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John Greenleaf Whittier
The Cypress-Tree Of Ceylon
The Cypress-Tree Of Ceylon
THEY sat in silent watchfulness
The sacred cypress-tree about,
And, from beneath old wrinkled brows,
Their failing eyes looked out.
Gray Age and Sickness waiting there
Through weary night and lingering day,-Grim
as the idols at their side,
And motionless as they.
Unheeded in the boughs above
The song of Ceylon's birds was sweet;
Unseen of them the island flowers
Bloomed brightly at their feet.
O'er them the tropic night-storm swept,
The thunder crashed on rock and hill;
The cloud-fire on their eyeballs blazed,
Yet there they waited still!
What was the world without to them?
The Moslem's sunset-call, the dance
Of Ceylon's maids, the passing gleam
Of battle-flag and lance?
They waited for that falling leaf
Of which the wandering Jogees sing:
Which lends once more to wintry age
The greenness of its spring.
Oh, if these poor and blinded ones
In trustful patience wait to feel
O'er torpid pulse and failing limb
A youthful freshness steal;
Shall we, who sit beneath that Tree
Whose healing leaves of life are shed,
In answer to the breath of prayer,
Upon the waiting head;
Not to restore our failing forms,
And build the spirit's broken shrine,
But on the fainting soul to shed
A light and life divine-
Shall we grow weary in our watch,
And murmur at the long delay?
Impatient of our Father's time
And His appointed way?
Or shall the stir of outward things
Allure and claim the Christian's eye,
When on the heathen watcher's ear
Their powerless murmurs die?
Alas! a deeper test of faith
Than prison cell or martyr's stake,
The self-abasing watchfulness
Of silent prayer may make.
We gird us bravely to rebuke
Our erring brother in the wrong,-And
in the ear of Pride and Power
Our warning voice is strong.
Easier to smite with Peter's sword
Than 'watch one hour' in humbling prayer.
Life's 'great things,' like the Syrian lord,
Our hearts can do and dare.
But oh! we shrink from Jordan's side,
From waters which alone can save;
And murmur for Abana's banks
And Pharpar's brighter wave.
O Thou, who in the garden's shade
Didst wake Thy weary ones again,
Who slumbered at that fearful hour
Forgetful of Thy pain;
Bend o'er us now, as over them,
And set our sleep-bound spirits free,
Nor leave us slumbering in the watch
Our souls should keep with Thee!
THEY sat in silent watchfulness
The sacred cypress-tree about,
And, from beneath old wrinkled brows,
Their failing eyes looked out.
Gray Age and Sickness waiting there
Through weary night and lingering day,-Grim
as the idols at their side,
And motionless as they.
Unheeded in the boughs above
The song of Ceylon's birds was sweet;
Unseen of them the island flowers
Bloomed brightly at their feet.
O'er them the tropic night-storm swept,
The thunder crashed on rock and hill;
The cloud-fire on their eyeballs blazed,
Yet there they waited still!
What was the world without to them?
The Moslem's sunset-call, the dance
Of Ceylon's maids, the passing gleam
Of battle-flag and lance?
They waited for that falling leaf
Of which the wandering Jogees sing:
Which lends once more to wintry age
The greenness of its spring.
Oh, if these poor and blinded ones
In trustful patience wait to feel
O'er torpid pulse and failing limb
A youthful freshness steal;
Shall we, who sit beneath that Tree
Whose healing leaves of life are shed,
In answer to the breath of prayer,
Upon the waiting head;
Not to restore our failing forms,
And build the spirit's broken shrine,
But on the fainting soul to shed
A light and life divine-
Shall we grow weary in our watch,
And murmur at the long delay?
Impatient of our Father's time
And His appointed way?
Or shall the stir of outward things
Allure and claim the Christian's eye,
When on the heathen watcher's ear
Their powerless murmurs die?
Alas! a deeper test of faith
Than prison cell or martyr's stake,
The self-abasing watchfulness
Of silent prayer may make.
We gird us bravely to rebuke
Our erring brother in the wrong,-And
in the ear of Pride and Power
Our warning voice is strong.
Easier to smite with Peter's sword
Than 'watch one hour' in humbling prayer.
Life's 'great things,' like the Syrian lord,
Our hearts can do and dare.
But oh! we shrink from Jordan's side,
From waters which alone can save;
And murmur for Abana's banks
And Pharpar's brighter wave.
O Thou, who in the garden's shade
Didst wake Thy weary ones again,
Who slumbered at that fearful hour
Forgetful of Thy pain;
Bend o'er us now, as over them,
And set our sleep-bound spirits free,
Nor leave us slumbering in the watch
Our souls should keep with Thee!
286
John Greenleaf Whittier
The Cry Of A Lost Soul
The Cry Of A Lost Soul
In that black forest, where, when day is done,
With a snake's stillness glides the Amazon
Darkly from sunset to the rising sun,
A cry, as of the pained heart of the wood,
The long, despairing moan of solitude
And darkness and the absence of all good,
Startles the traveller, with a sound so drear,
So full of hopeless agony and fear,
His heart stands still and listens like his ear.
The guide, as if he heard a dead-bell toll,
Starts, drops his oar against the gunwale's thole,
Crosses himself, and whispers, 'A lost soul!'
'No, Senor, not a bird. I know it well,-It
is the pained soul of some infidel
Or cursed heretic that cries from hell.
'Poor fool! with hope still mocking his despair,
He wanders, shrieking on the midnight air
For human pity and for Christian prayer.
'Saints strike him dumb! Our Holy Mother hath
No prayer for him who, sinning unto death,
Burns always in the furnace of God's wrath!'
Thus to the baptized pagan's cruel lie,
Lending new horror to that mournful cry,
The voyager listens, making no reply.
Dim burns the boat-lamp: shadows deepen round,
From giant trees with snake-like creepers wound,
And the black water glides without a sound.
But in the traveller's heart a secret sense
Of nature plastic to benign intents,
And an eternal good in Providence,
Lifts to the starry calm of heaven his eyes;
And to! rebuking all earth's ominous cries,
The Cross of pardon lights the tropic skies!
'Father of all!' he urges his strong plea,
'Thou lovest all: Thy erring child may be
Lost to himself, but never lost to Thee!
'All souls are Thine; the wings of morning bear
None from that Presence which is everywhere,
Nor hell itself can hide, for Thou art there.
'Through sins of sense, perversities of will,
Through doubt and pain, through guilt and shame and ill,
Thy pitying eye is on Thy creature still.
'Wilt thou not make, Eternal Source and Goal!
In Thy long years, life's broken circle whole,
And change to praise the cry of a lost soul?'
In that black forest, where, when day is done,
With a snake's stillness glides the Amazon
Darkly from sunset to the rising sun,
A cry, as of the pained heart of the wood,
The long, despairing moan of solitude
And darkness and the absence of all good,
Startles the traveller, with a sound so drear,
So full of hopeless agony and fear,
His heart stands still and listens like his ear.
The guide, as if he heard a dead-bell toll,
Starts, drops his oar against the gunwale's thole,
Crosses himself, and whispers, 'A lost soul!'
'No, Senor, not a bird. I know it well,-It
is the pained soul of some infidel
Or cursed heretic that cries from hell.
'Poor fool! with hope still mocking his despair,
He wanders, shrieking on the midnight air
For human pity and for Christian prayer.
'Saints strike him dumb! Our Holy Mother hath
No prayer for him who, sinning unto death,
Burns always in the furnace of God's wrath!'
Thus to the baptized pagan's cruel lie,
Lending new horror to that mournful cry,
The voyager listens, making no reply.
Dim burns the boat-lamp: shadows deepen round,
From giant trees with snake-like creepers wound,
And the black water glides without a sound.
But in the traveller's heart a secret sense
Of nature plastic to benign intents,
And an eternal good in Providence,
Lifts to the starry calm of heaven his eyes;
And to! rebuking all earth's ominous cries,
The Cross of pardon lights the tropic skies!
'Father of all!' he urges his strong plea,
'Thou lovest all: Thy erring child may be
Lost to himself, but never lost to Thee!
'All souls are Thine; the wings of morning bear
None from that Presence which is everywhere,
Nor hell itself can hide, for Thou art there.
'Through sins of sense, perversities of will,
Through doubt and pain, through guilt and shame and ill,
Thy pitying eye is on Thy creature still.
'Wilt thou not make, Eternal Source and Goal!
In Thy long years, life's broken circle whole,
And change to praise the cry of a lost soul?'
292
John Greenleaf Whittier
The Cross
The Cross
'The cross, if rightly borne, shall be
No burden, but support to thee;'
So, moved of old time for our sake,
The holy monk of Kempen spake.
Thou brave and true one! upon whom
Was laid the cross of martyrdom,
How didst thou, in thy generous youth,
Bear witness to this blessed truth!
Thy cross of suffering and of shame
A staff within thy hands became,
In paths where faith alone could see
The Master's steps supporting thee.
Thine was the seed-time; God alone
Beholds the end of what is sown;
Beyond our vision, weak and dim,
The harvest-time is hid with Him.
Yet, unforgotten where it lies,
That seed of generous sacrifice,
Though seeming on the desert cast,
Shall rise with bloom and fruit at last.
'The cross, if rightly borne, shall be
No burden, but support to thee;'
So, moved of old time for our sake,
The holy monk of Kempen spake.
Thou brave and true one! upon whom
Was laid the cross of martyrdom,
How didst thou, in thy generous youth,
Bear witness to this blessed truth!
Thy cross of suffering and of shame
A staff within thy hands became,
In paths where faith alone could see
The Master's steps supporting thee.
Thine was the seed-time; God alone
Beholds the end of what is sown;
Beyond our vision, weak and dim,
The harvest-time is hid with Him.
Yet, unforgotten where it lies,
That seed of generous sacrifice,
Though seeming on the desert cast,
Shall rise with bloom and fruit at last.
283
John Greenleaf Whittier
The Countess
The Countess
TO E. W.
I KNOW not, Time and Space so intervene,
Whether, still waiting with a trust serene,
Thou bearest up thy fourscore years and ten,
Or, called at last, art now Heaven's citizen;
But, here or there, a pleasant thought of thee,
Like an old friend, all day has been with me.
The shy, still boy, for whom thy kindly hand
Smoothed his hard pathway to the wonder-land
Of thought and fancy, in gray manhood yet
Keeps green the memory of his early debt.
To-day, when truth and falsehood speak their words
Through hot-lipped cannon and the teeth of swords,
Listening with quickened heart and ear intent
To each sharp clause of that stern argument,
I still can hear at times a softer note
Of the old pastoral music round me float,
While through the hot gleam of our civil strife
Looms the green mirage of a simpler life.
As, at his alien post, the sentinel
Drops the old bucket in the homestead well,
And hears old voices in the winds that toss
Above his head the live-oak's beard of moss,
So, in our trial-time, and under skies
Shadowed by swords like Islam's paradise,
I wait and watch, and let my fancy stray
To milder scenes and youth's Arcadian day;
And howsoe'er the pencil dipped in dreams
Shades the brown woods or tints the sunset streams,
The country doctor in the foreground seems,
Whose ancient sulky down the village lanes
Dragged, like a war-car, captive ills and pains.
I could not paint the scenery of my song,
Mindless of one who looked thereon so long;
Who, night and day, on duty's lonely round,
Made friends o' the woods and rocks, and knew the sound
Of each small brook, and what the hillside trees
Said to the winds that touched their leafy keys;
Who saw so keenly and so well could paint
The village-folk, with all their humors quaint,
The parson ambling on his wall-eyed roan.
Grave and erect, with white hair backward blown;
The tough old boatman, half amphibious grown;
The muttering witch-wife of the gossip's tale,
And the loud straggler levying his blackmail,-Old
customs, habits, superstitions, fears,
All that lies buried under fifty years.
To thee, as is most fit, I bring my lay,
And, grateful, own the debt I cannot pay.
. . . . . . . . . .
Over the wooded northern ridge,
Between its houses brown,
To the dark tunnel of the bridge
The street comes straggling down.
You catch a glimpse, through birch and pine,
Of gable, roof, and porch,
The tavern with its swinging sign,
The sharp horn of the church.
The river's steel-blue crescent curves
To meet, in ebb and flow,
The single broken wharf that serves
For sloop and gundelow.
With salt sea-scents along its shores
The heavy hay-boats crawl,
The long antennae of their oars
In lazy rise and fall.
Along the gray abutment's wall
The idle shad-net dries;
The toll-man in his cobbler's stall
Sits smoking with closed eyes.
You hear the pier's low undertone
Of waves that chafe and gnaw;
You start,--a skipper's horn is blown
To raise the creaking draw.
At times a blacksmith's anvil sounds
With slow and sluggard beat,
Or stage-coach on its dusty rounds
Fakes up the staring street.
A place for idle eyes and ears,
A cobwebbed nook of dreams;
Left by the stream whose waves are years
The stranded village seems.
And there, like other moss and rust,
The native dweller clings,
And keeps, in uninquiring trust,
The old, dull round of things.
The fisher drops his patient lines,
The farmer sows his grain,
Content to hear the murmuring pines
Instead of railroad-train.
Go where, along the tangled steep
That slopes against the west,
The hamlet's buried idlers sleep
In still profounder rest.
Throw back the locust's flowery plume,
The birch's pale-green scarf,
And break the web of brier and bloom
From name and epitaph.
A simple muster-roll of death,
Of pomp and romance shorn,
The dry, old names that common breath
Has cheapened and outworn.
Yet pause by one low mound, and part
The wild vines o'er it laced,
And read the words by rustic art
Upon its headstone traced.
Haply yon white-haired villager
Of fourscore years can say
What means the noble name of her
Who sleeps with common clay.
An exile from the Gascon land
Found refuge here and rest,
And loved, of all the village band,
Its fairest and its best.
He knelt with her on Sabbath morns,
He worshipped through her eyes,
And on the pride that doubts and scorns
Stole in her faith's surprise.
Her simple daily life he saw
By homeliest duties tried,
In all things by an untaught law
Of fitness justified.
For her his rank aside he laid;
He took the hue and tone
Of lowly life and toil, and made
Her simple ways his own.
Yet still, in gay and careless ease,
To harvest-field or dance
He brought the gentle courtesies,
The nameless grace of France.
And she who taught him love not less
From him she loved in turn
Caught in her sweet unconsciousness
What love is quick to learn.
Each grew to each in pleased accord,
Nor knew the gazing town
If she looked upward to her lord
Or he to her looked down.
How sweet, when summer's day was o'er,
His violin's mirth and wail,
The walk on pleasant Newbury's shore,
The river's moonlit sail!
Ah! life is brief, though love be long;
The altar and the bier,
The burial hymn and bridal song,
Were both in one short year!
Her rest is quiet on the hill,
Beneath the locust's bloom
Far off her lover sleeps as still
Within his scutcheoned tomb.
The Gascon lord, the village maid,
In death still clasp their hands;
The love that levels rank and grade
Unites their severed lands.
What matter whose the hillside grave,
Or whose the blazoned stone?
Forever to her western wave
Shall whisper blue Garonne!
O Love!--so hallowing every soil
That gives thy sweet flower room,
Wherever, nursed by ease or toil,
The human heart takes bloom!-
Plant of lost Eden, from the sod
Of sinful earth unriven,
White blossom of the trees of God
Dropped down to us from heaven!
This tangled waste of mound and stone
Is holy for thy sale;
A sweetness which is all thy own
Breathes out from fern and brake.
And while ancestral pride shall twine
The Gascon's tomb with flowers,
Fall sweetly here, O song of mine,
With summer's bloom and showers!
And let the lines that severed seem
Unite again in thee,
As western wave and Gallic stream
Are mingled in one sea!
TO E. W.
I KNOW not, Time and Space so intervene,
Whether, still waiting with a trust serene,
Thou bearest up thy fourscore years and ten,
Or, called at last, art now Heaven's citizen;
But, here or there, a pleasant thought of thee,
Like an old friend, all day has been with me.
The shy, still boy, for whom thy kindly hand
Smoothed his hard pathway to the wonder-land
Of thought and fancy, in gray manhood yet
Keeps green the memory of his early debt.
To-day, when truth and falsehood speak their words
Through hot-lipped cannon and the teeth of swords,
Listening with quickened heart and ear intent
To each sharp clause of that stern argument,
I still can hear at times a softer note
Of the old pastoral music round me float,
While through the hot gleam of our civil strife
Looms the green mirage of a simpler life.
As, at his alien post, the sentinel
Drops the old bucket in the homestead well,
And hears old voices in the winds that toss
Above his head the live-oak's beard of moss,
So, in our trial-time, and under skies
Shadowed by swords like Islam's paradise,
I wait and watch, and let my fancy stray
To milder scenes and youth's Arcadian day;
And howsoe'er the pencil dipped in dreams
Shades the brown woods or tints the sunset streams,
The country doctor in the foreground seems,
Whose ancient sulky down the village lanes
Dragged, like a war-car, captive ills and pains.
I could not paint the scenery of my song,
Mindless of one who looked thereon so long;
Who, night and day, on duty's lonely round,
Made friends o' the woods and rocks, and knew the sound
Of each small brook, and what the hillside trees
Said to the winds that touched their leafy keys;
Who saw so keenly and so well could paint
The village-folk, with all their humors quaint,
The parson ambling on his wall-eyed roan.
Grave and erect, with white hair backward blown;
The tough old boatman, half amphibious grown;
The muttering witch-wife of the gossip's tale,
And the loud straggler levying his blackmail,-Old
customs, habits, superstitions, fears,
All that lies buried under fifty years.
To thee, as is most fit, I bring my lay,
And, grateful, own the debt I cannot pay.
. . . . . . . . . .
Over the wooded northern ridge,
Between its houses brown,
To the dark tunnel of the bridge
The street comes straggling down.
You catch a glimpse, through birch and pine,
Of gable, roof, and porch,
The tavern with its swinging sign,
The sharp horn of the church.
The river's steel-blue crescent curves
To meet, in ebb and flow,
The single broken wharf that serves
For sloop and gundelow.
With salt sea-scents along its shores
The heavy hay-boats crawl,
The long antennae of their oars
In lazy rise and fall.
Along the gray abutment's wall
The idle shad-net dries;
The toll-man in his cobbler's stall
Sits smoking with closed eyes.
You hear the pier's low undertone
Of waves that chafe and gnaw;
You start,--a skipper's horn is blown
To raise the creaking draw.
At times a blacksmith's anvil sounds
With slow and sluggard beat,
Or stage-coach on its dusty rounds
Fakes up the staring street.
A place for idle eyes and ears,
A cobwebbed nook of dreams;
Left by the stream whose waves are years
The stranded village seems.
And there, like other moss and rust,
The native dweller clings,
And keeps, in uninquiring trust,
The old, dull round of things.
The fisher drops his patient lines,
The farmer sows his grain,
Content to hear the murmuring pines
Instead of railroad-train.
Go where, along the tangled steep
That slopes against the west,
The hamlet's buried idlers sleep
In still profounder rest.
Throw back the locust's flowery plume,
The birch's pale-green scarf,
And break the web of brier and bloom
From name and epitaph.
A simple muster-roll of death,
Of pomp and romance shorn,
The dry, old names that common breath
Has cheapened and outworn.
Yet pause by one low mound, and part
The wild vines o'er it laced,
And read the words by rustic art
Upon its headstone traced.
Haply yon white-haired villager
Of fourscore years can say
What means the noble name of her
Who sleeps with common clay.
An exile from the Gascon land
Found refuge here and rest,
And loved, of all the village band,
Its fairest and its best.
He knelt with her on Sabbath morns,
He worshipped through her eyes,
And on the pride that doubts and scorns
Stole in her faith's surprise.
Her simple daily life he saw
By homeliest duties tried,
In all things by an untaught law
Of fitness justified.
For her his rank aside he laid;
He took the hue and tone
Of lowly life and toil, and made
Her simple ways his own.
Yet still, in gay and careless ease,
To harvest-field or dance
He brought the gentle courtesies,
The nameless grace of France.
And she who taught him love not less
From him she loved in turn
Caught in her sweet unconsciousness
What love is quick to learn.
Each grew to each in pleased accord,
Nor knew the gazing town
If she looked upward to her lord
Or he to her looked down.
How sweet, when summer's day was o'er,
His violin's mirth and wail,
The walk on pleasant Newbury's shore,
The river's moonlit sail!
Ah! life is brief, though love be long;
The altar and the bier,
The burial hymn and bridal song,
Were both in one short year!
Her rest is quiet on the hill,
Beneath the locust's bloom
Far off her lover sleeps as still
Within his scutcheoned tomb.
The Gascon lord, the village maid,
In death still clasp their hands;
The love that levels rank and grade
Unites their severed lands.
What matter whose the hillside grave,
Or whose the blazoned stone?
Forever to her western wave
Shall whisper blue Garonne!
O Love!--so hallowing every soil
That gives thy sweet flower room,
Wherever, nursed by ease or toil,
The human heart takes bloom!-
Plant of lost Eden, from the sod
Of sinful earth unriven,
White blossom of the trees of God
Dropped down to us from heaven!
This tangled waste of mound and stone
Is holy for thy sale;
A sweetness which is all thy own
Breathes out from fern and brake.
And while ancestral pride shall twine
The Gascon's tomb with flowers,
Fall sweetly here, O song of mine,
With summer's bloom and showers!
And let the lines that severed seem
Unite again in thee,
As western wave and Gallic stream
Are mingled in one sea!
289
John Greenleaf Whittier
The Clear Vision
The Clear Vision
I did but dream. I never knew
What charms our sternest season wore.
Was never yet the sky so blue,
Was never earth so white before.
Till now I never saw the glow
Of sunset on yon hills of snow,
And never learned the bough's designs
Of beauty in its leafless lines.
Did ever such a morning break
As that my eastern windows see?
Did ever such a moonlight take
Weird photographs of shrub and tree?
Rang ever bells so wild and fleet
The music of the winter street?
Was ever yet a sound by half
So merry as you school-boy's laugh?
O Earth! with gladness overfraught,
No added charm thy face hath found;
Within my heart the change is wrought,
My footsteps make enchanted ground.
From couch of pain and curtained room
Forth to thy light and air I come,
To find in all that meets my eyes
The freshness of a glad surprise.
Fair seem these winter days, and soon
Shall blow the warm west-winds of spring,
To set the unbound rills in tune
And hither urge the bluebird's wing.
The vales shall laugh in flowers, the woods
Grow misty green with leafing buds,
And violets and wind-flowers sway
Against the throbbing heart of May.
Break forth, my lips, in praise, and own
The wiser love severely kind;
Since, richer for its chastening grown,
I see, whereas I once was blind.
The world, O Father! hath not wronged
With loss the life by Thee prolonged;
But still, with every added year,
More beautiful Thy works appear!
As Thou hast made thy world without,
Make Thou more fair my world within;
Shine through its lingering clouds of doubt;
Rebuke its haunting shapes of sin;
Fill, brief or long, my granted span
Of life with love to thee and man;
Strike when thou wilt the hour of rest,
But let my last days be my best!
I did but dream. I never knew
What charms our sternest season wore.
Was never yet the sky so blue,
Was never earth so white before.
Till now I never saw the glow
Of sunset on yon hills of snow,
And never learned the bough's designs
Of beauty in its leafless lines.
Did ever such a morning break
As that my eastern windows see?
Did ever such a moonlight take
Weird photographs of shrub and tree?
Rang ever bells so wild and fleet
The music of the winter street?
Was ever yet a sound by half
So merry as you school-boy's laugh?
O Earth! with gladness overfraught,
No added charm thy face hath found;
Within my heart the change is wrought,
My footsteps make enchanted ground.
From couch of pain and curtained room
Forth to thy light and air I come,
To find in all that meets my eyes
The freshness of a glad surprise.
Fair seem these winter days, and soon
Shall blow the warm west-winds of spring,
To set the unbound rills in tune
And hither urge the bluebird's wing.
The vales shall laugh in flowers, the woods
Grow misty green with leafing buds,
And violets and wind-flowers sway
Against the throbbing heart of May.
Break forth, my lips, in praise, and own
The wiser love severely kind;
Since, richer for its chastening grown,
I see, whereas I once was blind.
The world, O Father! hath not wronged
With loss the life by Thee prolonged;
But still, with every added year,
More beautiful Thy works appear!
As Thou hast made thy world without,
Make Thou more fair my world within;
Shine through its lingering clouds of doubt;
Rebuke its haunting shapes of sin;
Fill, brief or long, my granted span
Of life with love to thee and man;
Strike when thou wilt the hour of rest,
But let my last days be my best!
266
John Greenleaf Whittier
The Conquest Of Finland
The Conquest Of Finland
ACROSS the frozen marshes
The winds of autumn blow,
And the fen-lands of the Wetter
Are white with early snow.
But where the low, gray headlands
Look o'er the Baltic brine,
A bark is sailing in the track
Of England's battle-line.
No wares hath she to barter
For Bothnia's fish and grain;
She saileth not for pleasure,
She saileth not for gain.
But still by isle or mainland
She drops her, anchor down,
Where'er the British cannon
Rained fire on tower and town.
Outspake the ancient Amtman,
At the gate of Helsingfors:
'Why comes this ship a-spying
In the track of England's wars?'
'God bless her,' said the coast-guard, —
'God bless the ship, I say.
The holy angels trim the sails
That speed her on her way!
'Where'er she drops her anchor,
The peasant's heart is glad;
Where'er she spreads her parting sail,
The peasant's heart is sad.
'Each wasted town and hamlet
She visits to restore;
To roof the shattered cabin,
And feed the starving poor.
' The sunken boats of fishers,
The foraged beeves and grain,
The spoil of flake and storehouse,
The good ship brings again.
'And so to Finland's sorrow
The sweet amend is made,
As if the healing hand of Christ
Upon her wounds were laid!'
Then said the gray old Amtman,
'The will of God be done!
The battle lost by England's hate,
By England's love is won!
'We braved the iron tempest
That thundered on our shore;
But when did kindness fail to find
The key to Finland's door?
'No more from Aland's ramparts
Shall warning signal come,
Nor startled Sweaborg hear again
The roll of midnight drum.
'Beside our fierce Black Eagle
The Dove of Peace shall rest;
And in the mouths of cannon
The sea-bird make her nest.
'For Finland, looking seaward,
No coming foe shall scan;
And the holy bells of Abo
Shall ring, 'Good-will to man!'
'Then row thy boat, O fisher!
In peace on lake and bay;
And thou, young maiden, dance again
Around the poles of May!
'Sit down, old men, together,
Old wives, in quiet spin;
Henceforth the Anglo-Saxon
Is the brother of the Finn!'
ACROSS the frozen marshes
The winds of autumn blow,
And the fen-lands of the Wetter
Are white with early snow.
But where the low, gray headlands
Look o'er the Baltic brine,
A bark is sailing in the track
Of England's battle-line.
No wares hath she to barter
For Bothnia's fish and grain;
She saileth not for pleasure,
She saileth not for gain.
But still by isle or mainland
She drops her, anchor down,
Where'er the British cannon
Rained fire on tower and town.
Outspake the ancient Amtman,
At the gate of Helsingfors:
'Why comes this ship a-spying
In the track of England's wars?'
'God bless her,' said the coast-guard, —
'God bless the ship, I say.
The holy angels trim the sails
That speed her on her way!
'Where'er she drops her anchor,
The peasant's heart is glad;
Where'er she spreads her parting sail,
The peasant's heart is sad.
'Each wasted town and hamlet
She visits to restore;
To roof the shattered cabin,
And feed the starving poor.
' The sunken boats of fishers,
The foraged beeves and grain,
The spoil of flake and storehouse,
The good ship brings again.
'And so to Finland's sorrow
The sweet amend is made,
As if the healing hand of Christ
Upon her wounds were laid!'
Then said the gray old Amtman,
'The will of God be done!
The battle lost by England's hate,
By England's love is won!
'We braved the iron tempest
That thundered on our shore;
But when did kindness fail to find
The key to Finland's door?
'No more from Aland's ramparts
Shall warning signal come,
Nor startled Sweaborg hear again
The roll of midnight drum.
'Beside our fierce Black Eagle
The Dove of Peace shall rest;
And in the mouths of cannon
The sea-bird make her nest.
'For Finland, looking seaward,
No coming foe shall scan;
And the holy bells of Abo
Shall ring, 'Good-will to man!'
'Then row thy boat, O fisher!
In peace on lake and bay;
And thou, young maiden, dance again
Around the poles of May!
'Sit down, old men, together,
Old wives, in quiet spin;
Henceforth the Anglo-Saxon
Is the brother of the Finn!'
250
John Greenleaf Whittier
The Christian Slave
The Christian Slave
A CHRISTIAN! going, gone!
Who bids for God's own image? for his grace,
Which that poor victim of the market-place
Hath in her suffering won?
My God! can such things be?
Hast Thou not said that whatsoe'er is done
Unto Thy weakest and Thy humblest one
Is even done to Thee?
In that sad victim, then,
Child of Thy pitying love, I see Thee stand;
Once more the jest-word of a mocking band,
Bound, sold, and scourged again!
A Christian up for sale!
Wet with her blood your whips, o'ertask her frame,
Make her life loathsome with your wrong and shame, Her patience shall not fail!
A heathen hand might deal
Back on your heads the gathered wrong of years:
But her low, broken prayer and nightly tears,
Ye neither heed nor feel.
Con well thy lesson o'er,
Thou prudent teacher, tell the toiling slave
No dangerous tale of Him who came to save
The outcast and the poor.
But wisely shut the ray
Of God's free Gospel from her simple heart,
And to her darkened mind alone impart
One stern command, Obey!3
So shalt thou deftly raise
The market price of human flesh; and while
On thee, their pampered guest, the planters smile,
Thy church shall praise.
Grave, reverend men shall tell
From Northern pulpits how thy work was blest,
While in that vile South Sodom first and best,
Thy poor disciples. sell.
Oh, shame! the Moslem thrall,
Who, with his master, to the Prophet kneels,
While turning to the sacred Kebla feels
His fetters break and fall.
Cheers for the turbaned Bey
Of robber-peopled Tunis! he hath torn
The dark slave-dungeons open, and hath borne
Their inmates into day:
But our poor slave in vain.
Turns to the Christian shrine his aching eyes;
Its rites will only swell his market price,
And rivet on his chain.
God of all right! how long
Shall priestly robbers at Thine altar stand,
Lifting in prayer to Thee, the bloody hand
And haughty brow of wrong?
Oh, from the fields of cane,
From the low rice-swamp, from the trader's cell;
From the black slave-ship's foul and loathsome hell,
And coffle's weary chain;
Hoarse, horrible, and strong,
Rises to Heaven that agonizing cry,
Filling the arches of the hollow sky,
How long, O God, how long?
A CHRISTIAN! going, gone!
Who bids for God's own image? for his grace,
Which that poor victim of the market-place
Hath in her suffering won?
My God! can such things be?
Hast Thou not said that whatsoe'er is done
Unto Thy weakest and Thy humblest one
Is even done to Thee?
In that sad victim, then,
Child of Thy pitying love, I see Thee stand;
Once more the jest-word of a mocking band,
Bound, sold, and scourged again!
A Christian up for sale!
Wet with her blood your whips, o'ertask her frame,
Make her life loathsome with your wrong and shame, Her patience shall not fail!
A heathen hand might deal
Back on your heads the gathered wrong of years:
But her low, broken prayer and nightly tears,
Ye neither heed nor feel.
Con well thy lesson o'er,
Thou prudent teacher, tell the toiling slave
No dangerous tale of Him who came to save
The outcast and the poor.
But wisely shut the ray
Of God's free Gospel from her simple heart,
And to her darkened mind alone impart
One stern command, Obey!3
So shalt thou deftly raise
The market price of human flesh; and while
On thee, their pampered guest, the planters smile,
Thy church shall praise.
Grave, reverend men shall tell
From Northern pulpits how thy work was blest,
While in that vile South Sodom first and best,
Thy poor disciples. sell.
Oh, shame! the Moslem thrall,
Who, with his master, to the Prophet kneels,
While turning to the sacred Kebla feels
His fetters break and fall.
Cheers for the turbaned Bey
Of robber-peopled Tunis! he hath torn
The dark slave-dungeons open, and hath borne
Their inmates into day:
But our poor slave in vain.
Turns to the Christian shrine his aching eyes;
Its rites will only swell his market price,
And rivet on his chain.
God of all right! how long
Shall priestly robbers at Thine altar stand,
Lifting in prayer to Thee, the bloody hand
And haughty brow of wrong?
Oh, from the fields of cane,
From the low rice-swamp, from the trader's cell;
From the black slave-ship's foul and loathsome hell,
And coffle's weary chain;
Hoarse, horrible, and strong,
Rises to Heaven that agonizing cry,
Filling the arches of the hollow sky,
How long, O God, how long?
293
John Greenleaf Whittier
The Christmas Of 1888
The Christmas Of 1888
Low in the east, against a white, cold dawn,
The black-lined silhouette of the woods was drawn,
And on a wintry waste
Of frosted streams and hillsides bare and brown,
Through thin cloud-films, a pallid ghost looked down,
The waning moon half-faced!
In that pale sky and sere, snow-waiting earth,
What sign was there of the immortal birth?
What herald of the One?
Lo! swift as thought the heavenly radiance came,
A rose-red splendor swept the sky like flame,
Up rolled the round, bright sun!
And all was changed. From a transfigured world
The moon's ghost fled, the smoke of home-hearths curled
Up the still air unblown.
In Orient warmth and brightness, did that morn
O'er Nain and Nazareth, when the Christ was born,
Break fairer than our own?
The morning's promise noon and eve fulfilled
In warm, soft sky and landscape hazy-hilled
And sunset fair as they;
A sweet reminder of His holiest time,
A summer-miracle in our winter clime,
God gave a perfect day.
The near was blended with the old and far,
And Bethlehem's hillside and the Magi's star
Seemed here, as there and then,-Our
homestead pine-tree was the Syrian palm,
Our heart's desire the angels' midnight psalm,
Peace, and good-will to men!
Low in the east, against a white, cold dawn,
The black-lined silhouette of the woods was drawn,
And on a wintry waste
Of frosted streams and hillsides bare and brown,
Through thin cloud-films, a pallid ghost looked down,
The waning moon half-faced!
In that pale sky and sere, snow-waiting earth,
What sign was there of the immortal birth?
What herald of the One?
Lo! swift as thought the heavenly radiance came,
A rose-red splendor swept the sky like flame,
Up rolled the round, bright sun!
And all was changed. From a transfigured world
The moon's ghost fled, the smoke of home-hearths curled
Up the still air unblown.
In Orient warmth and brightness, did that morn
O'er Nain and Nazareth, when the Christ was born,
Break fairer than our own?
The morning's promise noon and eve fulfilled
In warm, soft sky and landscape hazy-hilled
And sunset fair as they;
A sweet reminder of His holiest time,
A summer-miracle in our winter clime,
God gave a perfect day.
The near was blended with the old and far,
And Bethlehem's hillside and the Magi's star
Seemed here, as there and then,-Our
homestead pine-tree was the Syrian palm,
Our heart's desire the angels' midnight psalm,
Peace, and good-will to men!
317
John Greenleaf Whittier
The Call Of The Christian
The Call Of The Christian
Not always as the whirlwind's rush
On Horeb's mount of fear,
Not always as the burning bush
To Midian's shepherd seer,
Nor as the awful voice which came
To Israel's prophet bards,
Nor as the tongues of cloven flame,
Nor gift of fearful words,-
Not always thus, with outward sign
Of fire or voice from Heaven,
The message of a truth divine,
The call of God is given!
Awaking in the human heart
Love for the true and right,-Zeal
for the Christian's better part,
Strength for the Christian's fight.
Nor unto manhood's heart alone
The holy influence steals
Warm with a rapture not its own,
The heart of woman feels!
As she who by Samaria's wall
The Saviour's errand sought,-As
those who with the fervent Paul
And meek Aquila wrought:
Or those meek ones whose martyrdom
Rome's gathered grandeur saw
Or those who in their Alpine home
Braved the Crusader's war,
When the green Vaudois, trembling, heard,
Through all its vales of death,
The martyr's song of triumph poured
From woman's failing breath.
And gently, by a thousand things
Which o'er our spirits pass,
Like breezes o'er the harp's fine strings,
Or vapors o'er a glass,
Leaving their token strange and new
Of music or of shade,
The summons to the right and true
And merciful is made.
Oh, then, if gleams of truth and light
Flash o'er thy waiting mind,
Unfolding to thy mental sight
The wants of human-kind;
If, brooding over human grief,
The earnest wish is known
To soothe and gladden with relief
An anguish not thine own;
Though heralded with naught of fear,
Or outward sign or show;
Though only to the inward ear
It whispers soft and low;
Though dropping, as the manna fell,
Unseen, yet from above,
Noiseless as dew-fall, heed it well,--Thy
Father's call of love!
Not always as the whirlwind's rush
On Horeb's mount of fear,
Not always as the burning bush
To Midian's shepherd seer,
Nor as the awful voice which came
To Israel's prophet bards,
Nor as the tongues of cloven flame,
Nor gift of fearful words,-
Not always thus, with outward sign
Of fire or voice from Heaven,
The message of a truth divine,
The call of God is given!
Awaking in the human heart
Love for the true and right,-Zeal
for the Christian's better part,
Strength for the Christian's fight.
Nor unto manhood's heart alone
The holy influence steals
Warm with a rapture not its own,
The heart of woman feels!
As she who by Samaria's wall
The Saviour's errand sought,-As
those who with the fervent Paul
And meek Aquila wrought:
Or those meek ones whose martyrdom
Rome's gathered grandeur saw
Or those who in their Alpine home
Braved the Crusader's war,
When the green Vaudois, trembling, heard,
Through all its vales of death,
The martyr's song of triumph poured
From woman's failing breath.
And gently, by a thousand things
Which o'er our spirits pass,
Like breezes o'er the harp's fine strings,
Or vapors o'er a glass,
Leaving their token strange and new
Of music or of shade,
The summons to the right and true
And merciful is made.
Oh, then, if gleams of truth and light
Flash o'er thy waiting mind,
Unfolding to thy mental sight
The wants of human-kind;
If, brooding over human grief,
The earnest wish is known
To soothe and gladden with relief
An anguish not thine own;
Though heralded with naught of fear,
Or outward sign or show;
Though only to the inward ear
It whispers soft and low;
Though dropping, as the manna fell,
Unseen, yet from above,
Noiseless as dew-fall, heed it well,--Thy
Father's call of love!
244
John Greenleaf Whittier
The Changeling ( From The Tent on the Beach )
The Changeling ( From The Tent on the Beach )
FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,-
Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.
Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.
"Rake out the red coals, goodman,-For
there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.
"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.
"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.
"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.
"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.
"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat."
Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.
"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray."
Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.
"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.
"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.
"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore."
Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.
A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.
She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.
Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.
With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.
"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,-I
live, who once was dead.
"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"
His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.
He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.
He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.
And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.
Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.
.
FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,-
Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.
Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.
"Rake out the red coals, goodman,-For
there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.
"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.
"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.
"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.
"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.
"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat."
Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.
"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray."
Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.
"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.
"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.
"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore."
Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.
A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.
She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.
Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.
With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.
"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,-I
live, who once was dead.
"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"
His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.
He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.
He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.
And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.
Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.
.
195
John Greenleaf Whittier
The Brown Dwarf of Rügen (From Narrative and Legendary Poems )
The Brown Dwarf of Rügen (From Narrative and Legendary Poems )
THE pleasant isle of Rügen looks the Baltic water o'er,
To the silver-sanded beaches of the Pomeranian shore;
And in the town of Rambin a little boy and maid
Plucked the meadow-flowers together and in the sea-surf played.
Alike were they in beauty if not in their degree:
He was the Amptman's first-born, the miller's child was she.
Now of old the isle of Rügen was full of Dwarfs and Trolls,
The brown-faced little Earth-men, the people without souls;
And for every man and woman in Rügen's island found
Walking in air and sunshine, a Troll was underground.
It chanced the little maiden, one morning, strolled away
Among the haunted Nine Hills, where the elves and goblins play.
That day, in barley fields below, the harvesters had known
Of evil voices in the air, and heard the small horns blown.
She came not back; the search for her in field and wood was vain:
They cried her east, they cried her west, but she came not again.
"She's down among the Brown Dwarfs," said the dream-wives wise and old,
And prayers were made, and masses said, and Rambin's church bell tolled.
Five years her father mourned her; and then John Deitrich said:
"I will find my little playmate, be she alive or dead."
He watched among the Nine Hills, he heard the Brown Dwarfs sing,
And saw them dance by moonlight merrily in a ring.
And when their gay-robed leader tossed up his cap of red,
Young Deitrich caught it as it fell, and thrust it on his head.
The Troll came crouching at his feet and wept for lack of it.
"Oh, give me back my magic cap, for your great head unfit!"
"Nay," Deitrich said; "the Dwarf who throws his charmëd cap away,
Must serve its finder at his will, and for his folly pay.
"You stole my pretty Lisbeth, and hid her in the earth;
And you shall ope the door of glass and let me lead her forth."
"She will not come; she's one of us; she's mine!" the Brown Dwarf said;
"The day is set, the cake is baked, to-morrow we shall wed."
"The fell fiend fetch thee!" Deitrich cried, "and keep thy foul tongue still.
Quick! open, to thy evil world, the glass door of the hill!"
The Dwarf obeyed; and youth and Troll down the long stairway passed,
And saw in dim and sunless light a country strange and vast.
Weird, rich, and wonderful, he saw the elfin under-land, -Its
palaces of precious stones, its streets of golden sand.
He came unto a banquet-hall with tables richly spread,
Where a young maiden served to him the red wine and the bread.
How fair she seemed among the Trolls so ugly and so wild!
Yet pale and very sorrowful, like one who never smiled!
Her low, sweet voice, her gold-brown hair, her tender blue eyes seemed
Like something he had seen elsewhere or something he had dreamed.
He looked; he clasped her in his arms; he knew the long-lost one;
"O Lisbeth! See thy playmate -- I am the Amptman's son!"
She leaned her fair head on his breast, and through her sobs she spoke:
"Oh, take me from this evil place, and from the elfin folk!
"And let me tread the grass-green fields and smell the flowers again,
And feel the soft wind on my cheek and hear the dropping rain!
"And oh, to hear the singing bird, the rustling of the tree,
The lowing cows, the bleat of sheep, the voices of the sea;
"And oh, upon my father's knee to set beside the door,
And hear the bell of vespers ring in Rambin church once more!"
He kissed her cheek, he kissed her lips; the Brown Dwarf groaned to see,
And tore his tangled hair and ground his long teeth angrily.
But Deitrich said: "For five long years this tender Christian maid
Has served you in your evil world, and well must she be paid!
"Haste! -- hither bring me precious gems, the richest in your store;
Then when we pass the gate of glass, you'll take your cap once more."
No choice was left the baffled Troll, and, murmuring, he obeyed,
And filled the pockets of the youth and apron of the maid.
They left the dreadful under-land and passed the gate of glass;
They felt the sunshine's warm caress, they trod the soft, green grass.
And when, beneath, they saw the Dwarf stretch up to them his brown
And crooked claw-like fingers, they tossed his red cap down.
Oh, never shone so bright a sun, was never sky so blue,
As hand in hand they homeward walked the pleasant meadows through!
And never sang the birds so sweet in Rambin's woods before,
And never washed the waves so soft along the Baltic shore;
And when beneath his door-yard trees the father met his child,
The bells rung out their merriest peal, the folks with joy ran wild.
And soon from Rambin's holy church the twain came forth as one,
The Amptman kissed a daughter, the miller blest a son.
John Deitrich's fame went far and wide, and nurse and maid crooned o'er
Their cradle song: "Sleep on, sleep well, the Trolls shall come no more!"
for in the haunted Nine Hills he set a cross of stone;
And Elf and Brown Dwarf sought in vain a door where door was none.
The tower he built in Rambin, fair Rügen's pride and boast,
Looked o'er the Baltic water to the Pomeranian coast;
And, for his worth ennobled, and rich beyond compare,
Count Deitrich and his lovely bride dwelt long and happy there.
THE pleasant isle of Rügen looks the Baltic water o'er,
To the silver-sanded beaches of the Pomeranian shore;
And in the town of Rambin a little boy and maid
Plucked the meadow-flowers together and in the sea-surf played.
Alike were they in beauty if not in their degree:
He was the Amptman's first-born, the miller's child was she.
Now of old the isle of Rügen was full of Dwarfs and Trolls,
The brown-faced little Earth-men, the people without souls;
And for every man and woman in Rügen's island found
Walking in air and sunshine, a Troll was underground.
It chanced the little maiden, one morning, strolled away
Among the haunted Nine Hills, where the elves and goblins play.
That day, in barley fields below, the harvesters had known
Of evil voices in the air, and heard the small horns blown.
She came not back; the search for her in field and wood was vain:
They cried her east, they cried her west, but she came not again.
"She's down among the Brown Dwarfs," said the dream-wives wise and old,
And prayers were made, and masses said, and Rambin's church bell tolled.
Five years her father mourned her; and then John Deitrich said:
"I will find my little playmate, be she alive or dead."
He watched among the Nine Hills, he heard the Brown Dwarfs sing,
And saw them dance by moonlight merrily in a ring.
And when their gay-robed leader tossed up his cap of red,
Young Deitrich caught it as it fell, and thrust it on his head.
The Troll came crouching at his feet and wept for lack of it.
"Oh, give me back my magic cap, for your great head unfit!"
"Nay," Deitrich said; "the Dwarf who throws his charmëd cap away,
Must serve its finder at his will, and for his folly pay.
"You stole my pretty Lisbeth, and hid her in the earth;
And you shall ope the door of glass and let me lead her forth."
"She will not come; she's one of us; she's mine!" the Brown Dwarf said;
"The day is set, the cake is baked, to-morrow we shall wed."
"The fell fiend fetch thee!" Deitrich cried, "and keep thy foul tongue still.
Quick! open, to thy evil world, the glass door of the hill!"
The Dwarf obeyed; and youth and Troll down the long stairway passed,
And saw in dim and sunless light a country strange and vast.
Weird, rich, and wonderful, he saw the elfin under-land, -Its
palaces of precious stones, its streets of golden sand.
He came unto a banquet-hall with tables richly spread,
Where a young maiden served to him the red wine and the bread.
How fair she seemed among the Trolls so ugly and so wild!
Yet pale and very sorrowful, like one who never smiled!
Her low, sweet voice, her gold-brown hair, her tender blue eyes seemed
Like something he had seen elsewhere or something he had dreamed.
He looked; he clasped her in his arms; he knew the long-lost one;
"O Lisbeth! See thy playmate -- I am the Amptman's son!"
She leaned her fair head on his breast, and through her sobs she spoke:
"Oh, take me from this evil place, and from the elfin folk!
"And let me tread the grass-green fields and smell the flowers again,
And feel the soft wind on my cheek and hear the dropping rain!
"And oh, to hear the singing bird, the rustling of the tree,
The lowing cows, the bleat of sheep, the voices of the sea;
"And oh, upon my father's knee to set beside the door,
And hear the bell of vespers ring in Rambin church once more!"
He kissed her cheek, he kissed her lips; the Brown Dwarf groaned to see,
And tore his tangled hair and ground his long teeth angrily.
But Deitrich said: "For five long years this tender Christian maid
Has served you in your evil world, and well must she be paid!
"Haste! -- hither bring me precious gems, the richest in your store;
Then when we pass the gate of glass, you'll take your cap once more."
No choice was left the baffled Troll, and, murmuring, he obeyed,
And filled the pockets of the youth and apron of the maid.
They left the dreadful under-land and passed the gate of glass;
They felt the sunshine's warm caress, they trod the soft, green grass.
And when, beneath, they saw the Dwarf stretch up to them his brown
And crooked claw-like fingers, they tossed his red cap down.
Oh, never shone so bright a sun, was never sky so blue,
As hand in hand they homeward walked the pleasant meadows through!
And never sang the birds so sweet in Rambin's woods before,
And never washed the waves so soft along the Baltic shore;
And when beneath his door-yard trees the father met his child,
The bells rung out their merriest peal, the folks with joy ran wild.
And soon from Rambin's holy church the twain came forth as one,
The Amptman kissed a daughter, the miller blest a son.
John Deitrich's fame went far and wide, and nurse and maid crooned o'er
Their cradle song: "Sleep on, sleep well, the Trolls shall come no more!"
for in the haunted Nine Hills he set a cross of stone;
And Elf and Brown Dwarf sought in vain a door where door was none.
The tower he built in Rambin, fair Rügen's pride and boast,
Looked o'er the Baltic water to the Pomeranian coast;
And, for his worth ennobled, and rich beyond compare,
Count Deitrich and his lovely bride dwelt long and happy there.
252
John Greenleaf Whittier
The Bridal of Pennacook
The Bridal of Pennacook
We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!
And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.
There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye
Saw only hot brick walls and close thronged streets;
Briefless as yet, but with an eye to see
Life's sunniest side, and with a heart to take
Its chances all as godsends; and his brother,
Pale from long pulpit studies, yet retaining
The warmth and freshness of a genial heart,
Whose mirror of the beautiful and true,
In Man and Nature, was as yet undimmed
By dust of theologic strife, or breath
Of sect, or cobwebs of scholastic lore;
Like a clear crystal calm of water, taking
The hue and image of o'erleaning flowers,
Sweet human faces, white clouds of the noon,
Slant starlight glimpses through the dewy leaves,
And tenderest moonrise. 'Twas, in truth, a study,
To mark his spirit, alternating between
A decent and professional gravity
And an irreverent mirthfulness, which often
Laughed in the face of his divinity,
Plucked off the sacred ephod, quite unshrined
The oracle, and for the pattern priest
Left us the man. A shrewd, sagacious merchant,
To whom the soiled sheet found in Crawford's inn,
Giving the latest news of city stocks
And sales of cotton, had a deeper meaning
Than the great presence of the awful mountains
Glorified by the sunset; and his daughter,
A delicate flower on whom had blown too long
Those evil winds, which, sweeping from the ice
And winnowing the fogs of Labrador,
Shed their cold blight round Massachusetts Bay,
With the same breath which stirs Spring's opening leaves
And lifts her half-formed flower-bell on its stem,
Poisoning our seaside atmosphere.
It chanced that as we turned upon our homeward way,
A drear northeastern storm came howling up
The valley of the Saco; and that girl
Who had stood with us upon Mount Washington,
Her brown locks ruffled by the wind which whirled
In gusts around its sharp, cold pinnacle,
Who had joined our gay trout-fishing in the streams
Which lave that giant's feet; whose laugh was heard
Like a bird's carol on the sunrise breeze
Which swelled our sail amidst the lake's green islands,
Shrank from its harsh, chill breath, and visibly drooped
Like a flower in the frost. So, in that quiet inn
Which looks from Conway on the mountains piled
Heavily against the horizon of the north,
Like summer thunder-clouds, we made our home
And while the mist hung over dripping hills,
And the cold wind-driven rain-drops all day long
Beat their sad music upon roof and pane,
We strove to cheer our gentle invalid.
The lawyer in the pauses of the storm
Went angling down the Saco, and, returning,
Recounted his adventures and mishaps;
Gave us the history of his scaly clients,
Mingling with ludicrous yet apt citations
Of barbarous law Latin, passages
From Izaak Walton's Angler, sweet and fresh
As the flower-skirted streams of Staffordshire,
Where, under aged trees, the southwest wind
Of soft June mornings fanned the thin, white hair
Of the sage fisher. And, if truth be told,
Our youthful candidate forsook his sermons,
His commentaries, articles and creeds,
For the fair page of human loveliness,
The missal of young hearts, whose sacred text
Is music, its illumining, sweet smiles.
He sang the songs she loved; and in his low,
Deep, earnest voice, recited many a page
Of poetry, the holiest, tenderest lines
Of the sad bard of Olney, the sweet songs,
Simple and beautiful as Truth and Nature,
Of him whose whitened locks on Rydal Mount
Are lifted yet by morning breezes blowing
From the green hills, immortal in his lays.
And for myself, obedient to her wish,
I searched our landlord's proffered library,—
A well-thumbed Bunyan, with its nice wood pictures
Of scaly fiends and angels not unlike them;
Watts' unmelodious psalms; Astrology's
Last home, a musty pile of almanacs,
And an old chronicle of border wars
And Indian history. And, as I read
A story of the marriage of the Chief
Of Saugus to the dusky Weetamoo,
Daughter of Passaconaway, who dwelt
In the old time upon the Merrimac,
Our fair one, in the playful exercise
Of her prerogative,—the right divine
Of youth and beauty,—bade us versify
The legend, and with ready pencil sketched
Its plan and outlines, laughingly assigning
To each his part, and barring our excuses
With absolute will. So, like the cavaliers
Whose voices still are heard in the Romance
Of silver-tongued Boccaccio, on the banks
Of Arno, with soft tales of love beguiling
The ear of languid beauty, plague-exiled
From stately Florence, we rehearsed our rhymes
To their fair auditor, and shared by turns
Her kind approval and her playful censure.
It may be that these fragments owe alone
To the fair setting of their circumstances,—
The associations of time, scene, and audience,—
Their place amid the pictures which fill up
The chambers of my memory. Yet I trust
That some, who sigh, while wandering in thought,
Pilgrims of Romance o'er the olden world,
That our broad land,—our sea-like lakes and mountains
Piled to the clouds, our rivers overhung
By forests which have known no other change
For ages than the budding and the fall
Of leaves, our valleys lovelier than those
Which the old poets sang of,—should but figure
On the apocryphal chart of speculation
As pastures, wood-lots, mill-sites, with the privileges,
Rights, and appurtenances, which make up
A Yankee Paradise, unsung, unknown,
To beautiful tradition; even their names,
Whose melody yet lingers like the last
Vibration of the red man's requiem,
Exchanged for syllables significant,
Of cotton-mill and rail-car, will look kindly
Upon this effort to call up the ghost
Of our dim Past, and listen with pleased ear
To the responses of the questioned Shade.
I. THE MERRIMAC
O child of that white-crested mountain whose springs
Gush forth in the shade of the cliff-eagle's wings,
Down whose slopes to the lowlands thy wild waters shine,
Leaping gray walls of rock, flashing through the dwarf pine;
From that cloud-curtained cradle so cold and so lone,
From the arms of that wintry-locked mother of stone,
By hills hung with forests, through vales wide and free,
Thy mountain-born brightness glanced down to the sea.
No bridge arched thy waters save that where the trees
Stretched their long arms above thee and kissed in the breeze:
No sound save the lapse of the waves on thy shores,
The plunging of otters, the light dip of oars.
Green-tufted, oak-shaded, by Amoskeag's fall
Thy twin Uncanoonucs rose stately and tall,
Thy Nashua meadows lay green and unshorn,
And the hills of Pentucket were tasselled with corn.
But thy Pennacook valley was fairer than these,
And greener its grasses and taller its trees,
Ere the sound of an axe in the forest had rung,
Or the mower his scythe in the meadows had swung.
In their sheltered repose looking out from the wood
The bark-builded wigwams of Pennacook stood;
There glided the corn-dance, the council-fire shone,
And against the red war-post the hatchet was thrown.
There the old smoked in silence their pipes, and the young
To the pike and the white-perch their baited lines flung;
There the boy shaped his arrows, and there the shy maid
Wove her many-hued baskets and bright wampum braid.
O Stream of the Mountains! if answer of thine
Could rise from thy waters to question of mine,
Methinks through the din of thy thronged banks a moan
Of sorrow would swell for the days which have gone.
Not for thee the dull jar of the loom and the wheel,
The gliding of shuttles, the ringing of steel;
But that old voice of waters, of bird and of breeze,
The dip of the wild-fowl, the rustling of trees.
II. THE BASHABA
Lift we the twilight curtains of the Past,
And, turning from familiar sight and sound,
Sadly and full of reverence let us cast
A glance upon Tradition's shadowy ground,
Led by the few pale lights which, glimmering round
That dim, strange land of Eld, seem dying fast;
And that which history gives not to the eye,
The faded coloring of Time's tapestry,
Let Fancy, with her dream-dipped brush, supply.
Roof of bark and walls of pine,
Through whose chinks the sunbeams shine,
Tracing many a golden line
On the ample floor within;
Where, upon that earth-floor stark,
Lay the gaudy mats of bark,
With the bear's hide, rough and dark,
And the red-deer's skin.
Window-tracery, small and slight,
Woven of the willow white,
Lent a dimly checkered light;
And the night-stars glimmered down,
Where the lodge-fire's heavy smoke,
Slowly through an opening broke,
In the low roof, ribbed with oak,
Sheathed with hemlock brown.
Gloomed behind the changeless shade
By the solemn pine-wood made;
Through the rugged palisade,
In the open foreground planted,
Glimpses came of rowers rowing,
Stir of leaves and wild-flowers blowing,
Steel-like gleams of water flowing,
In the sunlight slanted.
Here the mighty Bashaba
Held his long-unquestioned sway,
From the White Hills, far away,
To the great sea's sounding shore;
Chief of chiefs, his regal word
All the river Sachems heard,
At his call the war-dance stirred,
Or was still once more.
There his spoils of chase and war,
Jaw of wolf and black bear's paw,
Panther's skin and eagle's claw,
Lay beside his axe and bow;
And, adown the roof-pole hung,
Loosely on a snake-skin strung,
In the smoke his scalp-locks swung
Grimly to and fro.
Nightly down the river going,
Swifter was the hunter's rowing,
When he saw that lodge-fire, glowing
O'er the waters still and red;
And the squaw's dark eye burned brighter,
And she drew her blanket tighter,
As, with quicker step and lighter,
From that door she fled.
For that chief had magic skill,
And a Panisee's dark will,
Over powers of good and ill,
Powers which bless and powers which ban;
Wizard lord of Pennacook,
Chiefs upon their war-path shook,
When they met the steady look
Of that wise dark man.
Tales of him the gray squaw told,
When the winter night-wind cold
Pierced her blanket's thickest fold,
And her fire burned low and small,
Till the very child abed,
Drew its bear-skin over bead,
Shrinking from the pale lights shed
On the trembling wall.
All the subtle spirits hiding
Under earth or wave, abiding
In the caverned rock, or riding
Misty clouds or morning breeze;
Every dark intelligence,
Secret soul, and influence
Of all things which outward sense
Feels, or bears, or sees,—
These the wizard's skill confessed,
At his bidding banned or blessed,
Stormful woke or lulled to rest
Wind and cloud, and fire and flood;
Burned for him the drifted snow,
Bade through ice fresh lilies blow,
And the leaves of summer grow
Over winter's wood!
Not untrue that tale of old!
Now, as then, the wise and bold
All the powers of Nature hold
Subject to their kingly will;
From the wondering crowds ashore,
Treading life's wild waters o'er,
As upon a marble floor,
Moves the strong man still.
Still, to such, life's elements
With their sterner laws dispense,
And the chain of consequence
Broken in their pathway lies;
Time and change their vassals making,
Flowers from icy pillows waking,
Tresses of the sunrise shaking
Over midnight skies.
Still, to th' earnest soul, the sun
Rests on towered Gibeon,
And the moon of Ajalon
Lights the battle-grounds of life;
To his aid the strong reverses
Hidden powers and giant forces,
And the high stars, in their courses,
Mingle in his strife!
III. THE DAUGHTER
The soot-black brows of men, the yell
Of women thronging round the bed,
The tinkling charm of ring and shell,
The Powah whispering o'er the dead!
All these the Sachem's home had known,
When, on her journey long and wild
To the dim World of Souls, alone,
In her young beauty passed the mother of his child.
Three bow-shots from the Sachem's dwelling
They laid her in the walnut shade,
Where a green hillock gently swelling
Her fitting mound of burial made.
There trailed the vine in summer hours,
The tree-perched squirrel dropped his shell,—
On velvet moss and pale-hued flowers,
Woven with leaf and spray, the softened sunshine fell!
The Indian's heart is hard and cold,
It closes darkly o'er its care,
And formed in Nature's sternest mould,
Is slow to feel, and strong to bear.
The war-paint on the Sachem's face,
Unwet with tears, shone fierce and red,
And still, in battle or in chase,
Dry leaf and snow-rime crisped beneath his foremost tread.
Yet when her name was heard no more,
And when the robe her mother gave,
And small, light moccasin she wore,
Had slowly wasted on her grave,
Unmarked of him the dark maids sped
Their sunset dance and moonlit play;
No other shared his lonely bed,
No other fair young head upon his bosom lay.
A lone, stern man. Yet, as sometimes
The tempest-smitten tree receives
From one small root the sap which climbs
Its topmost spray and crowning leaves,
So from his child the Sachem drew
A life of Love and Hope, and felt
His cold and rugged nature through
The softness and the warmth of her young being melt.
A laugh which in the woodland rang
Bemocking April's gladdest bird,—
A light and graceful form which sprang
To meet him when his step was heard,—
Eyes by his lodge-fire flashing dark,
Small fingers stringing bead and shell
Or weaving mats of bright-hued bark,—
With these the household-god had graced his wigwam well.
Child of the forest! strong and free,
Slight-robed, with loosely flowing hair,
She swam the lake or climbed the tree,
Or struck the flying bird in air.
O'er the heaped drifts of winter's moon
Her snow-shoes tracked the hunter's way;
And dazzling in the summer noon
The blade of her light oar threw off its shower of spray!
Unknown to her the rigid rule,
The dull restraint, the chiding frown,
The weary torture of the school,
The taming of wild nature down.
Her only lore, the legends told
Around the hunter's fire at night;
Stars rose and set, and seasons rolled,
Flowers bloomed and snow-flakes fell, unquestioned in her sight.
Unknown to her the subtle skill
With which the artist-eye can trace
In rock and tree and lake and hill
The outlines of divinest grace;
Unknown the fine soul's keen unrest,
Which sees, admires, yet yearns alway;
Too closely on her mother's breast
To note her smiles of love the child of Nature lay!
It is enough for such to be
Of common, natural things a part,
To feel, with bird and stream and tree,
The pulses of the same great heart;
But we, from Nature long exiled,
In our cold homes of Art and Thought
Grieve like the stranger-tended child,
Which seeks its mother's arms, and sees but feels them not.
The garden rose may richly bloom
In cultured soil and genial air,
To cloud the light of Fashion's room
Or droop in Beauty's midnight hair;
In lonelier grace, to sun and dew
The sweetbrier on the hillside shows
Its single leaf and fainter hue,
Untrained and wildly free, yet still a sister rose!
Thus o'er the heart of Weetamoo
Their mingling shades of joy and ill
The instincts of her nature threw;
The savage was a woman still.
Midst outlines dim of maiden schemes,
Heart-colored prophecies of life,
Rose on the ground of her young dreams
The light of a new home, the lover and the wife.
IV. THE WEDDING
Cool and dark fell the autumn night,
But the Bashaba's wigwam glowed with light,
For down from its roof, by green withes hung,
Flaring and smoking the pine-knots swung.
And along the river great wood-fires
Shot into the night their long, red spires,
Showing behind the tall, dark wood,
Flashing before on the sweeping flood.
In the changeful wind, with shimmer and shade,
Now high, now low, that firelight played,
On tree-leaves wet with evening dews,
On gliding water and still canoes.
The trapper that night on Turee's brook,
And the weary fisher on Contoocook,
Saw over the marshes, and through the pine,
And down on the river, the dance-lights shine.
For the Saugus Sachem had come to woo
The Bashaba's daughter Weetamoo,
And laid at her father's feet that night
His softest furs and wampum white.
From the Crystal Hills to the far southeast
The river Sagamores came to the feast;
And chiefs whose homes the sea-winds shook
Sat down on the mats of Pennacook.
They came from Sunapee's shore of rock,
From the snowy sources of Snooganock,
And from rough Coos whose thick woods shake
Their pine-cones in Umbagog Lake.
From Ammonoosuc's mountain pass,
Wild as his home, came Chepewass;
And the Keenomps of the bills which throw
Their shade on the Smile of Manito.
With pipes of peace and bows unstrung,
Glowing with paint came old and young,
In wampum and furs and feathers arrayed,
To the dance and feast the Bashaba made.
Bird of the air and beast of the field,
All which the woods and the waters yield,
On dishes of birch and hemlock piled,
Garnished and graced that banquet wild.
Steaks of the brown bear fat and large
From the rocky slopes of the Kearsarge;
Delicate trout from Babboosuck brook,
And salmon speared in the Contoocook;
Squirrels which fed where nuts fell thick
in the gravelly bed of the Otternic;
And small wild-hens in reed-snares caught
from the banks of Sondagardee brought;
Pike and perch from the Suncook taken,
Nuts from the trees of the Black Hills shaken,
Cranberries picked in the Squamscot bog,
And grapes from the vines of Piscataquog:
And, drawn from that great stone vase which stands
In the river scooped by a spirit's hands,
Garnished with spoons of shell and horn,
Stood the birchen dishes of smoking corn.
Thus bird of the air and beast of the field,
All which the woods and the waters yield,
Furnished in that olden day
The bridal feast of the Bashaba.
And merrily when that feast was done
On the fire-lit green the dance begun,
With squaws' shrill stave, and deeper hum
Of old men beating the Indian drum.
Painted and plumed, with scalp-locks flowing,
And red arms tossing and black eyes glowing,
Now in the light and now in the shade
Around the fires the dancers played.
The step was quicker, the song more shrill,
And the beat of the small drums louder still
Whenever within the circle drew
The Saugus Sachem and Weetamoo.
The moons of forty winters had shed
Their snow upon that chieftain's head,
And toil and care and battle's chance
Had seamed his hard, dark countenance.
A fawn beside the bison grim,—
Why turns the bride's fond eye on him,
In whose cold look is naught beside
The triumph of a sullen pride?
Ask why the graceful grape entwines
The rough oak with her arm of vines;
And why the gray rock's rugged cheek
The soft lips of the mosses seek.
Why, with wise instinct, Nature seems
To harmonize her wide extremes,
Linking the stronger with the weak,
The haughty with the soft and meek!
V. THE NEW HOME
A wild and broken landscape, spiked with firs,
Roughening the bleak horizon's northern edge;
Steep, cavernous hillsides, where black hemlock spurs
And sharp, gray splinters of the wind-swept ledge
Pierced the thin-glazed ice, or bristling rose,
Where the cold rim of the sky sunk down upon the snows.
And eastward cold, wide marshes stretched away,
Dull, dreary flats without a bush or tree,
O'er-crossed by icy creeks, where twice a day
Gurgled the waters of the moon-struck sea;
And faint with distance came the stifled roar,
The melancholy lapse of waves on that low shore.
No cheerful village with its mingling smokes,
No laugh of children wrestling in the snow,
No camp-fire blazing through the hillside oaks,
No fishers kneeling on the ice below;
Yet midst all desolate things of sound and view,
Through the long winter moons smiled dark-eyed Weetamoo.
Her heart had found a home; and freshly all
Its beautiful affections overgrew
Their rugged prop. As o'er some granite wall
Soft vine-leaves open to the moistening dew
And warm bright sun, the love of that young wife
Found on a hard cold breast the dew and warmth of life.
The steep, bleak hills, the melancholy shore,
The long, dead level of the marsh between,
A coloring of unreal beauty wore
Through the soft golden mist of young love seen.
For o'er those hills and from that dreary plain,
Nightly she welcomed home her hunter chief again.
No warmth of heart, no passionate burst of feeling,
Repaid her welcoming smile and parting kiss,
No fond and playful dalliance half concealing,
Under the guise of mirth, its tenderness;
But, in their stead, the warrior's settled pride,
And vanity's pleased smile with homage satisfied.
Enough for Weetamoo, that she alone
Sat on his mat and slumbered at his side;
That he whose fame to her young ear had flown
Now looked upon her proudly as his bride;
That he whose name the Mohawk trembling heard
Vouchsafed to her at times a kindly look or word.
For she had learned the maxims of her race,
Which teach the woman to become a slave,
And feel herself the pardonless disgrace
Of love's fond weakness in the wise and brave,—
The scandal and the shame which they incur,
Who give to woman all which man requires of her.
So passed the winter moons. The sun at last
Broke link by link the frost chain of the rills,
And the warm breathings of the southwest passed
Over the hoar rime of the Saugus hills;
The gray and desolate marsh grew green once more,
And the birch-tree's tremulous shade fell round the Sachem's door.
Then from far Pennacook swift runners came,
With gift and greeting for the Saugus chief;
Beseeching him in the great Sachem's name,
That, with the coming of the flower and leaf,
The song of birds, the warm breeze and the rain,
Young Weetamoo might greet her lonely sire again.
And Winnepurkit called his chiefs together,
And a grave council in his wigwam met,
Solemn and brief in words, considering whether
The rigid rules of forest etiquette
Permitted Weetamoo once more to look
Upon her father's face and green-banked Pennacook.
With interludes of pipe-smoke and strong water,
The forest sages pondered, and at length,
Concluded in a body to escort her
Up to her father's home of pride and strength,
Impressing thus on Pennacook a sense
Of Winnepurkit's power and regal consequence.
So through old woods which Aukeetamit's hand,
A soft and many-shaded greenness lent,
Over high breezy hills, and meadow land
Yellow with flowers, the wild procession went,
Till, rolling down its wooded banks between,
A broad, clear, mountain stream, the Merrimac was seen.
The hunter leaning on his bow undrawn,
The fisher lounging on the pebbled shores,
Squaws in the clearing dropping the seed-corn,
Young children peering through the wigwam doors,
Saw with delight, surrounded by her train
Of painted Saugus braves, their Weetamoo again.
VI. AT PENNACOOK
The hills are dearest which our childish feet
Have climbed the earliest; and the streams most sweet
Are ever those at which our young lips drank,
Stooped to their waters o'er the grassy bank.
Midst the cold dreary sea-watch, Home's hearth-light
Shines round the helmsman plunging through the night;
And still, with inward eye, the traveller sees
In close, dark, stranger streets his native trees.
The home-sick dreamer's brow is nightly fanned
By breezes whispering of his native land,
And on the stranger's dim and dying eye
The soft, sweet pictures of his childhood lie.
Joy then for Weetamoo, to sit once more
A child upon her father's wigwam floor!
Once more with her old fondness to beguile
From his cold eye the strange light of a smile.
The long, bright days of summer swiftly passed,
The dry leaves whirled in autumn's rising blast,
And evening cloud and whitening sunrise rime
Told of the coming of the winter-time.
But vainly looked, the while, young Weetamoo,
Down the dark river for her chief's canoe;
No dusky messenger from Saugus brought
The grateful tidings which the young wife sought.
At length a runner from her father sent,
To Winnepurkit's sea-cooled wigwam went
'Eagle of Saugus,—in the woods the dove
Mourns for the shelter of thy wings of love.'
But the dark chief of Saugus turned aside
In the grim anger of hard-hearted pride;
I bore her as became a chieftain's daughter,
Up to her home beside the gliding water.
If now no more a mat for her is found
Of all which line her father's wigwam round,
Let Pennacook call out his warrior train,
And send her back with wampum gifts again.'
The baffled runner turned upon his track,
Bearing the words of Winnepurkit back.
'Dog of the Marsh,' cried Pennacook, 'no more
Shall child of mine sit on his wigwam floor.
'Go, let him seek some meaner squaw to spread
The stolen bear-skin of his beggar's bed;
Son of a fish-hawk! let him dig his clams
For some vile daughter of the Agawams,
'Or coward Nipmucks! may his scalp dry black
In Mohawk smoke, before I send her back.'
He shook his clenched hand towards the ocean wave,
While hoarse assent his listening council gave.
Alas poor bride! can thy grim sire impart
His iron hardness to thy woman's heart?
Or cold self-torturing pride like his atone
For love denied and life's warm beauty flown?
On Autumn's gray and mournful grave the snow
Hung its white wreaths; with stifled voice and low
The river crept, by one vast bridge o'er-crossed,
Built by the boar-locked artisan of Frost.
And many a moon in beauty newly born
Pierced the red sunset with her silver horn,
Or, from the east, across her azure field
Rolled the wide brightness of her full-orbed shield.
Yet Winnepurkit came not,—on the mat
Of the scorned wife her dusky rival sat;
And he, the while, in Western woods afar,
Urged the long chase, or trod the path of war.
Dry up thy tears, young daughter of a chief!
Waste not on him the sacredness of grief;
Be the fierce spirit of thy sire thine own,
His lips of scorning, and his heart of stone.
What heeds the warrior of a hundred fights,
The storm-worn watcher through long hunting nights,
Cold, crafty, proud of woman's weak distress,
Her home-bound grief and pining loneliness?
VII. THE DEPARTURE
The wild March rains had fallen fast and long
The snowy mountains of the North among,
Making each vale a watercourse, each hill
Bright with the cascade of some new-made rill.
Gnawed by the sunbeams, softened by the rain,
Heaved underneath by the swollen current's strain,
The ice-bridge yielded, and the Merrimac
Bore the huge ruin crashing down its track.
On that strong turbid water, a small boat
Guided by one weak hand was seen to float;
Evil the fate which loosed it from the shore,
Too early voyager with too frail an oar!
Down the vexed centre of that rushing tide,
The thick huge ice-blocks threatening either side,
The foam-white rocks of Amoskeag in view,
With arrowy swiftness sped that light canoe.
The trapper, moistening his moose's meat
On the wet bank by Uncanoonuc's feet,
Saw the swift boat flash down the troubled stream;
Slept he, or waked he? was it truth or dream?
The straining eye bent fearfully before,
The small hand clenching on the useless oar,
The bead-wrought blanket trailing o'er the water—
He knew them all—woe for the Sachem's daughter!
Sick and aweary of her lonely life,
Heedless of peril, the still faithful wife
Had left her mother's grave, her father's door,
To seek the wigwam of her chief once more.
Down the white rapids like a sear leaf whirled,
On the sharp rocks and piled-up ices hurled,
Empty and broken, circled the canoe
In the vexed pool below—but where was Weetamoo.
VIII. SONG OF INDIAN WOMEN
The Dark eye has left us,
The Spring-bird has flown;
On the pathway of spirits
She wanders alone.
The song of the wood-dove has died on our shore
Mat wonck kunna-monee! We hear it no more!
O dark water Spirit
We cast on thy wave
These furs which may never
Hang over her grave;
Bear down to the lost one the robes that she wore
Mat wonck kunna-monee! We see her no more!
Of the strange land she walks in
No Powah has told:
It may burn with the sunshine,
Or freeze with the cold.
Let us give to our lost one the robes that she wore:
Mat wonck kunna-monee! We see her no more!
The path she is treading
Shall soon be our own;
Each gliding in shadow
Unseen and alone!
In vain shall we call on the souls gone before:
Mat wonck kunna-monee! They hear us no more!
O mighty Sowanna!
Thy gateways unfold,
From thy wigwam of sunset
Lift curtains of gold!
Take home the poor Spirit whose journey is o'er
Mat wonck kunna-monee! We see her no more!
So sang the Children of the Leaves beside
The broad, dark river's coldly flowing tide;
Now low, now harsh, with sob-like pause and swell,
On the high wind their voices rose and fell.
Nature's wild music,—sounds of wind-swept trees,
The scream of birds, the wailing of the breeze,
The roar of waters, steady, deep, and strong,—
Mingled and murmured in that farewell song.
We had been wandering for many days
Through the rough northern country. We had seen
The sunset, with its bars of purple cloud,
Like a new heaven, shine upward from the lake
Of Winnepiseogee; and had felt
The sunrise breezes, midst the leafy isles
Which stoop their summer beauty to the lips
Of the bright waters. We had checked our steeds,
Silent with wonder, where the mountain wall
Is piled to heaven; and, through the narrow rift
Of the vast rocks, against whose rugged feet
Beats the mad torrent with perpetual roar,
Where noonday is as twilight, and the wind
Comes burdened with the everlasting moan
Of forests and of far-off waterfalls,
We had looked upward where the summer sky,
Tasselled with clouds light-woven by the sun,
Sprung its blue arch above the abutting crags
O'er-roofing the vast portal of the land
Beyond the wall of mountains. We had passed
The high source of the Saco; and bewildered
In the dwarf spruce-belts of the Crystal Hills,
Had heard above us, like a voice in the cloud,
The horn of Fabyan sounding; and atop
Of old Agioochook had seen the mountains'
Piled to the northward, shagged with wood, and thick
As meadow mole-hills,—the far sea of Casco,
A white gleam on the horizon of the east;
Fair lakes, embosomed in the woods and hills;
Moosehillock's mountain range, and Kearsarge
Lifting his granite forehead to the sun!
And we had rested underneath the oaks
Shadowing the bank, whose grassy spires are shaken
By the perpetual beating of the falls
Of the wild Ammonoosuc. We had tracked
The winding Pemigewasset, overhung
By beechen shadows, whitening down its rocks,
Or lazily gliding through its intervals,
From waving rye-fields sending up the gleam
Of sunlit waters. We had seen the moon
Rising behind Umbagog's eastern pines,
Like a great Indian camp-fire; and its beams
At midnight spanning with a bridge of silver
The Merrimac by Uncanoonuc's falls.
There were five souls of us whom travel's chance
Had thrown together in these wild north hills
A city lawyer, for a month escaping
From his dull office, where the weary eye
Saw only hot brick walls and close thronged streets;
Briefless as yet, but with an eye to see
Life's sunniest side, and with a heart to take
Its chances all as godsends; and his brother,
Pale from long pulpit studies, yet retaining
The warmth and freshness of a genial heart,
Whose mirror of the beautiful and true,
In Man and Nature, was as yet undimmed
By dust of theologic strife, or breath
Of sect, or cobwebs of scholastic lore;
Like a clear crystal calm of water, taking
The hue and image of o'erleaning flowers,
Sweet human faces, white clouds of the noon,
Slant starlight glimpses through the dewy leaves,
And tenderest moonrise. 'Twas, in truth, a study,
To mark his spirit, alternating between
A decent and professional gravity
And an irreverent mirthfulness, which often
Laughed in the face of his divinity,
Plucked off the sacred ephod, quite unshrined
The oracle, and for the pattern priest
Left us the man. A shrewd, sagacious merchant,
To whom the soiled sheet found in Crawford's inn,
Giving the latest news of city stocks
And sales of cotton, had a deeper meaning
Than the great presence of the awful mountains
Glorified by the sunset; and his daughter,
A delicate flower on whom had blown too long
Those evil winds, which, sweeping from the ice
And winnowing the fogs of Labrador,
Shed their cold blight round Massachusetts Bay,
With the same breath which stirs Spring's opening leaves
And lifts her half-formed flower-bell on its stem,
Poisoning our seaside atmosphere.
It chanced that as we turned upon our homeward way,
A drear northeastern storm came howling up
The valley of the Saco; and that girl
Who had stood with us upon Mount Washington,
Her brown locks ruffled by the wind which whirled
In gusts around its sharp, cold pinnacle,
Who had joined our gay trout-fishing in the streams
Which lave that giant's feet; whose laugh was heard
Like a bird's carol on the sunrise breeze
Which swelled our sail amidst the lake's green islands,
Shrank from its harsh, chill breath, and visibly drooped
Like a flower in the frost. So, in that quiet inn
Which looks from Conway on the mountains piled
Heavily against the horizon of the north,
Like summer thunder-clouds, we made our home
And while the mist hung over dripping hills,
And the cold wind-driven rain-drops all day long
Beat their sad music upon roof and pane,
We strove to cheer our gentle invalid.
The lawyer in the pauses of the storm
Went angling down the Saco, and, returning,
Recounted his adventures and mishaps;
Gave us the history of his scaly clients,
Mingling with ludicrous yet apt citations
Of barbarous law Latin, passages
From Izaak Walton's Angler, sweet and fresh
As the flower-skirted streams of Staffordshire,
Where, under aged trees, the southwest wind
Of soft June mornings fanned the thin, white hair
Of the sage fisher. And, if truth be told,
Our youthful candidate forsook his sermons,
His commentaries, articles and creeds,
For the fair page of human loveliness,
The missal of young hearts, whose sacred text
Is music, its illumining, sweet smiles.
He sang the songs she loved; and in his low,
Deep, earnest voice, recited many a page
Of poetry, the holiest, tenderest lines
Of the sad bard of Olney, the sweet songs,
Simple and beautiful as Truth and Nature,
Of him whose whitened locks on Rydal Mount
Are lifted yet by morning breezes blowing
From the green hills, immortal in his lays.
And for myself, obedient to her wish,
I searched our landlord's proffered library,—
A well-thumbed Bunyan, with its nice wood pictures
Of scaly fiends and angels not unlike them;
Watts' unmelodious psalms; Astrology's
Last home, a musty pile of almanacs,
And an old chronicle of border wars
And Indian history. And, as I read
A story of the marriage of the Chief
Of Saugus to the dusky Weetamoo,
Daughter of Passaconaway, who dwelt
In the old time upon the Merrimac,
Our fair one, in the playful exercise
Of her prerogative,—the right divine
Of youth and beauty,—bade us versify
The legend, and with ready pencil sketched
Its plan and outlines, laughingly assigning
To each his part, and barring our excuses
With absolute will. So, like the cavaliers
Whose voices still are heard in the Romance
Of silver-tongued Boccaccio, on the banks
Of Arno, with soft tales of love beguiling
The ear of languid beauty, plague-exiled
From stately Florence, we rehearsed our rhymes
To their fair auditor, and shared by turns
Her kind approval and her playful censure.
It may be that these fragments owe alone
To the fair setting of their circumstances,—
The associations of time, scene, and audience,—
Their place amid the pictures which fill up
The chambers of my memory. Yet I trust
That some, who sigh, while wandering in thought,
Pilgrims of Romance o'er the olden world,
That our broad land,—our sea-like lakes and mountains
Piled to the clouds, our rivers overhung
By forests which have known no other change
For ages than the budding and the fall
Of leaves, our valleys lovelier than those
Which the old poets sang of,—should but figure
On the apocryphal chart of speculation
As pastures, wood-lots, mill-sites, with the privileges,
Rights, and appurtenances, which make up
A Yankee Paradise, unsung, unknown,
To beautiful tradition; even their names,
Whose melody yet lingers like the last
Vibration of the red man's requiem,
Exchanged for syllables significant,
Of cotton-mill and rail-car, will look kindly
Upon this effort to call up the ghost
Of our dim Past, and listen with pleased ear
To the responses of the questioned Shade.
I. THE MERRIMAC
O child of that white-crested mountain whose springs
Gush forth in the shade of the cliff-eagle's wings,
Down whose slopes to the lowlands thy wild waters shine,
Leaping gray walls of rock, flashing through the dwarf pine;
From that cloud-curtained cradle so cold and so lone,
From the arms of that wintry-locked mother of stone,
By hills hung with forests, through vales wide and free,
Thy mountain-born brightness glanced down to the sea.
No bridge arched thy waters save that where the trees
Stretched their long arms above thee and kissed in the breeze:
No sound save the lapse of the waves on thy shores,
The plunging of otters, the light dip of oars.
Green-tufted, oak-shaded, by Amoskeag's fall
Thy twin Uncanoonucs rose stately and tall,
Thy Nashua meadows lay green and unshorn,
And the hills of Pentucket were tasselled with corn.
But thy Pennacook valley was fairer than these,
And greener its grasses and taller its trees,
Ere the sound of an axe in the forest had rung,
Or the mower his scythe in the meadows had swung.
In their sheltered repose looking out from the wood
The bark-builded wigwams of Pennacook stood;
There glided the corn-dance, the council-fire shone,
And against the red war-post the hatchet was thrown.
There the old smoked in silence their pipes, and the young
To the pike and the white-perch their baited lines flung;
There the boy shaped his arrows, and there the shy maid
Wove her many-hued baskets and bright wampum braid.
O Stream of the Mountains! if answer of thine
Could rise from thy waters to question of mine,
Methinks through the din of thy thronged banks a moan
Of sorrow would swell for the days which have gone.
Not for thee the dull jar of the loom and the wheel,
The gliding of shuttles, the ringing of steel;
But that old voice of waters, of bird and of breeze,
The dip of the wild-fowl, the rustling of trees.
II. THE BASHABA
Lift we the twilight curtains of the Past,
And, turning from familiar sight and sound,
Sadly and full of reverence let us cast
A glance upon Tradition's shadowy ground,
Led by the few pale lights which, glimmering round
That dim, strange land of Eld, seem dying fast;
And that which history gives not to the eye,
The faded coloring of Time's tapestry,
Let Fancy, with her dream-dipped brush, supply.
Roof of bark and walls of pine,
Through whose chinks the sunbeams shine,
Tracing many a golden line
On the ample floor within;
Where, upon that earth-floor stark,
Lay the gaudy mats of bark,
With the bear's hide, rough and dark,
And the red-deer's skin.
Window-tracery, small and slight,
Woven of the willow white,
Lent a dimly checkered light;
And the night-stars glimmered down,
Where the lodge-fire's heavy smoke,
Slowly through an opening broke,
In the low roof, ribbed with oak,
Sheathed with hemlock brown.
Gloomed behind the changeless shade
By the solemn pine-wood made;
Through the rugged palisade,
In the open foreground planted,
Glimpses came of rowers rowing,
Stir of leaves and wild-flowers blowing,
Steel-like gleams of water flowing,
In the sunlight slanted.
Here the mighty Bashaba
Held his long-unquestioned sway,
From the White Hills, far away,
To the great sea's sounding shore;
Chief of chiefs, his regal word
All the river Sachems heard,
At his call the war-dance stirred,
Or was still once more.
There his spoils of chase and war,
Jaw of wolf and black bear's paw,
Panther's skin and eagle's claw,
Lay beside his axe and bow;
And, adown the roof-pole hung,
Loosely on a snake-skin strung,
In the smoke his scalp-locks swung
Grimly to and fro.
Nightly down the river going,
Swifter was the hunter's rowing,
When he saw that lodge-fire, glowing
O'er the waters still and red;
And the squaw's dark eye burned brighter,
And she drew her blanket tighter,
As, with quicker step and lighter,
From that door she fled.
For that chief had magic skill,
And a Panisee's dark will,
Over powers of good and ill,
Powers which bless and powers which ban;
Wizard lord of Pennacook,
Chiefs upon their war-path shook,
When they met the steady look
Of that wise dark man.
Tales of him the gray squaw told,
When the winter night-wind cold
Pierced her blanket's thickest fold,
And her fire burned low and small,
Till the very child abed,
Drew its bear-skin over bead,
Shrinking from the pale lights shed
On the trembling wall.
All the subtle spirits hiding
Under earth or wave, abiding
In the caverned rock, or riding
Misty clouds or morning breeze;
Every dark intelligence,
Secret soul, and influence
Of all things which outward sense
Feels, or bears, or sees,—
These the wizard's skill confessed,
At his bidding banned or blessed,
Stormful woke or lulled to rest
Wind and cloud, and fire and flood;
Burned for him the drifted snow,
Bade through ice fresh lilies blow,
And the leaves of summer grow
Over winter's wood!
Not untrue that tale of old!
Now, as then, the wise and bold
All the powers of Nature hold
Subject to their kingly will;
From the wondering crowds ashore,
Treading life's wild waters o'er,
As upon a marble floor,
Moves the strong man still.
Still, to such, life's elements
With their sterner laws dispense,
And the chain of consequence
Broken in their pathway lies;
Time and change their vassals making,
Flowers from icy pillows waking,
Tresses of the sunrise shaking
Over midnight skies.
Still, to th' earnest soul, the sun
Rests on towered Gibeon,
And the moon of Ajalon
Lights the battle-grounds of life;
To his aid the strong reverses
Hidden powers and giant forces,
And the high stars, in their courses,
Mingle in his strife!
III. THE DAUGHTER
The soot-black brows of men, the yell
Of women thronging round the bed,
The tinkling charm of ring and shell,
The Powah whispering o'er the dead!
All these the Sachem's home had known,
When, on her journey long and wild
To the dim World of Souls, alone,
In her young beauty passed the mother of his child.
Three bow-shots from the Sachem's dwelling
They laid her in the walnut shade,
Where a green hillock gently swelling
Her fitting mound of burial made.
There trailed the vine in summer hours,
The tree-perched squirrel dropped his shell,—
On velvet moss and pale-hued flowers,
Woven with leaf and spray, the softened sunshine fell!
The Indian's heart is hard and cold,
It closes darkly o'er its care,
And formed in Nature's sternest mould,
Is slow to feel, and strong to bear.
The war-paint on the Sachem's face,
Unwet with tears, shone fierce and red,
And still, in battle or in chase,
Dry leaf and snow-rime crisped beneath his foremost tread.
Yet when her name was heard no more,
And when the robe her mother gave,
And small, light moccasin she wore,
Had slowly wasted on her grave,
Unmarked of him the dark maids sped
Their sunset dance and moonlit play;
No other shared his lonely bed,
No other fair young head upon his bosom lay.
A lone, stern man. Yet, as sometimes
The tempest-smitten tree receives
From one small root the sap which climbs
Its topmost spray and crowning leaves,
So from his child the Sachem drew
A life of Love and Hope, and felt
His cold and rugged nature through
The softness and the warmth of her young being melt.
A laugh which in the woodland rang
Bemocking April's gladdest bird,—
A light and graceful form which sprang
To meet him when his step was heard,—
Eyes by his lodge-fire flashing dark,
Small fingers stringing bead and shell
Or weaving mats of bright-hued bark,—
With these the household-god had graced his wigwam well.
Child of the forest! strong and free,
Slight-robed, with loosely flowing hair,
She swam the lake or climbed the tree,
Or struck the flying bird in air.
O'er the heaped drifts of winter's moon
Her snow-shoes tracked the hunter's way;
And dazzling in the summer noon
The blade of her light oar threw off its shower of spray!
Unknown to her the rigid rule,
The dull restraint, the chiding frown,
The weary torture of the school,
The taming of wild nature down.
Her only lore, the legends told
Around the hunter's fire at night;
Stars rose and set, and seasons rolled,
Flowers bloomed and snow-flakes fell, unquestioned in her sight.
Unknown to her the subtle skill
With which the artist-eye can trace
In rock and tree and lake and hill
The outlines of divinest grace;
Unknown the fine soul's keen unrest,
Which sees, admires, yet yearns alway;
Too closely on her mother's breast
To note her smiles of love the child of Nature lay!
It is enough for such to be
Of common, natural things a part,
To feel, with bird and stream and tree,
The pulses of the same great heart;
But we, from Nature long exiled,
In our cold homes of Art and Thought
Grieve like the stranger-tended child,
Which seeks its mother's arms, and sees but feels them not.
The garden rose may richly bloom
In cultured soil and genial air,
To cloud the light of Fashion's room
Or droop in Beauty's midnight hair;
In lonelier grace, to sun and dew
The sweetbrier on the hillside shows
Its single leaf and fainter hue,
Untrained and wildly free, yet still a sister rose!
Thus o'er the heart of Weetamoo
Their mingling shades of joy and ill
The instincts of her nature threw;
The savage was a woman still.
Midst outlines dim of maiden schemes,
Heart-colored prophecies of life,
Rose on the ground of her young dreams
The light of a new home, the lover and the wife.
IV. THE WEDDING
Cool and dark fell the autumn night,
But the Bashaba's wigwam glowed with light,
For down from its roof, by green withes hung,
Flaring and smoking the pine-knots swung.
And along the river great wood-fires
Shot into the night their long, red spires,
Showing behind the tall, dark wood,
Flashing before on the sweeping flood.
In the changeful wind, with shimmer and shade,
Now high, now low, that firelight played,
On tree-leaves wet with evening dews,
On gliding water and still canoes.
The trapper that night on Turee's brook,
And the weary fisher on Contoocook,
Saw over the marshes, and through the pine,
And down on the river, the dance-lights shine.
For the Saugus Sachem had come to woo
The Bashaba's daughter Weetamoo,
And laid at her father's feet that night
His softest furs and wampum white.
From the Crystal Hills to the far southeast
The river Sagamores came to the feast;
And chiefs whose homes the sea-winds shook
Sat down on the mats of Pennacook.
They came from Sunapee's shore of rock,
From the snowy sources of Snooganock,
And from rough Coos whose thick woods shake
Their pine-cones in Umbagog Lake.
From Ammonoosuc's mountain pass,
Wild as his home, came Chepewass;
And the Keenomps of the bills which throw
Their shade on the Smile of Manito.
With pipes of peace and bows unstrung,
Glowing with paint came old and young,
In wampum and furs and feathers arrayed,
To the dance and feast the Bashaba made.
Bird of the air and beast of the field,
All which the woods and the waters yield,
On dishes of birch and hemlock piled,
Garnished and graced that banquet wild.
Steaks of the brown bear fat and large
From the rocky slopes of the Kearsarge;
Delicate trout from Babboosuck brook,
And salmon speared in the Contoocook;
Squirrels which fed where nuts fell thick
in the gravelly bed of the Otternic;
And small wild-hens in reed-snares caught
from the banks of Sondagardee brought;
Pike and perch from the Suncook taken,
Nuts from the trees of the Black Hills shaken,
Cranberries picked in the Squamscot bog,
And grapes from the vines of Piscataquog:
And, drawn from that great stone vase which stands
In the river scooped by a spirit's hands,
Garnished with spoons of shell and horn,
Stood the birchen dishes of smoking corn.
Thus bird of the air and beast of the field,
All which the woods and the waters yield,
Furnished in that olden day
The bridal feast of the Bashaba.
And merrily when that feast was done
On the fire-lit green the dance begun,
With squaws' shrill stave, and deeper hum
Of old men beating the Indian drum.
Painted and plumed, with scalp-locks flowing,
And red arms tossing and black eyes glowing,
Now in the light and now in the shade
Around the fires the dancers played.
The step was quicker, the song more shrill,
And the beat of the small drums louder still
Whenever within the circle drew
The Saugus Sachem and Weetamoo.
The moons of forty winters had shed
Their snow upon that chieftain's head,
And toil and care and battle's chance
Had seamed his hard, dark countenance.
A fawn beside the bison grim,—
Why turns the bride's fond eye on him,
In whose cold look is naught beside
The triumph of a sullen pride?
Ask why the graceful grape entwines
The rough oak with her arm of vines;
And why the gray rock's rugged cheek
The soft lips of the mosses seek.
Why, with wise instinct, Nature seems
To harmonize her wide extremes,
Linking the stronger with the weak,
The haughty with the soft and meek!
V. THE NEW HOME
A wild and broken landscape, spiked with firs,
Roughening the bleak horizon's northern edge;
Steep, cavernous hillsides, where black hemlock spurs
And sharp, gray splinters of the wind-swept ledge
Pierced the thin-glazed ice, or bristling rose,
Where the cold rim of the sky sunk down upon the snows.
And eastward cold, wide marshes stretched away,
Dull, dreary flats without a bush or tree,
O'er-crossed by icy creeks, where twice a day
Gurgled the waters of the moon-struck sea;
And faint with distance came the stifled roar,
The melancholy lapse of waves on that low shore.
No cheerful village with its mingling smokes,
No laugh of children wrestling in the snow,
No camp-fire blazing through the hillside oaks,
No fishers kneeling on the ice below;
Yet midst all desolate things of sound and view,
Through the long winter moons smiled dark-eyed Weetamoo.
Her heart had found a home; and freshly all
Its beautiful affections overgrew
Their rugged prop. As o'er some granite wall
Soft vine-leaves open to the moistening dew
And warm bright sun, the love of that young wife
Found on a hard cold breast the dew and warmth of life.
The steep, bleak hills, the melancholy shore,
The long, dead level of the marsh between,
A coloring of unreal beauty wore
Through the soft golden mist of young love seen.
For o'er those hills and from that dreary plain,
Nightly she welcomed home her hunter chief again.
No warmth of heart, no passionate burst of feeling,
Repaid her welcoming smile and parting kiss,
No fond and playful dalliance half concealing,
Under the guise of mirth, its tenderness;
But, in their stead, the warrior's settled pride,
And vanity's pleased smile with homage satisfied.
Enough for Weetamoo, that she alone
Sat on his mat and slumbered at his side;
That he whose fame to her young ear had flown
Now looked upon her proudly as his bride;
That he whose name the Mohawk trembling heard
Vouchsafed to her at times a kindly look or word.
For she had learned the maxims of her race,
Which teach the woman to become a slave,
And feel herself the pardonless disgrace
Of love's fond weakness in the wise and brave,—
The scandal and the shame which they incur,
Who give to woman all which man requires of her.
So passed the winter moons. The sun at last
Broke link by link the frost chain of the rills,
And the warm breathings of the southwest passed
Over the hoar rime of the Saugus hills;
The gray and desolate marsh grew green once more,
And the birch-tree's tremulous shade fell round the Sachem's door.
Then from far Pennacook swift runners came,
With gift and greeting for the Saugus chief;
Beseeching him in the great Sachem's name,
That, with the coming of the flower and leaf,
The song of birds, the warm breeze and the rain,
Young Weetamoo might greet her lonely sire again.
And Winnepurkit called his chiefs together,
And a grave council in his wigwam met,
Solemn and brief in words, considering whether
The rigid rules of forest etiquette
Permitted Weetamoo once more to look
Upon her father's face and green-banked Pennacook.
With interludes of pipe-smoke and strong water,
The forest sages pondered, and at length,
Concluded in a body to escort her
Up to her father's home of pride and strength,
Impressing thus on Pennacook a sense
Of Winnepurkit's power and regal consequence.
So through old woods which Aukeetamit's hand,
A soft and many-shaded greenness lent,
Over high breezy hills, and meadow land
Yellow with flowers, the wild procession went,
Till, rolling down its wooded banks between,
A broad, clear, mountain stream, the Merrimac was seen.
The hunter leaning on his bow undrawn,
The fisher lounging on the pebbled shores,
Squaws in the clearing dropping the seed-corn,
Young children peering through the wigwam doors,
Saw with delight, surrounded by her train
Of painted Saugus braves, their Weetamoo again.
VI. AT PENNACOOK
The hills are dearest which our childish feet
Have climbed the earliest; and the streams most sweet
Are ever those at which our young lips drank,
Stooped to their waters o'er the grassy bank.
Midst the cold dreary sea-watch, Home's hearth-light
Shines round the helmsman plunging through the night;
And still, with inward eye, the traveller sees
In close, dark, stranger streets his native trees.
The home-sick dreamer's brow is nightly fanned
By breezes whispering of his native land,
And on the stranger's dim and dying eye
The soft, sweet pictures of his childhood lie.
Joy then for Weetamoo, to sit once more
A child upon her father's wigwam floor!
Once more with her old fondness to beguile
From his cold eye the strange light of a smile.
The long, bright days of summer swiftly passed,
The dry leaves whirled in autumn's rising blast,
And evening cloud and whitening sunrise rime
Told of the coming of the winter-time.
But vainly looked, the while, young Weetamoo,
Down the dark river for her chief's canoe;
No dusky messenger from Saugus brought
The grateful tidings which the young wife sought.
At length a runner from her father sent,
To Winnepurkit's sea-cooled wigwam went
'Eagle of Saugus,—in the woods the dove
Mourns for the shelter of thy wings of love.'
But the dark chief of Saugus turned aside
In the grim anger of hard-hearted pride;
I bore her as became a chieftain's daughter,
Up to her home beside the gliding water.
If now no more a mat for her is found
Of all which line her father's wigwam round,
Let Pennacook call out his warrior train,
And send her back with wampum gifts again.'
The baffled runner turned upon his track,
Bearing the words of Winnepurkit back.
'Dog of the Marsh,' cried Pennacook, 'no more
Shall child of mine sit on his wigwam floor.
'Go, let him seek some meaner squaw to spread
The stolen bear-skin of his beggar's bed;
Son of a fish-hawk! let him dig his clams
For some vile daughter of the Agawams,
'Or coward Nipmucks! may his scalp dry black
In Mohawk smoke, before I send her back.'
He shook his clenched hand towards the ocean wave,
While hoarse assent his listening council gave.
Alas poor bride! can thy grim sire impart
His iron hardness to thy woman's heart?
Or cold self-torturing pride like his atone
For love denied and life's warm beauty flown?
On Autumn's gray and mournful grave the snow
Hung its white wreaths; with stifled voice and low
The river crept, by one vast bridge o'er-crossed,
Built by the boar-locked artisan of Frost.
And many a moon in beauty newly born
Pierced the red sunset with her silver horn,
Or, from the east, across her azure field
Rolled the wide brightness of her full-orbed shield.
Yet Winnepurkit came not,—on the mat
Of the scorned wife her dusky rival sat;
And he, the while, in Western woods afar,
Urged the long chase, or trod the path of war.
Dry up thy tears, young daughter of a chief!
Waste not on him the sacredness of grief;
Be the fierce spirit of thy sire thine own,
His lips of scorning, and his heart of stone.
What heeds the warrior of a hundred fights,
The storm-worn watcher through long hunting nights,
Cold, crafty, proud of woman's weak distress,
Her home-bound grief and pining loneliness?
VII. THE DEPARTURE
The wild March rains had fallen fast and long
The snowy mountains of the North among,
Making each vale a watercourse, each hill
Bright with the cascade of some new-made rill.
Gnawed by the sunbeams, softened by the rain,
Heaved underneath by the swollen current's strain,
The ice-bridge yielded, and the Merrimac
Bore the huge ruin crashing down its track.
On that strong turbid water, a small boat
Guided by one weak hand was seen to float;
Evil the fate which loosed it from the shore,
Too early voyager with too frail an oar!
Down the vexed centre of that rushing tide,
The thick huge ice-blocks threatening either side,
The foam-white rocks of Amoskeag in view,
With arrowy swiftness sped that light canoe.
The trapper, moistening his moose's meat
On the wet bank by Uncanoonuc's feet,
Saw the swift boat flash down the troubled stream;
Slept he, or waked he? was it truth or dream?
The straining eye bent fearfully before,
The small hand clenching on the useless oar,
The bead-wrought blanket trailing o'er the water—
He knew them all—woe for the Sachem's daughter!
Sick and aweary of her lonely life,
Heedless of peril, the still faithful wife
Had left her mother's grave, her father's door,
To seek the wigwam of her chief once more.
Down the white rapids like a sear leaf whirled,
On the sharp rocks and piled-up ices hurled,
Empty and broken, circled the canoe
In the vexed pool below—but where was Weetamoo.
VIII. SONG OF INDIAN WOMEN
The Dark eye has left us,
The Spring-bird has flown;
On the pathway of spirits
She wanders alone.
The song of the wood-dove has died on our shore
Mat wonck kunna-monee! We hear it no more!
O dark water Spirit
We cast on thy wave
These furs which may never
Hang over her grave;
Bear down to the lost one the robes that she wore
Mat wonck kunna-monee! We see her no more!
Of the strange land she walks in
No Powah has told:
It may burn with the sunshine,
Or freeze with the cold.
Let us give to our lost one the robes that she wore:
Mat wonck kunna-monee! We see her no more!
The path she is treading
Shall soon be our own;
Each gliding in shadow
Unseen and alone!
In vain shall we call on the souls gone before:
Mat wonck kunna-monee! They hear us no more!
O mighty Sowanna!
Thy gateways unfold,
From thy wigwam of sunset
Lift curtains of gold!
Take home the poor Spirit whose journey is o'er
Mat wonck kunna-monee! We see her no more!
So sang the Children of the Leaves beside
The broad, dark river's coldly flowing tide;
Now low, now harsh, with sob-like pause and swell,
On the high wind their voices rose and fell.
Nature's wild music,—sounds of wind-swept trees,
The scream of birds, the wailing of the breeze,
The roar of waters, steady, deep, and strong,—
Mingled and murmured in that farewell song.
248
John Greenleaf Whittier
The Birthday Wreath
The Birthday Wreath
Blossom and greenness, making all
The winter birthday tropical,
And the plain Quaker parlors gay,
Have gone from bracket, stand, and wall;
We saw them fade, and droop, and fall,
And laid them tenderly away.
White virgin lilies, mignonette,
Blown rose, and pink, and violet,
A breath of fragrance passing by;
Visions of beauty and decay,
Colors and shapes that could not stay,
The fairest, sweetest, first to die.
But still this rustic wreath of mine,
Of acorned oak and needled pine,
And lighter growths of forest lands,
Woven and wound with careful pains,
And tender thoughts, and prayers, remains,
As when it dropped from love's dear hands.
And not unfitly garlanded,
Is he, who, country-born and bred,
Welcomes the sylvan ring which gives
A feeling of old summer days,
The wild delight of woodland ways,
The glory of the autumn leaves.
And, if the flowery meed of song
To other bards may well belong,
Be his, who from the farm-field spoke
A word for Freedom when her need
Was not of dulcimer and reed.
This Isthmian wreath of pine and oak.
Blossom and greenness, making all
The winter birthday tropical,
And the plain Quaker parlors gay,
Have gone from bracket, stand, and wall;
We saw them fade, and droop, and fall,
And laid them tenderly away.
White virgin lilies, mignonette,
Blown rose, and pink, and violet,
A breath of fragrance passing by;
Visions of beauty and decay,
Colors and shapes that could not stay,
The fairest, sweetest, first to die.
But still this rustic wreath of mine,
Of acorned oak and needled pine,
And lighter growths of forest lands,
Woven and wound with careful pains,
And tender thoughts, and prayers, remains,
As when it dropped from love's dear hands.
And not unfitly garlanded,
Is he, who, country-born and bred,
Welcomes the sylvan ring which gives
A feeling of old summer days,
The wild delight of woodland ways,
The glory of the autumn leaves.
And, if the flowery meed of song
To other bards may well belong,
Be his, who from the farm-field spoke
A word for Freedom when her need
Was not of dulcimer and reed.
This Isthmian wreath of pine and oak.
256
John Greenleaf Whittier
The Branded Hand
The Branded Hand
WELCOME home again, brave seaman! with thy thoughtful brow and gray,
And the old heroic spirit of our earlier, better day;
With that front of calm endurance, on whose steady nerve in vain
Pressed the iron of the prison, smote the fiery shafts of pain!
Is the tyrant's brand upon thee? Did the brutal cravens aim
To make God's truth thy falsehood, His holiest work thy shame?
When, all blood-quenched, from the torture the iron was withdrawn,
How laughed their evil angel the baffled fools to scorn!
They change to wrong the duty which God hath written out
On the great heart of humanity, too legible for doubt!
They, the loathsome moral lepers, blotched from footsole up to crown,
Give to shame what God hath given unto honor and renown!
Why, that brand is highest honor! than its traces never yet
Upon old armorial hatchments was a prouder blazon set;
And thy unborn generations, as they tread our rocky strand,
Shall tell with pride the story of their father's branded hand!
As the Templar home was welcome, bearing back from Syrian wars
The scars of Arab lances and of Paynim scimitars,
The pallor of the prison, and the shackle's crimson span,
So we meet thee, so we greet thee, truest friend of God and man.
He suffered for the ransom of the dear Redeemer's grave,
Thou for His living presence in the bound and bleeding slave;
He for a soil no longer by the feet of angels trod,
Thou for the true Shechinah, the present home of God!
For, while the jurist, sitting with the slave-whip o'er him swung,
From the tortured truths of freedom the lie of slavery wrung,
And the solemn priest to Moloch, on each God-deserted shrine,
Broke the bondman's heart for bread, poured the bondman's blood for wine;
While the multitude in blindness to a far-off Saviour knelt
And spurned, the while, the temple where a present Saviour dwelt;
Thou beheld'st Him in the task-field, in the prison shadows dim,
And thy mercy to the bondman, it was mercy unto Him!
In thy lone and long night-watches, sky above and wave below,
Thou didst learn a higher wisdom than the babbling schoolmen know;
God's stars and silence taught thee, as His angels only can,
That the one sole sacred thing beneath the cope of heaven is Man!
That he who treads profanely on the scrolls of law and creed,
In the depth of God's great goodness may find mercy in his need;
But woe to him who crushes the soul with chain and rod,
And herds with lower natures the awful form of God!.
Then lift that manly right-hand, bold ploughman of the wave!
Its branded palm shall prophesy, 'Salvation to the Slave!'
Hold up its fire-wrought language, that whoso reads may feel
His heart swell strong within him, his sinews change to steel.
Hold it up before our sunshine, up against our Northern air;
Ho! men of Massachusetts, for the love of God, look there!
Take it henceforth for your standard, like the Bruce's heart of yore,
In the dark strife closing round ye, let that hand be seen before!
And the masters of the slave-land shall tremble at that sign,
When it points its finger Southward along the Puritan line
Can the craft of State avail them? Can a Christless church withstand,
In the van of Freedom's onset, the coming of that hand?
WELCOME home again, brave seaman! with thy thoughtful brow and gray,
And the old heroic spirit of our earlier, better day;
With that front of calm endurance, on whose steady nerve in vain
Pressed the iron of the prison, smote the fiery shafts of pain!
Is the tyrant's brand upon thee? Did the brutal cravens aim
To make God's truth thy falsehood, His holiest work thy shame?
When, all blood-quenched, from the torture the iron was withdrawn,
How laughed their evil angel the baffled fools to scorn!
They change to wrong the duty which God hath written out
On the great heart of humanity, too legible for doubt!
They, the loathsome moral lepers, blotched from footsole up to crown,
Give to shame what God hath given unto honor and renown!
Why, that brand is highest honor! than its traces never yet
Upon old armorial hatchments was a prouder blazon set;
And thy unborn generations, as they tread our rocky strand,
Shall tell with pride the story of their father's branded hand!
As the Templar home was welcome, bearing back from Syrian wars
The scars of Arab lances and of Paynim scimitars,
The pallor of the prison, and the shackle's crimson span,
So we meet thee, so we greet thee, truest friend of God and man.
He suffered for the ransom of the dear Redeemer's grave,
Thou for His living presence in the bound and bleeding slave;
He for a soil no longer by the feet of angels trod,
Thou for the true Shechinah, the present home of God!
For, while the jurist, sitting with the slave-whip o'er him swung,
From the tortured truths of freedom the lie of slavery wrung,
And the solemn priest to Moloch, on each God-deserted shrine,
Broke the bondman's heart for bread, poured the bondman's blood for wine;
While the multitude in blindness to a far-off Saviour knelt
And spurned, the while, the temple where a present Saviour dwelt;
Thou beheld'st Him in the task-field, in the prison shadows dim,
And thy mercy to the bondman, it was mercy unto Him!
In thy lone and long night-watches, sky above and wave below,
Thou didst learn a higher wisdom than the babbling schoolmen know;
God's stars and silence taught thee, as His angels only can,
That the one sole sacred thing beneath the cope of heaven is Man!
That he who treads profanely on the scrolls of law and creed,
In the depth of God's great goodness may find mercy in his need;
But woe to him who crushes the soul with chain and rod,
And herds with lower natures the awful form of God!.
Then lift that manly right-hand, bold ploughman of the wave!
Its branded palm shall prophesy, 'Salvation to the Slave!'
Hold up its fire-wrought language, that whoso reads may feel
His heart swell strong within him, his sinews change to steel.
Hold it up before our sunshine, up against our Northern air;
Ho! men of Massachusetts, for the love of God, look there!
Take it henceforth for your standard, like the Bruce's heart of yore,
In the dark strife closing round ye, let that hand be seen before!
And the masters of the slave-land shall tremble at that sign,
When it points its finger Southward along the Puritan line
Can the craft of State avail them? Can a Christless church withstand,
In the van of Freedom's onset, the coming of that hand?
192
John Greenleaf Whittier
The Battle Autumn of 1862
The Battle Autumn of 1862
The flags of war like storm birds fly,
The charging trumpets blow;
Yet rolls no thunder in the sky,
No earthquake strives below.
And, calm and patient, Nature keeps
Her ancient promises well,
Though o'er her bloom and greenness sweeps,
The battle's breath of hell.
And still she walks in golden hours,
Through harvest-happy farms,
And still she wears her fruits and flowers
Like jewels on her arms.
What means the gladness of the plain,
This joy of eve and morn,
The mirth that shakes the bread of grain
And yellow locks of corn?
Ah! eyes may well be full of tears,
And hearts with hate are hot;
But even-paced come round the years,
And nature changes not.
She meets with smiles our bitter grief,
With songs our groans of pain;
She mocks with tints of flowers and leaf,
The war-field's crimson stain.
Still, in the cannon's pause, we hear
Her sweet thanksgiving psalm;
Too near to God for doubt or fear,
She shares the eternal calm.
She knows the seed lies safe below
The fires that blast and burn;
For all the tears of blood we sow
She waits the rich return.
She sees with clearer eye than ours
The good of suffering born,
The hearts that blossom like her flowers
And ripen like her corn.
Oh, give to us, in times like these,
The vision of her eyes;
And make her fields and fruited trees
Our golden prophecies.
Oh, give to us her finer ear;
Above this stormy din,
We, too, would hear the bells of cheer
Ring peace and freedom in.
The flags of war like storm birds fly,
The charging trumpets blow;
Yet rolls no thunder in the sky,
No earthquake strives below.
And, calm and patient, Nature keeps
Her ancient promises well,
Though o'er her bloom and greenness sweeps,
The battle's breath of hell.
And still she walks in golden hours,
Through harvest-happy farms,
And still she wears her fruits and flowers
Like jewels on her arms.
What means the gladness of the plain,
This joy of eve and morn,
The mirth that shakes the bread of grain
And yellow locks of corn?
Ah! eyes may well be full of tears,
And hearts with hate are hot;
But even-paced come round the years,
And nature changes not.
She meets with smiles our bitter grief,
With songs our groans of pain;
She mocks with tints of flowers and leaf,
The war-field's crimson stain.
Still, in the cannon's pause, we hear
Her sweet thanksgiving psalm;
Too near to God for doubt or fear,
She shares the eternal calm.
She knows the seed lies safe below
The fires that blast and burn;
For all the tears of blood we sow
She waits the rich return.
She sees with clearer eye than ours
The good of suffering born,
The hearts that blossom like her flowers
And ripen like her corn.
Oh, give to us, in times like these,
The vision of her eyes;
And make her fields and fruited trees
Our golden prophecies.
Oh, give to us her finer ear;
Above this stormy din,
We, too, would hear the bells of cheer
Ring peace and freedom in.
299
John Greenleaf Whittier
The Barefoot Boy
The Barefoot Boy
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, I
was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, Outward
sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, Blessings
on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, I
was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, Outward
sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, Blessings
on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
305
John Greenleaf Whittier
The Angels of Buena Vista
The Angels of Buena Vista
Speak and tell us, our Ximena, looking northward far away,
O'er the camp of the invaders, o'er the Mexican array,
Who is losing? who is winning? are they far or come they near?
Look abroad, and tell us, sister, whither rolls the storm we hear.
Down the hills of Angostura still the storm of battle rolls;
Blood is flowing, men are dying; God have mercy on their souls!
'Who is losing? who is winning?' Over hill and over plain,
I see but smoke of cannon clouding through the mountain rain.'
Holy Mother! keep our brothers! Look, Ximena, look once more.
'Still I see the fearful whirlwind rolling darkly as before,
Bearing on, in strange confusion, friend and foeman, foot and horse,
Like some wild and troubled torrent sweeping down its mountain course.'
Look forth once more, Ximena! 'Ah! the smoke has rolled away;
And I see the Northern rifles gleaming down the ranks of gray.
Hark! that sudden blast of bugles! there the troop of Minon wheels;
There the Northern horses thunder, with the cannon at their heels.
'Jesu, pity I how it thickens I now retreat and now advance!
Bight against the blazing cannon shivers Puebla's charging lance!
Down they go, the brave young riders; horse and foot together fall;
Like a ploughshare in the fallow, through them ploughs the Northern ball.'
Nearer came the storm and nearer, rolling fast and frightful on!
Speak, Ximena, speak and tell us, who has lost, and who has won?
Alas! alas! I know not; friend and foe together fall,
O'er the dying rush the living: pray, my sisters, for them all!
'Lo! the wind the smoke is lifting. Blessed Mother, save my brain!
I can see the wounded crawling slowly out from heaps of slain.
Now they stagger, blind and bleeding; now they fall, and strive to rise;
Hasten, sisters, haste and save them, lest they die before our eyes!
'O my hearts love! O my dear one! lay thy poor head on my knee;
Dost thou know the lips that kiss thee? Canst thou hear me? canst thou see?
O my husband, brave and gentle! O my Bernal, look once more
On the blessed cross before thee! Mercy! all is o'er!'
Dry thy tears, my poor Ximena; lay thy dear one down to rest;
Let his hands be meekly folded, lay the cross upon his breast;
Let his dirge be sung hereafter, and his funeral masses said;
To-day, thou poor bereaved one, the living ask thy aid.
Close beside her, faintly moaning, fair and young, a soldier lay,
Torn with shot and pierced with lances, bleeding slow his life away;
But, as tenderly before him the lorn Ximena knelt,
She saw the Northern eagle shining on his pistol-belt.
With a stifled cry of horror straight she turned away her head;
With a sad and bitter feeling looked she back upon her dead;
But she heard the youth's low moaning, and his struggling breath of pain,
And she raised the cooling water to his parching lips again.
Whispered low the dying soldier, pressed her hand and faintly smiled;
Was that pitying face his mother's? did she watch beside her child?
All his stranger words with meaning her woman's heart supplied;
With her kiss upon his forehead, 'Mother!' murmured he, and died!
'A bitter curse upon them, poor boy, who led thee forth,
From some gentle, sad-eyed mother, weeping, lonely, in the North!'
Spake the mournful Mexic woman, as she laid him with her dead,
And turned to soothe the living, and bind the wounds which bled.
'Look forth once more, Ximena!' Like a cloud before the wind
Rolls the battle down the mountains, leaving blood and death behind;
Ah! they plead in vain for mercy; in the dust the wounded strive;
'Hide your faces, holy angels! O thou Christ of God, forgive!'
Sink, O Night, among thy mountains! let the cool, gray shadows fall;
Dying brothers, fighting demons, drop thy curtain over all!
Through the thickening winter twilight, wide apart the battle rolled,
In its sheath the sabre rested, and the cannon's lips grew cold.
But the noble Mexic women still their holy task pursued,
Through that long, dark night of sorrow, worn and faint and lacking food.
Over weak and suffering brothers, with a tender care they hung,
And the dying foeman blessed them in a strange and Northern tongue.
Not wholly lost, O Father! is this evil world of ours;
Upward, through its blood and ashes, spring afresh the Eden flowers;
From its smoking hell of battle, Love and Pity send their prayer,
And still thy white-winged angels hover dimly in our air!
Speak and tell us, our Ximena, looking northward far away,
O'er the camp of the invaders, o'er the Mexican array,
Who is losing? who is winning? are they far or come they near?
Look abroad, and tell us, sister, whither rolls the storm we hear.
Down the hills of Angostura still the storm of battle rolls;
Blood is flowing, men are dying; God have mercy on their souls!
'Who is losing? who is winning?' Over hill and over plain,
I see but smoke of cannon clouding through the mountain rain.'
Holy Mother! keep our brothers! Look, Ximena, look once more.
'Still I see the fearful whirlwind rolling darkly as before,
Bearing on, in strange confusion, friend and foeman, foot and horse,
Like some wild and troubled torrent sweeping down its mountain course.'
Look forth once more, Ximena! 'Ah! the smoke has rolled away;
And I see the Northern rifles gleaming down the ranks of gray.
Hark! that sudden blast of bugles! there the troop of Minon wheels;
There the Northern horses thunder, with the cannon at their heels.
'Jesu, pity I how it thickens I now retreat and now advance!
Bight against the blazing cannon shivers Puebla's charging lance!
Down they go, the brave young riders; horse and foot together fall;
Like a ploughshare in the fallow, through them ploughs the Northern ball.'
Nearer came the storm and nearer, rolling fast and frightful on!
Speak, Ximena, speak and tell us, who has lost, and who has won?
Alas! alas! I know not; friend and foe together fall,
O'er the dying rush the living: pray, my sisters, for them all!
'Lo! the wind the smoke is lifting. Blessed Mother, save my brain!
I can see the wounded crawling slowly out from heaps of slain.
Now they stagger, blind and bleeding; now they fall, and strive to rise;
Hasten, sisters, haste and save them, lest they die before our eyes!
'O my hearts love! O my dear one! lay thy poor head on my knee;
Dost thou know the lips that kiss thee? Canst thou hear me? canst thou see?
O my husband, brave and gentle! O my Bernal, look once more
On the blessed cross before thee! Mercy! all is o'er!'
Dry thy tears, my poor Ximena; lay thy dear one down to rest;
Let his hands be meekly folded, lay the cross upon his breast;
Let his dirge be sung hereafter, and his funeral masses said;
To-day, thou poor bereaved one, the living ask thy aid.
Close beside her, faintly moaning, fair and young, a soldier lay,
Torn with shot and pierced with lances, bleeding slow his life away;
But, as tenderly before him the lorn Ximena knelt,
She saw the Northern eagle shining on his pistol-belt.
With a stifled cry of horror straight she turned away her head;
With a sad and bitter feeling looked she back upon her dead;
But she heard the youth's low moaning, and his struggling breath of pain,
And she raised the cooling water to his parching lips again.
Whispered low the dying soldier, pressed her hand and faintly smiled;
Was that pitying face his mother's? did she watch beside her child?
All his stranger words with meaning her woman's heart supplied;
With her kiss upon his forehead, 'Mother!' murmured he, and died!
'A bitter curse upon them, poor boy, who led thee forth,
From some gentle, sad-eyed mother, weeping, lonely, in the North!'
Spake the mournful Mexic woman, as she laid him with her dead,
And turned to soothe the living, and bind the wounds which bled.
'Look forth once more, Ximena!' Like a cloud before the wind
Rolls the battle down the mountains, leaving blood and death behind;
Ah! they plead in vain for mercy; in the dust the wounded strive;
'Hide your faces, holy angels! O thou Christ of God, forgive!'
Sink, O Night, among thy mountains! let the cool, gray shadows fall;
Dying brothers, fighting demons, drop thy curtain over all!
Through the thickening winter twilight, wide apart the battle rolled,
In its sheath the sabre rested, and the cannon's lips grew cold.
But the noble Mexic women still their holy task pursued,
Through that long, dark night of sorrow, worn and faint and lacking food.
Over weak and suffering brothers, with a tender care they hung,
And the dying foeman blessed them in a strange and Northern tongue.
Not wholly lost, O Father! is this evil world of ours;
Upward, through its blood and ashes, spring afresh the Eden flowers;
From its smoking hell of battle, Love and Pity send their prayer,
And still thy white-winged angels hover dimly in our air!
357
John Greenleaf Whittier
The
The
Weary of jangling noises never stilled,
The skeptic's sneer, the bigot's hate, the din
Of clashing texts, the webs of creed men spin
Round simple truth, the children grown who build
With gilded cards their new Jerusalem,
Busy, with sacerdotal tailorings
And tinsel gauds, bedizening holy things,
I turn, with glad and grateful heart, from them
To the sweet story of the Florentine
Immortal in her blameless maidenhood,
Beautiful as God's angels and as good;
Feeling that life, even now, may be divine
With love no wrong can ever change to hate,
No sin make less than all-compassionate!
Weary of jangling noises never stilled,
The skeptic's sneer, the bigot's hate, the din
Of clashing texts, the webs of creed men spin
Round simple truth, the children grown who build
With gilded cards their new Jerusalem,
Busy, with sacerdotal tailorings
And tinsel gauds, bedizening holy things,
I turn, with glad and grateful heart, from them
To the sweet story of the Florentine
Immortal in her blameless maidenhood,
Beautiful as God's angels and as good;
Feeling that life, even now, may be divine
With love no wrong can ever change to hate,
No sin make less than all-compassionate!
219
John Greenleaf Whittier
Tauler
Tauler
Tauler, the preacher, walked, one autumn day,
Without the walls of Strasburg, by the Rhine,
Pondering the solemn Miracle of Life;
As one who, wandering in a starless night,
Feels momently the jar of unseen waves,
And hears the thunder of an unknown sea,
Breaking along an unimagined shore.
And as he walked he prayed. Even the same
Old prayer with which, for half a score of years,
Morning, and noon, and evening, lip and heart
Had groaned: 'Have pity upon me, Lord!
Thou seest, while teaching others, I am blind.
Send me a man who can direct my steps!'
Then, as he mused, he heard along his path
A sound as of an old man's staff among
The dry, dead linden-leaves; and, looking up,
He saw a stranger, weak, and poor, and old.
'Peace be unto thee, father!' Tauler said,
'God give thee a good day!' The old man raised
Slowly his calm blue eyes. 'I thank thee, son;
But all my days are good, and none are ill.'
Wondering thereat, the preacher spake again,
'God give thee happy life.' The old man smiled,
'I never am unhappy.'
Tauler laid
His hand upon the stranger's coarse gray sleeve
'Tell me, O father, what thy strange words mean.
Surely man's days are evil, and his life
Sad as the grave it leads to.' 'Nay, my son,
Our times are in God's hands, and all our days
Are as our needs; for shadow as for sun,
For cold as heat, for want as wealth, alike
Our thanks are due, since that is best which is;
And that which is not, sharing not His life,
Is evil only as devoid of good.
And for the happiness of which I spake,
I find it in submission to his will,
And calm trust in the holy Trinity
Of Knowledge, Goodness, and Almighty Power.'
Silently wondering, for a little space,
Stood the great preacher; then he spake as one
Who, suddenly grappling with a haunting thought
Which long has followed, whispering through the dark
Strange terrors, drags it, shrieking, into light
'What if God's will consign thee hence to Hell?'
'Then,' said the stranger, cheerily, 'be it so.
What Hell may be I know not; this I know,I
cannot lose the presence of the Lord.
One arm, Humility, takes hold upon
His dear Humanity; the other, Love,
Clasps his Divinity. So where I go
He goes; and better fire-walled Hell with Him
Than golden-gated Paradise without.'
Tears sprang in Tauler's eyes. A sudden light,
Like the first ray which fell on chaos, clove
Apart the shadow wherein he had walked
Darkly at noon. And, as the strange old man
Went his slow way, until his silver hair
Set like the white moon where the hills of vine
Slope to the Rhine, he bowed his head and said
'My prayer is answered. God hath sent the man
Long sought, to teach me, by his simple trust,
Wisdom the weary schoolmen never knew.'
So, entering with a changed and cheerful step
The city gates, he saw, far down the street,
A mighty shadow break the light of noon,
Which tracing backward till its airy lines
Hardened to stony plinths, he raised his eyes
O'er broad facade and lofty pediment,
O'er architrave and frieze and sainted niche,
Up the stone lace-work chiselled by the wise
Erwin of Steinbach, dizzily up to where
In the noon-brightness the great Minster's tower,
Jewelled with sunbeams on its mural crown,
Rose like a visible prayer. 'Behold!' he said,
'The stranger's faith made plain before mine eyes.
As yonder tower outstretches to the earth
The dark triangle of its shade alone
When the clear day is shining on its top,
So, darkness in the pathway of Man's life
Is but the shadow of God's providence,
By the great Sun of Wisdom cast thereon;
And what is dark below is light in Heaven.'
Tauler, the preacher, walked, one autumn day,
Without the walls of Strasburg, by the Rhine,
Pondering the solemn Miracle of Life;
As one who, wandering in a starless night,
Feels momently the jar of unseen waves,
And hears the thunder of an unknown sea,
Breaking along an unimagined shore.
And as he walked he prayed. Even the same
Old prayer with which, for half a score of years,
Morning, and noon, and evening, lip and heart
Had groaned: 'Have pity upon me, Lord!
Thou seest, while teaching others, I am blind.
Send me a man who can direct my steps!'
Then, as he mused, he heard along his path
A sound as of an old man's staff among
The dry, dead linden-leaves; and, looking up,
He saw a stranger, weak, and poor, and old.
'Peace be unto thee, father!' Tauler said,
'God give thee a good day!' The old man raised
Slowly his calm blue eyes. 'I thank thee, son;
But all my days are good, and none are ill.'
Wondering thereat, the preacher spake again,
'God give thee happy life.' The old man smiled,
'I never am unhappy.'
Tauler laid
His hand upon the stranger's coarse gray sleeve
'Tell me, O father, what thy strange words mean.
Surely man's days are evil, and his life
Sad as the grave it leads to.' 'Nay, my son,
Our times are in God's hands, and all our days
Are as our needs; for shadow as for sun,
For cold as heat, for want as wealth, alike
Our thanks are due, since that is best which is;
And that which is not, sharing not His life,
Is evil only as devoid of good.
And for the happiness of which I spake,
I find it in submission to his will,
And calm trust in the holy Trinity
Of Knowledge, Goodness, and Almighty Power.'
Silently wondering, for a little space,
Stood the great preacher; then he spake as one
Who, suddenly grappling with a haunting thought
Which long has followed, whispering through the dark
Strange terrors, drags it, shrieking, into light
'What if God's will consign thee hence to Hell?'
'Then,' said the stranger, cheerily, 'be it so.
What Hell may be I know not; this I know,I
cannot lose the presence of the Lord.
One arm, Humility, takes hold upon
His dear Humanity; the other, Love,
Clasps his Divinity. So where I go
He goes; and better fire-walled Hell with Him
Than golden-gated Paradise without.'
Tears sprang in Tauler's eyes. A sudden light,
Like the first ray which fell on chaos, clove
Apart the shadow wherein he had walked
Darkly at noon. And, as the strange old man
Went his slow way, until his silver hair
Set like the white moon where the hills of vine
Slope to the Rhine, he bowed his head and said
'My prayer is answered. God hath sent the man
Long sought, to teach me, by his simple trust,
Wisdom the weary schoolmen never knew.'
So, entering with a changed and cheerful step
The city gates, he saw, far down the street,
A mighty shadow break the light of noon,
Which tracing backward till its airy lines
Hardened to stony plinths, he raised his eyes
O'er broad facade and lofty pediment,
O'er architrave and frieze and sainted niche,
Up the stone lace-work chiselled by the wise
Erwin of Steinbach, dizzily up to where
In the noon-brightness the great Minster's tower,
Jewelled with sunbeams on its mural crown,
Rose like a visible prayer. 'Behold!' he said,
'The stranger's faith made plain before mine eyes.
As yonder tower outstretches to the earth
The dark triangle of its shade alone
When the clear day is shining on its top,
So, darkness in the pathway of Man's life
Is but the shadow of God's providence,
By the great Sun of Wisdom cast thereon;
And what is dark below is light in Heaven.'
244
John Greenleaf Whittier
Sunset On The Bearcamp
Sunset On The Bearcamp
A gold fringe on the purpling hem
Of hills the river runs,
As down its long, green valley falls
The last of summer's suns.
Along its tawny gravel-bed
Broad-flowing, swift, and still,
As if its meadow levels felt
The hurry of the hill,
Noiseless between its banks of green
From curve to curve it slips;
The drowsy maple-shadows rest
Like fingers on its lips.
A waif from Carroll's wildest hills,
Unstoried and unknown;
The ursine legend of its name
Prowls on its banks alone.
Yet flowers as fair its slopes adorn
As ever Yarrow knew,
Or, under rainy Irish skies,
By Spenser's Mulla grew;
And through the gaps of leaning trees
Its mountain cradle shows
The gold against the amethyst,
The green against the rose.
Touched by a light that hath no name,
A glory never sung,
Aloft on sky and mountain wall
Are God's great pictures hung.
How changed the summits vast and old!
No longer granite-browed,
They melt in rosy mist; the rock
Is softer than the cloud;
The valley holds its breath; no leaf
Of all its elms is twirled
The silence of eternity
Seems falling on the world.
The pause before the breaking seals
Of mystery is this;
Yon miracle-play of night and day
Makes dumb its witnesses.
What unseen altar crowns the hills
That reach up stair on stair?
What eyes look through, what white wings fan
These purple veils of air?
What Presence from the heavenly heights
To those of earth stoops down?
Not vainly Hellas dreamed of gods
On Ida's snowy crown!
Slow fades the vision of the sky,
The golden water pales,
And over all the valley-land
A gray-winged vapor sails.
I go the common way of all;
The sunset fires will burn,
The flowers will blow, the river flow,
When I no more return.
No whisper from the mountain pine
Nor lapsing stream shall tell
The stranger, treading where I tread,
Of him who loved them well.
But beauty seen is never lost,
God's colors all are fast;
The glory of this sunset heaven
Into my soul has passed,
A sense of gladness unconfined
To mortal date or clime;
As the soul liveth, it shall live
Beyond the years of time.
Beside the mystic asphodels
Shall bloom the home-born flowers,
And new horizons flush and glow
With sunset hues of ours.
Farewell! these smiling hills must wear
Too soon their wintry frown,
And snow-cold winds from off them shake
The maple's red leaves down.
But I shall see a summer sun
Still setting broad and low;
The mountain slopes shall blush and bloom,
The golden water flow.
A lover's claim is mine on all
I see to have and hold,-The
rose-light of perpetual hills,
And sunsets never cold!
A gold fringe on the purpling hem
Of hills the river runs,
As down its long, green valley falls
The last of summer's suns.
Along its tawny gravel-bed
Broad-flowing, swift, and still,
As if its meadow levels felt
The hurry of the hill,
Noiseless between its banks of green
From curve to curve it slips;
The drowsy maple-shadows rest
Like fingers on its lips.
A waif from Carroll's wildest hills,
Unstoried and unknown;
The ursine legend of its name
Prowls on its banks alone.
Yet flowers as fair its slopes adorn
As ever Yarrow knew,
Or, under rainy Irish skies,
By Spenser's Mulla grew;
And through the gaps of leaning trees
Its mountain cradle shows
The gold against the amethyst,
The green against the rose.
Touched by a light that hath no name,
A glory never sung,
Aloft on sky and mountain wall
Are God's great pictures hung.
How changed the summits vast and old!
No longer granite-browed,
They melt in rosy mist; the rock
Is softer than the cloud;
The valley holds its breath; no leaf
Of all its elms is twirled
The silence of eternity
Seems falling on the world.
The pause before the breaking seals
Of mystery is this;
Yon miracle-play of night and day
Makes dumb its witnesses.
What unseen altar crowns the hills
That reach up stair on stair?
What eyes look through, what white wings fan
These purple veils of air?
What Presence from the heavenly heights
To those of earth stoops down?
Not vainly Hellas dreamed of gods
On Ida's snowy crown!
Slow fades the vision of the sky,
The golden water pales,
And over all the valley-land
A gray-winged vapor sails.
I go the common way of all;
The sunset fires will burn,
The flowers will blow, the river flow,
When I no more return.
No whisper from the mountain pine
Nor lapsing stream shall tell
The stranger, treading where I tread,
Of him who loved them well.
But beauty seen is never lost,
God's colors all are fast;
The glory of this sunset heaven
Into my soul has passed,
A sense of gladness unconfined
To mortal date or clime;
As the soul liveth, it shall live
Beyond the years of time.
Beside the mystic asphodels
Shall bloom the home-born flowers,
And new horizons flush and glow
With sunset hues of ours.
Farewell! these smiling hills must wear
Too soon their wintry frown,
And snow-cold winds from off them shake
The maple's red leaves down.
But I shall see a summer sun
Still setting broad and low;
The mountain slopes shall blush and bloom,
The golden water flow.
A lover's claim is mine on all
I see to have and hold,-The
rose-light of perpetual hills,
And sunsets never cold!
268
John Greenleaf Whittier
Stanzas for the Times
Stanzas for the Times
Is this the land our fathers loved,
The freedom which they toiled to win?
Is this the soil whereon they moved?
Are these the graves they slumber in?
Are we the sons by whom are borne
The mantles which the dead have worn?
And shall we crouch above these graves,
With craven soul and fettered lip?
Yoke in with marked and branded slaves,
And tremble at the driver's whip?
Bend to the earth our pliant knees,
And speak but as our masters please?
Shall outraged Nature cease to feel?
Shall Mercy's tears no longer flow?
Shall ruffian threats of cord and steel,
The dungeon's gloom, the assassin's blow,
Turn back the spirit roused to save
The Truth, our Country, and the slave?
Of human skulls that shrine was made,
Round which the priests of Mexico
Before their loathsome idol prayed;
Is Freedom's altar fashioned so?
And must we yield to Freedom's God,
As offering meet, the negro's blood?
Shall tongue be mute, when deeds are wrought
Which well might shame extremest hell?
Shall freemem lock the indignant thought?
Shall Pity's bosom cease to swell?
Shall Honor bleed?- shall Truth succumb?
Shall pen, and press, and soul be dumb?
No; by each spot of haunted ground,
Where Freedom weeps her children's fall;
By Plymouth's rock, and Bunker's mound;
By Griswold's stained and shattered wall;
By Warren's ghost, by Langdon's shade;
By all the memories of our dead!
By their enlarging souls, which burst
The bands and fetters round them set;
By the free Pilgrim spirit nursed
Within our inmost bosoms, yet,
By all above, around, below,
Be ours the indignant answer,- No!
No; guided by our country's laws,
For truth, and right, and suffering man,
Be ours to strive in Freedom's cause,
As Christians may, as freemen can!
Still pouring on unwilling ears
That truth oppression only fears.
What! shall we guard our neighbor still,
While woman shrieks beneath his rod,
And while he trampels down at will
The image of a common God?
Shall watch and ward be round him set,
Of Northern nerve and bayonet?
And shall we know and share with him
The danger and the growing shame?
And see our Freedom's light grow dim,
Which should have filled the world with flame?
And, writhing, feel, where'er we turn,
A world's reproach around us burn?
Is't not enough that this is borne?
And asks our haughty neighbor more?
Must fetters which his slaves have worn
Clank round the Yankee farmer's door?
Must he be told, beside his plough,
What he must speak, and when, and how?
Must he be told his freedom stands
On Slavery's dark foundations strong;
On breaking hearts and fettered hands,
On robbery, and crime, and wrong?
That all his fathers taught is vain,That
Freedom's emblem is the chain?
Its life, its soul, from slavery drawn!
False, foul, profane! Go, teach as well
Of holy Truth from Falsehood born!
Of Heaven refreshed by airs from Hell!
Of Virtue in the arms of Vice!
Of Demons planting Paradise!
Rail on, then, brethren of the South,
Ye shall not hear the truth the less;
No seal is on the Yankee's mouth,
No fetter on the Yankee's press!
From our Green Mountains to the sea,
One voice shall thunder, We are free!
Is this the land our fathers loved,
The freedom which they toiled to win?
Is this the soil whereon they moved?
Are these the graves they slumber in?
Are we the sons by whom are borne
The mantles which the dead have worn?
And shall we crouch above these graves,
With craven soul and fettered lip?
Yoke in with marked and branded slaves,
And tremble at the driver's whip?
Bend to the earth our pliant knees,
And speak but as our masters please?
Shall outraged Nature cease to feel?
Shall Mercy's tears no longer flow?
Shall ruffian threats of cord and steel,
The dungeon's gloom, the assassin's blow,
Turn back the spirit roused to save
The Truth, our Country, and the slave?
Of human skulls that shrine was made,
Round which the priests of Mexico
Before their loathsome idol prayed;
Is Freedom's altar fashioned so?
And must we yield to Freedom's God,
As offering meet, the negro's blood?
Shall tongue be mute, when deeds are wrought
Which well might shame extremest hell?
Shall freemem lock the indignant thought?
Shall Pity's bosom cease to swell?
Shall Honor bleed?- shall Truth succumb?
Shall pen, and press, and soul be dumb?
No; by each spot of haunted ground,
Where Freedom weeps her children's fall;
By Plymouth's rock, and Bunker's mound;
By Griswold's stained and shattered wall;
By Warren's ghost, by Langdon's shade;
By all the memories of our dead!
By their enlarging souls, which burst
The bands and fetters round them set;
By the free Pilgrim spirit nursed
Within our inmost bosoms, yet,
By all above, around, below,
Be ours the indignant answer,- No!
No; guided by our country's laws,
For truth, and right, and suffering man,
Be ours to strive in Freedom's cause,
As Christians may, as freemen can!
Still pouring on unwilling ears
That truth oppression only fears.
What! shall we guard our neighbor still,
While woman shrieks beneath his rod,
And while he trampels down at will
The image of a common God?
Shall watch and ward be round him set,
Of Northern nerve and bayonet?
And shall we know and share with him
The danger and the growing shame?
And see our Freedom's light grow dim,
Which should have filled the world with flame?
And, writhing, feel, where'er we turn,
A world's reproach around us burn?
Is't not enough that this is borne?
And asks our haughty neighbor more?
Must fetters which his slaves have worn
Clank round the Yankee farmer's door?
Must he be told, beside his plough,
What he must speak, and when, and how?
Must he be told his freedom stands
On Slavery's dark foundations strong;
On breaking hearts and fettered hands,
On robbery, and crime, and wrong?
That all his fathers taught is vain,That
Freedom's emblem is the chain?
Its life, its soul, from slavery drawn!
False, foul, profane! Go, teach as well
Of holy Truth from Falsehood born!
Of Heaven refreshed by airs from Hell!
Of Virtue in the arms of Vice!
Of Demons planting Paradise!
Rail on, then, brethren of the South,
Ye shall not hear the truth the less;
No seal is on the Yankee's mouth,
No fetter on the Yankee's press!
From our Green Mountains to the sea,
One voice shall thunder, We are free!
319
John Greenleaf Whittier
Summer By The Lakeside: Lake Winnipesaukee
Summer By The Lakeside: Lake Winnipesaukee
I. NOON.
White clouds, whose shadows haunt the deep,
Light mists, whose soft embraces keep
The sunshine on the hills asleep!
O isles of calm! O dark, still wood!
And stiller skies that overbrood
Your rest with deeper quietude!
O shapes and hues, dim beckoning, through
Yon mountain gaps, my longing view
Beyond the purple and the blue,
To stiller sea and greener land,
And softer lights and airs more bland,
And skies,--the hollow of God's hand!
Transfused through you, O mountain friends!
With mine your solemn spirit blends,
And life no more hath separate ends.
I read each misty mountain sign,
I know the voice of wave and pine,
And I am yours, and ye are mine.
Life's burdens fall, its discords cease,
I lapse into the glad release
Of Nature's own exceeding peace.
O welcome calm of heart and mind!
As falls yon fir-tree's loosened rind
To leave a tenderer growth behind,
So fall the weary years away;
A child again, my head I lay
Upon the lap of this sweet day.
This western wind hath Lethean powers,
Yon noonday cloud nepenthe showers,
The lake is white with lotus-flowers!
Even Duty's voice is faint and low,
And slumberous Conscience, waking slow,
Forgets her blotted scroll to show.
The Shadow which pursues us all,
Whose ever-nearing steps appall,
Whose voice we hear behind us call,-
That Shadow blends with mountain gray,
It speaks but what the light waves say,-Death
walks apart from Fear to-day!
Rocked on her breast, these pines and I
Alike on Nature's love rely;
And equal seems to live or die.
Assured that He whose presence fills
With light the spaces of these hills
No evil to His creatures wills,
The simple faith remains, that He
Will do, whatever that may be,
The best alike for man and tree.
What mosses over one shall grow,
What light and life the other know,
Unanxious, leaving Him to show.
II. EVENING.
Yon mountain's side is black with night,
While, broad-orhed, o'er its gleaming crown
The moon, slow-rounding into sight,
On the hushed inland sea looks down.
How start to light the clustering isles,
Each silver-hemmed! How sharply show
The shadows of their rocky piles,
And tree-tops in the wave below!
How far and strange the mountains seem,
Dim-looming through the pale, still light
The vague, vast grouping of a dream,
They stretch into the solemn night.
Beneath, lake, wood, and peopled vale,
Hushed by that presence grand and grave,
Are silent, save the cricket's wail,
And low response of leaf and wave.
Fair scenes! whereto the Day and Night
Make rival love, I leave ye soon,
What time before the eastern light
The pale ghost of the setting moon
Shall hide behind yon rocky spines,
And the young archer, Morn, shall break
His arrows on the mountain pines,
And, golden-sandalled, walk the lake!
Farewell! around this smiling bay
Gay-hearted Health, and Life in bloom,
With lighter steps than mine, may stray
In radiant summers yet to come.
But none shall more regretful leave
These waters and these hills than I
Or, distant, fonder dream how eve
Or dawn is painting wave and sky;
How rising moons shine sad and mild
On wooded isle and silvering bay;
Or setting suns beyond the piled
And purple mountains lead the day;
Nor laughing girl, nor bearding boy,
Nor full-pulsed manhood, lingering here,
Shall add, to life's abounding joy,
The charmed repose to suffering dear.
Still waits kind Nature to impart
Her choicest gifts to such as gain
An entrance to her loving heart
Through the sharp discipline of pain.
Forever from the Hand that takes
One blessing from us others fall;
And, soon or late, our Father makes
His perfect recompense to all!
Oh, watched by Silence and the Night,
And folded in the strong embrace
Of the great mountains, with the light
Of the sweet heavens upon thy face,
Lake of the Northland! keep thy dower
Of beauty still, and while above
Thy solemn mountains speak of power,
Be thou the mirror of God's love.
I. NOON.
White clouds, whose shadows haunt the deep,
Light mists, whose soft embraces keep
The sunshine on the hills asleep!
O isles of calm! O dark, still wood!
And stiller skies that overbrood
Your rest with deeper quietude!
O shapes and hues, dim beckoning, through
Yon mountain gaps, my longing view
Beyond the purple and the blue,
To stiller sea and greener land,
And softer lights and airs more bland,
And skies,--the hollow of God's hand!
Transfused through you, O mountain friends!
With mine your solemn spirit blends,
And life no more hath separate ends.
I read each misty mountain sign,
I know the voice of wave and pine,
And I am yours, and ye are mine.
Life's burdens fall, its discords cease,
I lapse into the glad release
Of Nature's own exceeding peace.
O welcome calm of heart and mind!
As falls yon fir-tree's loosened rind
To leave a tenderer growth behind,
So fall the weary years away;
A child again, my head I lay
Upon the lap of this sweet day.
This western wind hath Lethean powers,
Yon noonday cloud nepenthe showers,
The lake is white with lotus-flowers!
Even Duty's voice is faint and low,
And slumberous Conscience, waking slow,
Forgets her blotted scroll to show.
The Shadow which pursues us all,
Whose ever-nearing steps appall,
Whose voice we hear behind us call,-
That Shadow blends with mountain gray,
It speaks but what the light waves say,-Death
walks apart from Fear to-day!
Rocked on her breast, these pines and I
Alike on Nature's love rely;
And equal seems to live or die.
Assured that He whose presence fills
With light the spaces of these hills
No evil to His creatures wills,
The simple faith remains, that He
Will do, whatever that may be,
The best alike for man and tree.
What mosses over one shall grow,
What light and life the other know,
Unanxious, leaving Him to show.
II. EVENING.
Yon mountain's side is black with night,
While, broad-orhed, o'er its gleaming crown
The moon, slow-rounding into sight,
On the hushed inland sea looks down.
How start to light the clustering isles,
Each silver-hemmed! How sharply show
The shadows of their rocky piles,
And tree-tops in the wave below!
How far and strange the mountains seem,
Dim-looming through the pale, still light
The vague, vast grouping of a dream,
They stretch into the solemn night.
Beneath, lake, wood, and peopled vale,
Hushed by that presence grand and grave,
Are silent, save the cricket's wail,
And low response of leaf and wave.
Fair scenes! whereto the Day and Night
Make rival love, I leave ye soon,
What time before the eastern light
The pale ghost of the setting moon
Shall hide behind yon rocky spines,
And the young archer, Morn, shall break
His arrows on the mountain pines,
And, golden-sandalled, walk the lake!
Farewell! around this smiling bay
Gay-hearted Health, and Life in bloom,
With lighter steps than mine, may stray
In radiant summers yet to come.
But none shall more regretful leave
These waters and these hills than I
Or, distant, fonder dream how eve
Or dawn is painting wave and sky;
How rising moons shine sad and mild
On wooded isle and silvering bay;
Or setting suns beyond the piled
And purple mountains lead the day;
Nor laughing girl, nor bearding boy,
Nor full-pulsed manhood, lingering here,
Shall add, to life's abounding joy,
The charmed repose to suffering dear.
Still waits kind Nature to impart
Her choicest gifts to such as gain
An entrance to her loving heart
Through the sharp discipline of pain.
Forever from the Hand that takes
One blessing from us others fall;
And, soon or late, our Father makes
His perfect recompense to all!
Oh, watched by Silence and the Night,
And folded in the strong embrace
Of the great mountains, with the light
Of the sweet heavens upon thy face,
Lake of the Northland! keep thy dower
Of beauty still, and while above
Thy solemn mountains speak of power,
Be thou the mirror of God's love.
205
John Greenleaf Whittier
Song Of The Negro Boatman
Song Of The Negro Boatman
Oh, praise an' tanks! De Lord he come
To set de people free;
An' massa tink it day ob doom,
An' we ob jubilee.
De Lord dat heap de Red Sea waves
He jus' as 'trong as den;
He say de word: we las' night slaves;
To-day, de Lord's freemen.
De yam will grow, de cotton blow,
We'll hab de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
Ole massa on he trabbels gone;
He leaf de land behind:
De Lord's breff blow him furder on,
Like corn-shuck in de wind.
We own de hoe, we own de plough,
We own de hands dat hold;
We sell de pig, we sell de cow,
But nebber chile be sold.
De yam will grow, de cotton blow,
We'll hab de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
We pray de Lord: he gib us signs
Dat some clay we be free;
De norf-wind tell it to de pines,
De wild-duck to de sea;
We tink it when de church-bell ring,
We dream it in de dream;
De rice-bird mean it when he sing,
De eagle when he scream.
De yam will grow, de cotton blow,
We'll hab de rice an' corn:
Oh nebber you fear, if nebber you hear
De driver blow his horn!
We know de promise nebber fail,
An' nebber lie de word;
So like de 'postles in de jail,
We waited for de Lord
An' now he open ebery door,
An' trow away de key;
He tink we lub him so before,
We lub him better free.
De yam will grow, de cotton blow,
He'll gib de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
So sing our dusky gondoliers;
And with a secret pain,
And smiles that seem akin to tears,
We hear the wild refrain.
We dare not share the negro's trust,
Nor yet his hope deny;
We only know that God is just,
And every wrong shall die.
Rude seems the song; each swarthy face,
Flame-lighted, ruder still:
We start to think that hapless race
Must shape our good or ill;
That laws of changeless justice bind
Oppressor with oppressed;
And, close as sin and suffering joined,
We march to Fate abreast.
Sing on, poor hearts! your chant shall be
Our sign of blight or bloom,
The Vala-song of Liberty,
Or death-rune of our doom!
Oh, praise an' tanks! De Lord he come
To set de people free;
An' massa tink it day ob doom,
An' we ob jubilee.
De Lord dat heap de Red Sea waves
He jus' as 'trong as den;
He say de word: we las' night slaves;
To-day, de Lord's freemen.
De yam will grow, de cotton blow,
We'll hab de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
Ole massa on he trabbels gone;
He leaf de land behind:
De Lord's breff blow him furder on,
Like corn-shuck in de wind.
We own de hoe, we own de plough,
We own de hands dat hold;
We sell de pig, we sell de cow,
But nebber chile be sold.
De yam will grow, de cotton blow,
We'll hab de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
We pray de Lord: he gib us signs
Dat some clay we be free;
De norf-wind tell it to de pines,
De wild-duck to de sea;
We tink it when de church-bell ring,
We dream it in de dream;
De rice-bird mean it when he sing,
De eagle when he scream.
De yam will grow, de cotton blow,
We'll hab de rice an' corn:
Oh nebber you fear, if nebber you hear
De driver blow his horn!
We know de promise nebber fail,
An' nebber lie de word;
So like de 'postles in de jail,
We waited for de Lord
An' now he open ebery door,
An' trow away de key;
He tink we lub him so before,
We lub him better free.
De yam will grow, de cotton blow,
He'll gib de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
So sing our dusky gondoliers;
And with a secret pain,
And smiles that seem akin to tears,
We hear the wild refrain.
We dare not share the negro's trust,
Nor yet his hope deny;
We only know that God is just,
And every wrong shall die.
Rude seems the song; each swarthy face,
Flame-lighted, ruder still:
We start to think that hapless race
Must shape our good or ill;
That laws of changeless justice bind
Oppressor with oppressed;
And, close as sin and suffering joined,
We march to Fate abreast.
Sing on, poor hearts! your chant shall be
Our sign of blight or bloom,
The Vala-song of Liberty,
Or death-rune of our doom!
305
John Greenleaf Whittier
St. Martin's Summer
St. Martin's Summer
Though flowers have perished at the touch
Of Frost, the early comer,
I hail the season loved so much,
The good St. Martin's summer.
O gracious morn, with rose-red dawn,
And thin moon curving o'er it!
The old year's darling, latest born,
More loved than all before it!
How flamed the sunrise through the pines!
How stretched the birchen shadows,
Braiding in long, wind-wavered lines
The westward sloping meadows!
The sweet day, opening as a flower
Unfolds its petals tender,
Renews for us at noontide's hour
The summer's tempered splendor.
The birds are hushed; alone the wind,
That through the woodland searches,
The red-oak's lingering leaves can find,
And yellow plumes of larches.
But still the balsam-breathing pine
Invites no thought of sorrow,
No hint of loss from air like wine
The earth's content can borrow.
The summer and the winter here
Midway a truce are holding,
A soft, consenting atmosphere
Their tents of peace enfolding.
The silent woods, the lonely hills,
Rise solemn in their gladness;
The quiet that the valley fills
Is scarcely joy or sadness.
How strange! The autumn yesterday
In winter's grasp seemed dying;
On whirling winds from skies of gray
The early snow was flying.
And now, while over Nature's mood
There steals a soft relenting,
I will not mar the present good,
Forecasting or lamenting.
My autumn time and Nature's hold
A dreamy tryst together,
And, both grown old, about us fold
The golden-tissued weather.
I lean my heart against the day
To feel its bland caressing;
I will not let it pass away
Before it leaves its blessing.
God's angels come not as of old
The Syrian shepherds knew them;
In reddening dawns, in sunset gold,
And warm noon lights I view them.
Nor need there is, in times like this
When heaven to earth draws nearer,
Of wing or song as witnesses
To make their presence clearer.
O stream of life, whose swifter flow
Is of the end forewarning,
Methinks thy sundown afterglow
Seems less of night than morning!
Old cares grow light; aside I lay
The doubts and fears that troubled;
The quiet of the happy day
Within my soul is doubled.
That clouds must veil this fair sunshine
Not less a joy I find it;
Nor less yon warm horizon line
That winter lurks behind it.
The mystery of the untried days
I close my eyes from reading;
His will be done whose darkest ways
To light and life are leading!
Less drear the winter night shall be,
If memory cheer and hearten
Its heavy hours with thoughts of thee,
Sweet summer of St. Martin!
Though flowers have perished at the touch
Of Frost, the early comer,
I hail the season loved so much,
The good St. Martin's summer.
O gracious morn, with rose-red dawn,
And thin moon curving o'er it!
The old year's darling, latest born,
More loved than all before it!
How flamed the sunrise through the pines!
How stretched the birchen shadows,
Braiding in long, wind-wavered lines
The westward sloping meadows!
The sweet day, opening as a flower
Unfolds its petals tender,
Renews for us at noontide's hour
The summer's tempered splendor.
The birds are hushed; alone the wind,
That through the woodland searches,
The red-oak's lingering leaves can find,
And yellow plumes of larches.
But still the balsam-breathing pine
Invites no thought of sorrow,
No hint of loss from air like wine
The earth's content can borrow.
The summer and the winter here
Midway a truce are holding,
A soft, consenting atmosphere
Their tents of peace enfolding.
The silent woods, the lonely hills,
Rise solemn in their gladness;
The quiet that the valley fills
Is scarcely joy or sadness.
How strange! The autumn yesterday
In winter's grasp seemed dying;
On whirling winds from skies of gray
The early snow was flying.
And now, while over Nature's mood
There steals a soft relenting,
I will not mar the present good,
Forecasting or lamenting.
My autumn time and Nature's hold
A dreamy tryst together,
And, both grown old, about us fold
The golden-tissued weather.
I lean my heart against the day
To feel its bland caressing;
I will not let it pass away
Before it leaves its blessing.
God's angels come not as of old
The Syrian shepherds knew them;
In reddening dawns, in sunset gold,
And warm noon lights I view them.
Nor need there is, in times like this
When heaven to earth draws nearer,
Of wing or song as witnesses
To make their presence clearer.
O stream of life, whose swifter flow
Is of the end forewarning,
Methinks thy sundown afterglow
Seems less of night than morning!
Old cares grow light; aside I lay
The doubts and fears that troubled;
The quiet of the happy day
Within my soul is doubled.
That clouds must veil this fair sunshine
Not less a joy I find it;
Nor less yon warm horizon line
That winter lurks behind it.
The mystery of the untried days
I close my eyes from reading;
His will be done whose darkest ways
To light and life are leading!
Less drear the winter night shall be,
If memory cheer and hearten
Its heavy hours with thoughts of thee,
Sweet summer of St. Martin!
233