Seasons (Spring, Summer, Autumn, Winter)

All these my banners be

22

All these my banners be.
I sow my pageantry
In May-
It rises train by train-
Then sleeps in state again-
My chancel-all the plain

Today.

To lose-if one can find again-
To miss-if one shall meet-
The Burglar cannot rob-then-
The Broker cannot cheat.
So build the hillocks gaily
Thou little spade of mine
Leaving nooks for Daisy
And for Columbine-
You and I the secret
Of the Crocus know-
Let us chant it softly"
There is no more snow!"

To him who keeps an Orchis' heart-
The swamps are pink with June.

A something in a summer's Day

122

A something in a summer's Day
As slow her flambeaux burn away
Which solemnizes me.

A something in a summer's noon-
A depth-an Azure-a perfume-
Transcending ecstasy.

And still within a summer's night
A something so transporting bright
I clap my hands to see-

Then veil my too inspecting face
Lets such a subtle-shimmering grace
Flutter too far for me-

The wizard fingers never rest-
The purple brook within the breast
Still chafes it narrow bed-

Still rears the East her amber Flag-
Guides still the sun along the Crag
His Caravan of Red-

So looking on-the night-the morn
Conclude the wonder gay-
And I meet, coming thro' the dews
Another summer's Day!

A Lady red-amid the Hill

74

A Lady red-amid the Hill
Her annual secret keeps!
A Lady white, within the Field
In placid Lily sleeps!


The tidy Breezes, with their Brooms-
Sweep vale-and hill-and tree!
Prithee, My pretty Housewives!
Who may expected be?


The Neighbors do not yet suspect!
The Woods exchange a smile!
Orchard, and Buttercup, and Bird-
In such a little while!


And yet, how still the Landscape stands!
How nonchalant the Hedge!
As if the "Resurrection"
Were nothing very strange!

The Optimist

The fields were bleak and sodden. Not a wing
Or note enlivened the depressing wood,
A soiled and sullen, stubborn snowdrift stood
Beside the roadway. Winds came muttering
Of storms to be, and brought the chilly sting
Of icebergs in their breath. Stalled cattle mooed
Forth plaintive pleadings for the earth's green food.
No gleam, no hint of hope in anything.


The sky was blank and ashen, like the face
Of some poor wretch who drains life's cup too fast.
Yet, swaying to and fro, as if to fling
About chilled Nature its lithe arms of grace,
Smiling with promise in the wintry blast,
The optimistic Willow spoke of spring.

The Hammock's Complaint

Who thinks how desolate and strange
To me must seem the autumn's change,
When housed in attic or in chest,
A lonely and unwilling guest,
I lie through nights of bleak December,
And think in silence, and remember.


I think of hempen fields, where I
Once played with insects floating by,
And joyed alike in sun and rain,
Unconscious of approaching pain.
I dwell upon my later lot,
Where, swung in some secluded spot
Between two tried and trusted trees,
All summer long I wooed the breeze.
With song of bee and call of bird
And lover's secrets overheard,
And sight and scent of blooming flowers,
To fill the happy sunlight's hours.
When verdant fields grow bare and brown,
When forest leaves come raining down,
When frost has mated with the weather
And all the birds go south together,
When drying boats turn up their keels,
Who wonders how the hammock feels?

Summer Song

The meadow lark’s trill and the brown thrush’s whistle
From morning to evening fill all the sweet air,

And my heart is as light as the down of a thistle –
The world is so bright and the earth is so fair.

There is life in the wood, there is bloom on the meadow;
The air drops with songs that the merry birds sing.

The sunshine has won, in the battle with shadow,
And she’s dressed the glad earth with robes of the spring.

The bee leaves his hive for the field of red clover
And the vale where the daisies bloom white as the snow,

And a mantle of warm yellow sunshine hangs over
The calm little pond, where the pale lillies grow.

In the woodland beyond it, a thousand gay voices
Are singing in chorus some jubilant air.

The bird and the bee and all nature rejoices,
The world is so bright, and the earth is so fair.

I am glad as a child, in this beautiful weather;
I have tossed all my burdens and trials away;

My heart is as light – yes, as light as a feather; I
am care-free, and careless, and happy to-day.

Can it be there approaches a dark, dreary to-morrow?
Can shadows e’er fall on this beautiful earth?

Ah! To-day is my own! No forebodings of sorrow
Shall darken my skies, or shall dampen my mirth.

Songs Of A Country Home

I

Who has not felt his heart leap up, and glow
What time the tulips first begin to blow,
Has one sweet joy, still left for him to know.


It is like early loves' imagining;
That fragile pleasure, which the Tulips bring,
When suddenly we see them, in the Spring.


Not all the gardens later royal train,
Not great triumphant Roses, when they reign,
Can bring that delicate delight again.


II


One of the sweetest hours is this;
(Of all I think we like it best
A little restful oasis,
Between the breakfast, and the post.
Just south of coffee, and of toast,
Just north of daily task and duty;
Just west of dreams, this Island gleams,
A fertile spot of peace and beauty.


We wander out across the lawn;
We idle by a bush in bloom;
The Household pets come following on;
Or if the day is one of gloom,
We loiter in a pleasant room
Or from a casement, lean and chatter.
Then comes the mail, like sudden hail,
And off we scatter.


III


When roses die, in languid August days,
We leave the Garden, to its fallen ways;
And seek the shelter of wide porticos,
Where Honeysuckle, in defiance blows
Undaunted by the Sun's too ardent rays.


The matron Summer, turns a wistful gaze
Across green valleys, back to tender Mays;
And something of her large contentment goes,
When roses die.


Yet all her subtle fascination stays
To lure us into idle sweet delays.
The lowered awning, by the hammock shows
Inviting nooks for dreaming and repose;
Oh, restful are the pleasures of those days



When roses die.

IV

The summer folk, fled back to town;
The green woods changed to red and brown;
A sound upon the frosty air
Of windows closing everywhere.


And then the log, lapped by a blaze.
Oh, what is better than these days;
With books and friends and love a-near;
Go on, gay world, but leave me here.

Searching


These quiet Autumn days,
My soul, like Noah's dove, on airy wings
Goes out and searches for the hidden things

Beyond the hills of haze.

With mournful, pleading cries,
Above the waters of the voiceless sea
That laps the shore of broad Eternity,

Day after day, it flies,

Searching, but all in vain,
For some stray leaf that it may light upon,
And read the future, as the days agone -

Its pleasures, and its pain.

Listening patiently
For some voice speaking from the mighty deep,
Revealing all the things that it doth keep

In secret there for me.

Come back and wait, my soul!
Day after day thy search has been in vain.
Voiceles and silent o'er the future's plain

Its mystic waters roll.

God, seeing, knoweth best,
And in His time the waters shall subside,
And thou shalt know what lies beneath the tide,

Then wait, my soul, and rest.

Response


I said this morning, as I leaned and threw
My shutters open to the Spring's surprise,
'Tell me, O Earth, how is it that in you
Year after year the same fresh feelings rise?
How do you keep your young exultant glee?
No more those sweet emotions come to me.
'I note through all your fissures how the tide
Of healthful life goes leaping as of old;
Your royal dawns retain their pomp and pride;
Your sunsets lose no atom of their gold.
How can this wonder be?' My soul's fine ear
Leaned, listening, till a small voice answered near:
'My days lapse never over into night;
My nights encroach not on the rights of dawn.
I rush not breathless after some delight;
I waste no grief for any pleasure gone.
My July noons burn not the entire year.
Heart, hearken well!' 'Yes, yes; go on; I hear.'
'I do not strive to make my sunsets' gold
Pave all the dim and distant realms of space.
I do not bid my crimson dawns unfold
To lend the midnight a fictitious grace.
I break no law, for all God's laws are good.
Heart, hast thou heard?' 'Yes, yes; and understood.'

Over The May Hill

All through the night time, and all through the day time,
Dreading the morning and dreading the night,
Nearer and nearer we drift to the May time
Season of beauty and season of blight,
Leaves on the linden, and sun on the meadow,
Green in the garden, and bloom everywhere,
Gloom in my heart, and a terrible shadow,
Walks by me, sits by me, stands by my chair.


Oh, but the birds by the brooklet are cheery,
Oh, but the woods show such delicate greens,
Strange how you droop and how soon you are weary-
Too well I know what that weariness means.
But how could I know in the crisp winter weather
(Though sometimes I notices a catch in your breath),
Riding and singing and dancing together,
How could I know you were racing with death?


How could I know when we danced until morning,
And you were the gayest of all the gay crowd-
With only that shortness of breath for a warning,
How could I know that you danced for a shroud?
Whirling and whirling through moonlight and star-light,
Rocking as lightly as boats on the wave,
Down in your eyes shone a deep light-a far light,
How could I know 'twas the light to your grave?


Day by day, day by day, nearing and nearing,
Hid under greenness, and beauty and bloom,
Cometh the shape and the shadow I'm fearing,
'Over the May hill' is waiting your tomb.
The season of mirth and of music is over-
I have danced my last dance, I have sung my last song,
Under the violets, under the clover,
My heart and my love will be lying ere long.

Lost


You left me with the autumn time;
When the winter stripped the forest bare,
Then dressed it in his spotless rime;

When frosts were lurking in the air
You left me here and went away.
The winds were cold; you could not stay.

You sought a warmer clime, until
The south wind, artful maid, should break
The winter's trumpets, and should fill

The air with songs of birds; and wake
The sleeping blossoms on the plain
And make the brooks to flow again.

I thought that the winter desolate,
And all times felt a sense of loss.
I taught my longing heart to wait,


And said, 'When Spring shall come across
The hills, with blossoms in her track,
The she, our loved one, will come back.'

And now the hills with grass and moss
The spring with cunning hands has spread,
And yet I feel my grievous loss.

My heart will not be comforted,
But crieth daily, 'Where is she
You promised should come back to me? '

Oh, love! where are you? day by day
I seek to find you, but in vain.
Men point me to a grave, and say:

'There is her bed upon the plain.'
But though I see no trace of you,
I cannot thiink their words are true.

You were too sweet to wholly pass
Away from earth, and leave no trace;
You were to fair to let the grass

Grow rank and tall above your face.
Your voice, that mocked the robin's trill,
I cannot think is hushed and still.

I thought I saw your golden hair
One day, and reached to touch a strand;
I found but yellow sunbeams there


The bright rays fell aslant my hand,
And seemed to mock, with lights and shades,
The silken meshes of your braids.

Again, I thought I saw your hand
Wave, as if beckoning to me;
I found 'twas but a lily, fanned


By the cool zephyrs from the sea.
Oh, love! I find no trace of you -
I wonder if their words were true?

One day I heard a singing voice;
A burst of music, trill on trill.
It made my very soul rejoice;

My heart gave and exultant thrill.
I cried, 'Oh heart, we've found her - hush! '
But no - 'twas the silver-throated thrush.

And once I thought I saw your face,
And wild with joy I ran to you;
But found, when I had reached the place,

'Twas a blush rose, bathed in dew.
Ah, love! I think you must be dead;
And I believe the words they said.

Leudeman's-on-the-River


Toward even when the day leans down,
To kiss the upturned face of night,
Out just beyond the loud-voiced town
I know a spot of calm delight.
Like crimson arrows from a quiver
The red rays pierce the water flowing,
While we go dreaming, singing, rowing,
To Leudeman's-on-the-River.


The hills, like some glad mocking-bird,
Send back our laughter and our singing,
While faint--and yet more faint is heard
The steeple bells all sweetly ringing.
Some message did the winds deliver
To each glad heart that August night,
All heard, but all heard not aright;
By Leudeman's-on-the-River.


Night falls as in some foreign clime,
Between the hills that slope and rise.
So dusk the shades at landing time,
We could not see each other's eyes.
We only saw the moonbeams quiver
Far down upon the stream! that night
The new moon gave but little light
By Leudeman's-on-the-River.


How dusky were those paths that led
Up from the river to the hall.
The tall trees branching overhead
Invite the early shades that fall.
In all the glad blithe world, oh, never
Were hearts more free from care than when
We wandered through those walks, we ten,
By Leudeman's-on-the-River.


So soon, so soon, the changes came.
This August day we two alone,
On that same river, not the same,
Dream of a night forever flown.
Strange distances have come to sever
The hearts that gayly beat in pleasure,
Long miles we cannot cross or measure--
From Leudeman's-on-the-River.


We'll pluck two leaves, dear friend, to-day.
The green, the russet! seems it strange
So soon, so soon, the leaves can change!
Ah, me! so runs all night away
This night wind chills me, and I shiver;
The summer time is almost past.
One more good-bye--perhaps the last



To Leudeman's-on-the-River.

Finis


An idle rhyme of the summer time,
Sweet, and solemn, and tender;

Fair with the haze of the moon's pale rays,
Bright with the sunset's splendour.

Summer and beauty over the lands Careless
hours of pleasure;

A meeting of eyes and a touching of hands A
change in the floating measure.

A deeper hue in the skies of blue,
Winds from the tropics blowing;

A softer grace in the fair moons face,
And the summer going, going.

The leaves drift down, the green grows brown,
And tears with smiles are blended;

A twilight hour and a treasured flower, And
now the poem is ended.

Large Bad Picture

Remembering the Strait of Belle Isle or
some northerly harbor of Labrador,
before he became a schoolteacher
a great-uncle painted a big picture.


Receding for miles on either side
into a flushed, still sky
are overhanging pale blue cliffs
hundreds of feet high,


their bases fretted by little arches,
the entrances to caves
running in along the level of a bay
masked by perfect waves.


On the middle of that quiet floor
sits a fleet of small black ships,
square-rigged, sails furled, motionless,
their spars like burnt match-sticks.


And high above them, over the tall cliffs'
semi-translucent ranks,
are scribbled hundreds of fine black birds
hanging in n's in banks.


One can hear their crying, crying,
the only sound there is
except for occasional sizhine
as a large aquatic animal breathes.


In the pink light
the small red sun goes rolling, rolling,
round and round and round at the same height
in perpetual sunset, comprehensive, consoling,


while the ships consider it.
Apparently they have reached their destination.
It would be hard to say what brought them there,
commerce or contemplation.

Cape Breton

Out on the high "bird islands," Ciboux and Hertford,
the razorbill auks and the silly-looking puffins all stand
with their backs to the mainland
in solemn, uneven lines along the cliff's brown grass-frayed edge,
while the few sheep pastured there go "Baaa, baaa."
(Sometimes, frightened by aeroplanes, they stampede
and fall over into the sea or onto the rocks.)
The silken water is weaving and weaving,
disappearing under the mist equally in all directions,
lifted and penetrated now and then
by one shag's dripping serpent-neck,
and somewhere the mist incorporates the pulse,
rapid but unurgent, of a motor boat.


The same mist hangs in thin layers
among the valleys and gorges of the mainland
like rotting snow-ice sucked away
almost to spirit; the ghosts of glaciers drift
among those folds and folds of fir: spruce and hackmatack-dull,
dead, deep pea-cock colors,
each riser distinguished from the next
by an irregular nervous saw-tooth edge,
alike, but certain as a stereoscopic view.


The wild road clambers along the brink of the coast.
On it stand occasional small yellow bulldozers,
but without their drivers, because today is Sunday.
The little white churches have been dropped into the matted hills
like lost quartz arrowheads.
The road appears to have been abandoned.
Whatever the landscape had of meaning appears to have been abandoned,
unless the road is holding it back, in the interior,
where we cannot see,
where deep lakes are reputed to be,
and disused trails and mountains of rock
and miles of burnt forests, standing in gray scratches
like the admirable scriptures made on stones by stones-and
these regions now have little to say for themselves
except in thousands of light song-sparrow songs floating upward
freely, dispassionately, through the mist, and meshing
in brown-wet, fine torn fish-nets.


A small bus comes along, in up-and-down rushes,


packed with people, even to its step.


(On weekdays with groceries, spare automobile parts, and pump parts,


but today only two preachers extra, one carrying his frock coat on a
hanger.)


It passes the closed roadside stand, the closed schoolhouse,


where today no flag is flying


from the rough-adzed pole topped with a white china doorknob.


It stops, and a man carrying a bay gets off,


climbs over a stile, and goes down through a small steep meadow,



which establishes its poverty in a snowfall of daisies,
to his invisible house beside the water.


The birds keep on singing, a calf bawls, the bus starts.
The thin mist follows
the white mutations of its dream;
an ancient chill is rippling the dark brooks.

Spring is like a perhaps hand

Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and


changing everything carefully


spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and


without breaking anything.

in just


in Justspring
when the world is mudluscious
the little
lame balloonman
whistles far and wee


and eddieandbill come
running from marbles and
piracies and it's spring


when the world is puddle-wonderful


the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hop-scotch and jump-rope and


it's spring
and the goat-footed
balloonMan whistles
far
and
wee

Three Songs Of Shattering

I

The first rose on my rose-tree
Budded, bloomed, and shattered,
During sad days when to me
Nothing mattered.

Grief of grief has drained me clean;
Still it seems a pity
No one saw,—it must have been
Very pretty.

II

Let the little birds sing;
Let the little lambs play;
Spring is here; and so 'tis spring;—
But not in the old way!

I recall a place
Where a plum-tree grew;
There you lifted up your face,
And blossoms covered you.

If the little birds sing,
And the little lambs play,
Spring is here; and so 'tis spring—
But not in the old way!

III

All the dog-wood blossoms are underneath the tree!
Ere spring was going—ah, spring is gone!
And there comes no summer to the like of you and me,—
Blossom time is early, but no fruit sets on.

All the dog-wood blossoms are underneath the tree,
Browned at the edges, turned in a day;
And I would with all my heart they trimmed a mound for me,
And weeds were tall on all the paths that led that way!

The Spring And The Fall

In the spring of the year, in the spring of the year,
I walked the road beside my dear.
The trees were black where the bark was wet.
I see them yet, in the spring of the year.
He broke me a bough of the blossoming peach
That was out of the way and hard to reach.


In the fall of the year, in the fall of the year,
I walked the road beside my dear.
The rooks went up with a raucous trill.
I hear them still, in the fall of the year.
He laughed at all I dared to praise,
And broke my heart, in little ways.


Year be springing or year be falling,
The bark will drip and the birds be calling.
There's much that's fine to see and hear
In the spring of a year, in the fall of a year.
'Tis not love's going hurt my days.
But that it went in little ways.

The Goose-Girl

Spring rides no horses down the hill,
But comes on foot, a goose-girl still.
And all the loveliest things there be
Come simply, so, it seems to me.
If ever I said, in grief or pride,
I tired of honest things, I lied:
And should be cursed forevermore
With Love in laces, like a whore,
And neighbours cold, and friends unsteady,
And Spring on horseback, like a lady!

The Death Of Autumn

When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,—
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again,—but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn!—What is the Spring to me?

Spring


To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

Sonnet 03: Mindful Of You The Sodden Earth In Spring

Mindful of you the sodden earth in spring,
And all the flowers that in the springtime grow,
And dusty roads, and thistles, and the slow

Rising of the round moon, all throats that sing

The summer through, and each departing wing,
And all the nests that the bared branches show,
And all winds that in any weather blow,

And all the storms that the four seasons bring.

You go no more on your exultant feet
Up paths that only mist and morning knew,
Or watch the wind, or listen to the beat
Of a bird's wings too high in air to view,—
But you were something more than young and sweet
And fair,—and the long year remembers you.

Song Of A Second April

April this year, not otherwise
Than April of a year ago,
Is full of whispers, full of sighs,
Of dazzling mud and dingy snow;
Hepaticas that pleased you so
Are here again, and butterflies.


There rings a hammering all day,
And shingles lie about the doors;
In orchards near and far away
The grey wood-pecker taps and bores;
The men are merry at their chores,
And children earnest at their play.


The larger streams run still and deep,
Noisy and swift the small brooks run
Among the mullein stalks the sheep
Go up the hillside in the sun,
Pensively,—only you are gone,
You that alone I cared to keep.