Poems in this theme

Consciousness and Self-Knowledge

Wallace Stevens

Wallace Stevens

Continual Conversation With A Silent Man

Continual Conversation With A Silent Man
The old brown hen and the old blue sky,
Between the two we live and die--
The broken cartwheel on the hill.
As if, in the presence of the sea,
We dried our nets and mended sail
And talked of never-ending things,
Of the never-ending storm of will,
One will and many wills, and the wind,
Of many meanings in the leaves,
Brought down to one below the eaves,
Link, of that tempest, to the farm,
The chain of the turquoise hen and sky
And the wheel that broke as the cart went by.
It is not a voice that is under the eaves.
It is not speech, the sound we hear
In this conversation, but the sound
Of things and their motion: the other man,
A turquoise monster moving round.
353
Vikram Seth

Vikram Seth

Octet

Octet


You don't love me at all? O God. O Shit.
You still 'respect me.' Thanks. I value it
About as much as one who's asked to use
A second hat when he's in need of shoes.
Since, I discover, my own self-respect
Is quite enough to keep my spine erect
Why is it true my ample self-affection
Will not suffice to buoy me in rejection?
619
Thomas Hardy

Thomas Hardy

The Sun on the Bookcase

The Sun on the Bookcase
Once more the cauldron of the sun
Smears the bookcase with winy red,
And here my page is, and there my bed,
And the apple-tree shadows travel along.
Soon their intangible track will be run,
And dusk grow strong
And they have fled.
Yes: now the boiling ball is gone,
And I have wasted another day....
But wasted--wasted, do I say?
Is it a waste to have imagined one
Beyond the hills there, who, anon,
My great deeds done,
Will be mine alway?
156
Thomas Hardy

Thomas Hardy

The Sleep-Worker

The Sleep-Worker
When wilt thou wake, O Mother, wake and see -
As one who, held in trance, has laboured long
By vacant rote and prepossession strong -
The coils that thou hast wrought unwittingly;
Wherein have place, unrealized by thee,
Fair growths, foul cankers, right enmeshed with wrong,
Strange orchestras of victim-shriek and song,
And curious blends of ache and ecstasy? -
Should that morn come, and show thy opened eyes
All that Life's palpitating tissues feel,
How wilt thou bear thyself in thy surprise? -
Wilt thou destroy, in one wild shock of shame,
Thy whole high heaving firmamental frame,
Or patiently adjust, amend, and heal?
236
Thomas Hardy

Thomas Hardy

The Masked Face

The Masked Face
I found me in a great surging space,
At either end a door,
And I said: "What is this giddying place,
With no firm-fixéd floor,
That I knew not of before?"
"It is Life," said a mask-clad face.
I asked: "But how do I come here,
Who never wished to come;
Can the light and air be made more clear,
The floor more quietsome,
And the doors set wide? They numb
Fast-locked, and fill with fear."
The mask put on a bleak smile then,
And said, "O vassal-wight,
There once complained a goosequill pen
To the scribe of the Infinite
Of the words it had to write
Because they were past its ken."
271
Thomas Hardy

Thomas Hardy

Rome: The Vatican--Sala Delle Muse ()

Rome: The Vatican--Sala Delle Muse ()
I sat in the Muses' Hall at the mid of the day,
And it seemed to grow still, and the people to pass away,
And the chiselled shapes to combine in a haze of sun,
Till beside a Carrara column there gleamed forth One.
She was nor this nor that of those beings divine,
But each and the whole--an essence of all the Nine;
With tentative foot she neared to my halting-place,
A pensive smile on her sweet, small, marvellous face.
"Regarded so long, we render thee sad?" said she.
"Not you," sighed I, "but my own inconstancy!
I worship each and each; in the morning one,
And then, alas! another at sink of sun.
"To-day my soul clasps Form; but where is my troth
Of yesternight with Tune: can one cleave to both?"
- "Be not perturbed," said she. "Though apart in fame,
As I and my sisters are one, those, too, are the same.
- "But my loves go further--to Story, and Dance, and Hymn,
The lover of all in a sun-sweep is fool to whim -
Is swayed like a river-weed as the ripples run!"
- "Nay, wight, thou sway'st not. These are but phases of one;
"And that one is I; and I am projected from thee,
One that out of thy brain and heart thou causest to be -
Extern to thee nothing. Grieve not, nor thyself becall,
Woo where thou wilt; and rejoice thou canst love at all!
213
Thomas Hardy

Thomas Hardy

Let Me Enjoy

Let Me Enjoy
Minor Key
I
Let me enjoy the earth no less
Because the all-enacting Might
That fashioned forth its loveliness
Had other aims than my delight.
II
About my path there flits a Fair,
Who throws me not a word or sign;
I'll charm me with her ignoring air,
And laud the lips not meant for mine.
III
From manuscripts of moving song
Inspired by scenes and dreams unknown
I'll pour out raptures that belong
To others, as they were my own.
IV
And some day hence, towards Paradise
And all its blest -- if such should be --
I will lift glad, afar-off eyes
Though it contain no place for me.
222
Thomas Hardy

Thomas Hardy

I have lived with Shades

I have lived with Shades
I
I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."
IV
"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,


And told in vain!"
215
Thomas Hardy

Thomas Hardy

Fragment

Fragment
At last I entered a long dark gallery,
Catacomb-lined; and ranged at the side
Were the bodies of men from far and wide
Who, motion past, were nevertheless not dead.
"The sense of waiting here strikes strong;
Everyone's waiting, waiting, it seems to me;
What are you waiting for so long? --
What is to happen?" I said.
"O we are waiting for one called God," said they,
"(Though by some the Will, or Force, or Laws;
And, vaguely, by some, the Ultimate Cause;)
Waiting for him to see us before we are clay.
Yes; waiting, waiting, for God to know it." ...
"To know what?" questioned I.
"To know how things have been going on earth and below it:
It is clear he must know some day."
I thereon asked them why.
"Since he made us humble pioneers
Of himself in consciousness of Life's tears,
It needs no mighty prophecy
To tell that what he could mindlessly show
His creatures, he himself will know.
"By some still close-cowled mystery
We have reached feeling faster than he,
But he will overtake us anon,
If the world goes on."
240
Thomas Hardy

Thomas Hardy

A Meeting With Despair

A Meeting With Despair
AS evening shaped I found me on a moor
Which sight could scarce sustain:
The black lean land, of featureless contour,
Was like a tract in pain.
"This scene, like my own life," I said, "is one
Where many glooms abide;
Toned by its fortune to a deadly dun--
Lightless on every side.
I glanced aloft and halted, pleasure-caught
To see the contrast there:
The ray-lit clouds gleamed glory; and I thought,
"There's solace everywhere!"
Then bitter self-reproaches as I stood
I dealt me silently
As one perverse--misrepresenting Good
In graceless mutiny.
Against the horizon's dim-descernèd wheel
A form rose, strange of mould:
That he was hideous, hopeless, I could feel
Rather than could behold.
"'Tis a dead spot, where even the light lies spent
To darkness!" croaked the Thing.
"Not if you look aloft!" said I, intent
On my new reasoning.
"Yea--but await awhile!" he cried. "Ho-ho!--
Look now aloft and see!"
I looked. There, too, sat night: Heaven's radiant show
Had gone. Then chuckled he.
248
Thomas Hardy

Thomas Hardy

A Confession To A Friend in Trouble

A Confession To A Friend in Trouble
YOUR troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles--with listlessness--
Yet smiles they are, not ghastly mockeries mere.
A thought too strange to house within my brain
Haunting its outer precincts I discern:
--That I will not show zeal again to learn
Your griefs, and, sharing them, renew my pain....
It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!
246
Thomas Hardy

Thomas Hardy

[Greek Title]

[Greek Title]
Long have I framed weak phantasies of Thee,
O Willer masked and dumb!
Who makest Life become, -
As though by labouring all-unknowingly,
Like one whom reveries numb.
How much of consciousness informs Thy will
Thy biddings, as if blind,
Of death-inducing kind,
Nought shows to us ephemeral ones who fill
But moments in Thy mind.
Perhaps Thy ancient rote-restricted ways
Thy ripening rule transcends;
That listless effort tends
To grow percipient with advance of days,
And with percipience mends.
For, in unwonted purlieus, far and nigh,
At whiles or short or long,
May be discerned a wrong
Dying as of self-slaughter; whereat I
Would raise my voice in song.
229
Spike Milligan

Spike Milligan

Mirror, Mirror

Mirror, Mirror
A young spring-tender girl
combed her joyous hair
'You are very ugly' said the mirror.
But,
on her lips hung
a smile of dove-secret loveliness,
for only that morning had not
the blind boy said,
'You are beautiful'?
290
Siegfried Sassoon

Siegfried Sassoon

Wisdom

Wisdom
When Wisdom tells me that the world’s a speck
Lost on the shoreless blue of God’s To-Day...
I smile, and think, ‘For every man his way:
The world’s my ship, and I’m alone on deck!’
And when he tells me that the world’s a spark
Lit in the whistling gloom of God’s To-Night...
I look within me to the edge of dark,
And dream, ‘The world’s my field, and I’m the lark,
Alone with upward song, alone with light!’
87
Siegfried Sassoon

Siegfried Sassoon

Wind in the Beechwood

Wind in the Beechwood
The glorying forest shakes and swings with glancing
Of boughs that dip and strain; young, slanting sprays
Beckon and shift like lissom creatures dancing,
While the blown beechwood streams with drifting rays.
Rooted in steadfast calm, grey stems are seen
Like weather-beaten masts; the wood, unfurled,
Seems as a ship with crowding sails of green
That sweeps across the lonely billowing world.
O luminous and lovely! Let your flowers,
Your ageless-squadroned wings, your surge and gleam,
Drown me in quivering brightness: let me fade
In the warm, rustling music of the hours
That guard your ancient wisdom, till my dream
Moves with the chant and whisper of the glade.
113
Siegfried Sassoon

Siegfried Sassoon

Thrushes

Thrushes
Tossed on the glittering air they soar and skim,
Whose voices make the emptiness of light
A windy palace. Quavering from the brim
Of dawn, and bold with song at edge of night,
They clutch their leafy pinnacles and sing
Scornful of man, and from his toils aloof
Whose heart's a haunted woodland whispering;
Whose thoughts return on tempest-baffled wing;
Who hears the cry of God in everything,
And storms the gate of nothingness for proof.
90
Sarah Teasdale

Sarah Teasdale

White Fog

White Fog
Heaven-invading hills are drowned
In wide moving waves of mist,
Phlox before my door are wound
In dripping wreaths of amethyst.
Ten feet away the solid earth
Changes into melting cloud,
There is a hush of pain and mirth,
No bird has heart to speak aloud.
Here in a world without a sky,
Without the ground, without the sea,
The one unchanging thing is I,
Myself remains to comfort me.
354
Sarah Teasdale

Sarah Teasdale

Understanding

Understanding
I understood the rest too well,
And all their thoughts have come to be
Clear as grey sea-weed in the swell
Of a sunny shallow sea.
But you I never understood,
Your spirit's secret hides like gold
Sunk in a Spanish galleon
Ages ago in waters cold.
441
Sarah Teasdale

Sarah Teasdale

The Voice

The Voice
Atoms as old as stars,
Mutation on mutation,
Millions and millions of cells
Dividing yet still the same,
From air and changing earth,
From ancient Eastern rivers,
From turquoise tropic seas,
Unto myself I came.
My spirit like my flesh
Sprang from a thousand sources,
From cave-man, hunter and shepherd,
From Karnak, Cyprus, Rome;
The living thoughts in me
Spring from dead men and women,
Forgotten time out of mind
And many as bubbles of foam.
Here for a moment's space
Into the light out of darkness,
I come and they come with me
Finding words with my breath;
From the wisdom of many life-times
Seek for Beauty, she only
Fights with man against Death!"
440
Sarah Teasdale

Sarah Teasdale

The Sanctuary

The Sanctuary
If I could keep my innermost Me
Fearless, aloof and free
Of the least breath of love or hate,
And not disconsolate
At the sick load of sorrow laid on men;
If I could keep a sanctuary there
Free even of prayer,
If I could do this, then,
With quiet candor as I grew more wise
I could look even at God with grave forgiving eyes.
354
Sarah Teasdale

Sarah Teasdale

The Crystal Gazer

The Crystal Gazer
I shall gather myself into my self again,
I shall take my scattered selves and make them one.
I shall fuse them into a polished crystal ball
Where I can see the moon and the flashing sun.
I Shall sit like a sibyl, hour after hour intent.
Watching the future come and the present go -
And the little shifting pictures of people rushing
In tiny self-importance to and fro.
440
Sarah Teasdale

Sarah Teasdale

Snowfall

Snowfall
"She can't be unhappy," you said,
"The smiles are like stars in her eyes,
And her laugh is thistledown
Around her low replies."
"Is she unhappy?" you said --
But who has ever known
Another's heartbreak --
All he can know is his own;
And she seems hushed to me,
As hushed as though
Her heart were a hunter's fire
Smothered in snow.
488
Sarah Teasdale

Sarah Teasdale

Faces

Faces
People that I meet and pass
In the city's broken roar,
Faces that I lose so soon
And have never found before,
Do you know how much you tell
In the meeting of our eyes,
How ashamed I am, and sad
To have pierced your poor disguise?
Secrets rushing without sound
Crying from your hiding places --
Let me go, I cannot bear
The sorrow of the passing faces.
-- People in the restless street,
Can it be, oh can it be
In the meeting of our eyes
That you know as much of me?
375
Sarah Teasdale

Sarah Teasdale

What Do I Care?

"What Do I Care?"
What do I care, in the dreams and the languor of spring,
That my songs do not show me at all?
For they are a fragrance, and I am a flint and a fire,
I am an answer, they are only a call.
But what do I care, for love will be over so soon,
Let my heart have its say and my mind stand idly by,
For my mind is proud and strong enough to be silent,
It is my heart that makes my songs, not I.
365