Desire

Unholy Trinity

Though Virtue hurt you Vice is nice;
Aye, Parson says it's wrong,
Yet for my pleasing I'll suffice
With Women, Wine and Song.
But though it be with jocund glee
my tavern voice is ringing,
Had I to chuck on of the three,
By gad! I'd give up singing.


Bu not the vine. What draught divine
Could better souse my throttle?
God never meant that mellow wine
Should languish in the bottle.
So Cellerman, your best bring up;
Let silver cobwebs mist it;
When gold or ruby brims the cup,
Could even saint resist it?


I love the ladies, yes, I do,
I always did and will;
I like with dainty dames to coo,
And have been known to bill.
Yes, I agree it's wrong of me,
So call me grey rapscallion,
But when a lusty lass I see
I whinny like a stallion.


Oh let me be a reprobate,
Your canting care defying;
I'll court that gay triumvirate
Right to the day I'm dying.
So troll until the rafter rings,
And may my life be long
To praise the Lord for precious things
like Women, Wine and Song.

Treat 'Em Rough

First time I dared propose,
A callow lad was I;
I donned my Sunday clothes,
I wore my Old School Tie.
Awaiting me Louise
Was dolled to beat the band,
So going on my knees
I begged her hand.

Oh yes, she gave me her hand,-A
box upon the ear;
I could not understand,
I blinked away a tear.
Then scornfully she said:
'Next time you kneel before
A maid, young man don't spread
Your hankey on the floor.'

So next time I proposed,
Thinks I, I'll treat 'em rough.
Her name was Lily Rose,
I gave her he-man stuff.
I yanked her on my knee,
And as her ear I bit,
To my amazement she
Seemed to like it.

The old cave-men knew best;
Grab girlies by the hair,
And though they may protest
Drag them into your lair.
So young men seeking mates,
Take my tip, if rejected:
A modern maid just hates
To be respected.

The Woman And The Angel

An angel was tired of heaven, as he lounged in the golden street;
His halo was tilted sideways, and his harp lay mute at his feet;
So the Master stooped in His pity, and gave him a pass to go,
For the space of a moon, to the earth-world, to mix with the men below.


He doffed his celestial garments, scarce waiting to lay them straight;
He bade good by to Peter, who stood by the golden gate;
The sexless singers of heaven chanted a fond farewell,
And the imps looked up as they pattered on the red-hot flags of hell.


Never was seen such an angel -- eyes of heavenly blue,
Features that shamed Apollo, hair of a golden hue;
The women simply adored him; his lips were like Cupid's bow;
But he never ventured to use them -- and so they voted him slow.


Till at last there came One Woman, a marvel of loveliness,
And she whispered to him: "Do you love me?" And he answered that woman, "Yes."
And she said: "Put your arms around me, and kiss me, and hold me -- so --"
But fiercely he drew back, saying: "This thing is wrong, and I know."


Then sweetly she mocked his scruples, and softly she him beguiled:
"You, who are verily man among men, speak with the tongue of a child.
We have outlived the old standards; we have burst, like an over-tight thong,
The ancient, outworn, Puritanic traditions of Right and Wrong."


Then the Master feared for His angel, and called him again to His side,
For oh, the woman was wondrous, and oh, the angel was tried!
And deep in his hell sang the Devil, and this was the strain of his song:
"The ancient, outworn, Puritanic traditions of Right and Wrong."

Roulette


I'll wait until my money's gone
Before I take the sleeping pills;
Then when they find me in the dawn,
Remote from earthly ails and ills
They'll say: "She's broke, the foreign bitch!"
And dump me in the common ditch.


So thought I, of all hope bereft,
And by my evil fate obsessed;
A thousand franks was all I'd left
Of that fair fortune I possessed.
...I throw it on the table there,
And wait, with on my lips a prayer.


I fear my very life's at stake;
My note is lying on the Red . . .
I know I'll lose it, then I'll take
My pills and sleep until I'm dead . . .
Oh God of mercy, understand!
In pity guide the croupier's hand.


My heart beats hard, my lips are dry;
I feel I cannot bear to look.
I dread to hear the croupier's cry,
I'll sit down in this quiet nook.
The lights go dim, my senses reel . . .
See! Jesus Christ is at the wheel.


* * * * * * *

Kind folks arouse me from my trance.
"The Red has come ten times," they say.
"Oh do not risk another chance;
Please, Lady, take your gains away,
And to the Lord of Luck give thanks You've
won nigh half a million franks."


Aye, call me just a daft old dame;
I knit and sew to make my bread,
And nevermore I'll play that game,
For I've a glory in my head. . . .
Ah well I know, to stay my fall,
'Twas our dear Lord who spun the ball.

Gipsy


The poppies that in Spring I sow,
In rings of radiance gleam and glow,
Like lords and ladies gay.
A joy are they to dream beside,
As in the air of eventide
They flutter, dip and sway.


For some are scarlet, some are gold,
While some in fairy flame unfold,
And some are rose and white.
There's pride of breeding in their glance,
And pride of beauty as they dance
Cotillions of delight.


Yet as I lift my eyes I see
Their swarthy kindred wild and free.
Who flaunt it in the field.
"Begone, you Romanies!" I say,
"Lest you defile this bright array
Whose loveliness I shield."


My poppies are a sheen of light;
They take with ecstasy the sight,
And hold the heart elate . . . .
Yet why do I so often turn
To where their outcast brothers burn
With passion at my gate?


My poppies are my joy and pride;
Yet wistfully I gaze outside
To where their sisters yearn;
Their blowzy crimson cups afire,
Their lips aflutter with desire
To give without return.


My poppies dance a minuet;
Like courtiers in silk they set
My garden all aglow . . . .
Yet O the vagrants at my gate!
The gipsy trulls who peer and wait! . . .
Calling the heart they know.

Frustration


Gazing to gold seraph wing,
With wistful wonder in my eyes,
A blue-behinded ape, I swing
Upon the palms of Paradise.


A parakeet of gaudy hue
Upon a flame tree smugly rocks;
Oh, we're a precious pair, we two,
I gibber while the parrot squawks.


"If I had but your wings," I sigh,
"How ardently would I aspire
To soar celestially high
And mingle with yon angel choir."


His beady eye is bitter hard;
Right mockingly he squints at me;
As critic might review a bard
His scorn is withering to see.


And as I beat my brest and howl,
"Poor fool," he shrills, my bliss to wreck.
So . . . so I steal behind that fowl
And grab his claw and screw his neck.


And swift his scarlet wings I tear;
Seeking to soar, with hope divine,
I frantically beat the air,
And crash to earth and - snap my spine.


Yet as I lie with shaken breaths
Of pain I watch my seraph throng. . . .
Oh, I would die a dozen deaths
Could I but sing one deathless song!

Confetti In The Wind

He wrote a letter in his mind
To answer one a maid had sent;
He sought the fitting word to find,
As on by hill and rill he went.
By bluebell wood and hawthorn lane,
The cadence sweet and silken phrase
He incubated in his brain
For days and days.

He wrote his letter on a page
Of paper with a satin grain;
It did not ring, so in a rage
He tore it up and tried again.
Time after time he drafted it;
He polished it all through the night;
He tuned and pruned till bit by bit
He got it right.

He took his letter to the post,
Yet long he held it in his hand.
Strangely his mood had veered, almost
Reversed,--he could not understand.
The girl was vague, the words were vain;
April romance had come to grief . . .
He tore his letter up again,-Oh
blest relief!

A Bachelor

'Why keep a cow when I can buy,'
Said he, 'the milk I need,'
I wanted to spit in his eye
Of selfishness and greed;
But did not, for the reason he
Was stronger than I be.

I told him: ''Tis our human fate,
For better or for worse,
That man and maid should love and mate,
And little children nurse.
Of course, if you are less than man
You can't do what we can.

'So many loving maids would wed,
And wondrous mothers be.'
'I'll buy the love I want,' he said,
'No squally brats for me.'
. . . I hope the devil stoketh well
For him a special hell.

"?"


If you had the choice of two women to wed,
(Though of course the idea is quite absurd)
And the first from her heels to her dainty head
Was charming in every sense of the word:
And yet in the past (I grieve to state),
She never had been exactly "straight".


And the second -- she was beyond all cavil,
A model of virtue, I must confess;
And yet, alas! she was dull as the devil,
And rather a dowd in the way of dress;
Though what she was lacking in wit and beauty,
She more than made up for in "sense of duty".


Now, suppose you must wed, and make no blunder,
And either would love you, and let you win her --
Which of the two would you choose, I wonder,
The stolid saint or the sparkling sinner?

Still I Love To Rhyme
STILL I love to rhyme, and still more, rhyming, to wander
Far from the commoner way;
Old-time trills and falls by the brook-side still do I ponder,
Dreaming to-morrow to-day.
Come here, come, revive me, Sun-God, teach me, Apollo,
Measures descanted before;
Since I ancient verses, I emulous follow,
Prints in the marbles of yore.
Still strange, strange, they sound in old-young raiment invested,
Songs for the brain to forget -
Young song-birds elate to grave old temples benested
Piping and chirruping yet.
Thoughts? No thought has yet unskilled attempted to flutter
Trammelled so vilely in verse;
He who writes but aims at fame and his bread and his butter,
Won with a groan and a curse.

Ne Sit Ancillae Tibi Amor Pudor
THERE'S just a twinkle in your eye
That seems to say I MIGHT, if I
Were only bold enough to try
An arm about your waist.
I hear, too, as you come and go,
That pretty nervous laugh, you know;
And then your cap is always so
Coquettishly displaced.
Your cap! the word's profanely said.
That little top-knot, white and red,
That quaintly crowns your graceful head,
No bigger than a flower,
Is set with such a witching art,
Is so provocatively smart,
I'd like to wear it on my heart,
An order for an hour!
O graceful housemaid, tall and fair,
I love your shy imperial air,
And always loiter on the stair
When you are going by.
A strict reserve the fates demand;
But, when to let you pass I stand,
Sometimes by chance I touch your hand
And sometimes catch your eye.

Putting In The Seed
You come to fetch me from my work to-night
When supper's on the table, and we'll see
If I can leave off burying the white
Soft petals fallen from the apple tree
(Soft petals, yes, but not so barren quite,
Mingled with these, smooth bean and wrinkled pea);
And go along with you ere you lose sight
Of what you came for and become like me,
Slave to a Springtime passion for the earth.
How Love burns through the Putting in the Seed
On through the watching for that early birth
When, just as the soil tarnishes with weed,
The sturdy seedling with arched body comes
Shouldering its way and shedding the earth crumbs.

A Line-Storm Song
The line-storm clouds fly tattered and swift,
The road is forlorn all day,
Where a myriad snowy quartz stones lift,
And the hoof-prints vanish away.
The roadside flowers, too wet for the bee,
Expend their bloom in vain.
Come over the hills and far with me,
And be my love in the rain.
The birds have less to say for themselves
In the wood-world’s torn despair
Than now these numberless years the elves,
Although they are no less there:
All song of the woods is crushed like some
Wild, easily shattered rose.
Come, be my love in the wet woods; come,
Where the boughs rain when it blows.
There is the gale to urge behind
And bruit our singing down,
And the shallow waters aflutter with wind
From which to gather your gown.
What matter if we go clear to the west,
And come not through dry-shod?
For wilding brooch shall wet your breast
The rain-fresh goldenrod.
Oh, never this whelming east wind swells
But it seems like the sea’s return
To the ancient lands where it left the shells
Before the age of the fern;
And it seems like the time when after doubt
Our love came back amain.
Oh, come forth into the storm and rout
And be my love in the rain.

Tibbie Dunbar
O, wilt thou go wi' me,
Sweet Tibbie Dunbar?
O, wilt thou go wi' me,
Sweet Tibbie Dunbar?
Wilt thou ride on a horse,
Or be drawn in a car,
Or walk by my side,
O sweet Tibbie Dunbar?
I care na thy daddie,
His lands and his money,
I care na thy kin
Sae high and sae lordly;
But say thou wilt ha'e me
For better for waur—
And come in thy coatie,
Sweet Tibbie Dunbar!

The Lass That Made the Bed to Me
When Januar' wind was blawing cauld,
As to the north I took my way,
The mirksome night did me enfauld,
I knew na whare to lodge till day:
By my gude luck a maid I met,
Just in the middle o' my care,
And Kindly she did me invite
To walk into a chamber fair.
I bow'd fu' low unto this maid,
And thank'd her for her courtesie;
I bow'd fu' low unto this maid,
An bade her make a bed to me;
She made the bed baith large and wide,
Wi' twa white hands she spread it doun;
She put the cup to her rosy lips,
And drank - "Young man, now sleep ye soun'."
Chorus - The bonie lass made the bed to me,
The braw lass made the bed to me,
I'll ne'er forget till the day I die,
The lass that made the bed to me.
She snatch'd the candle in her hand,
And frae my chamber went wi' speed;
But I call'd her quickly back again,
To lay some mair below my head:
A cod she laid below my head,
And served me with due respect,
And, to salute her wi' a kis,
I put my arms about her neck.
Chorus: -...
"Haud aff your hands, young man! she said,
"And dinna sae uncivil be;
Gif ye hae ony luve for me,
O wrang ma my virginitie."
Her hair was like the links o' gowd,
Her teeth were like the ivorie,
Her cheeks like lilies dipt in wine,
The lass that made the bed to me.
Chorus: -...
Her bosom was the driven snaw,
Twa drifted heaps sae fair to see;
Her limbs the polish'd marble stane,
The lass that made the bed to me.
I kiss'd her o'er and o'er again,
And aye she wist na what to say:
I laid her 'tween me and the wa';


The lassie thocht na lang till day.
Chorus: -...
Upon the morrow when we raise,
I thank'd her for her courtesie;
But aye she blush'd and aye she sigh'd,
And said, "Alas, ye've ruin'd me."
I clasp'd her waist, and kiss'd her syne,
While the tear stood twinklin' in her e'e;
I said, "My lassie, dinna cry,
For ye aye shall make the bed to me."
Chorus: - ...
She took her mither's holland sheets,
An' made them a' in sarks to me;
Blythe and merry may she be,
The lass that made the bed to me.
Chorus: -...

On A Bank Of Flowers
On a bank of flowers in a summer day
For summer lightly drest,
The youthful, blooming Nelly lay,
With love and sleep opprest;
When Willie, wand'ring thro the wood
Who for her favour oft had suedÑ
He gaz'd, he wish'd He fear'd, he blush'd
And trembled where he stood.
Her closèd eyes, like weapons sheath'd,
Were sealed in soft repose;
Her lips, still as she fragrant breath'd,
It richer dyed the rose.
The springing lilies, sweetly Crest,
Wild-wanton kissed her rival breast:
He gaz'd, he wish'd, He fear'd he blush'd
His bosom ill at rest.
Her robes, light-waving in the breeze,
Her tender limbs embrace;
Her lovely form, her native ease,
All harmony and grace.
Tumultuous tides his pulses roll,
A faltering, ardent kiss he stole;
He gaz'd, he wish'd, He fear'd, he blush'd,
And sigh'd his very soul.
As flies the partridge from the brake
On fear-inspired wings
So Nelly starting, half-awake
Away affrighted springs.
But Willie, follow'd---as he should
He overtook her in the wood;
He vow'd, he pray'd, He found the maid
Forgiving all, and good.

Montgomerie's Peggy
Tune - "Galla Water."
Altho' my bed were in yon muir,
Amang the heather, in my plaidie;
Yet happy, happy would I be,
Had I my dear Montgomerie's Peggy.
When o'er the hill beat surly storms,
And winter nights were dark and rainy;
I'd seek some dell, and in my arms
I'd shelter dear Montgomerie's Peggy.
Were I a baron proud and high,
And horse and servants waiting ready;
Then a' 'twad gie o' joy to me, -
The sharin't with Montgomerie's Peggy.

Lass That Made the Bed to Me, The
When Januar' wind was blawing cauld,
As to the north I took my way,
The mirksome night did me enfauld,
I knew na whare to lodge till day:
By my gude luck a maid I met,
Just in the middle o' my care,
And Kindly she did me invite
To walk into a chamber fair.
I bow'd fu' low unto this maid,
And thank'd her for her courtesie;
I bow'd fu' low unto this maid,
An bade her make a bed to me;
She made the bed baith large and wide,
Wi' twa white hands she spread it doun;
She put the cup to her rosy lips,
And drank - "Young man, now sleep ye soun'."
Chorus - The bonie lass made the bed to me,
The braw lass made the bed to me,
I'll ne'er forget till the day I die,
The lass that made the bed to me.
She snatch'd the candle in her hand,
And frae my chamber went wi' speed;
But I call'd her quickly back again,
To lay some mair below my head:
A cod she laid below my head,
And served me with due respect,
And, to salute her wi' a kis,
I put my arms about her neck.
Chorus: -...
"Haud aff your hands, young man! she said,
"And dinna sae uncivil be;
Gif ye hae ony luve for me,
O wrang ma my virginitie."
Her hair was like the links o' gowd,
Her teeth were like the ivorie,
Her cheeks like lilies dipt in wine,
The lass that made the bed to me.
Chorus: -...
Her bosom was the driven snaw,
Twa drifted heaps sae fair to see;
Her limbs the polish'd marble stane,
The lass that made the bed to me.
I kiss'd her o'er and o'er again,
And aye she wist na what to say:
I laid her 'tween me and the wa';


The lassie thocht na lang till day.
Chorus: -...
Upon the morrow when we raise,
I thank'd her for her courtesie;
But aye she blush'd and aye she sigh'd,
And said, "Alas, ye've ruin'd me."
I clasp'd her waist, and kiss'd her syne,
While the tear stood twinklin' in her e'e;
I said, "My lassie, dinna cry,
For ye aye shall make the bed to me."
Chorus: - ...
She took her mither's holland sheets,
An' made them a' in sarks to me;
Blythe and merry may she be,
The lass that made the bed to me.
Chorus: -...

Green Grow The Rashes
Green grow the rashes, O!
Green grow the rashes, O!
The sweetest hours that e'er I spend,
Are spent amang the lasses, O!
There's nought but care on every han'
In every hour that passes, O;
What signifies the life o' man,
An 'twere na for the lasses, O?
The warl'ly race may riches chase,
An' riches still may fly them, O;
An' though at last they catch them fast,
Their hearts can ne'er enjoy them, O.
But gi'e me a canny hour at e'en,
My arms about my dearie, O,
An' warl'ly cares an' warl'ly men
May a' gae tapsalteerie, O!
For you sae douce, ye sneer at this,
Ye're nought but senseless asses, O;
The wisest man the warl' e'er saw,
He dearly loved the lasses, O.
Auld Nature swears the lovely dears
Her noblest work she classes, O;
Her 'prentice han' she tried on man,
An' then she made the lasses, O.

Anna
Yestreen I had a pint o' wine,
A place where body saw na;
Yestreen lay on this breast o' mine
The gowden locks of Anna.
The hungry Jew in wilderness
Rejoicing o'er his manna
Was naething to my hiney bliss
Upon the lips of Anna.
Ye Monarchs take the East and West
Frae Indus to Savannah:
Gie me within my straining grasp
The melting form of Anna!
There I'll despise Imperial charms,
An empress or sultana,
While dying raptures in her arms,
I give an' take wi' Anna!
Awa, thou flaunting God of Day!
Awa, thou pale Diana!
Ilk star, gae hide thy twinkling ray,
When I'm to meet my Anna!
Come, in thy raven plumage, Night
(Sun, Moon, and Stars, withdrawn a')
And bring an Angel-pen to write
My transports with my Anna!
The Kirk an State may join, an tell
To do sic things I maunna:
The Kirk an State may gae to Hell,
And I'll gae to my Anna.
She is the sunshine o' my e'e,
To live but her I canna:
Had I on earth but wishes three,
The first should be my Anna.

Women And Roses
I.
I dream of a red-rose tree.
And which of its roses three
Is the dearest rose to me?
II.
Round and round, like a dance of snow
In a dazzling drift, as its guardians, go
Floating the women faded for ages,
Sculptured in stone, on the poet's pages.
Then follow women fresh and gay,
Living and loving and loved to-day.
Last, in the rear, flee the multitude of maidens,
Beauties yet unborn. And all, to one cadence,
They circle their rose on my rose tree.
III.
Dear rose, thy term is reached,
Thy leaf hangs loose and bleached:
Bees pass it unimpeached.
IV.
Stay then, stoop, since I cannot climb,
You, great shapes of the antique time!
How shall I fix you, fire you, freeze you,
Break my heart at your feet to please you?
Oh, to possess and be possessed!
Hearts that beat 'neath each pallid breast!
Once but of love, the poesy, the passion,
Drink but once and die!---In vain, the same fashion,
They circle their rose on my rose tree.
V.
Dear rose, thy joy's undimmed,
Thy cup is ruby-rimmed,
Thy cup's heart nectar-brimmed.
VI.
Deep, as drops from a statue's plinth
The bee sucked in by the hyacinth,
So will I bury me while burning,
Quench like him at a plunge my yearning,
Eyes in your eyes, lips on your lips!
Fold me fast where the cincture slips,
Prison all my soul in eternities of pleasure,
Girdle me for once! But no---the old measure,


They circle their rose on my rose tree.
VII.
Dear rose without a thorn,
Thy bud's the babe unborn:
First streak of a new morn.
VIII.
Wings, lend wings for the cold, the clear!
What is far conquers what is near.
Roses will bloom nor want beholders,
Sprung from the dust where our flesh moulders.
What shall arrive with the cycle's change?
A novel grace and a beauty strange.
I will make an Eve, be the artist that began her,
Shaped her to his mind!---Alas! in like manner
They circle their rose on my rose tree.

Two In The Campagna
.
I wonder do you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?
II.
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.
III.
Help me to hold it! First it left
The yellowing fennel,<*> run to seed
There, branching from the brickwork's cleft,
Some old tomb's ruin: yonder weed
Took up the floating wet,
IV.
Where one small orange cup amassed
Five beetles,---blind and green they grope
Among the honey-meal: and last,
Everywhere on the grassy slope
I traced it. Hold it fast!
V.
The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,
An everlasting wash of air---
Rome's ghost since her decease.
VI.
Such life here, through such lengths of hours,
Such miracles performed in play,
Such primal naked forms of flowers,
Such letting nature have her way
While heaven looks from its towers!
VII.
How say you? Let us, O my dove,
Let us be unashamed of soul,


As earth lies bare to heaven above!
How is it under our control
To love or not to love?
VIII.
I would that you were all to me,
You that are just so much, no more.
Nor yours nor mine, nor slave nor free!
Where does the fault lie? What the core
O' the wound, since wound must be?
IX.
I would I could adopt your will,
See with your eyes, and set my heart
Beating by yours, and drink my fill
At your soul's springs,---your part my part
In life, for good and ill.
X.
No. I yearn upward, touch you close,
Then stand away. I kiss your cheek,
Catch your soul's warmth,---I pluck the rose
And love it more than tongue can speak---
Then the good minute goes.
XI.
Already how am I so far
Out of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?
XII.
Just when I seemed about to learn!
Where is the thread now? Off again!
The old trick! Only I discern---
Infinite passion, and the pain
Of finite hearts that yearn.
* Herb with yellow flowers and seeds supposed
* to be medicinal.

The Statue and the Bust
There's a palace in Florence, the world knows well,
And a statue watches it from the square,
And this story of both do our townsmen tell.
Ages ago, a lady there,
At the farthest window facing the East,
Asked, "Who rides by with the royal air?"
The bridesmaids' prattle around her ceased;
She leaned forth, one on either hand;
They saw how the blush of the bride increased --
They felt by its beats her heart expand --
As one at each ear and both in a breath
Whispered, "The Great-Duke Ferdinand."
That self-same instant, underneath,
The Duke rode past in his idle way,
Empty and fine like a swordless sheath.
Gay he rode, with a friend as gay,
Till he threw his head back -- "Who is she?"
-- "A bride the Riccardi brings home today."
Hair in heaps lay heavily
Over a pale brow spirit-pure --
Carved like the heart of the coal-black tree,
Crisped like a war-steed's encolure --
And vainly sought to dissemble her eyes
Of the blackest black our eyes endure.
And lo, a blade for a knight's emprise
Filled the fine empty sheath of a man, --
The Duke grew straightway brave and wise.
He looked at her, as a lover can;
She looked at him, as one who awakes:
The past was a sleep, and their life began.
Now, love so ordered for both their sakes,
A feast was held that selfsame night
In the pile which the mighty shadow makes.
(For Via Larga is three-parts light,
But the palace overshadows one,
Because of a crime which may God requite!
To Florence and God the wrong was done,
Through the first republic's murder there
By Cosimo and his cursèd son.)


The Duke (with the statue's face in the square)
Turned in the midst of his multitude
At the bright approach of the bridal pair.
Face to face the lovers stood
A single minute and no more,
While the bridegroom bent as a man subdued --
Bowed till his bonnet brushed the floor --
For the Duke on the lady a kiss conferred,
As the courtly custom was of yore.
In a minute can lovers exchange a word?
If a word did pass, which I do not think,
Only one out of the thousand heard.
That was the bridegroom. At day's brink
He and his bride were alone at last
In a bedchamber by a taper's blink.
Calmly he said that her lot was cast,
That the door she had passed was shut on her
Till the final catafalque repassed.
The world meanwhile, its noise and stir,
Through a certain window facing the East,
She could watch like a convent's chronicler.
Since passing the door might lead to a feast,
And a feast might lead to so much beside,
He, of many evils, chose the least.
"Freely I choose too," said the bride --
"Your window and its world suffice,"
Replied the tongue, while the heart replied --
"If I spend the night with that devil twice,
May his window serve as my loop of hell
Whence a damned soul looks on paradise!
"I fly to the Duke who loves me well,
Sit by his side and laugh at sorrow
Ere I count another ave-bell.
"'Tis only the coat of a page to borrow,
And tie my hair in a horse-boy's trim,
And I save my soul -- but not tomorrow" --
(She checked herself and her eye grew dim)
"My father tarries to bless my state:
I must keep it one day more for him.


"Is one day more so long to wait?
Moreover the Duke rides past, I know;
We shall see each other, sure as fate."
She turned on her side and slept. Just so!
So we resolve on a thing and sleep:
So did the lady, ages ago.
That night the Duke said, "Dear or cheap
As the cost of this cup of bliss may prove
To body or soul, I will drain it deep."
And on the morrow, bold with love,
He beckoned the bridegroom (close on call,
As his duty bade, by the Duke's alcove)
And smiled "'Twas a very funeral,
Your lady will think, this feast of ours, --
A shame to efface, whate'er befall!
"What if we break from the Arno bowers,
And try if Petraja, cool and green,
Cure last night's fault with this morning's flowers?"
The bridegroom, not a thought to be seen
On his steady brow and quiet mouth,
Said, "Too much favour for me so mean!
"But, alas! my lady leaves the South;
Each wind that comes from the Apennine
Is a menace to her tender youth:
"Nor a way exists, the wise opine,
If she quits her palace twice this year,
To avert the flower of life's decline."
Quoth the Duke, "A sage and a kindly fear.
Moreover Petraja is cold this spring:
Be our feast tonight as usual here!"
And then to himself -- "Which night shall bring
Thy bride to her lover's embraces, fool --
Or I am the fool, and thou art the king!
"Yet my passion must wait a night, nor cool --
For tonight the Envoy arrives from France
Whose heart I unlock with thyself, my tool.
"I need thee still and might miss perchance.
Today is not wholly lost, beside,
With its hope of my lady's countenance:


"For I ride -- what should I do but ride?
And passing her palace, if I list,
May glance at its window -- well betide!"
So said, so done: nor the lady missed
One ray that broke from the ardent brow,
Nor a curl of the lips where the spirit kissed.
Be sure that each renewed the vow,
No morrow's sun should arise and set
And leave them then as it left them now.
But next day passed, and next day yet,
With still fresh cause to wait one day more
Ere each leaped over the parapet.
And still, as love's brief morning wore,
With a gentle start, half smile, half sigh,
They found love not as it seemed before.
They thought it would work infallibly,
But not in despite of heaven and earth:
The rose would blow when the storm passed by.
Meantime they could profit in winter's dearth
By store of fruits that supplant the rose:
The world and its ways have a certain worth:
And to press a point while these oppose
Were simple policy; better wait:
We lose no friends and we gain no foes.
Meantime, worse fates than a lover's fate,
Who daily may ride and pass and look
Where his lady watches behind the grate!
And she -- she watched the square like a book
Holding one picture and only one,
Which daily to find she undertook:
When the picture was reached the book was done,
And she turned from the picture at night to scheme
Of tearing it out for herself next sun.
So weeks grew months, years; gleam by gleam
The glory dropped from their youth and love,
And both perceived they had dreamed a dream;
Which hovered as dreams do, still above:
But who can take a dream for a truth?
Oh, hide our eyes from the next remove!


One day as the lady saw her youth
Depart, and the silver thread that streaked
Her hair, and, worn by the serpent's tooth,
The brow so puckered, the chin so peaked, --
And wondered who the woman was,
Hollow-eyed and haggard-cheeked,
Fronting her silent in the glass --
"Summon here," she suddenly said,
"Before the rest of my old self pass,
"Him, the Carver, a hand to aid,
Who fashions the clay no love will change,
And fixes a beauty never to fade.
"Let Robbia's craft so apt and strange
Arrest the remains of young and fair,
And rivet them while the seasons range.
"Make me a face on the window there,
Waiting as ever, mute the while,
My love to pass below in the square!
"And let me think that it may beguile
Dreary days which the dead must spend
Down in their darkness under the aisle,
"To say, 'What matters it at the end?
I did no more while my heart was warm
Than does that image, my pale-faced friend.'
"Where is the use of the lip's red charm,
The heaven of hair, the pride of the brow,
And the blood that blues the inside arm --
"Unless we turn, as the soul knows how,
The earthly gift to an end divine?
A lady of clay is as good, I trow."
But long ere Robbia's cornice, fine,
With flowers and fruits which leaves enlace,
Was set where now is the empty shrine --
(And, leaning out of a bright blue space,
As a ghost might lean from a chink of sky,
The passionate pale lady's face --
Eyeing ever, with earnest eye
And quick-turned neck at its breathless stretch,
Some one who ever is passing by --)
The Duke had sighed like the simplest wretch


In Florence, "Youth -- my dream escapes!
Will its record stay?" And he bade them fetch
Some subtle moulder of brazen shapes --
"Can the soul, the will, die out of a man
Ere his body find the grave that gapes?
"John of Douay shall effect my plan,
Set me on horseback here aloft,
Alive, as the crafty sculptor can,
"In the very square I have crossed so oft:
That men may admire, when future suns
Shall touch the eyes to a purpose soft,
"While the mouth and the brow stay brave in bronze --
Admire and say, 'When he was alive
How he would take his pleasure once!'
"And it shall go hard but I contrive
To listen the while, and laugh in my tomb
At idleness which aspires to strive."
So! While these wait the trump of doom,
How do their spirits pass, I wonder,
Nights and days in the narrow room?
Still, I suppose, they sit and ponder
What a gift life was, ages ago,
Six steps out of the chapel yonder.
Only they see not God, I know,
Nor all that chivalry of his,
The soldier-saints who, row on row,
Burn upward each to his point of bliss --
Since, the end of life being manifest,
He had burned his way through the world to this.
I hear you reproach, "But delay was best,
For their end was a crime." -- Oh, a crime will do
As well, I reply, to serve for a test,
As a virtue golden through and through,
Sufficient to vindicate itself
And prove its worth at a moment's view!
Must a game be played for the sake of pelf?
Where a button goes, 'twere an epigram
To offer the stamp of the very Guelph.


The true has no value beyond the sham:
As well the counter as coin, I submit,
When your table's a hat, and your prize a dram.
Stake your counter as boldly every whit,
Venture as warily, use the same skill,
Do your best, whether winning or losing it,
If you choose to play! -- is my principle.
Let a man contend to the uttermost
For his life's set prize, be it what it will!
The counter our lovers staked was lost
As surely as if it were lawful coin:
And the sin I impute to each frustrate ghost
Is -- the unlit lamp and the ungirt loin,
Though the end in sight was a vice, I say.
You of the virtue (we issue join)
How strive you? De te, fabula.

Song
I.
Nay but you, who do not love her,
Is she not pure gold, my mistress?
Holds earth aught---speak truth---above her?
Aught like this tress, see, and this tress,
And this last fairest tress of all,
So fair, see, ere I let it fall?
II.
Because, you spend your lives in praising;
To praise, you search the wide world over:
Then why not witness, calmly gazing,
If earth holds aught---speak truth---above her?
Above this tress, and this, I touch
But cannot praise, I love so much!