Ethics and Morality

One Hundred and Three

With the frame of a man, and the face of a boy, and a manner strangely wild,
And the great, wide, wondering, innocent eyes of a silent-suffering child;
With his hideous dress and his heavy boots, he drags to Eternity—
And the Warder says, in a softened tone: ‘Keep step, One Hundred and Three.’
’Tis a ghastly travesty of drill—or a ghastly farce of work—
But One Hundred and Three, he catches step with a start, a shuffle and jerk.
’Tis slow starvation in separate cells, and a widow’s son is he,
And the widow, she drank before he was born—(Keep step, One Hundred and Three!)


They shut a man in the four-by-eight, with a six-inch slit for air,
Twenty-three hours of the twenty-four, to brood on his virtues there.
And the dead stone walls and the iron door close in as an iron band
On eyes that followed the distant haze far out on the level land.


Bread and water and hominy, and a scrag of meat and a spud,
A Bible and thin flat book of rules, to cool a strong man’s blood;
They take the spoon from the cell at night—and a stranger might think it odd;
But a man might sharpen it on the floor, and go to his own Great God.


One Hundred and Three, it is hard to believe that you saddled your horse at dawn;
There were girls that rode through the bush at eve, and girls who lolled on the lawn.
There were picnic parties in sunny bays, and ships on the shining sea;
There were foreign ports in the glorious days—(Hold up, One Hundred and Three!)


A man came out at exercise time from one of the cells to-day:
’Twas the ghastly spectre of one I knew, and I thought he was far away;
We dared not speak, but he signed ‘Farewell—fare—well,’ and I knew by this
And the number stamped on his clothes (not sewn) that a heavy sentence was his.


Where five men do the work of a boy, with warders not to see,
It is sad and bad and uselessly mad, it is ugly as it can be,
From the flower-beds laid to fit the gaol, in circle and line absurd,
To the gilded weathercock on the church, agape like a strangled bird.


Agape like a strangled bird in the sun, and I wonder what he could see?
The Fleet come in, and the Fleet go out? (Hold up, One Hundred and Three!)
The glorious sea, and the bays and Bush, and the distant mountains blue
(Keep step, keep step, One Hundred and Three, for my lines are halting too)


The great, round church with its volume of sound, where we dare not turn our eyes—
They take us there from our separate hells to sing of Paradise.
In all the creeds there is hope and doubt, but of this there is no doubt:
That starving prisoners faint in church, and the warders carry them out.


They double-lock at four o’clock and the warders leave their keys,
And the Governor strolls with a friend at eve through his stone conservatories;
Their window slits are like idiot mouths with square stone chins adrop,
And the weather-stains for the dribble, and the dead flat foreheads atop.


No light save the lights in the yard beneath the clustering lights of the Lord—
And the lights turned in to the window slits of the Observation Ward.
(They eat their meat with their fingers there in a madness starved and dull—



Oh! the padded cells and the “O—b—s” are nearly always full.)


Rules, regulations—red-tape and rules; all and alike they bind:
Under ‘separate treatment ’ place the deaf; in the dark cell shut the blind!
And somewhere down in his sandstone tomb, with never a word to save,
One Hundred and Three is keeping step, as he’ll keep it to his grave.


The press is printing its smug, smug lies, and paying its shameful debt—
It speaks of the comforts that prisoners have, and ‘holidays’ prisoners get.
The visitors come with their smug, smug smiles through the gaol on a working day,
And the public hears with its large, large ears what authorities have to say.


They lay their fingers on well-hosed walls, and they tread on the polished floor;
They peep in the generous shining cans with their ration Number Four.
And the visitors go with their smug, smug smiles; the reporters’ work is done;
Stand up! my men, who have done your time on ration Number One!


Speak up, my men! I was never the man to keep my own bed warm,
I have jogged with you round in the Fools’ Parade, and I’ve worn your uniform;
I’ve seen you live, and I’ve seen you die, and I’ve seen your reason fail—
I’ve smuggled tobacco and loosened my tongue—and I’ve been punished in gaol.


Ay! clang the spoon on the iron floor, and shove in the bread with your toe,
And shut with a bang the iron door, and clank the bolt—just so,
With an ignorant oath for a last good-night—or the voice of a filthy thought.
By the Gipsy Blood you have caught a man you’ll be sorry that ever you caught.


He shall be buried alive without meat, for a day and a night unheard
If he speak to a fellow prisoner, though he die for want of a word.
He shall be punished, and he shall be starved, and he shall in darkness rot,
He shall be murdered body and soul—and God said, ‘Thou shalt not!’


I’ve seen the remand-yard men go out, by the subway out of the yard—
And I’ve seen them come in with a foolish grin and a sentence of Three Years Hard.
They send a half-starved man to the court, where the hearts of men they carve—
Then feed him up in the hospital to give him the strength to starve.


You get the gaol-dust in your throat, in your skin the dead gaol-white;
You get the gaol-whine in your voice and in every letter you write.
And in your eyes comes the bright gaol-light—not the glare of the world’s distraught,
Not the hunted look, nor the guilty look, but the awful look of the Caught.


There was one I met—’twas a mate of mine—in a gaol that is known to us;
He died—and they said it was ‘heart disease’; but he died for want of a truss.
I’ve knelt at the head of the pallid dead, where the living dead were we,
And I’ve closed the yielding lids with my thumbs—(Keep step, One Hundred and
Three!)


A criminal face is rare in gaol, where all things else are ripe—
It is higher up in the social scale that you’ll find the criminal type.
But the kindness of man to man is great when penned in a sandstone pen—
The public call us the ‘criminal class,’ but the warders call us ‘the men.’



The brute is a brute, and a kind man kind, and the strong heart does not fail—
A crawler’s a crawler everywhere, but a man is a man in gaol!
For forced ‘desertion’ or drunkenness, or a law’s illegal debt,
While never a man who was a man was ‘reformed’ by punishment yet.


The champagne lady comes home from the course in charge of the criminal swell—
They carry her in from the motor car to the lift in the Grand Hotel.
But armed with the savage Habituals Act they are waiting for you and me,
And the drums, they are beating loud and near. (Keep step, One Hundred and Three!)


The clever scoundrels are all outside, and the moneyless mugs in gaol—
Men do twelve months for a mad wife’s lies or Life for a strumpet’s tale.
If the people knew what the warders know, and felt as the prisoners feel—
If the people knew, they would storm their gaols as they stormed the old Bastile.


And the cackling, screaming half-human hens who were never mothers nor wives
Would send their sisters to such a hell for the term of their natural lives,
Where laws are made in a Female Fit in the Land of the Crazy Fad,
And drunkards in judgment on drunkards sit and the mad condemn the mad.


The High Church service swells and swells where the tinted Christs look down—
It is easy to see who is weary and faint and weareth the thorny crown.
There are swift-made signs that are not to God, and they march us Hellward then.
It is hard to believe that we knelt as boys to ‘for ever and ever, Amen. ’


Warders and prisoners all alike in a dead rot dry and slow—
The author must not write for his own, and the tailor must not sew.
The billet-bound officers dare not speak and discharged men dare not tell
Though many and many an innocent man must brood in this barren hell.


We are most of us criminal, most of us mad, and we do what we can do.
(Remember the Observation Ward and Number Forty-Two.)
There are eyes that see through stone and iron, though the rest of the world be blind—
We are prisoners all in God’s Great Gaol, but the Governor, He is kind.


They crave for sunlight, they crave for meat, they crave for the might-have-been,
But the cruellest thing in the walls of a gaol is the craving for nicotine.
Yet the spirit of Christ is everywhere where the heart of a man can dwell,
It comes like tobacco in prison—or like news to the separate cell.


They have smuggled him out to the Hospital with no one to tell the tale,
But it’s little the doctors and nurses can do for the patient from Starvinghurst Gaol.
He cannot swallow the food they bring, for a gaol-starved man is he,
And the blanket and screen are ready to draw—(Keep step, One Hundred and Three!)
‘What were you doing, One Hundred and Three?’ and the answer is ‘Three years hard,
And a month to go’—and the whisper is low: ‘There’s the moonlight—out in the yard.’
The drums, they are beating far and low, and the footstep’s light and free,
And the angels are whispering over his bed: ‘Keep step, One Hundred and Three!’

On the March

So the time seems come at last,
And the drums go rolling past,
And above them in the sunlight Labour's banners float and flow;
They are marching with the sun,
But I look in vain for one
Of the men who fought for freedom more than fifteen years ago.


They were men who did the work
Out at Blackall, Hay, and Bourke –
They were men who fought the battle that the world shall never know;
And they vanished one by one
When their bitter task was done –
Men who worked and wrote for freedom more than fifteen years ago.


Some are scattered, some are dead,
By the shanty and the shed,
In the lignum and the mulga, by the river running low;
And I often wish in vain
I could call them back again –
Mates of mine who fought for freedom more than fifteen years ago.


From the country of their birth
Some have sailed and proved their worth;
Some have died on distant deserts, some have perished in the snow.
Some are gloomy, bitter men,
And I meet them now and then –
Men who'd give their lives for Labour more than fifteen years ago.


Oh, the drums come back to me,
And they beat for victory,
But my heart is scarcely quickened, and I never feel the glow;
For I've learnt the world since then,
And the hopelessness of men,
And the fire it burnt too fiercely more than fifteen years ago.


Lucky you who still are young,
When the rebel war-hymn's sung,
And the sons of slaves are marching with their faces all aglow,
When the revolution comes
And the blood is on the drums –
Oh! I wish the storm had found me more than fifteen years ago!


Bear the olden banner still!
Let the nations fight who will!
'Tis the flag of generations – the flag that all the peoples know;
And they'll bear it, brave and red,
Over ancient rebel dead,
In the future to the finish as a thousand years ago!

Next Door

Whenever I’m moving my furniture in
Or shifting my furniture out—
Which is nearly as often and risky as Sin
In these days of shifting about—
There isn’t a stretcher, there isn’t a stick,
Nor a mat that belongs to the floor;
There isn’t a pot (Oh, my heart groweth sick!)
That escapes from the glare of Next Door!
The Basilisk Glare of Next Door.
Be it morn, noon or night—be it early or late;
Be it summer or winter or spring,
I cannot sneak down just to list at the gate
For the song that the bottle-ohs sing;
With some bottles to sell that shall bring me a beer,
And lead up to one or two more;
But I feel in my backbone the serpentine sneer,
And the Basilisk Glare of Next Door.
The political woman Next Door.


I really can’t say, being no one of note,
Why she glares at my odds and my ends,
Excepting, maybe, I’m a frivolous Pote,
With one or two frivolous friends,
Who help me to shift and to warm up the house
For three or four glad hours or more,
In a suburb that hasn’t the soul of a louse;
And they’ve got no respect for Next Door!


They don’t give a damn for Next Door
.

Ned’s Delicate Way

Ned knew I was short of tobacco one day,
And that I was too proud to ask for it;
He hated such pride, but his delicate way
Forbade him to take me to task for it.


I loathed to be cadging tobacco from Ned,
But, when I was just on the brink of it;
‘I’ve got a new brand of tobacco”, he said –
“Try a smoke, and let’s know what you think of it.”

My Father-in-Law and I

MY father-in-law is a careworn man,
And a silent man is he;
But he summons a smile as well as he can
Whenever he meets with me.
The sign we make with a silent shake
That speaks of the days gone by—
Like men who meet at a funeral—
My father-in-law and I.


My father-in-law is a sober man
(And a virtuous man, I think);
But we spare a shilling whenever we can,
And we both drop in for a drink.
Our pints they fill, and we say, “Ah, well!”
With the sound of the world-old sigh—
Like the drink that comes after a funeral—
My father-in-law and I.


My father-in-law is a kindly man—
A domestic man is he.
He tries to look cheerful as well as he can
Whenever he meets with me.
But we stand and think till the second drink
In a silence that might imply
That we’d both get over a funeral,
My father-in-law and I.

Mary Called Him 'Mister'

They'd parted but a year before—she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.


They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’


He stood and lean’d against the door—a stupid chap was he—
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’


She made a shy apology because the meat was tough,
And then she asked if he was sure his tea was sweet enough;
He stirred the tea and sipped it twice, and answer’d ‘plenty, quite;’
And cut the smallest piece of beef and said that it was ‘right.’


She glanced at him at times and cough’d an awkward little cough;
He stared at anything but her and said, ‘I must be off.’
That evening he went riding north—a sad and lonely ride—
She locked herself inside her room, and there sat down and cried.


They’d parted but a year before, they loved each other well—
But she was such a country girl and he was such a swell ;
They longed to meet in fond embrace, they hungered for a kiss—
But Mary called him ‘Mister’ and the idiot called her ‘Miss.

Macleay Street and Red Rock Lane

Macleay Street looks to Mosman,
Across the other side,
With brave asphalted pavements
And roadway clean and wide.
Macleay Street hath its mansions,
Its grounds and greenery;
Macleay Street hath its terraces
As terraces should be.


Red Rock Lane looks to nowhere,
With pockets into hell;
Red Rock Lane is a horror
Of heat and dirt and smell.
Red Rock Lane hath its brothels,
Of houses one in three;
Red Rock Lane hath its corner pubs
As fourth-rate pubs should be.


Macleay Street, cool and quiet,
Is marked off from the town,
And standing in the centre
The tall arc lamps look down.
The jealous closed cabs vanish
That stole from out the row,
Fair women stroll bareheaded,
And theatre parties go.


Red Rock Lane, hot with riot,
Hides things that none should know;
The furtive couples vanish
Through doorways dark and low.
Lust, thievery, drink and madness
In one infernal stew—
And Mrs Johnson, raving,
Walks out—bareheaded too.


Macleay Street hath its swindles,
But on a public scale;
Macleay Street hath its razzles
Until the night grows pale.
Macleay Street hath its scandals,
But—only this is plain,
That nothing is a scandal
Down there in Red Rock Lane.


Macleay Street looks to Mosman
In morning’s rosy glow,
And freshly to the city
The summer-suited go
While wild-eyed, foul and shaking,
Red Rock Lane wakes again.
This morning at the Central



They’re fining Red Rock Lane.


The Central says “the risin’”,
“Seven days”, or what you will;
Macleay Street says, “Drive slowly”
When any one is ill.
The law sends Black Maria
When Red Rock Lane is dead.
But doctors come in motor cars
When Macleay Street’s got a head.


The grey-faced, weedy parents
Sunk in Red Rock Lane holes—
They worry, pinch, and perish
To save their children’s souls.
The fairy of Macleay Street
Shall never soil her hands—
Her Pa is independent,
Or high up in “the Lands”.


And—well, there seems no moral,
And nothing more to tell,
But because of that fierce sympathy
Of souls to souls in hell;
And because of that wild kindness
To souls in sordid pain,
My soul I’d rather venture
With some in Red Rock Lane.

In The Day's When We Are Dead

Listen! The end draws nearer,
Nearer the morning—or night—
And I see with a vision clearer
That the beginning was right!
These shall be words to remember
When all has been done and said,
And my fame is a dying ember
In the days when I am dead.
Listen! We wrote in sorrow,
And we wrote by candle light;
We took no heed of the morrow,
And I think that we were right—
(To-morrow, but not the day after,
And I think that we were right).


We wrote of a world that was human
And we wrote of blood that was red,
For a child, or a man, or a woman—
Remember when we are dead.


Listen! We wrote not for money,
And listen! We wrote not for fame—
We wrote for the milk and the honey
Of Kindness, and not for a name.


We paused not, nor faltered for any,
Though many fell back where we led;
We wrote of the few for the many—
Remember when we are dead.


We suffered as few men suffer,
Yet laughed as few men laugh;
We grin as the road grows rougher,
And a bitterer cup we quaff.


We lived for Right and for Laughter,
And we fought for a Nation ahead—
Remember it, friends, hereafter,
In the years when I am dead—
For to-morrow and not the day after,
For ourselves, and a Nation ahead.

Here's Luck

Old Time is tramping close to-day—you hear his bluchers fall,
A mighty change is on the way, an’ God protect us all;
Some dust’ll fly from beery coats—at least it’s been declared.
I’m glad that wimin has the votes—but just a trifle scared.
I’m just a trifle scared—For why? The wimin mean to rule;
It makes me feel like days gone by when I was caned at school.
The days of men is nearly dead—of double moons and stars—
They’ll soon put out our pipes, ’tis said, an’ close the public bars.


No more we’ll take a glass of ale when pushed with care an’ strife,
An’chuckle home with that old tale we used to tell the wife.
We’ll laugh an’joke an’ sing no more with jolly beery chums,
An’ shout ‘Here’s luck!’ while waitin’ for the luck that never comes.


Did we prohibit swillin’ tea clean out of common-sense
Or legislate on gossipin’ across a backyard fence?
Did we prohibit bustles—or the hoops when they was here?
The wimin never think of this—they want to stop our beer.


The track o’ life is dry enough, an’ crossed with many a rut,
But, oh! we’ll find it long an’ rough when all the pubs is shut,
When all the pubs is shut, an’ gone the doors we used to seek,
An’ we go toilin’, thirstin’ on through Sundays all the week.


For since the days when pubs was ‘inns’—in years gone past’n’ far—
Poor sinful souls have drowned their sins an’ sorrers at the bar;
An’ though at times it led to crimes, an’ debt, and such complaints—
I scarce dare think about the time when all mankind is saints.


’Twould make the bones of Bacchus leap an’ break his coffin lid;
And Burns’s ghost would wail an’ weep as Bobby never did.
But let the preachers preach in style, an’ rave and rant—’n’ buck,
I rather guess they’ll hear awhile the old war-cry: ‘Here’s Luck!’


The world might wobble round the sun, an’ all the banks go bung,
But pipes’ll smoke an’ liquor run while Auld Lang Syne is sung.
While men are driven through the mill, an’ flinty times is struck,
They’ll find a private entrance still! Here’s Luck, old man—Here’s Luck!

How the Land was Won

The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.


The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,
And away on the furthest seas,
A land most barren of life for men –
And they won it by twos and threes!


With God, or a dog, to watch, they slept
By the camp-fires' ghastly glow,
Where the scrubs were dark as the blacks that crept
With "nulla" and spear held low;
Death was hidden amongst the trees,
And bare on the glaring sand
They fought and perished by twos and threes –
And that's how they won the land!


It was two that failed by the dry creek bed,
While one reeled on alone –
The dust of Australia's greatest dead
With the dust of the desert blown!
Gaunt cheek-bones cracking the parchment skin
That scorched in the blazing sun,
Black lips that broke in a ghastly grin –
And that's how the land was won!


Starvation and toil on the tracks they went,
And death by the lonely way;
The childbirth under the tilt or tent,
The childbirth under the dray!
The childbirth out in the desolate hut
With a half-wild gin for nurse –
That's how the first were born to bear
The brunt of the first man's curse!


They toiled and they fought through the shame of it –
Through wilderness, flood, and drought;
They worked, in the struggles of early days,
Their sons' salvation out.
The white girl-wife in the hut alone,
The men on the boundless run,



The miseries suffered, unvoiced, unknown –
And that's how the land was won.


No armchair rest for the old folk then –
But, ruined by blight and drought,
They blazed the tracks to the camps again
In the big scrubs further out.
The worn haft, wet with a father's sweat,
Gripped hard by the eldest son,
The boy's back formed to the hump of toil –
And that's how the land was won!


And beyond Up Country, beyond Out Back,
And the rainless belt, they ride,
The currency lad and the ne'er-do-well
And the black sheep, side by side;
In wheeling horizons of endless haze
That disk through the Great North-west,
They ride for ever by twos and by threes –
And that's how they win the rest.

He Mourned His Master

INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.


THE STORY


Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.


There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”


In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.


If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.



Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.


Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)


One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.


The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.


This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.


“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;



The reader will not think it strange
That Corney’s friend was chief of mourners.


He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.


They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.


The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.


A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”


The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.


“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”



If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.


The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)


But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.


But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.

Heed Not!

Heed not the cock-sure tourist,
Seeing with English eyes;
Stroked at the banquet table
Still, with the old stock lies—
Pet of a social circle,
Guest in a garden fair—
Free of the first-class carriage—
He learns no Australia there.
Heed not the Southern humbugs
By the first saloons who come—
From his work in the wide, hot scrub-lands
The Australian goes not home.
Give them the toadies’ knighthood,
Fit for the souls they’ve got;
Fear not to shame Australia
For Australia knows them not.


Heed not the Sydney ‘dailies,’
Naught for the land they do;
Heed not the Melbourne street crowd,
For they know no more than you!
Pent in the coastal cities,
Still on the old-world track—
They know naught of Australia,
Of the heart of the great Out-Back.


But wait for the voice that gathers
Strength by the western creeks!
Heed ye the Out-Back shearers—
List when the Great Bush speaks!
Heed ye the black-sheep, working
His own salvation free—
And Oh! heed ye the sons of the exiles
When they speak of the things to be!

Freedom on the Wallaby

Australia's a big country
An' Freedom's humping bluey,
An' Freedom's on the wallaby
Oh! don't you hear 'er cooey?
She's just begun to boomerang,
She'll knock the tyrants silly,
She's goin' to light another fire
And boil another billy.


Our fathers toiled for bitter bread
While loafers thrived beside 'em,
But food to eat and clothes to wear,
Their native land denied 'em.
An' so they left their native land
In spite of their devotion,
An' so they came, or if they stole,
Were sent across the ocean.


Then Freedom couldn't stand the glare
O' Royalty's regalia,
She left the loafers where they were,
An' came out to Australia.
But now across the mighty main
The chains have come ter bind her –
She little thought to see again
The wrongs she left behind her.


Our parents toil'd to make a home –
Hard grubbin 'twas an' clearin' –
They wasn't crowded much with lords
When they was pioneering.
But now that we have made the land
A garden full of promise,
Old Greed must crook 'is dirty hand
And come ter take it from us.


So we must fly a rebel flag,
As others did before us,
And we must sing a rebel song
And join in rebel chorus.
We'll make the tyrants feel the sting
O' those that they would throttle;
They needn't say the fault is ours
If blood should stain the wattle!

Cameron's Heart

The diggings were just in their glory when Alister Cameron came,
With recommendations, he told me, from friends and a parson `at hame';
He read me his recommendations -- he called them a part of his plant --
The first one was signed by an Elder, the other by Cameron's aunt.
The meenister called him `ungodly -- a stray frae the fauld o' the Lord',
And his aunt set him down as a spendthrift, `a rebel at hame and abroad'.


He got drunk now and then and he gambled (such heroes are often the same);
That's all they could say in connection with Alister Cameron's name.
He was straight and he stuck to his country


and spoke with respect of his kirk;
He did his full share of the cooking, and more than his share of the work.
And many a poor devil then, when his strength and his money were spent,
Was sure of a lecture -- and tucker, and a shakedown in Cameron's tent.

He shunned all the girls in the camp,

and they said he was proof to the dart --
That nothing but whisky and gaming had ever a place in his heart;
He carried a packet about him, well hid, but I saw it at last,
And -- well, 'tis a very old story -- the story of Cameron's past:
A ring and a sprig o' white heather, a letter or two and a curl,
A bit of a worn silver chain, and the portrait of Cameron's girl.

. . . . .

It chanced in the first of the Sixties that Ally and I and McKean
Were sinking a shaft on Mundoorin, near Fosberry's puddle-machine.
The bucket we used was a big one, and rather a weight when 'twas full,
Though Alister wound it up easy, for he had the strength of a bull.
He hinted at heart-disease often, but, setting his fancy apart,
I always believed there was nothing the matter with Cameron's heart.


One day I was working below -- I was filling the bucket with clay,
When Alister cried, `Pack it on, mon! we ought to be bottomed to-day.'
He wound, and the bucket rose steady and swift to the surface until
It reached the first log on the top,


where it suddenly stopped, and hung still.
I knew what was up in a moment when Cameron shouted to me:
`Climb up for your life by the footholes.

I'LL STICK TAE TH' HAUN'LE -- OR DEE!'

And those were the last words he uttered.

He groaned, for I heard him quite plain -There's
nothing so awful as that when it's wrung from a workman in pain.
The strength of despair was upon me; I started, and scarcely drew breath,
But climbed to the top for my life in the fear of a terrible death.
And there, with his waist on the handle, I saw the dead form of my mate,
And over the shaft hung the bucket, suspended by Cameron's weight.

I wonder did Alister think of the scenes in the distance so dim,
When Death at the windlass that morning took cruel advantage of him?



He knew if the bucket rushed down it would murder or cripple his mate --
His hand on the iron was closed with a grip that was stronger than Fate;
He thought of my danger, not his, when he felt in his bosom the smart,
And stuck to the handle in spite of the Finger of Death on his heart.

Broken Axletree

On the Track of Grand Endeavour, on the long track out to Bourke,
Past the Turn-Back, and past Howlong, and the pub at Sudden Jerk,
Past old Bullock-Yoke and Bog Flat, and the “Pinch” at Stick-to-me,
Lies the camp that we have christened—christened “Broken Axletree.”
We were young and strong and fearless, we had not seen Mount Despair,
And the West was to be conquered, and we meant to do our share;
We were far away from cities, and were fairly off the spree
When we camped at Cart Wheel River with a broken axletree.


Oh, the pub at Devil’s Crossing! and the woman that he sent!
And the hell for which we bartered horse and trap and “traps” and tent!
And the black “Since Then”—the chances that we never more may see—
Ah! the two lives that were ruined for a broken axletree!


“Fate” is but a Cart Wheel River, placed to test us by the Lord,
And the Star of Live Forever shines beyond At Blacksmith’s Ford!
Shun all fatalists and “isms”—heed no talk of “destiny”!
Ride a race for life to Blacksmith’s with your broken axletree.

Black Bonnet

A day of seeming innocence,
A glorious sun and sky,
And, just above my picket fence,
Black Bonnet passing by.
In knitted gloves and quaint old dress,
Without a spot or smirch,
Her worn face lit with peacefulness,
Old Granny goes to church.


Her hair is richly white, like milk,
That long ago was fair --
And glossy still the old black silk
She keeps for "chapel wear";
Her bonnet, of a bygone style,
That long has passed away,
She must have kept a weary while
Just as it is to-day.


The parasol of days gone by --
Old days that seemed the best --
The hymn and prayer books carried high
Against her warm, thin breast;
As she had clasped -- come smiles come tears,
Come hardship, aye, and worse --
On market days, through faded years,
The slender household purse.


Although the road is rough and steep,
She takes it with a will,
For, since she hushed her first to sleep
Her way has been uphill.
Instinctively I bare my head
(A sinful one, alas!)
Whene'er I see, by church bells led,
Brave Old Black Bonnet pass.


For she has known the cold and heat
And dangers of the Track:
Has fought bush-fires to save the wheat
And little home Out Back.
By barren creeks the Bushman loves,
By stockyard, hut, and pen,
The withered hands in those old gloves
Have done the work of men.


.....


They called it "Service" long ago
When Granny yet was young,
And in the chapel, sweet and low,
As girls her daughters sung.
And when in church she bends her head



(But not as others do)
She sees her loved ones, and her dead
And hears their voices too.


Fair as the Saxons in her youth,
Not forward, and not shy;
And strong in healthy life and truth
As after years went by:
She often laughed with sinners vain,
Yet passed from faith to sight --
God gave her beauty back again
The more her hair grew white.


She came out in the Early Days,
(Green seas, and blue -- and grey) --
The village fair, and English ways,
Seemed worlds and worlds away.
She fought the haunting loneliness
Where brooding gum trees stood;
And won through sickness and distress
As Englishwomen could.


.....


By verdant swath and ivied wall
The congregation's seen --
White nothings where the shadows fall,
Black blots against the green.
The dull, suburban people meet
And buzz in little groups,
While down the white steps to the street
A quaint old figure stoops.


And then along my picket fence
Where staring wallflowers grow -World-
wise Old Age, and Common-sense! --
Black Bonnet, nodding slow.
But not alone; for on each side
A little dot attends
In snowy frock and sash of pride,
And these are Granny's friends.


To them her mind is clear and bright,
Her old ideas are new;
They know her "real talk" is right,
Her "fairy talk" is true.
And they converse as grown-ups may,
When all the news is told;
The one so wisely young to-day,
The two so wisely old.


At home, with dinner waiting there,



She smooths her hair and face,
And puts her bonnet by with care
And dons a cap of lace.
The table minds its p's and q's
Lest one perchance be hit
By some rare dart which is a part
Of her old-fashioned wit.


.....


Her son and son's wife are asleep,
She puts her apron on --
The quiet house is hers to keep,
With all the youngsters gone.
There's scarce a sound of dish on dish
Or cup slipped into cup,
When left alone, as is her wish,
Black Bonnet "washes up."

Booth's Drum [1]

They were “ratty” they were hooted by the meanest and the least,
When they woke the Drum of Glory long ago in London East.
They were often mobbed by hoodlums—they were few, but unafraid—
And their Lassies were insulted, but they banged the drum—and prayed.
Prayed in public for the sinners, prayed in private for release,
Till they saved some brawny lumpers—then they banged the drum in peace.
(Saved some prize-fighter and burglars)—and they banged the drum in peace.
Booth’s Drum.
He was hook-nosed, he was “scrawny,”
He was nothing of a Don.
And his business ways seemed Yiddish,
And his speeches “kid”—or kiddish;
And we doubted his “convictions”—
But his drum is going on.


Oh, they drummed it ever onward with old Blood-and-Fire unfurled,
And they drummed it ever outward to the corners of the world.
Till they banged the drum in Greenland and they banged in Ispahan,
And they banged it round to India and China and Japan.
And they banged it through the Islands where each seasoned Son of Rum
Took them for new-fangled Jim Jams when he heard the Army Drum.
(For a bran’ new brand of Horrors, when he saw the Army come.)
So they banged it in the desert, and they banged in the snow—
They’d have banged the Drum to Mecca! with the shadow of a “show.”
(But Mohammed cut their heads off, so they had to let it go.)


Somewhere in the early eighties they had banged the drum to Bourke,
Where the job of fighting Satan was white-hot and dusty work.
Oh, the Local Lass was withered in the heat that bakes and glares,
And we sent her food and firewood but took small heed of her prayers.
We were blasphemous and beery, we were free from Creed or Care,
Till they sent their prettiest Lassies—and they broke our centre there.
So that, moderately sober, we could stand to hear them sing—
And we’d chaff their Testifiers, and throw quids into the ring.
(Never less than bobs or “dollars”—sometimes quids into the ring.)


They have “stormed” our sinful cities—banged for all that they were worth—
From Port Darwin to Port Melbourne, and from Sydney round to Perth.
We’d no need for them (or woman) when we were all right and well,
But they took us out of prison, and they took us out of Hell.
And they helped our fallen sisters who went down for such as we,
And our widows and our orphans in distress and poverty.
And neglected wives and children of the worst of us that be;
And they made us fit for Glory—or another Glorious Spree.
(So I rather think there’s something that is up to you or me.)


Oh! the Blindness of the Future!—Ah, we never reckoned much
That they’d beat the quids we gave them into bayonets and such.
That the coin would be devoted, when our world was looking blue,
To another kind of orphan—wife, or child, or widow too.
But the times have changed a sudden, and the past is very dim;
They Have Found a Real Devil, and They’re Going After Him.



(With a Bible and a Rifle they are going after him.)


For the old Salvation Army, and their Country, and their King,
They are marching to the trenches, shouting, “Comrades! Let us Sing!”
They’ll find foreign “Army” soldiers here and there and everywhere,
Who will speak their tongue and help them. And they’ll surely breathe a prayer
For the Spy—before they shoot him; and another when he’s still.
And they’re going to “fire a volley” in the Land of Kaiser Bill.
But, when all is done and quiet—as before they march away—
They will kneel about their banner, saying “Brethren. Let us pray.”


They have long used army rank-terms, and oh, say what it shall be,
When a few come back the real thing, and when one comes back V.C.!
They will bang the drum at Crow’s Nest, they will bang it on “the Shore,”
They will bang the drum in Kent-street as they never banged before.
And At Last they’ll frighten Satan from the Mansion and the Slum—
He’ll have never heard till that time such a Banging of the Drum.


He was lonely with his thousands,
Lonely in his household too,
For his children had deserted,
And his captains, not a few.
He was old and white and feeble
And his sight was nearly gone,
And he “could not see his people,”
But his drum is rolling on.
Booth’s Drum.

Beaten Back

BEATEN back in sad dejection,
After years of weary toil
On that burning hot selection
Where the drought has gorged his spoil.


All in vain ’gainst him, the vulture,
I have battled without rest—
In the van of agriculture,
Marching out into the West.


Now the eagle-hawks are feeding
On my perished stock that reek
Where the water-holes receding
Long had left the burning creek.


I must labour without pity—
I the pick and spade must wield
In the streetways of the city
Or upon another’s field!


Can it be my reason’s rocking,
For I feel a burning hate
For the God who, only mocking,
Sent the prayed-for rain too late?


Pour, ye mocking rains, and rattle
On the bare, brown, grassless plain,
On the shrivelled hides of cattle
That shall ne’er want grass again!


Rush, ye yellow floods, to Murray,
Over thirsty creek-banks foam;
And o’er all, ye black clouds, hurry;
Ye can bring not back my home!

A Fantasy of War

From Australia
.
OH, tell me, God of Battles! Oh, say what is to come!
The King is in his trenches, the millionaire at home;
The Kaiser with his toiling troops, the Czar is at the front.
Oh! Tell me, God of Battles! Who bears the battle’s brunt?
The Queen knits socks for soldiers, the Empress does the same,
And know no more than peasant girls which nation is to blame.
The wounded live to fight again, or live to slave for bread;
The Slain have graves above the Slain—the Dead are with the Dead.
The widowed young shall wed or not, the widowed old remain—
And all the nations of the world prepare for war again!
But ere that time shall be, O God, say what shall here befall!
Ten millions at the battle fronts, and we’re five millions all!
The world You made was wide, O God, the world we made is small.
We toiled not as our fathers toiled, for
Sport was all our boast;
And so we built our cities, Lord, like warts, upon the coast.


From Europe
.
The seer stood on the mountain side, the witch was in her cave;
The gipsy with his caravan, the sailor on the wave;
The sophist in his easy chair, with ne’er a soul to save,
The factory slaves went forth to slave, the peasant to the field;
The women worked in winter there for one-tenth of the yield;
The village Granny nursed their babes to give them time to slave;
The child was in the cradle, and the grandsire in his grave.
The rich man slumbered in his chair, full fed with wine and meat;
The lady in her carriage sat, the harlot walked the street
With paint upon her cheek and neck, through winter’s snow and sleet.
We saw the pride of Wealth go mad, and Misery increase—
And still the God of Gods was dumb and all the world was Peace!


The wizard on the mountain side, he drew a rasping breath,
For he was old and near to life, as he was near to death;
And he looked out and saw the star they saw at Nazareth.
“Two thousand years have passed,” he said. “A thousand years,” he said.
“A hundred years have passed,” he said, “and, lo! the star is red!
The time has come at last,” he said, and bowed his hoary head.
He laid him on the mountain-side—and so the seer was dead.
And so the Eastern Star was red, and it was red indeed—
We saw the Red Star in the South, but we took little heed.
(The Prophet in his garret starved or drank himself to death.)


The witch was mumbling in her hole before the dawn was grey;
The witch she took a crooked stick and prodded in the clay;
She doddered round and mumbled round as is the beldame’s way.
“Four children shall be born,” she said, “four children at a birth;
Four children of a peasant brood—and what shall come on earth?
Four of the poorest peasantry that Europe knows,” she said,



“And all the nations of the world shall count their gory dead!”
The babes are born in Italy—and all the world is red!


The Ship


The world You gave was wide, O Lord, and wars were far away!
The goal was just as near, O Lord, to-morrow or to-day!
The tree You grew was stout and sound to carve the plank and keel.
(And when the darkness hid the sky Your hand was on the wheel.)
The pine You grew was straight and tall to fashion spar and mast.
Our sails and gear from flax and hemp were stout and firm and fast.
You gave the metal from the mine and taught the carpenter
To fasten plank and rib and beam, and sheath and iron her.
The world You made was wide, O Lord, with signs on sea and sky;
And all the stars were true, O Lord, you gave to steer her by.
More graceful than the albatross upon the morning breeze.
Ah me! she was the fairest thing that ever sailed the seas;
And when the madness of mankind burns out at last in war,
The world may yet behold the day she’ll sail the seas once more.
We were not satisfied, O Lord, we were not satisfied;
We stole Your electricity to fortify our pride!
You gave the horse to draw our loads, You gave the horse to ride;
But we must fly above the Alps and race beneath the tide.
We searched in sacred places for the things we did not need;
Your anger shook our cities down—and yet we took no heed.
We robbed the water and the air to give us “energy,”
As we’d exhaust Thy secret store of electricity.
The day may come—and such a day!—when we shall need all three.


And lest Thou shouldst not understand our various ways and whys,
We cut Thy trees for paper, Lord, where-on to print our lies.
We sent the grand Titanic forth, for pleasure, gold and show;
And all her skeletons of wealth and jewels lie below.
For fame or curiosity, for pride, and greed, or trade,
We sought to know all things and make all things that Thou hast made!
From Pole to Pole we sought to speak, and Heaven’s powers employ—
Our cruisers feverishly seek such language to destroy.
We shaped all things for war, and now the Sister Nations wade
Knee-deep in white man’s blood to wreck all things that we have made!
For in the rottenness of Peace—worse than this bitter strife!—
We murdered the Humanity and Poetry of Life.


The Bells and the Child
.
The gongs are in the temple—the bells are in the tower;
The “tom-tom” in the jungle and the town clock tells the hour;
And all Thy feathered kind at morn have testified Thy power.



Did ever statesman save a land or science save a soul?—
Did ever Tower of Babel stand or war-drums cease to roll?—
Or wedding-bells to ring, O Lord—or requiems to toll?


Did ever child in cradle laid—born of a healthy race—
Cease for an hour, all unafraid, to testify Thy grace?
That shook its rattle from its bed in its proud father’s face?


Cathedral bells must cease awhile, because of Pride and Sin,
That never failed a wedding-morn that hailed a king and queen,
Or failed to peal for victory that brave men died to win.
(Or failed to ring the Old Year out and ring the New Year in.)


The world You made was wide, O God!—O God, ’tis narrow now—
And all its ways must run with blood, for we knew more than Thou!
And millions perish at the guns or rot beside the plough,
For we knew more than Thou.

A Derry on a Cove

’Twas in the felon’s dock he stood, his eyes were black and blue;
His voice with grief was broken, and his nose was broken, too;
He muttered, as that broken nose he wiped upon his cap—
‘It’s orfal when the p’leece has got a derry on a chap.
‘I am a honest workin’ cove, as any bloke can see,
‘It’s just because the p’leece has got a derry, sir, on me;
‘Oh, yes, the legal gents can grin, I say it ain’t no joke—
‘It’s cruel when the p’leece has got a derry on a bloke.’


‘Why don’t you go to work?’ he said (he muttered, ‘Why don’t you?’).
‘Yer honer knows as well as me there ain’t no work to do.
‘And when I try to find a job I’m shaddered by a trap—
‘It’s awful when the p’leece has got a derry on a chap.’


I sigh’d and shed a tearlet for that noble nature marred,
But, ah! the Bench was rough on him, and gave him six months’ hard.
He only said, ‘Beyond the grave you’ll cop it hot, by Jove!
‘There ain’t no angel p’leece to get a derry on a cove.’

Rumors from an Aeolian Harp

There is a vale which none hath seen,
Where foot of man has never been,
Such as here lives with toil and strife,
An anxious and a sinful life.
There every virtue has its birth,
Ere it descends upon the earth,
And thither every deed returns,
Which in the generous bosom burns.


There love is warm, and youth is young,
And poetry is yet unsung.
For Virtue still adventures there,
And freely breathes her native air.


And ever, if you hearken well,
You still may hear its vesper bell,
And tread of high-souled men go by,
Their thoughts conversing with the sky.

Pray to What Earth Does This Sweet Cold Belong

Pray to what earth does this sweet cold belong,
Which asks no duties and no conscience?
The moon goes up by leaps, her cheerful path
In some far summer stratum of the sky,
While stars with their cold shine bedot her way.
The fields gleam mildly back upon the sky,
And far and near upon the leafless shrubs
The snow dust still emits a silver light.
Under the hedge, where drift banks are their screen,
The titmice now pursue their downy dreams,
As often in the sweltering summer nights
The bee doth drop asleep in the flower cup,
When evening overtakes him with his load.
By the brooksides, in the still, genial night,
The more adventurous wanderer may hear
The crystals shoot and form, and winter slow
Increase his rule by gentlest summer means.

Mist


Low-anchored cloud,
Newfoundland air,
Fountain head and source of rivers,
Dew-cloth, dream drapery,
And napkin spread by fays;
Drifting meadow of the air,
Where bloom the dasied banks and violets,
And in whose fenny labyrinth
The bittern booms and heron wades;
Spirit of the lake and seas and rivers,
Bear only purfumes and the scent
Of healing herbs to just men's fields!

Low-Anchored Cloud

Low-anchored cloud,
Newfoundland air,
Fountain-head and source of rivers,
Dew-cloth, dream-drapery,
And napkin spread by fays;
Drifting meadow of the air,
Where bloom the daisied banks and violets,
And in whose fenny labyrinth
The bittern booms and heron wades;
Spirit of lakes and seas and rivers,
Bear only perfumes and the scent
Of healing herbs to just men's fields!