Art

A Recantation

What boots it on the Gods to call?
Since, answered or unheard,
We perish with the Gods and all
Things made--except the Word.
Ere certain Fate had touched a heart
By fifty years made cold,
I judged thee, Lyde, and thy art
O'erblown and over-bold.
But he--but he, of whom bereft
I suffer vacant days--
He on his shield not meanly left
He cherished all thy lays.
Witness the magic coffer stocked
With convoluted runes
Wherein thy very voice was locked
And linked to circling tunes.
Witness thy portrait, smoke-defiled,
That decked his shelter-place.
Life seemed more present, wrote the child,
Beneath thy well-known face.
And when the grudging days restored
Him for a breath to home,
He, with fresh crowds of youth, adored
Thee making mirth in Rome.
Therefore, I humble, join the hosts,
Loyal and loud, who bow
To thee as Queen of Song--and ghosts,
For I remember how
Never more rampant rose the Hall
At thy audacious line
Than when the news came in from Gaul
Thy son had--followed mine.
But thou didst hide it in thy breast
And, capering, took the brunt
Of blaze and blare, and launched the jest
That swept next week the front.
Singer to children! Ours possessed
Sleep before noon--but thee,
Wakeful each midnight for the rest,
No holocaust shall free!


Yet they who use the Word assigned,
To hearten and make whole,
Not less than Gods have served mankind,
Though vultures rend their soul.

A Dedication
And they were stronger hands than mine
That digged the Ruby from the earth--
More cunning brains that made it worth
The large desire of a king,
And stouter hearts that through the brine
Went down the perfect Pearl to bring.
Lo, I have wrought in common clay
Rude figures of a rough-hewn race,
Since pearls strew not the market-place
In this my town of banishment,
Where with the shifting dust I play,
And eat the bread of discontent.
Yet is there life in that I make.
thou who knowest, turn and see--
As thou hast power over me
So have I power over these,
Because I wrought them for thy sake,
And breathed in them mine agonies.
Small mirth was in the making--now
I lift the cloth that cloaks the clay,
And, wearied, at thy feet I lay
My wares, ere I go forth to sell.
The long bazar will praise, but thou--
Heart of my heart--have I done well?

Toilet Seats

While I am emulating Keats
My brother fabrics toilet seats,
The which, they say, are works of art,
Aesthetic features of the mart;
So exquisitely are they made
With plastic of a pastel shade,
Of topaz, ivory or rose,
Inviting to serene repose.


Rajahs I'm told have seats of gold,-(
They must, I fear, be very cold).
But Tom's have thermostatic heat,
With sympathy your grace to greet.
Like silver they are neon lit,
Making a halo as you sit:
Then lo! they play with dulset tone
A melody by Mendelssohn.


Oh were I lyrical as Yeats
I would not sing of toilet seats,
But rather serenade a star,--
Yet I must take things as they are.
For even kings must coyly own
Them as essential as a throne:
So as I tug the Muse's teats
I envy Tom his toilet seats.

The Visionary

If fortune had not granted me
To suck the Muse's teats,
I think I would have liked to be
A sweeper of the streets;
And city gutters glad to groom,
Have heft a bonny broom.

There--as amid the crass and crush
The limousines swished by,
I would have leaned upon my brush


With visionary eye:
Deeming despite their loud allure
That I was rich, they poor.

Aye, though in garb terrestrial,
To Heaven I would pray,

And dream with broom celestial
I swept the Milky Way;
And golden chariots would ring,


And harps of Heaven sing.

And all the strumpets passing me,
And heelers of the Ward
Would glorified Madonnas be,
And angels of the Lord;
And all the brats in gutters grim
Be rosy cherubim.

The Missal Makers

To visit the Escurial
We took a motor bus,
And there a guide mercurial

Took charge of us.
He showed us through room after room,
And talked hour after hour,
Of place, crypt and royal tomb,

Of pomp and power.

But in bewilderment of grace
What pleased me most of all
Were ancient missals proud in place

In stately hall.
A thousand tomes there were at least,
All luminously bright,
That each a score of years some priest

Had toiled to write.

Poor patient monk who brushed and penned
From rise to set of sun!
And when his book came to an end,


His life was done.
With heart of love to God above
For guidance he would pray,
And here behold his art of gold

Undimmed today.

And as our homeward way we took,
The thought occurred to me -
If scribes would only write one book,


How good 'twould be!
Or if our authors had to scroll
Their words on vellum fair,
Their output might be very small,

But oh how rare!

So writers of today take note,
If you your souls would save,
Let every line be one to quote

And to engrave.
Then though you dismally are dead,
You will be cheered to know
your precious prose may still be read

-Ten years or so.

The Dauber

In stilly grove beside the sea
He mingles colours, measures space;
A bronze and breezy man is he,


Yet peace is in his face.
Behold him stand and longly stare,
Till deft of hand and deep of eye
He captures on a canvas square

The joy of earth and sky.

Aloof from servitude and strife,
From carking care and greed apart,
Beneath the blue he lives his life

Of Nature and of Art.
He grieves his pictures must be sold,
Aye, even when his funds are low,
And fat men pay a purse of gold

He sighs to see them go.

My loving toil is of the pen,
Yet while my verse is not unread,
His pictures will be living when


My tropes are dim and dead.
God gives us talents great and small,
And though my rhymes I'll never rue,
Sometimes I wish that after all

I were a dauber too.

Stamp Collector

My worldly wealth I hoard in albums three,
My life collection of rare postage stamps;
My room is cold and bare as you can see,
My coat is old and shabby as a tramp's;
Yet more to me than balances in banks,
My albums three are worth a million francs.


I keep them in that box beside my bed,
For who would dream such treasures it could hold;
But every day I take them out and spread
Each page, to gloat like miser o'er his gold:
Dearer to me than could be child or wife,
I would defend them with my very life.


They are my very life, for every night
over my catalogues I pore and pore;
I recognize rare items with delight,
Nothing I read but philatelic lore;
And when some specimen of choice I buy,
In all the world there's none more glad than I.


Behold my gem, my British penny black;
To pay its price I starved myself a year;
And many a night my dinner I would lack,
But when I bought it, oh, what radiant cheer!
Hitler made war that day - I did not care,
So long as my collection he would spare.


Look - my triangular Cape of Good Hope.
To purchase it I had to sell my car.
Now in my pocket for some sous I grope
To pay my omnibus when home is far,
And I am cold and hungry and footsore,
In haste to add some beauty to my store.


This very day, ah, what a joy was mine,
When in a dingy dealer's shop I found
This franc vermillion, eighteen forty-nine . . .
How painfully my heart began to pound!
(It's weak they say), I paid the modest price
And tremblingly I vanished in a trice.


But oh, my dream is that some day of days,
I might discover a Mauritius blue,
poking among the stamp-bins of the quais;
Who knows! They say there are but two;
Yet if a third one I should spy,
I think - God help me! I should faint and die. . . .


Poor Monsieur Pns, he's cold and dead,
One of those stamp-collecting cranks.
His garret held no crust of bread,



But albums worth a million francs.
on them his income he would spend,
By philatelic frenzy driven:
What did it profit in the end. . .
You can't take stamps to Heaven.

Room 5: The Concert Singer

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.


Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;
He lives on air, I'm thinking.


But me, I love the things that are,
My heart is always merry;
I laugh and tune my old guitar:
Sing ho! and hey-down-derry.
Oh, let them toil their lives away
To gild a tawdry era,
But I'll be gay while yet I may:
Sing tira-lira-lira.


I'm sure you know that picture well,
A monk, all else unheeding,
Within a bare and gloomy cell
A musty volume reading;
While through the window you can see
In sunny glade entrancing,
With cap and bells beneath a tree
A jester dancing, dancing.


Which is the fool and which the sage?
I cannot quite discover;
But you may look in learning's page
And I'll be laughter's lover.
For this our life is none too long,
And hearts were made for gladness;
Let virtue lie in joy and song,
The only sin be sadness.


So let me troll a jolly air,
Come what come will to-morrow;
I'll be no cabotin of care,
No souteneur of sorrow.
Let those who will indulge in strife,
To my most merry thinking,
The true philosophy of life



Is laughing, loving, drinking.

And there's that weird and ghastly hag
Who walks head bent, with lips a-mutter;
With twitching hands and feet that drag,
And tattered skirts that sweep the gutter.
An outworn harlot, lost to hope,
With staring eyes and hair that's hoary
I hear her gibber, dazed with dope:
I often wonder what's her story.

Prelude


To smite Apollo's lyre I am unable;
Of loveliness, alas! I cannot sing.
My lot it i, across the tavern table,
To start a chorus to the strumming string.
I have no gift to touch your heart to pity;
I have no power to ring the note of pain:
All I can do is pipe a pot-house ditty,
Or roar a Rabelaisian refrain.


Behold yon minstrel of the empty belly,
Who seeks to please the bored and waiting throng,
Outside the Opera with ukulele,
And raucous strains of syncopated song.
His rag-time mocks their eager hearts a-hunger
For golden voices, melody divine:
Yet . . . throw a penny to the ballad-monger;
Yet . . . listen idly to this song of mine.


For with a humble heart I clank rhyme's fetters,
And bare my buttocks to the critic knout;
A graceless hobo in the Land of Letters,
Piping my ditties of the down-and-out.
A bar-room bard . . . so if a coin you're flinging,
Pay me a pot, and let me dream and booze;
To stars of scorn my dour defiance ringing,
With battered banjo and a strumpet Muse.

Poet's Path

My garden hath a slender path
With ivy overgrown,
A secret place where once would pace
A pot all alone;
I see him now with fretted brow,
Plunged deep in thought;
And sometimes he would write maybe,
And sometimes he would not.


A verse a day he used to say
Keeps worry from the door;
Without the stink of printer's ink
How life would be a bore!
And so from chime of breakfast time
To supper he would beat
The pathway flat, a mossy mat
For his poetic feet.


He wrote, I'm told, of gods of old
And mythologic men;
Far better he had sung, maybe,
Of plain folks now and then;
With bitterness he would confess
Too lofty was his aim. . . .
And then with woe I saw him throw
His poems to the flame.


He went away one bitter day
When death was in the sky;
No further word I ever heard
Beyond his last goodbye.
Did battle grim take toll of him
In heaven-rocking wrath?
Oh did he write in starry flight
His name in flame on hell-brewed night?


... Well, there's my poet's path.

Picture Dealer

There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".


Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.


Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.


Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.


Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?

Pavement Poet

God's truth! these be the bitter times.
In vain I sing my sheaf of rhymes,
And hold my battered hat for dimes.


And then a copper collars me,
Barking: "It's begging that you be;
Come on, dad; you're in custody."


And then the Beak looks down and says:
"Sheer doggerel I deem your lays:
I send you down for seven days."


So for the week I won't disturb
The peace by singing at the curb.
I don't mind that, but oh it's hell
To have my verse called doggerel.

Old Trouper

I was Mojeska's leading man
And famous parts I used to play,
But now I do the best I can
To earn my bread from day to day;
Here in this Burg of Breaking Hears,
Where one wins as a thousand fail,
I play a score of scurvy parts
Till Time writes Finis to my tale.


My wife is dead, my daughter wed,
With heaps of trouble of their own;
And though I hold aloft my head
I'm humble, scared and all alone . . .
To-night I burn each photograph,
Each record of my former fame,
And oh, how bitterly I laugh
And feed them to the hungry flame!


Behold how handsome I was then -
What glowing eye, what noble mien;
I towered above my fellow men,
And proudly strode the painted scene.
Ah, Vanity! What fools are we,
With empty ends and foolish aims . . .
There now, I fling with savage glee
My David Garrick to the flames.


"Is this a dagger that I see":
Oh, how I used to love that speech;
We were old-fashioned - "hams" maybe,
Yet we Young Arrogance could teach.
"Out, out brief candle!" There are gone
My Lear, my Hamlet and MacBeth;
And now by ashes cold and wan
I wait my cue, my prompter Death.


This life of ours is just a play;
Its end is fashioned from the start;
Fate writes each word we have to say,
And puppet-like we strut our part.
Once I wore laurels on my brow,
But now I wait, a sorry clown,
To make my furtive, farewell bow . . .
Haste Time! Oh, ring the Curtain down.

On The Boulevard

Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.


More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.


(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air . . .
Well, her smile is but a mask,
For I saw within her muff
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.


Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.


Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St. Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy . . . let me see . . .


She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,



And his eyes that cannot see.


Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.


Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.


"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so . . . and so
Bring my story to an end.


How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.


(Ah! Imagination rare)
See . . . he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw. . . .
God! and she has done it too . . .
Oh, those screams; those hideous screams!
I imagined and . . . it's true:
How his face will haunt my dreams!


What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick . . .
There! I'm feeling better now.
Let's collaborate, we two,



You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!

My Picture

I made a picture; all my heart
I put in it, and all I knew
Of canvas-cunning and of Art,
Of tenderness and passion true.
A worshipped Master came to see;
Oh he was kind and gentle, too.
He studied it with sympathy,
And sensed what I had sought to do.


Said he: "Your paint is fresh and fair,
And I can praise it without cease;
And yet a touch just here and there
Would make of it a masterpiece."
He took the brush from out my hand;
He touched it here, he touched it there.
So well he seemed to understand,
And momently it grew more fair.


Oh there was nothing I could say,
And there was nothing I could do.
I thanked him, and he went his way,
And then - I slashed my picture through.
For though his brush with soft caress
Had made my daub a thing divine,
Oh God! I wept with bitterness,
. . . It wasn't mine, it wasn't mine.

My Masterpiece

It's slim and trim and bound in blue;
Its leaves are crisp and edged with gold;
Its words are simple, stalwart too;
Its thoughts are tender, wise and bold.
Its pages scintillate with wit;
Its pathos clutches at my throat:
Oh, how I love each line of it!
That Little Book I Never Wrote.


In dreams I see it praised and prized
By all, from plowman unto peer;
It's pencil-marked and memorized,
It's loaned (and not returned, I fear);
It's worn and torn and travel-tossed,
And even dusky natives quote
That classic that the world has lost,
The Little Book I Never Wrote.


Poor ghost! For homes you've failed to cheer,
For grieving hearts uncomforted,
Don't haunt me now. . . . Alas! I fear
The fire of Inspiration's dead.
A humdrum way I go to-night,
From all I hoped and dreamed remote:
Too late . . . a better man must write
That Little Book I Never Wrote.

My Cross

I wrote a poem to the moon
But no one noticed it;
Although I hoped that late or soon
Someone would praise a bit
Its purity and grace forlone,
Its beauty tulip-cool...
But as my poem died still-born,
I felt a fool.


I wrote a verse of vulgar trend
Spiced with an oath or two;
I tacked a snapper at the end
And called it Dan McGrew.
I spouted it to bar-room boys,
Full fifty years away;
Yet still with rude and ribald noise
It lives today.


'Tis bitter truth, but there you areThat's
how a name is made;
Write of a rose, a lark, a star,
You'll never make the grade.
But write of gutter and of grime,
Of pimp and prostitute,
The multitude will read your rhyme,
And pay to boot.


So what's the use to burn and bleed
And strive for beauty's sake?
No one your poetry will read,
Your heart will only break.
But set your song in vulgar pitch,
If rhyme you will not rue,
And make your heroine a bitch...
Like Lady Lou.

My Chapel

In idle dream with pipe in hand
I looked across the Square,

And saw the little chapel stand
In eloquent despair.

A ruin of the War it was,
A dreary, dingy mess:

It worried me a lot because
My hobby's happiness.

The shabby Priest said: 'You are kind.
Time leaves us on the lurch,

And there are very few who mind
Their duty to the Church.

But with this precious sum you give,
I'll make it like a gem;

Poor folks will come, our altar live
To comfort them.'

So now my chapel of despair
Is full of joy and song;

I watch the humble go to prayer
Although I don't belong.

An artist and agnostic I
Possess but little pelf;

But oh what blessings it can buy
Them--and myself!

My Book

Before I drink myself to death,
God, let me finish up my Book!
At night, I fear, I fight for breath,
And wake up whiter than a spook;
And crawl off to a bistro near,
And drink until my brain is clear.


Rare Absinthe! Oh, it gives me strength
To write and write; and so I spend
Day after day, until at length
With joy and pain I'll write The End:
Then let this carcase rot; I give
The world my Book -- my Book will live.


For every line is tense with truth,
There's hope and joy on every page;
A cheer, a clarion call to Youth,
A hymn, a comforter to Age:
All's there that I was meant to be,
My part divine, the God in me.


It's of my life the golden sum;
Ah! who that reads this Book of mine,
In stormy centuries to come,
Will dream I rooted with the swine?
Behold! I give mankind my best:
What does it matter, all the rest?


It's this that makes sublime my day;
It's this that makes me struggle on.
Oh, let them mock my mortal clay,
My spirit's deathless as the dawn;
Oh, let them shudder as they look . . .
I'll be immortal in my Book.


And so beside the sullen Seine
I fight with dogs for filthy food,
Yet know that from my sin and pain
Will soar serene a Something Good;
Exultantly from shame and wrong
A Right, a Glory and a Song.

L'Escargot D'Or

O Tavern of the Golden Snail!
Ten sous have I, so I'll regale;
Ten sous your amber brew to sip
(Eight for the bock and two the tip),
And so I'll sit the evening long,
And smoke my pipe and watch the throng,
The giddy crowd that drains and drinks,
I'll watch it quiet as a sphinx;
And who among them all shall buy
For ten poor sous such joy as I?
As I who, snugly tucked away,
Look on it all as on a play,
A frolic scene of love and fun,
To please an audience of One.


O Tavern of the Golden Snail!
You've stuff indeed for many a tale.
All eyes, all ears, I nothing miss:
Two lovers lean to clasp and kiss;
The merry students sing and shout,
The nimble garcons dart about;
Lo! here come Mimi and Musette
With: "S'il vous plait, une cigarette?"
Marcel and Rudolf, Shaunard too,
Behold the old rapscallion crew,
With flowing tie and shaggy head . . .
Who says Bohemia is dead?
Oh shades of Murger! prank and clown,
And I will watch and write it down.


O Tavern of the Golden Snail!
What crackling throats have gulped your ale!
What sons of Fame from far and near
Have glowed and mellowed in your cheer!
Within this corner where I sit
Banville and Coppée clashed their wit;
And hither too, to dream and drain,
And drown despair, came poor Verlaine.
Here Wilde would talk and Synge would muse,
Maybe like me with just ten sous.
Ah! one is lucky, is one not?
With ghosts so rare to drain a pot!
So may your custom never fail,
O Tavern of the Golden Snail!

Frustration


Gazing to gold seraph wing,
With wistful wonder in my eyes,
A blue-behinded ape, I swing
Upon the palms of Paradise.


A parakeet of gaudy hue
Upon a flame tree smugly rocks;
Oh, we're a precious pair, we two,
I gibber while the parrot squawks.


"If I had but your wings," I sigh,
"How ardently would I aspire
To soar celestially high
And mingle with yon angel choir."


His beady eye is bitter hard;
Right mockingly he squints at me;
As critic might review a bard
His scorn is withering to see.


And as I beat my brest and howl,
"Poor fool," he shrills, my bliss to wreck.
So . . . so I steal behind that fowl
And grab his claw and screw his neck.


And swift his scarlet wings I tear;
Seeking to soar, with hope divine,
I frantically beat the air,
And crash to earth and - snap my spine.


Yet as I lie with shaken breaths
Of pain I watch my seraph throng. . . .
Oh, I would die a dozen deaths
Could I but sing one deathless song!

Forgotten Master

As you gaze beyond the bay
With such wanness in your eyes,
You who have out-stayed your day,
Seeing other stars arise,
Slender though your lifehold be,
Still you dream beside the sea.


We, alas! may live too long,
Know the best part of us die;
Echo of your even-song
Hushes down the darkling sky . . .
But your greatness would be less
If you cherished bitterness.


I am sure you do not care
Though the rabble turn thumbs down;
Their neglect you well can bear,
knowing you have won your crown,
proudly given of your best . . .
Masterlinck, leave God the rest.

Dedication To Providence

I loved to toy with tuneful rhyme,
My fancies into verse to weave;
For as I walked my words would chime
So bell-like I could scarce believe;
My rhymes rippled like a brook,
My stanzas bloomed like blossoms gay:
And that is why I dream this book


A verseman's holiday.

The palm-blades brindle in the blaze
Of sunsets splendouring the sea;
The Gloaming is a lilac haze
That impish stars stab eagerly. . . .
O Land of Song! Oh golden clime!
O happy me, whose work is play!
Please take this tribute of my rhymes:


A verseman's holiday.

Artist


He gave a picture exhibition,
Hiring a little empty shop.
Above its window: FREE ADMISSION
Cajoled the passers-by to stop;
Just to admire - no need to purchase,
Although his price might have been low:
But no proud artist ever urges
Potential buyers at his show.


Of course he badly needed money,
But more he needed moral aid.
Some people thought his pictures funny,
Too ultra-modern, I'm afraid.
His painting was experimental,
Which no poor artist can afford-
That is, if he would pay the rental
And guarantee his roof and board.


And so some came and saw and sniggered,
And some a puzzled brow would crease;
And some objected: "Well, I'm jiggered!"
What price Picasso and Matisse?
The artist sensitively quivered,
And stifled many a bitter sigh,
But day by day his hopes were shivered
For no one ever sought to buy.


And then he had a brilliant notion:
Half of his daubs he labeled: SOLD.
And lo! he viewed with queer emotion
A public keen and far from cold.
Then (strange it is beyond the telling),
He saw the people round him press:
His paintings went - they still are selling...
Well, nothing succeeds like success.