Money and Wealth

Love is Enough

Love is enough. Let us not ask for gold.
Wealth breeds false aims, and pride and selfishness;
In those serene, Arcadian days of old
Men gave no thought to princely homes and dress.
The gods who dwelt on fair Olympia's height
Lived only for dear love and love's delight.
Love is enough.


Love is enough. Why should we care for fame?
Ambition is a most unpleasant guest:
It lures us with the glory of a name
Far from the happy haunts of peace and rest.
Let us stay here in this secluded place
Made beautiful by love's endearing grace!
Love is enough.


Love is enough. Why should we strive for power?
It brings men only envy and distrust.
The poor world's homage pleases but an hour,
And earthly honours vanish in the dust.
The grandest lives are ofttimes desolate;
Let me be loved, and let who will be great.
Love is enough.


Love is enough. Why should we ask for more?
What greater gift have gods vouchsafed to men?
What better boon of all their precious store
Than our fond hearts that love and love again?
Old love may die; new love is just as sweet;
And life is fair and all the world complete:
Love is enough!

Fleeing Away

My thoughts soar not as they ought to soar,
Higher and higher on soul-lent wings;
But ever and often and more and more
They are dragged down earthward by little things,
By little troubles and little needs,
As a lark might be tangled among the weeds.


My purpose is not what it ought to be,
Steady and fixed, like a star on high,
But more like a fisherman's light at sea;
Hither and thither it seems to fly--
Sometimes feeble, and sometimes bright,
Then suddenly lost in the gloom of night.


My life is far from my dream of life--
Calmly contented, serenely glad;
But, vexed and worried by daily strife,
It is always troubled and ofttimes sad--
And the heights I had thought I should reach one day
Grow dimmer and dimmer, and farther away.


My heart never finds the longed-for rest;
Its worldly striving, its greed for gold,
Chilled and frightened the calm-eyed guest
Who sometimes sought me in days of old;
And ever fleeing away from me
Is the higher self that I long to be.

At The Hop

‘Tis time to dress. Dost hear the music surging
Like sobbing waves that roll up from the sea?
Yes, yes, I hear – I yield – no need of urging;
I know your wishes, - send Lisette to me.

I hate the ballroom; hate its gilded pleasure;
I hate the crowd within it, well you know;
But what of that? I am your lawful treasure –
And when you would display me I must go.

You bought me with a mother’s pain and trouble.

I’ve been a great expense to you always.
And now, if you can sell me, and get double
The sum cost – why, what have I to say?


You’ve done your duty: kept me in the fashion,
And shown off me at every stylish place.
‘Twas not your fault I had a heart of passion;
‘Twas not your fault I ever saw his face.

The dream was brief, and beautiful, and tender,
(O, God! to live those golden hours once more.
The silver moonlight, and his dark eyes’ splendour,
The sky above us, and the sea below.)

Come, come, Lisette, bring out those royal laces;
To-night must make the victory complete.
Among the crowd of masked and smiling faces,
I’ll move with laughter, and with smiles most sweet.

Make me most fair! with youth and grace and beauty.
I needs must conquer bloated age and gold.
She shall not say I have not done my duty;
I’m ready now – a daughter to be sold!

After the Engagement

Well, Mabel, 'tis over and ended---
The ball I wrote was to be;
And oh! it was perfectly splendid---
If you could have been here to see.
I've a thousand things to write you
That I know you are wanting to hear,
And one, that is sure to delight you---
I am wearing Joe's diamond, my dear!


Yes, mamma is quite ecstatic
That I am engaged to Joe;
She thinks I am rather erratic,
And feared that I might say "no."
But, Mabel, I'm twenty-seven
(Though nobody dreams it, dear),
And a fortune like Joe's isn't given
To lay at one's feet each year.


You know my old fancy for Harry---
Or, at least, I am certain you guessed
That it took all my sense not to marry
And go with that fellow out west.
But that was my very first season---
And Harry was poor as could be,
And mamma's good practical reason
Took all the romance out of me.


She whisked me off over the ocean,
And had me presented at court,
And got me all out of the notion
That ranch life out west was my forte.
Of course I have never repented--I'm
not such a goose of a thing;
But after I had consented
To Joe---and he gave me the ring---


I felt such a queer sensation.
I seemed to go into a trance,
Away from the music's pulsation,
Away from the lights and the dance.
And the wind o'er the wild prairie
Seemed blowing strong and free,
And it seemed not Joe, but Harry
Who was standing there close to me.


And the funniest feverish feeling
Went up from my feet to my head,
With little chills after it stealing---
And my hands got as numb as the dead.
A moment, and then it was over:
The diamond blazed up in my eyes,
And I saw in the face of my lover



A questioning, strange surprise.


Maybe 'twas the scent of the flowers,
That heavy with fragrance bloomed near,
But I didn't feel natural for hours;
It was odd now, wasn't it, dear?
Write soon to your fortunate Clara
Who has carried the prize away,
And say you'll come on when I marry;
I think it will happen in May.

A Glass Of Wine

'What's in a glass of wine?'
There, set the glass where I can look within.
Now listen to me, friend, while I begin
And tell you what I see-
What I behold with my far-reaching eyes,
And what I know to be
Below the laughing bubbles that arise
Within this glass of wine.
There is a little spirit, night and day,
That cries one word, for ever and alway:
That single word is 'More!'
And whoso drinks a glass of wine, drinks him:
You fill the goblet full unto the brim,
And strive to silence him.


Glass after glass you drain to quench his thirst,
Each glass contains a spirit like the first;
And all their voices cry
Until they shriek and clamor, howl and rave,
And shout 'More!' noisily,
Till welcome death prepares the drunkard's grave,
And stills the imps that rave.


That see I in the wine:
And tears so many that I cannot guess;
And all these drops are labelled with 'Distress.'
I know you cannot see.
And at the bottom are the dregs of shame:
Oh! it is plain to me.
And there are woes too terrible to name:
Now drink your glass of wine.

Songs for a Colored Singer

I


A washing hangs upon the line,
but it's not mine.
None of the things that I can see
belong to me.
The neighbors got a radio with an aerial;
we got a little portable.
They got a lot of closet space;
we got a suitcase.


I say, "Le Roy, just how much are we owing?
Something I can't comprehend,
the more we got the more we spend...."
He only answers, "Let's get going."
Le Roy, you're earning too much money now.


I sit and look at our backyard
and find it very hard.
What have we got for all his dollars and cents?
--A pile of bottles by the fence.
He's faithful and he's kind
but he sure has an inquiring mind.
He's seen a lot; he's bound to see the rest,
and if I protest


Le Roy answers with a frown,
"Darling, when I earns I spends.
The world is wide; it still extends....
I'm going to get a job in the next town."
Le Roy, you're earning too much money now.


II


The time has come to call a halt;
and so it ends.
He's gone off with his other friends.
He needn't try to make amends,
this occasion's all his fault.
Through rain and dark I see his face
across the street at Flossie's place.
He's drinking in the warm pink glow
to th' accompaniment of the piccolo.


The time has come to call a halt.
I met him walking with Varella
and hit him twice with my umbrella.
Perhaps that occasion was my fault,
but the time has come to call a halt.


Go drink your wine and go get tight.
Let the piccolo play.



I'm sick of all your fussing anyway.
Now I'm pursuing my own way.
I'm leaving on the bus tonight.
Far down the highway wet and black
I'll ride and ride and not come back.
I'm going to go and take the bus
and find someone monogamous.


The time has come to call a halt.
I've borrowed fifteen dollars fare
and it will take me anywhere.
For this occasion's all his fault.
The time has come to call a halt.


III


Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.


Lullaby.
Let mations rage,
let nations fall.
The shadow of the crib makes an enormous cage
upon the wall.


Lullaby.
Sleep on and on,
war's over soon.
Drop the silly, harmless toy,
pick up the moon.


Lullaby.
If they should say
you have no sense,
don't you mind them; it won't make
much difference.


Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.


IV


What's that shining in the leaves,
the shadowy leaves,
like tears when somebody grieves,
shining, shining in the leaves?



Is it dew or is it tears,
dew or tears,
hanging there for years and years
like a heavy dew of tears?


Then that dew begins to fall,
roll down and fall,
Maybe it's not tears at all.
See it, see it roll and fall.


Hear it falling on the ground,
hear, all around.
That is not a tearful sound,
beating, beating on the ground.


See it lying there like seeds,
like black seeds.
see it taking root like weeds,
faster, faster than the weeds,


all the shining seeds take root,
conspiring root,
and what curious flower or fruit
will grow from that conspiring root?


fruit or flower? It is a face.
Yes, a face.
In that dark and dreary place
each seed grows into a face.


Like an army in a dream
the faces seem,
darker, darker, like a dream.
They're too real to be a dream.

Arrival At Santos

Here is a coast; here is a harbor;
here, after a meager diet of horizon, is some scenery:
impractically shaped and--who knows?--self-pitying mountains,
sad and harsh beneath their frivolous greenery,


with a little church on top of one. And warehouses,
some of them painted a feeble pink, or blue,
and some tall, uncertain palms. Oh, tourist,
is this how this country is going to answer you


and your immodest demands for a different world,
and a better life, and complete comprehension
of both at last, and immediately,
after eighteen days of suspension?


Finish your breakfast. The tender is coming,
a strange and ancient craft, flying a strange and brilliant rag.
So that's the flag. I never saw it before.
I somehow never thought of there being a flag,


but of course there was, all along. And coins, I presume,
and paper money; they remain to be seen.
And gingerly now we climb down the ladder backward,
myself and a fellow passenger named Miss Breen,


descending into the midst of twenty-six freighters
waiting to be loaded with green coffee beaus.
Please, boy, do be more careful with that boat hook!
Watch out! Oh! It has caught Miss Breen's


skirt! There! Miss Breen is about seventy,
a retired police lieutenant, six feet tall,
with beautiful bright blue eyes and a kind expression.
Her home, when she is at home, is in Glens Fall


s, New York. There. We are settled.
The customs officials will speak English, we hope,
and leave us our bourbon and cigarettes.
Ports are necessities, like postage stamps, or soap,


but they seldom seem to care what impression they make,
or, like this, only attempt, since it does not matter,
the unassertive colors of soap, or postage stamps-wasting
away like the former, slipping the way the latter


do when we mail the letters we wrote on the boat,
either because the glue here is very inferior
or because of the heat. We leave Santos at once;
we are driving to the interior.

Sonnet 08 - What can I give thee back, O liberal

VIII

What can I give thee back, O liberal
And princely giver, who hast brought the gold
And purple of thine heart, unstained, untold,
And laid them on the outside of the-wall
For such as I to take or leave withal,
In unexpected largesse? am I cold,
Ungrateful, that for these most manifold
High gifts, I render nothing back at all?
Not so; not cold,-but very poor instead.
Ask God who knows. For frequent tears have run
The colors from my life, and left so dead
And pale a stuff, it were not fitly done
To give the same as pillow to thy head.
Go farther! let it serve to trample on.

Sonnet 04 - Thou hast thy calling to some palace-floor

IV

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine? and canst thou think and bear
To let thy music drop here unaware
In folds of golden fulness at my door?
Look up and see the casement broken in,
The bats and owlets builders in the roof!
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof
Of desolation! there 's a voice within
That weeps . . . as thou must sing . . . alone, aloof

The Two Old Bachelors

Two old Bachelors were living in one house;
One caught a Muffin, the other caught a Mouse.
Said he who caught the Muffin to him who caught the Mouse,-'
This happens just in time! For we've nothing in the house,
'Save a tiny slice of lemon nd a teaspoonful of honey,
'And what to do for dinner -- since we haven't any money?
'And what can we expect if we haven't any dinner,
'But to loose our teeth and eyelashes and keep on growing thinner?'


Said he who caught the Mouse to him who caught the Muffin,-'
We might cook this little Mouse, if we had only some Stuffin'!
'If we had but Sage andOnion we could do extremely well,
'But how to get that Stuffin' it is difficult to tell'--


Those two old Bachelors ran quickly to the town
And asked for Sage and Onions as they wandered up and down;
They borrowed two large Onions, but no Sage was to be found
In the Shops, or in the Market, or in all the Gardens round.


But some one said, -- 'A hill there is, a little to the north,
'And to its purpledicular top a narrow way leads forth;-'
And there among the rugged rocks abides an ancient Sage,-'
An earnest Man, who reads all day a most perplexing page.
'Climb up, and seize him by the toes! -- all studious as he sits,-'
And pull him down, -- and chop him into endless little bits!
'Then mix him with your Onion, (cut up likewise into Scraps,)-'
When your Stuffin' will be ready -- and very good: perhaps.'


Those two old Bachelors without loss of time
The nearly purpledicular crags at once began to climb;
And at the top, among the rocks, all seated in a nook,
They saw that Sage, a reading of a most enormous book.


'You earnest Sage!' aloud they cried, 'your book you've read enough in!-'
We wish to chop you into bits to mix you into Stuffin'!'--


But that old Sage looked calmly up, and with his awful book,
At those two Bachelors' bald heads a certain aim he took;-and
over crag and precipice they rolled promiscuous down,--
At once they rolled, and never stopped in lane or field or town,--
And when they reached their house, they found (besides their want
of Stuffin',)
The Mouse had fled; -- and, previously, had eaten up the Muffin.


They left their home in silence by the once convivial door.
And from that hour those Bachelors were never heard of more.

Limerick: There was an Old Man of Kilkenny

There was an Old Man of Kilkenny,
Who never had more than a penny;
He spent all that money,
In onions and honey,
That wayward Old Man of Kilkenny.

Lines for a Grave-Stone

Man alive, that mournst thy lot,
Desiring what thou hast not got,
Money, beauty, love, what not;


Deeming it blesseder to be
A rotted man, than live to see
So rude a sky as covers thee;


Deeming thyself of all unblest
And wretched souls the wretchedest,
Longing to die and be at rest;


Know: that however grim the fate
Which sent thee forth to meditate
Upon my enviable state,


Here lieth one who would resign
Gladly his lot, to shoulder thine.
Give me thy coat; get into mine.

To --

The bowers whereat, in dreams, I see
The wantonest singing birds,
Are lips- and all thy melody
Of lip-begotten words


Thine eyes, in Heaven of heart enshrined,
Then desolately fall,
O God! on my funereal mind
Like starlight on a pall


Thy heart- thy heart!- I wake and sigh,
And sleep to dream till day
Of the truth that gold can never buyOf
the baubles that it may.

Epigram For Wall Street

I'll tell you a plan for gaining wealth,
Better than banking, trade or leases —
Take a bank note and fold it up,
And then you will find your money in creases!
This wonderful plan, without danger or loss,
Keeps your cash in your hands, where nothing can trouble it;
And every time that you fold it across,
'Tis as plain as the light of the day that you double it!

Selfishness


Search history, my boy, and see
What petty selfishness has done.
Find if you can one victory
That little minds have ever won.
There is no record there to read
Of men who fought for self alone,
No instance of a single deed
Splendor they may proudly own.


Through all life's story you will find
The miser—with his hoarded gold—
A hermit, dreary and unkind,
An outcast from the human fold.
Men hold him up to view with scorn,
A creature by his wealth enslaved,
A spirit craven and forlorn,
Doomed by the money he has saved.


No man was ever truly great
Who sought to serve himself alone,
Who put himself above the state,
Above the friends about him thrown.
No man was ever truly glad
Who risked his joy on hoarded pelf,
And gave of nothing that he had
Through fear of needing it himself.


For selfishness is wintry cold,
And bitter are its joys at last,
The very charms it tries to hold,
With woes are quickly overcast.
And only he shall gladly live,
And bravely die when God shall call,
Who gathers but that he may give,
And with his fellows shares his all.

Ideals


Better than land or gold or trade
Are a high ideal and a purpose true;
Better than all of the wealth we've made
Is the work for others that now we do.
For Rome grew rich and she turned to song
And danced to music and drank her wine,
But she sapped the strength of her fibres strong
And a gilded shroud was her splendor fine.


The Rome of old with its wealth and wine
Was the handiwork of a sturdy race;
They builded well and they made it fine
And they dreamed of it as their children's place.
They thought the joys they had won to give,
And which seemed so certain and fixed and sure,
To the end of time in the world would live
And the Rome they'd fashioned would long endure.


They passed to their children the hoarded gold,
Their marble halls and their fertile fields!
But not the spirit of Rome of old,
Nor the Roman courage that never yields.
They left them the wealth that their hands had won,
But they failed to leave them a purpose true.
They left them thinking life's work all done,
And Rome went down and was lost to view.


We must guard ourselves lest we follow Rome.
We must leave our children the finer things.
We must teach them love of the spot called home
And the lasting joy that a purpose brings.
For vain are our Flag and our battles won,
And vain are our lands and our stores of gold,
If our children feel that life's work is done.
We must give them a high ideal to hold.

A Christmas Greeting

Here's to you, little mother,
With your boy so far away;
May the joy of service smother
All your grief this Christmas day;
May the magic of his splendor
Thrill your spirit through and through
And may all that's fine and tender
Make a smiling day for you.


May you never know the sadness
That from day to day you dread;
May you never find but gladness
In the Flag that's overhead;
May the good God watch above him
As he stands to duty stern,
And at last to all who love him
May he have a safe return.


Little mother, take the blessing
Of a grateful nation's heart;
May the news that is distressing
Never cause your tears to start;
May there be no fears to haunt you,
And no lonely hours and sad;
May your trials never daunt you,
But may every day be glad.


Little Mother, could I do it,
This my Christmas gift would be:
That he'd safely battle through it,
This to you I'd guarantee.
And I'd pledge to you this morning
Joys to banish all your cares,
Gifts of gold and silver scorning,
I would answer all your prayers.

Twenty Four Years

Twenty-four years remind the tears of my eyes.
(Bury the dead for fear that they walk to the grave in labour.)
In the groin of the natural doorway I crouched like a tailor
Sewing a shroud for a journey
By the light of the meat-eating sun.
Dressed to die, the sensual strut begun,
With my red veins full of money,
In the final direction of the elementary town
I advance as long as forever is.

One Perfect Rose

A single flow'r he sent me, since we met.
All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet -
One perfect rose.


I knew the language of the floweret;
'My fragile leaves,' it said, 'his heart enclose.'
Love long has taken for his amulet
One perfect rose.


Why is it no one ever sent me yet
One perfect limousine, do you suppose?
Ah no, it's always just my luck to get
One perfect rose.

Joy in the Woods

There is joy in the woods just now,
The leaves are whispers of song,
And the birds make mirth on the bough
And music the whole day long,
And God! to dwell in the town
In these springlike summer days,
On my brow an unfading frown
And hate in my heart always—

A machine out of gear, aye, tired,
Yet forced to go on—for I’m hired.

Just forced to go on through fear,
For every day I must eat
And find ugly clothes to wear,
And bad shoes to hurt my feet
And a shelter for work-drugged sleep!
A mere drudge! but what can one do?
A man that’s a man cannot weep!
Suicide? A quitter? Oh, no!

But a slave should never grow tired,
Whom the masters have kindly hired.

But oh! for the woods, the flowers
Of natural, sweet perfume,
The heartening, summer showers
And the smiling shrubs in bloom,
Dust-free, dew-tinted at morn,
The fresh and life-giving air,
The billowing waves of corn
And the birds’ notes rich and clear:—

For a man-machine toil-tired
May crave beauty too—though he’s hired

Homing Swallows

Swift swallows sailing from the Spanish main,
O rain-birds racing merrily away
From hill-tops parched with heat and sultry plain
Of wilting plants and fainting flowers, say--


When at the noon-hour from the chapel school
The children dash and scamper down the dale,
Scornful of teacher's rod and binding rule
Forever broken and without avail,


Do they still stop beneath the giant tree
To gather locusts in their childish greed,
And chuckle when they break the pods to see
The golden powder clustered round the seed?

Alfonso, Dressing to Wait at Table

Alfonso is a handsome bronze-hued lad
Of subtly-changing and surprising parts;
His moods are storms that frighten and make glad,
His eyes were made to capture women's hearts.


Down in the glory-hole Alfonso sings
An olden song of wine and clinking glasses
And riotous rakes; magnificently flings
Gay kisses to imaginary lasses.


Alfonso's voice of mellow music thrills
Our swaying forms and steals our hearts with joy;
And when he soars, his fine falsetto trills
Are rarest notes of gold without alloy.


But, O Alfonso! wherefore do you sing
Dream-songs of carefree men and ancient places?
Soon we shall be beset by clamouring
Of hungry and importunate palefaces.

What Will You Give Me For My Pound?

What will you give me for my pound?
Full twenty shillings round.
What will you give me for my shilling?
Twelve pence to give I'm willing.
What will you give me for my penny?
Four farthings, just so many.

Wee Wee Husband

Wee wee husband,
Give me some money,
I have no comfits,
And I have no honey.
Wee wee wifie,
I have no money,
Milk, nor meat, nor bread to eat,
Comfits, nor honey.