Desire

The Ripest Peach

The ripest peach is highest on the tree --
And so her love, beyond the reach of me,
Is dearest in my sight. Sweet breezes, bow
Her heart down to me where I worship now!


She looms aloft where every eye may see
The ripest peach is highest on the tree.
Such fruitage as her love I know, alas!
I may not reach here from the orchard grass.


I drink the sunshine showered past her lips
As roses drain the dewdrop as it drips.
The ripest peach is highest on the tree,
And so mine eyes gaze upward eagerly.


Why -- why do I not turn away in wrath
And pluck some heart here hanging in my path? -Love's
lower boughs bend with them -- but, ah me!
The ripest peach is highest on the tree!

The Quest

I am looking for Love. Has he passed this way,
With eyes as blue as the skies of May,
And a face as fair as the summer dawn?--
You answer back, but I wander on,--
For you say: 'Oh, yes; but his eyes were gray,
And his face as dim as a rainy day.'


Good friends, I query, I search for Love;
His eyes are as blue as the skies above,
And his smile as bright as the midst of May
When the truce-bird pipes: Has he passed this way?
And one says: 'Ay; but his face, alack!
Frowned as he passed, and his eyes were black.'


O who will tell me of Love? I cry!
His eyes are as blue as the mid-May sky,
And his face as bright as the morning sun;
And you answer and mock me, every one,
That his eyes were dark, and his face was wan,
And he passed you frowning and wandered on.


But stout of heart will I onward fare,
Knowing _my_ Love is beyond--somewhere,--
The Love I seek, with the eyes of blue,
And the bright, sweet smile unknown of you;
And on from the hour his trail is found
I shall sing sonnets the whole year round.

The Lost Thrill

I grow so weary, someway, of all things
That love and loving have vouchsafed to me,
Since now all dreamed-of sweets of ecstasy
Am I possessed of: The caress that clings—
The lips that mix with mine with murmurings
No language may interpret, and the free,
Unfettered brood of kisses, hungrily
Feasting in swarms on honeyed blossomings
Of passion's fullest flower—For yet I miss
The essence that alone makes love divine—
The subtle flavoring no tang of this
Weak wine of melody may here define:—
A something found and lost in the first kiss
A lover ever poured through lips of mine.

My Bride That Is To Be

O soul of mine, look out and see
My bride, my bride that is to be!
Reach out with mad, impatient hands,
And draw aside futurity
As one might draw a veil aside--
And so unveil her where she stands
Madonna-like and glorified--
The queen of undiscovered lands
Of love, to where she beckons me--
My bride--my bride that is to be.

The shadow of a willow-tree
That wavers on a garden-wall
In summertime may never fall
In attitude as gracefully
As my fair bride that is to be;--
Nor ever Autumn's leaves of brown
As lightly flutter to the lawn
As fall her fairy-feet upon
The path of love she loiters down.-O'er
drops of dew she walks, and yet
Not one may stain her sandal wet--
Aye, she might _dance_ upon the way
Nor crush a single drop to spray,
So airy-like she seems to me,--
My bride, my bride that is to be.

I know not if her eyes are light
As summer skies or dark as night,--
I only know that they are dim
With mystery: In vain I peer
To make their hidden meaning clear,
While o'er their surface, like a tear
That ripples to the silken brim,
A look of longing seems to swim
All worn and wearylike to me;
And then, as suddenly, my sight
Is blinded with a smile so bright,
Through folded lids I still may see
My bride, my bride that is to be.

Her face is like a night of June
Upon whose brow the crescent-moon
Hangs pendant in a diadem
Of stars, with envy lighting them.--
And, like a wild cascade, her hair
Floods neck and shoulder, arm and wrist,
Till only through a gleaming mist
I seem to see a siren there,
With lips of love and melody
And open arms and heaving breast
Wherein I fling myself to rest,


The while my heart cries hopelessly
For my fair bride that is to be....

Nay, foolish heart and blinded eyes!
My bride hath need of no disguise.--
But, rather, let her come to me
In such a form as bent above
My pillow when in infancy
I knew not anything but love.--
O let her come from out the lands
Of Womanhood--not fairy isles,--
And let her come with Woman's hands
And Woman's eyes of tears and smiles,--
With Woman's hopefulness and grace
Of patience lighting up her face:
And let her diadem be wrought
Of kindly deed and prayerful thought,
That ever over all distress
May beam the light of cheerfulness.--
And let her feet be brave to fare
The labyrinths of doubt and care,
That, following, my own may find
The path to Heaven God designed.--
O let her come like this to me--
My bride--my bride that is to be.

Judith


O her eyes are amber-fine--
Dark and deep as wells of wine,
While her smile is like the noon
Splendor of a day of June.
If she sorrow--lo! her face
It is like a flowery space
In bright meadows, overlaid
With light clouds and lulled with shade
If she laugh--it is the trill
Of the wayward whippoorwill
Over upland pastures, heard
Echoed by the mocking-bird
In dim thickets dense with bloom
And blurred cloyings of perfume.
If she sigh--a zephyr swells
Over odorous asphodels
And wan lilies in lush plots
Of moon-drown'd forget-me-nots.
Then, the soft touch of her hand--
Takes all breath to understand
What to liken it thereto!--
Never roseleaf rinsed with dew
Might slip soother-suave than slips
Her slow palm, the while her lips
Swoon through mine, with kiss on kiss
Sweet as heated honey is.

Inscribed


To the Elect of Love,--or side-by-side
In raptest ecstasy, or sundered wide
By seas that bear no message to or fro
Between the loved and lost of long ago.


So were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,-I'd
loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.


And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.

In The South

There is a princess in the South
About whose beauty rumors hum
Like honey-bees about the mouth
Of roses dewdrops falter from;
And O her hair is like the fine
Clear amber of a jostled wine
In tropic revels; and her eyes
Are blue as rifts of Paradise.


Such beauty as may none before
Kneel daringly, to kiss the tips
Of fingers such as knights of yore
Had died to lift against their lips:
Such eyes as might the eyes of gold
Of all the stars of night behold
With glittering envy, and so glare
In dazzling splendor of despair.


So, were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,-I'd
loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.


And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.

Her Beautiful Hands

Your hands--they are strangely fair!
O Fair--for the jewels that sparkle there,-Fair--
for the witchery of the spell
That ivory keys alone can tell;
But when their delicate touches rest
Here in my own do I love them best,
As I clasp with eager, acquisitive spans
My glorious treasure of beautiful hands!


Marvelous--wonderful--beautiful hands!
They can coax roses to bloom in the strands
Of your brown tresses; and ribbons will twine,
Under mysterious touches of thine,
Into such knots as entangle the soul
And fetter the heart under such a control
As only the strength of my love understands--
My passionate love for your beautiful hands.


As I remember the first fair touch
Of those beautiful hands that I love so much,
I seem to thrill as I then was thrilled,
Kissing the glove that I found unfilled--
When I met your gaze, and the queenly bow,
As you said to me, laughingly, 'Keep it now!' . . .
And dazed and alone in a dream I stand,
Kissing this ghost of your beautiful hand.


When first I loved, in the long ago,
And held your hand as I told you so--
Pressed and caressed it and gave it a kiss
And said 'I could die for a hand like this!'
Little I dreamed love's fullness yet
Had to ripen when eyes were wet
And prayers were vain in their wild demands
For one warm touch of your beautiful hands.


. . . . . . . . .
Beautiful Hands!--O Beautiful Hands!
Could you reach out of the alien lands
Where you are lingering, and give me, to-night,
Only a touch--were it ever so light--
My heart were soothed, and my weary brain
Would lull itself into rest again;
For there is no solace the world commands
Like the caress of your beautiful hands.

Bedouin


O love is like an untamed steed!--
So hot of heart and wild of speed,
And with fierce freedom so in love,
The desert is not vast enough,
With all its leagues of glimmering sands,
To pasture it! Ah, that my hands
Were more than human in their strength,
That my deft lariat at length
Might safely noose this splendid thing
That so defies all conquering!
Ho! but to see it whirl and reel--
The sands spurt forward--and to feel
The quivering tension of the thong
That throned me high, with shriek and song!
To grapple tufts of tossing mane--
To spurn it to its feet again,
And then, sans saddle, rein or bit,
To lash the mad life out of it!

An Autumnal Extravaganza

With a sweeter voice than birds
Dare to twitter in their sleep,
Pipe for me a tune of words,
Till my dancing fancies leap
Into freedom vaster far
Than the realms of Reason are!
Sing for me with wilder fire
Than the lover ever sung,
From the time he twanged the lyre
When the world was baby-young.


O my maiden Autumn, you--
You have filled me through and through
With a passion so intense,
All of earthly eloquence
Fails, and falls, and swoons away
In your presence. Like as one
Who essays to look the sun
Fairly in the face, I say,
Though my eyes you dazzle blind
Greater dazzled is my mind.
So, my Autumn, let me kneel
At your feet and worship you!
Be my sweetheart; let me feel
Your caress; and tell me too
Why your smiles bewilder me--
Glancing into laughter, then
Trancing into calm again,
Till your meaning drowning lies
In the dim depths of your eyes.
Let me see the things you see
Down the depths of mystery!
Blow aside the hazy veil
From the daylight of your face
With the fragrance-ladened gale
Of your spicy breath and chase
Every dimple to its place.
Lift your gipsy finger-tips
To the roses of your lips,
And fling down to me a bud--
But an unblown kiss--but one--
It shall blossom in my blood,
Even after life is done--
When I dare to touch the brow
Your rare hair is veiling now--
When the rich, red-golden strands
Of the treasure in my hands
Shall be all of worldly worth
Heaven lifted from the earth,
Like a banner to have set
On its highest minaret.

When the Shy Star Goes Forth in Heaven

When the shy star goes forth in heaven
All maidenly, disconsolate,
Hear you amid the drowsy even
One who is singing by your gate.
His song is softer than the dew
And he is come to visit you.


O bend no more in revery
When he at eventide is calling.
Nor muse: Who may this singer be
Whose song about my heart is falling?
Know you by this, the lover's chant,
'Tis I that am your visitant.

Silently She's Combing

Silently she's combing,
Combing her long hair
Silently and graciously,
With many a pretty air.


The sun is in the willow leaves
And on the dappled grass,
And still she's combing her long hair
Before the looking-glass.


I pray you, cease to comb out,
Comb out your long hair,
For I have heard of witchery
Under a pretty air,


That makes as one thing to the lover
Staying and going hence,
All fair, with many a pretty air
And many a negligence.

Of That So Sweet Imprisonment

Of that so sweet imprisonment
My soul, dearest, is fain -- -
Soft arms that woo me to relent
And woo me to detain.
Ah, could they ever hold me there
Gladly were I a prisoner!


Dearest, through interwoven arms
By love made tremulous,
That night allures me where alarms
Nowise may trouble us;
But lseep to dreamier sleep be wed
Where soul with soul lies prisoned.

Lean Out of the Window

Lean out of the window,
Goldenhair,
I hear you singing
A merry air.


My book was closed,
I read no more,
Watching the fire dance
On the floor.


I have left my book,
I have left my room,
For I heard you singing
Through the gloom.


Singing and singing
A merry air,
Lean out of the window,
Goldenhair.

Flood


Goldbrown upon the sated flood
The rockvine clusters lift and sway;
Vast wings above the lambent waters brood
Of sullen day.


A waste of waters ruthlessly
Sways and uplifts its weedy mane
Where brooding day stares down upon the sea
In dull disdain.


Uplift and sway, O golden vine,
Your clustered fruits to love's full flood,
Lambent and vast and ruthless as is thine
Incertitude!

A Memory of the Players in a Mirror at Midnight

They mouth love's language. Gnash
The thirteen teeth
Your lean jaws grin with. Lash
Your itch and quailing, nude greed of the flesh.
Love's breath in you is stale, worded or sung,
As sour as cat's breath,
Harsh of tongue.


This grey that stares
Lies not, stark skin and bone.
Leave greasy lips their kissing. None
Will choose her what you see to mouth upon.
Dire hunger holds his hour.
Pluck forth your heart, saltblood, a fruit of tears.
Pluck and devour!

BkIII:XXV Bacchanalian Song

Where are you taking me, Bacchus,
now I’m full of you? To what caves or groves, driven,
swiftly, by new inspiration?
In what caverns will I be heard planning to set


illustrious Caesar’s lasting
glory among the stars, in the councils of Jove?
I’ll sing a recent achievement,
not yet sung by other lips. So does the sleepless


Bacchante, stand in amazement
on a mountain-ridge, gazing at Hebrus, at Thrace,
shining with snow, at Rhodope,
trodden by barbarous feet, even as I like


to wander gazing, at river
banks, and echoing groves. O master of Naiads,
of Bacchae owning the power
to uproot the tallest ash-trees, with their bare hands,


I’ll sing nothing trivial, no
humble measure, nothing that dies. O, Lenaeus,
the danger of following a god
is sweet, wreathing my brow with green leaves of the vine.

BkIII:XX The Conflict

Pyrrhus, you can’t see how dangerous it is
to touch the Gaetulian lioness’ cub?
Soon you’ll be running from all that hard fighting,
a spiritless thief,

while she goes searching for lovely Nearchus,
through obstructive crowds of young men: ah, surely
the fight will be great, whether the prize is yours,
or, more likely, hers.

Meanwhile, as you produce your swift arrows, as
she is sharpening her fearsome teeth, the battle’s
fine judge is said to have trampled the palm leaf,
beneath his bare foot,

and he’s cooling his shoulders, draped in perfumed
hair, in the gentle breeze, just like Nireus,
or like Ganymede, who was snatched away from
Ida rich in streams.

BkIII:XII Neobule, to Herself

Girls are wretched who can’t allow free play to love, or drown their cares
with sweet wine, those who, terrified, go around in fear of a tongue
lashing from one of their uncles.

Neobule, Cytherea’s winged boy snatches your wool stuff away
and your work, your devotion to busy Minerva, whenever
shining Liparean Hebrus,

that lover of yours, has bathed his oiled shoulders in Tiber’s waters,
even better a horseman than Bellerephon, never beaten
through slowness of fists or of feet,

clever too at spearing the deer, as they pour, in a startled herd,
across the wide open spaces, and quick to come at the wild boar
as it lurks in the dense thicket.

BkII:XII Terentia’s Singing

You’d not wish the theme of Numantia’s fierce wars
matched to the lyre’s soft tones, nor cruel Hannibal,
nor the Sicilian Sea turned to dark crimson
by the Carthaginians’ blood,


nor the savage Lapiths, and drunken Hylaeus
filled with excess wine, nor Hercules with his hand
taming the sons of earth, at the danger of which
ancient Saturn’s glittering house


was shaken: you’d be better yourself, Maecenas,
at writing prose histories of Caesar’s battles,
and telling us about all those menacing kings,
now led by the neck through the streets.


The Muse wishes me to speak of the sweet singing
of your lady Terentia, and speak of her bright
flashing eyes, and speak of that heart of hers, that is
so faithful in mutual love:


she to whom it’s not unbecoming to adopt
the lead among the dancers, or compete in wit,
or, that holy day that honours Diana, give
her arm in play to shining girls.


Would you exchange now, one hair of Terentia’s
for what rich Achaemenes owned, Mygdonian
wealth of fertile Phrygia, or
the Arabians’ well-stocked homes,


while she bends her neck for those passionate kisses,
or in gentle cruelty refuses to yield them,
more than he who asks likes having them taken: then
at times surprises by taking?

BkII:V Be Patient

She’s not ready to bear a yoke on her bowed
neck yet, she’s not yet equal to the duty
of coupling, or bearing the heavy
weight of a charging bull in the mating act.


The thoughts of your heifer are on green pastures,
on easing her burning heat in the river,
and sporting with the eager calves
in the depths of moist willow plantations.


Forget this passion of yours for the unripe
grape: autumn, the season of many-colours,
will soon be dyeing bluish clusters
a darker purple, on the vine, for you.


Soon she’ll pursue you, since fierce time rushes on
and will add to her the years it takes from you,
soon Lalage herself will be eager
to search you out as a husband, Lalage,


beloved as shy Pholoë was not, nor your
Chloris, with shoulders gleaming white, like a clear
moon shining over a midnight sea,
nor Cnidian Gyges, that lovely boy,


whom you could inser in a choir of girls,
and the wisest of strangers would fail to tell
the difference, with him hidden behind
his flowing hair, and ambiguous looks.

BkI:XXXVIII The Simple Myrtle

My child, how I hate Persian ostentation,
garlands twined around lime-tree bark displease me:
forget your chasing, to find all the places
where late roses fade.


You’re eager, take care, that nothing enhances
the simple myrtle: it’s not only you that
it graces, the servant, but me as I drink,
beneath the dark vine.

BkI:XXXVI Numida’s Back Again

With music, and incense, and blood
of a bullock, delight in placating the gods
that guarded our Numida well,
who’s returned safe and sound, from the farthest West, now,


showering a host of kisses
on every dear friend, but on none of us more than
lovely Lamia, remembering
their boyhood spent under the self-same master,


their togas exchanged together.
Don’t allow this sweet day to lack a white marker,
no end to the wine jars at hand,
no rest for our feet in the Salian fashion,


Don’t let wine-heavy Damalis
conquer our Bassus in downing the Thracian draughts.
Don’t let our feast lack for roses,
or the long-lasting parsley, or the brief lilies:


we’ll all cast our decadent eyes
on Damalis, but Damalis won’t be parted
from that new lover of hers she’s
clasping, more tightly than the wandering ivy.

BkI:XXX Ode To Venus

O Venus, the queen of Cnidos and Paphos,
spurn your beloved Cyprus, and summoned
by copious incense, come to the lovely shrine
of my Glycera.

And let that passionate boy of yours, Cupid,
and the Graces with loosened zones, and the Nymphs,
and Youth, less lovely without you, hasten here,
and Mercury too.