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Thomas Mann
German writer concerned about the role of the artist in bourgeois society (1875-1955)
1955
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The meeting in the open of two dogs, strangers to each other, is one of the most painful, thrilling, and pregnant of all conceivable encounters; it is surrounded by an atmosphere of the last canniness, presided over by a constraint for which I have no precise name; they simply cannot pass each other, their mutual embarrassment is frightful to behold.
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