Death and Mourning

The Statue

When we are dead, some Hunting-boy will pass
And find a stone half-hidden in tall grass
And grey with age: but having seen that stone
(Which was your image), ride more slowly on.

Ha'nacker Mill

Sally is gone that was so kindly,
Sally is gone from Ha'nacker Hill
And the Briar grows ever since then so blindly;
And ever since then the clapper is still...
And the sweeps have fallen from Ha'nacker Mill.


Ha'nacker Hill is in Desolation:
Ruin a-top and a field unploughed.
And Spirits that call on a fallen nation,
Spirits that loved her calling aloud,
Spirits abroad in a windy cloud.


Spirits that call and no one answers -Ha'nacker's
down and England's done.
Wind and Thistle for pipe and dancers,
And never a ploughman under the Sun:
Never a ploughman. Never a one.

[Month of] November

November is that historied Emperor,
Conquered in age, but foot to foot with fate,
Who from his refuge high has heard the roar
Of squadrons in pursuit, and now, too late,
Stirrups the storm and calls the winds to war,
And arms the garrison of his last heirloom,
And shakes the sky to its extremest shore
With battle against irrevocable doom.


Till, driven and hurled from his strong citadels,
He flies in hurrying cloud and spurs him on,
Empty of lingerings, empty of farewells
And final benedictions, and is gone.
But in my garden all the trees have shed
Their legacies of the light, and all the flowers are dead.

[Month of] January

It freezes- all across a soundless sky
The birds go home. The governing dark's begun:
The steadfast dark that waits not for a sun;
The ultimate dark wherein the race shall die.


Death, with his evil finger to his lip,
Leers in at human windows, turning spy
To learn the country where his rule shall lie
When he assumes perpetual generalship.


The undefeated enemy, the chill
That shall benumb the voiceful earth at last,
Is master of our moment, and has bound
The viewless wind it-self. There is no sound.
It freezes. Every friendly stream is fast.
It freezes; and the graven twigs are still.

In Secret We Thirst

Graceful, spiritual,
with the gentleness of arabesques
our life is similar
to the existence of fairies
that spin in soft cadence
around nothingness
to which we sacrifice
the here and now

Dreams of beauty, youthful joy
like a breath in pure harmony
with the depth of your young surface
where sparkles the longing for the night
for blood and barbarity

In the emptiness, spinning, without aims or needs
dance free our lives
always ready for the game
yet, secretly, we thirst for reality
for the conceiving, for the birth
we are thirst for sorrows and death

Voices Of The Night : Footsteps of Angels

When the hours of Day are numbered,
And the voices of the Night
Wake the better soul, that slumbered,
To a holy, calm delight;


Ere the evening lamps are lighted,
And, like phantoms grim and tall,
Shadows from the fitful firelight
Dance upon the parlor wall;


Then the forms of the departed
Enter at the open door;
The beloved, the true-hearted,
Come to visit me once more;


He, the young and strong, who cherished
Noble longings for the strife,
By the roadside fell and perished,
Weary with the march of life!


They, the holy ones and weakly,
Who the cross of suffering bore,
Folded their pale hands so meekly,
Spake with us on earth no more!


And with them the Being Beauteous,
Who unto my youth was given,
More than all things else to love me,
And is now a saint in heaven.


With a slow and noiseless footstep
Comes that messenger divine,
Takes the vacant chair beside me,
Lays her gentle hand in mine.


And she sits and gazes at me
With those deep and tender eyes,
Like the stars, so still and saint-like,
Looking downward from the skies.


Uttered not, yet comprehended,
Is the spirit's voiceless prayer,
Soft rebukes, in blessings ended,
Breathing from her lips of air.


Oh, though oft depressed and lonely,
All my fears are laid aside,
If I but remember only
Such as these have lived and died!

Vittoria Colonna

Once more, once more, Inarimé,
I see thy purple hills!--once more
I hear the billows of the bay
Wash the white pebbles on thy shore.


High o'er the sea-surge and the sands,
Like a great galleon wrecked and cast
Ashore by storms, thy castle stands,
A mouldering landmark of the Past.


Upon its terrace-walk I see
A phantom gliding to and fro;
It is Colonna,--it is she
Who lived and loved so long ago.


Pescara's beautiful young wife,
The type of perfect womanhood,
Whose life was love, the life of life,
That time and change and death withstood.


For death, that breaks the marriage band
In others, only closer pressed
The wedding-ring upon her hand
And closer locked and barred her breast.


She knew the life-long martyrdom,
The weariness, the endless pain
Of waiting for some one to come
Who nevermore would come again.


The shadows of the chestnut trees,
The odor of the orange blooms,
The song of birds, and, more than these,
The silence of deserted rooms;


The respiration of the sea,
The soft caresses of the air,
All things in nature seemed to be
But ministers of her despair;


Till the o'erburdened heart, so long
Imprisoned in itself, found vent
And voice in one impassioned song
Of inconsolable lament.


Then as the sun, though hidden from sight,
Transmutes to gold the leaden mist,
Her life was interfused with light,
From realms that, though unseen, exist,


Inarimé! Inarimé!
Thy castle on the crags above



In dust shall crumble and decay,
But not the memory of her love.

Ultima Thule: Bayard Taylor

Dead he lay among his books!
The peace of God was in his looks.


As the statues in the gloom
Watch o'er Maximilian's tomb,


So those volumes from their shelves
Watched him, silent as themselves.


Ah! his hand will nevermore
Turn their storied pages o'er;


Nevermore his lips repeat
Songs of theirs, however sweet.


Let the lifeless body rest!
He is gone, who was its guest;


Gone, as travellers haste to leave
An inn, nor tarry until eve.


Traveller! in what realms afar,
In what planet, in what star,


In what vast, aerial space,
Shines the light upon thy face?


In what gardens of delight
Rest thy weary feet to-night?


Poet! thou, whose latest verse
Was a garland on thy hearse;


Thou hast sung, with organ tone,
In Deukalion's life, thine own;


On the ruins of the Past
Blooms the perfect flower at last.


Friend! but yesterday the bells
Rang for thee their loud farewells;


And to-day they toll for thee,
Lying dead beyond the sea;


Lying dead among thy books,
The peace of God in all thy looks!

The Warden Of The Cinque Ports. (Birds Of Passage. Flight The First)

A mist was driving down the British Channel,
The day was just begun,
And through the window-panes, on floor and panel,
Streamed the red autumn sun.


It glanced on flowing flag and rippling pennon,
And the white sails of ships;
And, from the frowning rampart, the black cannon
Hailed it with feverish lips.


Sandwich and Romney, Hastings, Hithe, and Dover
Were all alert that day,
To see the French war-steamers speeding over,
When the fog cleared away.


Sullen and silent, and like couchant lions,
Their cannon, through the night,
Holding their breath, had watched, in grim defiance,
The sea-coast opposite.


And now they roared at drum-beat from their stations
On every citadel;
Each answering each, with morning salutations,
That all was well.


And down the coast, all taking up the burden,
Replied the distant forts,
As if to summon from his sleep the Warden
And Lord of the Cinque Ports.


Him shall no sunshine from the fields of azure,
No drum-beat from the wall,
No morning gun from the black fort's embrasure,
Awaken with its call!


No more, surveying with an eye impartial
The long line of the coast,
Shall the gaunt figure of the old Field Marshal
Be seen upon his post!


For in the night, unseen, a single warrior,
In sombre harness mailed,
Dreaded of man, and surnamed the Destroyer,
The rampart wall has scaled.


He passed into the chamber of the sleeper,
The dark and silent room,
And as he entered, darker grew, and deeper,
The silence and the gloom.


He did not pause to parley or dissemble,
But smote the Warden hoar;



Ah! what a blow! that made all England tremble
And groan from shore to shore.


Meanwhile, without, the surly cannon waited,
The sun rose bright o'erhead;
Nothing in Nature's aspect intimated
That a great man was dead.

The Two Angels. (Birds Of Passage. Flight The First)

Two angels, one of Life and one of Death,
Passed o'er our village as the morning broke;
The dawn was on their faces, and beneath,
The sombre houses hearsed with plumes of smoke.


Their attitude and aspect were the same,
Alike their features and their robes of white;
But one was crowned with amaranth, as with flame,
And one with asphodels, like flakes of light.


I saw them pause on their celestial way;
Then said I, with deep fear and doubt oppressed,
'Beat not so loud, my heart, lest thou betray
The place where thy beloved are at rest!'


And he who wore the crown of asphodels,
Descending, at my door began to knock,
And my soul sank within me, as in wells
The waters sink before an earthquake's shock.


I recognized the nameless agony,
The terror and the tremor and the pain,
That oft before had filled or haunted me,
And now returned with threefold strength again.


The door I opened to my heavenly guest,
And listened, for I thought I heard God's voice;
And, knowing whatsoe'er he sent was best,
Dared neither to lament nor to rejoice.


Then with a smile, that filled the house with light,
'My errand is not Death, but Life,' he said;
And ere I answered, passing out of sight,
On his celestial embassy he sped.


'T was at thy door, O friend! and not at mine,
The angel with the amaranthine wreath,
Pausing, descended, and with voice divine,
Whispered a word that had a sound like Death.


Then fell upon the house a sudden gloom,
A shadow on those features fair and thin;
And softly, from that hushed and darkened room,
Two angels issued, where but one went in.


All is of God! If he but wave his hand,
The mists collect, the rain falls thick and loud,
Till, with a smile of light on sea and land,
Lo! he looks back from the departing cloud.


Angels of Life and Death alike are his;
Without his leave they pass no threshold o'er;



Who, then, would wish or dare, believing this,
Against his messengers to shut the door?

The Song Of Hiawatha XV: Hiawatha's Lamentation

In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary,
Often said to Chibiabos,
'O my brother! do not leave me,
Lest the Evil Spirits harm you!'
Chibiabos, young and heedless,
Laughing shook his coal-black tresses,
Answered ever sweet and childlike,
'Do not fear for me, O brother!
Harm and evil come not near me!'
Once when Peboan, the Winter,
Roofed with ice the Big-Sea-Water,
When the snow-flakes, whirling downward,
Hissed among the withered oak-leaves,
Changed the pine-trees into wigwams,
Covered all the earth with silence,
Armed with arrows, shod with snow-shoes,
Heeding not his brother's warning,
Fearing not the Evil Spirits,
Forth to hunt the deer with antlers
All alone went Chibiabos.
Right across the Big-Sea-Water
Sprang with speed the deer before him.
With the wind and snow he followed,
O'er the treacherous ice he followed,
Wild with all the fierce commotion
And the rapture of the hunting.
But beneath, the Evil Spirits
Lay in ambush, waiting for him,
Broke the treacherous ice beneath him,
Dragged him downward to the bottom,
Buried in the sand his body.
Unktahee, the god of water,
He the god of the Dacotahs,
Drowned him in the deep abysses
Of the lake of Gitche Gumee.
From the headlands Hiawatha
Sent forth such a wail of anguish,
Such a fearful lamentation,
That the bison paused to listen,
And the wolves howled from the prairies,
And the thunder in the distance
Starting answered 'Baim-wawa!'
Then his face with black he painted,
With his robe his head he covered,



In his wigwam sat lamenting,
Seven long weeks he sat lamenting,
Uttering still this moan of sorrow:
'He is dead, the sweet musician!
He the sweetest of all singers!
He has gone from us forever,
He has moved a little nearer
To the Master of all music,
To the Master of all singing!
O my brother, Chibiabos!'
And the melancholy fir-trees
Waved their dark green fans above him,
Waved their purple cones above him,
Sighing with him to console him,
Mingling with his lamentation
Their complaining, their lamenting.
Came the Spring, and all the forest
Looked in vain for Chibiabos;
Sighed the rivulet, Sebowisha,
Sighed the rushes in the meadow.
From the tree-tops sang the bluebird,
Sang the bluebird, the Owaissa,
'Chibiabos! Chibiabos!
He is dead, the sweet musician!'
From the wigwam sang the robin,
Sang the robin, the Opechee,
'Chibiabos! Chibiabos!
He is dead, the sweetest singer!'
And at night through all the forest
Went the whippoorwill complaining,
Wailing went the Wawonaissa,
'Chibiabos! Chibiabos!
He is dead, the sweet musician!
He the sweetest of all singers!'
Then the Medicine-men, the Medas,
The magicians, the Wabenos,
And the Jossakeeds, the Prophets,
Came to visit Hiawatha;
Built a Sacred Lodge beside him,
To appease him, to console him,
Walked in silent, grave procession,
Bearing each a pouch of healing,
Skin of beaver, lynx, or otter,
Filled with magic roots and simples,
Filled with very potent medicines.
When he heard their steps approaching~,
Hiawatha ceased lamenting,
Called no more on Chibiabos;
Naught he questioned, naught he answered,
But his mournful head uncovered,
From his face the mourning colors
Washed he slowly and in silence,



Slowly and in silence followed
Onward to the Sacred Wigwam.
There a magic drink they gave him,
Made of Nahma-wusk, the spearmint,
And Wabeno-wusk, the yarrow,
Roots of power, and herbs of healing;
Beat their drums, and shook their rattles;
Chanted singly and in chorus,
Mystic songs like these, they chanted.
'I myself, myself! behold me!
`T Is the great Gray Eagle talking;
Come, ye white crows, come and hear him!
The loud-speaking thunder helps me;
All the unseen spirits help me;
I can hear their voices calling,
All around the sky I hear them!
I can blow you strong, my brother,
I can heal you, Hiawatha!'
'Hi-au-ha!' replied the chorus,
'Wayha-way!' the mystic chorus.
Friends of mine are all the serpents!
Hear me shake my skin of hen-hawk!
Mahng, the white loon, I can kill him;
I can shoot your heart and kill it!
I can blow you strong, my brother,
I can heal you, Hiawatha !'
'Hi-au-ha!' replied the chorus,
'Wayhaway!' the mystic chorus.
'I myself, myself! the prophet!
When I speak the wigwam trembles,
Shakes the Sacred Lodge with terror,
Hands unseen begin to shake it!
When I walk, the sky I tread on
Bends and makes a noise beneath me!
I can blow you strong, my brother!
Rise and speak, O Hiawatha!'
'Hi-au-ha!' replied the chorus,
'Way-ha-way!' the mystic chorus.
Then they shook their medicine-pouches
O'er the head of Hiawatha,
Danced their medicine-dance around him;
And upstarting wild and haggard,
Like a man from dreams awakened,
He was healed of all his madness.
As the clouds are swept from heaven,
Straightway from his brain departed
All his moody melancholy;
As the ice is swept from rivers,
Straightway from his heart departed
All his sorrow and affliction.
Then they summoned Chibiabos
From his grave beneath the waters,



From the sands of Gitche Gumee
Summoned Hiawatha's brother.
And so mighty was the magic
Of that cry and invocation,
That he heard it as he lay there
Underneath the Big-Sea-Water;
From the sand he rose and listened,
Heard the music and the singing,
Came, obedient to the summons,
To the doorway of the wigwam,
But to enter they forbade him.
Through a chink a coal they gave him,
Through the door a burning fire-brand;
Ruler in the Land of Spirits,
Ruler o'er the dead, they made him,
Telling him a fire to kindle
For all those that died thereafter,
Camp-fires for their night encampments
On their solitary journey
To the kingdom of Ponemah,
To the land of the Hereafter.
From the village of his childhood,
From the homes of those who knew him,
Passing silent through the forest,
Like a smoke-wreath wafted sideways,
Slowly vanished Chibiabos!
Where he passed, the branches moved not,
Where he trod, the grasses bent not,
And the fallen leaves of last year
Made no sound beneath his footstep.
Four whole days he journeyed onward
Down the pathway of the dead men;
On the dead-man's strawberry feasted,
Crossed the melancholy river,
On the swinging log he crossed it,
Came unto the Lake of Silver,
In the Stone Canoe was carried
To the Islands of the Blessed,
To the land of ghosts and shadows.
On that journey, moving slowly,
Many weary spirits saw he,
Panting under heavy burdens,
Laden with war-clubs, bows and arrows,
Robes of fur, and pots and kettles,
And with food that friends had given
For that solitary journey.
'Ay! why do the living,' said they,
'Lay such heavy burdens on us!
Better were it to go naked,
Better were it to go fasting,
Than to bear such heavy burdens
On our long and weary journey!'



Forth then issued Hiawatha,
Wandered eastward, wandered westward,
Teaching men the use of simples
And the antidotes for poisons,
And the cure of all diseases.
Thus was first made known to mortals
All the mystery of Medamin,
All the sacred art of healing.

The Siege Of Kazan. (Tartar Song, From The Prose Version Of Chodzko)

Black are the moors before Kazan,
And their stagnant waters smell of blood:
I said in my heart, with horse and man,
I will swim across this shallow flood.


Under the feet of Argamack,
Like new moons were the shoes he bare,
Silken trappings hung on his back,
In a talisman on his neck, a prayer.


My warriors, thought I, are following me;
But when I looked behind, alas!
Not one of all the band could I see,
All had sunk in the black morass!


Where are our shallow fords? and where
The power of Kazan with its fourfold gates?
From the prison windows our maidens fair
Talk of us still through the iron grates.


We cannot hear them; for horse and man
Lie buried deep in the dark abyss!
Ah! the black day hath come down on Kazan!
Ah! was ever a grief like this?

The Sea Diver

My way is on the bright blue sea,
My sleep upon its rocking tide;
And many an eye has followed me
Where billows clasp the worn seaside.


My plumage bears the crimson blush,
When ocean by the sun is kissed!
When fades the evening's purple flush,
My dark wing cleaves the silver mist.


Full many a fathom down beneath
The bright arch of the splendid deep
My ear has heard the sea-shell breathe
O'er living myriads in their sleep.


They rested by the coral throne,
And by the pearly diadem;
Where the pale sea-grape had o'ergrown
The glorious dwellings made for them.


At night upon my storm-drench'd wing,
I poised above a helmless bark,
And soon I saw the shattered thing
Had passed away and left no mark.


And when the wind and storm were done,
a ship, that had rode out the gale,
Sunk down, without a signal-gun,
And none was left to tell the tale.


I saw the pomp of day depart--
The cloud resign its golden crown,
When to the ocean's beating heart
The sailor's wasted corse went down.


Peace be to those whose graves are made
Beneath the bright and silver sea!
Peace - that their relics there were laid
With no vain pride and pageantry.

The Reaper And The Flowers

There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.


``Shall I have nought that is fair?'' saith he;
``Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.''


He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.


``My Lord has need of these flowerets gay,''
The Reaper said, and smiled;
``Dear tokens of the earth are they,
Where he was once a child.


``They shall all bloom in fields of light,
Transplanted by my care,
And saints, upon their garments white,
These sacred blossoms wear.''


And the mother gave, in tears and pain,
The flowers she most did love;
She knew she should find them all again
In the fields of light above.


O, not in cruelty, not in wrath,
The Reaper came that day;
'Twas an angel visited the green earth,
And took the flowers away.

The Old Clock on the Stairs

Somewhat back from the village street
Stands the old-fashioned country-seat.
Across its antique portico
Tall poplar-trees their shadows throw;
And from its station in the hall
An ancient timepiece says to all, -


"Forever -- never!
Never -- forever!"


Half-way up the stairs it stands,
And points and beckons with its hands
From its case of massive oak,
Like a monk, who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass, -


"Forever -- never!
Never -- forever!"


By day its voice is low and light;
But in the silent dead of night,
Distinct as a passing footstep's fall,
It echoes along the vacant hall,
Along the ceiling, along the floor,
And seems to say, at each chamber-door, -


"Forever -- never!
Never -- forever!"


Through days of sorrow and of mirth,
Through days of death and days of birth,
Through every swift vicissitude
Of changeful time, unchanged it has stood,
And as if, like God, it all things saw,
It calmly repeats those words of awe, -


"Forever -- never!
Never -- forever!"


In that mansion used to be
Free-hearted Hospitality;
His great fires up the chimney roared;
The stranger feasted at his board;
But, like the skeleton at the feast,
That warning timepiece never ceased, -


"Forever -- never!
Never -- forever!"


There groups of merry children played,
There youths and maidens dreaming strayed;
O precious hours! O golden prime,
And affluence of love and time!
Even as a miser counts his gold,
Those hours the ancient timepiece told, -


"Forever -- never!
Never -- forever!"



From that chamber, clothed in white,
The bride came forth on her wedding night;
There, in that silent room below,
The dead lay in his shroud of snow;
And in the hush that followed the prayer,
Was heard the old clock on the stair, -


"Forever -- never!
Never -- forever!"


All are scattered now and fled,
Some are married, some are dead;
And when I ask, with throbs of pain,
"Ah! when shall they all meet again?"
As in the days long since gone by,
The ancient timepiece makes reply, -


"Forever -- never!
Never -- forever!"


Never here, forever there,
Where all parting, pain, and care,
And death, and time shall disappear, -Forever
there, but never here!
The horologe of Eternity
Sayeth this incessantly, -


"Forever -- never!
Never -- forever!"

The Haunted Chamber. (Birds Of Passage. Flight The Third)

Each heart has its haunted chamber,
Where the silent moonlight falls!
On the floor are mysterious footsteps,
There are whispers along the walls!


And mine at times is haunted
By phantoms of the Past
As motionless as shadows
By the silent moonlight cast.


A form sits by the window,
That is not seen by day,
For as soon as the dawn approaches
It vanishes away.


It sits there in the moonlight
Itself as pale and still,
And points with its airy finger
Across the window-sill.


Without before the window,
There stands a gloomy pine,
Whose boughs wave upward and downward
As wave these thoughts of mine.


And underneath its branches
Is the grave of a little child,
Who died upon life's threshold,
And never wept nor smiled.


What are ye, O pallid phantoms!
That haunt my troubled brain?
That vanish when day approaches,
And at night return again?


What are ye, O pallid phantoms!
But the statues without breath,
That stand on the bridge overarching
The silent river of death?

The Golden Legend: V. A Covered Bridge At Lucerne

_Prince Henry_. God's blessing on the architects who build
The bridges o'er swift rivers and abysses
Before impassable to human feet,
No less than on the builders of cathedrals,
Whose massive walls are bridges thrown across
The dark and terrible abyss of Death.
Well has the name of Pontifex been given
Unto the Church's head, as the chief builder
And architect of the invisible bridge
That leads from earth to heaven.


_Elsie_ How dark it grows!
What are these paintings on the walls around us?


_Prince Henry_ The Dance Macaber!


_Elsie_ What?


_Prince Henry_ The Dance of Death!
All that go to and fro must look upon it,
Mindful of what they shall be, while beneath,
Among the wooden piles, the turbulent river
Rushes, impetuous as the river of life,
With dimpling eddies, ever green and bright,
Save where the shadow of this bridge falls on it.


_Elsie._ O, yes! I see it now!


_Prince Henry_ The grim musician
Leads all men through the mazes of that dance,
To different sounds in different measures moving;
Sometimes he plays a lute, sometimes a drum,
To tempt or terrify.


_Elsie_ What is this picture?


_Prince Henry_ It is a young man singing to a nun,
Who kneels at her devotions, but in kneeling
Turns round to look at him, and Death, meanwhile,
Is putting out the candles on the altar!


_Elsie_ Ah, what a pity 't is that she should listen
to such songs, when in her orisons
She might have heard in heaven the angels singing!


_Prince Henry_ Here he has stolen a jester's cap and bells,
And dances with the Queen.


_Elsie_ A foolish jest!


_Prince Henry_ And here the heart of the new-wedded wife,
Coming from church with her beloved lord,



He startles with the rattle of his drum.


_Elsie_ Ah, that is sad! And yet perhaps 't is best
That she should die, with all the sunshine on her,
And all the benedictions of the morning,
Before this affluence of golden light
Shall fade into a cold and clouded gray,
Then into darkness!


_Prince Henry_ Under it is written,
'Nothing but death shall separate thee and me!'


_Elsie._ And what is this, that follows close upon it?


_Prince Henry_ Death, playing on a ducimer. Behind him,
A poor old woman, with a rosary,
Follows the sound, and seems to wish her feet
Were swifter to o'ertake him. Underneath,
The inscription reads, 'Better is Death than Life.'


_Elsie._ Better is Death than Life! Ah yes! to thousands
Death plays upon a dulcimer, and sings
That song of consolation, till the air
Rings with it, and they cannot choose but follow
Whither he leads. And not the old alone,
But the young also hear it, and are still.


_Prince Henry_ Yes, in their sadder moments. 'T is the sound
Of their own hearts they hear, half full of tears,
Which are like crystal cups, half filled with water.
Responding to the pressure of a finger
With music sweet and low and melancholy.
Let us go forward, and no longer stay
In this great picture-gallery of Death!
I hate it! ay, the very thought of it!


_Elsie._ Why is it hateful to you?


_Prince Henry._ For the reason
That life, and all that speaks of life, is lovely,
And death, and all that speaks of death, is hateful.


_Elsie._ The grave is but a covered bridge,
leading from light to light, through a brief darkness!


_Prince Henry (emerging from the bridge)._ I breathe again more
freely! Ah, how pleasant
To come once more into the light of day,
Out of that shadow of death! To hear again
The hoof-beats of our horses on firm ground,
And not upon those hollow planks, resounding
With a sepulchral echo, like the clods



On coffins in a churchyard! Yonder lies
The Lake of the Four Forest-Towns, apparelled
In light, and lingering, like a village maiden,
Hid in the bosom of her native mountains,
Then pouring all her life into another's,
Changing her name and being! Overhead,
Shaking his cloudy tresses loose in air,
Rises Pilatus, with his windy pines.


(_They pass on_.)


* * * * *


THE DEVIL'S BRIDGE.


* * * * *


PRINCE HENRY _and_ ELSIE _crossing, with attendants._


_Guide._ This bridge is called the Devil's Bridge.
With a single arch, from ridge to ridge,
It leaps across the terrible chasm
Yawning beneath us, black and deep,
As if, in some convulsive spasm,
the summits of the hills had cracked,
and made a road for the cataract,
That raves and rages down the steep!


_Lucifer (under the bridge)._ Ha! ha!


_Guide._ Never any bridge but this
Could stand across the wild abyss;
All the rest, of wood or stone,
By the Devil's hand were overthrown.
He toppled crags from the precipice,
And whatsoe'er was built by day
In the night was swept away;
None could stand but this alone.


_Lucifer (under the bridge)._ Ha! ha!


_Guide._ I showed you in the valley a boulder
Marked with the imprint of his shoulder;
As he was bearing it up this way,
A peasant, passing, cried, 'Herr Je!'
And the Devil dropped it in his fright,
And vanished suddenly out of sight!


_Lucifer (under the bridge)._ Ha! ha!


_Guide._ Abbot Giraldus of Einsiedel,
For pilgrims on their way to Rome,



Built this at last, with a single arch,
Under which, on its endless march,
Runs the river, white with foam,
Like a thread through the eye of a needle.
And the Devil promised to let it stand,
Under compact and condition
That the first living thing which crossed
Should be surrendered into his hand,
And be beyond redemption lost.


_Lucifer (under the bridge)._ Ha! ha! perdition!


_Guide._ At length, the bridge being all completed,
The Abbot, standing at its head,
Threw across it a loaf of bread,
Which a hungry dog sprang after,
And the rocks reechoed with peals of laughter
To see the Devil thus defeated!


(_They pass on_)


_Lucifer_ (_under the bridge_) Ha! ha! defeated!
For journeys and for crimes like this
To let the bridge stand o'er the abyss!


* * * * *


THE ST. GOTHARD PASS.


* * * * *


_Prince Henry._ This is the highest point. Two ways the rivers
Leap down to different seas, and as they roll
Grow deep and still, and their majestic presence
Becomes a benefaction to the towns
They visit, wandering silently among them,
Like patriarchs old among their shining tents.


_Elsie._ How bleak and bare it is! Nothing but mosses
Grow on these rocks.


_Prince Henry._ Yet are they not forgotten;
Beneficent Nature sends the mists to feed them.


_Elsie._ See yonder little cloud, that, borne aloft
So tenderly by the wind, floats fast away
Over the snowy peaks! It seems to me
The body of St. Catherine, borne by angels!


_Prince Henry._ Thou art St. Catherine, and invisible angels
Bear thee across these chasms and precipices,
Lest thou shouldst dash thy feet against a stone!



_Elsie._ Would I were borne unto my grave, as she was,
Upon angelic shoulders! Even now
I Seem uplifted by them, light as air!
What sound is that?


_Prince Henry_. The tumbling avalanches!


_Elsie_ How awful, yet how beautiful!


_Prince Henry_. These are
The voices of the mountains! Thus they ope
Their snowy lips, and speak unto each other,
In the primeval language, lost to man.


_Elsie_. What land is this that spreads itself beneath us?


_Prince Henry_ Italy! Italy!


_Elsie_ Land of the Madonna!
How beautiful it is! It seems a garden
Of Paradise!


_Prince Henry_. Nay, of Gethsemane
To thee and me, of passion and of prayer!
Yet once of Paradise. Long years ago
I wandered as a youth among its bowers,
And never from my heart has faded quite
Its memory, that, like a summer sunset,
Encircles with a ring of purple light
All the horizon of my youth.


_Guide_. O friends!
The days are short, the way before us long;
We must not linger, if we think to reach
The inn at Belinzona before vespers!


(_They pass on_.)


* * * * *


AT THE FOOT OF THE ALPS.


* * * * *


_A halt under the trees at noon_.


_Prince Henry_ Here let us pause a moment in the trembling
Shadow and sunshine of the roadside trees,
And, our tired horses in a group assembling,
Inhale long draughts of this delicious breeze
Our fleeter steeds have distanced our attendants;



They lag behind us with a slower pace;
We will await them under the green pendants
Of the great willows in this shady place.
Ho, Barbarossa! how thy mottled haunches
Sweat with this canter over hill and glade!
Stand still, and let these overhanging branches
Fan thy hot sides and comfort thee with shade!


_Elsie._ What a delightful landscape spreads before us,
Marked with a whitewashed cottage here and there!
And, in luxuriant garlands drooping o'er us,
Blossoms of grapevines scent the sunny air.


_Prince Henry._ Hark! what sweet sounds are those, whose accents holy
Fill the warm noon with music sad and sweet!


_Elsie._ It is a band of pilgrims, moving slowly
On their long journey, with uncovered feet.


_Pilgrims (chaunting the Hymn of St. Hildebert)_
Me receptet Sion illa,
Sion David, urbs tranquilla,
Cujus faber auctor lucis,
Cujus portae lignum crucis,
Cujus claves lingua Petri,
Cujus cives semper laeti,
Cujus muri lapis vivus,
Cujus custos Rex festivus!


_Lucifer (as a Friar in the procession)._ Here am I, too, in the
pious band,
In the garb of a barefooted Carmelite dressed!
The soles of my feet are as hard and tanned
As the conscience of old Pope Hildebrand,
The Holy Satan, who made the wives
Of the bishops lead such shameful lives.
All day long I beat my breast,
And chaunt with a most particular zest
The Latin hymns, which I understand
Quite as well, I think, as the rest.
And at night such lodging in barns and sheds,
Such a hurly-burly in country inns,
Such a clatter of tongues in empty heads,
Such a helter-skelter of prayers and sins!
Of all the contrivances of the time
For sowing broadcast the seeds of crime,
There is none so pleasing to me and mine
As a pilgrimage to some far-off shrine!


_Prince Henry._ If from the outward man we judge the inner,
And cleanliness is godliness, I fear
A hopeless reprobate, a hardened sinner,



Must be that Carmelite now passing near.


_Lucifer._ There is my German Prince again,
Thus far on his journey to Salern,
And the lovesick girl, whose heated brain
Is sowing the cloud to reap the rain;
But it's a long road that has no turn!
Let them quietly hold their way,
I have also a part in the play.
But first I must act to my heart's content
This mummery and this merriment,
And drive this motley flock of sheep
Into the fold, where drink and sleep
The jolly old friars of Benevent.
Of a truth, it often provokes me to laugh
To see these beggars hobble along,
Lamed and maimed, and fed upon chaff,
Chanting their wonderful piff and paff,
And, to make up for not understanding the song,
Singing it fiercely, and wild, and strong!
Were it not for my magic garters and staff,
And the goblets of goodly wine I quaff,
And the mischief I make in the idle throng,
I should not continue the business long.


_Pilgrims (chaunting)._ In hac uibe, lux solennis,
Ver aeternum, pax perennis,
In hac odor implens caelos,
In hac semper festum melos!


_Prince Henry._ Do you observe that monk among the train,
Who pours from his great throat the roaring bass,
As a cathedral spout pours out the rain,
And this way turns his rubicund, round face?


_Elsie._ It is the same who, on the Strasburg square,
Preached to the people in the open air.


_Prince Henry._ And he has crossed o'er mountain, field, and fell,
On that good steed, that seems to bear him well,
The hackney of the Friars of Orders Gray,
His own stout legs! He, too, was in the play,
Both as King Herod and Ben Israel.
Good morrow, Friar!


_Friar Cuthbert._ Good morrow, noble Sir!


_Prince Henry._ I speak in German, for, unless I err,
You are a German.


_Friar Cuthbert._ I cannot gainsay you.
But by what instinct, or what secret sign,



Meeting me here, do you straightway divine
That northward of the Alps my country lies?


_Prince Henry._ Your accent, like St, Peter's, would betray you,
Did not your yellow beard and your blue eyes,
Moreover, we have seen your face before,
And heard you preach at the Cathedral door
On Easter Sunday, in the Strasburg square
We were among the crowd that gathered there,
And saw you play the Rabbi with great skill,
As if, by leaning o'er so many years
To walk with little children, your own will
Had caught a childish attitude from theirs,
A kind of stooping in its form and gait,
And could no longer stand erect and straight.
Whence come you now?


_Friar Cuthbert._ From the old monastery
Of Hirschau, in the forest; being sent
Upon a pilgrimage to Benevent,
To see the image of the Virgin Mary,
That moves its holy eyes, and sometimes speaks,
And lets the piteous tears run down its cheeks,
To touch the hearts of the impenitent.


_Prince Henry._ O, had I faith, as in the days gone by,
That knew no doubt, and feared no mystery!


_Lucifer (at a distance)._ Ho, Cuthbert! Friar Cuthbert!


_Friar Cuthbert._ Farewell, Prince!
I cannot stay to argue and convince.


_Prince Henry._ This is indeed the blessed Mary's land,
Virgin and Mother of our dear Redeemer!
All hearts are touched and softened at her name;
Alike the bandit, with the bloody hand,
The priest, the prince, the scholar, and the peasant,
The man of deeds, the visionary dreamer,
Pay homage to her as one ever present!
And even as children, who have much offended
A too indulgent father, in great shame,
Penitent, and yet not daring unattended
To go into his presence, at the gate
Speak with their sister, and confiding wait
Till she goes in before and intercedes;
So men, repenting of their evil deeds,
And yet not venturing rashly to draw near
With their requests an angry father's ear,
Offer to her their prayers and their confession,
And she for them in heaven makes intercession.
And if our Faith had given us nothing more



Than this example of all womanhood,
So mild, so merciful, so strong, so good,
So patient, peaceful, loyal, loving, pure,
This were enough to prove it higher and truer
Than all the creeds the world had known before.


_Pilgrims (chaunting afar off)_. Urbs ccelestis, urbs beata,
Supra petram collocata,
Urbs in portu satis tuto
De longinquo te saluto,
Te saluto, te suspiro,
Te affecto, te requiro!


* * * * *


THE INN AT GENOA.


* * * * *


_A terrace overlooking the sea. Night._


_Prince Henry._ It is the sea, it is the sea,
In all its vague immensity,
Fading and darkening in the distance!
Silent, majestical, and slow,
The white ships haunt it to and fro,
With all their ghostly sails unfurled,
As phantoms from another world
Haunt the dim confines of existence!
But ah! how few can comprehend
Their signals, or to what good end
From land to land they come and go!
Upon a sea more vast and dark
The spirits of the dead embark,
All voyaging to unknown coasts.
We wave our farewells from the shore,
And they depart, and come no more,
Or come as phantoms and as ghosts.


Above the darksome sea of death
Looms the great life that is to be,
A land of cloud and mystery,
A dim mirage, with shapes of men
Long dead, and passed beyond our ken.
Awe-struck we gaze, and hold our breath
Till the fair pageant vanisheth,
Leaving us in perplexity,
And doubtful whether it has been
A vision of the world unseen,
Or a bright image of our own
Against the sky in vapors thrown.



_Lucifer (singing from the sea)_. Thou didst not make it, thou
canst not mend it,
But thou hast the power to end it!
The sea is silent, the sea is discreet,
Deep it lies at thy very feet;
There is no confessor like unto Death!
Thou canst not see him, but he is near;
Thou needest not whisper above thy breath,
And he will hear;
He will answer the questions,
The vague surmises and suggestions,
That fill thy soul with doubt and fear!


_Prince Henry_. The fisherman, who lies afloat,
With shadowy sail, in yonder boat,
Is singing softly to the Night!
But do I comprehend aright
The meaning of the words he sung
So sweetly in his native tongue?
Ah, yes! the sea is still and deep.
All things within its bosom sleep!
A single step, and all is o'er;
A plunge, a bubble, and no more;
And thou, dear Elsie, wilt be free
From martyrdom and agony.


_Elsie (coming from her chamber upon the terrace)._
The night is calm and cloudless,
And still as still can be,
And the stars come forth to listen
To the music of the sea.
They gather, and gather, and gather,
Until they crowd the sky,
And listen, in breathless silence,
To the solemn litany.
It begins in rocky caverns,
As a voice that chaunts alone
To the pedals of the organ
In monotonous undertone;
And anon from shelving beaches,
And shallow sands beyond,
In snow-white robes uprising
The ghostly choirs respond.
And sadly and unceasing
The mournful voice sings on,
And the snow-white choirs still answer
Christe eleison!


_Prince Henry._ Angel of God! thy finer sense perceives
Celestial and perpetual harmonies!
Thy purer soul, that trembles and believes,
Hears the archangel's trumpet in the breeze,



And where the forest rolls, or ocean heaves,
Cecilia's organ sounding in the seas,
And tongues of prophets speaking in the leaves.
But I hear discord only and despair,
And whispers as of demons in the air!


* * * * *


AT SEA.


* * * * *


_Il Padrone._ The wind upon our quarter lies,
And on before the freshening gale,
That fills the snow-white lateen sail,
Swiftly our light felucca flies.
Around, the billows burst and foam;
They lift her o'er the sunken rock,
They beat her sides with many a shock,
And then upon their flowing dome
They poise her, like a weathercock!
Between us and the western skies
The hills of Corsica arise;
Eastward, in yonder long, blue line,
The summits of the Apennine,
And southward, and still far away,
Salerno, on its sunny bay.
You cannot see it, where it lies.


_Prince Henry._ Ah, would that never more mine eyes
Might see its towers by night or day!


_Elsie._ Behind us, dark and awfully,
There comes a cloud out of the sea,
That bears the form of a hunted deer,
With hide of brown, and hoofs of black,
And antlers laid upon its back,
And fleeing fast and wild with fear,
As if the hounds were on its track!


_Prince Henry._ Lo! while we gaze, it breaks and falls
In shapeless masses, like the walls
Of a burnt city. Broad and red
The fires of the descending sun
Glare through the windows, and o'erhead,
Athwart the vapors, dense and dun,
Long shafts of silvery light arise,
Like rafters that support the skies!


_Elsie._ See! from its summit the lurid levin
Flashes downward without warning,
As Lucifer, son of the morning,



Fell from the battlements of heaven!


_Il Padrone._ I must entreat you, friends, below!
The angry storm begins to blow,
For the weather changes with the moon.
All this morning, until noon,
We had baffling winds, and sudden flaws
Struck the sea with their cat's-paws.
Only a little hour ago
I was whistling to Saint Antonio
For a capful of wind to fill our sail,
And instead of a breeze he has sent a gale.
Last night I saw St. Elmo's stars,
With their glimmering lanterns, all at play
On the tops of the masts and the tips of the spars,
And I knew we should have foul weather to-day.
Cheerily, my hearties! yo heave ho!
Brail up the mainsail, and let her go
As the winds will and Saint Antonio!


Do you see that Livornese felucca,
That vessel to the windward yonder,
Running with her gunwale under?
I was looking when the wind o'ertook her,
She had all sail set, and the only wonder
Is that at once the strength of the blast
Did not carry away her mast.
She is a galley of the Gran Duca,
That, through the fear of the Algerines,
Convoys those lazy brigantines,
Laden with wine and oil from Lucca.
Now all is ready, high and low;
Blow, blow, good Saint Antonio!


Ha! that is the first dash of the rain,
With a sprinkle of spray above the rails,
Just enough to moisten our sails,
And make them ready for the strain.
See how she leaps, as the blasts o'ertake her,
And speeds away with a bone in her mouth!
Now keep her head toward the south,
And there is no danger of bank or breaker.
With the breeze behind us, on we go;
Not too much, good Saint Antonio!

The Ghosts

Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.


So disasters come not singly;
But as if they watched and waited,
Scanning one another's motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.

Now, o'er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.
Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.

One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.

On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like the watery moonlight,
In the eyes of Laughing Water
Glistened like the sun in water;
And behind them crouched their shadows
In the corners of the wigwam,
And the smoke In wreaths above them
Climbed and crowded through the smoke-flue.

Then the curtain of the doorway
From without was slowly lifted;
Brighter glowed the fire a moment,


And a moment swerved the smoke-wreath,
As two women entered softly,
Passed the doorway uninvited,
Without word of salutation,
Without sign of recognition,
Sat down in the farthest corner,
Crouching low among the shadows.


From their aspect and their garments,
Strangers seemed they in the village;
Very pale and haggard were they,
As they sat there sad and silent,
Trembling, cowering with the shadows.

Was it the wind above the smoke-flue,
Muttering down into the wigwam?
Was it the owl, the Koko-koho,
Hooting from the dismal forest?
Sure a voice said in the silence:
"These are corpses clad in garments,
These are ghosts that come to haunt you,
From the kingdom of Ponemah,
From the land of the Hereafter!"

Homeward now came Hiawatha
From his hunting in the forest,
With the snow upon his tresses,
And the red deer on his shoulders.
At the feet of Laughing Water
Down he threw his lifeless burden;
Nobler, handsomer she thought him,
Than when first he came to woo her,
First threw down the deer before her,
As a token of his wishes,
As a promise of the future.

Then he turned and saw the strangers,
Cowering, crouching with the shadows;
Said within himself, "Who are they?
What strange guests has Minnehaha?"
But he questioned not the strangers,
Only spake to bid them welcome
To his lodge, his food, his fireside.

When the evening meal was ready,
And the deer had been divided,
Both the pallid guests, the strangers,
Springing from among the shadows,
Seized upon the choicest portions,
Seized the white fat of the roebuck,
Set apart for Laughing Water,
For the wife of Hiawatha;
Without asking, without thanking,
Eagerly devoured the morsels,
Flitted back among the shadows
In the corner of the wigwam.

Not a word spake Hiawatha,


Not a motion made Nokomis,
Not a gesture Laughing Water;
Not a change came o'er their features;
Only Minnehaha softly
Whispered, saying, "They are famished;
Let them do what best delights them;
Let them eat, for they are famished."


Many a daylight dawned and darkened,
Many a night shook off the daylight
As the pine shakes off the snow-flakes
From the midnight of its branches;
Day by day the guests unmoving
Sat there silent in the wigwam;
But by night, in storm or starlight,
Forth they went into the forest,
Bringing fire-wood to the wigwam,
Bringing pine-cones for the burning,
Always sad and always silent.

And whenever Hiawatha
Came from fishing or from hunting,
When the evening meal was ready,
And the food had been divided,
Gliding from their darksome corner,
Came the pallid guests, the strangers,
Seized upon the choicest portions
Set aside for Laughing Water,
And without rebuke or question
Flitted back among the shadows.

Never once had Hiawatha
By a word or look reproved them;
Never once had old Nokomis
Made a gesture of impatience;
Never once had Laughing Water
Shown resentment at the outrage.
All had they endured in silence,
That the rights of guest and stranger,
That the virtue of free-giving,
By a look might not be lessened,
By a word might not be broken.

Once at midnight Hiawatha,
Ever wakeful, ever watchful,
In the wigwam, dimly lighted
By the brands that still were burning,
By the glimmering, flickering firelight
Heard a sighing, oft repeated,

From his couch rose Hiawatha,
From his shaggy hides of bison,
Pushed aside the deer-skin curtain,
Saw the pallid guests, the shadows,
Sitting upright on their couches,
Weeping in the silent midnight.

And he said: "O guests! why is it


That your hearts are so afflicted,
That you sob so in the midnight?
Has perchance the old Nokomis,
Has my wife, my Minnehaha,
Wronged or grieved you by unkindness,
Failed in hospitable duties?"


Then the shadows ceased from weeping,
Ceased from sobbing and lamenting,
And they said, with gentle voices:
"We are ghosts of the departed,
Souls of those who once were with you.
From the realms of Chibiabos
Hither have we come to try you,
Hither have we come to warn you.

"Cries of grief and lamentation
Reach us in the Blessed Islands;
Cries of anguish from the living,
Calling back their friends departed,
Sadden us with useless sorrow.
Therefore have we come to try you;
No one knows us, no one heeds us.
We are but a burden to you,
And we see that the departed
Have no place among the living.

"Think of this, O Hiawatha!
Speak of it to all the people,
That henceforward and forever
They no more with lamentations
Sadden the souls of the departed
In the Islands of the Blessed.

"Do not lay such heavy burdens
In the graves of those you bury,
Not such weight of furs and wampum,
Not such weight of pots and kettles,
For the spirits faint beneath them.
Only give them food to carry,
Only give them fire to light them.

"Four days is the spirit's journey
To the land of ghosts and shadows,
Four its lonely night encampments;
Four times must their fires be lighted.
Therefore, when the dead are buried,
Let a fire, as night approaches,
Four times on the grave be kindled,
That the soul upon its journey
May not lack the cheerful firelight,
May not grope about in darkness.

"Farewell, noble Hiawatha!
We have put you to the trial,
To the proof have put your patience,
By the insult of our presence,
By the outrage of our actions.


We have found you great and noble.

Fail not in the greater trial,

Faint not In the harder struggle."
When they ceased, a sudden darkness

Fell and filled the silent wigwam.

Hiawatha heard a rustle

As of garments trailing by him,

Heard the curtain of the doorway

Lifted by a hand he saw not,

Felt the cold breath of the night air,

For a moment saw the starlight;

But he saw the ghosts no longer,

Saw no more the wandering spirits

From the kingdom of Ponemah,

From the land of the Hereafter.

The Dead. (From The German Of Stockmann)

How they so softly rest,
All they the holy ones,
Unto whose dwelling-place
Now doth my soul draw near!
How they so softly rest,
All in their silent graves,
Deep to corruption
Slowly don-sinking!


And they no longer weep,
Here, where complaint is still!
And they no longer feel,
Here, where all gladness flies!
And, by the cypresses
Softly o'ershadowed
Until the Angel
Calls them, they slumber!

The Chamber Over The Gate

Is it so far from thee
Thou canst no longer see,
In the Chamber over the Gate,
That old man desolate,
Weeping and wailing sore
For his son, who is no more?
O Absalom, my son!


Is it so long ago
That cry of human woe
From the walled city came,
Calling on his dear name,
That it has died away
In the distance of to-day?
O Absalom, my son!


There is no far or near,
There is neither there nor here,
There is neither soon nor late,
In that Chamber over the Gate,
Nor any long ago
To that cry of human woe,
O Absalom, my son!


From the ages that are past
The voice sounds like a blast,
Over seas that wreck and drown,
Over tumult of traffic and town;
And from ages yet to be
Come the echoes back to me,
O Absalom, my son!


Somewhere at every hour
The watchman on the tower
Looks forth, and sees the fleet
Approach of the hurrying feet
Of messengers, that bear
The tidings of despair.
O Absalom, my son!


He goes forth from the door
Who shall return no more.
With him our joy departs;
The light goes out in our hearts;
In the Chamber over the Gate
We sit disconsolate.
O Absalom, my son!


That 't is a common grief
Bringeth but slight relief;
Ours is the bitterest loss,
Ours is the heaviest cross;



And forever the cry will be
'Would God I had died for thee,
O Absalom, my son!'

The Burial Of The Poet

In the old churchyard of his native town,
And in the ancestral tomb beside the wall,
We laid him in the sleep that comes to all,
And left him to his rest and his renown.
The snow was falling, as if Heaven dropped down
White flowers of Paradise to strew his pall;--
The dead around him seemed to wake, and call
His name, as worthy of so white a crown.
And now the moon is shining on the scene,
And the broad sheet of snow is written o'er
With shadows cruciform of leafless trees,
As once the winding-sheet of Saladin
With chapters of the Koran; but, ah! more
Mysterious and triumphant signs are these.

The Black Knight. (From The German Of Uhland)

'Twas Pentecost, the Feast of Gladness,
When woods and fields put off all sadness,
Thus began the King and spake:
So from the halls
Of ancient Hofburgh's walls,
A luxuriant Spring shall break.


Drums and trumpets echo loudly,
Wave the crimson banners proudly,
From balcony the King looked on;
In the play of spears,
Fell all the cavaliers,
Before the monarch's stalwart son.


To the barrier of the fight
Rode at last a sable Knight.
Sir Knight! your name and scutcheon say!
Should I speak it here,
Ye would stand aghast with fear;
I am a Prince of mighty sway!


When he rode into the lists,
The arch of heaven grew black with mists,
And the castle 'gan to rock.
At the first blow,
Fell the youth from saddle-bow,
Hardly rises from the shock.


Pipe and viol call the dances,
Torch-light through the high hall glances;
Waves a mighty shadow in;
With manner bland
Doth ask the maiden's hand,
Doth with her the dance begin;


Danced in sable iron sark,
Danced a measure weird and dark,
Coldly clasped her limbs around.
From breast and hair
Down fall from her the fair
Flowerets, faded, to the ground.


To the sumptuous banquet came
Every Knight and every Dame.
'Twixt son and daughter all distraught,
With mournful mind
The ancient King reclined,
Gazed at them in silent thought.


Pale the children both did look,
But the guest a beaker took;
Golden wine will make you whole!



The children drank,
Gave many a courteous thank;
Oh, that draught was very cool!


Each the father's breast embraces,
Son and daughter; and their faces
Colourless grow utterly.
Whichever way
Looks the fear-struck father grey,
He beholds his children die.


Woe! the blessed children both
Takest thou in the joy of youth;
Take me, too, the joyless father!
Spake the grim Guest,
From his hollow, cavernous breast,
Roses in the spring I gather!

The Angel And The Child. (From Jean Reboul, The Baker Of Nismes)

An angel with a radiant face,
Above a cradle bent to look,
Seemed his own image there to trace,
As in the waters of a brook.


'Dear child! who me resemblest so,'
It whispered, 'come, O come with me!
Happy together let us go,
The earth unworthy is of thee!


'Here none to perfect bliss attain;
The soul in pleasure suffering lies;
Joy hath an undertone of pain,
And even the happiest hours their sighs.


'Fear doth at every portal knock;
Never a day serene and pure
From the o'ershadowing tempest's shock
Hath made the morrow's dawn secure.


'What then, shall sorrows and shall fears
Come to disturb so pure a brow?
And with the bitterness of tears
These eyes of azure troubled grow?


'Ah no! into the fields of space,
Away shalt thou escape with me;
And Providence will grant thee grace
Of all the days that were to be.


'Let no one in thy dwelling cower,
In sombre vestments draped and veiled;
But let them welcome thy last hour,
As thy first moments once they hailed.


'Without a cloud be there each brow;
There let the grave no shadow cast;
When one is pure as thou art now,
The fairest day is still the last.'


And waving wide his wings of white,
The angel, at these words, had sped
Towards the eternal realms of light!--
Poor mother! see, thy son is dead!

Tales Of A Wayside Inn : Part 3. The Spanish Jew's Tale; Azrael

King Solomon, before his palace gate
At evening, on the pavement tessellate
Was walking with a stranger from the East,
Arrayed in rich attire as for a feast,
The mighty Runjeet-Sing, a learned man,
And Rajah of the realms of Hindostan.
And as they walked the guest became aware
Of a white figure in the twilight air,
Gazing intent, as one who with surprise
His form and features seemed to recognize;
And in a whisper to the king he said:
'What is yon shape, that, pallid as the dead,
Is watching me, as if he sought to trace_
In the dim light the features of my face?'


The king looked, and replied: 'I know him well;
It is the Angel men call Azrael,
'T is the Death Angel; what hast thou to fear?'
And the guest answered: 'Lest he should come near,
And speak to me, and take away my breath!
Save me from Azrael, save me from death!
O king, that hast dominion o'er the wind,
Bid it arise and bear me hence to Ind.'


The king gazed upward at the cloudless sky,
Whispered a word, and raised his hand on high,
And lo! the signet-ring of chrysoprase
On his uplifted finger seemed to blaze
With hidden fire, and rushing from the west
There came a mighty wind, and seized the guest
And lifted him from earth, and on they passed,
His shining garments streaming in the blast,
A silken banner o'er the walls upreared,
A purple cloud, that gleamed and disappeared.
Then said the Angel, smiling: 'If this man
Be Rajah Runjeet-Sing of Hindostan,
Thou hast done well in listening to his prayer;
I was upon my way to seek him there.'