Poems in this theme
Romantic Love
Thomas Moore
Did Not
Did Not
'Twas a new feeling - something more
Than we had dared to own before,
Which then we hid not;
We saw it in each other's eye,
And wished, in every half-breathed sigh,
To speak, but did not.
She felt my lips' impassioned touch -
'Twas the first time I dared so much,
And yet she chid not;
But whispered o'er my burning brow,
'Oh, do you doubt I love you now?'
Sweet soul! I did not.
Warmly I felt her bosom thrill,
I pressed it closer, closer still,
Though gently bid not;
Till - oh! the world hath seldom heard
Of lovers, who so nearly erred,
And yet, who did not.
'Twas a new feeling - something more
Than we had dared to own before,
Which then we hid not;
We saw it in each other's eye,
And wished, in every half-breathed sigh,
To speak, but did not.
She felt my lips' impassioned touch -
'Twas the first time I dared so much,
And yet she chid not;
But whispered o'er my burning brow,
'Oh, do you doubt I love you now?'
Sweet soul! I did not.
Warmly I felt her bosom thrill,
I pressed it closer, closer still,
Though gently bid not;
Till - oh! the world hath seldom heard
Of lovers, who so nearly erred,
And yet, who did not.
229
Thomas Moore
Desmond's Song
Desmond's Song
By the Feal's wave benighted,
No star in the skies,
To thy door by Love lighted,
I first saw those eyes.
Some voice whisper'd o'er me,
As the threshold I cross'd,
There was ruin before me,
If I loved, I was lost.
Love came, and brought sorrow
Too soon in his train;
Yet so sweet, that to-morrow
'Twere welcome again.
Though misery's full measure
My portion should be,
I would drain it with pleasure,
If pour'd out by thee.
You, who call it dishonour
To bow to this flame,
If you've eyes, look but on her,
And blush while you blame.
Hath the pearl less whiteness
Because of its birth?
Hath the violet less brightness
For growing near earth?
No -- Man for his glory
To ancestry flies;
But Woman's bright story
Is told in her eyes.
While the Monarch but traces
Through mortals his line,
Beauty, born of the Graces,
Ranks next to Divine!
By the Feal's wave benighted,
No star in the skies,
To thy door by Love lighted,
I first saw those eyes.
Some voice whisper'd o'er me,
As the threshold I cross'd,
There was ruin before me,
If I loved, I was lost.
Love came, and brought sorrow
Too soon in his train;
Yet so sweet, that to-morrow
'Twere welcome again.
Though misery's full measure
My portion should be,
I would drain it with pleasure,
If pour'd out by thee.
You, who call it dishonour
To bow to this flame,
If you've eyes, look but on her,
And blush while you blame.
Hath the pearl less whiteness
Because of its birth?
Hath the violet less brightness
For growing near earth?
No -- Man for his glory
To ancestry flies;
But Woman's bright story
Is told in her eyes.
While the Monarch but traces
Through mortals his line,
Beauty, born of the Graces,
Ranks next to Divine!
191
Thomas Moore
Come O'er the Sea
Come O'er the Sea
Come o'er the sea,
Maiden with me,
Mine through sunshine, storm, and snows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Let fate frown on, so we love and part not;
'Tis life where thou art, 'tis death were thou are not.
Then come o'er the sea,
Maiden with me,
Come wherever the wild wind blows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Was not the sea
Made for the Free,
Land for courts and chains alone?
Here we are slaves,
But, on the waves,
Love and Liberty's all our own.
No eye to watch, and no tongue to wound us
All earth forgot, and all heaven around us --
Then come o'er the sea,
Maiden, with me,
Mine through sunshine, storms, and snows
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Come o'er the sea,
Maiden with me,
Mine through sunshine, storm, and snows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Let fate frown on, so we love and part not;
'Tis life where thou art, 'tis death were thou are not.
Then come o'er the sea,
Maiden with me,
Come wherever the wild wind blows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Was not the sea
Made for the Free,
Land for courts and chains alone?
Here we are slaves,
But, on the waves,
Love and Liberty's all our own.
No eye to watch, and no tongue to wound us
All earth forgot, and all heaven around us --
Then come o'er the sea,
Maiden, with me,
Mine through sunshine, storms, and snows
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
210
Thomas Moore
Believe Me, If All Those Endearing Young Charms
Believe Me, If All Those Endearing Young Charms
Believe me, if all those endearing young charms,
Which I gaze on so fondly to-day,
Were to change by to-morrow, and fleet in my arms,
Live fairy-gifts fading away,
Thou wouldst still be adored, as this moment thou art,
Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart
Would entwine itself verdantly still.
It is not while beauty and youth are thine own,
And thy cheeks unprofaned by a tear,
That the fervor and faith of a soul may be known,
To which time will but make thee more dear!
No, the heart that has truly loved never forgets,
But as truly loves on to the close,
As the sunflower turns on her god when he sets
The same look which she turned when he rose!
Believe me, if all those endearing young charms,
Which I gaze on so fondly to-day,
Were to change by to-morrow, and fleet in my arms,
Live fairy-gifts fading away,
Thou wouldst still be adored, as this moment thou art,
Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart
Would entwine itself verdantly still.
It is not while beauty and youth are thine own,
And thy cheeks unprofaned by a tear,
That the fervor and faith of a soul may be known,
To which time will but make thee more dear!
No, the heart that has truly loved never forgets,
But as truly loves on to the close,
As the sunflower turns on her god when he sets
The same look which she turned when he rose!
168
Thomas Hardy
The Tree: An Old Man's Story
The Tree: An Old Man's Story
I
Its roots are bristling in the air
Like some mad Earth-god's spiny hair;
The loud south-wester's swell and yell
Smote it at midnight, and it fell.
Thus ends the tree
Where Some One sat with me.
II
Its boughs, which none but darers trod,
A child may step on from the sod,
And twigs that earliest met the dawn
Are lit the last upon the lawn.
Cart off the tree
Beneath whose trunk sat we!
III
Yes, there we sat: she cooed content,
And bats ringed round, and daylight went;
The gnarl, our seat, is wrenched and sunk,
Prone that queer pocket in the trunk
Where lay the key
To her pale mystery.
IV
"Years back, within this pocket-hole
I found, my Love, a hurried scrawl
Meant not for me," at length said I;
"I glanced thereat, and let it lie:
The words were three -
'Beloved, I agree.'
V
"Who placed it here; to what request
It gave assent, I never guessed.
Some prayer of some hot heart, no doubt,
To some coy maiden hereabout,
Just as, maybe,
With you, Sweet Heart, and me."
VI
She waited, till with quickened breath
She spoke, as one who banisheth
Reserves that lovecraft heeds so well,
To ease some mighty wish to tell:
"'Twas I," said she,
"Who wrote thus clinchingly.
VII
"My lover's wife--aye, wife!--knew nought
Of what we felt, and bore, and thought . . .
He'd said: 'I wed with thee or die:
She stands between, 'tis true. But why?
Do thou agree,
And--she shalt cease to be.'
VIII
"How I held back, how love supreme
Involved me madly in his scheme
Why should I say? . . . I wrote assent
(You found it hid) to his intent . . .
She--DIED . . . But he
Came not to wed with me.
IX
"O shrink not, Love!--Had these eyes seen
But once thine own, such had not been!
But we were strangers . . . Thus the plot
Cleared passion's path.--Why came he not
To wed with me? . . .
He wived the gibbet-tree."
X
- Under that oak of heretofore
Sat Sweetheart mine with me no more:
By many a Fiord, and Strom, and Fleuve
Have I since wandered . . . Soon, for love,
Distraught went she -
'Twas said for love of me.
I
Its roots are bristling in the air
Like some mad Earth-god's spiny hair;
The loud south-wester's swell and yell
Smote it at midnight, and it fell.
Thus ends the tree
Where Some One sat with me.
II
Its boughs, which none but darers trod,
A child may step on from the sod,
And twigs that earliest met the dawn
Are lit the last upon the lawn.
Cart off the tree
Beneath whose trunk sat we!
III
Yes, there we sat: she cooed content,
And bats ringed round, and daylight went;
The gnarl, our seat, is wrenched and sunk,
Prone that queer pocket in the trunk
Where lay the key
To her pale mystery.
IV
"Years back, within this pocket-hole
I found, my Love, a hurried scrawl
Meant not for me," at length said I;
"I glanced thereat, and let it lie:
The words were three -
'Beloved, I agree.'
V
"Who placed it here; to what request
It gave assent, I never guessed.
Some prayer of some hot heart, no doubt,
To some coy maiden hereabout,
Just as, maybe,
With you, Sweet Heart, and me."
VI
She waited, till with quickened breath
She spoke, as one who banisheth
Reserves that lovecraft heeds so well,
To ease some mighty wish to tell:
"'Twas I," said she,
"Who wrote thus clinchingly.
VII
"My lover's wife--aye, wife!--knew nought
Of what we felt, and bore, and thought . . .
He'd said: 'I wed with thee or die:
She stands between, 'tis true. But why?
Do thou agree,
And--she shalt cease to be.'
VIII
"How I held back, how love supreme
Involved me madly in his scheme
Why should I say? . . . I wrote assent
(You found it hid) to his intent . . .
She--DIED . . . But he
Came not to wed with me.
IX
"O shrink not, Love!--Had these eyes seen
But once thine own, such had not been!
But we were strangers . . . Thus the plot
Cleared passion's path.--Why came he not
To wed with me? . . .
He wived the gibbet-tree."
X
- Under that oak of heretofore
Sat Sweetheart mine with me no more:
By many a Fiord, and Strom, and Fleuve
Have I since wandered . . . Soon, for love,
Distraught went she -
'Twas said for love of me.
221
Thomas Hardy
From Victor Hugo
From Victor Hugo
Child, were I king, I'd yield my royal rule,
My chariot, sceptre, vassal-service due,
My crown, my porphyry-basined waters cool,
My fleets, whereto the sea is but a pool,
For a glance from you!
Love, were I God, the earth and its heaving airs,
Angels, the demons abject under me,
Vast chaos with its teeming womby lairs,
Time, space, all would I give--aye, upper spheres,
For a kiss from thee!
Child, were I king, I'd yield my royal rule,
My chariot, sceptre, vassal-service due,
My crown, my porphyry-basined waters cool,
My fleets, whereto the sea is but a pool,
For a glance from you!
Love, were I God, the earth and its heaving airs,
Angels, the demons abject under me,
Vast chaos with its teeming womby lairs,
Time, space, all would I give--aye, upper spheres,
For a kiss from thee!
161
Thomas Hardy
At An Inn
At An Inn
WHEN we as strangers sought
Their catering care,
Veiled smiles bespoke their thought
Of what we were.
They warmed as they opined
Us more than friends--
That we had all resigned
For love's dear ends.
And that swift sympathy
With living love
Which quicks the world--maybe
The spheres above,
Made them our ministers,
Moved them to say,
"Ah, God, that bliss like theirs
Would flush our day!"
And we were left alone
As Love's own pair;
Yet never the love-light shone
Between us there!
But that which chilled the breath
Of afternoon,
And palsied unto death
The pane-fly's tune.
The kiss their zeal foretold,
And now deemed come,
Came not: within his hold
Love lingered numb.
Why cast he on our port
A bloom not ours?
Why shaped us for his sport
In after-hours?
As we seemed we were not
That day afar,
And now we seem not what
We aching are.
O severing sea and land,
O laws of men,
Ere death, once let us stand
As we stood then!
WHEN we as strangers sought
Their catering care,
Veiled smiles bespoke their thought
Of what we were.
They warmed as they opined
Us more than friends--
That we had all resigned
For love's dear ends.
And that swift sympathy
With living love
Which quicks the world--maybe
The spheres above,
Made them our ministers,
Moved them to say,
"Ah, God, that bliss like theirs
Would flush our day!"
And we were left alone
As Love's own pair;
Yet never the love-light shone
Between us there!
But that which chilled the breath
Of afternoon,
And palsied unto death
The pane-fly's tune.
The kiss their zeal foretold,
And now deemed come,
Came not: within his hold
Love lingered numb.
Why cast he on our port
A bloom not ours?
Why shaped us for his sport
In after-hours?
As we seemed we were not
That day afar,
And now we seem not what
We aching are.
O severing sea and land,
O laws of men,
Ere death, once let us stand
As we stood then!
300
Thomas Hardy
A Spot
A Spot
In years defaced and lost,
Two sat here, transport-tossed,
Lit by a living love
The wilted world knew nothing of:
Scared momently
By gaingivings,
Then hoping things
That could not be.
Of love and us no trace
Abides upon the place;
The sun and shadows wheel,
Season and season sereward steal;
Foul days and fair
Here, too, prevail,
And gust and gale
As everywhere.
But lonely shepherd souls
Who bask amid these knolls
May catch a faery sound
On sleepy noontides from the ground:
"O not again
Till Earth outwears
Shall love like theirs
Suffuse this glen!"
In years defaced and lost,
Two sat here, transport-tossed,
Lit by a living love
The wilted world knew nothing of:
Scared momently
By gaingivings,
Then hoping things
That could not be.
Of love and us no trace
Abides upon the place;
The sun and shadows wheel,
Season and season sereward steal;
Foul days and fair
Here, too, prevail,
And gust and gale
As everywhere.
But lonely shepherd souls
Who bask amid these knolls
May catch a faery sound
On sleepy noontides from the ground:
"O not again
Till Earth outwears
Shall love like theirs
Suffuse this glen!"
278
Thomas Hardy
Between Us Now
"Between Us Now"
Between us now and here -
Two thrown together
Who are not wont to wear
Life's flushest feather -
Who see the scenes slide past,
The daytimes dimming fast,
Let there be truth at last,
Even if despair.
So thoroughly and long
Have you now known me,
So real in faith and strong
Have I now shown me,
That nothing needs disguise
Further in any wise,
Or asks or justifies
A guarded tongue.
Face unto face, then, say,
Eyes mine own meeting,
Is your heart far away,
Or with mine beating?
When false things are brought low,
And swift things have grown slow,
Feigning like froth shall go,
Faith be for aye.
Between us now and here -
Two thrown together
Who are not wont to wear
Life's flushest feather -
Who see the scenes slide past,
The daytimes dimming fast,
Let there be truth at last,
Even if despair.
So thoroughly and long
Have you now known me,
So real in faith and strong
Have I now shown me,
That nothing needs disguise
Further in any wise,
Or asks or justifies
A guarded tongue.
Face unto face, then, say,
Eyes mine own meeting,
Is your heart far away,
Or with mine beating?
When false things are brought low,
And swift things have grown slow,
Feigning like froth shall go,
Faith be for aye.
231
Ted Hughes
September
September
We sit late, watching the dark slowly unfold:
No clock counts this.
When kisses are repeated and the arms hold
There is no telling where time is.
It is midsummer: the leaves hang big and still:
Behind the eye a star,
Under the silk of the wrist a sea, tell
Time is nowhere.
We stand; leaves have not timed the summer.
No clock now needs
Tell we have only what we remember:
Minutes uproaring with our heads
Like an unfortunate King's and his Queen's
When the senseless mob rules;
And quietly the trees casting their crowns
Into the pools.
We sit late, watching the dark slowly unfold:
No clock counts this.
When kisses are repeated and the arms hold
There is no telling where time is.
It is midsummer: the leaves hang big and still:
Behind the eye a star,
Under the silk of the wrist a sea, tell
Time is nowhere.
We stand; leaves have not timed the summer.
No clock now needs
Tell we have only what we remember:
Minutes uproaring with our heads
Like an unfortunate King's and his Queen's
When the senseless mob rules;
And quietly the trees casting their crowns
Into the pools.
419
Ted Hughes
Bride and Groom Lie Hidden for Three Days
Bride and Groom Lie Hidden for Three Days
She gives him his eyes, she found them
Among some rubble, among some beetles
He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment
She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her
He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous
Now she has brought his feet, she is connecting them
So that his whole body lights up
And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it
They keep taking each other to the sun, they find they can easily
To test each new thing at each new step
And now she smoothes over him the plates of his skull
So that the joints are invisible
And now he connects her throat, her breasts and the pit of her stomach
With a single wire
She gives him his teeth, tying the the roots to the centrepin of his body
He sets the little circlets on her fingertips
She stiches his body here and there with steely purple silk
He oils the delicate cogs of her mouth
She inlays with deep cut scrolls the nape of his neck
He sinks into place the inside of her thighs
So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
She gives him his eyes, she found them
Among some rubble, among some beetles
He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment
She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her
He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous
Now she has brought his feet, she is connecting them
So that his whole body lights up
And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it
They keep taking each other to the sun, they find they can easily
To test each new thing at each new step
And now she smoothes over him the plates of his skull
So that the joints are invisible
And now he connects her throat, her breasts and the pit of her stomach
With a single wire
She gives him his teeth, tying the the roots to the centrepin of his body
He sets the little circlets on her fingertips
She stiches his body here and there with steely purple silk
He oils the delicate cogs of her mouth
She inlays with deep cut scrolls the nape of his neck
He sinks into place the inside of her thighs
So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
315
Spike Milligan
So Fair is She
So Fair is She
So fair is she!
So fair her face
So fair her pulsing figure
Not so fair
The maniacal stare
Of a husband who's much bigger.
So fair is she!
So fair her face
So fair her pulsing figure
Not so fair
The maniacal stare
Of a husband who's much bigger.
226
Spike Milligan
Halved
Halved
The essence of true beauty
Lingers in all-encompassing rainbows
Of your joy and laughter
You hold my hand and smile
As we ensconce ourselves in our world of fire
Our love is all there is
I touch your face
Your gentleness astounds me
I'm held in the honour of your love
Then overnight, the wrold truns suor
mInnIts past the ELevenTHH HouRR
I'M A L N E
The essence of true beauty
Lingers in all-encompassing rainbows
Of your joy and laughter
You hold my hand and smile
As we ensconce ourselves in our world of fire
Our love is all there is
I touch your face
Your gentleness astounds me
I'm held in the honour of your love
Then overnight, the wrold truns suor
mInnIts past the ELevenTHH HouRR
I'M A L N E
254
Siegfried Sassoon
Slumber-Song
Slumber-Song
Sleep; and my song shall build about your bed
A paradise of dimness. You shall feel
The folding of tired wings; and peace will dwell
Throned in your silence: and one hour shall hold
Summer, and midnight, and immensity
Lulled to forgetfulness. For, where you dream,
The stately gloom of foliage shall embower
Your slumbering thought with tapestries of blue.
And there shall be no memory of the sky,
Nor sunlight with its cruelty of swords.
But, to your soul that sinks from deep to deep
Through drowned and glimmering colour, Time shall be
Only slow rhythmic swaying; and your breath;
And roses in the darkness; and my love.
Sleep; and my song shall build about your bed
A paradise of dimness. You shall feel
The folding of tired wings; and peace will dwell
Throned in your silence: and one hour shall hold
Summer, and midnight, and immensity
Lulled to forgetfulness. For, where you dream,
The stately gloom of foliage shall embower
Your slumbering thought with tapestries of blue.
And there shall be no memory of the sky,
Nor sunlight with its cruelty of swords.
But, to your soul that sinks from deep to deep
Through drowned and glimmering colour, Time shall be
Only slow rhythmic swaying; and your breath;
And roses in the darkness; and my love.
135
Siegfried Sassoon
Parted
Parted
Sleepless I listen to the surge and drone
And drifting roar of the town’s undertone;
Till through quiet falling rain I hear the bells
Tolling and chiming their brief tune that tells
Day’s midnight end. And from the day that’s over
No flashes of delight I can recover;
But only dreary winter streets, and faces
Of people moving in loud clanging places:
And I in my loneliness, longing for you...
For all I did to-day, and all I’ll do
To-morrow, in this city of intense
Arteried activities that throb and strive,
Is but a beating down of that suspense
Which holds me from your arms.
I am alive
Only that I may find you at the end
Of these slow-striking hours I toil to spend,
Putting each one behind me, knowing but this—
That all my days are turning toward your kiss;
That all expectancy awaits the deep
Consoling passion of your eyes, that keep
Their radiance for my coming, and their peace
For when I find in you my love’s release.
Sleepless I listen to the surge and drone
And drifting roar of the town’s undertone;
Till through quiet falling rain I hear the bells
Tolling and chiming their brief tune that tells
Day’s midnight end. And from the day that’s over
No flashes of delight I can recover;
But only dreary winter streets, and faces
Of people moving in loud clanging places:
And I in my loneliness, longing for you...
For all I did to-day, and all I’ll do
To-morrow, in this city of intense
Arteried activities that throb and strive,
Is but a beating down of that suspense
Which holds me from your arms.
I am alive
Only that I may find you at the end
Of these slow-striking hours I toil to spend,
Putting each one behind me, knowing but this—
That all my days are turning toward your kiss;
That all expectancy awaits the deep
Consoling passion of your eyes, that keep
Their radiance for my coming, and their peace
For when I find in you my love’s release.
91
Sarojini Naidu
The Illusion of Love
The Illusion of Love
Beloved, you may be as all men say
Only a transient spark
Of flickering flame set in loam of clay –
I care not …since you kindle all my dark
With the immortal lustres of the day.
And as all men deem, dearest, you may be
Only a common shell
Chance-winnowed by the sea-winds from the sea –
The subtle murmurs of eternity.
And tho’ you are, like men or mortal race,
Only a hapless thing
That Death may mar and destiny efface –
I care not … since unto my heart you bring
The very vision of God’s dwelling-place.
Beloved, you may be as all men say
Only a transient spark
Of flickering flame set in loam of clay –
I care not …since you kindle all my dark
With the immortal lustres of the day.
And as all men deem, dearest, you may be
Only a common shell
Chance-winnowed by the sea-winds from the sea –
The subtle murmurs of eternity.
And tho’ you are, like men or mortal race,
Only a hapless thing
That Death may mar and destiny efface –
I care not … since unto my heart you bring
The very vision of God’s dwelling-place.
292
Sarojini Naidu
Indian Love Song
Indian Love Song
She
LIKE a serpent to the calling voice of flutes,
Glides my heart into thy fingers, O my Love!
Where the night-wind, like a lover, leans above
His jasmine-gardens and sirisha-bowers;
And on ripe boughs of many-coloured fruits
Bright parrots cluster like vermilion flowers.
He
Like the perfume in the petals of a rose,
Hides thy heart within my bosom, O my love!
Like a garland, like a jewel, like a dove
That hangs its nest in the asoka-tree.
Lie still, O love, until the morning sows
Her tents of gold on fields of ivory.
She
LIKE a serpent to the calling voice of flutes,
Glides my heart into thy fingers, O my Love!
Where the night-wind, like a lover, leans above
His jasmine-gardens and sirisha-bowers;
And on ripe boughs of many-coloured fruits
Bright parrots cluster like vermilion flowers.
He
Like the perfume in the petals of a rose,
Hides thy heart within my bosom, O my love!
Like a garland, like a jewel, like a dove
That hangs its nest in the asoka-tree.
Lie still, O love, until the morning sows
Her tents of gold on fields of ivory.
851
Sarojini Naidu
Humayun To Zobeida (From the Urdu)
Humayun To Zobeida (From the Urdu)
You flaunt your beauty in the rose, your glory in the dawn,
Your sweetness in the nightingale, your white- ness in the swan.
You haunt my waking like a dream, my slumber like a moon,
Pervade me like a musky scent, possess me like a tune.
Yet, when I crave of you, my sweet, one tender moment's grace,
You cry, "I sit behind the veil, I cannot show my face."
Shall any foolish veil divide my longing from my bliss?
Shall any fragile curtain hide your beauty from my kiss?
What war is this of Thee and Me? Give o'er the wanton strife,
You are the heart within my heart, the life within my life.
You flaunt your beauty in the rose, your glory in the dawn,
Your sweetness in the nightingale, your white- ness in the swan.
You haunt my waking like a dream, my slumber like a moon,
Pervade me like a musky scent, possess me like a tune.
Yet, when I crave of you, my sweet, one tender moment's grace,
You cry, "I sit behind the veil, I cannot show my face."
Shall any foolish veil divide my longing from my bliss?
Shall any fragile curtain hide your beauty from my kiss?
What war is this of Thee and Me? Give o'er the wanton strife,
You are the heart within my heart, the life within my life.
336
Sarojini Naidu
Ecstasy
Ecstasy
Cover mine eyes, O my Love!
Mine eyes that are weary of bliss
As of light that is poignant and strong
O silence my lips with a kiss,
My lips that are weary of song!
Shelter my soul, O my love!
My soul is bent low with the pain
And the burden of love, like the grace
Of a flower that is smitten with rain:
O shelter my soul from thy face!
Cover mine eyes, O my Love!
Mine eyes that are weary of bliss
As of light that is poignant and strong
O silence my lips with a kiss,
My lips that are weary of song!
Shelter my soul, O my love!
My soul is bent low with the pain
And the burden of love, like the grace
Of a flower that is smitten with rain:
O shelter my soul from thy face!
358
Sarojini Naidu
An Indian Love Song
An Indian Love Song
He
Lift up the veils that darken the delicate moon
of thy glory and grace,
Withhold not, O love, from the night
of my longing the joy of thy luminous face,
Give me a spear of the scented keora
guarding thy pinioned curls,
Or a silken thread from the fringes
that trouble the dream of thy glimmering pearls;
Faint grows my soul with thy tresses' perfume
and the song of thy anklets' caprice,
Revive me, I pray, with the magical nectar
that dwells in the flower of thy kiss.
She
How shall I yield to the voice of thy pleading,
how shall I grant thy prayer,
Or give thee a rose-red silken tassel,
a scented leaf from my hair?
Or fling in the flame of thy heart's desire the veils that cover my face,
Profane the law of my father's creed for a foe
of my father's race?
Thy kinsmen have broken our sacred altars and slaughtered our sacred kine,
The feud of old faiths and the blood of old battles sever thy people and mine.
He
What are the sins of my race, Beloved,
what are my people to thee?
And what are thy shrines, and kine and kindred,
what are thy gods to me?
Love recks not of feuds and bitter follies,
of stranger, comrade or kin,
Alike in his ear sound the temple bells
and the cry of the muezzin.
For Love shall cancel the ancient wrong
and conquer the ancient rage,
Redeem with his tears the memoried sorrow
that sullied a bygone age.
He
Lift up the veils that darken the delicate moon
of thy glory and grace,
Withhold not, O love, from the night
of my longing the joy of thy luminous face,
Give me a spear of the scented keora
guarding thy pinioned curls,
Or a silken thread from the fringes
that trouble the dream of thy glimmering pearls;
Faint grows my soul with thy tresses' perfume
and the song of thy anklets' caprice,
Revive me, I pray, with the magical nectar
that dwells in the flower of thy kiss.
She
How shall I yield to the voice of thy pleading,
how shall I grant thy prayer,
Or give thee a rose-red silken tassel,
a scented leaf from my hair?
Or fling in the flame of thy heart's desire the veils that cover my face,
Profane the law of my father's creed for a foe
of my father's race?
Thy kinsmen have broken our sacred altars and slaughtered our sacred kine,
The feud of old faiths and the blood of old battles sever thy people and mine.
He
What are the sins of my race, Beloved,
what are my people to thee?
And what are thy shrines, and kine and kindred,
what are thy gods to me?
Love recks not of feuds and bitter follies,
of stranger, comrade or kin,
Alike in his ear sound the temple bells
and the cry of the muezzin.
For Love shall cancel the ancient wrong
and conquer the ancient rage,
Redeem with his tears the memoried sorrow
that sullied a bygone age.
980
Sarojini Naidu
A Rajput Love Song
A Rajput Love Song
(Parvati at her lattice)
O Love! were you a basil-wreath to twine
among my tresses,
A jewelled clasp of shining gold to bind around my sleeve,
O Love! were you the keora's soul that haunts
my silken raiment,
A bright, vermilion tassel in the girdles that I weave;
O Love! were you the scented fan
that lies upon my pillow,
A sandal lute, or silver lamp that burns before my shrine,
Why should I fear the jealous dawn
that spreads with cruel laughter,
Sad veils of separation between your face and mine?
Haste, O wild-bee hours, to the gardens of the sun set!
Fly, wild-parrot day, to the orchards of the west!
Come, O tender night, with your sweet,
consoling darkness,
And bring me my Beloved to the shelter of my breast!
(Amar Singh in the saddle)
O Love! were you the hooded hawk upon my hand
that flutters,
Its collar-band of gleaming bells atinkle as I ride,
O Love! were you a turban-spray or
floating heron-feather,
The radiant, swift, unconquered sword
that swingeth at my side;
O Love! were you a shield against the
arrows of my foemen,
An amulet of jade against the perils of the way,
How should the drum-beats of the dawn
divide me from your bosom,
Or the union of the midnight be ended with the day?
Haste, O wild-deer hours, to the meadows of the sunset!
Fly, wild stallion day, to the pastures of the west!
Come, O tranquil night, with your soft,
consenting darkness,
And bear me to the fragrance of my Beloved's breast!
(Parvati at her lattice)
O Love! were you a basil-wreath to twine
among my tresses,
A jewelled clasp of shining gold to bind around my sleeve,
O Love! were you the keora's soul that haunts
my silken raiment,
A bright, vermilion tassel in the girdles that I weave;
O Love! were you the scented fan
that lies upon my pillow,
A sandal lute, or silver lamp that burns before my shrine,
Why should I fear the jealous dawn
that spreads with cruel laughter,
Sad veils of separation between your face and mine?
Haste, O wild-bee hours, to the gardens of the sun set!
Fly, wild-parrot day, to the orchards of the west!
Come, O tender night, with your sweet,
consoling darkness,
And bring me my Beloved to the shelter of my breast!
(Amar Singh in the saddle)
O Love! were you the hooded hawk upon my hand
that flutters,
Its collar-band of gleaming bells atinkle as I ride,
O Love! were you a turban-spray or
floating heron-feather,
The radiant, swift, unconquered sword
that swingeth at my side;
O Love! were you a shield against the
arrows of my foemen,
An amulet of jade against the perils of the way,
How should the drum-beats of the dawn
divide me from your bosom,
Or the union of the midnight be ended with the day?
Haste, O wild-deer hours, to the meadows of the sunset!
Fly, wild stallion day, to the pastures of the west!
Come, O tranquil night, with your soft,
consenting darkness,
And bear me to the fragrance of my Beloved's breast!
554
Sarah Teasdale
To-nigh
To-nigh
The moon is a curving flower of gold,
The sky is still and blue;
The moon was made for the sky to hold,
And I for you.
The moon is a flower without a stem,
The sky is luminous;
Eternity was made for them,
To-night for us.
The moon is a curving flower of gold,
The sky is still and blue;
The moon was made for the sky to hold,
And I for you.
The moon is a flower without a stem,
The sky is luminous;
Eternity was made for them,
To-night for us.
443
Sarah Teasdale
The Years
The Years
To-night I close my eyes and see
A strange procession passing me --
The years before I saw your face
Go by me with a wistful grace;
They pass, the sensitive, shy years,
As one who strives to dance, half blind with tears.
The years went by and never knew
That each one brought me nearer you;
Their path was narrow and apart
And yet it led me to your heart --
Oh, sensitive, shy years, oh, lonely years,
That strove to sing with voices drowned in tears.
To-night I close my eyes and see
A strange procession passing me --
The years before I saw your face
Go by me with a wistful grace;
They pass, the sensitive, shy years,
As one who strives to dance, half blind with tears.
The years went by and never knew
That each one brought me nearer you;
Their path was narrow and apart
And yet it led me to your heart --
Oh, sensitive, shy years, oh, lonely years,
That strove to sing with voices drowned in tears.
462
Sarah Teasdale
The Return
The Return
He has come, he is here,
My love has come home,
The minutes are lighter
Than flying foam,
The hours are like dancers
On gold-slippered feet,
The days are young runners
Naked and fleet --
For my love has returned,
He is home, he is here,
In the whole world no other
Is dear as my dear!
He has come, he is here,
My love has come home,
The minutes are lighter
Than flying foam,
The hours are like dancers
On gold-slippered feet,
The days are young runners
Naked and fleet --
For my love has returned,
He is home, he is here,
In the whole world no other
Is dear as my dear!
339