Children

A Prospective Visit

While _any_ day was notable and dear
That gave the children Noey, history here
Records his advent emphasized indeed
With sharp italics, as he came to feed
The stock one special morning, fair and bright,
When Johnty and Bud met him, with delight
Unusual even as their extra dress--
Garbed as for holiday, with much excess
Of proud self-consciousness and vain conceit
In their new finery.--Far up the street
They called to Noey, as he came, that they,
As promised, both were going back that day
To _his_ house with him!

And by time that each
Had one of Noey's hands--ceasing their speech
And coyly anxious, in their new attire,
To wake the comment of their mute desire,--
Noey seemed rendered voiceless. Quite a while
They watched him furtively.--He seemed to smile
As though he would conceal it; and they saw
Him look away, and his lips purse and draw
In curious, twitching spasms, as though he might
Be whispering,--while in his eye the white
Predominated strangely.--Then the spell
Gave way, and his pent speech burst audible:
'They wuz two stylish little boys,
and they wuz mighty bold ones,
Had two new pairs o' britches made
out o' their daddy's old ones!'
And at the inspirational outbreak,
Both joker and his victims seemed to take
An equal share of laughter,--and all through
Their morning visit kept recurring to
The funny words and jingle of the rhyme
That just kept getting funnier all the time.

A Noted Traveler

Even in such a scene of senseless play
The children were surprised one summer-day
By a strange man who called across the fence,
Inquiring for their father's residence;
And, being answered that this was the place,
Opened the gate, and with a radiant face,
Came in and sat down with them in the shade
And waited--till the absent father made
His noon appearance, with a warmth and zest
That told he had no ordinary guest
In this man whose low-spoken name he knew
At once, demurring as the stranger drew
A stuffy notebook out and turned and set
A big fat finger on a page and let
The writing thereon testify instead
Of further speech. And as the father read
All silently, the curious children took
Exacting inventory both of book
And man:--He wore a long-napped white fur-hat
Pulled firmly on his head, and under that
Rather long silvery hair, or iron-gray--
For he was not an old man,--anyway,
Not beyond sixty. And he wore a pair
Of square-framed spectacles--or rather there
Were two more than a pair,--the extra two
Flared at the corners, at the eyes' side-view,
In as redundant vision as the eyes
Of grasshoppers or bees or dragonflies.
Later the children heard the father say
He was 'A Noted Traveler,' and would stay
Some days with them--In which time host and guest
Discussed, alone, in deepest interest,
Some vague, mysterious matter that defied
The wistful children, loitering outside
The spare-room door. There Bud acquired a quite
New list of big words--such as 'Disunite,'
And 'Shibboleth,' and 'Aristocracy,'
And 'Juggernaut,' and 'Squatter Sovereignty,'
And 'Anti-slavery,' 'Emancipate,'
'Irrepressible conflict,' and 'The Great
Battle of Armageddon'--obviously
A pamphlet brought from Washington, D. C.,
And spread among such friends as might occur
Of like views with 'The Noted Traveler.'

A Diverted Tragedy

Gracie wuz allus a _careless_ tot;
But Gracie dearly loved her doll,
An' played wiv it on the winder-sill
'Way up-stairs, when she ought to _not_,
An' her muvver _telled_ her so an' all;
But she won't _mind_ what _she_ say--till,
First thing she know, her dolly fall
Clean spang out o' the winder plumb
Into the street! An' here Grace come
Down-stairs, two at a time, ist wild
An' a-screamin', 'Oh, my child! my child!'


Jule wuz a-bringin' their basket o' clo'es
Ist then into their hall down there,--
An' she ist stop' when Gracie bawl,
An' Jule she say 'She ist declare
She's ist in time!' An' what you s'pose?
She sets her basket down in the hall,
An' wite on top o' the snowy clo'es
Wuz Gracie's dolly a-layin' there
An' ist ain't bu'st ner hurt a-tall!


Nen Gracie smiled--ist _sobbed_ an' smiled--
An' cried, 'My child! my precious child!'

A Flower Given to My Daughter

Frail the white rose and frail are
Her hands that gave
Whose soul is sere and paler
Than time's wan wave.


Rosefrail and fair -- yet frailest
A wonder wild
In gentle eyes thou veilest,
My blueveined child.

Dora Diller

'My stomach's full of butterflies!'
lamented Dora Diller.
Her mother sighed. 'That's no surprise,
you ate a caterpillar!'

As Soon as Fred Gets Out of Bed

As soon as Fred gets out of bed,
his underwear goes on his head.
His mother laughs, "Don't put it there,
a head's no place for underwear!"
But near his ears, above his brains,
is where Fred's underwear remains.


At night when Fred goes back to bed,
he deftly plucks it off his head.
His mother switches off the light
and softly croons, "Good night! Good night!"
And then, for reasons no one knows,
Fred's underwear goes on his toes.

The Birds

When Jesus Christ was four years old
The angels brought Him toys of gold,
Which no man ever had bought or sold.

And yet with these He would not play.
He made Him small fowl out of clay,
And blessed them till they flew away:
Tu creasti Domine

Jesus Christ, Thou child so wise,
Bless mine hands and fill mine eyes,
And bring my soul to Paradise.

Matilda Who told Lies, and was Burned to Death

Matilda told such Dreadful Lies,
It made one Gasp and Stretch one's Eyes;
Her Aunt, who, from her Earliest Youth,
Had kept a Strict Regard for Truth,
Attempted to Believe Matilda:
The effort very nearly killed her,
And would have done so, had not She
Discovered this Infirmity.
For once, towards the Close of Day,
Matilda, growing tired of play,
And finding she was left alone,
Went tiptoe to the Telephone
And summoned the Immediate Aid
Of London's Noble Fire-Brigade.
Within an hour the Gallant Band
Were pouring in on every hand,
From Putney, Hackney Downs, and Bow.
With Courage high and Hearts a-glow,
They galloped, roaring through the Town,
'Matilda's House is Burning Down!'
Inspired by British Cheers and Loud
Proceeding from the Frenzied Crowd,
They ran their ladders through a score
Of windows on the Ball Room Floor;
And took Peculiar Pains to Souse
The Pictures up and down the House,
Until Matilda's Aunt succeeded
In showing them they were not needed;
And even then she had to pay
To get the Men to go away,
It happened that a few Weeks later
Her Aunt was off to the Theatre
To see that Interesting Play
The Second Mrs. Tanqueray.
She had refused to take her Niece
To hear this Entertaining Piece:
A Deprivation Just and Wise
To Punish her for Telling Lies.
That Night a Fire did break out--
You should have heard Matilda Shout!
You should have heard her Scream and Bawl,
And throw the window up and call
To People passing in the Street-(
The rapidly increasing Heat
Encouraging her to obtain
Their confidnce) -- but all in vain!
For every time she shouted 'Fire!'
They only answered 'Little Liar!'
And therefore when her Aunt returned,
Matilda, and the House, were Burned.

The Hanging Of The Crane

The lights are out, and gone are all the guests
That thronging came with merriment and jests
To celebrate the Hanging of the Crane
In the new house,--into the night are gone;
But still the fire upon the hearth burns on,
And I alone remain.


O fortunate, O happy day,
When a new household finds its place
Among the myriad homes of earth,
Like a new star just sprung to birth,
And rolled on its harmonious way
Into the boundless realms of space!


So said the guests in speech and song,
As in the chimney, burning bright,
We hung the iron crane to-night,
And merry was the feast and long.


II.
And now I sit and muse on what may be,
And in my vision see, or seem to see,
Through floating vapors interfused with light,
Shapes indeterminate, that gleam and fade,
As shadows passing into deeper shade
Sink and elude the sight.


For two alone, there in the hall,
As spread the table round and small;
Upon the polished silver shine
The evening lamps, but, more divine,
The light of love shines over all;
Of love, that says not mine and thine,
But ours, for ours is thine and mine.


They want no guests, to come between
Their tender glances like a screen,
And tell them tales of land and sea,
And whatsoever may betide
The great, forgotten world outside;
They want no guests; they needs must be
Each other's own best company.


III.
The picture fades; as at a village fair
A showman's views, dissolving into air,
Again appear transfigured on the screen,
So in my fancy this; and now once more,
In part transfigured, through the open door
Appears the selfsame scene.



Seated, I see the two again,
But not alone; they entertain
A little angel unaware,
With face as round as is the moon;
A royal guest with flaxen hair,
Who, throned upon his lofty chair,
Drums on the table with his spoon,
Then drops it careless on the floor,
To grasp at things unseen before.


Are these celestial manners? these
The ways that win, the arts that please?
Ah yes; consider well the guest,
And whatsoe'er he does seems best;
He ruleth by the right divine
Of helplessness, so lately born
In purple chambers of the morn,
As sovereign over thee and thine.
He speaketh not; and yet there lies
A conversation in his eyes;
The golden silence of the Greek,
The gravest wisdom of the wise,
Not spoken in language, but in looks
More legible than printed books,
As if he could but would not speak.
And now, O monarch absolute,
Thy power is put to proof; for, lo!
Resistless, fathomless, and slow,
The nurse comes rustling like the sea,
And pushes back thy chair and thee,
And so good night to King Canute.


IV.
As one who walking in a forest sees
A lovely landscape through the parted frees,
Then sees it not, for boughs that intervene
Or as we see the moon sometimes revealed
Through drifting clouds, and then again concealed,
So I behold the scene.


There are two guests at table now;
The king, deposed and older grown,
No longer occupies the throne,--
The crown is on his sister's brow;
A Princess from the Fairy Isles,
The very pattern girl of girls.
All covered and embowered in curls,
Rose-tinted from the Isle of Flowers,
And sailing with soft, silken sails



From far-off Dreamland into ours.
Above their bowls with rims of blue
Four azure eyes of deeper hue
Are looking, dreamy with delight;
Limpid as planets that emerge
Above the ocean's rounded verge,
Soft-shining through the summer night.
Steadfast they gaze, yet nothing see
Beyond the horizon of their bowls;
Nor care they for the world that rolls
With all its freight of troubled souls
Into the days that are to be.


V.
Again the tossing boughs shut out the scene,
Again the drifting vapors intervene,
And the moon's pallid disk is hidden quite;
And now I see the table wider grown,
As round a pebble into water thrown
Dilates a ring of light.


I see the table wider grown,
I see it garlanded with guests,
As if fair Ariadne's Crown
Out of the sky had fallen down;
Maidens within whose tender breasts
A thousand restless hopes and fears,
Forth reaching to the coming years,
Flutter awhile, then quiet lie
Like timid birds that fain would fly,
But do not dare to leave their nests;--
And youths, who in their strength elate
Challenge the van and front of fate,
Eager as champions to be
In the divine knight-errantry
Of youth, that travels sea and land
Seeking adventures, or pursues,
Through cities, and through solitudes
Frequented by the lyric Muse,
The phantom with the beckoning hand,
That still allures and still eludes.
O sweet illusions of the brain!
O sudden thrills of fire and frost!
The world is bright while ye remain,
And dark and dead when ye are lost!


VI.
The meadow-brook, that seemeth to stand still,
Quickens its current as it nears the mill;
And so the stream of Time that lingereth



In level places, and so dull appears,
Runs with a swifter current as it nears
The gloomy mills of Death.


And now, like the magician's scroll,
That in the owner's keeping shrinks
With every wish he speaks or thinks,
Till the last wish consumes the whole,
The table dwindles, and again
I see the two alone remain.
The crown of stars is broken in parts;
Its jewels, brighter than the day,
Have one by one been stolen away
To shine in other homes and hearts.
One is a wanderer now afar
In Ceylon or in Zanzibar,
Or sunny regions of Cathay;
And one is in the boisterous camp
Mid clink of arms and horses' tramp,
And battle's terrible array.
I see the patient mother read,
With aching heart, of wrecks that float
Disabled on those seas remote,
Or of some great heroic deed
On battle-fie1ds where thousands bleed
To lift one hero into fame.
Anxious she bends her graceful head
Above these chronicles of pain,
And trembles with a secret dread
Lest there among the drowned or slain
She find the one beloved name.


VII.
After a day of cloud and wind and rain
Sometimes the setting sun breaks out again,
And touching all the darksome woods with light,
Smiles on the fields, until they laugh and sing,
Then like a ruby from the horizon's ring
Drops down into the night.


What see I now? The night is fair,
The storm of grief, the clouds of care,
The wind, the rain, have passed away;
The lamps are lit, the fires burn bright,
The house is full of life and light:
It is the Golden Wedding day.
The guests come thronging in once more,
Quick footsteps sound along the floor,
The trooping children crowd the stair,
And in and out and everywhere
Flashes along the corridor



The sunshine of their golden hair.
On the round table in the hall
Another Ariadne's Crown
Out of the sky hath fallen down;
More than one Monarch of the Moon
Is drumming with his silver spoon;
The light of love shines over all.


O fortunate, O happy day!
The people sing, the people say.
The ancient bridegroom and the bride,
Smiling contented and serene
Upon the blithe, bewildering scene,
Behold, well pleased, on every side
Their forms and features multiplied,
As the reflection of a light
Between two burnished mirrors gleams,
Or lamps upon a bridge at night
Stretch on and on before the sight,
Till the long vista endless seems.

The Castle-Builder. (Birds Of Passage. Flight The Third)

A gentle boy, with soft and silken locks,
A dreamy boy, with brown and tender eyes,
A castle-builder, with his wooden blocks,
And towers that touch imaginary skies.


A fearless rider on his father's knee,
An eager listener unto stories told
At the Round Table of the nursery,
Of heroes and adventures manifold.


There will be other towers for thee to build;
There will be other steeds for thee to ride;
There will be other legends, and all filled
With greater marvels and more glorified.


Build on, and make thy castles high and fair,
Rising and reaching upward to the skies;
Listen to voices in the upper air,
Nor lose thy simple faith in mysteries.

The Angel And The Child. (From Jean Reboul, The Baker Of Nismes)

An angel with a radiant face,
Above a cradle bent to look,
Seemed his own image there to trace,
As in the waters of a brook.


'Dear child! who me resemblest so,'
It whispered, 'come, O come with me!
Happy together let us go,
The earth unworthy is of thee!


'Here none to perfect bliss attain;
The soul in pleasure suffering lies;
Joy hath an undertone of pain,
And even the happiest hours their sighs.


'Fear doth at every portal knock;
Never a day serene and pure
From the o'ershadowing tempest's shock
Hath made the morrow's dawn secure.


'What then, shall sorrows and shall fears
Come to disturb so pure a brow?
And with the bitterness of tears
These eyes of azure troubled grow?


'Ah no! into the fields of space,
Away shalt thou escape with me;
And Providence will grant thee grace
Of all the days that were to be.


'Let no one in thy dwelling cower,
In sombre vestments draped and veiled;
But let them welcome thy last hour,
As thy first moments once they hailed.


'Without a cloud be there each brow;
There let the grave no shadow cast;
When one is pure as thou art now,
The fairest day is still the last.'


And waving wide his wings of white,
The angel, at these words, had sped
Towards the eternal realms of light!--
Poor mother! see, thy son is dead!

Nature


As a fond mother, when the day is o'er,
Leads by the hand her little child to bed,
Half willing, half reluctant to be led,
And leave his broken playthings on the floor,
Still gazing at them through the open door,
Nor wholly reassured and comforted
By promises of others in their stead,
Which though more splendid, may not please him more;
So Nature deals with us, and takes away
Our playthings one by one, and by the hand
Leads us to rest so gently, that we go
Scarce knowing if we wish to go or stay,
Being too full of sleep to understand
How far the unknown transcends the what we know.

The Window

All night long, by a distant bell,
The passing hours were notched
On the dark, while her breathing rose and fell,
And the spark of life I watched
In her face was glowing or fading, -- who could tell? --
And the open window of the room,
With a flare of yellow light,
Was peering out into the gloom,
Like an eye that searched the night.


Oh, what do you see in the dark, little window, and why do you fear?
"I see that the garden is crowded with creeping forms of fear:
Little white ghosts in the locust-tree, that wave in the night-wind's breath,
And low in the leafy laurels the larking shadow of death."


Sweet, clear notes of a waking bird
Told of the passing away
Of the dark, -- and my darling may have heard;
For she smiled in her sleep, while the ray
Of the rising dawn spoke joy without a word,
Till the splendor born in the east outburned
The yellow lamplight, pale and thin,
And the open window slowly turned
To the eye of the morning, looking in.


Oh, what do you see in the room, little window, that makes you so bright?
"I see that a child is asleep on her pillow, soft and white,
With the rose of life on her tips, and the breath of life in her breast,
And the arms of God around her as she quietly takes her rest."

The Babies of Walloon

He was lengthsman on the railway, and his station scarce deserved
That “pre-eminence in sorrow” of the Majesty he served,
But as dear to him and precious were the gifts reclaimed so soon—
Were the workman’s little daughters who were buried near Walloon.


Speak their names in tones that linger, just as though you held them dear;
There are eyes to which the mention of those names will bring a tear.
Little Kate and Bridget, straying in an autumn afternoon,
Were attracted by the lilies in the water of Walloon.


All is dark to us. The angels sing perhaps in Paradise
Of the younger sister’s danger, and the elder’s sacrifice;
But the facts were hidden from us, when the soft light from the moon
Glistened on the water-lilies o’er the Babies at Walloon.


Ah! the children love the lilies, while we elders are inclined
To the flowers that have poison for the body and the mind.
Better for the “strongly human” to have done with life as soon,
Better perish for a lily like the Babies of Walloon.


For they gather flowers early on the river far away,
Where the everlasting lilies keep their purity for aye,
And while summer brings our lilies to the run and the lagoon
May our children keep the legend of the Babies of Walloon.

Balada Amarilla IV

Sobre el cielo
de las margaritas ando.


Yo imagino esta tarde
que soy santo.
Me pusieron la luna
en las manos.
Yo la puse otra vez
en los espacios
y el Señor me premió
con la rosa y el halo.


Sobre el cielo
de las margaritas ando.


Y ahora voy
por este campo
a librar a las niñas
de galanes malos
y dar monedas de oro
a todos los muchachos.


Sobre el cielo
de las margaritas ando.

The Study In Aesthetics

The very small children in patched clothing,
Being smitten with an unusual wisdom,
Stopped in their play as she passed them
And cried up from their cobbles:


Guarda! Ahi, guarda! Ch’ è be’ a!


But three years after this
I heard the young Dante, whose last name I do not
know--
For there are, in Sirmione, twenty-eight young Dantes
and thirty-four Catulli;
And there had been a great catch of sardines,
And his elders
Were packing them in the great wooden boxes
For the market in Brescia, and he
Leapt about, snatching at the bright fish
And getting in both of their ways;
And in vain they commanded him to stafermo!
And when they would not let him arrange
The fish in the boxes
He stroked those which were already arranged,
Murmuring for his own satisfaction
This identical phrase:


Ch’ è be’ a


And at this I was mildly abashed.

Whose are the little beds, I asked

142

Whose are the little beds, I asked
Which in the valleys lie?
Some shook their heads, and others smiled-
And no one made reply.


Perhaps they did not hear, I said,
I will inquire again-
Whose are the beds-the tiny beds
So thick upon the plain?


'Tis Daisy, in the shortest-
A little further on-
Nearest the door-to wake the Ist-
Little Leontoden.


'Tis Iris, Sir, and Aster-
Anemone, and Bell-
Bartsia, in the blanket red-
And chubby Daffodil.


Meanwhile, at many cradles
Her busy foot she plied-
Humming the quaintest lullaby
That ever rocked a child.


Hush! Epigea wakens!
The Crocus stirs her lidsRhodora's
cheek is crimson,
She's dreaming of the woods!


Then turning from them reverent-
Their bedtime 'tis, she said-
The Bumble bees will wake them
When April woods are red.

Teach Him—When He makes the names

227

Teach Him—When He makes the names—
Such an one—to say—
On his babbling—Berry—lips—
As should sound—to me—
Were my Ear—as near his nest—
As my thought—today—
As should sound—
"Forbid us not"—
Some like "Emily."

Some, too fragile for winter winds

141

Some, too fragile for winter winds
The thoughtful grave encloses-
Tenderly tucking them in from frost
Before their feet are cold.


Never the treasures in her nest
The cautious grave exposes,
Building where schoolboy dare not look,
And sportsman is not bold.


This covert have all the children
Early aged, and often cold,
Sparrow, unnoticed by the Father-
Lambs for whom time had not a fold.

Over the fence

251

Over the fenceStrawberries-
grow-
Over the fence-
I could climb-if I tried, I know-
Berries are nice!


But-if I stained my Apron-
God would certainly scold!
Oh, dear,-I guess if He were a BoyHe'd-
climb-if He could!

New feet within my garden go

99

New feet within my garden go-
New fingers stir the sod-
A Troubadour upon the Elm
Betrays the solitude.

New children play upon the green-
New Weary sleep below-
And still the pensive Spring returns-
And still the punctual snow!

Is it true, dear Sue?

218

Is it true, dear Sue?
Are there two?
I shouldn't like to come
For fear of joggling Him!
If I could shut him up
In a Coffee Cup,
Or tie him to a pin
Till I got in-
Or make him fast
To "Toby's" fist-
Hist! Whist! I'd come!

Houses—so the Wise Men tell me—

"Houses"—so the Wise Men tell me—
"Mansions"! Mansions must be warm!
Mansions cannot let the tears in,
Mansions must exclude the storm!


"Many Mansions," by "his Father,"
I don't know him; snugly built!
Could the Children find the way there—
Some, would even trudge tonight!

Arcturus


"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!


I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
"Oh Lord—how frail are we"!


I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!


Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.


What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.


What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!


Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—


I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."