Poems in this theme

Art

Jonathan Swift

Jonathan Swift

On A Shadow In A Glass

On A Shadow In A Glass

By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same—but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood—no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?


Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.
271
John Milton

John Milton

When the Assault Was Intended to the City

When the Assault Was Intended to the City

Captain, or colonel, or knight in arms,
Whose chance on these defenceless doors may seize,
If deed of honour did thee ever please,
Guard them, and him within protect from harms.
He can requite thee, for he knows the charms
That call fame on such gentle acts as these,
And he can spread thy name o’er lands and seas,
Whatever clime the sun’s bright circle warms.
Lift not thy spear against the Muse’s bower;
The great Emathian conqueror bid spare
The house of Pindarus, when temple and tower
Went to the ground; and the repeated air
Of sad Electra’s Poet had the power
To save the Athenian walls from ruin bare.
589
John Milton

John Milton

To Mr. H. Lawes on His Airs

To Mr. H. Lawes on His Airs

Harry, whose tuneful and well-measured song
First taught our English music how to span
Words with just note and accent, not to scan
With Midas’ ears, committing short and long,
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man
That with smooth air couldst humour best our tongue.
Thou honour’st Verse, and Verse must lend her wing
To honour thee, the priest of Phoebus’ quire,
That tunest their happiest lines in hymn or story.
Dante shall give Fame leave to set thee higher
Than his Casella, whom he wooed to sing,
Met in the milder shades of Purgatory.
501
John Milton

John Milton

Sonnet 20

Sonnet 20

XX

Lawrence, of virtuous father virtuous son,
Now that the fields are dank, and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won
From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and clothe in fresh attire
The lily and rose, that neither sowed nor spun.
What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touched, or artful voice
Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.
531
John Milton

John Milton

Sonnet 08

Sonnet 08

VIII

Captain or Colonel, or Knight in Arms,
Whose chance on these defenceless dores may sease,
If ever deed of honour did thee please,
Guard them, and him within protect from harms,
He can requite thee, for he knows the charms
That call Fame on such gentle acts as these,
And he can spred thy Name o're Lands and Seas,
What ever clime the Suns bright circle warms.
Lift not thy spear against the Muses Bowre,
The great Emathian Conqueror bid spare
The house of Pindarus, when Temple and Towre
Went to the ground: And the repeated air
Of sad Electra's Poet had the power
To save th' Athenian Walls from ruine bare.


Notes:
Camb. autograph supplies title, When the assault was intended
to the city.
3 If deed of honour did thee ever please, 1673.
531
John Milton

John Milton

At A Vacation Exercise In The Colledge, Part Latin, Part English. The Latin

At A Vacation Exercise In The Colledge, Part Latin, Part English. The Latin
Speeches Ended, The English Thus Began

Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad'st imperfect words with childish tripps,
Half unpronounc't, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee:
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv'd up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight,
But cull those richest Robes, and gay'st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck't them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly's ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use,
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav'ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th'touch of golden wires, while Hebe brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire,
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey'd Neptune raves,
In Heav'ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero's old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest
Are held with his melodious harmonie
In willing chains and sweet captivitie.



But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know'st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos'd business come,
That to the next I may resign my Roome


Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.


Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc't upon the hearth;
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should'st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O're all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them;
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot?


The next Quantity and Quality, spake in Prose, then Relation
was call'd by his Name.


Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,



Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.
538
John Milton

John Milton

Arcades

Arcades


Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.
Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.


Fame that her high worth to raise,
Seem'd erst so lavish and profuse,
We may justly now accuse
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.


Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be,
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare's not give her odds;
Who had thought this clime had held
A deity so unparalel'd?


As they com forward, the genius of the Wood appears, and
turning toward them, speaks.


GEN. Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse,
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;



And lead ye where ye may more neer behold
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak'n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew,
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker'd venom bites.
When Eev'ning gray doth rise, I fetch my round
Over the mount, and all this hallow'd ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless,
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law,
And the low world in measur'd motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate,
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.


2. SONG.
O're the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.



Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.


3. SONG.
Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene hoar,
Trip no more in twilight ranks,
Though Erynanth your loss deplore,
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.


Note: 22 hunderd] Milton's own spelling here is hundred. But in
the Errata to Paradise Lost (i. 760) he corrects hundred to hunderd.
526
John Milton

John Milton

An Epitaph on the Admirable Dramatic Poet W. Shakespeare

An Epitaph on the Admirable Dramatic Poet W. Shakespeare

What needs my Shakespeare for his honored bones
The labor of an age in piled stones?
Or that his hallowed reliques should be hid
Under a star-ypointing pyramid?
Dear son of Memory, great heir of Fame,
What need'st thou such weak witness of thy name?
Thou in our wonder and astonishment
Hast built thy self a livelong monument.
For whilst, to th' shame of slow-endeavoring art,
Thy easy numbers flow, and that each heart
Hath from the leaves of thy unvalued book
Those Delphic lines with deep impression took,
Then thou, our fancy of itself bereaving,
Dost make us marble with too much conceiving,
And so sepulchred in such pomp dost lie
That kings for such a tomb would wish to die.
494
John Keats

John Keats

Written on a Blank Space

Written on a Blank Space

This pleasant tale is like a little copse:
The honied lines so freshly interlace,
To keep the reader in so sweet a place,
So that he here and there full-hearted stops;
And oftentimes he feels the dewy drops
Come cool and suddenly against his face,
And, by the wandering melody, may trace
Which way the tender-legged linnet hops.
Oh! what a power has white Simplicity!
What mighty power has this gentle story!
I, that do ever feel athirst for glory,
Could at this moment be content to lie
Meekly upon the grass, as those whose sobbings
Were heard of none beside the mournful robins.
381
John Keats

John Keats

Written Before Re-Reading King Lear

Written Before Re-Reading King Lear

O golden-tongued Romance with serene lute!
Fair plumed Syren! Queen of far away!
Leave melodizing on this wintry day,
Shut up thine olden pages, and be mute.
Adieu! for once again the fierce dispute
Betwixt damnation and impassioned clay
Must I burn through; once more humbly assay
The bitter-sweet of this Shakespearian fruit.
Chief Poet! and ye clouds of Albion,
Begetters of our deep eternal theme,
When through the old oak Forest I am gone,
Let me not wander in a barren dream,
But when I am consumed in the Fire,
Give me new Phoenix wings to fly at my desire.
431
John Keats

John Keats

Two Sonnets. To Haydon, With A Sonnet Written On Seeing The Elgin Marbles

Two Sonnets. To Haydon, With A Sonnet Written On Seeing The Elgin Marbles

I.
Haydon! forgive me that I cannot speak
Definitively of these mighty things;
Forgive me, that I have not eagle's wings,
That what I want I know not where to seek,
And think that I would not be over-meek,
In rolling out upfollowed thunderings,
Even to the steep of Heliconian springs,
Were I of ample strength for such a freak.
Think, too, that all these numbers should be thine;
Whose else? In this who touch thy vesture's hem?
For, when men stared at what was most divine
With brainless idiotism and o'erwise phlegm,
Thou hadst beheld the full Hesperian shine
Of their star in the east, and gone to worship them.
II. On Seeing The Elgin Marbles.
My spirit is too weak - mortality
Weighs heavily upon me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet 'tis a gentle luxury to weep
That I have not the cloudy winds to keep,
Fresh for the opening of the morning's eye.
Such dim-conceived glories of the brain
Bring round the heart an undescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old Time -- with a billowy main --
A sun -- a shadow of a magnitude.
430
John Keats

John Keats

To Byron

To Byron

Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touch'd her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffer'd them to die.
O'ershadowing sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud the golden moon doth veil,
Its sides are ting'd with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe.
406
John Keats

John Keats

Staffa

Staffa


Not Aladdin magian
Ever such a work began;
Not the wizard of the Dee
Ever such a dream could see;
Not St. John, in Patmos' Isle,
In the passion of his toil,
When he saw the churches seven,
Golden aisl'd, built up in heaven,
Gaz'd at such a rugged wonder.
As I stood its roofing under
Lo! I saw one sleeping there,
On the marble cold and bare.
While the surges wash'd his feet,
And his garments white did beat.
Drench'd about the sombre rocks,
On his neck his well-grown locks,
Lifted dry above the main,
Were upon the curl again.
'What is this? and what art thou?'
Whisper'd I, and touch'd his brow;
'What art thou? and what is this?'
Whisper'd I, and strove to kiss
The spirit's hand, to wake his eyes;
Up he started in a trice:
'I am Lycidas,' said he,
'Fam'd in funeral minstrely!
This was architectur'd thus
By the great Oceanus!--
Here his mighty waters play
Hollow organs all the day;
Here by turns his dolphins all,
Finny palmers great and small,
Come to pay devotion due--
Each a mouth of pearls must strew.
Many a mortal of these days,
Dares to pass our sacred ways,
Dares to touch audaciously
This Cathedral of the Sea!
I have been the pontiff-priest
Where the waters never rest,
Where a fledgy sea-bird choir
Soars for ever; holy fire
I have hid from mortal man;
Proteus is my Sacristan.
But the dulled eye of mortal
Hath pass'd beyond the rocky portal;
So for ever will I leave
Such a taint, and soon unweave
All the magic of the place.'
* * * * * *
So saying, with a Spirit's glance
He dived!
433
John Keats

John Keats

Sonnet XIV. Addressed To The Same (Haydon)

Sonnet XIV. Addressed To The Same (Haydon)

Great spirits now on earth are sojourning;
He of the cloud, the cataract, the lake,
Who on Helvellyn's summit, wide awake,
Catches his freshness from Archangel's wing:
He of the rose, the violet, the spring,
The social smile, the chain for Freedom's sake:
And lo!--whose stedfastness would never take
A meaner sound than Raphael’s whispering.
And other spirits there are standing apart
Upon the forehead of the age to come;
These, these will give the world another heart,
And other pulses. Hear ye not the hum
Of mighty workings?-------
Listen awhile ye nations, and be dumb.
422
John Keats

John Keats

Sleep And Poetry

Sleep And Poetry

As I lay in my bed slepe full unmete
Was unto me, but why that I ne might
Rest I ne wist, for there n'as erthly wight
[As I suppose] had more of hertis ese
Than I, for I n'ad sicknesse nor disese. ~ Chaucer


What is more gentle than a wind in summer?
What is more soothing than the pretty hummer
That stays one moment in an open flower,
And buzzes cheerily from bower to bower?
What is more tranquil than a musk-rose blowing
In a green island, far from all men's knowing?
More healthful than the leafiness of dales?
More secret than a nest of nightingales?
More serene than Cordelia's countenance?
More full of visions than a high romance?
What, but thee Sleep? Soft closer of our eyes!
Low murmurer of tender lullabies!
Light hoverer around our happy pillows!
Wreather of poppy buds, and weeping willows!
Silent entangler of a beauty's tresses!
Most happy listener! when the morning blesses
Thee for enlivening all the cheerful eyes
That glance so brightly at the new sun-rise.


But what is higher beyond thought than thee?
Fresher than berries of a mountain tree?
More strange, more beautiful, more smooth, more regal,
Than wings of swans, than doves, than dim-seen eagle?
What is it? And to what shall I compare it?
It has a glory, and naught else can share it:
The thought thereof is awful, sweet, and holy,
Chasing away all worldliness and folly;
Coming sometimes like fearful claps of thunder,
Or the low rumblings earth's regions under;
And sometimes like a gentle whispering
Of all the secrets of some wond'rous thing
That breathes about us in the vacant air;
So that we look around with prying stare,
Perhaps to see shapes of light, aerial limning,
And catch soft floatings from a faint-heard hymning;
To see the laurel wreath, on high suspended,
That is to crown our name when life is ended.
Sometimes it gives a glory to the voice,
And from the heart up-springs, rejoice! rejoice!
Sounds which will reach the Framer of all things,
And die away in ardent mutterings.


No one who once the glorious sun has seen,
And all the clouds, and felt his bosom clean
For his great Maker's presence, but must know



What 'tis I mean, and feel his being glow:
Therefore no insult will I give his spirit,
By telling what he sees from native merit.


O Poesy! for thee I hold my pen
That am not yet a glorious denizen
Of thy wide heaven- Should I rather kneel
Upon some mountain-top until I feel
A glowing splendour round about me hung,
And echo back the voice of thine own tongue?
O Poesy! for thee I grasp my pen
That am not yet a glorious denizen
Of thy wide heaven; yet, to my ardent prayer,
Yield from thy sanctuary some clear air,
Smooth'd for intoxication by the breath
Of flowering bays, that I may die a death
Of luxury, and my young spirit follow
The morning sun-beams to the great Apollo
Like a fresh sacrifice; or, if I can bear
The o'erwhelming sweets, 'twill bring to me the fair
Visions of all places: a bowery nook
Will be elysium- an eternal book
Whence I may copy many a lovely saying
About the leaves, and flowers- about the playing
Of nymphs in woods, and fountains; and the shade
Keeping a silence round a sleeping maid;
And many a verse from so strange influence
That we must ever wonder how, and whence
It came. Also imaginings will hover
Round my fire-side, and haply there discover
Vistas of solemn beauty, where I'd wander
In happy silence, like the clear Meander
Through its lone vales; and where I found a spot
Of awfuller shade, or an enchanted grot,
Or a green hill o'erspread with chequer'd dress
Of flowers, and fearful from its loveliness,
Write on my tablets all that was permitted,
All that was for our human senses fitted.
Then the events of this wide world I'd seize
Like a strong giant, and my spirit teaze
Till at its shoulders it should proudly see
Wings to find out an immortality.


Stop and consider! life is but a day;
A fragile dew-drop on its perilous way
From a tree's summit; a poor Indian's sleep
While his boat hastens to the monstrous steep
Of Montmorenci. Why so sad a moan?
Life is the rose's hope while yet unblown;
The reading of an ever-changing tale;
The light uplifting of a maiden's veil;
A pigeon tumbling in clear summer air;



A laughing school-boy, without grief or care,
Riding the springy branches of an elm.


O for ten years, that I may overwhelm
Myself in poesy; so I may do the deed
That my own soul has to itself decreed.
Then will I pass the countries that I see
In long perspective, and continually
Taste their pure fountains. First the realm I'll pass
Of Flora, and old Pan: sleep in the grass,
Feed upon apples red, and strawberries,
And choose each pleasure that my fancy sees;
Catch the white-handed nymphs in shady places,
To woo sweet kisses from averted faces,-
Play with their fingers, touch their shoulders white
Into a pretty shrinking with a bite
As hard as lips can make it: till agreed,
A lovely tale of human life we'll read.
And one will teach a tame dove how it best
May fan the cool air gently o'er my rest;
Another, bending o'er her nimble tread,
Will set a green robe floating round her head,
And still will dance with ever varied ease,
Smiling upon the flowers and the trees:
Another will entice me on, and on
Through almond blossoms and rich cinnamon;
Till in the bosom of a leafy world
We rest in silence, like two gems upcurl'd
In the recesses of a pearly shell.


And can I ever bid these joys farewell?
Yes, I must pass them for a nobler life,
Where I may find the agonies, the strife
Of human hearts: for lo! I see afar,
O'ersailing the blue cragginess, a car
And steeds with streamy manes- the charioteer
Looks out upon the winds with glorious fear:
And now the numerous tramplings quiver lightly
Along a huge cloud's ridge; and now with sprightly
Wheel downward come they into fresher skies,
Tipt round with silver from the sun's bright eyes.
Still downward with capacious whirl they glide;
And now I see them on the green-hill's side
In breezy rest among the nodding stalks.
The charioteer with wond'rous gesture talks
To the trees and mountains; and there soon appear
Shapes of delight, of mystery, and fear,
Passing along before a dusky space
Made by some mighty oaks: as they would chase
Some ever- fleeting music on they sweep.
Lo! how they murmur, laugh, and smile, and weep:
Some with upholden hand and mouth severe;



Some with their faces muffled to the ear
Between their arms; some, clear in youthful bloom,
Go glad and smilingly athwart the gloom;
Some looking back, and some with upward gaze;
Yes, thousands in a thousand different ways
Flit onward- now a lovely wreath of girls
Dancing their sleek hair into tangled curls;
And now broad wings. Most awfully intent
The driver of those steeds is forward bent,
And seems to listen: O that I might know
All that he writes with such a hurrying glow.


The visions all are fled- the car is fled
Into the light of heaven, and in their stead
A sense of real things comes doubly strong,
And, like a muddy stream, would bear along
My soul to nothingness: but I will strive
Against all doubtings, and will keep alive
The thought of that same chariot, and the strange
Journey it went.
Is there so small a range
In the present strength of manhood, that the high
Imagination cannot freely fly
As she was wont of old? prepare her steeds,
Paw up against the light, and do strange deeds
Upon the clouds? Has she not shown us all?
From the clear space of ether, to the small
Breath of new buds unfolding? From the meaning
Of Jove's large eye-brow, to the tender greening
Of April meadows? Here her altar shone,
E'en in this isle; and who could paragon
The fervid choir that lifted up a noise
Of harmony, to where it aye will poise
Its mighty self of convoluting sound,
Huge as a planet, and like that roll round,
Eternally around a dizzy void?
Ay, in those days the Muses were nigh cloy'd
With honors; nor had any other care
Than to sing out and sooth their wavy hair.


Could all this be forgotten? Yes, a schism
Nurtured by foppery and barbarism,
Made great Apollo blush for this his land.
Men were thought wise who could not understand
His glories: with a puling infant's force
They sway'd about upon a rocking horse,
And thought it Pegasus. Ah dismal soul'd!
The winds of heaven blew, the ocean roll'd
Its gathering waves- ye felt it not. The blue
Bared its eternal bosom, and the dew
Of summer nights collected still to make
The morning precious: beauty was awake!



Why were ye not awake? But ye were dead
To things ye knew not of,- were closely wed
To musty laws lined out with wretched rule
And compass vile: so that ye taught a school
Of dolts to smooth, inlay, and clip, and fit,
Till, like the certain wands of Jacob's wit,
Their verses tallied. Easy was the task:
A thousand handicraftsmen wore the mask
Of Poesy. Ill-fated, impious race!
That blasphemed the bright Lyrist to his face,
And did not know it,- no, they went about,
Holding a poor, decrepid standard out
Mark'd with most flimsy mottos, and in large
The name of one Boileau!


O ye whose charge
It is to hover round our pleasant hills!
Whose congregated majesty so fills
My boundly reverence, that I cannot trace
Your hallowed names, in this unholy place,
So near those common folk; did not their shames
Affright you? Did our old lamenting Thames
Delight you? Did ye never cluster round
Delicious Avon, with a mournful sound,
And weep? Or did ye wholly bid adieu
To regions where no more the laurel grew?
Or did ye stay to give a welcoming
To some lone spirits who could proudly sing
Their youth away, and die? 'Twas even so:
But let me think away those times of woe:
Now 'tis a fairer season; ye have breathed
Rich benedictions o'er us; ye have wreathed
Fresh garlands: for sweet music has been heard
In many places;- some has been upstirr'd
From out its crystal dwelling in a lake,
By a swan's ebon bill; from a thick brake,
Nested and quiet in a valley mild,
Bubbles a pipe; fine sounds are floating wild
About the earth: happy are ye and glad.


These things are doubtless: yet in truth we've had
Strange thunders from the potency of song;
Mingled indeed with what is sweet and strong,
From majesty: but in clear truth the themes
Are ugly clubs, the Poets' Polyphemes
Disturbing the grand sea. A drainless shower
Of light is poesy; 'tis the supreme of power;
'Tis might half slumb'ring on its own right arm.
The very archings of her eye-lids charm
A thousand willing agents to obey,
And still she governs with the mildest sway:
But strength alone though of the Muses born



Is like a fallen angel: trees uptorn,
Darkness, and worms, and shrouds, and sepulchres
Delight it; for it feeds upon the burrs,
And thorns of life; forgetting the great end
Of poesy, that it should be a friend
To sooth the cares, and lift the thoughts of man.


Yet I rejoice: a myrtle fairer than
E'er grew in Paphos, from the bitter weeds
Lifts its sweet head into the air, and feeds
A silent space with ever sprouting green.
All tenderest birds there find a pleasant screen,
Creep through the shade with jaunty fluttering,
Nibble the little cupped flowers and sing.
Then let us clear away the choking thorns
From round its gentle stem; let the young fawns,
Yeaned in after times, when we are flown,
Find a fresh sward beneath it, overgrown
With simple flowers: let there nothing be
More boisterous than a lover's bended knee;
Nought more ungentle than the placid look
Of one who leans upon a closed book;
Nought more untranquil than the grassy slopes
Between two hills. All hail delightful hopes!
As she was wont, th' imagination
Into most lovely labyrinths will be gone,
And they shall be accounted poet kings
Who simply tell the most heart-easing things.
O may these joys be ripe before I die.


Will not some say that I presumptuously
Have spoken? that from hastening disgrace
'Twere better far to hide my foolish face?
That whining boyhood should with reverence bow
Ere the dread thunderbolt could reach? How!
If I do hide myself, it sure shall be
In the very fane, the light of Poesy:
If I do fall, at least I will be laid
Beneath the silence of a poplar shade;
And over me the grass shall be smooth shaven;
And there shall be a kind memorial graven.
But off Despondence! miserable bane!
They should not know thee, who athirst to gain
A noble end, are thirsty every hour.
What though I am not wealthy in the dower
Of spanning wisdom; though I do not know
The shiftings of the mighty winds that blow
Hither and thither all the changing thoughts
Of man: though no great minist'ring reason sorts
Out the dark mysteries of human souls
To clear conceiving: yet there ever rolls
A vast idea before me, and I glean



Therefrom my liberty; thence too I've seen
The end and aim of Poesy. 'Tis clear
As anything most true; as that the year
Is made of the four seasons- manifest
As a large cross, some old cathedral's crest,
Lifted to the white clouds. Therefore should I
Be but the essence of deformity,
A coward, did my very eye-lids wink
At speaking out what I have dared to think.
Ah! rather let me like a madman run
Over some precipice; let the hot sun
Melt my Dedalian wings, and drive me down
Convuls'd and headlong! Stay! an inward frown
Of conscience bids me be more calm awhile.
An ocean dim, sprinkled with many an isle,
Spreads awfully before me. How much toil!
How many days! what desperate turmoil!
Ere I can have explored its widenesses.
Ah, what a task! upon my bended knees,
I could unsay those- no, impossible!
Impossible!


For sweet relief I'll dwell
On humbler thoughts, and let this strange assay
Begun in gentleness die so away.
E'en now all tumult from my bosom fades:
I turn full hearted to the friendly aids
That smooth the path of honour; brotherhood,
And friendliness the nurse of mutual good.
The hearty grasp that sends a pleasant sonnet
Into the brain ere one can think upon it;
The silence when some rhymes are coming out;
And when they're come, the very pleasant rout:
The message certain to be done to-morrow.
'Tis perhaps as well that it should be to borrow
Some precious book from out its snug retreat,
To cluster round it when we next shall meet.
Scarce can I scribble on; for lovely airs
Are fluttering round the room like doves in pairs;
Many delights of that glad day recalling,
When first my senses caught their tender falling.
And with these airs come forms of elegance
Stooping their shoulders o'er a horse's prance,
Careless, and grand-fingers soft and round
Parting luxuriant curls;- and the swift bound
Of Bacchus from his chariot, when his eye
Made Ariadne's cheek look blushingly.
Thus I remember all the pleasant flow
Of words at opening a portfolio.


Things such as these are ever harbingers
To trains of peaceful images: the stirs



Of a swan's neck unseen among the rushes:
A linnet starting all about the bushes:
A butterfly, with golden wings broad parted,
Nestling a rose, convuls'd as though it smarted
With over pleasure- many, many more,
Might I indulge at large in all my store
Of luxuries: yet I must not forget
Sleep, quiet with his poppy coronet:
For what there may be worthy in these rhymes
I partly owe to him: and thus, the chimes
Of friendly voices had just given place
To as sweet a silence, when I 'gan retrace
The pleasant day, upon a couch at ease.
It was a poet's house who keeps the keys
Of pleasure's temple. Round about were hung
The glorious features of the bards who sung
In other ages- cold and sacred busts
Smiled at each other. Happy he who trusts
To clear Futurity his darling fame!
Then there were fauns and satyrs taking aim
At swelling apples with a frisky leap
And reaching fingers, 'mid a luscious heap
Of vine-leaves. Then there rose to view a fane
Of liny marble, and thereto a train
Of nymphs approaching fairly o'er the sward:
One, loveliest, holding her white hand toward
The dazzling sun-rise: two sisters sweet
Bending their graceful figures till they meet
Over the trippings of a little child:
And some are hearing, eagerly, the wild
Thrilling liquidity of dewy piping.
See, in another picture, nymphs are wiping
Cherishingly Diana's timorous limbs;-
A fold of lawny mantle dabbling swims
At the bath's edge, and keeps a gentle motion
With the subsiding crystal: as when ocean
Heaves calmly its broad swelling smoothness o'er
Its rocky marge, and balances once more
The patient weeds; that now unshent by foam
Feel all about their undulating home.


Sappho's meek head was there half smiling down
At nothing; just as though the earnest frown
Of over thinking had that moment gone
From off her brow, and left her all alone.


Great Alfred's too, with anxious, pitying eyes,
As if he always listened to the sighs
Of the goaded world; and Kosciusko's worn
By horrid suffrance- mightily forlorn.
Petrarch, outstepping from the shady green,
Starts at the sight of Laura; nor can wean



His eyes from her sweet face. Most happy they!
For over them was seen a free display
Of out-spread wings, and from between them shone
The face of Poesy: from off her throne
She overlook'd things that I scarce could tell.
The very sense of where I was might well
Keep Sleep aloof: but more than that there came
Thought after thought to nourish up the flame
Within my breast; so that the morning light
Surprised me even from a sleepless night;
And up I rose refresh'd, and glad, and gay,
Resolving to begin that very day
These lines; and howsoever they be done,
I leave them as a father does his son.

THE END
778
John Keats

John Keats

On Sitting Down to Read King Lear Once Again

On Sitting Down to Read King Lear Once Again

O golden-tongued Romance with serene lute!
Fair plumed Syren! Queen of far away!
Leave melodizing on this wintry day,

Shut up thine olden pages, and be mute:

Adieu! for once again the fierce dispute,
Betwixt damnation and impassion'd clay
Must I burn through; once more humbly assay

The bitter-sweet of this Shakespearian fruit.
Chief Poet! and ye clouds of Albion,
Begetters of our deep eternal theme,
When through the old oak forest I am gone,

Let me not wander in a barren dream,
But when I am consumed in the fire,
Give me new Phoenix wings to fly at my desire.
383
John Keats

John Keats

On Receiving A Laurel Crown From Leigh Hunt

On Receiving A Laurel Crown From Leigh Hunt

MINUTES are flying swiftly, and as yet
Nothing unearthly has enticed my brain
Into a delphic Labyrinth I would fain
Catch an unmortal thought to pay the debt
I owe to the kind Poet who has set
Upon my ambitious head a glorious gain.
Two bending laurel Sprigs 'tis nearly pain
To be conscious of such a Coronet.
Still time is fleeting, and no dream arises
Gorgeous as I would have it only I see
A Trampling down of what the world most prizes
Turbans and Crowns, and blank regality;
And then I run into most wild surmises
Of all the many glories that may be.
469
John Keats

John Keats

Ode. Written On The Blank Page Before Beaumont And Fletcher's

Ode. Written On The Blank Page Before Beaumont And Fletcher's
Tragi-Comedy 'The Fair Maid Of The Inn'

Bards of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Doubled-lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wondrous,
And the parle of voices thund'rous;
With the whisper of heaven's trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.


Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you,
Where your other souls are joying,
Never slumber'd, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim.
Thus ye teach us, every day,
Wisdom, though fled far away.


Bards of Passion and of Mirth,
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
437
John Keats

John Keats

Ode To Apollo

Ode To Apollo

1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.
2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.
3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,-Enraptur'd
dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.
4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.
5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.
6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.
7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:-www.
PoemHunter.com - The World's Poetry Archive


Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.

8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
491
John Keats

John Keats

Ode

Ode


Bards of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Double lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wound'rous,
And the parle of voices thund'rous;
With the whisper of heaven's trees
And one another, in soft ease.


Seated on Elysian lawns
Brows'd by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.


Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you,
Where your other souls are joying,
Never slumber'd, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim.
Thus ye teach us, every day,
Wisdom, though fled far away.


Bards of Passion and of Mirth,
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
495
John Keats

John Keats

Ode On A Grecian Urn

Ode On A Grecian Urn

Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.


O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe


Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
770
John Keats

John Keats

Lines On Seeing A Lock Of Milton's Hair

Lines On Seeing A Lock Of Milton's Hair

Chief of organic Numbers!
Old Scholar of the Spheres!
Thy spirit never slumbers,
But rolls about our ears
For ever and for ever.
O, what a mad endeavour
Worketh he
Who, to thy sacred and ennobled hearse,
Would offer a burnt sacrifice of verse
And Melody!


How heavenward thou soundedst
Live Temple of sweet noise;
And discord unconfoundedst:
Giving delight new joys,
And Pleasure nobler pinions--
O where are thy Dominions!
Lend thine ear
To a young delian oath--aye, by thy soul,
By all that from thy mortal Lips did roll;
And by the Kernel of thine earthly Love,
Beauty, in things on earth and things above,
When every childish fashion
Has vanish'd from my rhyme
Will I grey-gone in passion
Give to an after-time
Hymning and harmony
Of thee, and of thy Words and of thy Life:
But vain is now the bruning and the strife--
Pangs are in vain -- until I grow high-rife
With Old Philosophy
And mad with glimpses at futurity!


For many years my offerings must be hush'd:
When I do speak I'll think upon this hour,
Because I feel my forehead hot and flush'd,
Even at the simplest vassal of thy Power,--
A Lock of thy bright hair!
Sudden it came,
And I was startled when I heard thy name
Coupled so unaware--
Yet, at the moment, temperate was my blood:
Methought I had beheld it from the flood.
413
John Keats

John Keats

If By Dull Rhymes Our English Must Be Chain'd

If By Dull Rhymes Our English Must Be Chain'd

If by dull rhymes our English must be chain'd,

And, like Andromeda, the Sonnet sweet
Fetter'd, in spite of pained loveliness;
Let us find out, if we must be constrain'd,

Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gain'd

By ear industrious, and attention meet:

Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay wreath crown;

So, if we may not let the Muse be free,
She will be bound with garlands of her own.
394
John Keats

John Keats

Fragment Of 'The Castle Builder.'

Fragment Of 'The Castle Builder.'

To-night I'll have my friar -- let me think
About my room, -- I'll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June,
Should look thro' four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower'd with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady's glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish'd but some ringlets of her hair;
A viol, bow-strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon a mat of roses lying,
Ink'd purple with a song concerning dying;
An hour-glass on the turn, amid the trails
Of passion-flower; -- just in time there sails
A cloud across the moon, -- the lights bring in!
And see what more my phantasy can win.
It is a gorgeous room, but somewhat sad;
The draperies are so, as tho' they had
Been made for Cleopatra's winding-sheet;
And opposite the stedfast eye doth meet
A spacious looking-glass, upon whose face,
In letters raven-sombre, you may trace
Old 'Mene, Mene, Tekel Upharsin.'
Greek busts and statuary have ever been
Held, by the finest spirits, fitter far
Than vase grotesque and Siamesian jar;
Therefore 'tis sure a want of Attic taste
That I should rather love a Gothic waste
Of eyesight on cinque-coloured potter's clay,
Than on the marble fairness of old Greece.
My table-coverlits of Jason's fleece
And black Numidian sheep-wool should be wrought,
Gold, black, and heavy, from the Lama brought.
My ebon sofas should delicious be
With down from Leda's cygnet progeny.
My pictures all Salvator's, save a few
Of Titian's portraiture, and one, though new,
Of Haydon's in its fresh magnificence.
My wine -- O good! 'tis here at my desire,
And I must sit to supper with my friar.
437