Art

Poem Written at Morning
A sunny day's complete Poussiniana
Divide it from itself. It is this or that
And it is not.
By metaphor you paint
A thing. Thus, the pineapple was a leather fruit,
A fruit for pewter, thorned and palmed and blue,
To be served by men of ice.
The senses paint
By metaphor. The juice was fragranter
Than wettest cinnamon. It was cribled pears
Dripping a morning sap.
The truth must be
That you do not see, you experience, you feel,
That the buxom eye brings merely its element
To the total thing, a shapeless giant forced
Upward.
Green were the curls upon that head.

Of Modern Poetry
The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.
It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and
With meditation, speak words that in the ear,
In the delicatest ear of the mind, repeat,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
Emotions becoming one. The actor is
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind, below which it cannot descend,
Beyond which it has no will to rise.
It must
Be the finding of a satisfaction, and may
Be of a man skating, a woman dancing, a woman
Combing. The poem of the act of the mind.

A High-Toned Old Christian Woman
Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven. Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle. That's clear. But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets. Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones. And palm for palm,
Madame, we are where we began. Allow,
Therefore, that in the planetary scene
Your disaffected flagellants, well-stuffed,
Smacking their muzzy bellies in parade,
Proud of such novelties of the sublime,
Such tink and tank and tunk-a-tunk-tunk,
May, merely may, madame, whip from themselves
A jovial hullabaloo among the spheres.
This will make widows wince. But fictive things
Wink as they will. Wink most when widows wince.

An Incantation
Come with me, and we will blow
Lots of bubbles, as we go;
Bubbles bright as ever Hope
Drew from fancy -- or from soap;
Bright as e'er the South Sea sent
from its frothy element!
Come with me, and we will blow
Lots of bubbles, as we go.
Mix the lather, Johnny W--lks,
Thou, who rhym'st so well to bilks;
Mix the lather - who can be
Fitter for such task than thee,
Great M.P. for Sudsbury!
For the frothy charm is ripe,
Puffing Peter bring thy pipe, --
Thou, whom ancient Coventry,
Once so dearly lov'd, that she
Knew not which to her was sweeter,
Peeping Tom or Puffing Peter; --
Puff the bubbles high in air,
Puff thy best to keep them there.
Bravo, bravo, Peter M--re!
Now the rainbow humbugs soar,
Glitt'ring all with golden hues,
Such as haunt the dreams of Jews; --
Some reflecting mines that lie
Under Chili's glowing sky,
Some, those virgin pearls that sleep
Cloister'd in the southern deep;
Others, as if lent a ray
Form the streaming Milky Way,
Glist'ning o'er with curds and whey
From the cows of Alderney.
Now's the moment -- who shall first
Catch the buble, ere they burst?
Run, ye Squires, ye Viscounts, run,
Br-gd-n, T-ynh-m, P-lm-t-n; --
John W--lks junior runs beside ye!
Take the good the knaves provide ye!
See, with upturn'd eyes and hands,
Where the Shareman, Bri-gd-n, stands,
Gaping for the froth to fall
Down his gullet - lye and all.
See!---But hark my time is out --
Now, like some great water-spout,
Scaterr'd by the cannon's thunder,
Burst, ye bubbles, burst asunder!

Shelley's Skylark.
Somewhere afield here something lies
In Earth's oblivious eyeless trust
That moved a poet to prophecies -
A pinch of unseen, unguarded dust
The dust of the lark that Shelley heard,
And made immortal through times to be; -
Though it only lived like another bird,
And knew not its immortality.
Lived its meek life; then, one day, fell -
A little ball of feather and bone;
And how it perished, when piped farewell,
And where it wastes, are alike unknown.
Maybe it rests in the loam I view,
Maybe it throbs in a myrtle's green,
Maybe it sleeps in the coming hue
Of a grape on the slopes of yon inland scene.
Go find it, faeries, go and find
That tiny pinch of priceless dust,
And bring a casket silver-lined,
And framed of gold that gems encrust;
And we will lay it safe therein,
And consecrate it to endless time;
For it inspired a bard to win
Ecstatic heights in thought and rhyme.

Rome: Building a New Street in the Ancient Quarter.
These numbered cliffs and gnarls of masonry
Outskeleton Time's central city, Rome;
Whereof each arch, entablature, and dome
Lies bare in all its gaunt anatomy.
And cracking frieze and rotten metope
Express, as though they were an open tome
Top-lined with caustic monitory gnome;
"Dunces, Learn here to spell Humanity!"
And yet within these ruins' very shade
The singing workmen shape and set and join
Their frail new mansion's stuccoed cove and quoin
With no apparent sense that years abrade,
Though each rent wall their feeble works invade
Once shamed all such in power of pier and groin.

Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
Who, then, was Cestius,
And what is he to me? -
Amid thick thoughts and memories multitudinous
One thought alone brings he.
I can recall no word
Of anything he did;
For me he is a man who died and was interred
To leave a pyramid
Whose purpose was exprest
Not with its first design,
Nor till, far down in Time, beside it found their rest
Two countrymen of mine.
Cestius in life, maybe,
Slew, breathed out threatening;
I know not. This I know: in death all silently
He does a kindlier thing,
In beckoning pilgrim feet
With marble finger high
To where, by shadowy wall and history-haunted street,
Those matchless singers lie . . .
--Say, then, he lived and died
That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
It is an ample fame.

Cardinal Bembo's Epitaph on Raphael
Here's one in whom Nature feared--faint at such vying -
Eclipse while he lived, and decease at his dying.

The Goldsmith
This job’s the best I’ve done.’ He bent his head
Over the golden vessel that he’d wrought.
A bird was singing. But the craftsman’s thought
Is a forgotten language, lost and dead.
He sighed and stretch’d brown arms. His friend came in
And stood beside him in the morning sun.
The goldwork glitter’d.... ‘That’s the best I’ve done.
‘And now I’ve got a necklace to begin.’
This was at Gnossos, in the isle of Crete...
A girl was selling flowers along the street.

Limitations
If you could crowd them into forty lines!
Yes; you can do it, once you get a start;
All that you want is waiting in your head,
For long-ago you’ve learnt it off by heart.
. . . .
Begin: your mind’s the room where you have slept,
(Don’t pause for rhymes), till twilight woke you early.
The window stands wide-open, as it stood
When tree-tops loomed enchanted for a child
Hearing the dawn’s first thrushes through the wood
Warbling (you know the words) serene and wild.
You’ve said it all before: you dreamed of Death,
A dim Apollo in the bird-voiced breeze
That drifts across the morning veiled with showers,
While golden weather shines among dark trees.
You’ve got your limitations; let them sing,
And all your life will waken with a cry:
Why should you halt when rapture’s on the wing
And you’ve no limit but the cloud-flocked sky?...
But some chap shouts, ‘Here, stop it; that’s been done!’—
As God might holloa to the rising sun,
And then relent, because the glorying rays
Remind Him of green-glinting Eden days,
And Adam’s trustful eyes as he looks up
From carving eagles on his beechwood cup.
Young Adam knew his job; he could condense
Life to an eagle from the unknown immense....
Go on, whoever you are; your lines can be
A whisper in the music from the weirs
Of song that plunge and tumble toward the sea
That is the uncharted mercy of our tears.
. . . .
I told you it was easy! ... Words are fools
Who follow blindly, once they get a lead.
But thoughts are kingfishers that haunt the pools
Of quiet; seldom-seen: and all you need
Is just that flash of joy above your dream.
So, when those forty platitudes are done,
You’ll hear a bird-note calling from the stream
That wandered through your childhood; and the sun
Will strike the old flaming wonder from the waters....
And there’ll be forty lines not yet begun.

A Poplar and the Moon
There stood a Poplar, tall and straight;
The fair, round Moon, uprisen late,
Made the long shadow on the grass
A ghostly bridge ’twixt heaven and me.
But May, with slumbrous nights, must pass;
And blustering winds will strip the tree.
And I’ve no magic to express
The moment of that loveliness;
So from these words you’ll never guess
The stars and lilies I could see.

Ode to H.H. The Nizam Of Hyderabad

DEIGN, Prince, my tribute to receive,
This lyric offering to your name,
Who round your jewelled scepter bind
The lilies of a poet's fame;
Beneath whose sway concordant dwell
The peoples whom your laws embrace,
In brotherhood of diverse creeds,
And harmony of diverse race:


The votaries of the Prophet's faith,
Of whom you are the crown and chief
And they, who bear on Vedic brows
Their mystic symbols of belief;
And they, who worshipping the sun,
Fled o'er the old Iranian sea;
And they, who bow to Him who trod
The midnight waves of Galilee.


Sweet, sumptuous fables of Baghdad
The splendours of your court recall,
The torches of a Thousand Nights
Blaze through a single festival;
And Saki-singers down the streets,
Pour for us, in a stream divine,
From goblets of your love-ghazals
The rapture of your Sufi wine.


Prince, where your radiant cities smile,
Grim hills their sombre vigils keep,
Your ancient forests hoard and hold
The legends of their centuried sleep;
Your birds of peace white-pinioned float
O'er ruined fort and storied plain,
Your faithful stewards sleepless guard
The harvests of your gold and grain.


God give you joy, God give you grace
To shield the truth and smite the wrong,
To honour Virtue, Valour, Worth.
To cherish faith and foster song.
So may the lustre of your days
Outshine the deeds Firdusi sung,
Your name within a nation's prayer,
Your music on a nation's tongue.

I took my lyre and said
I took my lyre and said:
Come now, my heavenly
tortoise shell: become
a speaking instrument

It is the Muses
It is the Muses
who have caused me
to be honred: they
taught me their craft

I have no complaint
I have no complaint
prosperity that
the golden Muses
gave me was no
delusion: dead, I
won't be forgotten

Although they are
Although they are
only breath, words
which I command
are immortal

When Earth's Last Picture Is Painted
When Earth's last picture is painted
And the tubes are twisted and dried
When the oldest colors have faded
And the youngest critic has died
We shall rest, and faith, we shall need it
Lie down for an aeon or two
'Till the Master of all good workmen
Shall put us to work anew
And those that were good shall be happy
They'll sit in a golden chair
They'll splash at a ten league canvas
With brushes of comet's hair
They'll find real saints to draw from
Magdalene, Peter, and Paul
They'll work for an age at a sitting
And never be tired at all.
And only the Master shall praise us.
And only the Master shall blame.
And no one will work for the money.
No one will work for the fame.
But each for the joy of the working,
And each, in his separate star,
Will draw the thing as he sees it.
For the God of things as they are!

Untimely
Nothing in life has been made by man for man's using
But it was shown long since to man in ages
Lost as the name of the maker of it,
Who received oppression and shame for his wages--
Hate, avoidance, and scorn in his daily dealings--
Until he perished, wholly confounded
More to be pitied than he are the wise
Souls which foresaw the evil of loosing
Knowledge or Art before time, and aborted
Noble devices and deep-wrought healings,
Lest offense should arise.
Heaven delivers on earth the Hour that cannot be
thwarted,
Neither advanced, at the price of a world nor a soul,
and its Prophet
Comes through the blood of the vanguards who
dreamed--too soon--it had sounded.

The Press
The Soldier may forget his Sword,
The Sailorman the Sea,
The Mason may forget the Word
And the Priest his Litany:
The Maid may forget both jewel and gem,
And the Bride her wedding-dress--
But the Jew shall forget Jerusalem
Ere we forget the Press!
Who once hath stood through the loaded hour
Ere, roaring like the gale,
The Harrild and the Hoe devour
Their league-long paper-bale,
And has lit his pipe in the morning calm
That follows the midnight stress--
He hath sold his heart to the old Black Art
We call the daily Press.
Who once hath dealt in the widest game
That all of a man can play,
No later love, no larger fame
Will lure him long away.
As the war-horse snuffeth the battle afar,
The entered Soul, no less,
He saith: "Ha! Ha!" where the trumpets are
And the thunders of the Press!
Canst thou number the days that we fulfill,
Or the Times that we bring forth?
Canst thou send the lightnings to do thy will,
And cause them reign on earth?
Hast thou given a peacock goodly wings,
To please his foolishness?
Sit down at the heart of men and things,
Companion of the Press!
The Pope may launch his Interdict,
The Union its decree,
But the bubble is blown and the bubble is pricked
By Us and such as We.
Remember the battle and stand aside
While Thrones and Powers confess
That King over all the children of pride
Is the Press--the Press--the Press!

The Palace

When I was a King and a Mason -- a Master proven and skilled --
I cleared me ground for a Palace such as a King should build.
I decreed and dug down to my levels. Presently, under the silt,
I came on the wreck of a Palace such as a King had built.
There was no worth in the fashion -- there was no wit in the plan --
Hither and thither, aimless, the ruined footings ran --
Masonry, brute, mishandled, but carven on every stone:
"After me cometh a Builder. Tell him, I too have known."
Swift to my use in my trenches, where my well-planned ground-works grew,
I tumbled his quoins and his ashlars, and cut and reset them anew.
Lime I milled of his marbles; burned it, slacked it, and spread;
Taking and leaving at pleasure the gifts of the humble dead.
Yet I despised not nor gloried; yet, as we wrenched them apart,
I read in the razed foundations the heart of that builder's heart.
As he had risen and pleaded, so did I understand
The form of the dream he had followed in the face of the thing he had planned.
* * * * *
When I was a King and a Mason -- in the open noon of my pride,
They sent me a Word from the Darkness. They whispered and called me aside.
They said -- "The end is forbidden." They said -- "Thy use is fulfilled.
"Thy Palace shall stand as that other's -- the spoil of a King who shall build."
I called my men from my trenches, my quarries, my wharves, and my sheers.
All I had wrought I abandoned to the faith of the faithless years.
Only I cut on the timber -- only I carved on the stone:
"After me cometh a Builder. Tell him, I too have known!"

The Legend of Mirth
The Four Archangels, so the legends tell,
Raphael, Gabriel, Michael, Azrael,
Being first of those to whom the Power was shown
Stood first of all the Host before The Throne,
And, when the Charges were allotted, burst
Tumultuous-winged from out the assembly first.
Zeal was their spur that bade them strictly heed
Their own high judgment on their lightest deed.
Zeal was their spur that, when relief was given,
Urged them unwearied to new toils in Heaven;
For Honour's sake perfecting every task
Beyond what e 'en Perfection's self could ask. . .
And Allah, Who created Zeal and Pride,
Knows how the twain are perilous-near allied.
It chanced on one of Heaven's long-lighted days,
The Four and all the Host being gone their ways
Each to his Charge, the shining Courts were void
Save for one Seraph whom no charge employed,
With folden wings and slumber-threatened brow,
To whom The Word: "Beloved, what dost thou?"
"By the Permission," came the answer soft,
Little I do nor do that little oft.
As is The Will in Heaven so on Earth
Where by The Will I strive to make men mirth"
He ceased and sped, hearing The Word once more:
" Beloved, go thy way and greet the Four."
Systems and Universes overpast,
The Seraph came upon the Four, at last,
Guiding and guarding with devoted mind
The tedious generations of mankind
Who lent at most unwilling ear and eye
When they could not escape the ministry. . . .
Yet, patient, faithful, firm, persistent, just
Toward all that gross, indifferent, facile dust,
The Archangels laboured to discharge their trust
By precept and example, prayer and law,
Advice, reproof, and rule, but, labouring, saw
Each in his fellows' countenance confessed,
The Doubt that sickens: "Have I done my best?"
Even as they sighed and turned to toil anew,
The Seraph hailed them with observance due;
And, after some fit talk of higher things,
Touched tentative on mundane happenings.
This they permitting, he, emboldened thus,
Prolused of humankind promiscuous,
And, since the large contention less avails
Than instances observed, he told them tales--
Tales of the shop, the bed, the court, the street,


Intimate, elemental, indiscreet:
Occasions where Confusion smiting swift
Piles jest on jest as snow-slides pile the drift
Whence, one by one, beneath derisive skies,
The victims' bare, bewildered heads arise--
Tales of the passing of the spirit, graced
With humour blinding as the doom it faced--
Stark tales of ribaldy that broke aside
To tears, by laughter swallowed ere they dried-
Tales to which neither grace nor gain accrue,
But Only (Allah be exalted!) true,
And only, as the Seraph showed that night,
Delighting to the limits of delight.
These he rehearsed with artful pause and halt,
And such pretence of memory at fault,
That soon the Four--so well the bait was thrown--
Came to his aid with memories of their own--
Matters dismissed long since as small or vain,
Whereof the high significance had lain
Hid, till the ungirt glosses made it plain.
Then, as enlightenment came broad and fast,
Each marvelled at his own oblivious past
Until--the Gates of Laughter opened wide--
The Four, with that bland Seraph at their side,
While they recalled, compared, and amplified,
In utter mirth forgot both Zeal and Pride!
High over Heaven the lamps of midnight burned
Ere, weak with merriment, the Four returned,
Not in that order they were wont to keep--
Pinion to pinion answering, sweep for sweep,
In awful diapason heard afar--
But shoutingly adrift 'twixt star and star;
Reeling a planet's orbit left or right
As laughter took them in the abysmal Night;
Or, by the point of some remembered jest,
Winged and brought helpless down through gulfs unguessed,
Where the blank worlds that gather to the birth
Leaped in the Womb of Darkness at their mirth,
And e'en Gehenna's bondsmen understood.
They were not damned from human brotherhood . . .
Not first nor last of Heaven's high Host, the Four
That night took place beneath The Throne once more.
lovelier than their morning majesty,
The understanding light behind the eye!
more compelling than their old command,
The new-learned friendly gesture of the hand!
sweeter than their zealous fellowship,


The wise half-smile that passed from lip to lip!
well and roundly, when Command was given,
They told their tale against themselves to Heaven,
And in the silence, waiting on The Word,
Received the Peace and Pardon of The Lord!

The Juggler's Song
When the drums begin to beat
Down the street,
When the poles are fetched and guyed,
When the tight-rope's stretched and tied,
When the dance-girls make salaam,
When the snake-bag wakes alarm,
When the pipes set up their drone,
When the sharp-edged knives are thrown
When the red-hot coals are shown,
To be swallowed by-and-by--
Arre, Brethren, here come I!
Stripped to loin-cloth in the sun,
Search me well and watch me close!
Tell me how my tricks are done--
Tell me how the mango grows!
Give a man who is not made
To his trade
Swords to fling and catch again,
Coins to ring and snatch again,
Men to harm and cure again,
Snakes to charm and lure again--
He'll be hurt by his own blade,
By his serpents disobeyed,
By his clumsiness bewrayed,
By the people laughed to scorn--
So 'tis not with juggler born!
Pinch of dust or withered flower,
Chance-flung nut or borrowed staff,
Serve his need and shore his power,
Bind the spell or loose the laugh!

The Birthright
The miracle of our land's speech--so known
And long received, none marvel when 'tis shown!
We have such wealth as Rome at her most pride
Had not or (having) scattered not so wide;
Nor with such arrant prodigality,
Beneath her any pagan's foot let lie...
Lo! Diamond that cost some half their days
To find and t'other half to bring to blaze:
Rubies of every heat, wherethrough we scan
The fiercer and more fiery heart of man:
Emerald that with the uplifted billow vies,
And Sapphires evening remembered skies:
Pearl perfect, as immortal tears must show,
Bred, in deep waters, of a piercing woe;
And tender Turkis, so with charms y-writ,
Of woven gold, Time dares not bite on it.
Thereafter, in all manners worked and set,
Jade, coral, amber, crystal ivories, jet,--
Showing no more than various fancies, yet
Each a Life's token or Love's amulet
Which things, through timeless arrogance of use,
We neither guard nor garner, but abuse;
So that our scholars--nay, our children-fling
In sport or jest treasure to arm a King;
And the gross crowd, at feast or market, hold
Traffic perforce with dust of gems and gold!

Evarra And His Gods
~Read here:
This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city gave him of her gold,
Because the caravans brought turquoises,
Because his life was sheltered by the King,
So that no man should maim him, none should steal,
Or break his rest with babble in the streets
When he was weary after toil, he made
An image of his God in gold and pearl,
With turquoise diadem and human eyes,
A wonder in the sunshine, known afar,
And worshipped by the King; but, drunk with pride,
Because the city bowed to him for God,
He wrote above the shrine: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the city praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city had no wealth to give,
Because the caravans were spoiled afar,
Because his life was threatened by the King,
So that all men despised him in the streets,
He hewed the living rock, with sweat and tears,
And reared a God against the morning-gold,
A terror in the sunshine, seen afar,
And worshipped by the King; but, drunk with pride,
Because the city fawned to bring him back,
He carved upon the plinth: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because he lived among a simple folk,
Because his village was between the hills,
Because he smeared his cheeks with blood of ewes,
He cut an idol from a fallen pine,
Smeared blood upon its cheeks, and wedged a shell
Above its brows for eyes, and gave it hair
Of trailing moss, and plaited straw for crown.
And all the village praised him for this craft,
And brought him butter, honey, milk, and curds.
Wherefore, because the shoutings drove him mad,
He scratched upon that log: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because his God decreed one clot of blood


Should swerve one hair's-breadth from the pulse's path,
And chafe his brain, Evarra mowed alone,
Rag-wrapped, among the cattle in the fields,
Counting his fingers, jesting with the trees,
And mocking at the mist, until his God
Drove him to labour. Out of dung and horns
Dropped in the mire he made a monstrous God,
Abhorrent, shapeless, crowned with plantain tufts,
And when the cattle lowed at twilight-time,
He dreamed it was the clamour of lost crowds,
And howled among the beasts: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
Thereat the cattle bellowed. . . . Then he died.
Yet at the last he came to Paradise,
And found his own four Gods, and that he wrote;
And marvelled, being very near to God,
What oaf on earth had made his toil God's law,
Till God said mocking: "Mock not. These be thine."
Then cried Evarra: "I have sinned!" -- "Not so.
If thou hadst written otherwise, thy Gods
Had rested in the mountain and the mine,
And I were poorer by four wondrous Gods,
And thy more wondrous law, Evarra. Thine,
Servant of shouting crowds and lowing kine."
Thereat, with laughing mouth, but tear-wet eyes,
Evarra cast his Gods from Paradise.
~This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~