Ethics and Morality

The Drunkard's Vision

A public parlour in the slums,
The haunt of vice and villainy,
Where things are said unfit to hear,
And things are done unfit to see;
’Mid ribald jest and reckless song,
That mock at all that’s pure and right,
The drunkard drinks the whole day long,
And raves through half the dreadful night.


And in the morning now he sits,
With staring eyes and trembling limb;
The harbour in the sunlight laughs,
But morning is as night to him.
And, staring blankly at the wall,
He sees the tragedy complete—
He sees the man he used to be
Go striding proudly up the street.


He turns the corner with a swing,
And, at the vine-framed cottage gate,
The father sees, with laughing eyes,
His little son and daughter wait:
They race to meet him as he comes—
And—Oh! this memory is worst—
Her dimpled arms go round his neck,
She pants, ‘I dot my daddy first!’


He sees his bright-eyed little wife;
He sees the cottage neat and clean—
He sees the wrecking of his life
And all the things that might have been!
And, sunk in hopeless, black despair,
That drink no more has power to drown,
Upon the beer-stained table there
The drunkard’s ruined head goes down.


But even I, a fearful wreck,
Have drifted long before the storm:
I know, when all seems lost on earth,
How hard it can be to reform.
I, too, have sinned, and we have both
Drunk to the dregs the bitter cup—
Give me your hand, Oh brother mine,
And even I might help you up.

The Drovers

Shrivelled leather, rusty buckles, and the rot is in our knuckles,
Scorched for months upon the pommel while the brittle rein hung free;
Shrunken eyes that once were lighted with fresh boyhood, dull and blighted—
And the sores upon our eyelids are unpleasant sights to see.
And our hair is thin and dying from the ends, with too long lying
In the night dews on the ashes of the Dry Countree.
Yes, we’ve seen ’em ‘bleaching whitely’ where the salt-bush sparkles brightly,
But their grins were over-friendly, so we passed and let them be.
And we’ve seen them ‘rather recent,’ and we’ve stopped to hide ’em decent
When they weren’t nice to handle and they weren’t too nice to see;
We have heard the dry bones rattle under fifteen hundred cattle—
Seen the rags go up in dust-clouds and the brittle joints kicked free;
But there’s little time to tarry, if you wish to live and marry,
When the cattle shy at something in the Dry Countree.


No, you needn’t fear the blacks on the Never Never tracks—
For the Myall in his freedom’s an uncommon sight to see;
Oh! we do not stick at trifles—and the trackers sneak their rifles,
And go strolling in the gloaming while the sergeant’s yarning free:
Round the Myalls creep the trackers—there’s a sound like firing crackers
And—the blacks are getting scarcer in the Dry Countree.
(Goes an unprotected maiden-’cross the clearing carrion-laden—
Oh they ride ’em down on horseback in the Dry Countree.)


But you don’t know what might happen when a tank is but a trap on
Roofs of hell, and there is nothing but the blaze of hell to see;
And the phantom water’s lapping—and no limb for saddle-strapping—
Better carry your revolver through the Dry Countree.
But I’m feeling gay and frisky, come with me and have a whisky!
Change of hells is all we live for (that’s my mate that’s got D.T.);
We have fought through hell’s own weather, he and I and death together—
Oh, the devil grins to greet us from the Dry Countree!

The Drums of Ages

Drums of all that’s right and wrong—of love and hate and scorn,
And the new-born baby hears them and it wails when it is born.
Drums of all that is to be, and all that has gone by,
And we hear them when we’re dreaming, and we hear them while we die.


Drums of martyred innocence and drums of driven guilt
Beating backward from the future when the first rude town was built;
Beating louder through the slave days and the dark and hungry nights,
While the hovels filled the valleys and the castles crowned the heights;
Beating louder while the mansions shifted east from miles of slums—
Don’t you hear them? Don’t you hear them? Don’t you hear the alley drums?


Drums of human sacrifice and drums of war at home—
While the Romans conquered nations they were beating loud in Rome.
Children heard them through the ages, mothers paused and glanced behind,
Madmen saw and heard the drummers, but the rest were deaf and blind.
Peasants starved on fields of plenty, workmen rotted in the slums—
Till the drummers came to Paris and the nations heard the drums.


Drums of hope and bursting hearts—the drums of Westward Ho!—
From the homes of generations and their native land they go.
’Groom and bride and grey-haired mother, bent old men who go alone—
Fleeing bitter persecution for the terrible unknown:
Seeking freedom, rest, or justice—and the peace that never comes—
And the wilderness was conquered when the pilgrims beat their drums.


Drums of Greed that followed fast where men had made the way,
Waking drums of stern rebellion when the exiles turned at bay,
Spreading death and desolation, breeding old-world hells anew,
Until England lost a nation for the blindness of a few.
Still the dirty Jewish talon reached from palaces and slums
Till a hundred thousand English died to stop the farmers’ drums.


Drums of tortured hearts o’ men—the drums that never ceased—
Throbbing through the British Empire from the heart of London East;
Growling louder still wherever, in the wake of those who lead,
Comes the murmur of the board-room and the stealthy steps of greed;
Growling through the Southern cities, murmuring in the Western gums,
Till the Empire falls to pieces at the beating of the drums!


Drums of all that’s right and wrong—of love and hate and scorn;
And the new-born baby hears them, and he wails when he is born.
Drums of all that is to be, and all that has gone by—
And we hear there when we’re dreaming, and we hear then while we die.

The Distant Drum

Republicans! the time is coming!
Listen to the distant drumming!
Hearken to the whispers humming
In the troubled atmosphere.


Ye are born to do the toiling;
On and on—and no recoiling!
To the fighting, to the foiling
Of the wrongs that wrong us here.


Let the Loyal laugh and jeer you;
Let them in derision cheer you.
Still the cowards show they fear you
By their deeds and all they say.


Let Britannia rule for ever
O’er the wave; but never, never!
Rule a land great oceans sever
Fifteen thousand miles away.


Stained by persecution’s fires
Thinned of homes and thick with spires,
They love the land that bred their sires,
Ye the Land that breeds your sons.


And your sons shall have the reaping,
And your sons shall have the keeping
Of your honour while you’re sleeping,
Freedom’s vanguard, in your graves.

The Day Before I Die

There's such a lot of work to do, for such a troubled head!
I’m scribbling this against a book, with foolscap round, in bed.
It strikes me that I’ll scribble much in this way by and by,
And write my last lines so perchance the day before I die.


There’s lots of things to come and go, and I, in careless rhyme,
And drink and love (it wastes the most) have wasted lots of time.
There’s so much good work to be done it makes me sure that I
Will be the sorriest for my death, the day before I die.


But, lift me dear, for I am tired, and let me taste the wine—
And lay your cheek a little while on this lined cheek of mine.
I want to say I love you so—your patient love is why
I’ll have such little time, you know, the day before I die.

The Cross-Roads

Once more I write a line to you,
While darker shadows fall;
Dear friends of mine who have been true,
And steadfast through it all.
If I have written bitter rhymes,
With many lines that halt,
And if I have been false at times
It was not all my fault.


To Heaven’s decree I would not bow,
And I sank very low—
The bitter things are written now,
And we must let them go.
But I feel softened as I write;
The better spirit springs,
And I am very sad to-night
Because of many things.


The friendships that I have abused,
The trust I did betray,
The talents that I have misused,
The gifts I threw away.
The things that did me little good,
And—well my cheeks might burn—
The kindly letters that I should
Have answered by return.


But you might deem them answered now,
And answered from my heart;
And injured friends will understand
’Tis I who feel the smart.
But I have done with barren strife
And dark imaginings,
And in my future work and life
Will seek the better things.

The City Bushman

It was pleasant up the country, City Bushman, where you went,
For you sought the greener patches and you travelled like a gent;
And you curse the trams and buses and the turmoil and the push,
Though you know the squalid city needn't keep you from the bush;
But we lately heard you singing of the `plains where shade is not',
And you mentioned it was dusty -- `all was dry and all was hot'.


True, the bush `hath moods and changes' -- and the bushman hath 'em, too,
For he's not a poet's dummy -- he's a man, the same as you;
But his back is growing rounder -- slaving for the absentee --
And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet
Should have made a greater contrast to the faces in the street;
And, in short, we think the bushman's being driven to the wall,
And it's doubtful if his spirit will be `loyal thro' it all'.


Though the bush has been romantic and it's nice to sing about,
There's a lot of patriotism that the land could do without --
Sort of BRITISH WORKMAN nonsense that shall perish in the scorn
Of the drover who is driven and the shearer who is shorn,
Of the struggling western farmers who have little time for rest,
And are ruined on selections in the sheep-infested West;
Droving songs are very pretty, but they merit little thanks
From the people of a country in possession of the Banks.


And the `rise and fall of seasons' suits the rise and fall of rhyme,
But we know that western seasons do not run on schedule time;
For the drought will go on drying while there's anything to dry,
Then it rains until you'd fancy it would bleach the sunny sky --
Then it pelters out of reason, for the downpour day and night
Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best,
But it's doubtful if you ever saw a season in the West;
There are years without an autumn or a winter or a spring,
There are broiling Junes, and summers when it rains like anything.


In the bush my ears were opened to the singing of the bird,
But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true,
But I only heard him asking, `Who the blanky blank are you?'
And the bell-bird in the ranges -- but his `silver chime' is harsh
When it's heard beside the solo of the curlew in the marsh.


Yes, I heard the shearers singing `William Riley', out of tune,
Saw 'em fighting round a shanty on a Sunday afternoon,
But the bushman isn't always `trapping brumbies in the night',
Nor is he for ever riding when `the morn is fresh and bright',
And he isn't always singing in the humpies on the run --
And the camp-fire's `cheery blazes' are a trifle overdone;
We have grumbled with the bushmen round the fire on rainy days,
When the smoke would blind a bullock and there wasn't any blaze,



Save the blazes of our language, for we cursed the fire in turn
Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags,
And we saw the sugar leaking through the bottoms of the bags,
And we couldn't raise a chorus, for the toothache and the cramp,
While we spent the hours of darkness draining puddles round the camp.


Would you like to change with Clancy -- go a-droving? tell us true,
For we rather think that Clancy would be glad to change with you,
And be something in the city; but 'twould give your muse a shock
To be losing time and money through the foot-rot in the flock,
And you wouldn't mind the beauties underneath the starry dome
If you had a wife and children and a lot of bills at home.


Did you ever guard the cattle when the night was inky-black,
And it rained, and icy water trickled gently down your back
Till your saddle-weary backbone fell a-aching to the roots
And you almost felt the croaking of the bull-frog in your boots --
Sit and shiver in the saddle, curse the restless stock and cough
Till a squatter's irate dummy cantered up to warn you off?
Did you fight the drought and pleuro when the `seasons' were asleep,
Felling sheoaks all the morning for a flock of starving sheep,
Drinking mud instead of water -- climbing trees and lopping boughs
For the broken-hearted bullocks and the dry and dusty cows?


Do you think the bush was better in the `good old droving days',
When the squatter ruled supremely as the king of western ways,
When you got a slip of paper for the little you could earn,
But were forced to take provisions from the station in return --
When you couldn't keep a chicken at your humpy on the run,
For the squatter wouldn't let you -- and your work was never done;
When you had to leave the missus in a lonely hut forlorn
While you `rose up Willy Riley' -- in the days ere you were born?


Ah! we read about the drovers and the shearers and the like
Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest
Ere they raise a just rebellion in the over-written West?
Where the simple-minded bushman gets a meal and bed and rum
Just by riding round reporting phantom flocks that never come;
Where the scalper -- never troubled by the `war-whoop of the push' --
Has a quiet little billet -- breeding rabbits in the bush;
Where the idle shanty-keeper never fails to make a draw,
And the dummy gets his tucker through provisions in the law;
Where the labour-agitator -- when the shearers rise in might --
Makes his money sacrificing all his substance for The Right;
Where the squatter makes his fortune, and `the seasons rise and fall',
And the poor and honest bushman has to suffer for it all;
Where the drovers and the shearers and the bushmen and the rest
Never reach the Eldorado of the poets of the West.


And you think the bush is purer and that life is better there,



But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse,
Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat,
And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage?
Did you hear the gods in chorus when `Ri-tooral' held the stage?
Did you catch a ring of sorrow in the city urchin's voice
When he yelled for Billy Elton, when he thumped the floor for Royce?
Do the bushmen, down on pleasure, miss the everlasting stars
When they drink and flirt and so on in the glow of private bars?


You've a down on `trams and buses', or the `roar' of 'em, you said,
And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been?
For the struggling needlewoman mostly keeps her attic clean.)
But you'll find it very jolly with the cuff-and-collar push,
And the city seems to suit you, while you rave about the bush.


. . . . .

You'll admit that Up-the Country, more especially in drought,
Isn't quite the Eldorado that the poets rave about,
Yet at times we long to gallop where the reckless bushman rides
In the wake of startled brumbies that are flying for their hides;
Long to feel the saddle tremble once again between our knees
And to hear the stockwhips rattle just like rifles in the trees!
Long to feel the bridle-leather tugging strongly in the hand
And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes
Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live,
Try to understand each other while we reckon up the div.

The Cattle-Dog's Death

The Plains lay bare on the homeward route,
And the march was heavy on man and brute;
For the Spirit of Drought was on all the land,
And the white heat danced on the glowing sand.


The best of our cattle-dogs lagged at last,
His strength gave out ere the plains were passed,
And our hearts grew sad when he crept and laid
His languid limbs in the nearest shade.


He saved our lives in the years gone by,
When no one dreamed of the danger nigh,
And the treacherous blacks in the darkness crept
On the silent camp where the drovers slept.


‘The dog is dying,’ a stockman said,
As he knelt and lifted the shaggy head;
‘’Tis a long day’s march ere the run be near,
‘And he’s dying fast; shall we leave him here?’


But the super cried, ‘There’s an answer there!’
As he raised a tuft of the dog’s grey hair;
And, strangely vivid, each man descried
The old spear-mark on the shaggy hide.


We laid a ‘bluey’ and coat across
The camping pack of the lightest horse,
And raised the dog to his deathbed high,
And brought him far ’neath the burning sky.


At the kindly touch of the stockmen rude
His eyes grew human with gratitude;
And though we parched in the heat that fags,
We gave him the last of the water-bags.


The super’s daughter we knew would chide
If we left the dog in the desert wide;
So we brought him far o’er the burning sand
For a parting stroke of her small white hand.


But long ere the station was seen ahead,
His pain was o’er, for the dog was dead
And the folks all knew by our looks of gloom
’Twas a comrade’s corpse that we carried home.

The Cab Lamps

The crescent moon and clock tower are fair above the wall
Across the smothered lanes of ’Loo, the stifled vice and all,
And in the shadow yonder—like cats that wait for scraps—
The crowding cabs seem waiting—for you and me, perhaps.


The cab lamps are watching as they watched for you and me,
The cab lamps are a-watching and they watch unblinkingly.
The sea breeze in Macleay Street and star-angels over all,
But the slinking cabs of darkness keep their watch beside the wall.


Oh! the years we slipped like months—and the months like a day—
When our cabs slid from the stand—touched the kerb and sped away—
Oh! the cloak on girlish shoulders—Oh! the theatres and light!
And the private rooms and supper that were all in a night!


Oh! the rickshaw in Colombo! And the flat that no one knew,
Where the cab lamps watched Haymarket—London cabs for me and you.
Oh! the gay run “Home” by Paris when the world was ours to play
And the wild run back by Frisco that seems all in a day.


Oh! the cab lamps and rose curtains, when the lie called love seemed true,
While an honest wife and husband suffered by the lanes of ’Loo.
Oh! the health and strength and beauty and the money with its power—
And those two good lives we ruined that was all in an hour.


But the night policeman’s coming with a sharp suspicious eye,
And he’d shift us “quick and lively” to the sweet by and by.
So we’ll seek our frowsy bedroom, if the old hag lets us through—
Where our folks died broken-hearted in the cruel lanes of ’Loo.


The cab lamps are watching as they watched across the sea,
The cab lamps are watching, and they watch for you and me.
For you and me they waited, when the thing called love seemed true,
But the bull’s-eye of our midnight must not flash on me—and you.

The Captain of the Push

As the night was falling slowly down on city, town and bush,
From a slum in Jones's Alley sloped the Captain of the Push;
And he scowled towards the North, and he scowled towards the South,
As he hooked his little finger in the corners of his mouth.
Then his whistle, loud and shrill, woke the echoes of the `Rocks',
And a dozen ghouls came sloping round the corners of the blocks.


There was nought to rouse their anger; yet the oath that each one swore
Seemed less fit for publication than the one that went before.
For they spoke the gutter language with the easy flow that comes
Only to the men whose childhood knew the brothels and the slums.
Then they spat in turns, and halted; and the one that came behind,
Spitting fiercely on the pavement, called on Heaven to strike him blind.


Let us first describe the captain, bottle-shouldered, pale and thin,
For he was the beau-ideal of a Sydney larrikin;
E'en his hat was most suggestive of the city where we live,
With a gallows-tilt that no one, save a larrikin, can give;
And the coat, a little shorter than the writer would desire,
Showed a more or less uncertain portion of his strange attire.


That which tailors know as `trousers' -- known by him as `bloomin' bags' --
Hanging loosely from his person, swept, with tattered ends, the flags;
And he had a pointed sternpost to the boots that peeped below
(Which he laced up from the centre of the nail of his great toe),
And he wore his shirt uncollar'd, and the tie correctly wrong;
But I think his vest was shorter than should be in one so long.


And the captain crooked his finger at a stranger on the kerb,
Whom he qualified politely with an adjective and verb,
And he begged the Gory Bleeders that they wouldn't interrupt
Till he gave an introduction -- it was painfully abrupt -`
Here's the bleedin' push, me covey -- here's a (something) from the bush!
Strike me dead, he wants to join us!' said the captain of the push.


Said the stranger: `I am nothing but a bushy and a dunce;
`But I read about the Bleeders in the WEEKLY GASBAG once;
`Sitting lonely in the humpy when the wind began to "whoosh,"
`How I longed to share the dangers and the pleasures of the push!
`Gosh! I hate the swells and good 'uns -- I could burn 'em in their beds;
`I am with you, if you'll have me, and I'll break their blazing heads.'


`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- suppose a feller was to split upon the push,
`Would you lay for him and fetch him, even if the traps were round?
`Would you lay him out and kick him to a jelly on the ground?
`Would you jump upon the nameless -- kill, or cripple him, or both?
`Speak? or else I'll SPEAK!' The stranger answered, `My kerlonial oath!'


`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- suppose the Bleeders let you come and join the push,
`Would you smash a bleedin' bobby if you got the blank alone?



`Would you break a swell or Chinkie -- split his garret with a stone?
`Would you have a "moll" to keep yer -- like to swear off work for good?'
`Yes, my oath!' replied the stranger. `My kerlonial oath! I would!'


`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- before the Bleeders let yer come and join the push,
`You must prove that you're a blazer -- you must prove that you have grit
`Worthy of a Gory Bleeder -- you must show your form a bit -`
Take a rock and smash that winder!' and the stranger, nothing loth,
Took the rock -- and smash! They only muttered, `My kerlonial oath!'


So they swore him in, and found him sure of aim and light of heel,
And his only fault, if any, lay in his excessive zeal;
He was good at throwing metal, but we chronicle with pain
That he jumped upon a victim, damaging the watch and chain,
Ere the Bleeders had secured them; yet the captain of the push
Swore a dozen oaths in favour of the stranger from the bush.


Late next morn the captain, rising, hoarse and thirsty from his lair,
Called the newly-feather'd Bleeder, but the stranger wasn't there!
Quickly going through the pockets of his `bloomin' bags,' he learned
That the stranger had been through him for the stuff his `moll' had earned;
And the language that he muttered I should scarcely like to tell.
(Stars! and notes of exclamation!! blank and dash will do as well).


In the night the captain's signal woke the echoes of the `Rocks,'
Brought the Gory Bleeders sloping thro' the shadows of the blocks;
And they swore the stranger's action was a blood-escaping shame,
While they waited for the nameless, but the nameless never came.
And the Bleeders soon forgot him; but the captain of the push
Still is `laying' round, in ballast, for the nameless `from the bush.'

The Briny Grave

You wonder why so many would be buried in the sea,
In this world of froth and bubble,
But I don’t wonder, for it seems to me
That it saves such a lot of trouble.
And there ain’t no undertaker—
Oh! there ain’t no order that your friends can give
On the quiet to the coffin-maker—
To a gimcrack coffin-maker,
They make no differ twixt the absentee swell
And the clerk that cut from a “shortage”—
Oh! there ain’t no pauper funer-el,
And there ain’t no “impressive cortege.”
It may be a chap from the for’ard crowd,
Or a member of the British Peerage,
But they sew his nibs in a canvas shroud
Just the same as the bloke from the steerage—
As that poor bloke from the steerage.
There ain’t no need for a gravedigger there,
For you dig your own grave! Lord love yer!
And there ain’t no use for a headstone fair
When the waters close above yer!
The little headstone where they come to weep,
May be right for the land’s dry-rotters,
But you rest just as sound when you’re anchored deep
With the pigiron at your trotters—
(Our fathers had iron at their trotters).
The sea is democratic the wide world round,
And it don’t give a hang for no man,
There ain’t no Church of England burial ground,
Nor yet there ain’t no Roman.
Orthodox and het’rodox by wreck-strewn cliffs,
At peace in the stormiest weather,
Might bob up and down like two brother “stiffs,”
And rest in one shark together—
And mix up their bones together.


The bare-headed skipper is as good any day
As an authorised shifter of sin is,
And the tear of shipmate is better anyway
Than the tear of the next-of-kin is.
It saves your friends, and it fills your needs,
It is best when all is reckoned,
And she can’t come there in her widder weeds,
With her eyes on a likely second—
And a spot for the likely second.

The Boss's Boots

The Shearers squint along the pens, they squint along the ‘shoots;’
The shearers squint along the board to catch the Boss’s boots;
They have no time to straighten up, they have no time to stare,
But when the Boss is looking on, they like to be aware.
The ‘rouser’ has no soul to save. Condemn the rouseabout!
And sling ’em in, and rip ’em through, and get the bell-sheep out ;
And skim it by the tips at times, or take it with the roots—
But ‘pink’ ’em nice and pretty when you see the Boss’s boots.


The shearing super sprained his foot, as bosses sometimes do—
And wore, until the shed cut out, one ‘side-spring’ and one shoe;
And though he changed his pants at times—some worn-out and some neat—
No ‘tiger’ there could possibly mistake the Boss’s feet.


The Boss affected larger boots than many Western men,
And Jim the Ringer swore the shoe was half as big again;
And tigers might have heard the boss ere any harm was done—
For when he passed it was a sort of dot and carry one.


But now there comes a picker-up who sprained his ankle, too,
And limping round the shed he found the Boss’s cast-off shoe.
He went to work, all legs and arms, as green-hand rousers will,
And never dreamed of Boss’s boots—much less of Bogan Bill.


Ye sons of sin that tramp and shear in hot and dusty scrubs,
Just keep away from ‘headin’ ’em,’ and keep away from pubs,
And keep away from handicaps—for so your sugar scoots—
And you may own a station yet and wear the Boss’s boots.


And Bogan by his mate was heard to mutter through his hair:
‘The Boss has got a rat to-day: he’s buckin’ everywhere—
‘He’s trainin’ for a bike, I think, the way he comes an’ scoots,
‘He’s like a bloomin’ cat on mud the way he shifts his boots.’


Now Bogan Bill was shearing rough and chanced to cut a teat ;
He stuck his leg in front at once, and slewed the ewe a bit;
He hurried up to get her through, when, close beside his shoot,
He saw a large and ancient shoe, in mateship with a boot.


He thought that he’d be fined all right—he couldn’t turn the ‘yoe;’
The more he wished the boss away, the more he wouldn’t go;
And Bogan swore amenfully—beneath his breath he swore—
And he was never known to ‘pink’ so prettily before.


And Bogan through his bristling scalp in his mind’s eye could trace,
The cold, sarcastic smile that lurked about the Boss’s face;
He cursed him with a silent curse in language known to few,
He cursed him from his boot right up, and then down to his shoe.


But while he shore so mighty clean, and while he screened the teat,
He fancied there was something wrong about the Boss’s feet:
The boot grew unfamiliar, and the odd shoe seemed awry,



And slowly up the trouser went the tail of Bogan’s eye,


Then swiftly to the features from a plaited green-hide belt—
You’d have to ring a shed or two to feel as Bogan felt—
For ’twas his green-hand picker-up (who wore a vacant look),
And Bogan saw the Boss outside consulting with his cook.


And Bogan Bill was hurt and mad to see that rouseabout
And Bogan laid his ‘Wolseley’ down and knocked that rouser out;
He knocked him right across the board, he tumbled through the shoot—
‘I’ll learn the fool,’ said Bogan Bill, ‘to flash the Boss’s boot!’


The rouser squints along the pens, he squints along the shoots,
And gives his men the office when they miss the Boss’s boots.
They have no time to straighten up, they’re too well-bred to stare,
But when the Boss is looking on they like to be aware.


The rouser has no soul to lose—it’s blarst the rouseabout!
And rip ’em through and yell for ‘tar’ and get the bell-sheep out,
And take it with the scum at times or take it with the roots,—
But ‘pink’ ’em nice and pretty when you see the Boss’s boots.

The Black Tracker (Or: Why He Lost The Track)

There was a tracker in the force
Of wondrous sight (the story ran):—
He never failed to track a horse,
He never failed to find his man.


They brought him from a distant town
Once more to gain reward and praise,
Nor dreamed the man he hunted down
Had saved his life in bygone days.


Away across the farthest run,
And far across the stony plain,
The outlaw’s horse’s tracks, each one,
Unto the black man’s eyes were plain.


Those tracks across the ranges wide
Right well he knew that he could trace,
And oft he turned aside to hide
The tears upon his dusky face.


Now was his time, for he could claim
Reward and praise if he prevailed!
Now was the time to win him fame,
When all the other blacks had failed.


He struggled well to play his part,
For in the art he took a pride.
But, ah! there beat a white man’s heart
Beneath his old, black wrinkled hide.


Against that heart he struggled well,
But gratitude was in the black—
He failed—and only he could tell
The reason why he lost the track.

The Bill of the Ages

He shall live to the end of this mad old world, he has lived since the world began,
He never has done any good for himself, but was good to every man.
He never has done any good for himself, and I’m sure that he never will,
He drinks and he swears and he fights at times, and his name is mostly Bill.
He carried a freezing mate to his cave, and nursed him, for all I know,
When Europe was mostly a sheet of ice, thousands of years ago.
He has stuck to many a mate since then, he is with us everywhere still
(He loves and gambles when he is young, and the girls stick up for Bill.)


He has rowed to a wreck, when the lifeboat failed, with Jim in a crazy boat;
He has given his lifebelt many a time, and sunk that another might float.
He has ‘stood ’em off’ while others escaped, when the niggers rushed from the hill,
And rescue parties who came too late have found what was left of Bill.


He has thirsted on deserts that others might drink, he has given lest others should
lack,
He has staggered half-blinded through fire or drought with a sick man on his back.
He is first to the rescue in tunnel or shaft, from Newcastle to Broken Hill,
When the water breaks in or the fire breaks out, Oh! a leader of men is Bill.


No humane societies’ medals he wears for the fearful deaths he braved;
He seems ashamed of the good he did, and ashamed of the lives he saved.
If you chance to know of a noble deed he has done, you had best keep still;
If you chance to know of a kindly act, you mustn’t let on to Bill.


He is fierce at a wrong, he is firm in right, he is kind to the weak and mild;
He will slave all day and sit up all night by the side of a neighbour’s child.
For a woman in trouble he’d lay down his life, nor think as another man will;
He’s a man all through, but no other man’s wife has ever been worse for Bill.


He is good for the noblest sacrifice, he can do what few other men can;
He can break his heart that the girl he loves may marry a better man.
There’s many a mother and wife to-night whose heart and whose eyes will fill
When she thinks of the days of the long ago when she well might have stuck to Bill.


Maybe he’s in trouble or hard up now, and travelling far for work,
Or fighting a dead past down to-night in a lone camp west of Bourke.
When he’s happy and flush, take your sorrow to him and borrow as much as you will;
But when he’s in trouble or stony-broke, you never will hear from Bill.


And when, because of its million sins, this earth is cracked like a shell,
He will stand by a mate at the Judgment Seat!—and comfort him down in—Well,
I haven’t much sentiment left, but let the cynic sneer as he will;
Perhaps God will fix up the world again for the sake of the likes of Bill.

The Battling Days

So, sit you down in a straight-backed chair, with your pipe and your wife content,
And cross your knees with your wisest air, and preach of the ‘days mis-spent;’
Grown fat and moral apace, old man! you prate of the change ‘since then’—
In spite of all, I’d as lief be back in those hard old days again.
They were hard old days; they were battling days; they were cruel at times—but then,
In spite of all, I would rather be back in those hard old days again.
The land was barren to sow wild oats in the days when we sowed our own—
(’Twas little we thought or our friends believed that ours would ever be sown)


But the wild oats wave on their stormy path, and they speak of the hearts of men—
I would sow a crop if I had my time in those hard old days again.
We travel first, or we go saloon—on the planned-out trips we go,
With those who are neither rich nor poor, and we find that the life is slow;


It’s ‘a pleasant trip’ where they cried, ‘Good luck!’ There was fun in the steerage then—
In spite of all, I would fain be back in those vagabond days again.
On Saturday night we’ve a pound to spare—a pound for a trip down town—
We took more joy in those hard old days for a hardly spared half-crown;


We took more pride in the pants we patched than the suits we have had since then—
In spite of all, I would rather be back in those comical days again.
’Twas We and the World—and the rest go hang—as the Outside tracks we trod;
Each thought of himself as a man and mate, and not as a martyred god;


The world goes wrong when your heart is strong—and this is the way with men—
The world goes right when your liver is white, and you preach of the change ‘since
then.’
They were hard old days; they were battling days; they were cruel times—but then,
In spite of all, we shall live to-night in those hard old days again.

The Australian Marseillaise

Sing the strong, proud song of Labour,
Toss the ringing music high;
Liberty’s a nearer neighbour
Than she was in days gone by.
Workmen’s weary wives and daughters
Sing the songs of liberty;
Men hail men across the waters,
Men reply across the sea.


We are marching on and onward
To the silver-streak of dawn,
To the dynasty of mankind
We are marching on.


Long the rich have been protected
By the walls that can’t endure;
By the walls that they erected
To divide them from the poor.
Crumbling now, they should not trust them,
For their end is drawing near;
Walls of Cant and walls of Custom,
Walls of Ignorance and Fear.


Tyrants, grip your weapons firmer,
Grip them firmly by the helves;
For the poor begin to murmur
Loudly now among themselves.
Hear us dare to say that Heaven
Gave us equal rights with you,
Dare to say the world was given
Unto all and not the few.


Tell us that the law has risen,
Make us bend beneath its sway,
Throw our leaders into prison,
Wrong us in the light of day.
Drive us to our dens, forgetting
All our woe as greed forgets,
While our weapons we are whetting
On your levelled bayonets.


Treat us like the beasts you’d make us,
Pen us close in wretched sties.
’Til our patience shall forsake us,
And like wolves we will arise.
Louder still for this shall rattle
Rifle shots, and sword blades ring
On the blood-wet fields of battle
In the days of reckoning.


We shall rise to prove us human,
Worthy of a human life,



When our starved and maddened women
Lead our armies on to strife.
When our war hymns wake the valleys,
And the rushing missiles shriek
From your barricaded alleys,
’Til your cannon cease to speak.


Then when Mammon Castle crashes
To the earth and trampled lies,
Then from out the blood and ashes
True Republics shall arise.
Then the world shall rest a season
(First since first the world began)
In the reign of right and reason
And the dynasty of man.

The Alleys

I was welcome in a palace when the ball was at my feet,
I was petted in a garden and my triumph was complete.
But for me above the alleys there forever shone a star,
Where the third-rate public houses and the dens of Venus are.
Where the third-rate public houses
And the fourth-rate lodging houses,
And the rag-shops and the pawn-shops and the dens of Venus are.
I was born among the alleys, bred in darkness and in doubt,
And I wrote the truth in blindness and I struggled up and out;
And the world was fair before me and the way was wide and plain,
But the spirit of the alleys ever dragged me back again.
’Tis a madness I inherit
And a blind and reckless spirit.
Oh! the spirit of the alleys ever drags me down again!


There were fair girls in the garden where the spring came in a day,
But the barmaids in the alleys know a wider world than they.
There were wise men in the palace who were born to rule the earth,
But the wrecks amongst the alleys know the world for what it’s worth.
To the pewter from the chalice,
To the slum from the palace,
Aye! the wrecks sunk in the alleys know the world for what it’s worth!


Poets who have done with puzzling—men who talk but dare not think—
Men who might have moulded nations had it not been for the drink!
Wicked stories full of humour—shafts of wit that seldom miss,
Shot from blighted lips of women that the bravest dare not kiss?
Let the worst girl lead the revels
Of the reckless alley devils!—
Pure and virtuous women often, often drive men down to this.


In the days of mental torture when my life was all a hell,
It was down amongst the alleys that I learnt the tales I tell,
From the black-sheep out from England, from the boozer in from Bourke,
From the tired haggard women bending over needle-work:
Tales of wrongs, that fire the spirit,
Tales of more than human merit,
Told in quiet tones and measured, bending over needle-work.


Oh! the pathos and the humour of the shifts of poverty,
Oh! the sympathy of drunkards, wit and truth and charity,
Oh! the worn-out working women and the lives that they endure,
And the hard and callous kindness of the poor unto the poor!
(Where they blame not—those who labour—
And the prostitute’s a neighbour)
Ah! the humour and the courage and the kindness of the poor!


There is fire down in the alleys that has smouldered very long;
There is hatred in the alleys born of centuries of wrong;
And no prayer wins to heaven like a prayer from the slums,
And the thrones of empire totter when the alleys beat their drums.
(Ah! the world is very rotten!



But my sins shall be forgotten
And my work shall be remembered when the alleys beat their drums.)


It is down amongst the alleys, in the alleys dull and damp,
They find kindness in a scoundrel, they find good points in a scamp.
It is down amongst the alleys, now my star has ceased to shine,
I find sympathy with sinners and can hide what shame is mine,
For we trust and shield each other
And a sinner is a brother—
There are souls amongst the alleys who were lost the same as mine.


And if you should some day miss me, and should care to wonder why,
Ask for me amongst the alleys by the name they knew me by:
Mind your head and pick your footsteps for you’ll grope in alley gloom,
And the stairs are steep and narrow where they’ll lead you to a room.
What if floors are foul and dusty
And the air is close and musty?
In the days when I was noble then I wrote in such a room.


You will see a chair and table dimly shown by candle light,
And the pen I dropped for ever from the last line I shall write;
And some poor attempts at comfort, and a bottle—and maybe
You will find a bad girl crying over what is left of me:
Call no friends—I shall not need them;
Call no priests—I shall not heed them—
Let the bad girl do the praying over what is left of me.

That There Dog O' Mine

Macquarie the shearer had met with an accident. To tell the truth, he had been in a
drunken row at a wayside shanty, from which he had escaped with three fractured ribs,
a cracked head, and various minor abrasions. His dog, Tally, had been a sober but
savage participator in the drunken row, and had escaped with a broken leg.

Macquarie afterwards shouldered his swag and staggered and struggled along the track
ten miles to the Union-Town Hospital. Lord knows how he did it. He didn't exactly know
himself. Tally limped behind all the way on three legs. The doctors examined the man's
injuries and were surprised at his endurance.

Even doctors are surprised sometimes - though they don't always show it. Of course
they would take him in, but they objected to Tally. Dogs were not allowed on the
premises. 'You will have to turn that dog out,' they said to the shearer, as he sat on
the edge of a bed.

Macquarie said nothing. 'We cannot allow dogs about the place, my man,' said the
doctor in a louder tone, thinking the man was deaf. 'Tie him up in the yard then.' 'No.
He must go out. Dogs are not permitted on the grounds.'

Macquarie rose slowly to his feet, shut his agony behind his set teeth painfully
buttoned his shirt over his hairy chest, took up his waistcoat, and staggered to the
comer where the swag lay. 'What are you going to do?' they asked.

'You ain't going to let my dog stop?' 'No. It's against the rules. There are no dogs
allowed on the premises.' He stooped and lifted his swag, but the pain was too great,
and he leaned back against the wall.

'Come, come now! man alive!' exclaimed the doctor, impatiently. 'You must be mad.
You know you are not in a fit state to go out. Let the wardsman help you to undress.'
'No!' said Macquarie. 'No. If you won't take my dog in you don't take me. He's got a
broken leg and wants fixing up just - just as much as - as I do.

If I'm good enough to come in, he's good enough - and - and better.' He paused
awhile, breathing painfully, and then went on. 'That - that there old dog of mine has
follered me faithful and true, these twelve long hard and hungry years. He's about about
the only thing that ever cared whether I lived or fell and rotted on the cursed
track.'

He rested again; then he continued: 'That - that there dog was pupped on the track,'
he said with a sad sort of smile. 'I carried him for months in a billy can and afterwards
on my swag when he was knocked up… And the old slut - his mother - she'd foller
along quite contented - sniff the billy now and again - just to see if he was all right…
She follered me for God knows how many years. She follered me till she was blind and
for a year after. She folleredme till she could crawl along through the dust no
longer, and - and then I killed her, because I couldn't leave her behind alive! '

He rested again. 'And this here old dog,' he continued, touching Tally's upturned nose
with his knotted fingers, 'this here old dog has follered me for - for ten years; through
floods and droughts, through fair times and - and hard - mostly hard; and kept me
from going mad when I had no mate nor money on the lonely track and watched over
me for weeks when I was drunk - drugged and poisoned at the cursed shanties; and
saved my life more'n once, and got kicks and curses very often for thanks; and forgave


me for it all; and - and fought for me.

He was the only living thing that stood up for me against that crawling push of curs
when they set onter me at the shanty back yonder - and he left his mark on some of
'em too; and - and so did I.' He took another spell.

Then he drew in his breath, shut his teeth hard, shouldered his swag, stepped into the
doorway, and faced round again. The dog limped out of the comer and looked up
anxiously. 'That there dog,' said Macquarie to the Hospital staff in general, 'is a better
dog than I'm a man - or you too, it seems - and a better Christian.

He's been a better mate to me than I ever was to any man - or any man to me. He's
watched over me; kep' me from getting robbed many a time; fought for me; saved my
life and took drunken kicks and curses for thanks - and forgave me. He's been a true,
straight, honest, and faithful mate to me - and I ain't going to desert him now. I ain't
going to kick him out in the road with a broken leg. I - Oh, my God! my back!'

He groaned and lurched forward, but they caught him, slipped off the swag, and laid
him on a bed. Half an hour later the shearer was comfortably fixed up. 'Where's my
dog?' he asked, when he came to himself.

'Oh, the dog's all right,' said the nurse, rather impatiently. 'Don't bother. The doctor's
setting his leg out in the yard.'

Take It Fightin’

When you’ve got no chance at all,
Take it fightin’.
When you’re driven to the wall,
Take it fightin’.


There are things that we delight in
For the wrongin’ or the rightin’,
But the fool you cannot frighten
(That you cannot bluff nor frighten)
He is King of all.
(Take it fightin’.)


When you’re down an’ out an’ utter,
Take it fightin’;
When they’ve put you in the gutter,
Take it fightin’.


There are things that we delight in
For the wrongin’ or the rightin’,
But the fool you cannot frighten
(That you cannot bluff nor frighten)
He is King of all.
(Take it fightin’.)

Send Round the Hat

Now this is the creed from the Book of the Bush –
Should be simple and plain to a dunce:
"If a man’s in a hole you must pass round the hat –
Were he jail-bird or gentleman once."

Robbie's Statue

Grown tired of mourning for my sins—
And brooding over merits—
The other night with bothered brow
I went amongst the spirits;
And I met one that I knew well:
‘Oh, Scotty’s Ghost, is that you?
‘And did you see the fearsome crowd
‘At Robbie Burns’s statue?


‘They hurried up in hansom cabs,
‘Tall-hatted and frock-coated;
‘They trained it in from all the towns,
‘The weird and hairy-throated;
‘They spoke in some outlandish tongue,
‘They cut some comic capers,
‘And ilka man was wild to get
‘His name in all the papers.


‘They showed no gleam of intellect,
‘Those frauds who rushed before us;
‘They knew one verse of “Auld Lang Syne—”
‘The first one and the chorus:
‘They clacked the clack o’ Scotlan’s Bard,
‘They glibly talked of “Rabby;”
‘But what if he had come to them
‘Without a groat and shabby?


‘They drank and wept for Robbie’s sake,
‘They stood and brayed like asses
‘(The living bard’s a drunken rake,
‘The dead one loved the lasses);
‘If Robbie Burns were here, they’d sit
‘As still as any mouse is;
‘If Robbie Burns should come their way,
‘They’d turn him out their houses.


‘Oh, weep for bonny Scotland’s bard!
‘And praise the Scottish nation,
‘Who made him spy and let him die
‘Heart-broken in privation:
‘Exciseman, so that he might live
‘Through northern winters’ rigours—
‘Just as in southern lands they give
‘The hard-up rhymer figures.


‘We need some songs of stinging fun
‘To wake the States and light ’em;
‘I wish a man like Robert Burns
‘Were here to-day to write ’em!
‘But still the mockery shall survive
‘Till the Day o’ Judgment crashes—
‘The men we scorn when we’re alive



‘With praise insult our ashes.’


And Scotty’s ghost said: ‘Never mind
‘The fleas that you inherit;
‘The living bard can flick them off—
‘They cannot hurt his spirit.
‘The crawlers round the bardie’s name
‘Shall crawl through all the ages;
‘His work’s the living thing, and they
‘Are fly-dirt on the pages.’

Outback


The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,

where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track -With
stinted stomachs and blistered feet,

they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.


He begged his way on the parched Paroo and the Warrego tracks once more,
And lived like a dog, as the swagmen do, till the Western stations shore;
But men were many, and sheds were full, for work in the town was slack --
The traveller never got hands in wool,


though he tramped for a year Out Back.


In stifling noons when his back was wrung


by its load, and the air seemed dead,
And the water warmed in the bag that hung to his aching arm like lead,
Or in times of flood, when plains were seas,


and the scrubs were cold and black,
He ploughed in mud to his trembling knees, and paid for his sins Out Back.


He blamed himself in the year `Too Late' -


in the heaviest hours of life -'
Twas little he dreamed that a shearing-mate had care of his home and wife;
There are times when wrongs from your kindred come,


and treacherous tongues attack --
When a man is better away from home, and dead to the world, Out Back.


And dirty and careless and old he wore, as his lamp of hope grew dim;
He tramped for years till the swag he bore seemed part of himself to him.
As a bullock drags in the sandy ruts, he followed the dreary track,
With never a thought but to reach the huts when the sun went down Out Back.


It chanced one day, when the north wind blew


in his face like a furnace-breath,
He left the track for a tank he knew -- 'twas a short-cut to his death;
For the bed of the tank was hard and dry, and crossed with many a crack,
And, oh! it's a terrible thing to die of thirst in the scrub Out Back.


A drover came, but the fringe of law was eastward many a mile;
He never reported the thing he saw, for it was not worth his while.



The tanks are full and the grass is high in the mulga off the track,
Where the bleaching bones of a white man lie
by his mouldering swag Out Back.

For time means tucker, and tramp they must,

where the plains and scrubs are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the flies and heat the men of the outside track
With stinted stomachs and blistered feet

must carry their swags Out Back.

Otherside


Somewhere in the mystic future, on the road to Paradise,
There’s a very pleasant country that I’ve dreamed of once or twice,
It has inland towns, and cities by the ocean’s rocky shelves,
But the people of the country differ somewhat from ourselves;
It is many leagues beyond us, and they call it Otherside.
And there is among its people more Humanity than Pride.


Now, a social system never was complete, without a flaw,
And among the Othersiders there is love and gold and war.
But if one is fairly beaten he can turn upon the track,
For in such a case there isn’t any shame in going back;
And a broken-hearted mortal never thinks of suicide,
For he finds amongst his brothers more Humanity than Pride.


And the lords of that creation never scoff at simple things,
Never scorn the lad who’s tethered to his mother’s apron-strings.
He will speak of “home” and “mother” without shame when he’s inclined,
Yet the blow he strikes in battle mostly leaves a mark behind.
They are brave against invasion; they can die in Otherside,
Though there is among the people more Humanity than Pride.


Poets sing in simple language that a child might understand,
Yet their songs are sung for ages by the elders of the land;
And the people know that Freedom never shall be wanting guards,
For the foremost in the vanguard waves the banner of the Bards.
O the poets march together, and at home in peace abide,
For there is amongst the people more Humanity than Pride.


And when I am very weary, ’neath a load of “worldly care”,
There are times when I’ve a longing just to hump my bluey there;
But alone I could not reach it, for the track is barred to one—
I must take the nations with me—all mankind must go, or none—
And we’d trample one another on the way to Otherside,
For I find among my brothers less Humanity than Pride.

Out Back

The old year went, and the new returned, in the withering weeks of drought,
The cheque was spent that the shearer earned,
and the sheds were all cut out;
The publican's words were short and few,
and the publican's looks were black --
And the time had come, as the shearer knew, to carry his swag Out Back.

For time means tucker, and tramp you must,

where the scrubs and plains are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the dust and heat -- when summer is on the track -With
stinted stomachs and blistered feet,

they carry their swags Out Back.

He tramped away from the shanty there, when the days were long and hot,
With never a soul to know or care if he died on the track or not.
The poor of the city have friends in woe, no matter how much they lack,
But only God and the swagmen know how a poor man fares Out Back.


He begged his way on the parched Paroo and the Warrego tracks once more,
And lived like a dog, as the swagmen do, till the Western stations shore;
But men were many, and sheds were full, for work in the town was slack --
The traveller never got hands in wool,


though he tramped for a year Out Back.

In stifling noons when his back was wrung

by its load, and the air seemed dead,
And the water warmed in the bag that hung to his aching arm like lead,
Or in times of flood, when plains were seas,

and the scrubs were cold and black,
He ploughed in mud to his trembling knees, and paid for his sins Out Back.

He blamed himself in the year `Too Late' -


in the heaviest hours of life -'
Twas little he dreamed that a shearing-mate had care of his home and wife;
There are times when wrongs from your kindred come,

and treacherous tongues attack --
When a man is better away from home, and dead to the world, Out Back.

And dirty and careless and old he wore, as his lamp of hope grew dim;
He tramped for years till the swag he bore seemed part of himself to him.
As a bullock drags in the sandy ruts, he followed the dreary track,
With never a thought but to reach the huts when the sun went down Out Back.


It chanced one day, when the north wind blew


in his face like a furnace-breath,
He left the track for a tank he knew -- 'twas a short-cut to his death;
For the bed of the tank was hard and dry, and crossed with many a crack,
And, oh! it's a terrible thing to die of thirst in the scrub Out Back.

A drover came, but the fringe of law was eastward many a mile;


He never reported the thing he saw, for it was not worth his while.
The tanks are full and the grass is high in the mulga off the track,
Where the bleaching bones of a white man lie

by his mouldering swag Out Back.

For time means tucker, and tramp they must,

where the plains and scrubs are wide,
With seldom a track that a man can trust, or a mountain peak to guide;
All day long in the flies and heat the men of the outside track
With stinted stomachs and blistered feet

must carry their swags Out Back.