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James Whitcomb Riley

James Whitcomb Riley

The Rose

The Rose

It tossed its head at the wooing breeze;
And the sun, like a bashful swain,
Beamed on it through the waving trees
With a passion all in vain,--
For my rose laughed in a crimson glee,
And hid in the leaves in wait for me.


The honey-bee came there to sing
His love through the languid hours,
And vaunt of his hives, as a proud old king
Might boast of his palace-towers:
But my rose bowed in a mockery,
And hid in the leaves in wait for me.


The humming-bird, like a courtier gay,
Dipped down with a dalliant song,
And twanged his wings through the roundelay
Of love the whole day long:
Yet my rose turned from his minstrelsy
And hid in the leaves in wait for me.


The firefly came in the twilight dim
My red, red rose to woo--
Till quenched was the flame of love in him,
And the light of his lantern too,
As my rose wept with dewdrops three
And hid in the leaves in wait for me.


And I said: I will cull my own sweet rose--
Some day I will claim as mine
The priceless worth of the flower that knows
No change, but a bloom divine--
The bloom of a fadeless constancy
That hides in the leaves in wait for me!


But time passed by in a strange disguise,
And I marked it not, but lay
In a lazy dream, with drowsy eyes,
Till the summer slipped away,
And a chill wind sang in a minor key:
'Where is the rose that waits for thee?'


. . . . . . . .


I dream to-day, o'er a purple stain
Of bloom on a withered stalk,
Pelted down by the autumn rain
In the dust of the garden-walk,
That an Angel-rose in the world to be
Will hide in the leaves in wait for me.
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James Whitcomb Riley

James Whitcomb Riley

The Ripest Peach

The Ripest Peach

The ripest peach is highest on the tree --
And so her love, beyond the reach of me,
Is dearest in my sight. Sweet breezes, bow
Her heart down to me where I worship now!


She looms aloft where every eye may see
The ripest peach is highest on the tree.
Such fruitage as her love I know, alas!
I may not reach here from the orchard grass.


I drink the sunshine showered past her lips
As roses drain the dewdrop as it drips.
The ripest peach is highest on the tree,
And so mine eyes gaze upward eagerly.


Why -- why do I not turn away in wrath
And pluck some heart here hanging in my path? -Love's
lower boughs bend with them -- but, ah me!
The ripest peach is highest on the tree!
365
James Whitcomb Riley

James Whitcomb Riley

The Rainy Morning

The Rainy Morning

The dawn of the day was dreary,
And the lowering clouds o'erhead
Wept in a silent sorrow
Where the sweet sunshine lay dead;
And a wind came out of the eastward
Like an endless sigh of pain,
And the leaves fell down in the pathway
And writhed in the falling rain.


I had tried in a brave endeavor
To chord my harp with the sun,
But the strings would slacken ever,
And the task was a weary one:
And so, like a child impatient
And sick of a discontent,
I bowed in a shower of tear-drops
And mourned with the instrument.


And lo! as I bowed, the splendor
Of the sun bent over me,
With a touch as warm and tender
As a father's hand might be:
And, even as I felt its presence,
My clouded soul grew bright,
And the tears, like the rain of morning,
Melted in mists of light.
303
James Whitcomb Riley

James Whitcomb Riley

The Rapture of the Year

The Rapture of the Year

While skies glint bright with bluest light
Through clouds that race o'er fields and town,
And leaves go dancing left and right,
And orchard apples tumble down;
While school-girls sweet, in lane or street,
Lean 'gainst the wind and feel and hear
Its glad heart like a lover's beat,--
So reigns the rapture of the year.


The ho! and hey! and whop-hooray!
Though winter clouds be looming,
Remember a November day
Is merrier than mildest May
With all her blossoms blooming.



While birds in scattered flight are blown
Aloft and lost in dusky mist,
And truant boys scud home alone
'Neath skies of gold and amethyst;
While twilight falls, and Echo calls
Across the haunted atmosphere,
With low, sweet laughs at intervals,--
So reigns the rapture of the year.


The ho! and hey! and whop-hooray!
Though winter clouds be looming,
Remember a November day
Is merrier than mildest May
With all her blossoms blooming.
353
James Whitcomb Riley

James Whitcomb Riley

The Quest

The Quest

I am looking for Love. Has he passed this way,
With eyes as blue as the skies of May,
And a face as fair as the summer dawn?--
You answer back, but I wander on,--
For you say: 'Oh, yes; but his eyes were gray,
And his face as dim as a rainy day.'


Good friends, I query, I search for Love;
His eyes are as blue as the skies above,
And his smile as bright as the midst of May
When the truce-bird pipes: Has he passed this way?
And one says: 'Ay; but his face, alack!
Frowned as he passed, and his eyes were black.'


O who will tell me of Love? I cry!
His eyes are as blue as the mid-May sky,
And his face as bright as the morning sun;
And you answer and mock me, every one,
That his eyes were dark, and his face was wan,
And he passed you frowning and wandered on.


But stout of heart will I onward fare,
Knowing _my_ Love is beyond--somewhere,--
The Love I seek, with the eyes of blue,
And the bright, sweet smile unknown of you;
And on from the hour his trail is found
I shall sing sonnets the whole year round.
319
James Whitcomb Riley

James Whitcomb Riley

The Raggedy Man

The Raggedy Man

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O the Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed -- an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen -- ef our hired girl says he can --
He milks the cow fer 'Lizabuth Ann. -9
Ain't he a' awful good Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
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W'y, The Raggedy Man -- he's ist so good,
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do. --
He clumbed clean up in our big tree
An' shooked a' apple down fer me --
An' 'nother 'n', too, fer 'Lizabuth Ann -18
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An' 'nother 'n', too, fer The Raggedy Man. -Ain't
he a' awful kind Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
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An' The Raggedy Man one time say he
Pick' roast' rambos from a' orchurd-tree,
23 An' et 'em -- all ist roast' an' hot! -24
An' it's so, too! -- 'cause a corn-crib got
Afire one time an' all burn' down
26 On "The Smoot Farm," 'bout four mile from town -27
On "The Smoot Farm"! Yes -- an' the hired han'
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'At worked there nen 'uz The Raggedy Man! -Ain't
he the beatin'est Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
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The Raggedy Man's so good an' kind
He'll be our "horsey," an' "haw" an' mind
Ever'thing 'at you make him do --
An' won't run off -- 'less you want him to!
I drived him wunst way down our lane
An' he got skeered, when it 'menced to rain,
An' ist rared up an' squealed and run
Purt' nigh away! -- an' it's all in fun!
Nen he skeered ag'in at a' old tin can ...
Whoa! y' old runaway Raggedy Man!
Raggedy! Raggedy! Raggedy Man!
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An' The Raggedy Man, he knows most rhymes,
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
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An' the Squidgicum-Squees 'at swallers the'rselves:
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can


49 Turn into me, er 'Lizabuth Ann!
50 Er Ma, er Pa, er The Raggedy Man!
51 Ain't he a funny old Raggedy Man?
52 Raggedy! Raggedy! Raggedy Man!


53 An' wunst, when The Raggedy Man come late,
54 An' pigs ist root' thue the garden-gate,
55 He 'tend like the pigs 'uz bears an' said,
56 "Old Bear-shooter'll shoot 'em dead!"
57 An' race' an' chase' 'em, an' they'd ist run
58 When he pint his hoe at 'em like it's a gun
59 An' go "Bang! -- Bang!" nen 'tend he stan'
60 An' load up his gun ag'in! Raggedy Man!
61 He's an old Bear-shooter Raggedy Man!
62 Raggedy! Raggedy! Raggedy Man!


63 An' sometimes The Raggedy Man lets on
64 We're little prince-children, an' old King's gone
65 To git more money, an' lef' us there -66
And Robbers is ist thick ever'where;
67 An' nen -- ef we all won't cry, fer shore -68
The Raggedy Man he'll come and "'splore
69 The Castul-halls," an' steal the "gold" -70
An' steal us, too, an' grab an' hold
71 An' pack us off to his old "Cave"! -- An'
72 Haymow's the "cave" o' The Raggedy Man! -73
Raggedy! Raggedy! Raggedy Man!


74 The Raggedy Man -- one time, when he
75 Wuz makin' a little bow-'n'-orry fer me,
76 Says "When you're big like your Pa is,
77 Air you go' to keep a fine store like his -78
An' be a rich merchunt -- an' wear fine clothes? -79
Er what air you go' to be, goodness knows?"
80 An' nen he laughed at 'Lizabuth Ann,
81 An' I says "'M go' to be a Raggedy Man! -82
I'm ist go' to be a nice Raggedy Man!"
83 Raggedy! Raggedy! Raggedy Man!
303
James Whitcomb Riley

James Whitcomb Riley

The Pathos Of Applause

The Pathos Of Applause

The greeting of the company throughout
Was like a jubilee,--the children's shout
And fusillading hand-claps, with great guns
And detonations of the older ones,
Raged to such tumult of tempestuous joy,
It even more alarmed than pleased the boy;
Till, with a sudden twitching lip, he slid
Down to the floor and dodged across and hid
His face against his mother as she raised
Him to the shelter of her heart, and praised
His story in low whisperings, and smoothed
The 'amber-colored hair,' and kissed, and soothed
And lulled him back to sweet tranquillity-'
And 'ats a sign 'at you're the Ma fer me!'
He lisped, with gurgling ecstasy, and drew
Her closer, with shut eyes; and feeling, too,
If he could only _purr_ now like a cat,
He would undoubtedly be doing that!


'And now'--the serious host said, lifting there
A hand entreating silence;--'now, aware
Of the good promise of our Traveler guest
To add some story with and for the rest,
I think I favor you, and him as well,
Asking a story I have heard him tell,
And know its truth,in each minute detail:'
Then leaning on his guest's chair, with a hale
Hand-pat by way of full indorsement, he
Said, 'Yes--the Free-Slave story--certainly.'


The old man, with his waddy notebook out,
And glittering spectacles, glanced round about
The expectant circle, and still firmer drew
His hat on, with a nervous cough or two:
And, save at times the big hard words, and tone
Of gathering passion--all the speaker's own,--
The tale that set each childish heart astir
Was thus told by 'The Noted Traveler.'
279
James Whitcomb Riley

James Whitcomb Riley

The Pixy People

The Pixy People

It was just a very
Merry fairy dream!--
All the woods were airy
With the gloom and gleam;
Crickets in the clover
Clattered clear and strong,
And the bees droned over
Their old honey-song.


In the mossy passes,
Saucy grasshoppers
Leapt about the grasses
And the thistle-burs;
And the whispered chuckle
Of the katydid
Shook the honeysuckle
Blossoms where he hid.


Through the breezy mazes
Of the lazy June,
Drowsy with the hazes
Of the dreamy noon,
Little Pixy people
Winged above the walk,
Pouring from the steeple
Of a mullein-stalk.


One--a gallant fellow--
Evidently King,--
Wore a plume of yellow
In a jewelled ring
On a pansy bonnet,
Gold and white and blue,
With the dew still on it,
And the fragrance, too.


One--a dainty lady,--
Evidently Queen,--
Wore a gown of shady
Moonshine and green,
With a lace of gleaming
Starlight that sent
All the dewdrops dreaming
Everywhere she went.


One wore a waistcoat
Of roseleaves, out and in,
And one wore a faced-coat
Of tiger-lily-skin;
And one wore a neat coat
Of palest galingale;
And one a tiny street-coat,



And one a swallow-tail.


And Ho! sang the King of them,
And Hey! sang the Queen;
And round and round the ring of them
Went dancing o'er the green;
And Hey! sang the Queen of them,
And Ho! sang the King--
And all that I had seen of them
--Wasn't anything!


It was just a very
Merry fairy dream!--
All the woods were airy
With the gloom and gleam;
Crickets in the clover
Clattered clear and strong,
And the bees droned over
Their old honey-song!
299
James Whitcomb Riley

James Whitcomb Riley

The Orchard Lands Of Long Ago

The Orchard Lands Of Long Ago

The orchard lands of Long Ago!
O drowsy winds, awake, and blow
The snowy blossoms back to me,
And all the buds that used to be!
Blow back along the grassy ways
Of truant feet, and lift the haze
Of happy summer from the trees
That trail their tresses in the seas
Of grain that float and overflow
The orchard lands of Long Ago!


Blow back the melody that slips
In lazy laughter from the lips
That marvel much if any kiss
Is sweeter than the apple's is.
Blow back the twitter of the birds--
The lisp, the titter, and the words
Of merriment that found the shine
Of summer-time a glorious wine
That drenched the leaves that loved it so,
In orchard lands of Long Ago!


O memory! alight and sing
Where rosy-bellied pippins cling,
And golden russets glint and gleam,
As, in the old Arabian dream,
The fruits of that enchanted tree
The glad Aladdin robbed for me!
And, drowsy winds, awake and fan
My blood as when it overran
A heart ripe as the apples grow
In orchard lands of Long Ago!
269
James Whitcomb Riley

James Whitcomb Riley

The Old Year And The New

The Old Year And The New

I.
As one in sorrow looks upon
The dead face of a loyal friend,
By the dim light of New Year's dawn
I saw the Old Year end.


Upon the pallid features lay
The dear old smile--so warm and bright
Ere thus its cheer had died away
In ashes of delight.


The hands that I had learned to love
With strength of passion half divine,
Were folded now, all heedless of
The emptiness of mine.


The eyes that once had shed their bright
Sweet looks like sunshine, now were dull,
And ever lidded from the light
That made them beautiful.


II.
The chimes of bells were in the air,
And sounds of mirth in hall and street,
With pealing laughter everywhere
And throb of dancing feet:


The mirth and the convivial din
Of revelers in wanton glee,
With tunes of harp and violin
In tangled harmony.


But with a sense of nameless dread,
I turned me, from the merry face
Of this newcomer, to my dead;
And, kneeling there a space,


I sobbed aloud, all tearfully:--
By this dear face so fixed and cold,
O Lord, let not this New Year be
As happy as the old!
267
James Whitcomb Riley

James Whitcomb Riley

The Old Tramp

The Old Tramp

A Old Tramp slep' in our stable wunst,
An' The Raggedy Man he caught
An' roust him up, an' chased him off
Clean out through our back lot!


An' th' Old Tramp hollered back an' said,-'
You're a _purty_ man!--_You_ air!--
With a pair o' eyes like two fried eggs,
An' a nose like a Bartlutt pear!'
318
James Whitcomb Riley

James Whitcomb Riley

The Old Swimmin' Hole

The Old Swimmin' Hole

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Oh! the old swimmin'-hole! whare the crick so still and deep
Looked like a baby-river that was laying half asleep,
And the gurgle of the worter round the drift jest below
Sounded like the laugh of something we onc't ust to know
Before we could remember anything but the eyes
Of the angels lookin' out as we left Paradise;
But the merry days of youth is beyond our controle,
And it's hard to part ferever with the old swimmin'-hole.
9 Oh! the old swimmin'-hole! In the happy days of yore,
When I ust to lean above it on the old sickamore,
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Oh! it showed me a face in its warm sunny tide
That gazed back at me so gay and glorified,
It made me love myself, as I leaped to caress
My shadder smilin' up at me with sich tenderness.
But them days is past and gone, and old Time's tuck his toll
From the old man come back to the old swimmin'-hole.
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Oh! the old swimmin'-hole! In the long, lazy days
When the humdrum of school made so many run-a-ways,
How plesant was the jurney down the old dusty lane,
Whare the tracks of our bare feet was all printed so plane
You could tell by the dent of the heel and the sole
They was lots o' fun on hands at the old swimmin'-hole.
But the lost joys is past! Let your tears in sorrow roll
Like the rain that ust to dapple up the old swimmin'-hole.
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Thare the bullrushes growed, and the cattails so tall,
And the sunshine and shadder fell over it all;
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And it mottled the worter with amber and gold
Tel the glad lilies rocked in the ripples that rolled;
And the snake-feeder's four gauzy wings fluttered by
Like the ghost of a daisy dropped out of the sky,
Or a wownded apple-blossom in the breeze's controle
As it cut acrost some orchard to'rds the old swimmin'-hole.
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Oh! the old swimmin'-hole! When I last saw the place,
The scenes was all changed, like the change in my face;
The bridge of the railroad now crosses the spot
Whare the old divin'-log lays sunk and fergot.
And I stray down the banks whare the trees ust to be --
But never again will theyr shade shelter me!
And I wish in my sorrow I could strip to the soul,
And dive off in my grave like the old swimmin'-hole.
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James Whitcomb Riley

James Whitcomb Riley

The Old Home By The Mill

The Old Home By The Mill

This is 'The old Home by the Mill'--far we still call it so,
Although the old mill, roof and sill, is all gone long ago.
The old home, though, and old folks, and the old spring, and a few
Old cat-tails, weeds and hartychokes, is left to welcome you!


Here, Marg'et, fetch the man a tin to drink out of' Our spring
Keeps kindo-sorto cavin' in, but don't 'taste' anything!
She's kindo agein', Marg'et is--'the old process,' like me,
All ham-stringed up with rheumatiz, and on in seventy-three.


Jes' me and Marg'et lives alone here--like in long ago;
The childern all put off and gone, and married, don't you know?
One's millin' way out West somewhere; two other miller-boys
In Minnyopolis they air; and one's in Illinoise.


The oldest gyrl--the first that went--married and died right here;
The next lives in Winn's Settlement--for purt' nigh thirty year!
And youngest one--was allus far the old home here--but no!--
Her man turns in and he packs her 'way off to Idyho!


I don't miss them like _Marg'et_ does--'cause I got _her_, you see;
And when she pines for them--that's 'cause _she's_ only jes' got
_me_!
I laugh, and joke her 'bout it all.--But talkin' sense, I'll say,
When she was tuk so bad last Fall, I laughed the t'other way!


I haint so favorble impressed 'bout dyin'; but ef I
Found I was only second-best when _us two_ come to die,
I'd 'dopt the 'new process' in full, ef _Marg'et_ died, you see,-I'd
jes' crawl in my grave and pull the green grass over me!
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James Whitcomb Riley

James Whitcomb Riley

The Old Guitar

The Old Guitar

Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.


The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.


But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face
That comes with a memory
Of a flower-and-perfume-haunted place
And a moonlit balcony.


Music sweeter than words confess,
Or the minstrel's powers invent,
Thrilled here once at the light caress
Of the fairy hands that lent
This excuse for the kiss I press
On the dear old instrument.


The rose of pearl with the jeweled stem
Still blooms; and the tiny sets
In the circle all are here; the gem
In the keys, and the silver frets;
But the dainty fingers that danced o'er them--
Alas for the heart's regrets!--


Alas for the loosened strings to-day,
And the wounds of rift and scar
On a worn old heart, with its roundelay
Enthralled with a stronger bar
That Fate weaves on, through a dull decay
Like that of the old guitar!
310
James Whitcomb Riley

James Whitcomb Riley

The Nine Little Goblins

The Nine Little Goblins

They all climbed up on a high board-fence--
Nine little Goblins, with green-glass eyes--
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat--
And I asked them what they were staring at.


And the first one said, as he scratched his head
With a queer little arm that reached out of his ear
And rasped its claws in his hair so red-'
This is what this little arm is fer!'
And he scratched and stared, and the next one said,
'How on earth do _you_ scratch your head?'


And he laughed like the screech of a rusty hinge--
Laughed and laughed till his face grew black;
And when he choked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.


And the third little Goblin leered round at me--
And there were no lids on his eyes at all--
And he clucked one eye, and he says, says he,
'What is the style of your socks this fall?'
And he clapped his heels--and I sighed to see
That he had hands where his feet should be.


Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain-'
Would--Ah, would I'd me brows again!'


And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know--
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.


And ever they kept their green-glass eyes
Fixed on me with a stony stare--
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.


And they sang 'You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!-'
Tis only a vision the mind invents



After a supper of cold mince-pies,--
And you're doomed to dream this way,' they said,-'_
And you sha'n't wake up till you're clean plum dead!_'
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James Whitcomb Riley

James Whitcomb Riley

The Merman

The Merman

I

Who would be
A merman gay,
Singing alone,
Sitting alone,
With a mermaid's knee,
For instance--hey--
For a throne?


II


I would be a merman gay;
I would sit and sing the whole day long;
I would fill my lungs with the strongest brine,
And squirt it up in a spray of song,
And soak my head in my liquid voice;
I'd curl my tail in curves divine,
And let each curve in a kink rejoice.
I'd tackle the mermaids under the sea,
And yank 'em around till they yanked me,
Sportively, sportively;
And then we would wiggle away, away,
To the pea-green groves on the coast of day,
Chasing each other sportively.


III


There would be neither moon nor star;
But the waves would twang like a wet guitar
Low thunder and thrum in the darkness grum--
Neither moon nor star;
We would shriek aloud in the dismal dales--
Shriek at each other and squawk and squeal,
"All night!" rakishly, rakishly;
They would pelt me with oysters and wiggletails,
Laughing and clapping their hands at me,
"All night!" prankishly, prankishly;
But I would toss them back in mine,
Lobsters and turtles of quaint design;
Then leaping out in an abrupt way,
I'd snatch them bald in my devilish glee,
And skip away when they snatched at me,
Fiendishly, fiendishly.
O, what a jolly life I'd lead,
Ah, what a "bang-up" life indeed!
Soft are the mermaids under the sea--
We would live merrily, merrily.
271
James Whitcomb Riley

James Whitcomb Riley

The Lost Kiss

The Lost Kiss

I put by the half-written poem,
While the pen, idly trailed in my hand,
Writes on--, 'Had I words to complete it,
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.


So I gather it up-- where was broken
The tear-faded thread of my theme,
Telling how, as one night I sat writing,
A fairy broke in on my dream,
A little inquisitive fairy--
My own little girl, with the gold
Of the sun in her hair, and the dewy
Blue eyes of the fairies of old.


'Twas the dear little girl that I scolded-'
For was it a moment like this,'
I said, 'when she knew I was busy,
To come romping in for a kiss--?
Come rowdying up from her mother,
And clamoring there at my knee
For 'One 'ittle kiss for my dolly,
And one 'ittle uzzer for me!'


God pity, the heart that repelled her,
And the cold hand that turned her away,
And take, from the lips that denied her,
This answerless prayer of to-day!
Take Lord, from my mem'ry forever
That pitiful sob of despair,
And the patter and trip of the little bare feet,
And the one piercing cry on the stair!


I put by the half-written poem,
While the pen, idly trailed in my hand
Writes on--, 'Had I words to complete it
Who'd read it, or who'd understand?'
But the little bare feet on the stairway,
And the faint, smothered laugh in the hall,
And the eerie-low lisp on the silence,
Cry up to me over it all.
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James Whitcomb Riley

James Whitcomb Riley

The Lost Thrill

The Lost Thrill

I grow so weary, someway, of all things
That love and loving have vouchsafed to me,
Since now all dreamed-of sweets of ecstasy
Am I possessed of: The caress that clings—
The lips that mix with mine with murmurings
No language may interpret, and the free,
Unfettered brood of kisses, hungrily
Feasting in swarms on honeyed blossomings
Of passion's fullest flower—For yet I miss
The essence that alone makes love divine—
The subtle flavoring no tang of this
Weak wine of melody may here define:—
A something found and lost in the first kiss
A lover ever poured through lips of mine.
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James Whitcomb Riley

James Whitcomb Riley

The Little Fat Doctor

The Little Fat Doctor

He seemed so strange to me, every way--
In manner, and form, and size,
From the boy I knew but yesterday,--
I could hardly believe my eyes!


To hear his name called over there,
My memory thrilled with glee
And leaped to picture him young and fair
In youth, as he used to be.


But looking, only as glad eyes can,
For the boy I knew of yore,
I smiled on a portly little man
I had never seen before!--


Grave as a judge in courtliness-Professor-
like and bland--
A little fat doctor and nothing less,
With his hat in his kimboed hand.


But how we talked old times, and 'chaffed'
Each other with 'Minnie' and 'Jim'---
And how the little fat doctor laughed,
And how I laughed with him!


'And it's pleasant,' I thought, 'though I yearn to see
The face of the youth that was,
To know no boy could smile on me
As the little fat doctor does!'
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James Whitcomb Riley

James Whitcomb Riley

The Little Town O' Tailholt

The Little Town O' Tailholt

You kin boast about yer cities, and their stiddy growth and size,
And brag about yer County-seats, and business enterprise,
And railroads, and factories, and all sich foolery--
But the little Town o' Tailholt is big enough fer me!


You kin harp about yer churches, with their steeples in the clouds,
And gas about yer graded streets, and blow about yer crowds;
You kin talk about yer 'theaters,' and all you've got to see--
But the little Town o' Tailholt is show enough fer me!


They hain't no style in our town-- hit's little-like and small--
They hain't no 'churches,' nuther--, jes' the meetin' house is all;
They's no sidewalks, to speak of-- but the highway's allus free,
And the little Town o' Tailholt is wide enough fer me!


Some find it discommodin'-like, I'm willin' to admit,
To hev but one post-office, and a womern keepin' hit,
And the drug-store, and shoe-shop, and grocery, all three--
But the little Town o' Tailholt is handy 'nough fer me!


You kin smile and turn yer nose up, and joke and hev yer fun,
And laugh and holler 'Tail-holts is better holts'n none!
Ef the city suits you better w'y, hit's where you'd ort'o be--
But the little Town o' Tailholt's good enough fer me!
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James Whitcomb Riley

James Whitcomb Riley

The Katydids

The Katydids

Sometimes I keep
From going to sleep,
To hear the katydids 'cheep-cheep!'
And think they say
Their prayers that way;
But _katydids_ don't have to _pray_!


I listen when
They cheep again
And so, I think, they're _singing_ then!
But, no; I'm wrong,--
The sound's too long
And all-alike to be a song!


I think, 'Well, there!
I do declare,
If it is neither song nor prayer,
It's _talk_--and quite
Too vain and light
For me to listen to all night!'


And so, I smile,
And think,--'Now I'll
Not listen for a little while!'--
Then, sweet and clear,
Next '_cheep_' I hear
'S a _kiss_.... Good morning, Mommy dear!
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James Whitcomb Riley

James Whitcomb Riley

The Legend Glorified

The Legend Glorified

'I deem that God is not disquieted'--
This in a mighty poet's rhymes I read;
And blazoned so forever doth abide
Within my soul the legend glorified.


Though awful tempests thunder overhead,
I deem that God is not disquieted,--
The faith that trembles somewhat yet is sure
Through storm and darkness of a way secure.


Bleak winters, when the naked spirit hears
The break of hearts, through stinging sleet of tears,
I deem that God is not disquieted;
Against all stresses am I clothed and fed.


Nay, even with fixed eyes and broken breath,
My feet dip down into the tides of death,
Nor any friend be left, nor prayer be said,
I deem that God is not disquieted.
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James Whitcomb Riley

James Whitcomb Riley

The Jaybird

The Jaybird

The Jaybird he's my _favorite_
Of all the birds they is!
I think he's quite a stylish sight
In that blue suit of his:
An' when he' lights an' shuts his wings,
His coat's a 'cutaway'--
I guess it's only when he sings
You'd know he wuz a jay.


I like to watch him when he's lit
In top of any tree,
'Cause all birds git wite out of it
When _he_ 'lights, an' they see
How proud he act', an' swell an' spread
His chest out more an' more,
An' raise the feathers on his head
Like it's cut pompadore!
247
James Whitcomb Riley

James Whitcomb Riley

The Hoosier Folk-Child

The Hoosier Folk-Child

The Hoosier Folk-Child--all unsung--
Unlettered all of mind and tongue;
Unmastered, unmolested--made
Most wholly frank and unafraid:
Untaught of any school--unvexed
Of law or creed--all unperplexed--
Unsermoned, aye, and undefiled,
An all imperfect-perfect child--
A type which (Heaven forgive us!) you
And I do tardy honor to,
And so, profane the sanctities
Of our most sacred memories.
Who, growing thus from boy to man,
That dares not be American?
Go, Pride, with prudent underbuzz--
Go _whistle_! as the Folk-Child does.


The Hoosier Folk-Child's world is not
Much wider than the stable-lot
Between the house and highway fence
That bounds the home his father rents.
His playmates mostly are the ducks
And chickens, and the boy that 'shucks
Corn by the shock,' and talks of town,
And whether eggs are 'up' or 'down,'
And prophesies in boastful tone
Of 'owning horses of his own,'
And 'being his own man,' and 'when
He gets to be, what he'll do then.'--
Takes out his jack-knife dreamily
And makes the Folk-Child two or three
Crude corn-stalk figures,--a wee span
Of horses and a little man.


The Hoosier Folk-Child's eyes are wise
And wide and round as Brownies' eyes:
The smile they wear is ever blent
With all-expectant wonderment,--
On homeliest things they bend a look
As rapt as o'er a picture-book,
And seem to ask, whate'er befall,
The happy reason of it all:--
Why grass is all so glad a green,
And leaves--and what their lispings mean;--
Why buds grow on the boughs, and why
They burst in blossom by and by--
As though the orchard in the breeze
Had shook and popped its _popcorn-trees_,
To lure and whet, as well they might,
Some seven-league giant's appetite!


The Hoosier Folk-Child's chubby face



Has scant refinement, caste or grace,--
From crown to chin, and cheek to cheek,
It bears the grimy water-streak
Of rinsings such as some long rain
Might drool across the window-pane
Wherethrough he peers, with troubled frown,
As some lorn team drives by for town.
His brow is elfed with wispish hair,
With tangles in it here and there,
As though the warlocks snarled it so
At midmirk when the moon sagged low,
And boughs did toss and skreek and shake,
And children moaned themselves awake,
With fingers clutched, and starting sight
Blind as the blackness of the night!


The Hoosier Folk-Child!--Rich is he
In all the wealth of poverty!
He owns nor title nor estate,
Nor speech but half articulate,--
He owns nor princely robe nor crown;--
Yet, draped in patched and faded brown,
He owns the bird-songs of the hills--
The laughter of the April rills;
And his are all the diamonds set.
In Morning's dewy coronet,--
And his the Dusk's first minted stars
That twinkle through the pasture-bars,
And litter all the skies at night
With glittering scraps of silver light;--
The rainbow's bar, from rim to rim,
In beaten gold, belongs to him.
341