the clearer for thy mystery!
Make us to meet what is or is to be
With fervid welcome, knowing it is sent
To serve us in some way full excellent,
Though we discern it all belatedly.
The rose buds, and the rose blooms and the rose
Bows in the dews, and in its fulness, lo,
Is in the lover's hand,--then on the breast
Of her he loves,--and there dies.--And who knows
Which fate of all a rose may undergo
Is fairest, dearest, sweetest, loveliest?
Nay, we are children: we will not mature.
A blessed gift must seem a theft; and tears
Must storm our eyes when but a joy appears
In drear disguise of sorrow; and how poor
We seem when we are richest,--most secure
Against all poverty the lifelong years
We yet must waste in childish doubts and fears
That, in despite of reason, still endure!
Alas! the sermon of the rose we will
Not wisely ponder; nor the sobs of grief
Lulled into sighs of rapture; nor the cry
Of fierce defiance that again is still.
Be patient--patient with our frail belief,
And stay it yet a little ere we die.
O opulent life of ours, though dispossessed
Of treasure after treasure! Youth most fair
Went first, but left its priceless coil of hair--
Moaned over sleepless nights, kissed and caressed
Through drip and blur of tears the tenderest.
And next went Love--the ripe rose glowing there
Her very sister!... It is here; but where
Is she, of all the world the first and best?
And yet how sweet the sweet earth after rain--
How sweet the sunlight on the garden wall
Across the roses--and how sweetly flows
The limpid yodel of the brook again!
And yet--and yet how sweeter after all,
The smouldering sweetness of a dead red rose!
312
James Whitcomb Riley
The Rose
The Rose
It tossed its head at the wooing breeze;
And the sun, like a bashful swain,
Beamed on it through the waving trees
With a passion all in vain,--
For my rose laughed in a crimson glee,
And hid in the leaves in wait for me.
The honey-bee came there to sing
His love through the languid hours,
And vaunt of his hives, as a proud old king
Might boast of his palace-towers:
But my rose bowed in a mockery,
And hid in the leaves in wait for me.
The humming-bird, like a courtier gay,
Dipped down with a dalliant song,
And twanged his wings through the roundelay
Of love the whole day long:
Yet my rose turned from his minstrelsy
And hid in the leaves in wait for me.
The firefly came in the twilight dim
My red, red rose to woo--
Till quenched was the flame of love in him,
And the light of his lantern too,
As my rose wept with dewdrops three
And hid in the leaves in wait for me.
And I said: I will cull my own sweet rose--
Some day I will claim as mine
The priceless worth of the flower that knows
No change, but a bloom divine--
The bloom of a fadeless constancy
That hides in the leaves in wait for me!
But time passed by in a strange disguise,
And I marked it not, but lay
In a lazy dream, with drowsy eyes,
Till the summer slipped away,
And a chill wind sang in a minor key:
'Where is the rose that waits for thee?'
. . . . . . . .
I dream to-day, o'er a purple stain
Of bloom on a withered stalk,
Pelted down by the autumn rain
In the dust of the garden-walk,
That an Angel-rose in the world to be
Will hide in the leaves in wait for me.
It tossed its head at the wooing breeze;
And the sun, like a bashful swain,
Beamed on it through the waving trees
With a passion all in vain,--
For my rose laughed in a crimson glee,
And hid in the leaves in wait for me.
The honey-bee came there to sing
His love through the languid hours,
And vaunt of his hives, as a proud old king
Might boast of his palace-towers:
But my rose bowed in a mockery,
And hid in the leaves in wait for me.
The humming-bird, like a courtier gay,
Dipped down with a dalliant song,
And twanged his wings through the roundelay
Of love the whole day long:
Yet my rose turned from his minstrelsy
And hid in the leaves in wait for me.
The firefly came in the twilight dim
My red, red rose to woo--
Till quenched was the flame of love in him,
And the light of his lantern too,
As my rose wept with dewdrops three
And hid in the leaves in wait for me.
And I said: I will cull my own sweet rose--
Some day I will claim as mine
The priceless worth of the flower that knows
No change, but a bloom divine--
The bloom of a fadeless constancy
That hides in the leaves in wait for me!
But time passed by in a strange disguise,
And I marked it not, but lay
In a lazy dream, with drowsy eyes,
Till the summer slipped away,
And a chill wind sang in a minor key:
'Where is the rose that waits for thee?'
. . . . . . . .
I dream to-day, o'er a purple stain
Of bloom on a withered stalk,
Pelted down by the autumn rain
In the dust of the garden-walk,
That an Angel-rose in the world to be
Will hide in the leaves in wait for me.
336